“The project Orquestra Tutti Per L’Arte”was born

from the necessity of VOCARE, as a producer of

shows and assuming its own creations, to have a

variety of qualified and talented musicians who

could present with the higher dignity its own

productions both artistic and technically. With the

play “Espanca, Eu não sou ninguém”, the

Ensemble presented themselves for the first time in

the small auditorium from the Rivoli Theatre in

Porto. Since then, they have been playing in several

spaces, with several productions, as in the

VOCARE saloon, in the “Capela das Almas” or in

the small auditorium from the Rivoli theatre.

The presentation of the originals, between the

classic and the popular, joined by the harmonious

ways of theatre, as well as the erudite plays from

Mozart, Pergolesi or Piazzolla are already a part of

the repertoire of Ensemble being that the schedule

for 2014/2015 will be vaster, counting with

originals associated to poetry and to theatre.

In 2015, the Ensemble will tour with a new project

to Polen and Brazil, having as main goal the

disclosure of the portuguese music.

Orquestra Tutti Per L’Arte Description

– 01–

– 02–

He started his first clarinet lessons with his father at 6 years old and soon started his education at Castelo de Paiva Music Academy (AMCP), where he worked with teacher Víctor Pereira.

In 2011 he finished his graduation in Music (Clarinet performance) in the University of Minho, with the classification of 18 (grade A) and in 2014 he finished the master in Music Teaching with the same classification.

He attended Master classes with clarinetists of international special renown, such as François Benda, Harri Maki, Charles Neidich, Tibor Reman, Ronald Van Spaendonck, António Saiote, Michel Lethiec, and Alessandro Carbonare.

André was awarded with the first prize in the musical Olympiads from AMCP.

He collaborated with several Orchestras, from which we can excel the Philharmonic Orchestra of Beiras, Chamber Orchestra of Minho, Youth

Orchestra of Sta. Maria da Feira, Wind Orchestra of Institute Piaget – Viseu and Vermoim Philharmonic Orchestra. In the feature of chamber music, he’s a founding member of the “Quinteto de Clarinetes Novum Pontem” and a resident clarinetist of “Tutti Per L’Arte” Orchestra from the “Professional Institute of Voice and Communication, Vocare” based in Porto.

André is, since August 2014, concertino in the Portuguese Orchestra of Winds.

Parallel to that, he’s a teacher of clarinet in the music school from the Association for the Cultural Development of Douro - Aradum – and professor of Clarinet in the Academy of Arts in Cinfães.

– 03–

– 04–

André Vieira

Bruno Gomes Sousa was born on the 26TH of May 1989 in Bellinzona - Ticino (Switzerland). At nine years old he started studying piano under the guidance of Anna Galassetti.

He came to Portugal when he was 11 year’s old, time in which he joined Braga’s Calouste Gulbenkian Conservatory of Music in viola d’ Arc with teacher Luís Norberto, with whom he has studied for six years. In the eighth grade of viola d’ Arc, he integrated the Class of the teacher Dírio Alves.

In 2010 he concluded his graduation at the College of Music and Performing Arts, under the guidance of the professor Ryszard Wóycicki.

Now, he is in the 2º year of his Master in Music Teaching in the University of Aveiro.

During his musical career, he attended several courses and Master classes to improve his skills with renowned violinists such as: Wilfried Strehle, Ryszard Wóycicki, Barbara Friedhoff, Anabela Chaves, Jorge Alves, Avri Levitan, Diemut Poppen, Tatyana Masurenko, Gérard Caussé, Toby Hofmann, Rainer Moog and David Win Lloyd.

In 2010, he attended the training: “Uníssono” – I - runs on the Pedagogy at V. N. Famalicão, under the guidance of Jenny Spanoghe.

In 2005 and 2006 he took part in the I Traineeship of Orchestra under the guidance of Florin Totan and V Traineeships from the Official Music Conservatories (where he served as Chief Suit), under the guidance of the conductor Martin André, and performed under the baton of other conductors like António Baptista, Pio Salotto, Pedro Neves, Cesário Costa, Rodolfo Saglimbeni, António Saiote, Christhopher Bochmann, German Cárceres, Jorge Salgueiro, Harry Lith, Yury Nashuhkin, Ernest Schelle, Jean- Sebástien Béreu, Rui Massena, Gyudi Sándor, among others.

Sporadically, he works with Braga’s Chamber Orchestra, Espinho’s Classical Orchestra, Madeira’s Classical Orchestra, Minho’s University Orchestra, Gaia’s Philharmonic Orchestra and “Tutti Per L’Arte” Orquestra. In Viana do Castelo´s Competition of Stringed Instruments (2008), he won the third prize ex aequo, in the variant of viola d`Arc in grade E.

