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Trans-Diciplinary Arts, Enthnography and Cultural Heritage Seminar

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A brief overview of the people and happenings at the Trans-Diciplinary Arts, Enthnography and Cultural Heritage Seminar that took place in Aizpute, Latvia.

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Page 1: Trans-Diciplinary Arts, Enthnography and Cultural Heritage Seminar

DISCIPLINARY Arts Ethnography amp

Aizpute Latvia24-26052012

CULTURAL HERITAGESEMINAR

TRANS-

INTROduction

the Trans-Disciplinary Arts Ethnography amp Cultural Heritage seminar was an event which simultaneously created space for the sharing and cultivation of knowledge and experience while taking active and reflectivewhile taking active and reflectiveapproaches towards documenting

such phenomenon

To put it succinctly

HAPPENings

Cultural heritage center and online folk radio Laukas | Displaced Person (DP) Albums Online Historical Archive Method Presentation Daina Zalāne amp Juris Zalāns (LV) Key Questions How does documenting folk music and heritage actually change historical cultural heritage practices How does one approach online documentation of relatively unknown bits of history How do we undertake preserving cultural heritage while surviving financially What are some of the problems and issues of documenting history and cultural heritage What are the benefits

Culture and Tactics of Networking | Creative Network Mapping Method Presentation amp Group Visual Networking Rasa Šmite (LV) Key Questions How does visually mapping people networks help us in understanding systems How does it help us towards creative industries How can we use visual networking to analyze society How can visual networking mapping and sound communications be comparable In what ways do we communicate through technology to other humans and non-humans What are its effects Is auditory space a frontier to explore

Wolf at the door | Creative writing combined with photovideovoice recordings Method Creative Writing Exercise Hendrik Noor (EE) Key Questions How can Haiku poems and various forms of documentation (video audio photography) serve as a reflection of place In what ways does creative writing force us to personally reflect on self and place How does writing challenge us to make safe and dangerous decisions about personal expression How does creative writing differ than other forms of expression or documentation How is a Haiku like a frame in which we can more clearly see and understand the world Or a form of meditation

HAPPENings

Museums by Communities | 2 hour Participator museum towards intangible cultural heritage preservation Method Participatory Documentation Samir Bhowmik (FI) Key Questions How can and group or communities of people go about documenting effectively local weaving practices and methods Can this process document both the physical artifacts and the intangible methods Does simply digitally recording heritage differ in any way from traditional ways of documenting culture How do traditional museum models differ from an open community and participatory museum

ldquoPlaying with Clayrdquo | Workshop on making ceramics Method Hands-on Ceramics Māris Grosbahs (LV) Key Questions What can we discover when we play with the ancient material of clay About ourselves About others What kind of meaningful metaphors can we apply with a material that can be seen as simple dirt but can be made into complex aesthetics with meaning stories and purpose What kind of metaphorical fingerprints do we leave on clay when we work with it

Recipe-ology (The Science of Making Recipes) | Rocket Stove Making Method Do-it-yourself Bio Tech Brian Degger (UK) Key Questions How can making rocket stoves bring together arts and sciences What conclusions can we draw from mixing arts and biotech in making rocket stoves In what other disciplinary areas can we apply a Recipe-ology approach What is the use of taking a playful approach towards complex theories and complex of biotech What is the use of making sciences more personal

13

HAPPENings

Fermentation as an energy generating process Method Fermenting Cucumbers Martynas Savickis (LT) amp Lina Kusaite (BE) Key Questions How is creativity humanrsquos main source of energy What are the comparisons between fermentation and creativity How does fermentation compare to collaboration between people in producing material and immaterial goods What do we learn from experimental failures and successes What do we celebrate How do we carry-on after failure Why when societies face failure is there a retreat to the known How do we document experimental and creative failures and successes

Food-clubs community building amp collective knowledge-sharing Method Local food gathering and cooking Evelyn Muursepp (EE) Key Questions In what ways can food clubs solve practical problems of feeding traveling artists and others How can food clubs serve as a gathering platform to share local knowledge about local food and local recipes How can food clubs build more cohesive communities How can food clubs actually initiate the use of local plants and goods towards innovation

reSOURCEs

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Page 2: Trans-Diciplinary Arts, Enthnography and Cultural Heritage Seminar

INTROduction

the Trans-Disciplinary Arts Ethnography amp Cultural Heritage seminar was an event which simultaneously created space for the sharing and cultivation of knowledge and experience while taking active and reflectivewhile taking active and reflectiveapproaches towards documenting

such phenomenon

To put it succinctly

HAPPENings

Cultural heritage center and online folk radio Laukas | Displaced Person (DP) Albums Online Historical Archive Method Presentation Daina Zalāne amp Juris Zalāns (LV) Key Questions How does documenting folk music and heritage actually change historical cultural heritage practices How does one approach online documentation of relatively unknown bits of history How do we undertake preserving cultural heritage while surviving financially What are some of the problems and issues of documenting history and cultural heritage What are the benefits

