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THE OFFICIAL NEWSLETTER OF THE MARTIN GUITAR COMPANY •VOLUME 27 • JULY 2009

The Sounding Board

D-12David CrosbySpecial Edition

Page 24

MC-38 Steve HoweSpecial Edition

Page 22

D-28 Dan TyminskiCustom Artist Edition

Page 28

David Crosbyis shown here with hisD-12 Special Edition12-fret 12-String.

Photo byGraham Nash

5-18 Marty RobbinsCustom Artist Edition

Page 30

MC-18Woody MannCustom Artist Edition

Page 26

New 1 Series GuitarsSee Center Spread For Details

OMC-1E

Introducing Martin’s

3

LETTERS

Dear Mr. Martin,I received my Martin D-7 Roger

McGuinn Special Edition guitar theother day, and I must say it is anabsolute masterpiece of quality andcraftsmanship. The finish is flawless andthe action is magnificent, but most ofall, the tone imparted by the 7th stringis enchanting. The added string gives ita rich, full sound with mandolin-likeovertones that make it absolutelyperfect for the Highland Guitar soundI’ve been searching for. I have beenplaying it every day since it arrived, andmy two young boys love it when I playclassical pieces to them beforebedtime. The enchanting sound lullsthem to sleep and gives my wife amuch needed break!

Tom KesslerAtlanta, Georgia

Dear Mr. Martin,I could not have wished for a more

awesome guitar than my new M-21Steve Earle Custom Artist Edition – oldnumber 68! Being a huge Steve Earlefan helps, but this baby can hold its ownin any room full of guitars. It's my firstMartin, but I can assure you it will notbe my last. Note that I am wearing myMartin Owners Club T-shirt. Thanks forthe perfect guitar. An ecstatic customer!

Paul TullBryant, Arkansas

We’re interested in yourletters, stories and photos.Email your high resolution

digital files to:editor@martinguitar.com

Dear Friends at Martin,I recorded with my new D-18

Golden Era® Martin tonight; it soundsamazing, better than any of theacoustics we had, which were quite afew. Thank you so much; the timingcouldn't have been more perfect..

Slash(Yes, it’s the real Slash!)Los Angeles/London

“OVER THE MOON!!!!!!!!!!!!”Upon receiving his special Martin

D-42 “BMI Icon Award.”

HankWilliams, Jr.Nashville, Tennessee

Dear Mr. Martin,I have been entertaining children all

across the USA for over 20 years andwanted to thank you for the great soundand durability of the Martin guitar. Iused a Martin D-1 for about 10 yearsand I still play it, but lately I’ve beenentertaining the children with a LittleMartin LXME. People are always askingme what kind of guitar I play, and Inever hesitate to let them know thatMartin is my favorite!

J. David Payne(aka Mister David)www.misterdavidonline.com

Dear Mr. Martin,Here's my latest “ink” (below)

honoring the Martin. This is above andbeyond my other tattoo that you’ll findon Page 35! I wear it with pride!

Scott PohleWinter Springs, Florida

Staff Sergeant Jeff DingusHistorically, Martin guitars have been played by

American soldiers on battlefields since the Civil War days(both sides), as well as in WW I & WW II, Korea, Vietnam,the Gulf War and the Iraq and Afghanistan conflicts. Todaywe know of more than 265 Martin guitars owned and playedby American troops throughout the Middle East andAfghanistan. The Martin LXM is a popular choice because itis relatively impervious to humidit y (or lack thereof),compact and light, easy to play and, best of all, it soundsterrific. Here’s a recent gallery of gallant Martin players:

Air Force Staff Sergeant Jeff Dingus is currently serving atour in Iraq and says that receiving his Martin LXM hasdefinitely boosted his morale. We don’t know which modelMartin Jeff plays stateside, but we do know that his newLittle Martin will remain a permanent part of his collectionwhen his tour is over. Jeff was so pleased with getting hisguitar that he documented its arrival below! �

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High Flying PlayersWhen Marine Corps Captain Morgan Dodd isn’t flying

combat missions in Iraq, he spends his time practicing on hisnew Martin LXM guitar. “We don’t get much to look forwardto in our down time over here,” says Captain Dodd, “but Ialways look forward to the end of my shift so I can gopractice my guitar. I’m having a great time learning how toplay.”

Captain Dodd caught the guitar “bug” from fellowMarine pilot Captain James Trotter, who also plays a MartinLXM. “Captain Trotter got me started, but I’m on my ownnow. My wife and I are expecting our first child in Januaryand I don’t have the singing voice to sing him to sleep, so Iam hoping to learn some songs on guitar.” Both pilots arepictured below on their Grumman EA-6B Prowler attack jet.Recently Captain Trotter flew an American flag on a combatmission dedicated to the employees of Martin which he willbe sending soon. We’re honored to be given this flag andwill fly it proudly here in Nazareth. �

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MARTIN STORIESMARTIN STORIES

Color Them HappyStudents in the guitar class at the Calvary Chapel Rio Grande Valley in Belen, New Mexico, have selected Little Martins as

their guitars of choice. It’s the perfect guitar for the discerning child virtuoso: easy to play, made of durable, playground-resistant HPL (high pressure wood laminate) with a highly resonant modified X-braced top and, best of all, these kids got someof the limited run colors! According to Worship Pastor Kirk Triplett, “The guitars are awesome, and the kids are learning – aslong as they practice!“ And how do they sound? Angelic, of course. �

Julian LageJulian Lage has come a long way from the eight-year-old guitar-playing prodigy who was the focus of the Oscar-nominated

documentary, “Jules At Eight.” He has played on two Grammy-nominated albums by Taylor Eigsti and Nnenna Freelon, and hewas jazz legend Gary Burton’s “latest guitar find” in his Next Generation Quintet, placing him in good company with Burton’sother guitar discoveries – Pat Metheny, John Scofield and Larry Coryell. For Julian’s debut album “Sounding Point,” he hascreated music that incorporates multiple influences. The Grammy-winning production team included renowned classicalproducer Steve Epstein and engineer Richard King. Known for their work on a myriad of legendary classical albums, they havealso created such “crossover” masterpieces as the award winning Yo Yo Ma/Edgar Meyer collaboration “Appalachian Journey,”“Corea Concerto” by Chick Corea, and Billy Joel’s “Music For Solo Piano.” “Sounding Point” features the inspired cast of TupacMantilla (drums, percussion), Aristedes Rivas (cello), Ben Roseth (sax) and Jorge Roeder (bass). Long-time collaborator TaylorEigsti and special guests Béla Fleck and Chris Thile are also featured on the album that was released in March 2009 on EmArcy(an imprint of Universal Records). �

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Vintage BalianDr. Ed Balian loves old stuff (excuse us, vintage stuff) –

especially his immaculate ‘57 Chevy Bel-Air and his cherished 1927Martin 00-17. But what he loves most of all is rock n’ roll – TheBeatles, Rolling Stones, Pink Floyd, Jimi and Elvis and way beyond.He and his co-founding partner Ray George still write and play inThe George-Edwards Group. With the Drag City Records reissue oftheir 1977 “38-38,” the group is heard worldwide. Must be thatvintage Martin vibe. �

A Guitar Survives A Fire TragedyOn Valentine’s Day of this year, Robert Ellement of Dunster,

British Columbia, lost his life when his home caught fire. Whileneighbors did all they could to extinguish the blaze, the house andall of its contents burned to the ground – except for Robert’sproudest possession, his Martin D-28. This discovery was made byRobert’s former wife Lelani Arris and his 11-year old daughterRebecca, as they visited the house for the first time after the fire.“Walking up the driveway, the first thing both of us saw wasRobert’s Martin guitar lying on a snowbank,“ Lelani recalls.“Someone fighting the fire saw it and pulled it out. Robert had thatguitar long before I met him, and Rebecca also knew it was one ofhis ‘babies’ along with her.” The day after finding the guitar wasRebecca’s 12th birthday, and having her dad’s guitar, she said, wasthe an emotional and meaningful birthday present. �

Kaela’s School ProjectWhat could be more fitting for National History

Day than a display about C. F. Martin, Sr. entitled“Playing His Way Through History” by Kaela Curcillo ofHarrisburg, Pennsylvania. Her research included a tourof the Martin factory and a search through the MartinArchives with Martin’s Dick Boak and Scott Follweiler,and Kaela’s dad Joe (an active Martin Owners Clubmember). �

Joshua TreeThat’s Zane Balogh of Corona, California, playing

his LX1 Little Martin at Joshua Tree National Monument(a Gram Parsons tune, perhaps?). Located 140 mileseast of Los Angeles, the park has long held a strongattraction for musicians, poets and assorted free spiritsseeking inspiration from the desert. According toZane’s dad Frank, the Baloghs are a Martin family,taking two Litt le Martin LX1s and two MartinBackpackers on road trips, camping trips, day outings,cruises and other adventures in the U.S. and Mexico.“Martin guitars have been a part of my life for a verylong time,” says Frank. “It pleases me very much thatboth my boys (youngest son Evan also plays guitar)have the Martin bug too. I believe it’s a lifelong loveaffair. There’s just something about a Martin!” �

Johnny Upton77-year-old Johnny Upton yearned

for a Martin Dreadnought ever since hesaw Hank Williams (Sr.) crooning on thestage of the Grand Ole Opry with hisD-28. Johnny realized that dream a fewmonths back when he finally bought aherringbone D-28. He says he wouldn'ttrade it for anything in the world. Now,he's looking for a D-45! �

Hisao ShinagawaPhilip John (PJ) Clapp, AKA Johnny

Knoxsville – American actor, comedianand daredevil, has been featured in anumber of films but is best known as theco-creator and principal star of the MTVseries “Jackass.” It turns out that Johnnyhas a heart of solid gold. He read in thenewspaper that songwriter andperformer Hisao Shinagawa of LosAngeles had his old 000-18 Martin guitar(that Townes Van Zandt gave him yearsago) smashed by a fruit cart in SantaMonica and that Hisao didn’t havemoney to buy a new guitar. EnterJohnny! He called Martin and arrangedfor a replacement 000-28 to be sent outto Hisao. Johnny reports:

“I saw Hisao yesterday and he lovesthe guitar! I am holding the broken000-18 guitar (above) and Hisao isholding that gorgeous new 000-28!”

