T H E T H E AT R E L A BC O U R S E C ATA LO G

W I N T E R / S P R I N G 2018

T R A N S F O R M I N G L I V E S T H R O U G H T H E A T R E E D U C A T I O N

ARTSAWARD

MAYOR’S

INNOVATION IN THE ARTS

WINNER

Non-Member/Member

Anyone Can Act Jan 6 or Feb 24 (one-day class) 1:30 – 3:30pm TBA $50/$50

Auditioning Tuesdays, Jan 9 – Feb 13 7 – 10pm Michael Russotto $340/$306

Beginning Scene Study Mondays, Jan 8 – Feb 12 7 – 10pm Jose Carrasquillo $340/$306

Comedy Mondays, Jan 8 – Feb 12 7 – 10pm Michael Russotto $340/$306

Creating a Musical Role: If/Then Tuesdays, Thursdays, and Saturdays, Jan 16 – Apr 28Tech: W Apr 18, 6–11pmBrush-up: W Apr 25, 7–10pmperformances: Apr 19, 20, 21, 26, 27, 28No class Mar 31 (Easter)

T 7–10pm; Th 7–10:30pm; Sat 10am–1pm

Deb Gottesman and Buzz Mauro

$660/$594

Improv for Teens Saturdays, Jan 13 – Feb 17 10am – 12pm Terah Herman-Saldaña $290/$261

Intro to Acting Wednesdays, Jan 10 – Feb 14 7 – 9:30pm George Grant $310/$279

Intro to Acting Saturdays, Jan 13 – Feb 17 10am – 12:30pm Dorothy Neumann $310/$279

Intro to Acting for the Camera Tuesdays, Jan 9 – Feb 13 7 – 10pm John Judy $340/$306

Intro to Theatre Tech Wednesdays, Jan 10 – Feb 14 7 – 9:30pm Angelo Merenda $200/$200but tuition refunded in full on completion of practicum

Michael Chekhov Technique Tuesdays, Jan 9 – Feb 13 7 – 9:30pm Joe Martin $310/$279

Playwriting II Wednesdays, Jan 10 – Feb 14 7 – 9:30pm Elizabeth Pringle $310/$279

Singing for Actors Mondays, Jan 8 – Feb 12 7 – 10pm Tracy Lynn Olivera $340/$306

Stanislavski Method Wednesdays, Jan 10 – Feb 14 7 – 9:30pm Buzz Mauro $310/$279

Voiceovers Saturdays, Jan 13 – Feb 17 10am – 1pm Craig Klein $340/$306

Anyone Can Act Mar 24 or Apr 14 (one-day class) 1:30 – 3:30pm TBA $50/$50

Auditioning Saturdays, Mar 3 – Apr 14No class Mar 31 (Easter)

1:30 – 4:30pm George Grant $340/$306

Beginning Scene Study Saturdays, Mar 3 – Apr 14No class Mar 31 (Easter)

10am – 1pm George Grant $340/$306

Creating a Role: The Skin of Our Teeth Tuesdays, Thursdays & Saturdays, Mar 22 – Jun 16Tech: Sat Jun 9, 10am–4pm; T Jun 12, 6–10pm; W Jun 13, 6–10pmevening performances: Jun 14, 15, 16maTinee: Jun 16No class Mar 31 (Easter)

T & Th 7–10pm; Sat 1:30–4:30pm

Randy Baker and Tonya Beckman

$610/$549

Drama Workshop Wednesdays, Feb 28 – Apr 4 7 – 10pm George Grant $340/$306

Getting Started in TV and Film Tuesdays, Feb 27 – Apr 3 7 – 9:30pm Brenna McDonough $310/$279

Intro to Acting Saturdays, Mar 3 – Apr 14No class Mar 31 (Easter)

10am – 12:30pm Dorothy Neumann $310/$279

Intro to Acting for the Camera Thursdays, Mar 1 – Apr 5 7 – 10pm John Judy $340/$306

Musical Theatre Workshop Mondays, Feb 26 – Apr 9No class Mar 12

7 – 10pm Tracy Lynn Olivera $340/$306

WINTERJAN–FEB

COURSE SCHEDULE W I N T E R / S P R I N G 2 018

EARLY SPRINGMAR–APR

Non-Member/Member

Non-Member/Member

On-Camera Acting for Kids Saturdays, Mar 3 – Apr 14No class Mar 31 (Easter)

10 – 11:30am John Judy $260/$234

On-Camera Acting for Teens Saturdays, Mar 3 – Apr 14No class Mar 31 (Easter)

12 – 2pm John Judy $290/$261

Playwriting from the Gut Tuesdays, Feb 27 – Apr 3 7 – 9:30pm Renee Calarco $310/$279

Scene Study for Teens Saturdays, Mar 3 – Apr 14No class Mar 31 (Easter)

2 – 4pm Terah Herman-Saldaña $290/$261

Script Analysis for Scene Work Saturdays, Mar 3 – Apr 14No class Mar 31 (Easter)

1:30 – 4pm Joe Martin $310/$279

Acting in Commercials and Industrials Tuesdays, Apr 17 – May 22 7 – 10pm John Judy $340/$306

Actions and Objectives Mondays, Apr 16 – May 21 7 – 10pm Michael Russotto $340/$306

Anyone Can Act May 12 or Jun 2 (one-day class) 1:30 – 3:30pm TBA $50/$50

Auditioning Tuesdays, Apr 17 – May 22 7 – 10pm George Grant $340/$306

Auditioning for Musical Theatre Tuesdays, Apr 17 – May 22 7 – 10pm Kate Fisher $340/$306

Beginning Scene Study Wednesdays, Apr 18 – May 23 7 – 10pm George Grant $340/$306

Creating a One-Person Show Mondays, Apr 16 – May 21 7 – 10pm Elizabeth Pringle $340/$306

Intro to Acting Saturdays, Apr 21 – Jun 2No class May 26 (Memorial Day)

10am – 12:30pm George Grant $310/$279

Intro to Acting Saturdays, Apr 21 – Jun 2No class May 26 (Memorial Day)

1:30 – 4:00pm George Grant $310/$279

Public Speaking the Actor’s Way Wednesdays, May 9 – May 30(4 weeks)

12 – 2pm Buzz Mauro $260/$234

Scenes in Performance Thursdays, Apr 19 – May 24 7 – 10pm Jose Carrasquillo $340/$306

Street Theatre Mondays, Apr 16 – May 21 7 – 10pm Quique Aviles $340/$306

Voice and Speech Saturdays, Apr 21 – Jun 2No class May 26 (Memorial Day)

10am – 12pm Tonya Beckman $290/$261

Voiceovers Saturdays, Apr 21 – Jun 2No class May 26 (Memorial Day)

10am – 1pm Craig Klein $340/$306

REGISTER ONLINE AT WWW.THEATRELAB.ORG OR CALL 202-824-0449

EARLY SPRING MAR–APR(CONTINUED)

LATE SPRINGAPR–MAY

FROM THE THEATRE LAB DIRECTORS

We’re inclusive, not exclusive. We believe in building up, not tearing down. We believe in lofty goals, but not standards that are impossible to reach. We believe the arts are vital to a thriving society, and shouldn’t be available only to a privileged few. And we believe way more in heart, drive, openness, and hard work than in anything as vague and questionable as “talent.” Whether you’re a seasoned professional or an absolute beginner, if you want to develop your theatrical craft, we want to help.

Since founding the organization in June 1992, we’ve focused on bringing the artistic and real-life benefits of high-quality theatre training to as many people as we can reach. Small classes and individualized attention from the area’s most accomplished and dedicated theatre artists have always been hallmarks of Theatre Lab training.

Some students who train here go on to professional acting careers, and we are proud that our graduates appear frequently at Arena Stage, The Shakespeare Theatre, Ford’s Theatre, Theater J, and many more of DC’s best professional venues.

Some students use their training to develop the real-life benefits of theatre training — improved public speaking skills, increased self-confidence, heightened imagination, and the chance to connect with others who want to have fun doing something creative. Because we believe that the challenges and rewards of that training should be accessible to everyone, and not only those who can afford to pay, this year we will continue to expand our award-winning scholarship and outreach programs that serve financially disadvantaged youth and adults, incarcerated and at-risk youth, homeless women, wounded veterans, and other groups for whom the arts are often out of reach. For an exciting, in-depth, and entertaining look at the transformational impact of one of our programs, see the feature documentary How I Got Over, available on Amazon.

