TwelfTh NighTB Y W I L L I A M S H A K E S P E A R E

July 8, 9, 10 and 15, 16, 17, 2011

Please turn off all cell phones, pagers, and alarms.

In order to protect the professional integrity of Elements Theatre Company, no photography or recording of this performance is allowed.

A Note from the Director

Dear Friends,

Welcome to Illyria; a place of magic, mystery and mayhem.

In the midst of the mayhem is a story Shakespeare is valiantly trying to tell us, a story that he brings to life through a unique blend of characters. Each has his agenda in which he or she may win or lose something of great value. Not all of the characters are forthcoming about their agendas—even to themselves, a fact which adds to the delight of the story. Literary critic, Joseph Summers says of Twelfth Night,

Every character has his mask, for the assumption of the play is that no one is without a mask in the serio-comic business of the pursuit of happiness. As a general rule, we laugh with the characters who know the role they are playing and we laugh at those who do not; we can crudely divide the cast of Twelfth Night into those two categories.

The characters in both of these categories are working out in their lives the things most important to them, while at the same time facing the challenge to change some of the choices they have made and embrace life in a new way. For example, Olivia says, Me thinks tis time to smile again. In smiling she makes the choice to shake off the grief which has shrouded and protected her and risk the thrill of something new—a freedom that allows her to choose life again. She is not alone in choosing something new nor in the subsequent surprising possibilities—though for some, smiling comes with a different expectation and leads to a different end!

Shakespeare knows the humanity of his characters, and because he knows them so well, he allows the craziness of their choices to lead them into explosions of life. Ours is the joy of joining in their experience!

Have a great evening!

TwelfTh NighTthe cAst (In order of appearance)

Livery Man Vicky KanagaOrsino, Duke of Illyria Luke NormanCurio, attendant to the Duke Jeremy Haig Valentine, attendant to the Duke Heather Catlin Viola, sister to Sebastian Rachel McKendree Sea Captain, friend to Viola Br. Stephen VelieSir Toby Belch, Uncle to Olivia Brad LussierMaria, Olivia’s gentlewoman Kate Shannon Sir Andrew Aguecheek, a visiting gentleman Kyle NormanFeste, a clown Chris KanagaOlivia, a rich countess Ellen OrtolaniMalvolio, steward to Olivia Sr. Danielle DwyerMaids at Olivia’s house Lindsey Kanaga, Sarah HaleAntonio, a sea captain, friend to Sebastian Br. Stephen Velie Sebastian, brother to Viola Peter HaigFabian, servant to Olivia Sr. Phoenix CatlinOfficer 1 Sarah HaleOfficer 2 Heather CatlinPriest Vicky Kanaga

The Place: A coastal city in Illyria

Our story takes place at: Orsino’s stable and courtyard; Olivia’s garden; and the road in between these two locations

There will be a 15 minute intermission between Acts II and III.

ProDuctioN PersoNNel

Director Sr. Danielle Dwyer

technical Director Chris Kanaga

stage manager Sr. Mercy Minor

musical consultant David Chalmers

costumes Gail Gibson, Michelle Rich, Sr. Hannah Nash, Sr. Mary Lane, Sr. Petra Gibson

make-up Barbara Cole, Sandy Spatzeck-Olsen, Sr. Estelle Cole, Sr. Lucia Smith, Sharon Tingley, Andrew Miao, Sheryle Snure, Rebecca Lussier, Sr. Mary Lane, Sr. Regina Lynch, Blair Tingley, Susie Kanaga

Properties Sr. Gabriella Guyer, Sr. Bernadette VanBuskirk

lighting Sr. Victoria MacNeil, Steve Witter

set Design Hans Spatzeck-Olsen

sound Br. Timothy Pehta, Julie Norman

set construction Hans Spatzeck-Olsen, Jesse Haig, Steve Minster, Matt Andre, Tim McKendree, Peter McKendree, Tom Lynch, Peter Shannon, Kyle Norman, David Ortolani, Jim Pfeiffer, Br. Mark Bushnell, Anna Mitchell, Stephanie Burnie, Bob Rich, Christy Haig, Charlie McKendree, Lexa Hale, Roger Snure, Sr. Katherine Mary Hamilton, Sr. Bernadette VanBuskirk , Mary Shannon, Luke Norman, Steve Witter, Chris Kanaga, Brad Lussier, Br. Peter Logan, Vicky Kanaga

interior Décor Virginia Smith, Sr. Gabriella Guyer, Sr. Bernadette VanBuskirk, Sr. Katherine Mary Hamilton, Wendy Saran