In 1997 director Masahiro Suganomade a short film about Hisao, and in2008 a documentary about him called ”IWant to Destroy America” was released.A Hollywood resident, Shinagawa hasrecorded 27 CDs. He’s really quite atalent and has played with manylegendary musicians. With his newMartin, he is able to continue his dailyperformances, riding the bus to the localfarmer’s markets. To watch videos andlisten to Shinagawa's music, go to hisMySpace page or his Mac.com page (inJapanese). Johnny Knoxville's interviewwith Hisao Shinagawa is available atwww.jackassworld.com. �

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Wilkes ColonelWilkes Universit y’s mascot “The

Colonel” (of Wilkes Barre, PA) visitedMartin in early 2009 to sample guitars fora photo shoot that will appear in anupcoming college brochure. �

Brad and AndyBrad Paisley and Andy Griffith relax

between scenes on the set of Brad’s newmusic video “Waitin’ On A Woman” inwhich Andy Griffith appears as a specialguest star. Andy portrays a kindly oldergentleman imparting wisdom to Bradthat waiting for the woman you love isnever a chore. Andy’s signature edition“D-18 Andy Griffith” also makes a guestappearance in the video. �

John KasiewiczGuitarist and composer John

Kasiewicz has been making music forover two decades. In 2001 Kasiewiczformed the instrumental trio Raisinhill,who rose from local acclaim towidespread recognition and won RelixMagazine's f irst annual “JamOff!”competition. This year John releasedfour albums from his newambient/folktronic duo “5turns25.”Along with multi-instrumentalist DanTressler, the two have been performingand recording nonstop, with a MartinCF-2 archtop and a 000-18 Golden Era®

1937 Sunburst. Listen and download“5turns25's” music on their website:www.5turns25.com. �

PhotoCourtesy

ofNaom

i

Nonnie LeventhalNancy “Nonnie” Leventhal has been playing her Martin

0-18 and leading singalongs for more than 50 of her 74 years.After purchasing her Martin from McCabe’s in Santa Monica in1959, she learned to play by ear from Bess Lomax Hawyes, therevered American folk musician, researcher and songwriter(“MTA”). Nonnie, too, has become well known, teachinglegions of children to play guitar in summer camps andclassrooms in California. Recently she has begun “TheChildren’s Folk Music Project....keeping the tradition alive”giving free folk music programs at public libraries. Nancy ispictured below picking up pointers from legendary bluesmaster Brownie McGee in the late 1950s. �

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Photo©David

Baskin

1954

David BaskinDavid Baskin has been intimately involved in the

management of the Philadelphia Folk Festival ever since itsinception in 1962. 2009 marks David’s final year as festivalchairman, and he will be greatly missed. He sent us the1954 photo with his first guitar (a Martin N-10 classical)teaching a few chords to a willing participant on anovernight camping trip. It’s a great example of howmusical interest at an early age can lead to a tremendouslycreative career and lifelong contribution to the arts. �

Hermann Munster on YouTube®The legendary Hermann Munster, played by actor

Fred Gwynne was, of course, a ”fictional” character in thelong-running and popular CBS sitcom ”The Munsters.” Asthe patriarch of the Munster household, Hermann was anentity much like Frankenstein's monster, perhaps a bit like”Lurch” on the show's competitor ”The Addams Family.”

Lurch, however, did not possess the musical prowessthat Hermann did! If you are a fan of The Munsters or ofMartin guitars, treat yourself by viewing Hermann rock outto the ghoulishly appropriate tune ”Dry Bones” with his000-18 on YouTube. You can locate the video at this URL:www.youtube.com/watch?v=C85kTwFEymo. �

www.youtube.com

Salvation ArmyPaul Weston of Yellow Springs, Ohio, has been a

Martin player and enthusiast for over 40 years. He’s alsoactively involved in his community and decided to put hisnew Martin OMC Aura to good use while manning theSalvation Army kettles during the Christmas holidays. “I’vegot to tell you that the ‘angelic’ tones coming from theOMC Aura filled the kettles to the brim,” he says. “I alsowanted your employees to know how their superbcraftsmanship helped me make a contribution to peoplein need in my community.” �

Dueling GuitarsSinger-songwriter Jack Williams recently teamed up

with actor/singer Ronny Cox for a series of “HouseConcerts” throughout Florida, including the one picturedabove in Tampa. In addition to being a prolific songwriter,Jack Williams is a superb guitarist, playing his legendarywell-worn 1974 Martin D-35. While Ronny Cox is bestknown as an actor (Deliverance, Beverly Hills Cop I & IIand more than 80 other film and TV roles), he is also agifted singer/songwriter and guitarist (he played theinstrumental “Dueling Banjos” on guitar in Deliverance aswell as acting in the film). Jack and Ronny individually tourthroughout the year, and occasionally together. �

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Homage to Merle TravisTom Isenhour of Salisbury, North Carolina, is not just a

Merle Travis collector. He is a SERIOUS Merle Travis collectorwhose vast collection includes the life-size Merle Travis waxfigure above (wearing one of Merle’s original 1950s Nudiesuits) and many other Merle Travis treasures. Tom’s also aSERIOUS Martin collector, owning more than 25 MartinDreadnoughts, from a 1934 D-28 to a recent Custom ShopD-45 Sunburst, to virtually every other Martin Dreadnoughtmodel inbetween. While Tom’s wife Kathy is not a Merle orMartin collector, she knows how to buy the perfect Christmasgift for someone like Tom – a brand new D-28M Merle TravisSignature Model. Seems Kathy found Tom’s copy of theSounding Board from June 2008 that featured the D-28MMerle Travis, so she secretly contacted Martin to inquire aboutbuying one in time for Christmas. Martin sent her to the nearestMartin dealer in North Carolina, and soon a D-28M MerleTravis, #10 of 100, arrived at the Isenhour home and was putunder the tree. “I knew what a Martin shipping box lookedlike,” Tom says, “but I could never imagine what Martin guitarwould be in there – or if even there was a guitar in the box. Aguitar from my wife would have been the last thing I wouldhave expected.” Not surprisingly, Tom was more than pleasedwith Kathy’s gift. "This signature model is a very close replica ofthe original one. It has all it needs to make even Merle proud toown another one if he were alive today.” Tom thought it wouldbe fun to display his D-28M with Merle’s wax figure. “I made afew photos of Merle being reunited with his beloved customD-28,” Tom says wryly. “And thanks to Martin for another greatguitar to add to my collection!” �

Brad CoxBrad Cox, shown here with his D-18, just released a full-

length follow up to his debut EP entitled ”New Directions.”Produced by Mike Clink (Guns ‘n Roses, Metallica), thealbum features several special guest musicians together withhis D-18 and D-41. Go to: www.bradcoxonline.com. �

Bryan AdamsCanadian Bryan Adams is arguably one of the most

versatile, multi-talented pop/rock artists in the world today:Singer, songwriter, guitarist, film composer, internationalconcert performer, photographer, philanthropist, activist –and did we mention Grammy, Golden Globe and AcademyAward nominee? Recently Bryan contacted Martin in searchof the ideal acoustic guitar to fit his many and varied musicalneeds. So far, Bryan has sampled two Martin D-28s and anOM-42, each equipped with Gold+Plus Natural I on-boardelectronics. Considering the highly eclectic nature of Bryan’swork and the diversity of his worldwide venues, he’s only justbegun to savor the variety of Martin possibilities. �

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Savoy BrownKim Simmonds (left), founder guitarist and longtime

member of Savoy Brown, performed with bluesman CraigThatcher at Pennsylvania’s Sellersville Theatre in January of2009. One of the earliest of British blues bands, Savoy Brownhelped launch the UK blues/rock movement that paved theway for acts such as Led Zeppelin. They are both playing000-28 Eric Clapton Signature Model Martin guitars. �

Robert David HallActor Robert David Hall, who appears as the coroner on

CSI: Crime Scene Investigation, visited the Martin booth atthe Anaheim NAMM Show to try out the new models. Hetook a particular fancy to the OM Pat Donohue CustomArtist Edition that he’s playing above. Robert has become animpassioned spokesperson on the importance of hiringactors with disabilities. �

deelitephotography.com

Gordon LightfootCanada’s most celebrated singer/songwriter, Gordon

Lightfoot, is in much better health these days and back on theroad for a series of more than fifty concerts, mostly USA andCanada and east of the Mississippi. The photo above wastaken in April of 2009. He’s playing his old D-18 that was theinspiration for the 1998 extremely sought after D-18GLSignature Edition issued in 2000. �

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Jim Nunally - Arts and CraftsAs a lover of the Arts and Crafts movement and the

Greene and Greene architectural styles of the early 1900s(exemplified by the Gamble House in Pasadena, California),guitarist extraordinaire and occasional Martin clinician JimNunally took a particular liking to Martin’s two Art and CraftsLimited Editions. He’s holding the Dreadnought Art andCrafts 1 (2006, left) with flamed mahogany back and sides,and the 000 12-fret Arts and Crafts 2 (2008, right) with rarefigured German white oak back and sides.

But, these two special Martins are the tip of the icebergof Jim’s passion for Martin guitars. His other favorites includea 1946 D-18, a 1976 D-18, a 1978 HD-28 and a 1995D-18GE. In addition to performances with his longtime guitarduo partner Dix Bruce (below), Jim also performs with JohnReischman and the Jaybirds, The David Grisman BluegrassExperience, Due West and Keith Little. �

Tim O’BrienWhen you go to www.timobrien.net you will find the

above photo proudly displayed with a link to informationabout Tim O’Brien’s 00-18 Signature Edition and a suggestionthat “You can have one too!” You’d better hurry though,because this 25.4” scale, Adirondack-topped, scallopedbraced 14-fret 00 Grand Concert Edition is limited to only 100instruments, and at last count, sixty-five were already sold! �

Paul Simon

PhotobyLynnGoldsmith

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Scott Miller Arlo Guthrie

PhotobyLynnGoldsmith

PhotobyLynn

Goldsm

ith

WarrenHaynes

PhotobyLynn

Goldsm

ith

Rock photographer Lynn Goldsmith traverses the musical landscape between New York City and her home in Aspen taking inevery concert she can. The 2001 photo (above) captures Paul Simon with his first and favorite OM-42PS Signature Edition atthe Beacon Theater in Manhattan. In Aspen, Colorado, the Wheeler Opera House provides a great and convenient concertvenue for Lynn. Always on the lookout for Martin performers, she photographedWarren Haynes of Government Mule with his000-28EC Eric Clapton model. He also owns a D-18 Golden Era®. The popular and prolific folk/country rocker Scott Miller(with his band “The Commonwealth”) performed with his Martin D-28 at the Opera House in March of 2009, as did ArloGuthrie with his tried and true Martin M-38. Arlo also tours with his 6- and 12-string Signature editions that commemorated the30th Anniversary of The Alice’s Restaurant Massacre in 1997. �

James IrsayAs owner of the Indianapolis Colts,

James Irsay has his hands full , but histremendous success has fueled his passionfor guitars and he has amassed an amazingcollection. Although he occasionally dabblesin other brands, his Martin guitars clearlydominate his collection with more than fortyMartin models represented, including fivesignature editions honoring Stephen Stills (hispersonal friend), a D-100, two D-50 Deluxes,a D-45 Custom Celtic Knot and animpressive array of signature editions thathave honored such artists as Mark Knopfler,Eric Clapton, Roger McGuinn, Steve Miller,Dan Fogelburg, David Crosby, Graham Nash,Judy Collins, Del McCoury, Paul Simon, EricJohnson, Elvis Presley (he even owns Elvis’soriginal 1975 D-18), and last but not least, aspecially inlaid Custom Shop Martin thatcommemorated the Colts’ impressive worldchampionship in Superbowl XLI. �

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James Irsay with one of his manyprized Martin guitars – this one ishis 000-ECHF Bellezza Bianca.