With an enrollment of more than 2,300 students each year, classes in acting, directing, film and TV, musical theatre, and even theatre history and criticism, as well as terrific shows to see and volunteer opportunities galore, we’d like to believe there’s something for everyone at The Theatre Lab. We hope to see you around our halls soon. Please feel free to call if you have questions!

Clin

tonB

Phot

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DEB GOTTESMAN AND BUZZ MAURO FOUNDERS AND DIRECTORS

AT THE THEATRE LAB, WE’VE ALWAYS BELIEVED IN TEACHING, NOT JUDGING.

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CHOOSING THE CLASS THAT’S RIGHT FOR YOU

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THE HONORS ACTING CONSERVATORY

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FACULTY

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COURSES

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COURSE BUNDLES

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MENTORSHIP

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YOUTH PROGRAMS

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SERVING OUR COMMUNITY

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POLICIES/REFERRALS

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MEMBERSHIP

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TABLE OF CONTENTS

“ DON’T MISS THIS OPPORTUNITY TO LEARN, HAVE FUN AND BOND WITH SOME REALLY NICE PEOPLE.”— RECENT STUDENT EVALUATION

33

If you want to try acting because it sounds like fun

If you’re interested in acting for its personal and professional benefits

If you currently act or would like to act professionally or in community theatre

If you’re interested in acting in musical theatre

If you’re interested in acting in film and TV

If you’re interested in other aspects of theatre and performance

With classes in acting for the stage and

screen, musical theatre, playwriting,

directing, and applied acting,

The Theatre Lab is proud to offer the

area’s most comprehensive theatre

arts curriculum. Most courses do not

have prerequisites, which means many

directions are open to students at every

level of training.

These recommendations are suggestions

only, but might help you shape the unique

training program that is right for you.

Some courses require an audition

and/or permission of the instructor.

See course descriptions for details.

CHOOSING THE CLASS THAT’S RIGHT FOR YOU

Anyone Can Act

Intro to Acting

Drama Workshop

Beginning Scene Study

Improv for Teens

Scene Study for Teens

On-Camera Acting for Kids and Teens

Intro to Acting

Drama Workshop

Beginning Scene Study

Voice and Speech

Public Speaking the Actor’s Way

INTRODUCTORYIntro to Acting

Drama Workshop

Beginning Scene Study

Improv for Teens

Scene Study for Teens

NEXT STEPSComedy

Voice and Speech

Michael Chekhov Technique

Singing for Actors

Script Analysis for Scene Work

The Stanislavski Method

Actions and Objectives

Auditioning

Scenes in Performance

Creating a Role: The Skin of Our Teeth

Creating a One-Person Show

The Honors Conservatory

INTRODUCTORYIntro to Acting

Drama Workshop

Beginning Scene Study

NEXT STEPSSinging for Actors

Musical Theatre Workshop

Auditioning for Musical Theatre

Creating a Musical Role: If/Then

INTRODUCTORYIntro to Acting

Drama Workshop

Beginning Scene Study

On-Camera Acting for Kids or Teens

NEXT STEPSGetting Started in TV and Film

Intro to Acting for the Camera

Script Analysis for Scene Work

Acting in Commercials and Industrials

Voiceovers

Comedy

Playwriting from the Gut

Playwriting II

Voice and Speech

Public Speaking the Actor’s Way

Creating a One-Person Show

Street Theatre

Intro to Theatre Tech

WHAT CLASS SHOULD YOU TAKE?

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ISN’T IT TIME YOU TOOK CHARGE OF YOUR ACTING CAREER?

THE HONORS ACTING CONSERVATORY AT THE THEATRE LAB is a structured professional training program for those serious about entering the acting profession. Each year ten students pursue a comprehensive curriculum with Washington’s best acting teachers, under the supervision of Theatre Lab Directors Deb Gottesman and Buzz Mauro and popular instructor Kim Schraf. All Honors students meet as a group every Monday night for a full year of scene study and improvisation, exploring a wide variety of theatrical styles important for professional work. Students take additional Theatre Lab classes throughout the year to build specific skills outside the focus of the core Monday night work. All classes and rehearsals take place on weekday evenings and during the day on weekends. Students are continually advised and evaluated on their progress, and the program culminates in public performances of small-cast plays and a showcase for an invited audience of top area artistic and casting directors.

Approximately 85% of Honors Conservatory alumni have performed professionally since graduation, many in prestigious venues such as The Shakespeare Theatre, Olney Theatre Center, Ford’s Theatre, Arena Stage and Theater J.

Admission is by application and audition. Applications for calendar year 2019 are due in October 2018. For complete information, visit www.theatrelab.org

• A year to focus intensively on your acting, without quitting your day job — yet

• A truly comprehensive course of study, including theatre history

• Advanced training in process and technique

• Fellow students as dedicated as you are

• Extensive access to The Theatre Lab’s acclaimed faculty and curriculum

• Special workshops with top professionals from Washington and beyond

• Personal and professional guidance throughout the year

• Regular progress evaluations

• A wide variety of performance opportunities

• A final showcase for the area’s most influential directors and casting directors

THE HONORS ACTING CONSERVATORY

“THE HONORS ACTING CONSERVATORY TRANSFORMED

ME FROM A SCARED DREAMER INTO AN ACTIVE PRIMARY ARTIST, WITH THE ACTUAL

SKILLS NECESSARY TO GET WORK.” — A RECENT HONORS GRADUATE

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Quique AvilesStreet TheatreQuique Aviles, originally from El Salvador, has been writing, performing, and leading community arts projects for more than 35 years. After graduating from the Duke Ellington School of the Arts in 1985, he co-founded the LatiNegro Theater Collective, which brought its socially conscious theatre to schools, jails, and community centers. In 1999 he co-founded Sol & Soul, an arts and activist organization, where he directed a summer street theater project. His poetry and commentary

have been featured on NPR, local public radio, and in several anthologies. He has written and performed 11 one-man shows dealing with issues of race and identity. In addition to his solo work, Quique was a founder and is the current director of Paso Nuevo, GALA Hispanic Theatre’s award-winning youth theatre program.

Randy BakerCreating a RoleRandy Baker is a playwright, director and co-Artistic Director of Rorschach Theatre. Recent shows he has directed with

Rorschach include Very Still and Hard to See (Five Helen Nominations including Best Director), The Electric Baby, She Kills Monsters, The Minotaur and After the Quake. Recent shows he has directed outside of Rorschach include the seven-room living installation piece, Hello, My Name Is… at The Welders, a shadow puppet gamelan-inspired A Midsummer Night’s Dream at WSC Avant Bard, Big Love at Catholic University, Anon/ymous at Georgetown University and his own adaptation of Rashomon at American University. Recent playwriting projects include the world premieres of Forgotten Kingdoms and Truth & Beauty Bombs: A Softer World at Rorschach Theatre and workshops and educational

productions of The Burning Road (Arena Stage), Monastery (Theater J), Rashomon (American University and Spooky Action Theatre), Circus of Fallen Angels (NCDA and American University) and wild42hold (George Washington University).

Tonya BeckmanCreating a RoleVoice and SpeechTonya Beckman has appeared as an actor at Shakespeare Theatre Company, Ford’s Theatre, Folger Theatre, Round House Theatre, Arena Stage, Studio Theatre, Theater J, Taffety Punk, Olney Theatre, Forum Theatre, and the Kennedy Center. Regional credits include Cleveland Play House, Cincinnati Playhouse in the Park, Center Stage, Fulton Theatre, Purple Rose Theatre Company, Human Race Theatre Co, Totem Pole Playhouse, and Door Shakespeare, among others. She has taught at American University, George Washington University, Shepherd University, Baldwin-Wallace College, Duke Ellington School for the Arts, The Theatre Lab, The Actors’ Center, and as a teaching artist for a variety of theatre companies. Local dialect coaching credits include productions for Woolly Mammoth Theatre Company, Round House Theatre, Theater J, Lean and Hungry Theatre, Longacre Lea, The Theatre Lab, and Constellation Theatre. She is a company member at Taffety Punk Theatre Company.