Culture and Tactics of Networking | Creative Network Mapping Method Presentation amp Group Visual Networking Rasa Šmite (LV) Key Questions How does visually mapping people networks help us in understanding systems How does it help us towards creative industries How can we use visual networking to analyze society How can visual networking mapping and sound communications be comparable In what ways do we communicate through technology to other humans and non-humans What are its effects Is auditory space a frontier to explore

Wolf at the door | Creative writing combined with photovideovoice recordings Method Creative Writing Exercise Hendrik Noor (EE) Key Questions How can Haiku poems and various forms of documentation (video audio photography) serve as a reflection of place In what ways does creative writing force us to personally reflect on self and place How does writing challenge us to make safe and dangerous decisions about personal expression How does creative writing differ than other forms of expression or documentation How is a Haiku like a frame in which we can more clearly see and understand the world Or a form of meditation

HAPPENings

Museums by Communities | 2 hour Participator museum towards intangible cultural heritage preservation Method Participatory Documentation Samir Bhowmik (FI) Key Questions How can and group or communities of people go about documenting effectively local weaving practices and methods Can this process document both the physical artifacts and the intangible methods Does simply digitally recording heritage differ in any way from traditional ways of documenting culture How do traditional museum models differ from an open community and participatory museum

ldquoPlaying with Clayrdquo | Workshop on making ceramics Method Hands-on Ceramics Māris Grosbahs (LV) Key Questions What can we discover when we play with the ancient material of clay About ourselves About others What kind of meaningful metaphors can we apply with a material that can be seen as simple dirt but can be made into complex aesthetics with meaning stories and purpose What kind of metaphorical fingerprints do we leave on clay when we work with it

Recipe-ology (The Science of Making Recipes) | Rocket Stove Making Method Do-it-yourself Bio Tech Brian Degger (UK) Key Questions How can making rocket stoves bring together arts and sciences What conclusions can we draw from mixing arts and biotech in making rocket stoves In what other disciplinary areas can we apply a Recipe-ology approach What is the use of taking a playful approach towards complex theories and complex of biotech What is the use of making sciences more personal

13

HAPPENings

Fermentation as an energy generating process Method Fermenting Cucumbers Martynas Savickis (LT) amp Lina Kusaite (BE) Key Questions How is creativity humanrsquos main source of energy What are the comparisons between fermentation and creativity How does fermentation compare to collaboration between people in producing material and immaterial goods What do we learn from experimental failures and successes What do we celebrate How do we carry-on after failure Why when societies face failure is there a retreat to the known How do we document experimental and creative failures and successes

Food-clubs community building amp collective knowledge-sharing Method Local food gathering and cooking Evelyn Muursepp (EE) Key Questions In what ways can food clubs solve practical problems of feeding traveling artists and others How can food clubs serve as a gathering platform to share local knowledge about local food and local recipes How can food clubs build more cohesive communities How can food clubs actually initiate the use of local plants and goods towards innovation

reSOURCEs

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SUPPORT

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  • Collages
  • Support
Page 3: Trans-Diciplinary Arts, Enthnography and Cultural Heritage Seminar

HAPPENings

Cultural heritage center and online folk radio Laukas | Displaced Person (DP) Albums Online Historical Archive Method Presentation Daina Zalāne amp Juris Zalāns (LV) Key Questions How does documenting folk music and heritage actually change historical cultural heritage practices How does one approach online documentation of relatively unknown bits of history How do we undertake preserving cultural heritage while surviving financially What are some of the problems and issues of documenting history and cultural heritage What are the benefits

Culture and Tactics of Networking | Creative Network Mapping Method Presentation amp Group Visual Networking Rasa Šmite (LV) Key Questions How does visually mapping people networks help us in understanding systems How does it help us towards creative industries How can we use visual networking to analyze society How can visual networking mapping and sound communications be comparable In what ways do we communicate through technology to other humans and non-humans What are its effects Is auditory space a frontier to explore

Wolf at the door | Creative writing combined with photovideovoice recordings Method Creative Writing Exercise Hendrik Noor (EE) Key Questions How can Haiku poems and various forms of documentation (video audio photography) serve as a reflection of place In what ways does creative writing force us to personally reflect on self and place How does writing challenge us to make safe and dangerous decisions about personal expression How does creative writing differ than other forms of expression or documentation How is a Haiku like a frame in which we can more clearly see and understand the world Or a form of meditation

HAPPENings

Museums by Communities | 2 hour Participator museum towards intangible cultural heritage preservation Method Participatory Documentation Samir Bhowmik (FI) Key Questions How can and group or communities of people go about documenting effectively local weaving practices and methods Can this process document both the physical artifacts and the intangible methods Does simply digitally recording heritage differ in any way from traditional ways of documenting culture How do traditional museum models differ from an open community and participatory museum

ldquoPlaying with Clayrdquo | Workshop on making ceramics Method Hands-on Ceramics Māris Grosbahs (LV) Key Questions What can we discover when we play with the ancient material of clay About ourselves About others What kind of meaningful metaphors can we apply with a material that can be seen as simple dirt but can be made into complex aesthetics with meaning stories and purpose What kind of metaphorical fingerprints do we leave on clay when we work with it