DCX1RGTE Dreadnought CutawayOn the heels of the highly successful DX1RGT, the new

DCX1RGTE Dreadnought adds a rounded Venetian cutawayfor easy access to the upper registers on the neck and state-of-the-art Fishman Aero+ Onboard electronics. Thiscombination of new features expands the appeal of theDCX1RGTE to players of many different styles. With its solidSitka spruce gloss top and bracing, black Richlite®

fingerboard and bridge, East Indian rosewood wood-grainedhigh pressure laminate body and Stratabond® neck, theDCX1RGT is as great looking and durable as it is greatsounding. The X Series has more than proved that innovationand practical application thinking can result in guitars ofsuperior tone and playability that are environmentally friendlyand highly affordable. �

DCX1RGTEAcoustic ElectricDreadnoughtCutaway

000CX1RGTEAcoustic ElectricGrand Concert

Cutaway

TwoNew

AcousticElectricAdditionsTo The

AffordableAnd

PopularX Series

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000CX1RGTE Auditorium CutawayFor those seeking the balanced tone of Martin’s

acclaimed 000 body size with the added fretboardaccessibility of a Venetian cutaway, the new 000CX1RGTE isan excellent and very affordable choice. What’s more, we’veadded Fishman Aero+ Onboard electronics to this popularX Series model for even more versatility. Like its companionDreadnought, the 000CX1RGTE is crafted of resonant yethighly durable HLP (high pressure wood laminate) backs andsides in an East Indian rosewood woodgrain finish, solid Sitkaspruce gloss top and cross brace, black Richlite® fingerboardand bridge, and a low oval shaped Stratabond® neck for easyplayability. Taken together, these two new X Series guitarsprovide enormous versatility for any playing style in anysetting, studio or stage, plugged or unplugged. �

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D-16 AdirondackOur 16 Series guitars have long been prized for their high

quality, understated appointments, innovative design andaffordability. The new D-16 Adirondack is no exception. Itssolid mahogany Dreadnought body is joined with a selectAdirondack red spruce top, carefully braced with Adirondackspruce braces and scalloped using our patented Hybrid Xpattern. The tonal result is a brilliant, crisp treble responsewith a balanced mid-range and powerful bass. The rosette isinlaid in the “Old 18 Style” as are the body bindings. Theendpiece, heel cap and pickguard are tortoise brown in color.The 1 3/4” adjustable mahogany neck is carved in a modifiedV profile for easy playability. Striped ebony is used for thefingerboard and belly bridge. Precision chrome enclosedtuners, black bridge and end pins with white dots, white Tusq®

compensated saddle and Corian® nut complete theappointments. The D-16 Adirondack has a full gloss vintagetoned polished lacquer finish and comes with a hardshellcase. Quite a package. Quite a guitar! �

HOMC-16RECutawayOrchestraModel

HDC-16REThis is our first cutaway herringbone model in the 16

Series, offering a unique blend of enhanced playability andadvanced onboard electronics with a vintage look and feel.Following the traditional Martin HD format of East Indianrosewood back and sides combined with a scalloped Sitkaspruce top, the new HDC-16RE adds a rounded Venetiancutaway for greater accessibility to the upper frets, 1 3/4”modified V neck for easy playing and Aura Pro® onboardelectronics. A vintage toned top, bound in fine herringboneand ivoroid with full gloss polished lacquer finish, lends anelegant vintage touch. Hardshell case included. �

HOMC-16REIdentical features as the HDC-16RE model above, but in

a 14-fret, 25.4” scale, cutaway Martin Orchestra Model bodysize. Tonally, the OM produces an exceptionally well-balanced tone, making it ideal for the stage and studio aswell as fingerpicking styles. �

D-16AdirondackDreadnought

HDC-16RECutaway

Dreadnought

New 16 Series Models Offer Vintage Martin Tone & Appeal

DFlamed Mahogany

NAMMShow Special

D Flamed Mahogany–NAMM Show SpecialThis magnif icent Dreadnought truly lives up to its

“Special” designation. Back and sides are crafted of rare – andspectacular – flamed mahogany. The scalloped-bracedAdirondack top delivers deep, powerful bass and clear, brighttrebles. The top is bound in vintage-style grained ivoroid andinlaid with colorful Paua pearl; the 45-style rosette is inlaidwith Agoya pearl herringbone. Flamed Spanish cedar neck,ebony fingerboard with special “Hex” inlays, gold tuners andblue-script Paua inlaid Martin headstock logo complete theguitar. Limited to only 15 instruments, dealer orders must beplaced in person at the Summer NAMM Show. �

D Cherry 09–Certified Wood ModelMartin’s commitment to building guitars with sustainable

woods and environmentally friendly materials is reflected inthe stunning new D Cherry 09. Certified American blackcherry back and sides are joined to a certified Europeanspruce top. The genuine mahogany neck, also certified, featuresa Richlite® fingerboard, an acoustically compatible synthetic,as does the traditional Martin belly bridge with Tusq® saddle.The guitar will be fitted with “Green Technology” MiSisimple jack electronics requiring no batteries. Other featuresinclude Grover Rotomatic tuners, bone nut, dovetail neckjoint and a full gloss, classic “cherry red” finish. �

DCherry09

Certified WoodModel

FlamedMahogany

AndCertifiedCherryYieldTwo

SpecialDreadnoughts

Certification Code:SW-COC-000043

The FSC Trademarkidentifies products fromwell-managed forests

© 1996. FSC

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GrandJ-35E

Grand J-35EFirst introduced in 1979, Martin’s Jumbo series guitars

continue to be a favorite alternative to the Dreadnought formany Martin players. The Grand J-35E is our latest and largestjumbo with a hefty 17” lower bout. The Sitka spruce top utilizesa 5/16” X brace and progressively scalloped tone bars to delivera big, powerful jumbo voice. Select East Indian rosewood isused for the three-piece back and sides. Bridge and fingerboardare crafted of ebony. The low-profile, adjustable neck assureseasy playing. D-TAR® Wave-Length Multi-Source electronics areincluded. Play it pure acoustic or plugged in, the Grand J-35E isan imposing performer – visually and musically. �

D-18 SS Short Scale DreadnoughtSome guitar models are naturals: so simple in concept, so

effortless in execution and so pleasing as instruments, it ishard to believe they haven’t been around forever. Such is thecase with the new Martin D-18 SS Special Edition – the firstshort scale 6-string Dreadnought Martin has ever offered. Theshort 24.9” scale yields slightly lower string tension allowingfor easier fretting. The slightly shorter distance between fretsmakes elongated chords and string-bends easier to play. Withthe exception of the short scale, the Martin D-18 SS SpecialEdition features the same traditional 14-fret specifications andpremium solid tonewoods as the Martin D-18V. �

D-18 SSShort ScaleDreadnought

TwoBold

AdditionsTo

MartinSpecialEditionModels

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D-18Marquis

D-18MarquisSunburst

18

The Martin Marquis Series was developed to provide amore affordable version of our Golden Era® guitars whichreplicate select pre-war Martin models built in the 1930s. Todo this, East Indian or Madagascar rosewood is used in placeof Brazilian rosewood which is traditionally used in Golden Erarecreations. This allows us to furnish Golden Era style guitarsto Martin distributors in overseas markets where the CITEStreaty would normally prohibit such distribution. Thus, thesenew Marquis D-18 and 000-18 models all feature beautifulMadagascar rosewood headplates (which closely resemblesBrazilian rosewood but is not restricted by the CITES treaty).Otherwise, they offer virtually identical features as theirGolden Era counterparts.

The D-18 Marquis and 000-18 Marquis are trulyreminiscent of vintage 1930s era Martins, in both look, toneand “handmade” feel. Back and sides are crafted of solidmahogany; tops are Adirondack red spruce with scalloped5/16” Adirondack braces. The D-18 has a 25.4” scale, andthe 000-18 has a 24.9” scale, and both feature 1 3/4”modif ied V necks of genuine mahogany with ebonyfingerboard and “Old Style 18” position markers. The ‘30sstyle belly bridge is ebony with long fossilized saddle (as isthe nut). Other vintage features include C. F. Martinheadstock stamp, tortoise brown binding and pickguard andopen back Gotoh tuners. Both models are available in agingtoned lacquer or 1935 sunburst finish. �

000-18MarquisSunburst

New Marquis Models Offer Many Golden Era® Features

000-18Marquis

The D-18 Marquis/D-18 Marquis Sunburst & 000-18 Marquis/000-18 Marquis Sunburst

Yuengling’s 180th AnniversaryD. G. Yuengling & Co., of Pottsville, Pennsylvania, was

founded in 1829 (four years before Martin) and is America’sOldest Brewery. For their 180th celebration, theycollaborated with the Martin Custom Shop on an anniversaryedition of D-41s with their 180th decal below the bridge and“Yuengling” in mother of pearl at the twelfth fret. The guitarswere used in radio promotions throughout the USA. �

Preston SingletaryThe Museum of Glass in Tacoma, Washington, is

presenting an exhibition of art and hand-blown glass byPreston Singletary, whose artwork depicts cultural andhistorical images from his Tlingit ancestry. Included in theongoing and traveling exhibition is a Martin HD-28, custompainted prior to lacquering by Preston in a traditional nativemotif. Go to: www.museumofglass.org. �

PhotobyJohn

SterlingRuth

19

D-1

Model/Type: D-DreadnoughtTop: Solid Sitka SpruceBack/Sides: Solid SapeleNeck: StratabondFinish Body: SatinFinish Top: SatinScale Length: 25.4"

DC-1E

Model/Type: D-DreadnoughtTop: Solid Sitka SpruceBack/Sides: Solid SapeleNeck: StratabondFinish Body: SatinFinish Top: SatinScale Length: 25.4"Electronic Features:Volume, Tone Shaping Controls,Onboard Digital Tuner,Pop-up Battery Access

OM-1

Model/Type: OM-OrchestraTop: Solid Sitka SpruceBack/Sides: Solid SapeleNeck: StratabondFinish Body: SatinFinish Top: SatinScale Length: 25.4"

OMC-1E

Model/Type: OM-OrchestraTop: Solid Sitka SpruceBack/Sides: Solid SapeleNeck: StratabondFinish Body: SatinFinish Top: SatinScale Length: 25.4"Electronic Features:Volume, Tone Shaping Controls,Onboard Digital Tuner,Pop-up Battery Access

1-SERIES | MODEL SPECIFICATIONS

C. F. Martin & Co. has a long and distinguished history as oneof the premier makers of acoustic guitars. And now, with theintroduction of the 1-Series, we’ve made legendary Martin qualityand tone even more affordable and irresistible.