Carol CadbyHonors MovementCarol Cadby, a 30+ year theatre educator, teaches at George Mason University, Signature Theatre, Synetic Theatre and Arlington Public Schools. She earned her B.A. from Grinnell College and M.A.I.S. from George Mason

University; studied with Uta Hagen and Herbert Bergof; trained in Viewpoints, Laban, Linklater and Meisner; and acted professionally. Her teaching and directing awards include the F. Loren Winship Secondary Teacher Award from the American Alliance for Theatre and Education for long-term outstanding contribution to the mission of secondary school theatre; two Outstanding Theatre Program Awards from the Educational Theatre Association; two Elizabeth Campbell Awards for Excellence in the Arts; representing Virginia at South Eastern Theatre Conference; twenty-three Virginia Governor School Presidential Citations for Outstanding Educator and four Arts Teacher Recognition Awards from the Educational Theatre Association and National Foundation for Advancement of the Arts. She is also an Executive Coach with Ola Consulting specializing in leadership presence.

Renee CalarcoPlaywriting from the GutRenee Calarco is a playwright and teacher. Her plays include Our National Museum of the Unforeseen Tragedy, G-d’s Honest Truth, The Religion Thing (2013 nominee for the Charles MacArthur Award for Outstanding New Play), Short Order Stories (2007 recipient of the Charles MacArthur Award), The Mating of Angela Weiss,Bleed, First Stop: Niagara Falls, The 12 Days of Christmas, and others. Her plays have been produced, developed, and commissioned by The Welders, Theater J, Charter Theater, Geva Theatre, Project Y, Adventure Theatre, Pinky Swear Productions, Doorway Arts Ensemble, The Jewish Plays Project, and the Source Theatre Festival. Renee teaches both playwriting and comedy improv at The Theatre Lab. She’s a founding member of The Welders and a proud member of The Dramatists Guild.

Deb GottesmanHonors ActingCreating a Musical RoleDeb Gottesman is a founder and Co-Director of The Theatre Lab. She is also a professional actress who has performed frequently at Woolly Mammoth Theatre as well as at Arena Stage, Signature Theatre, Keegan Theatre, Theater Alliance, and with the Washington Shakespeare Company, among many others. She has directed more than twenty productions at The Theatre Lab, including Ragtime, Les Misérables, West Side Story, The Laramie Project, and My Soul Look Back and Wonder (which premiered at Kennedy Center’s Terrace Theater and is now the subject of a feature length documentary by Academy Award-nominated Producer and Director Nicole Boxer), as well as productions for Catholic University’s Musical Theatre Department and National Geographic. Deb received her M.F.A. from Catholic University and has taught drama at the Round House Theatre, Woolly Mammoth and American University. She is a 2003 recipient of the prestigious Linowes Leadership Award for her contributions to arts education. Along with Buzz Mauro, she has co-authored three books on applied acting, all published by Penguin Putnam.

Buzz MauroHonors ActingThe Stanislavski MethodCreating a Musical RolePublic Speaking the Actor’s WayBuzz Mauro is a founder and Co-Director of The Theatre Lab and a Helen Hayes Award nominee who has performed with Signature Theatre, Ford’s, Studio, The Shakespeare Theatre, Woolly Mammoth, and many other companies. He received his B.A. from Yale University and has an M.F.A. in Acting from Catholic University. In 2003 he received the Linowes Leadership Award for his contributions to arts education in Washington. Along with Deb Gottesman he is the founder of Center Stage Communications, a unique consulting firm specializing in the application of acting techniques to the business world. Together they are the authors of three books on applied acting: The Interview Rehearsal Book, Taking Center Stage, and The Best Answer, all published by Berkley Books, a division of Penguin Putnam.

OUR DISTINGUISHED FACULTY

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José CarrasquilloBeginning Scene StudyScenes in PerformanceJosé Carrasquillo is a stage director with over two decades of experience directing theatre across the United States. Most recently he directed El Paso Blue at Gala Hispanic Theatre and The Body of an American at Theater J. Other recent credits include La Señorita de Tacna, Anna in the Tropics, After the Fall and Samuel Beckett’s Happy Days. Locally he has directed at The Kennedy Center, The Clarice Smith Performing Arts Center, Arena Stage, Olney Theatre, WSC-Avant Bard, Round House Theatre, Studio Theatre, Signature Theatre, Woolly Mammoth, Freedom Stage, Le Neon, Teatro de la Luna and the In-Series. Over the years, José has served in both artistic and/or administrative capacities at a number of theatres and not-for-profit organizations including The Cultural Alliance of Greater Washington, Freedom Stage, The Group Theatre in Seattle, and Arena Stage. As an educator, he has taught/lectured or directed at The Theater Lab, Juilliard, UMD College Park, Catholic University, UW (Seattle, Washington), Cornish College for the Arts, and the National Conservatory of Dramatic Arts. For the 2017-18 season Jose will be directing Sotto Voce at Theater J and Don Juan Tenorio at GALA.

Vince EisensonAnyone Can ActVince Eisenson has performed with Synetic Theatre, Shakespeare Theatre Company, Chesapeake Shakespeare Company, WSC Avant Bard, and PlayMakers Rep. TV credits include several shows on

Discovery, OWN and National Geographic Channel. Vince teaches theatre classes at various venues throughout the Metro region.

Kate FisherAuditioning for Musical TheatreKate Fisher is a singing actress whose career spans Broadway, National Tours, symphony orchestras, commercials, voiceovers, and teaching master classes. Kate has been seen as Cosette in Les Misérables both on Broadway and with its national tour. She originated the role of Jo March in the First National Tour of the musical Little Women. Favorite roles include Anna Leonowens, The King and I (North Shore Music Theatre—IRNE nomination); Abigail Adams, 1776 (Ford’s); Eliza Doolittle, My Fair Lady (Arizona Theatre Co.—AriZoni nomination); Marian Paroo, The Music Man (Kansas City Starlight); Maria Von Trapp, The Sound of Music (North Carolina Theatre Co.); Emma Carew, Jekyll and Hyde (Arvada Center—Ovation nomination) and Bathsheba Everdene, Far From the Madding Crowd (NYMF). She has been a soloist with the Baltimore Symphony Orchestra, The Kennedy Center, Lincoln Center, Ravinia, Birdland, & Joe’s Pub. Kate has done numerous national commercials & leading voice work in animated film. She is a Northwestern University graduate.

George GrantIntro to ActingDrama WorkshopBeginning Scene StudyAuditioningGeorge Grant made his professional theatre debut in 1979 at The Goodman Theatre in An Enemy of the People directed by Gregory

Mosher. Locally he has appeared at The Shakespeare Theatre Company (with Patrick Stewart), Washington Shakespeare Company, Catalyst Theater Company, and many others. His recent forays into directing include the wildly successful Am I Black Enough Yet?, originally mounted in 2008 and remounted in 2009, for Charter Theatre Company, Bulletins from Fatland for Horizons Theatre Company, his own adaptation of Antigone for Actor’s Repertory Theatre at The National Conservatory of Dramatic Arts, where he is a Senior Faculty Member, and Leader of the Pack for Totem Pole Playhouse in Fayetteville, PA.

Terah Herman-SaldañaImprov for TeensScene Study for TeensBefore joining the staff of The Theatre Lab as program and development manager, Terah was the Education Associate and Summer Camp Director at Cincinnati Playhouse in the Park. Previously she has taught at Imagination Stage, West Chester Academy of Music, Cincinnati Playhouse in the Park, The University of Kentucky, Explorium of Lexington and The Center of Science and Industry. She is the recipient of the National Theatre Conference Emerging Artist Award. She holds a bachelor’s degree in Theatre Performance and Religious Studies from Capital University and a master’s degree in Theatre Arts from The University of Kentucky.

John JudyOn-Camera Acting for Kids and TeensIntro to Acting for the CameraActing in Commercials and IndustrialsJohn Judy is a DC area actor-writer-director who has performed on stages here

as well as in Los Angeles and Chicago. His more notable credits include House of Cards, Homicide: Life on the Street and writing and performing in over 150 original sketch shows at the IO West Theatre in Hollywood. In DC John has taught at Imagination Stage (formerly BAPA), the Rockville Jewish Community Center and the Smithsonian Associates Summer Program. John’s most recent projects include HBO’s Veep, National Geographic Channel’s Killing Kennedy, Lovely Molly, a supernatural thriller from the creators of The Blair Witch Project, and the on-going role of the Detective in Murder Mystery USA’s touring company.