Venue master Br. Joel Sweet

stage crew Sr. Gabriella Guyer, Br. Dan Parnell, Steve Minster

elements AdministrationArtistic Director Sr. Danielle DwyerDramaturg Brad LussierAdministration Sr. Seana ShannonBooking Agent Blair Tingley

musiciansBr. Matthew GillisBr. Benedict Young Sr. Seana Shannon

We acknowledge musical excerpts from:

Piano Concerto No. 23 in A K. 488 Wolfgang Amadeus MozartSymphonies No. 93, 99, 100, 102, 104 Franz Joseph HaydnLa Dolce VitaLa Caccia il bacioO Mia Bella Napoli

We would like to thank the following companies for kindly loaning items towards the set:

St. Aubin’s Nursery, Eastham—plantsEmerald Hollow Farm, Brewster—saddle

About the comPANy

elements theatre companySince primitive man uttered his first “ugh,” humans have asked: who am I, how did I get here, and where am I going? Some have tried to answer or explore those questions through a particular brand of storytelling called “theatre.” We at Elements Theatre Company explore those answers, and render the literature of the theatre with imagination and integrity. The transformative work to become the text – to inhabit another world and live another’s life – is both our pleasure and privilege. We believe in the vitality of the word, and the community born between playwright, actor and audience. We seek to be available to that divine moment when inspiration, faithfulness, hard work, and love merge, and transport us beyond the familiar into something new.

Elements Theatre Company has trained with teachers from Shakespeare & Company, Central School of Speech and Drama, Royal Academy of Dramatic Arts, Shakespeare’s Globe, the Royal Shakespeare Company, and London’s National Theatre. The company has studied with Patsy Rodenberg, Joanna Weir-Ouston, Glynn MacDonald and Sue Lefton, and their voice training holds specific emphasis in the Linklater method. The company spent February 2009 in New York City studying voice, improvisation, Shakespeare, and the Michael Chekhov technique with Louis Colaianni, Jane Nichols, Daniela Varon and Lenard Petit.

Elements Theatre Company performs year-round at Paraclete House and the Church of the Transfiguration on Cape Cod, Massachusetts. They tour regularly, presenting workshops and performing at conferences, schools and churches. Elements has also explored the medium of Readers’ Theatre in productions at the Church of the Transfiguration, including John Masefield’s The Trial of Jesus and The Just Vengeance by Dorothy Sayers.

Danielle Dwyer, CJ • Artistic Director Co-Founder of Elements Theatre Company Sr. Danielle Dwyer earned her Master of Arts Degree from England’s Royal Academy of Dramatic Art and the University of London. She trained in voice, acting, and writing with Joanna Weir at Central School of Speech and Drama in London, David Male of Cambridge University, and Shakespeare & Company in Lenox, MA. An actress of critical acclaim, Sr. Danielle’s directing experience ranges from Neil Simon’s Rumors to Oscar Wilde’s Lady Windemere’s Fan, and Anton Chekov’s The Cherry

Orchard. She also co-directed the world premiere of A Quest for Honor: The Wind Opera, and the opera Pilgrim’s Progress by Ralph Vaughan Williams. She has authored several short stories and plays, video scripts, poetic monologues, and narratives for worship and meditation. Her recent roles have included: The Cherry Orchard, Ranevskaya; Rumors, Chris Gorman; Lady Windermere’s Fan, Mrs. Erlynne; The Lion in Winter, Eleanor; Doctor Faustus, Mephistopheles; Richard III, Queen Elizabeth; Everyman, Everyman; and Lettice and Lovage, Lettice Douffet. Christopher Kanaga • Technical DirectorChris has held a lifelong interest in the fine and performing arts, and has been a member of Elements Theatre Company since 2002. He studied liturgical art and architecture for four years throughout western Europe, and has managed and coordinated international artists and artisans in major architectural art installations of fresco, mosaic, and bronze and stone sculpture. Chris was Set Director for the highly praised production of the opera Pilgrim’s Progress by Vaughan Williams. In 2006, he toured South Korea with Spirit of America Band as the Technical Director for A Quest for Honor: the Wind Opera, and coordinated A Heart to Love! Scenes and Songs of Shakespeare. In summer of 2009 and 2010, he was Technical Director for Spirit of America’s show Exploration!, which toured the U.S.

brad lussier • DramaturgBrad earned his AB in English and American Literature from Brown University. He also studied Creative Dramatics for Children at Roger Williams University, and earned a Doctorate in Pastoral Counseling from Boston University. All of his knowledge comes into play in his role as Dramaturg: consideration of the integrity of the text, familiarity with various periods and styles, sensitivity to subtext, and attention to accuracy of detail. Brad has performed with Elements since 2001.