Martin’s new series of four premium quality guitarsconstructed of solid tonewoods and designed for real playervalue. Never has so much Martin craftsmanship, innovation andpure, clear tone been offered at such an affordable price.

The 1-Series is available in your choice of a purely acousticDreadnought size D-1 and an Orchestra size OM-1. The DC-1Eand OMC-1E acoustic-electric cutaway models feature trueacoustic sound – plugged or unplugged.

1-Series instruments are delivered in a hardshell case,equipped with genuine Martin strings and covered by the MartinLimited Lifetime Warranty.

MEET THE

1-SERIESWhy not take the 1-Series test-drive for yourself?

Read more about the models at theoneseries.com.Then visit your local authorized Martin dealerto see, hear, play and experience firsthandthe new Martin 1-Series instruments.

Why not take the 1-Series test-drive for yourself?Read more about the models attheoneseries.com. Then visit your localauthorized Martin dealer to see, hear andplay the new 1-Series instruments.

With the introduction of the new 1-Series, we’ve made legendary

Martin quality and tone even affordable and irresistible.

This is the oneyou’ve been waiting for.

more

©2009 C. F. Martin&Co. martinguitar.com | martinstrings.com | martinownersclub.com

22

the power and clarity of Adirondack spruce with theresponsiveness of European spruce. Forward shifted5/16” scalloped top braces enhance clarity anddynamic range. The low profile 1 11/16-inch (at thenut) neck with a square slotted headstock anddiamond volute is carved from genuine mahogany.The nut and compensated saddle are crafted fromgenuine bone.

Handsome appointments abound. A motherof pearl Yin/Yang symbol nestles under the goldMartin decal logo on the polished ebony headplate,replacing the traditional “Est. 1833.” PrecisionWaver ly/S loane tuners feature engraved andpolished brass sideplates. Style 42 abalone pearlsnowflake position markers begin at the 5th fret onthe African black ebony fingerboard, with SteveHowe’s signature inlaid in mother of pearl betweenthe 19th and 21st frets. The matching African blackebony belly bridge is accented by abalone pearlsnowflakes on the wings. The rosette is a single ringof abalone pearl, eye-catching against the lightamber vintage toner on the top. Style 28 whitebridge and end pins also are inlaid with black dots.

The top, back and sides are bound in grainedivoroid, the top is encircled by seven layers ofalternating black/white fine line purfling, while thesides and back are bordered with black/white inlay.The ivoroid endpiece and heelcap are likewiseaccented with fine black white inlays. Colorful Style

45 mosaic pur f l ing bisects the back. Apolished and beveled black pickguard,shaped to f it the oval soundhole,protects the top. Martin’s polishedgloss lacquer f inish with vintagetoner assures the instrument will –with basic care - retain its good looksfor years to come.

A left-handed version of the MC-38Steve Howe Limited Edition canbe ordered at no additional charge:factory-installed electronics are anextra-cost option. The guitar isdelivered in a fitted, vintage-inspired Geib™ style case.

Each MC-38 SteveHowe Special Edition bearsan interior label personallysigned by Steve Howe andnumbered in sequencewithout total. AuthorizedMar t in dealers wi l l begintaking orders for this SpecialEdition immediately. For moreinformation, log onto the Martin

website at:www.martinguitar.com. �

Has i t real ly been a decade s ince Mar t inlaunched the 00-18SH Steve Howe Limited Edition?Apparently so: inspired by Howe’s beloved 1953Martin 00-18, the Martin 00-18SH Limited Edition –the f irst spruce and mahogany 00 Martin to beproduced in several years - was introduced early in1999, and Martin sold the entire edition of 250guitars.

As for famed guitarist Steve Howe himself, he hasbeen incredibly busy since the Martin 00-18SH LimitedEdition debuted. In the last decade alone, he hasreleased twelve solo or small combo albums, the latterwith either Remedy or the Steve Howe Trio; rejoinedYes in 1995 to record five albums – Keys to Ascension,Keys to Ascension Two, Open Your Eyes, The Ladderand Magnification - and tour North America (threetimes), Europe (twice) and the Far East; reunited withthe original members of Asia in 2006 and 2007 to tourNorth America and Japan, and record two albums:Fantasia: Live in Tokyo and Phoenix; and joined forceswith Yes compatriots Alan White and Chris Squire for aNorth American tour in 2008 and early 2009. His plansfor the rest of 2009 include a major tour with Asia thatincludes Russia, Europe and the United Kingdom. Forsomeone already legendary for his guitar work with Yesin the 1970s and Asia in the 1980s, only oneconclusion can be made: the man’s passion forplaying – whether acoustic or electric – isas strong as ever.

“You really can’t go wrong witha Martin, an old one or a new one,”Howe says. One Martin that hasbeen a constant on his guitar rackin recent years is an early 1980sMC-28. Martin made only about1,100 of this unusual model between1981 and 1996, but i ts grandaudi tor ium cutaway body, ovalsoundhole, 22 fret fingerboard andsuperb “live” tone so won overHowe that he suggested it bethe starting point for a newSteve Howe Special Edition.With the addition of somepersonal touches and a bitof abalone pearl to give itstage presence, the MC-38Steve Howe Special Edition– the first Martin to havean oval soundhole in morethan a decade - was born.

The MC-38 Steve HoweSpecial Edit ion retains theEast Indian rosewood of i tsinspi rat ion and adds a top ofCarpathian spruce, which combines

Steve Howe Sparks Return Of M CutawayWith New Martin Oval Soundhole Special Edition

23

In the early ‘80s, Steve Howe appeared in a Martin adcampaign with his MC-28. The MC-38 Special Edition thatbears his name features the unique oval soundhole andmodified cutaway, allowing for full 22-fret playing access.

”You really can’tgo wrong witha Martin –an old oneor a new one!”

Steve Howe

Steve Howe’s guitar workwith ”Yes,” ”Asia” and hisnumerous solo projectscertainly solidify hisposition as one of themost original and definingguitarists of our time. Anavid instrument collector,Steve has always favoredMartin guitars for hisacoustic needs, the 00-18and MC-28 being his twofavorite models. This newMC-38 Special Editionpays a special secondtribute to this legendaryartist.

”This newMC-38 sounds,plays and lookssensational. Thanksto everyone at Martinthat played a part increating this special edition!”

Steve Howe

24

David Crosby’s Martin 12-string guitar ranks amongthe most famous “modified” Martins ever. Back in theearly 1960s, when Crosby first wanted a 12-stringguitar, Martin wasn’t making them, so he had JonLundberg’s guitar shop in Berkeley convert his D-18into a 12-string. Lundberg replaced the neck with a 12-fret, long (25.4-inches) scale Macassar ebony neck andmoved the bridge lower on the body of the guitar (theold bridge holes were covered with a special pickguard).He also added a special six-string bridge, with two“ramps” at each bridge hole to space the strings and withthe G strings reversed so the notes would resound“correctly” (i.e., trebles first) on his strumming upstrokes.

In the 40-plus years since the guitar was modified, DavidCrosby has lived a rock & roll life: success with the Byrds andas a solo artist, mega-success with Crosby, Stills & Nash andCrosby, Stills, Nash & Young, side projects with GrahamNash and CPR (which includes his son James Raymond) anda long tradition of political activism. Through the years healso has faced and overcame an impressive list of personalchallenges. He has inspired a signature Martin guitar, 2002’sD-18DC David Crosby Signature Edition, of which 250 weremade (details on the D-18DC and a synopsis of Crosby’s lifecan be found in Volume 12 of The Sounding Board atwww.martinguitar.com) and also joined bandmates StephenStills and Graham Nash in developing the Martin CSNSpecial Edition in tribute to their late manager, GerryTolman.

Crosby’s unique 12-string has led a lifenearly as eventful as its owner. It wasstolen while he was staying at atreatment center in Pennsylvania andsubsequently sold. A chance discoveryby Crosby’s wife eventually gaveCrosby the name of the purchaser, butthat individual refused to even discussrelinquishing the guitar. Years later,Graham Nash quietly took up the quest;he discovered the man’s address, and –through a representative who handlednegotiations in person – made himan offer he couldn’t refuse. Theguitar was returned to Crosbyduring a birthday celebration, tohis complete surprise.

Now healthy, sober and fit,his career in recent years hasbeen similarly charmed. In2004, he and Graham Nashreleased Crosby Nash, a two-disc CD set, to very strongreviews, and the duo touredEurope the following year. Crosby,Stills, Nash & Young crossed theUnited States with the “Freedom ofSpeech” Tour in 2006, which coincided

with the release of Crosby’s career-spanning three-disc box set Voyage and the publication of hissecond autobiography, Since Then: How I SurvivedEverything and Lived to Tell About It. CSNYreleased Déjà vu Live as both a CD and DVD (asDéjà vu) in 2008. This year’s plans include releaseof Crosby, Stills & Nash Demos, a CD of theirearliest work together, Crosby, Stills and Nash’sinduction into the Songwriters Hall of Fame and aCS&N concert tour that will hit the NortheasternUnited States, England, Ireland, Scotland, Germany,France and Holland.

Though Martin has been building 12-stringguitars since the late 1960s, it has never built onelike David Crosby’s long-scale, 12-fret, squareshouldered 12-string – until now. Designed to bear afamily resemblance to the D-18DC Signature Editionand built to be tuned a whole step below standardpitch (i.e., D-G-C-F-A-D), the new Martin D-12 DavidCrosby Special Edition guitar is a unique andimpressive instrument.