Craig KleinVoiceoversCraig Klein is a multiple award-winning voice actor with credits including Toyota, GEICO, ABC’s Jimmy Kimmel Live!, Walmart, Verizon, CBS, Go Daddy, Maryland Lottery, Colorado Lottery, The Weather Channel, Animal Planet, Discovery, Investigation Discovery, Turner Sports, Smithsonian Channel, Golf Channel, Food Network, Cartoon Network, Encore, The NFL, Penguin Audio, WETA-TV and Fox5DC. He has also been seen on Washington area stages including The Shakespeare Theatre Company, Constellation Theatre, and Metro Stage, and has performed in Theatre Lab productions of Ragtime and Ghetto.

Joe MartinScript Analysis for Scene WorkMichael Chekhov TechniqueJoe Martin has directed over 50 professional productions, as well as student productions at universities in the DC area.

He is a four-time recipient of Fulbrights in Theatre for his international work, and a two-time recipient of Rockefeller Foundation grants for original theatrical creations. His credits include major works by Strindberg, Tennessee Williams, his own stage adaptation of Rumi’s MATHNAVI, Buchner, Dario Fo, Shakespeare, Brecht, Sam Shepard, Chekhov, Ibsen, among many others, including his own original works. He has been a regular instructor in Viewpoints at the El Haddawi Winter School for performance near Munich, and at summer institutes at American University and Catholic University in Washington DC. He is the author of several dozen original plays, adaptations and translations. Since 2009 he has been part of the faculty team building the Theatre Arts and Studies Program at Johns Hopkins University, where he is a full-time lecturer.

Brenna McDonoughGetting Started in TV and FilmBrenna McDonough is a full-time professional actor and author. Her work includes commercials, corporate videos, indie, feature films and voice over work. She founded her own studio, On-Camera Training, in 1995 in Silver Spring, MD. Brenna began her career in her hometown of Chicago where she was a student of Paul Sills at Second City. She then studied and worked in New York and Los Angeles before settling in the Washington, DC area. She has taught her on-camera acting class at New York University and the University of Maryland as well as Shakespeare Theatre. She and her actor husband are the co-authors of You Can Work On-Camera. This book is used in several universities and schools. She is a proud member of SAG/AFTRA and the Actors’ Center.

MORE FACULTY >>

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OUR DISTINGUISHED FACULTY CONTINUED

Angelo MerendaIntro to Theatre TechAngelo Merenda, The Theatre Lab’s IT/Technical Director has worked freelance as an audio technician, lighting director, and production manager for over 15 years on the East Coast. New York credits include Manhattan School of Music, Webster Hall Quarterly Arts Soiree and the Moving Beauty Dance Series. In the DC area, he has worked productions at The Studio Theater, Shakespeare Theatre, and Constellation Theatre, while currently serving as Production Manager for Rainbow Theatre Project. Prior to joining The Theatre Lab, he managed local crews for touring rock and roll and Broadway shows for the Modlin Center for the Arts in Richmond, VA.

Dorothy NeumannAnyone Can ActIntro to ActingDorothy Neumann is a pioneer in the small professional theatre circuit, having directed in the Washington area for over 37 years. She received three Helen Hayes nominations for Outstanding Direction—for Top Girls, Johnny Bull (both Horizons productions) and Unidentified Human Remains… at Signature—and served as artistic director for D.C. Stage and Goosebump Theatre. An artistic associate at Source Theatre, Horizons and Signature in past years, Dot has taught at The Theatre Lab almost since its inception and particularly enjoys teaching Intro to Acting. Most recently she has joined the seasonal

staff at Clear Space Theatre Company in Rehoboth where she has directed Cabaret, Shirley Valentine, La Cage Aux Folles, On Golden Pond and Love, Loss and What I Wore. Her next project is The Vagina Monologues in June at Clear Space and at the Schwartz and Milton Theatres in Delaware. Dot recently published a book of poetry,Truth Serum.

Tracy Lynn OliveraSinging for ActorsMusical Theatre WorkshopA classically trained singer, Tracy Olivera has appeared in many musicals and plays, including the Broadway run of Ragtime. At Signature Theatre she has been seen in Company, Gypsy, Les Misérables (Helen Hayes nomination), ACE, Merrily We Roll Along (Helen Hayes nomination), Follies, and Sweeney Todd. She has also performed at the Kennedy Center in Sunday in the Park with George, Passion, Merrily We Roll Along, and Ragtime; at Ford’s in Hello Dolly and Liberty Smith; at Studio Theatre in Bachelorette; at Olney Theatre Center in Cinderella and The Sound of Music; at MetroStage in The Last Five Years; and in Candide at the Shakespeare Theatre and at the Goodman Theatre in Chicago. Tracy is also a member of Rorschach Theatre Company and has taught at Catholic University, Signature Theatre for Stage One and Overtures, Adventure Theatre/MTC, and Imagination Stage. Her new self-titled CD will be available in February. www.tracylynnolivera.com

Elizabeth PringlePlaywriting IICreating a One-Person ShowElizabeth Pringle is a playwright, director, actor, and arts & media producer/educator. She has written and directed plays, musicals, opera and zarzuela adaptations, operettas, articles, poems, websites, grants, a film and more. She loves working with language and image to discover meaning and hopefully make art. She has taught emerging playwrights and actors in DC (Theatre Lab, Kennedy Center, Duke Ellington School of the Arts, Young Playwrights) and beyond. Elizabeth is also the creator/director of The Shortie Awards: International Film and News Festival, celebrating and promoting youth-made media.

Michael RussottoActions and ObjectivesAuditioningComedyMichael Russotto is a professional actor and director, who has appeared in shows on many Washington-area stages, including Arena Stage, Woolly Mammoth Theatre Company, The Kennedy Center, Theater J, Olney Theatre Center, Signature Theatre, Theatre Alliance, The Folger Theatre, MetroStage, Rep Stage and Studio Theatre. Recent roles include Dave Caro in Between Riverside and Crazy at Cleveland Play House, and Pastor Paul in The Christians at Theater J. Over the years, Michael has been nominated for several Helen Hayes Awards in the categories of Outstanding Lead Actor and Outstanding Ensemble. He has directed at The Actors’ Theatre of Washington (cofounder),

MetroStage, Source Theatre, The Washington Shakespeare Company, Studio Theatre, The Theatre Lab, and The National Academy of Dramatic Arts. He is an Associate Artist at Olney Theatre Center, and a member of the Woolly Mammoth Theatre Company. In addition, Michael is a narrator of recorded books for the Library of Congress.

Amal SaadeAnyone Can ActAmal Saade has been teaching on the Theatre Lab youth faculty since 2007, and the Life Stories faculty since 2010. She is currently on the theatre faculty at the Lab School of Washington, and has also taught at ArtStream, Inc., Imagination Stage, and Jamestown Elementary School. She is a graduate of The Theatre Lab’s Honors Acting Conservatory, and has performed at theatres including Theater J, Olney Theatre, 1st Stage, Rorschach Theatre, Taffety Punk, Young Playwright’s Theatre, and The Source Theatre Festival. She holds a Masters in Theatre Education from Catholic University.

Carlos SaldañaAnyone Can ActCarlos Saldaña is an actor, teacher, director, and voice coach. He has taught acting, voice, movement, directing, and stage dialects at several universities and has led performance and corporate workshops for actors, teachers, and business professionals.Some of his professional acting credits include productions with Shakespeare Theatre

Company, Theatre J, Cincinnati Playhouse, The Hub, Olney Theatre, Theatre Alliance, Gala Theatre, Constellation Theatre, The Welders Playwrights Collective, Consuming The Arts Theatre Project, Spooky Action, The Inkwell, and The Kennedy Center for the Performing Arts. Carlos is a certified Associate Teacher of Fitzmaurice Voicework. He has also trained in the Alexander Technique, Feldenkrais Method, Stanislavski Method, and studied with master teachers including Catherine Fitzmaurice, Kristen Linklater, Arthur Lessac, and Patsy Rodenberg. Carlos earned his Master of Fine Arts in Performance from California State University Fullerton and his Bachelor of Arts in Theatre from the University of Texas El Paso.