PROGRAM NOTES

Twelfth Night or What you Will– A bit of background

For Shakespeare, “Twelfth Night” refers to the twelfth night of Christmas, a season when a great festival of feasting and game playing was central to the Christmas celebrations in England from the time of the Saxons to the seventeenth century. In 1644, Cromwell’s Puritan-dominated Long Parliament replaced the festival with a solemn fast. In Shakespeare’s day “Puritan” referred first to this distinct political and religious faction. However, Puritans not only encouraged godly solemnity, but they also waged relentless warfare against the youthful and lighthearted pleasures of the Elizabethan world. Is it any wonder that Puritans – and those who act like Puritans - are held in high states of disregard in Twelfth Night?

In the reign of Richard II, it was customary for the court to be visited by groups of players who performed comic shows or “disguisings”. In private houses, and even in the palace, it was the custom to elect a Lord of Misrule. It was he (usually a man of no rank) who became responsible for organizing the revels, entertainments and feastings of the festival. Elaborate court was paid to this King of Folly, for the whole hierarchy of the household was turned upside down and the mundane discipline of the rest of the year was respected only in parody form. The custom was widely preserved in the universities and Inns of Court and in the great houses well into Shakespeare’s time.

Hence, it should not surprise us that a bit of frivolity and even insanity would be the norm for Twelfth Night. Orsino and Olivia are both in abnormal states of mind at the beginning of the play, and there are even madder characters to come: the drunken Sir Toby, the hare-brained Sir Andrew Aguecheek, and Feste, the man whose profession is folly. Even Sebastian and Antonio will admit to temporary insanity. Malvolio alone tries to check the prevailing atmosphere of abandon, but he is tricked into the service of others who will not be denied their fun – and subsequently into the lunacy he so loftily despises! But, as Feste states in Act V, Scene 1, the “whirligig of time brings in his revenges.” It seems that Elizabethan dramatists, including Shakespeare, had ways of making Puritan characters their comic butts.

synopsis

Duke Orsino of Illyria persists in courting the beautiful Countess Olivia, even though she will see no suitors while she mourns the recent loss of her brother. Meanwhile, a shipwreck separates a maiden named Viola from her twin brother, Sebastian. Washed up on a beach and fearing for her safety, Viola disguises herself as a man and secures a position in Orsino’s house. Orsino soon sends the young “man” as his emissary of love to the Countess Olivia.

Olivia’s uncle, Sir Toby Belch, has no use for Olivia’s mourning, despite the best efforts of Maria, Olivia’s attendant, who seeks to rein him in. Nonetheless, in order to finance his drunken binges, Toby has invited the dim-witted Andrew Aguecheek to Olivia’s house as a suitor. Feste, Olivia’s fool, also returns to the house to disrupt the mourning—much to the disapproval of Olivia’s steward, the sanctimonious Malvolio.

Viola, who has taken the name Cesario, arrives to woo Olivia for Orsino, but the charming messenger unintentionally wins Olivia’s heart for himself. The love-struck Olivia sends Malvolio after Cesario with a ring as a ploy to make him return to her the following day. Viola immediately realizes that the countess has fallen in love with her male alter ego. Meanwhile, Viola’s brother Sebastian surfaces alive at a port in Illyria, believing his sister to be drowned.

Sir Toby and Sir Andrew wake up the house with their late-night carousing, and the irascible Malvolio threatens them with eviction—on Olivia’s authority. Maria is outraged by Malvolio’s arrogance and vows to help Sir Toby get his revenge.

Viola attempts to make Orsino accept Olivia’s rejection, nearly revealing her own unrequited love for him, but he sends her back to woo Olivia again.

