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Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their link with Poliziano’s Orfeo.

Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

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Page 1: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Traces of declamations in the Frottole of the “Quattrocento”

musical and poetical forms’ analysis of italian collections from the end of

XVth C., in their link with Poliziano’s Orfeo.

Page 2: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Outline

• 1) musical sources

• 2) method of research

• 3) model: criteria of declamation

• 4) examples

Page 3: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Declamatories forms of Orfeo

\ description

form \syllabs poetical struct. mus. struct.

(in Books of frottole)

Strambotto 11 8 verse: abababcc X Y (2 verse)

Capitolo 11 n x 3: aba bcb … X Y Z (3 v.)

Sonetto 11 4 4 3 3:abba abba cdc dcd

X |: Y :| Z (4 v.)

Oda 7 7 7 5 n x 4: X Y Z V

Oda latina 11 11 11 5

(saphic)X Y Z V

Page 4: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

repertory

• main source : O. Petrucci, еdition:11 Books of Frottole (1502-09)

• Ms. Rés. VM 676, (1502), 51 unicae

• Ms. Milano (Bibl. Trivulziana 55), ~1501

• later: A. Antico, édition:5 Livres de Frottole (1510-1517)

• О. Petrucci, edition: Franciscus Bossinensis, Tenori e contrabbassi… libro II (1511)

Page 5: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Method:   

more elaborate model:criteria of declamation

analysis

working-out

analysis

Meta analysismeta working-out

affinement classification

pre-model (beginning):•external: (liturgy, recitative, oral tradition, …)   

•elementary or not carified

repertorymodel serveral rounds

selected repertory :declaimed pieces’ collection

Page 6: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

model: Criteria of declamation

• phrase’s structure : body of verse + cadence• cords (general case) • repeated notes (central particular cas)• syllabism + flowing recitation• diminutions• fixed structure (modo di cantar) / composed• criteria appropriate to a litterary genre: sadness

• criteria appropriate to a form (oda, sonetto)

Page 7: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Ex. 1: XII C. theatral declamation

a) Filius Getronis: Adeodat’s motive

Page 8: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

b. Filius Getronis: Euphrosine’s motive

Ex.1’: XII C. theatral declamation

Page 9: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Ex. 1: Stramb. used in our perform.Il buon nochier, Poliziano’s stramb. in Petrucci “Bossinensis”

Page 10: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Ex. 2: P.IV, Sonetti

b) “Modo di cantar sonetti”

a) Va posa larcho

Page 11: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Ex. 2’: P.IV, Sonetti

b) “Modo di cantar sonetti”

a) Va posa larcho

Page 12: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Ex. 3: P.IV, free flowing decl.

b) Extract Sonnet: P.IV 28 Pensa donna

a) Oda Scoltatime

Page 13: Traces of declamations in the Frottole of the “Quattrocento” musical and poetical forms’ analysis of italian collections from the end of XVth C., in their

Statistics

book\nb pieces fixed clear decl

dubious

decl.

%fixed/tot

%clear decl /fixe

% décl/tot

%tot decl

I 49 12 5 2 24% 42% 58% 14%

II 55 4 0 0 7% 0 0 0

III 63 8 0 0 13% 0 0 0

VIII 57 16 5 4 28% 31% 31% 16%

IX 64 19 7 2 30% 37% 37% 14%

XI 70 9 2 3 13% 22% 22% 7%

Tot Petr 358 65 19 11 18% 29% 46% 8%