Recipe-ology (The Science of Making Recipes) | Rocket Stove Making Method Do-it-yourself Bio Tech Brian Degger (UK) Key Questions How can making rocket stoves bring together arts and sciences What conclusions can we draw from mixing arts and biotech in making rocket stoves In what other disciplinary areas can we apply a Recipe-ology approach What is the use of taking a playful approach towards complex theories and complex of biotech What is the use of making sciences more personal

13

HAPPENings

Fermentation as an energy generating process Method Fermenting Cucumbers Martynas Savickis (LT) amp Lina Kusaite (BE) Key Questions How is creativity humanrsquos main source of energy What are the comparisons between fermentation and creativity How does fermentation compare to collaboration between people in producing material and immaterial goods What do we learn from experimental failures and successes What do we celebrate How do we carry-on after failure Why when societies face failure is there a retreat to the known How do we document experimental and creative failures and successes

Food-clubs community building amp collective knowledge-sharing Method Local food gathering and cooking Evelyn Muursepp (EE) Key Questions In what ways can food clubs solve practical problems of feeding traveling artists and others How can food clubs serve as a gathering platform to share local knowledge about local food and local recipes How can food clubs build more cohesive communities How can food clubs actually initiate the use of local plants and goods towards innovation

reSOURCEs

13

SUPPORT

13

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  • Page 1
  • Page 2 Edit
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  • Collages
  • Support
Page 4: Trans-Diciplinary Arts, Enthnography and Cultural Heritage Seminar

HAPPENings

Museums by Communities | 2 hour Participator museum towards intangible cultural heritage preservation Method Participatory Documentation Samir Bhowmik (FI) Key Questions How can and group or communities of people go about documenting effectively local weaving practices and methods Can this process document both the physical artifacts and the intangible methods Does simply digitally recording heritage differ in any way from traditional ways of documenting culture How do traditional museum models differ from an open community and participatory museum

ldquoPlaying with Clayrdquo | Workshop on making ceramics Method Hands-on Ceramics Māris Grosbahs (LV) Key Questions What can we discover when we play with the ancient material of clay About ourselves About others What kind of meaningful metaphors can we apply with a material that can be seen as simple dirt but can be made into complex aesthetics with meaning stories and purpose What kind of metaphorical fingerprints do we leave on clay when we work with it

Recipe-ology (The Science of Making Recipes) | Rocket Stove Making Method Do-it-yourself Bio Tech Brian Degger (UK) Key Questions How can making rocket stoves bring together arts and sciences What conclusions can we draw from mixing arts and biotech in making rocket stoves In what other disciplinary areas can we apply a Recipe-ology approach What is the use of taking a playful approach towards complex theories and complex of biotech What is the use of making sciences more personal

13

HAPPENings

Fermentation as an energy generating process Method Fermenting Cucumbers Martynas Savickis (LT) amp Lina Kusaite (BE) Key Questions How is creativity humanrsquos main source of energy What are the comparisons between fermentation and creativity How does fermentation compare to collaboration between people in producing material and immaterial goods What do we learn from experimental failures and successes What do we celebrate How do we carry-on after failure Why when societies face failure is there a retreat to the known How do we document experimental and creative failures and successes

Food-clubs community building amp collective knowledge-sharing Method Local food gathering and cooking Evelyn Muursepp (EE) Key Questions In what ways can food clubs solve practical problems of feeding traveling artists and others How can food clubs serve as a gathering platform to share local knowledge about local food and local recipes How can food clubs build more cohesive communities How can food clubs actually initiate the use of local plants and goods towards innovation

reSOURCEs

13

SUPPORT

13

  • Title
  • Page 1
  • Page 2 Edit
  • Page 3
  • Collages
  • Support
Page 5: Trans-Diciplinary Arts, Enthnography and Cultural Heritage Seminar

13

HAPPENings

Fermentation as an energy generating process Method Fermenting Cucumbers Martynas Savickis (LT) amp Lina Kusaite (BE) Key Questions How is creativity humanrsquos main source of energy What are the comparisons between fermentation and creativity How does fermentation compare to collaboration between people in producing material and immaterial goods What do we learn from experimental failures and successes What do we celebrate How do we carry-on after failure Why when societies face failure is there a retreat to the known How do we document experimental and creative failures and successes

Food-clubs community building amp collective knowledge-sharing Method Local food gathering and cooking Evelyn Muursepp (EE) Key Questions In what ways can food clubs solve practical problems of feeding traveling artists and others How can food clubs serve as a gathering platform to share local knowledge about local food and local recipes How can food clubs build more cohesive communities How can food clubs actually initiate the use of local plants and goods towards innovation

reSOURCEs

13

SUPPORT

13

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  • Page 2 Edit
  • Page 3
  • Collages
  • Support
Page 6: Trans-Diciplinary Arts, Enthnography and Cultural Heritage Seminar

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Page 7: Trans-Diciplinary Arts, Enthnography and Cultural Heritage Seminar

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