The D-12 David Crosby Special Edition featurespremium solid tonewoods throughout. Back andsides of rare quilted mahogany match those of theD-18DC Signature Edition. The Carpathian sprucetop combines with unscalloped braces in thestandard position for impressive power and richness.

The 1 7/8” (at the nut) low profile neck iscarved from genuine mahogany andstained black to match the Macassarebony of the original.

The D-12 David Crosby SpecialEdition shares many of the simpleappointments of its six-string oldersibling. The Style 45 rosette featuresa ring of brilliant blue Paua shell.Tortoise color binding encircles thetop, back and sides, and provide ahandsome accent to the Style 18black/white (five layers) fine line toppurfling and black/white fine linesides and back purf l ing. Theendpiece and heelcap, alsotortoise colored material, arelikewise highlighted byblack/white fine line inlays.The back is bisected bycolor ful St yle 45 mosaicpurfling, bordered on eachside by black wood f iberinlay.The similarity extends to

the headstock, which features apolished black ebony headplate,

upon which the familiar arched“C.F. Martin & Co.” gold foil decal

Martin Recreates David Crosby’s 12-StringUnique Hybrid Combines 12-fret NeckWith 14-fret Body

25

(without “Est. 1833”) shelters a small schooner – like the oneCrosby has owned for decades – inlaid in mother of pearl. Itis equipped with Grover™ mini chrome tuners with ebonybuttons.

Per Crosby’s request, the African black ebonyfingerboard is fretted with jumbo frets. Abalone pearl dotposition markers at the 5th, 7th, 9th, 12th and 15th frets leadto David Crosby’s signature inlaid between the 16th and 17thfrets; the fingerboard terminates in a radius that follows thesoundhole arc, resulting in a partial 18th fret.

Like the original, each of the six string holes in the ebonybelly bridge is carefully slotted to handle two strings, and theG strings are strung in reverse order. Both the drop-in saddleand nut are crafted from bone. A polished and beveledtortoise color pickguard, and ebony bridge and end pins withpearl dots, complete its classic, elegant style, which isemphasized by the vintage-inspired deep amber hue of thetop and Martin’s traditional polished gloss lacquer finish.

Delivered in a deluxe Geib™ style hardshell case, eachMartin D-12 David Crosby Special Edition guitar bears aninterior label personally signed by David Crosby, and isnumbered in sequence. Those who order may specify a left-handed instrument at no extra charge; a 1935 dark sunbursttop and factory-installed electronics are extra cost options.Authorized C. F. Martin dealers are accepting orders for theD-12 David Crosby Special Edition immediately. For moreinformation, log onto the Martin website at:

www.martinguitar.com. �

Crosby’s legendary 12-string Martin started out as a D-18 butwas given a long scale 12-fret neck that pushed the bridge tothe center of the top. The resulting crystalline tone justifiedthe alteration and provided the inspiration for this uniqueedition. Note that the odd pickguard covered the old bridgelocation, and two strings occupy each bridge pin hole.

Courtesy

ofHenry

Diltz

”This 12-stringis a glorious guitar.Acoustically and pluggedin, this thing is absolutelystellar! I'm so happy I justcan't tell you!”

Among guitar aficionados, Woody Mann isconsidered a modern master. While the blues arehis touchstone, he seems to draw inspiration fromevery direction, blending a myriad of influences withease and grace.

Pioneering fingerstyle legend John Fahey said itwell: “You can hear classical, jazz and bluesapproaches somehow converging into a singlesparkling sound – a sound completely his own. Woodytakes a fresh approach to his blues recreations, and hisown compositions defy category. If there was a categorysimply called ‘great music,’ Woody would belong there.”

Woody received his first musical schooling in theliving room of Reverend Gary Davis, the legendary blues,gospel and ragtime guitarist. He soon went on to performwith bluesmen Son House and Bukka White, British greatJo Anne Kelly, and fingerstyle wizard John Fahey. Duringthis time, after studying at New York’s Juilliard School,Woody began a period of intensive lessons with thedazzling jazz composer and pianist Lennie Tristano.

Since then, Mann has pursued a rich and diversecareer that has included playing with jazz great AttilaZoller, accompanying songwriter Dory Previn and givingguitar lessons to recording artist Paul Simon. He hasperformed in over 15 countries and recorded 11 albumsranging from 1994’s “Stories” to 2008’s “Road Trip,” aswell as collaborations with blues legends Son House andJohn Cephas.

Mann’s reach as a teacher andwriter has been just as sweeping. Hehas been a faculty member at theNew School in New York and hasconducted workshops and masterclasses throughout the world. Hefounded International GuitarSeminars and schooled countlessguitarists through his many instructionalbooks and DVDs, including “The Art ofAcoustic Blues Guitar” DVD series,“The Complete Robert Johnson,”and “Lisboa – the Guitar ofWoody Mann,” a collection ofhis original compositions. Fewguitarists have been sogenerous in sharing theirknowledge.

Woody’s eclectic musicdemands much from theguitar he plays: power,balance, clarity, a “fast” neckand access to the upper frets.His experience with a range ofguitars over the years providedthe foundation for developingspecifications for his namesake Martin

Custom Edition guitar, but we at Martin were surprised– and impressed - by his “outside the box” ideas for theMartin MC-18 Woody Mann Custom Edition guitar.“I was looking for a guitar with a fast attack that

projects without compressing when played with aharder touch,” said Mann. “Since I use various pickingtechniques, it should have a balanced sound, from lowto high, with a clarity that responds easily to dynamics.Basically, I need a guitar that projects and offers a cleanpalette to explore a variety of tones, dynamics andtextures for various musical styles. This is that guitar!”

The Martin MC-18 Woody Mann Custom Editionstarts with the M body style, which combines GrandAuditorium 16” width at the lower bout with 0004 1/8” depth for a big, clear voice. An elegantlyrounded Venetian cutaway provides unfettered accessto the upper frets. A rare Adirondack spruce top,scalloped and forward-shifted 1/4” top braces andgenuine mahogany back and sides join forces to givethe guitar warmth and impressive dynamic range.

But the feature that really sets the MC-18 WoodyMann Custom Edition apart is its oversized 4 5/16”soundhole. As with Martin’s HD-16RLSH and theD-28CW Clarence White Special Edition, the largesoundhole enhances mid-range and treble projection.The MC-18 Woody Mann is the first Martin CustomEdition guitar in this body style to include this feature.

A 1 3/4” (at the nut) low profile satin finish neckoffers both playing comfort and plenty of room on the

fingerboard. A straight (rather than belly)black ebony bridge with spacious2 5/16” string spacing enhancesresponsiveness and is matched by ablack ebony fingerboard.

Woody Mann has specif iedbeautiful, understated appointments forhis Custom Edition guitar. An Old Style18 wood fiber rosette with two (due tothe enlarged soundhole) ringscomplements East Indian rosewoodbinding and alternating black/whitef ine line (f ive on the top andthree on the back) purfling. Thebinding is matched by an EastIndian rosewood heelcap andendpiece, the latter framed byblack/white fine line inlay. Apolished gloss Madagascarrosewood headplate highlightsthe familiar Martin Old Styledecal logo and premium nickelWaverly™ tuners with ebony

buttons. The fingerboard is devoidof position markers, except of course

for white side position dots in the

Woody Mann Honored With MC-18 Custom Artist EditionA Professional Performance CutawayWith Simple But Premium Features

26

27

standard locations. Both the nut and compensated saddleare genuine bone. Aging toner gives the top vintagepatina that is accentuated by Martin’s polished glosslacquer finish on the body. In the fingerstyle tradition, theMC-18 Woody Mann Custom Edition comes without apickguard. This Custom Edition may be ordered as a left-handed instrument at no additional charge; factory-installed electronics are an extra-cost option.

Each Martin MC-18 Woody Mann Custom Editionguitar is delivered in a vintage Geib™-style hardshell caseand bears a special, initial-bordered interior labelpersonally signed by Woody Mann and numbered insequence.

Authorized Martin dealers will begin acceptingorders for this open-ended Custom Artist Editionimmediately. For further information and specifications,visit the Martin website at: www.martinguitar.com. �

”Basically, I need a guitarthat projects and offers aclean palette to explore avariety of tones, dynamicsand textures for variousmusical styles.

This is that guitar!”

Woody Mann

As a master of instrumental guitar technique, Woody Mann’scriteria for choosing specifications centered on tonal clarity,player comfort, full fingerboard access and classic Martinsimplicity of appointments. Constructed with genuine mahoganyback and sides and an Adirondack spruce top, the resultingMC-18 Woody Mann Custom Artist Edition model is remarkablylight in weight, yielding tremendous glassine brilliance, crisptreble response and unmuddied basses in the straightforwardformat of a professional performance instrument.

28

headstock featuring Martin’s Golden Era® decal logoon a polished East Indian rosewood headplate,Martin’s historic pressure stamp on the back andnickel Waverly™ tuners with oval buttons. Long/WidePattern “Diamond & Squares” abalone pearlfingerboard position markers run from the 3rd fret tothe 17th fret, with a unique, oversized “widediamond” at the 9th fret.

Dan Tyminski’s attention to detail on his namesakeMartin reflects a life devoted to performing bluegrassand old-time music. He began learning guitar andmandolin at the age of six and played in a localbluegrass band while still in high school. In 1989, atbarely 21 years old, he joined the Lonesome RiverBand. Except for a short hiatus in 1992-1993, he stayedwith the band for five years, during which LonesomeRiver Band emerged as one of the most influential actsin modern bluegrass.

Although he briefly joined Alison Krauss andUnion Station (sometimes abbreviated to the acronymAKUS) during the previously mentioned hiatus,Tyminski signed on full-time as guitarist, lead andharmony vocalist and occasional mandolinist in 1994.As a member of AKUS, he contributed to a string ofcommercially successful – and usually Grammy-winning – albums, including So Long So Wrong, New

Favorite, Live and Lonely Runs Both Ways. Healso played on Krauss’ solo albums ForgetAbout It and A Hundred Miles or More:A Collection, plus her multi-platinumcompilation Now That I’ve FoundYou.