Kim SchrafHonors ActingKim Schraf has performed at Arena Stage, The Kennedy Center, Studio Theatre, Ford’s, Round House, Signature, Woolly Mammoth, Everyman, Theater J, The Theatre of the First Amendment, and the Edinburgh Festival in Scotland. Credits include starring roles in The Laramie Project and The Widow Lincoln at Ford’s Theatre; Angels in America at Signature; Skylight, Frozen, and The Apple Family Plays at Studio; Measure for Pleasure, Freedomland and The Gene Pool at Woolly Mammoth; and Proof and Light Up the Sky at Everyman. A graduate of St. John’s College in Annapolis, she has been teaching since 1984, most recently at the Parkmont School. She is also a successful narrator of audio books and a speech coach. Kim helped launch the Honors Conservatory for The Theatre Lab in 2006 and continues to serve as one of its directors.

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The Theatre Lab offers a variety of intensive theatre courses designed to meet the

needs of students at all levels of experience.

Classes meet once a week for six weeks unless otherwise indicated.

REGISTER ONLINE AT WWW.THEATRELAB.ORG OR CALL 202-824-0449

COURSES

COURSE SECTIONS

COURSE BUNDLES PAGE 10

BEGINNING ACTING PAGE 11

IMPROVISATIONAL APPROACHES

PAGE 12

SCENE STUDY

PAGE 12

AUDITION SKILLS

PAGE 13

FILM AND TV

PAGE 13

MUSICAL THEATRE

PAGE 14

PERFORMANCE CLASSES

PAGE 15

PLAYWRITING

PAGE 16

SEMINARS

PAGE 16

TECHNIQUE

PAGE 16

APPLIED ACTING

PAGE 17

YOUTH CLASSES

PAGE 17

“ TAKING THIS CLASS WAS THE BEST CHOICE I COULD HAVE MADE FOR MY GROWTH AS AN ACTOR.” — RECENT STUDENT EVALUATION

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COURSE BUNDLESGIVE DIRECTION TO YOUR STUDY OF ACTING IN THE FIRST HALF OF 2018 WITH ONE OF THESE DISCOUNTED COURSE BUNDLES!

Call us at 202-824-0449 for personal guidance on bundle purchases, and to make sure space is available in all the classes you are interested in. All bundled courses must be completed by the end of the Late Spring Session of 2018.

Intro Bundle$800 (a $1040 value)• Anyone Can Act

(Selected Saturdays)

• Intro to Acting (Winter Wed or Sat, or Early Spring Sat, or Late Spring Sat)

• The Drama Workshop (Early Spring Wed)

• Beginning Scene Study (Winter Mon, or Early Spring Sat, or Late Spring Wed)

Musical Theatre Bundle$550 (a $680 value)• Musical Theatre Workshop

(Early Spring Mon)

• Auditioning for Musical Theatre (Late Spring Tues)

Film and TV Bundle$800 (a $1,020 value)

Any 3 of these classes:• Intro to Acting for the Camera

(Winter Tues, or Early Spring Thurs)

• Getting Started in TV and Film (Early Spring Tues)

• Acting in Commercials and Industrials (Late Spring Tues)

• Voiceovers (Winter Sat, or Late Spring Sat)

Fast-Track Intensive Actor Training Bundle$850 (a $1,170 value)

Any 3 of these classes:• Beginning Scene Study

(Winter Mon, or Early Spring Sat, or Late Spring Wed)

• Comedy (Winter Mon)

• Voice and Speech (Late Spring Sat)

• Auditioning (Winter Tues, or Early Spring Sat, or Late Spring Tues)

• Script Analysis for Scene Work (Early Spring Sat)

• Actions and Objectives (Late Spring Mon)

• The Stanislavski Method (Winter Wed)

• Michael Chekhov Technique (Winter Tues)

• Scenes in Performance (Late Spring Thurs)

Plus 3 half-hour mentoring/coaching sessionswith Theatre Lab Director Deb Gottesman (two by phone and one in person)

COURSES CONTINUED

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Drama Workshop“A variety of exercises every week allowed for thorough growth inside and out. The teacher’s direction and personalized advice helped me find areas of strengths and weaknesses.”A good follow-up to Intro to Acting, a first course for those looking for a more intensive introduction, or a refresher for those with previous experience — this course uses a wide variety of improvisational techniques to explore the actor’s process, from activating needs to developing a complex character. Great for loosening up your body and voice, building self-confidence, and unleashing your creative spirit. Taken together or in succession, this course and Beginning Scene Study constitute essential training in the basics of the actor’s craft.

n Wednesdays, Feb 28 – Apr 4, 7 – 10pmInstructor: George Grant Tuition: Non-Members $340/Members $306

Beginning Scene Study“This course is a great opportunity to learn more about the physical aspects of acting and how both body and mind become the character. The instructor was excellent in explaining and helping demonstrate this.”An intensive introduction to scripted work through preparation and performance of scenes and monologues. Emphasis on learning effective rehearsal techniques and expanding the actor’s range. Requires approximately 3 to 5 hours of rehearsal with an assigned partner outside of class each week. Taken together or in succession, this course and the Drama Workshop constitute essential training in the basics of the actor’s craft.

n Mondays, Jan 8 – Feb 12, 7 – 10pmInstructor: Jose Carrasquillo n Saturdays, Mar 3 – Apr 14, 10am – 1pmNo class Mar 31 (Easter)Instructor: George Grant n Wednesdays, Apr 18 – May 23, 7 – 10pmInstructor: George Grant Tuition: Non-Members $340/Members $306

See also YOUTH CLASSES.

BEGINNING ACTING

Anyone Can Act“I had an amazing time. I did not have expectations, because this was my first experience, but I will most definitely do it again”Myth: Acting is about talent and talent is something you’re born with. Reality: Acting is a craft that anyone can learn — at any age. Acting is also a fun and deeply satisfying activity, and Washington has more opportunities for doing it than practically anywhere else. Take two hours on a Saturday and learn some fundamentals while having a great time with other people who want to explore different sides of themselves. Get in on the act!

n Saturday, January 6, 1:30 – 3:30pmn Saturday, February 24, 1:30 – 3:30pmn Saturday, March 24, 1:30 – 3:30pmn Saturday, April 14, 1:30 – 3:30pmn Saturday, May 12, 1:30 – 3:30pmn Saturday, June 2, 1:30 – 3:30pmInstructor: Vince Eisenson or Dorothy Neumann or Amal Saade or Carlos SaldañaTuition: $50

Intro to Acting“I’m ready to take more acting courses! Really appreciated the wisdom and advice from the instructor. Very important in making the students feel comfortable.”A fun and fast-paced introduction to what acting is all about, with plenty of practice in improvisation, scene study and theatre games. For anyone who’s ever wanted to give acting a try — or those who haven’t done it since that one time in high school. Students also learn the basics of auditioning and the business of acting. This class is designed to prepare students for either the Drama Workshop or Beginning Scene Study as the next step.

n Wednesdays, Jan 10 – Feb 14, 7 – 9:30pmInstructor: George Grant n Saturdays, Jan 13 – Feb 17, 10am – 12:30pmInstructor: Dorothy Neumann n Saturdays, Mar 3 – Apr 14, 10am – 12:30pmNo class Mar 31 (Easter)Instructor: Dorothy Neumann n Saturdays, Apr 21 – Jun 2, 10am – 12:30pmNo class May 26 (Memorial Day)Instructor: George Grant n Saturdays, Apr 21 – Jun 2, 1:30 – 4pmNo class May 26 (Memorial Day)Instructor: George Grant Tuition: Non-Members $310/Members $279 “ THANKS FOR FOSTERING A

WELCOMING ATMOSPHERE.”All quotes are from recent course evaluations in the students’ own words.

MORE COURSES >>

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COURSES CONTINUED

SCENE STUDY

Note: All Scene Study courses require approximately 3–5 hours of rehearsal with a partner outside of class each week unless otherwise noted. Partners are generally assigned on the first day of class.

NEW Script Analysis for Scene WorkThis course will focus on bringing dramatic texts to life by uncovering the dynamics of the given circumstances and objectives embodied in the script. Techniques for reading a script like a seasoned professional, with practical application in the rehearsal and presentation of scenes.

n Saturdays, Mar 3 – Apr 14, 1:30 – 4pmNo class Mar 31 (Easter)Instructor: Joe Martin Tuition: Non-Members $310/Members $279

Actions and Objectives“This class is gold. The instructor has given me new eyes when analyzing scripts and the techniques have given depth to my work.”A practical course for the actor. Using improv and excerpts from plays, this class will explore the power of actions and objectives as tools to spark creativity, believability and growth. For actors with some scene study experience.

n Mondays, Apr 16 – May 21, 7 – 10pmInstructor: Michael Russotto Tuition: Non-Members $340/Members $306

Comedy“The instructor is a gifted teacher who knows how to really get at what an actor needs in the moment without being critical.”What makes comedy work? This class will explore principles of comedy through intensive work on scenes and monologues, with some attention to comic theory and great comedic performances preserved on film. For students with scene study experience.

n Mondays, Jan 8 – Feb 12, 7 – 10pmInstructor: Michael Russotto Tuition: Non-Members $340/Members $306

See also Creating a Role and Scenes in Performance under PERFORMANCE CLASSES.