As a professor of Chamber Music he had the opportunity to work with Basílio Silva, Jaime Mota, Ryszard Wóycicki, Marta Eufrázio e Florian Petzborn.

Between 2006 and 2010, he was a member of Momentum Perpetuum Youth Orchestra of Portugal, with which he travelled to Italy, representing Portugal in the International Festival of Youth Orchestras, in 2009 (Florença, Montecatini, Perugia and Ischia Island) under the direction of the conductor Martin André.

In July of 2009, he collaborated with the Braga’s Chamber Orquestra in a voyage to Venezuela scheduled by the Portuguese Embassy in the country.

In April of 2011, he was invited to play in a musical theater organized by the company “O Bando”, called “The Death of the Clown”.Since August 2011 he’s a member of Lusitanae Ensemble, performing several concerts solo with the Ensemble.

In July 2013, he took part in the “Festival Sinfoniche Giovanili in Fondazione William Walton e la Mortella” with Camerata con Brio, under the direction of the conductor Martin André.

He is a professor in the Consevatory of Music Calouste Gulbenkian in Braga and “Companhia da Música” (Braga), where he teaches viola d’ Arc and chamber music.

– 05–

– 06–

Bruno G. Sousa

– 07–

Francisco Reis was born in 1992 in Porto, Portugal and started his musical training in the Porto’s Music Conservatory in 2001, finishing in 2010 with the highest qualification.

He is currently doing a Degree in Piano at ESMAE ("Escola Superior de Música e Artes do Espectáculo") under the guidance of Professor Madalena Soveral, having initially started with Pedro Burmester.

Among other tutors who played an important role in his coaching as a chamber musician are Radu Ungureanu, Ryszard Woycicki and António Saiote.

He has won several prizes in contests around Portugal and Spain, having distinguished himself with the first place in Florinda Santos International Competition (Portugal, 2008), Fundão's International Competition (Portugal, 2008), Maria Campina International Competition (Portugal, 2010) and in Ibiza's International Competition (Spain, 2008) as well. In Ciutat de Carlet International Competition (Spain, 2009) he won the second place and in Ricardo Viñes International Competition (Spain, 2009) third.

In addition to this, he was also granted a prize (Margarida Brochado) that allowed him to make his debut performing with an orchestra in 2010, playing Liszt's First Piano Concerto.

Renowned pianists with whom he has worked with include Luiz Moura Castro, Miguel Borges Coelho, Helena de Sá e Costa, Sequeira Costa, Akiko Ebi, Karl-Heinz Kämmerling, Zoltán Kocsis, Elisabeth Leonskaja and Eldar Nebolsin.

He’s part of “Tutti Per L’Arte” Orchestra since 2013.

– 08–

Francisco Reis

Born in 1987, he began his musical studies in violin at six years old in the Music Academy at Barcelos with the teacher Paula Peixoto. On the following year he entered to the Calouste Gulbenkian Musical Conservatory of Braga, where he worked with the teacher José Tavares until the sixth grade. In 1999 he entered in Artave where he concluded the fifth degree of violin with the professor José Camarinha.

In 2002 he moved to the Class of violin of arc from the professor Jorge Alves, with whom he has been working ever since. He began his degree in the College of Applied Arts in Castelo Branco, being now concluding this degree in the College of Music, Arts and Entertainment of Porto. Since 2008, he has been working as a violin and viola professor in Guimarães and Vieira do Minho’s Musical Academy “Valentim Moreira de Sá” where he has developed interdisciplinary projects like musicals - “A Bela e o Monstro” and “Música no Coração”, performing the play’s music and making the corresponding orchestral arrangements.

Along his journey as a player he worked with the violinists: Ryszard wóycicki, Paul Wakabayashi, Joice Tan and Tobby Hoffman. He has also had the chance to work with various orchestras, such as Aproarte Orchestra, Orchestra of the North, ESART Ensemble, Classical Orchestra of Espinho under the direction of conductors such as Rafael Montes Gómes, Osvaldo Ferreira, Christopher Bochmann, Timothy Russel, Roberto Pérez, Mauricio dini Ciacci, António Soares, Xavie Gagnepain, Homri Adari, Cesário Costa, Stefano Trasimeni, Martin André, Pedro Neves, Emílio de Cesar, Jean- Sebastien Béreau, Ricardo Tacuchian, Vasco Pierce de Azevedo, António Saiote, Robert Gutter, Luís Cipriano Atalaya, Manuel Ivo Cruz, Juan Trillo, Paulo Silva and Fernando Lapa.

He’s part of “Tutti Per L’Arte” Orchestra since 2013.

– 09–

– 10–

Joel C. M. Azevedo

He started his first classes at twelve years old and a little bit later he started his education in the Conservatory of Music in Porto where he studied with the Profs. Cunha e Silva, Rogério Krieger e Suzanna Lindegran.