Maria forges a cryptic love letter in Olivia’s handwriting, and Malvolio interprets it as an expression of Olivia’s love for him. He determines to follow its instructions religiously—to wear yellow stockings and crossed garters, and to act boldly. When Cesario returns to Olivia, she declares her romantic feelings for him.

Olivia’s brother, Sebastian, and his friend, Antonio, arrive in town. Antonio reveals that he once fought against Orsino and must hide until night. He gives Sebastian his money for safekeeping.

Cross-gartered and in yellow stockings and sporting uncharacteristic smiles, Malvolio presents himself to a mystified Olivia. She entrusts him to Sir Toby, who orders him bound, placed in a dark room and imprisoned like a madman. Next, Sir Toby encourages a duel between the timid Cesario and Sir Andrew. Seeing what he thinks is Sebastian under attack, Antonio intervenes. But Orsino’s officers arrest Antonio, and he feels betrayed when Cesario denies knowing him or having his money. The real Sebastian appears and is mistaken for Cesario, both by Sir Toby and Sir Andrew and by the amorous Olivia. Attracted to Olivia, Sebastian impulsively agrees to marry her.

When Orsino arrives to court Olivia personally, Olivia not only rejects him but also calls Cesario her husband. A wounded Sir Andrew arrives, begging help for Sir Toby who is similarly bloodied. Both name Cesario as their assailant. Finally, Sebastian appears and apologizes to Olivia for injuring her uncle. Reunited in the presence of the stunned assembly, Sebastian and Viola reveal that they are twins, brother and sister. Olivia and Orsino accept the pair as their respective mates. Olivia discovers the practical joke played against Malvolio, but he refuses to be reconciled as the others celebrate.

William shakespeare

Scholars believe that William Shakespeare was born in Stratford-upon-Avon on April 23, 1564. Church records from Holy Trinity Church indicate that he was baptized there on April 26, 1564. His parents were John Shakespeare, a glover and leather merchant, and Mary Arden, a landed local heiress. John Shakespeare found success as a merchant, alderman, and high bailiff of Stratford during William’s early childhood.

It is believed that Shakespeare attended the free grammar school in Stratford, which had a reputation rivaling that of Eton. It is not known how long William attended the school, but it is certain that he did not attend university.

Shakespeare married Anne Hathaway on November 28, 1582. William was 18 at the time, and Anne was 26 and expecting their first daughter, Susanna, who was born on May 26, 1583. Two years later their twins, Hamnet and Judith, were born on February 2, 1585, and later christened at Holy Trinity.

It is believed that Shakespeare arrived in London around 1588 and began to establish himself as an actor and playwright. Shakespeare knew early success, evident by the critical attack of Robert Greene, a London playwright, who, in 1592, called Shakespeare, “. . .an upstart crow.” By 1594, Shakespeare

was acting and writing for the Lord Chamberlain’s Men, later called the King’s Men after the ascension of James I in 1603.

Shakespeare’s success as an actor and playwright were unparalleled in his day, making his company the most successful in London. It is believed that Shakespeare died on his birthday, April 23, 1616. Although the date may be more myth than fact, Shakespeare was interred at Holy Trinity in Stratford on April 25, leaving a final piece of verse as his epitaph:

Good friend, for Jesus’ sake forbeare To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he that moves my bones.

Twelfth Night over time

Twelfth Night, premiered in 1601. Since that first performance, the play’s memorable characters, stunning language, and ingenious plot have made it one of Shakespeare’s most popular comedies. In this timeline, we follow Twelfth Night through 400 years on stage (and screen).

1601Shakespeare writes Twelfth Night. On January 6 (Twelfth Night), Shakespeare’s company performs a play at court for Queen Elizabeth and her guest, the Italian nobleman Virginio Orsino. Some scholars have speculated that this marks the premiere of Twelfth Night.

1602After a celebration at the Middle Temple Hall on February 2, the law student John Manningham records in his diary: “At our feast we had a play called Twelve Night, or What You Will.”

1661With the restoration of King Charles II and the end of the Puritan ban on theatres, William Davenant opens the Duke’s Playhouse. His production of Twelfth Night becomes the first to feature female actors as Viola, Olivia and Maria.

1741Irish actor Charles Macklin stages Twelfth Night at Covent Garden, as part of a repertory with As You Like It and The Merchant of Venice. The three plays feature women disguised as men, a tremendous box-office draw – even then!