“ THIS CLASS IS GOLD. THE INSTRUCTOR HAS GIVEN ME NEW EYES WHEN ANALYZING SCRIPTS AND THE TECHNIQUES HAVE GIVEN DEPTH TO MY WORK.”

“ THE INSTRUCTOR IS A GIFTED TEACHER WHO KNOWS HOW TO REALLY GET AT WHAT AN ACTOR NEEDS IN THE MOMENT WITHOUT BEING CRITICAL.”

IMPROVISATIONAL APPROACHES

NEW Michael Chekhov Technique An introduction to the acting techniques of one of the major acting theorists and teachers of the 20th century — techniques used by Jack Nicholson, Clint Eastwood, Marilyn Monroe and many others. Actors learn to employ psychological gesture to find the core of the character, through experiential approaches employing physical action that in turn creates a unique and personal foundation for any role.

n Tuesdays, Jan 9 – Feb 13, 7 – 9:30pmInstructor: Joe MartinTuition: Non-Members $310/Members $279

NEW Street TheatreAn introduction to techniques of socially conscious street theatre from one of Washington’s primary practitioners of the art. Students will study the history of activist performance in public spaces and learn how to design and perform pieces of their own.

n Mondays, Apr 16 – May 21, 7 – 10pmInstructor: Quique Aviles Tuition: Non-Members $340/Members $306

All quotes are from recent course evaluations in the students’ own words.12

ONE-NIGHT CLASSES The Theatre Lab offers an ongoing series of one-night classes focusing on special topics in acting, musical theatre, film and television, the business of the business, and more. One-night classes offer both hands-on training and learn-by-watching opportunities for novices and professionals alike. Classes and presentations have been offered by Emmy Award winner Holland Taylor, Academy Award nominee Bruce Dern, Woolly Mammoth Artistic Director Howard Shalwitz, and Signature Theatre Artistic Director Eric Schaeffer. Call or visit us on the web for info on upcoming classes.

PRIVATE COACHING The Theatre Lab’s faculty comprises some of the area’s top acting talent. Give us a call and we’ll connect you with a great coach whose schedule works with yours.

AUDITION SKILLS

Auditioning“The instructor is amazing not only at coaching us while performing, but making observing other actors a learning opportunity. I actually look forward to auditioning now!”An intensive course in audition preparation. Course will focus on developing monologue material, mastering both the technical and the artistic aspects of a professional audition, and learning to experience each audition as a welcome performance opportunity.

n Tuesdays, Jan 9 – Feb 13, 7 – 10pmInstructor: Michael Russotto n Saturdays, Mar 3 – Apr 14, 1:30 – 4:30pmNo class Mar 31 (Easter)Instructor: George Grant n Tuesdays, Apr 17 – May 22, 7 – 10pmInstructor: George Grant Tuition: Non-Members $340/Members $306

See also Auditioning for Musical Theatre under MUSICAL THEATRE.

FILM AND TV

Getting Started in TV and Film“The instructor is energetic, inspiring, and encouraging. You really learn the ‘ins and outs’ of the business in this class.”This class will cover the ins and outs of all aspects of the film industry in our area. All aspects of the industry will be covered including commercials, corporate videos, indie and feature films, and where to look for auditions, jobs and performance opportunities. Class will include mastering the mystery of the self-tape audition. Students will work on-camera for weeks 5 and 6 for playback and evaluation.

n Tuesdays, Feb 27 – Apr 3, 7 – 9:30pmInstructor: Brenna McDonough Tuition: Non-Members $310/Members $279

Intro to Acting for the Camera“It’s clear the instructor knows the business, and draws from personal experience and uses examples to give students the best possible feedback.”An intensive course devoted to acting for film and television. The class will include audition techniques, the role of commercial spokesperson, specifics of industrial film work, and techniques for approaching film and television scripts. All class work will be filmed as it might be on a real set and then critiqued.

n Tuesdays, Jan 9 – Feb 13, 7 – 10pmInstructor: John Judy n Thursdays, Mar 1 – Apr 5, 7 – 10pmInstructor: John Judy Tuition: Non-Members $340/Members $306

MORE COURSES >>

CLASSES NOT OFFERED THIS TIME AROUND The Theatre Lab offers the most comprehensive theatre curriculum in the metropolitan area with more than 50 courses each year in acting, directing, playwriting, screenwriting, musical theatre, theatre history, and public speaking. Not all courses are currently offered, but many will return soon. Be sure to check online (www.theatrelab.org) for continuations of your favorite courses, classes in special aspects of musical theatre and screen acting, courses that culminate in performance, and more.

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COURSES CONTINUED

MUSICAL THEATRE

Singing for ActorsA class for people who are not yet musical theatre stars. If you’re an actor who would like more skills and confidence in the musical theatre realm, whether you have some musical experience already or are just getting started, this is the class for you. It’s taught by one of Washington’s hottest musical theatre performers, but geared toward people who think of themselves more as actors than as singers.

n Mondays, Jan 8 – Feb 12, 7 – 10pmInstructor: Tracy Lynn Olivera Tuition: Non-Members $340/Members $306

Musical Theatre Workshop“The instructor has so much experience and is an invaluable resource. It’s like working with a Broadway coach.”Intensive training in musical theatre skills. Primary focus will be on what it means to act a song and sing a scene. Attention will be paid to all aspects of musical performance and auditioning, including enhancing musical phrasing, improving vocal production, deepening interpretation of lyrics, optimizing the use of physical movement, and expanding repertoire.

n Mondays, Feb 26 – Apr 9, 7 – 10pm No class Mar 12Instructor: Tracy Lynn Olivera Tuition: Non-Members $340/Members $306

Auditioning for Musical Theatre“The emphasis on acting the song is really what I needed to help my audition. The instructor was very approachable and helped all of us to break out of our shells.”This class focuses on preparing the actor for musical theatre audition and performance, through careful attention to each actor/singer’s strengths and weaknesses. Emphasis will be on music and text interpretation, singing and performance techniques, relaxing and unleashing the voice, and selection of strong material. Students bring at least one memorized musical theatre song to the first class, along with the piano sheet music in the appropriate key, and will work on several songs over the six weeks of the course.

n Tuesdays, Apr 17 – May 22, 7 – 10pmInstructor: Kate Fisher Tuition: Non-Members $340/Members $306

See also Creating a Musical Role under PERFORMANCE CLASSES.

Acting in Commercials and Industrials“It made me much more comfortable in front of the camera and included information on the industry and how to find work. Great atmosphere!”If you’ve ever seen a corporate training video (think of the pre-flight instructions you see on passenger planes) then you’ve seen an industrial film. You may not know the actors’ names, but they’re making a living with their talent. In this class students will learn to apply the same tools one brings to a three-act play to a 30-second commercial or a three-minute instructional video. Students will go through the process of cold-reading scripts for auditions as well as shooting their performances and reviewing them on TV afterwards. The goal of this class is to get students proficient at the types of material that provide a substantial amount of the paid acting work in the DC-Baltimore market.

n Tuesdays, Apr 17 – May 22, 7 – 10pmInstructor: John Judy Tuition: Non-Members $340/Members $306

Voiceovers“The instructor is encouraging and inspiring and makes you feel like there’s a place for your voice in the field.”A first course in the art of voiceovers, including commercials, narration, and promos. Introduction to all skill areas, including copy interpretation, the physical use of the voice, the business of the VO biz, and home studios. All students will receive intensive recorded practice with critique.

n Saturdays, Jan 13 – Feb 17, 10am – 1pmInstructor: Craig Klein n Saturdays, Apr 21 – Jun 2, 10am – 1pmNo class May 26 (Memorial Day)Instructor: Craig Klein Tuition: Non-Members $340/Members $306

See also On-Camera Acting for Kids and Teens under YOUTH CLASSES.