His first foray away from AKUScame in 2000 when he released hisfirst solo album, Carry Me Across theMountain, and toured with the firstincarnation of the Dan Tyminski Band.The year also marked release of theCoen Brothers’ hugely popular film OBrother, Where Art Thou? in whichTyminski supplied the singing voicefor George Clooney. Featuringtwo Tyminski renditions of “Manof Constant Sorrow,” thesoundtrack album sold animpressive seven mill ioncopies and won five GrammyAwards in 2002, includingAlbum of the Year.Tyminski was invited by Eric

Clapton to play at hisCrossroads Guitar Festival in2004 and also performed in the

2007 Crossroads Guitar Festival withAlison Krauss and Union Station. He won

Dan Tyminski’s career has taken him fromVermont to Nashville and even included a side trip toHollywood, but his music remains firmly rooted in thehills of southern Appalachia. He ranks as one of themost recognizable and popular musicians inbluegrass; his impressive instrumental chops andsingular voice are key components of Alison Kraussand Union Station, his stand-in singing and guitarplaying for George Clooney in the movie O Brother,Where Art Thou? are credited for giving old time music amajor boost, and his own Dan Tyminski Band has enabledhim to take center stage. Quiet and unassuming away fromthe spotlight, Tyminski lets his music speak for him with apassion that is undeniable.

For many years, Dan’s primary guitar has been a well-worn 1946 Martin D-28. However, his concerns aboutcontinuing to take his “go-to” instrument on the road andhis desire for a Dreadnought designed to meet his personalneeds brought Dan and the Martin Guitar Companytogether to create the new Martin D-28 Dan TyminskiCustom Edition.

“I am very excited to be involved with Martin,”Tyminski noted. “This is surely the biggest honor of mycareer.”

The Martin D-28 Dan Tyminski Custom Editionshowcases all the power and panache that have madeMartin Dreadnoughts the definitive bluegrassguitar. Back and sides of East Indianrosewood combine with a top ofAdirondack spruce for warm, ringingtone, impressive projection andextraordinary headroom. Acomfortable genuine mahogany1 11/16” (at the nut) “modified V”neck with long diamond volutecontributes to player comfort, whilethe black ebony fingerboard and bellybridge add classic beaut y andlongevity.

Tyminski makes his namesakeCustom Edition his own withdistinctive details sure to appealto flatpickers. Scalloped 5/16”Adirondack spruce top bracescross in the non-forward”rear-shif ted” position toprovide uncommon balanceand clarity. Special 2 1/4”string spacing at the bridgeand hand polished “bullnose” (i.e., rounded) fret endsspeed both strums and runs.

The appointments areequally distinctive: bold patternherringbone around the top, a

Dan Tyminski’s Favorite DreadnoughtInspires A Powerhouse Bluegrass D-28 Custom Edition

29

Dan Tyminski is the quintessentialbluegrass musician – an extraordinaryplayer and a terrific singer. Best known forhis work with Alison Krauss and UnionStation, he was also featured in the movie”O Brother, Where Art Thou?,” where hesupplied the vocal track for GeorgeClooney’s portrayal of the song “I Am AMan of Constant Sorrow.” Dan’s 1946Martin provided the inspiration for thebeautiful D-28 Custom Artist Edition thatbears his name.

Male Vocalist of the Year awards from the International Bluegrass MusicAssociation in 2001, 2002 and 2003. In 2008 he released Wheels, his secondsolo album, which received very positive reviews and a Grammy nomination forBest Bluegrass Album. His plans for 2009 include touring with the Dan TyminskiBand, which is scheduled to play several major bluegrass festivals and venuesduring the spring and summer.

Several classic Martin features complement the D-28 Dan Tyminski CustomEdition’s distinctive elements. Aging toner gives the top a beautiful vintage patinathat shines under Martin’s polished gloss lacquer body finish, and Golden Era®

Style 28 rosette and Golden Era-style nitrate tortoise-colored pickguard add tothe vintage vibe. Top, sides and back are bound in grained ivoroid, with the latteraccented by fine black/white purfling and a zig-zag back strip. The nut and drop-in saddle are crafted from genuine bone, while the bridge and end pins are madefrom black ebony.

Delivered in a Geib™ style hardshell case, each Martin D-28 Dan TyminskiCustom Edition guitar bears an interior label personally signed by Dan Tyminskiand numbered in sequence. Left-handed versions of this Custom Edition guitarcan be ordered without additional charge and factory-installed electronics areavailable as an extra cost option. Orders for the D-28 Dan Tyminski CustomEdition may be placed with your local authorized Martin dealer andspecifications may be found in the Custom Artist edition section of the Martinwebsite at: www.martinguitar.com. �

www.jimmyabegg.com

www.jimmyabegg.com

PhotobyDeone

Jahnke–www.deonejahnke.com

–©Sept2008

BluegrassUnlim

ited,Inc.,Reprintedbyperm

ission.

www.bluegrassmusic.com

30

18 dot position marker at the 9th, 12th and 15th frets,all inlaid in abalone pearl. The matching black ebonystraight bridge is fitted with a “through” saddle ofgenuine bone, the nut also is crafted from genuinebone.

Top, back and sides of the 5-18 Marty RobbinsCustom Edition are tortoise bound; the top isaccented by five-ply black/white edge purfling andan Old Style 18 rosette. The beveled and polishedpickguard is Delmar™ tortoise-color nitrate, as is theendpiece, while the heelcap is tortoise-brown to matchthe binding. Traditional dark stain on the back, sidesand neck combine with straw aging toner on the topto give the guitar vintage beaut y, a beaut yaccentuated by its polished gloss lacquer finish.

A native of Arizona, Marty Robbins becameinterested in music while serving in the United StatesNavy during World War II. Stationed in the SolomonIslands, he learned to play guitar, started writing songsand began a lifelong love of Hawaiian music. Backhome in Arizona after the war, he began playingguitar in a local band and was eventually hired toperform on the radio, a job that led to his hosting a15-minute live television show, “Country Caravan.”His big break came when “Little” Jimmy Dickensmade a guest appearance on the show and was soimpressed by the host, he lobbied his label into

signing Marty.Eschewing the songs his label offered

him, Robbins began writing and recordinghis own. The third single, “I’ll Go onAlone,” proved to be his breakoutcountry hit. It resulted in his f irstappearance at the Grand Ole Opry in1953 and Opry membership thefollowing year. He would consider theOpry his “home” stage for the rest of hiscareer.

A string of country hits followed. In1957 he released “A White Sports Coat,”which topped the country charts andwas No. 2 on the pop charts. Thatsame year he recorded ”Song of theIslands,” an album of Hawaiianlove songs. In 1958, he turned hisattention to western and cowboysongs, releasing Gunf ighterBallads and Trail Songs, whichincluded a ballad he wrote called“El Paso.” Considered too longfor radio airplay, “El Paso” hit No.1 on the pop and country chartsand won the first Grammy Award

for a country song. In 1960, he alsobecame the first country artist to perform

Rockabilly, pop, Hawaiian, standards andespecially country: Marty Robbins could sing themall. Most people remember “A White Sports Coat”and “El Paso,” his biggest hits on the popular charts,but for nearly 30 years he was a huge country star,with 16 chart-topping and 42 “Top 10” country hits,and a slew of top-selling albums. He also was asuperb songwriter, solid guitarist, fine actor andincredibly charismatic performer. In every sense of theword, he was unique; the passage of years since hisdeath in 1982 have only deepened respect for this trulyone-of-a-kind entertainer.

As with nearly every aspect of his music career,Robbins’ acoustic guitar of choice was anything butordinary. Instead of something big and flashy, he oftenplayed a Martin 5-18, a tiny mahogany “terz” guitar, sonamed because it was designed to be tuned a minor 3rd(three steps) higher than standard. His appearances withthe diminutive Martin guitar beginning in the 1950s, at theGrand Ole Opry and in concert, caused a spike in theproduction of that model that lasted for nearly a decade.The Martin Guitar Company stopped making the 5-18 in1989, and though it has produced other Size 5 guitars inrecent years, namely the Claire’s Guitar (Brazilianrosewood) and Claire 2 (flamed maple) Limited Editions,and the Mini Martin (East Indian rosewood) SpecialEdition, it has not offered one in mahogany for 20 years.Martin is pleased to bring it back with theintroduction of the 5-18 Marty RobbinsCustom Edition.

While the 5-18 Mart y RobbinsCustom Edition conforms to themodel’s 12-fret (to the body) design,small dimensions (11 1/4” across thelower bout) and short (21.4”) scalelength, distinctive tonewoods andappointments abound. A rareAdirondack spruce top with 1/4”unscalloped braces is matched to thetraditional genuine mahogany backand sides for bright, clear tone andimpressive dynamics. The “low oval”genuine mahogany neck sports apolished Madagascar rosewoodheadplate which highlights thelarge Old St yle gold Martindecal and Gotoh™ nickel opengeared tuners with butterbeanknobs.

To honor “El Paso” and hisother Texas-themed records, theblack ebony fingerboard featuresa position marker in the shape ofTexas at the 5th fret and a lone star atthe 7th fret, plus the standard Old Style

5-18 Marty Robbins Custom Artist EditionLittle Martin Re-emerges With Classic Style 18 ”El Paso” Features

31

Marty Robbins rarely performed without one of his manyMartin small 5-18 Parlor or ”Terz” guitars like the oneseen above, in later years, with the unusual pickguard.

in Las Vegas.While continuing to produce country hits through the

1960s and 1970s, including “Devil Woman,” ”River ofDarkness,” “My Woman, My Woman, My Wife” and“Among My Souvenirs,” and earning a second GrammyAward along the way, Robbins expanded his range bygetting into the movies, both as an actor and soundtrackcontributor. His acting career began in 1957 with Badgeof Marshall Brennan, while his soundtrack work began in1959 with Hanging Tree. He appeared in eight moviesand had music in countless more, culminating both with asmall role and two songs in the Clint Eastwood movieHonky Tonk Man. He played as hard as he worked andbegan driving stock cars on the NASCAR circuit in 1966,an avocation he would continue for the rest of his life.

A heart attack and heart bypass surgery (thenexperimental) in the late 1960s barely slowed him, but asecond heart attack in 1981 did. In October of 1982, hewas inducted into the Country Music Hall of Fame andaccepted the award in person, but he suffered a thirdheart attack less than two months later and died onDecember 8th, 1982.

Each Martin 5-18 Marty Robbins Custom Editionguitar bears an interior label personally signed by MartyRobbins’ son Ronny Robbins and is numbered insequence. A fitted hardshell case is included. Left-handedversions of this Martin Custom Edition may be ordered atno extra cost. Authorized C. F. Martin dealers will beginaccepting orders for the 5-18 Marty Robbins CustomEdition immediately. For more information, log onto theMartin website at: www.martinguitar.com. �

Roy Rogers 1930 OM-45 DeluxeBrings $554,500 at Christies AuctionAn anonymous bidder acquired the “King of Cowboys,”

Roy Rogers’ infamous OM-45 Deluxe Martin Guitar, one of therarest and most coveted. $554,500 was the winning bid duringan auction held at Christies in New York on April 3, 2009. Theguitar was put up for auction by The Roy Rogers-Dale EvansMuseum in Branson, Missouri.