1884Henry Irving plays Malvolio at London’s Lyceum Theatre, turning the character from a joke into a dignified and almost tragic figure.

1955John Gielgud directs Laurence Olivier as Malvolio at the Royal Shakespeare Company. Following Irving’s lead, Olivier plays the wronged steward as a sympathetic man.

1969Director John Barton changes the way audiences look at Twelfth Night with his Royal Shakespeare Company staging. Featuring Judi Dench as Viola, the production brings a quiet melancholy to the comedy.

1989Michael Kahn’s production of Twelfth Night (set in Sri Lanka) was the recipient of three Helen Hayes awards for: Outstanding Director, Michael Kahn; Outstanding Lead Actress, Kelly McGillis; and Outstanding Supporting Actor, Philip Goodwin. The production was also prominently featured in a speech Representative Fred Gandy made in Congress addressing arts funding and censorship.

1996Trevor Nunn directs a film of Twelfth Night, with Helena Bonham-Carter as Olivia and Ben Kingsley as a very serious Feste.

1998New York’s Lincoln Center Theater produces Twelfth Night with a star-studded cast, including Helen Hunt, Paul Rudd and Kyra Sedgwick. 2003British director Declan Donnellan directs an all-male Twelfth Night with a company of Russian actors. The production originates in Moscow and later tours the world to great acclaim.

music Notes

In keeping with both the spirit and setting of this production of TwelfthNight, the music chosen is bright, sunny and energetic, a serendipitousmixture of the old and more recent. We experience the old in the period touch of instruments and sounds from Shakespeare’s time, while we find the sunny, joyous Italian-Mediterranean spirit represented in two great classical composers: Mozart and Haydn. From Wolfgang Amadeus Mozart we have his Piano Concerto # 23 in A, one of his finest works in this genre. Its final movement is a vivacious romp that captures the fun and quixotic moods of the play. One of Mozart’s great influences was his predecessor, Franz Joseph Haydn, and he is considered the “father” of the modern symphony. Today we hear excerpts from his “London” Symphonies and in particular the final movement from his Symphony, No. 104. This movement is cast as a rondo with the recurring opening theme very much in the spirit of a folk song. Like the Mozart excerpt, there is an infectious, bubbly quality that must come from Haydn’s own affirmative personality. These composers’ music illuminate the magical things that happen at surprising times throughout Twelfth Night.

The Italian popular songs, while some go back centuries, are popular for one good reason: their memorable melodies! These songs give us a little more of that Mediterranean flavor, a spirit of light-heartedness and riotousness that reflects the spirit of much of the play. We hear three popular songs in this performance, each arranged for a small band (with mandolin, accordion and percussion). These are the kind of pieces one expects to hear while walking around Florence or perhaps sung by the gondoliers in Venice. Here is music that is timeless and universal in its message of joie de vivre!

Gloriæ Dei Artes Foundation thanks the following fine corporate, foundation and individual sponsors for their kind assistance. Their generosity helps make it possible to passionately challenge young people and to inspire

audiences of all ages around the world.

A Mill ion Thanks

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Mrs. Shirley McAuliffeMrs. Thomas P. McDermottThe Rev. and Mrs. Allan McDowellMr. and Mrs. Michael V. McKayMr. and Mrs. Tim McKendreeMr. and Dr. Andrew MiaoMr. and Mrs. Steven MinningerThe Rev. and Mrs. Ronald MinorMr. and Mrs. David MinsterMr. and Mrs. Harry L. MirickMrs. Betty MitmanMrs. Gail MoloneyThe Rev. and Mrs. Edward MooreChaplain and Mrs. Henry MoreauRev. Canon and Mrs. C. H. MorrisMueller Sports MedicineMr. John MullaneyMr. Theodore MyerNarragansett Brewing CompanyNatural Lawns of AmericaMs. Barbara NeilsonNew Penn Motor ExlNice Pack PDIMr. and Mrs. Robert NordborgMr. and Mrs. G. L. NormanNY Hair Co. & SpaNYCEMrs. Jane M. OberMr. and Mrs. Francis J. O’BrienDr. and Mrs. Silvio J. OnestiOrleans Camera & VideoOrleans Wine & SpiritsOrange Tree Golf ResortMr. and Mrs. Daniel OrtolaniMr. and Mrs. Richard PagePapillon HelicoptorsMrs. Jane E. ParkerMr. and Mrs. Robert PattonMrs. Eleanora PennekampMrs. Shirley PipherMr. and Mrs. Donald PondPonderosa Landscaping and St. Aubin NurseryMs. Lisa Porter