FILM AND TV (CONTINUED)

“ THE INSTRUCTOR IS ENCOURAGING AND INSPIRING AND MAKES YOU FEEL LIKE THERE’S A PLACE FOR YOUR VOICE IN THE FIELD.”

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Creating a Musical Role: If/Then“Kudos to The Theatre Lab for keeping the actor’s growth at the center of the process, and making a quality product at the same time.”This double-session course takes students through the entire process of rehearsing and performing a major musical. The course replicates a typical professional production experience, from learning the notes through taking the bow. Issues explored include vocal production, how to act a song, how to sing a scene, defining the arc of a character, and all other aspects of singing and acting a musical role. No experience is necessary, but major roles will be assigned by audition. Chorus roles will not require auditions, but prospective students will have to demonstrate that they can carry a tune. This year the course culminates in six public performances of the recent hit If/Then, which features a complex and beautiful story and a Tony-nominated score by the creators of Next to Normal. Many roles for actors and singers of all types, at all levels of experience. Call early to schedule an audition or interview.

n Tuesdays, Thursdays, and Saturdays, Jan 16 – Apr 28, T 7–10pm; Th 7–10:30pm; Sat 10am–1pm Tech: W Apr 18, 6–11pmBrush-up: W Apr 25, 7–10pmPerformances: Apr 19, 20, 21, 26, 27, 28No class Mar 31 (Easter)Instructors: Deb Gottesman and Buzz MauroTuition: Non-Members $660/Members $594

Creating a One-Person Show“The course was an exceptional laboratory to develop a performance.”Learn the ins and outs of creating a one-person show, including how to use personal stories, imagery, dreams, and myths as fabric for constructing original performance pieces. All students will create, stage, and perform a solo piece by the course’s end. This class is recommended for playwrights, actors, and anyone interested in exploring artistic self-expression.

n Mondays, Apr 16 – May 21, 7 – 10pmInstructor: Elizabeth Pringle Tuition: Non-Members $340/Members $306

See also Street Theatre under IMPROVISATIONAL APPROACHES.

PERFORMANCE CL ASSES

Creating a Role: The Skin of Our Teeth“Honestly, the class never felt like a class. With this class from day one it always felt like a true production. The teaching was put into action and it made the whole experience much more real.”Creating a Role is designed to give students the experience of preparing a complex role from the beginning of a rehearsal process through the moment of performance. Working with both a professional director and a professional actor, students explore all the elements of acting in a full production, including text analysis, dramaturgy, character development, blocking, giving focus, taking direction, connecting to other actors, and dealing with the audience. This offering of the course culminates in four public performances of The Skin of Our Teeth, Thornton Wilder’s hilarious classic about, well … everything. It’s the history of the world told through the adventures of a single family, with many fun and challenging roles for an ethnically diverse cast of students at all levels of experience. Auditions are low-key and consist of readings from the script – no monologue required. Call early to schedule an audition.

n Tuesdays, Thursdays & Saturdays, Mar 22 – Jun 16, T & Th 7–10pm; Sat 1:30–4:30pmTech: Sat Jun 9, 10am–4pm; T Jun 12, 6–10pm; W Jun 13, 6–10pmEvening performances: Jun 14, 15, 16Matinee: Jun 16No class Mar 31 (Easter)Instructors: Randy Baker and Tonya BeckmanTuition: Non-Members $610/Members $549

Scenes in Performance“This course respects the actor as a primary artist and really meets everyone where they are. The instructor has a great way of asking questions that appropriately guide the actor and the scene. “Some performance issues can only be explored when an audience is involved. This course adds that crucial element to the traditional scene study mix. Students will rehearse scenes under the guidance of the instructor, with attention paid to all aspects of the acting. The course includes a performance for an invited audience and discussion of performance issues that may have arisen, such as nervousness, the give and take of energy between audience and performers, and when and how to incorporate feedback.

n Thursdays, Apr 19 – May 24, 7 – 10pmInstructor: Jose Carrasquillo Tuition: Non-Members $340/Members $306

MORE COURSES >>

All quotes are from recent course evaluations in the students’ own words. 15

COURSES CONTINUED

TECHNIQUE

Voice and Speech“I always felt guided and coached from an individual standpoint. The teacher was willing to flow through different exercises depending on the needs and preferences of the students.”Basic skills in body awareness, vocal production, and stress reduction. Particular attention will be paid to posture, breathing, basic ideas for healthful vocal production, and the mind-body connection. Great for public speakers, performers, and anyone who wants to learn to communicate with poise and confidence.

n Saturdays, Apr 21 – Jun 2, 10am – 12pmNo class May 26 (Memorial Day)Instructor: Tonya Beckman Tuition: Non-Members $290/Members $261

NEW Intro to Theatre TechEssentially a free course plus a tech internship — invaluable training in the technical aspects of theatre at zero net cost! The full tuition will be refunded after completion of approximately 30 hours of hands-on tech experience on one of The Theatre Lab’s spring productions. This course and practicum will give actors and aspiring technicians a complete survey of the fundamentals, including Lights, Sound, Costumes, Stagecraft, and Stage Management. The course provides insight into all elements of design and production, as well as an opportunity to gain practical experience behind the scenes on our adult class performances. Details of the practicum schedule to be arranged with the instructor before the class begins.

n Wednesdays, Jan 10 – Feb 14, 7 – 9:30pmInstructor: Angelo Merenda Tuition: Non-Members $200/Members $200 but tuition refunded in full on completion of practicum

PL AYWRITING

Playwriting from the Gut“I learned that inspiration is everywhere, and completing a play by the last class made me feel like an accomplished writer.”An interactive workshop that covers many aspects of playwriting, including characterization, dialogue, stage directions, plot, script formats, and marketing. Using improvisation, theater games, and speed-writing, students will find new ways to write and revise their scripts. By the final class, all students will have written a 10-minute play, which receives a reading by professional actors.

n Tuesdays, Feb 27 – Apr 3, 7 – 9:30pmInstructor: Renee Calarco Tuition: Non-Members $310/Members $279

NEW Playwriting II For anyone who has taken a playwriting class, either at The Theatre Lab or elsewhere, and has a 10-minute play or other material they would be interested in developing into a full one-act. Further work in characterization and structure, with special attention to the challenges of sustaining a longer piece.

n Wednesdays, Jan 10 – Feb 14, 7 – 9:30pmInstructor: Elizabeth Pringle Tuition: Non-Members $310/Members $279

SEMINARS

The Stanislavski Method“I loved the ‘book club’ aspect of this course – the discussion and exchange of ideas. A great and informative class.”An intensive exploration of the seminal ideas of Constantin Stanislavski, some of whose teachings came to form the basis of Method Acting. The class will read An Actor Prepares in a seminar format, explore the applications of Stanislavski’s use of actions, beats and objectives, and work toward an understanding of some of the major acting techniques based on his writing. Required for Honors students; open to all.

n Wednesdays, Jan 10 – Feb 14, 7 – 9:30pmInstructor: Buzz Mauro Tuition: Non-Members $310/Members $279

“ I ALWAYS FELT GUIDED AND COACHED FROM AN INDIVIDUAL STANDPOINT. THE TEACHER WAS WILLING TO FLOW THROUGH DIFFERENT EXERCISES DEPENDING ON THE NEEDS AND PREFERENCES OF THE STUDENTS.”

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“ I HAVE BEEN DOING PUBLIC SPEAKING FOR 40 YEARS, YET I LEARNED SO MUCH FROM THIS COURSE. SO MANY NEW THINGS TO THINK ABOUT. I ONLY WISH I HAD TAKEN THIS COURSE 30 YEARS AGO!”

“ THE INSTRUCTOR WAS VERY KNOWLEDGEABLE ON ACTING WITH DIFFERENT TECHNIQUES. THE LITTLE TIPS AND TRICKS COMBINED WITH THE OVERALL CRITIQUES TAUGHT ME A LOT.”