He continued his studies in the College of Music and Performing Arts with professor Radu Ungureano, studied modern violin and baroque violin with his professor Amandine Beyer.

During his studies he attended Master classes oriented by Ryszard Wóycicki, Bárbara Friedhoff, Anabela Chaves, Jorge Alve, Tatyana Masurenko, Toby Hofmann,and David Win Lloyd and Zofia Woycicka.

He has being collaborating with various orchestras and ensembles , such as the Philharmonic Orchestra of Beiras, North Ochestra, Classical Orchestra of Espinho, Braga’s Chamber Orchestra, Ensemble “Terras do Sousa”, among others, where he has already worked with conductors like: Florin Totan, António Baptista, Pio Salloto, Pedro Neves, Cesário Costa, António Saiote, Christopher

Bochmann, German Cárceres, Jorge Salgueiro, Harry Lith, Yuri Nasushkin, Ernest Schelle, Rui Massena, Gyudi Sándor, among others.

Rogério is a resident musician of the Baroque Iberian Orchestra and has already had international outputs with this orchestra to France and Spain as a concertino player.

Nowadays he is a professor of violin in the Musical Conservatory of Freamunde, in the Musical Academy Paulo VI in Gondomar, Coordinator of the musical department CIC (Colégio dos Carvalhos) CIC and director musical/concertina player in the “Tutti Per L’Arte” Orchestra.

– 11–

– 12–

Rogério Monteiro

Born on the 22nd of December, 1978 in Porto, Rui André Felgueiras da Cunha Pereira started his musical studies at sixteen years old in Castro Alves Foundation in V.N. Famalicão.

In 1998 he joined the musical Conservatory Calouste Goulbenkian of Aveiro in the Class of bass from the professor Sérgio Barbosa. He proceeded his Higher Education In Porto , in the College of Music and Performing Arts in the class of bass from the Professor Florian Petzborn, following the Master in Music Teaching in the University of Aveiro.

During his academic period he attended Master classes conducted by some of the best bassists from nowadays, highlighting names such as: Michael Wolf, Paul Elisson, António Aguiar, Thierrie Barbé, David Eyes Bartosz Sikorski, Thomas Marting, Bernard Sales, among others.

He has been collaborating with various orchestras, symphonic bands and ensembles such as: Beiras’ Philharmonic Orchestra, North Orchestra, Espinho’s Classic Orchestra, Portuguese Symphonic Band, Braga’s Chamber Orchestra, “Terras do Sousa” Ensemble and Joanna Music Ensemble.

Currently joined “Tutti Per L’Arte” Orchestra and he’s a professor of bass at Coimbra´s Conservatory of Music, Paços de Brandão’s Music Academy and at the St.a Maria da Feira’s Music Academy.

– 13–

– 14–

Rui Pereira

Sónia was born on the third of May 1989 in Covilhã (Portugal). She started studying cello at twelve years old in the Professional School of Arts with the Professor Luís Quaresma, Rogério Peixinho and Miguel Matias.

She has graduated in University of Music and Performing Arts with the professor Marco Ceccato, and is currently attending her Master in the same school with the same professor.

She was publicly honored by the Covilhã Town Hall for the merit of the obtained classification as a student in high school (2006/2007).

She played solo for the first time with 16 years old with the Stringed Orchestra from EPABI (Escola professional de Artes da Covilhã). She held several training Masters of Baroque Orchestra under the guidance of the conductor Rogério Peixinho, Bejamin Chenier, Amandine Beyer, Marco Ceccato and Ana Mafalda Castro and has participated in a Summer traineeship with the Orchestra of Young Momentum Perpetuum, under the guidance of Martin André and in the I traineeship of the symphonic Band of Beira Interior.

She was part of the string quartet “Valkyries” with the professor Gian Marco.

She collaborates with the project “Cronus” and in the Foco Musical. She held several Master classes from cello, conducted by the professor Jad Baharal, Miguel Rocha and Jiannis Toulis. She took part in the IV, V, VI, VII, and IX course of ancient music in Linda-a-Velha, in which she finished in second place. She was a member of the Orchestra in conducting the concert “Paixão Segundo S. João de Bach” Under the guidance of Bárbara Franck.

She has applied for the Academy Montis Regalis in Mondovi, Italy, in which she became a deputy. She was present in the traineeships “Intensive Programme La Follia” in Consenza (Italy) and has participated in a Music Project in COSMOCAIXA in Madrid (Spain).

Now, she belongs to the chamber group IL “suono dell anima”, Dolcezza, “Tributo a Zeca Afonso”, Time Shifter, ensemble and “Tutti Per L’Arte”Orchestra.

– 15–

– 16–

Sónia S. de J. Vicente

Medley Orquestra #1

play

Medley Orquestra #2

play

Medley Orquestra #3

play

Sound Portfolio

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