Originally purchased, used, for $30 at a California pawnshop in 1933 by a young and unknown musician by the nameof Leonard Slye, this guitar was the very first OM-45 Deluxemodel guitar Martin produced in 1930 (#1 of 15 total). It is theprototype for one of Martin's rarest, most beautiful and highlycoveted models. Slye, years later, would go on to becomecowboy legend Roy Rogers, never knowing the historicalsignificance of the guitar. Over time, the Martin OM-45Deluxe would become synonymous with the Rogers stage andfilm persona.

Sold brand new for $225 in 1930, this guitar was Martin’smost expensive model to date. Its serial number, #42125,would years later reveal that this particular guitar has epichistorical significance beyond its already documented celebritystatus. How fitting that this unique OM was, unknown to itsowner or anyone else, already the stuff of legend even beforethat fateful pawnshop encounter with a future western idol. Atwo-time inductee into the Country Music Hall of Fame,Rogers passed away in 1998. �

Sarah Cheverton, Julie Caran and Kevin Caran make up Harrisonburg,Virginia’s “Blue Stone Sky,” an acoustic trio melding contemporary andtraditional folk music into a very pleasing blend of instrumental and vocalharmony. Two Martin guitars, Sarah’s 1981 D-18 and Kevin’s 1995 LimitedEdition D-18 Golden Era®, are used extensively by the group, and you cansample their music, including their compact disc, “Here Now,” atwww. myspace.com/bluestonesky. �

Bluegrass and country music legendFayssoux Starling McLean is back and singingagain after lending her voice to some ofEmmylou Harris’ recordings. She released herfirst solo album, “Early”, in 2008 after beingout of the business for a couple of decadesand is now out and about doing houseconcerts and club dates. Her favorite guitar isa vintage Martin D-18 she’s been using since1975, and she keeps a newer D-28 around asher back-up instrument. For more information,check out: www.fayssouxmusic.com. �

Richmond, Virginia folk favorite George Turman has been involved withmany musical projects over the last forty years, and he continues to use his1971 Martin D-28S as his performance and recording instrument. Check outhis latest project with a bunch of his musical associates, “Among Friends,” atwww.cdbaby.com. �

©AlexHicks

Primarily a vocalist, Richmond, Virginia’sLibby Dunton plays her Martin Custom D-35Dreadnought to accompany herself whensinging her favorite songs in local concerts orjust for her own enjoyment. Currently workingwith two other women from the Richmond’s“Among Friends” showcase folk group, Libbyexpects to release a compact disc in the nearfuture. �

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Around The Town

©CharlesDunton

©Charles

Dunton

Dave Schwerdtfeger has been inthe paper recycling business in theBaltimore, Maryland, area for 34 years,but he’s getting ready to retire so that hecan spend more time with his family,play a little more golf and get back to hisfavorite music. His guitar of choice is his1971 Martin Dreadnought D-35, ofwhich he says: “It just keeps gettingbetter and better!” �

Gene Dawson, together with hiswife Susan, hosts the Dawson HouseConcerts in Silver Spring, Maryland. Anactive performer on the localWashington, DC music scene someyears ago, Gene still enjoys playing everychance he gets. He really likes hisMartin DC-16GTE Dreadnought withFishman electronics onboard. Access hishouse concert schedule online at: www.angelfire.com/folk/dawsonconcerts/. �

Marc Miller manages a Martinauthorized dealership, Zepp CountryMusic, in Wendell, North Carolina.When he’s not on duty there, he’ll bepicking one of his several Martins,including the pictured D12-20 12-stringmodel that he has modif ied as an8-string. He also has a J-15, a CEO-4R, awonderful D-18 (“too good to take intobars”) and a Backpacker travel guitar.Visit: www.marcmillermusic.com andpick up his album, “Down The Road.” �

Washington, DC-area based singer/songwriter Jerry Bresee owns severalMartins, including the pictured 2003D-18 Golden Era® he received from hiswife as a 50th birthday present. Aninstructional designer who works withairlines and the FAA to develop trainingprograms for pilots, Jerry's job includes alot of traveling – and songs about beingaway from home come easy. He has twoalbums to his credit; and even with hisschedule, he manages to perform in thearea on a semi-regular basis, always withone of his Martin guitars! Check out:www.jerrybresee.com. �

A naturalist since 1980, MontgomeryCounty, Maryland Parks’ Rob Gibbs hasowned his Martin D-35 since 1976 whenhe was active as a solo singer/songwriterand a member of a couple of countryrock and bluegrass bands in theWashington, DC area. Rob uses hisMartin today to entertain and educatechildren about the wonders of theenvironment, and he still finds time tofingerpick his favorite ragtime tunes. �

©Denise

R.Gibbs

©CherylB

resee©BretSchwerdtfeger

©Susan

Dawson

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©SteveWeismann

Eric TingstadEric Tingstad started with the guitar

when he was ten. After high school hestudied classical guitar while still playingin rock bands. In 1981 he focused hisefforts on nylon strings, and in 1985 hehooked up with Nancy Rumbel. Soon hefound a great 1961 0-16NY New YorkerMartin. With its classical width neck, Ericcan fingerpick and flatpick multiple styleswhere most guitarists would simply usean assortment of guitars. Eric says: “I getalot outta that old axe!” �

©Jason

Varney

Scott Taylor of Grand Island,Nebraska, loves the headstock design ofthe Martin “40” series, and that got himto part with a couple of other guitars tobuy a 1971 D-41 which he greatlyenjoys. A minister by trade, Scott lovesto write and sing inspirational andwestern music, especially “cowboysongs,” and he has several albumsavailable through his website,www.srtaylor.com. �

Marc Silver , a Philadelphia,Pennsylvania-based singer/songwriter,offers a mix of Appalachian fiddle tunes,jazz and original songwriting. Marccounts on his one and only Martin D-35Dreadnought whether working with hisband, The Stonethrowers, or working asa solo musician. All of his consummatemusical activities can be tracked atwww.marcsilvermusic.com. �

Northern Virginia-based singer/songwriter and multi-instrumentalistTM Hanna is shown performing at theFolk Club of Reston-Herndon on his“Felix The Cat” Little Martin. TM spendshis days as an acoustic instrumentspecialist at Sterling, Virginia’s MartinGuitar dealership, Melodee Music, andhis evenings performing “anywherethey'll let me.” For information on therelease of his newest CD, “HundredShades of Blue,” as well as on futureperformances, visit TM’s website atwww.tmhanna.net. �

©F.Strickland

CourtesyofScottTaylor

Danny Gotham got the Martin buggrowing up in Rochester, New York inthe late 1960s. He purchased his firstMartin, a Brazilian Rosewood D-28, for$399 from the late, great EldonStutzman. These days, his main guitar isa 000C-16 that he uses for solo showsand accompanying the likes of PeterOstroushko and Tom Paxton. He alsoperforms on a newer 000C-16RGTE foroccasional guitar trio shows with NorthCarolina bluesman Armand Lenchek andex-Bonnie Raitt guitarist WillMacFarlane. His oldest Martin is a 1980HD-28 which he won when he came insecond place at the NationalFingerpicking Guitar Championship inWinfield, Kansas. To find out moreabout Danny, check out his website,www.dannygotham.com. The photobelow shows Danny chording a neckwith Philadelphia guitarist Ari Eisinger,whose style is perhaps along the lines ofPaul Geremia and John Hammond.Danny says: ”Ari plays Blind Blakebetter than Blind Blake!” �

New York Cit y-based singer/songwriter Annie Dinerman recentlycompleted a new CD with producerSteve Addabbo (Suzanne Vega, ShawnColvin). Annie is very brand loyal toMartin – she owns a vintage 00-28Cand an 0-16NY, plus a newer DC-16GTEPremium that she prefers for stageperformances. Check out Annie’scomplete discography on her websiteat: www.anniedinerman.com. �

PhotobyBruce

DeboerPh

otobyRobertCorwin

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Our friend Tyler Unger played his Martin during a recording session at thelegendary Sun Studio in Memphis with lead singer Brad Skistimas of the band FiveTimes August. Brad has earned a reputation as one of the most important up andcoming artists. After selling over 100,000 digital downloads without a record label,getting forty song placements from one album on various popular televisionprograms and becoming the first unsigned act sold in Wal-Mart stores nationwide,one can only wonder what Five Times August will accomplish next. �

©SteveTrank

Columbus, Ohio banker ParkerMacDonell recorded two albums in themid-1980s that still hold up as greatsongwriting and performing by thosewho got to hear him when he wastouring. His guitar of choice, then andnow, is the Martin D-18 that he used torecord them. Parker still has lots to shareabout music and other matters on hiswebsite, www.parkermacdonell.com.(Len Jaffe) �

Hank Cramer, one of the best-loved folksingers in the American West, is knownfor his booming bass vocals, smooth guitar picking and wry sense of humor. Hank'srepertoire songs tell the stories of cowboys, sailors, soldiers, miners, adventurersand just plain drifters. With similar life experiences, Hank’s music rings with aspecial authenticity. This past November, Hank (center) went to the TombstoneWestern Music Festival in Arizona to accept an award from Heartland Public Radiofor placing a song ("My Sweet Wyoming Home") in the Top Five Cowboy Songs of2007. Left to right, it's Mark Iler (lead player with his Martin 5-15 Terz guitar (hetunes it to A), Hank with his Roger McGuinn D-7 (7-string) and Davey Hakala, thefiddler. We’re sure Davey would play a Martin fiddle if only we made fiddles! Findmuch more at: www.hankcramer.com. �

Scott Pohle has been playing guitarfor about seven years. He became sucha fan of Martin guitars that he had theheadstock logo tattooed on his rightarm. He plays a D-35 and wantedeveryone to know that when it comes toacoustic guitars there is nothing like abrand new Martin. He also hoped hehadn’t infringed any copyright! �

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Alice Peacock • Love RemainsPowerful pop hooks and clever lyricscombine with a touch of country twangand gutsy rasp on this feel good albumthat is bound to magnetically draw youin. The pure acoustic warmth of herMartin D-35 blended with a flawlessproduction and world classinstrumentation provide the tonalbackdrop for Alice’s convincinglystrong, yet tender voice. Hear and seemore at www.alicepeacock.com �

MassimoVarini • My BluesThis Italian virtuoso owns an impressivecollection of Martins, including hisprized Custom 00-18 that dominatesthis immaculate production of finger-style instrumentals. A dynamic andversatile guitarist, songwriter, producerand performer, Massimo’s dauntlessenergy hypnotizes the listener. Everypercussive note and run on the albumis precise, inspiring and clear. Hearmore at www.massimovarini.it. �

Tingstad & Rumbel • Leap Of FaithThis collection of nostalgic covers andfreshly crafted originals comes to usfrom Grammy winners Eric Tingstadand Nancy Rumbel. On the back jacketartwork, Eric is seen proudly holdinghis slotted-head Martin (See page 33)that is prominent throughout therecording. As their 19th release, Leapof Faith boasts the endless popularityof instrumental music performed bythese world-class musicians. �

Jacques Stotzem • CatchThe SpiritThe ever prolific Jacques Stotzem offersthis solo acoustic extravaganza coveringpopular and legendary artists who haveinfluenced this instrumental guitar guruthroughout his career. The arrangementsare masterful and the passion pours fromhis Signature OMC Jacques Stotzemmodel and his OM-21. From Hendrix tothe Beatles to U2 and Radiohead, CatchThe Spirit unites diversity in a way thatonly Jacques can. �

AllanTaylor • Leaving At DawnThis stylistic return to his early yearsoffers a beautiful collection of soft andsoothing ballads about life, love andmemories of far away places. With hisMartin HD-28, Custom D-18, 0000-28H and an array of traditional andunique world instruments, Allan paintsa sonic portrait of beauty, grace andsorrow. For the folk minded, this CDprovides an easy listen and an intimateexperience. �

The River Bottom Rhythm BandThe River Bottom Rhythm Band is a bluegrass

band from the small town in Rowan County,Kentucky. The image above is from the photoshoot for their CD cover. The Martin that guitaristMichael Atkins is holding is a 1937 D-18 that hisfather first purchased in a music store in Ashland,Kentucky. Walter (Michael’s father) had his owncountry singing group at the time, and he walkedinto a store looking to purchase a ”Gibson Jumbo”as he states it. After looking at the Jumbo, the salesperson handed him the D-18 to look at. Hestrummed it one time and exclaimed, ”I’ll take thisone!” Walter is 98 years old now and he continuesto say: ”Martin Guitar is still the only one to buy.”Walter gave the guitar to Michael when he was 12,and Michael recently presented it to his 16 yearold son Joshua. That very guitar was used on theirCD; and everywhere they take it, the question isalways the same, ”Do you want to sell it?” Theanswer will always be the same, ”NO!”

Below are our three proud generations ofMartin fans for life: Walter Atkins (center), age 98,holding the 1937 D-18; Michael Atkins, age 52,holding a 1985 HD-35; and Joshua Atkins, age 16,holding his 2008 D-28. �

Joshua Atkins (banjo), Michael Atkins (guitar), John Riley(mandolin) and Joe Riley (bass). They are just a stone’sthrow away from the Licking River, which is the land ofthe river bottom, and they have rhythm, hence they are:

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Steve Earle • TownesA tribute to his musical hero and longtime friend, Townes Van Zandt, thisfifteen-track eulogy is as spine-tinglingas Earle’s own originals. The subtlenuance and power of his M-21 CustomEdition are ablaze on each track. Steveshares the mic with some very specialguests including his wife All isonMoorer, Tom Morello, and for the firsttime (appropriately enough), Steve’sson Justin Townes Earle. �

David Newman • Love Peace ChantKnown by many as Durga Das, thisspiritually empowered ”chant” artistconveys his positive message througha joyful assembly of “trance jams” andpleasing vocal harmonies. He joinstogether a rhythm of contemporarybeats with traditional sacred melodiesand hypnotizing drones. His ”LovePeace Chant” CD is the perfectmusical companion for meditation orexaltation. �

Jackie Perkins • The Still AwakeningSharing vocals with legendary Africanartist Gabin Dabire’, Jackie Perkins‘performance is mesmerizing. Thesongs are as tender and angelic as theimage of Jackie with her prized OM-42on the CD cover and throughout thejacket artwork. Her OM-42 and D-35Martin guitars dominate the tracks ofthis uplifting album that include aninspired version of John Lennon’sclassic song “Imagine.” �

Julian Dawson • Deep RainRecorded in Nashville with legendaryproducer Dan Penn, Deep Rain is amusical treasure. Armed with his HD-7Roger McGuinn 7-string SignatureModel, Julian has crafted a brilliantalbum that is both personal andprofound. With clever titles like (Lostthe) “Keys To the Kingdom of Love,”each song soothes the soul andstimulates the senses. Hear more atwww.juliandawson.com. �

Diane Ponzio •So Low, You Have To ListenMartin’s own Diane Ponzio, solo in thestudio, has written and recorded 11spectacular new songs using both ofher Martin Signature models (JDP andJDP II), a BC-15E, a D12-1 12 string, a5-16 and a 5K Uke. A longtime Martinclinician, Diane offers songs that arecomplex and soulful that clearlyemanate from her heart feltexperiences as a world traveler. �

Al Shelton’s Masterpiece CoverFor the past several years, artist, painter and

master leather worker Al Shelton (left) has beencrafting his lined guitar-cover masterpiece for theMartin museum. Al is one of the finest leather artistsalive, having crafted priceless saddles for Gene Autryand beautiful guitar covers for Ricky Nelson. He’sjust turned 89, and he’s still going strong. His friendand fellow leatherworker Chuck Smith (right)assisted Al toward the end of the project, as did Al’sother friends – Greg M. Atkin of Strum-N-ComfortPicking Systems and Nancy Cole of The EquestrianNews. There’s a great NPR radio link about Al at:www.npr.org/templates/story/story.php?storyId=6935528 �

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That’s What Friends Are For13-year old Julian Greiner stops to play his Backpacker®

at the 11th century Hirsau Abbey in Germany’s Black Forest.The Backpacker was a Christmas gift and, according toJulian’s dad Gernot (a music teacher himself), it has becomehis son’s best friend. “This is Julian’s first Martin experience,”says Gernot. Other models will follow. His greatest wish is aKenny Sultan 000-18. Maybe a prayer or two at the abbeywould help? �

Hike For CancerSinger-songwriter Pete Kartsounes literally hit the trail

with his Martin Backpacker to raise money for families withchildhood cancer through his Hike For Cancer Foundation.Hiking the 500 mile-long Colorado Trail last summer, Peteplayed seven shows along the way, raising awareness andmoney for the Foundation’s beneficiary, Camp Wapiyapi inEstes Park. “It was wonderful to have the Backpacker along,“says Pete. “It not only made my hike so much moreenjoyable, but others we met along the way were so happyto hear a guitar out in the middle of nowhere!” �

Backpacking Coast To CoastOn April 22, Canadian musician Rod Standish decided to

take a walk – a long walk – from Point Pleasant, Halifax acrossCanada to the Pacif ic coast. The young actor/singer/songwriter is walking to raise money and awareness forThe Canadian Academy of Recording Arts & Sciences and forEarth Day. His traveling companion is a Martin Backpacker®

which he plays in every city he stops at along the way. Rod isno stranger to challenges. Reportedly he’s recently beenrecognized by the Guinness Book of World Records forplaying the longest uninterrupted rock guitar solo in history –an astounding 58.5 hours long. Which means that not onlydoes he have incredibly tough calluses and very durablestrings (Martin SPs extended play, we assume), but he mustreally like the tune he played. Good luck to Rod on his ”longand winding road” – a very worthy journey. The WanderingTroubador legend is alive and well! �

Backpacker Stories

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PhotobyTom

Walsh

Barbara WilkinsonThe extraordinary portrait of Don

Wilkinson (above) with his MartinBackpacker® was painted by hisextraordinary artist wife Barbara on arecent canoe trip down Brit ishColumbia’s majestic Green River. Thetwo had stopped to camp for the nightwhen Don got out his Backpacker, andBarbara got out her watercolors.

“It’s not scenery,” Barbara says. “Inmy defense, I had been drinking wineand I found him more charming thanthe rocks.” She titled the painting“Donny Plays The Blues On The GreenRiver.” �

John King1953-2009

The sudden death of John King onFriday, April 3, shocked and saddenedboth the ukulele and guitarcommunities. Trained by the famedclassical guitarist Pepe Romero, JohnKing taught guitar for many years atEckerd College in his hometown of St.Petersburg, Florida. John was also apublished composer and an associateeditor of Soundboard magazine, theof f icial magazine of the GuitarFoundation of America. He lived inHawaii for many years while growing upand developed a love for the ukulelethat would last his entire life. Johnapplied classical guitar techniques to theukulele and became the world'spremiere classical ukulele player. Hisunique style and impeccable techniqueastounded ukulele fans around theworld, whether he was playing an earlyHawaiian piece, a Christmas carol, aBach sonata or a Sousa march. Throughyears of extensive research in Hawaiiand elsewhere, John had brought tolight an amazing amount of informationabout the history and development ofthe Hawaiian ukulele.

During 2007 and 2008 heundertook a project with co-author TomWalsh to research the C. F. MartinArchives on the history of Martinukuleles for an upcoming book. Hisincredible knowledge, intelligence,humility and sense of humor will besorely missed. �

John Martyn1948-2009

John Martyn was one of the mostrevered and innovative singer-songwritersof his generation; his music – a mix ofblues, folk and funk – influenced artistsas varied as U2 and Eric Clapton. Manyof his albums, especially Solid Air (1973),are regarded as classics. He began toexperiment with electronic ef fects,notably a tape device known as theEchoplex which provided his signaturesound.

His cantankerous behavior wasfamous, and age did not appear tomellow him or diminish his interest inexpanding the horizons of music andmaking musical boundaries redundant.

Early on in his career, he provedhimself one of the most brilliant acousticguitarists of his generation, but he wasnever content to rest on his laurels,taking his guitar playing into constantlynew directions, even at the cost of hiscommercial appeal.

A longtime Martin guitar player,Westside of Glasgow, UK (a MartinDistributor) honored him with a JohnMartyn Custom Signature Edition guitarin 2008. (Telegraph.co.uk) �

Coming Soon:The Del McCoury

50th Anniversary D-18Custom Artist Edition

Limited to just 50 special guitars,this Anniversary Edition celebrates

Del McCoury’s significant contributionsto bluegrass music over the past 50 years.

Available: Autumn 2009.

TheSoundingBoardP. O. Box 329, Nazareth, PA 18064-0329(610) 759-2837 • www.martinguitar.com

PRESORTEDSTANDARD

US POSTAGE PAIDLEHIGH VALLEY PA

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Martin Strings

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