Potted GeraniumPowerhold, Inc.Ms. Janice K. PrattPrecision Fabrics Group, Inc.Puritan of Cape CodMr. and Mrs. F. L. QuinnRagg TimeR. M. Sullivan Transportation, Inc.Rancho de los CaballerosMr. and Mrs. Peyton ReedMs. Marilyn ReedyMs. Dorothy RichardsonRoss ExpressMr. and Mrs. Harris RoweRS Berkeley InstrumentsMr. and Mrs. James SampsonSamuel Michael SalonMr. Michael SandefurMs. Nancy Belinda SchmittSchumacher Electric CorporationMr. Kevin ScullySears Hometown StoreSEKOMr. and Mrs. Peter ShannonShear MadnessShelter LogicShugrue’s Hillside GrillMs. Aldana G. SmithMr. and Mrs. Dean SmithMrs. Frank SmithMr. and Mrs. Stanley SnowMr. and Mrs. Roger L. SnureMr. and Mrs. William SpahrSpang Framing CenterMr. and Mrs. W. D. SpinglerMr. and Mrs. Mike SquierStanley HardwareMr. John A. StenMrs. Elizabeth StookeySullivan Tire and Auto ServiceMr. Malcolm SweetTerri’s Hair AffairTetra Medical Products Corp.

The Beacon Room RestaurantThe Frame Center, Inc. The Left Bank GalleryThe Lobster ClawThe Parsonage InnThe Rag CompanyThe Steamship AuthorityThe Wildflower InnThistleThe Rev. and Mrs. David ThroopTop of the HubMr. and Mrs. James F. TrainorTriple A Cooper TransportMr. and Mrs. Henry TrotterMs. Susan TuttleUnited LiquorsUnited TechnologiesUSF HollandUshioUshio America, Inc.Dr. J N. VandemoerMr. John VandwerkenVaughn & NelsonMs. Sharon VecseyVelcro, Inc.Ms. Susan WangermanWatson’s Men’s StoreMr. Thomas H. WellsMs. Bonnie WilkesMrs. Mary June WilkinsonMs. Claudia WillisWill Charles SalonWindmill Liquors and Fine WinesMr. and Mrs. Stephen C. WitterW. J. Hagerty & SonsMr. and Mrs. Paul WoudenbergDr. and Mrs. Robert WygonskiZebra PenMr. and Mrs. David S. Zemanek

cAleNDAr of uPcomiNG eVeNts

Church of the Transfiguration

The Church of the Transfiguration is open daily on Monday, Tuesday, Thursday, Friday, and Saturday. Guided tours of the church are offered at 11:00 am, 1:00 pm, 3:00 Pm, and 4:30 Pm.

During the months of July and August, an Organ Demonstration will be given every Friday on the E.M. Skinner Organ at 3:30 Pm, following the 3:00 Church tour. Refreshments will be served in Priory Books and Gifts.

To schedule a church tour, visit www.churchofthetransfiguration.comor call 508-255-1094.

Gloriæ Dei CantoresU.S. Tour with Munich Symphony Orchestra

October 25- November 21, 2011Gloriæ Dei Cantores performs Mozart’s Requiem with

Philippe Entremont and the Munich Symphony Orchestra on its 2011 United States Tour.

For full schedule of performances visit www.gdcchoir.org

A Christmas Carol by charles DickensFriday - Sunday, Dec. 2, 3, 4—6:00 Pm dinner,

7:30 pm performance Thursday - Saturday, Dec. 8,9,10—6:00 Pm dinner,

7:30 Pm performance Sunday, Dec. 11—3:30 Pm matinee

Shakespeare’s Twelfth Night February 2012, New England Tour

PhiladelphiaRhode Island

New YorkNew Jersey

www.elementstheatre.org

Please call 508-240-2400 for tickets & information as all events are subject to change

© 2011 Gloriæ Dei Artes Foundation, Inc.

P.O. Box 2831, Orleans, MA 02653

Phone: 508-255-3999

Reservations: 508-240-2400

Fax: 508-240-1989

Email: publicity@gdaf.org

www.gdaf.org

© Gloriæ Dei Artes Foundation