APPLIED ACTING

Public Speaking the Actor’s Way“I have been doing public speaking for 40 years, yet I learned so much from this course. So many new things to think about. I only wish I had taken this course 30 years ago!”Four lunchtime classes. An innovative approach to powerful public speaking, taught by a pioneer in the field of applied acting. This course leads participants through a series of acting-based physical, vocal and psychological exercises designed to promote spoken communication that leaves a lasting impact on an audience. From writing a dramatic speech to defining strong objectives to building confidence through a reliable rehearsal process, this course is for anyone who wants to know what it takes to please a crowd. Required text: Taking Center Stage: Masterful Public Speaking Using Acting Skills You Never Knew You Had by Deb Gottesman and Buzz Mauro

n Wednesdays, May 9 – May 30, 12 – 2pmInstructor: Buzz Mauro Tuition: Non-Members $260/Members $234

See also Street Theatre under IMPROVISATIONAL APPROACHES.

YOUTH CL ASSES

NEW Improv for TeensImprov games and exercises to increase spontaneity on stage, loosen up the body and voice, and spark creativity. For students in grades 7–12.

n Saturdays, Jan 13 – Feb 17, 10am – 12pmInstructor: Terah Herman-Saldaña Tuition: Non-Members $290/Members $261

Scene Study for Teens“I enjoyed the scenes that we did and the games we played. The instructor was attentive to my needs and taught me a lot about acting.”This course guides teenagers through all aspects of scripted work, including how to analyze and interpret text, connect with other actors, make strong physical and vocal choices, develop fully realized characters, and make the most of rehearsal time. For students in grades 7–12.

n Saturdays, Mar 3 – Apr 14, 2 – 4pmNo class Mar 31 (Easter)Instructor: Terah Herman-Saldaña Tuition: Non-Members $290/Members $261

On-Camera Acting for Teens“The instructor was very knowledgeable on acting with different techniques. The little tips and tricks combined with the overall critiques taught me a lot.”For students in grades 7–12. All aspects of performing on camera. Student work will be videotaped, followed by playback and critique, with an eye toward developing the specific skills required for TV and film. May profitably be taken more than once.

n Saturdays, Mar 3 – Apr 14, 12 – 2pmNo class Mar 31 (Easter)Instructor: John Judy Tuition: Non-Members $290/Members $261

On-Camera Acting for Kids“I like that I could actually express myself by acting.”For students in grades 3–6. A fun course in acting for the camera, encompassing lots of substantive training. All kids will be videotaped and get to watch themselves in playback. No experience required. May profitably be taken more than once.

n Saturdays, Mar 3 – Apr 14, 10 – 11:30amNo class Mar 31 (Easter)Instructor: John Judy Tuition: Non-Members $260/Members $234

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Call us at 202-824-0449 and we’ll pair you up with a simpatico mentor. $100/hour

GET COACHING, ACTING TIPS, CAREER ADVICE, AND OTHER GUIDANCE FROM A MEMBER OF OUR STELLAR FACULTY— PERSONALLY TAILORED TO YOUR NEEDS AND INTERESTS.

MENTORSHIP OPPORTUNITY!

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See www.theatrelab.org for more information about youth programs

Whether exploring mime and comedy in the kids program,

delving into contemporary scene work and improvisation in the

teen acting institute, or performing in a full production as part

of the musical theatre institute, participants throw themselves

into The Theatre Lab’s programs with abandon. And we hear a

similar refrain at the end of every session: students tell us they’ve

grown — both as artists and as people.

Theatre Lab youth programs are open to anyone who is

interested in learning about the craft. Students at all levels of

experience are welcomed. Enrollment is limited, however, and

kids (grades 1–8) are accepted on a first-come, first-served

basis for our summer acting camp. Admission to teen programs

is by application and audition.

For more information about our year-round Saturday classes for

kids and teens in Scene Study and Acting for the Camera, see

page 17.

To learn more about our summer camps and school holiday

programs, read on!

FOR A LEARNING EXPERIENCE YOU’LL NEVER FORGET, GET IN ON THE ACT!

MORE YOUTH PROGRAMS >>

Each year, more than 400 young people from all over the

metropolitan area take part in The Theatre Lab’s summer acting

camps and theatre institutes, our popular school holiday camps,

and our year-round 6-week Saturday classes. The secret to the

success of our programs? We offer serious theatre training, taught

by experienced teachers and theatre professionals, in a unique

environment that’s friendly, supportive, and incredibly fun.

YOUTH PROGRAMS

The President’s Committee on the Arts and Humanities

has recognized The Theatre Lab as one of the 50 “top

arts- and humanities-based programs in the country

serving youth beyond school hours.”

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FOR KIDS

The Summer Acting Camp for KidsThe Theatre Lab’s Summer Acting Camp for Kids is a fun, high-energy program that allows young people to fully engage their imagination as they experience the thrill of creating live theatre. From learning the basic techniques of acting for the stage, to developing improvisation and circus skills, to putting it all together in a public performance, it’s a summer your child will never forget. Serves grades 1–5.n Offered in two-week sessions throughout the summer: June 25 – August 17n One-week sessions: June 18–22 and August 20–24

Musical Theatre and Acting Camps for TweensThe Theatre Lab has created special programs just for kids in grades 6–8! Each camp will culminate in a full production to be performed for friends, family and our younger camp groups. Tween Theatre Camp is open to experienced performers as well as first-timers. There are many wonderful roles for all types. As with all Theatre Lab camps, there will be training in improv, scene study and movement along with show rehearsal and performance. Participants will make their own costumes and scenery and there will even be “techie” opportunities for kids who prefer to work behind the scenes.n Musical Theatre Camp: June 25 – July 20n Acting Camp: July 23 – August 17n One-week Improv Camps: June 18–22 and August 20–24

“School’s Out” Holiday CampsThe Theatre Lab offers a series of fun and exciting drama camps for kids in grades 1–6 during winter and spring break. Modeled on our award-winning Summer Acting Camp for Kids, our “days of drama” feature exercises in improvisation, storytelling, movement, arts and crafts and even an end-of-the-day “mini-performance.”n Come for a day or stay for the week.

n Next up: Spring Break Camp: March 26–30

FOR TEENS

The Summer Acting Institute for TeensThe Theatre Lab’s Summer Acting Institute for Teens, for students ages 13–19, is designed to immerse young adults in the art of acting, from mastering the essential principles of the craft to participating in a fully-produced, public performance of a contemporary play directed by one of DC’s finest professional directors. n �Offered in one four-week session: July 23 – August 17

Application at www.theatrelab.org

The Musical Theatre Institute for TeensThe Musical Theatre Institute for Teens, for students ages 13–19, is an intensive four-week training program in which participants rehearse and perform a full musical production under the guidance of seasoned directors and performers. The idea behind the institute is to enable young artists to explore challenging, socially relevant material from the contemporary musical theatre world as they receive the intensive voice, movement and acting training essential for professional level performance. Past productions have included Jesus Christ Superstar, Cabaret, Parade, and Bat Boy.Offered in two four-week sessions: n June 25 – July 21 n �July 23 – August 18

Application at www.theatrelab.org

See page 17 for YOUTH CLASSES that meet once a week.

YOUTH PROGRAMS CONTINUED

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LIFE STORIES Everyone has a story to tell and a voice that deserves to be heard.

The Theatre Lab’s Life Stories program brings the artistic and real-life benefits of dramatic expression to traditionally underserved populations. Through free training in acting, film and storytelling, students ages 6–102 have learned to use their real-life experiences as a springboard for creating original dramatic works for the stage and screen. By discovering their unique voices and sharing their experiences, Life Stories participants build their skills in creative thinking, communication, and teamwork as well as becoming reconnected to peers, family, and community.

Since launching this program in 2000, we have offered life-changing creative opportunities to more than 4,600 adults and youth. Populations served include seniors in assisted living facilities; homeless women and teens in substance abuse recovery; adolescents attending school in the area’s most distressed communities; youth who are sexual minorities; incarcerated teens; children undergoing treatment at NIH; and wounded veterans. How I Got Over, an award-winning feature documentary about one of our Life Stories programs, is now on Amazon.

Current Life Stories partners include The Children’s Inn at NIH; Columbia Heights Education Campus; Free Minds; Friendship Collegiate Academy; N Street Village Recovery Housing Unit; The National Center for Children and Families; New Beginnings Youth Correctional Facility; Paso Nuevo Afterschool Program; Phoenix House; Potomac Job Corps Center; St. Ann’s Center for Women, Children and Families; Stoddart Baptist Global Care Aging Services; Whitman Walker Health; and the Wounded Warriors Project.

TRANSFORMING LIVES THROUGH THEATRE EDUCATIONOur philosophy is simple, practical and egalitarian: everyone can perform and performance enhances everyone. That’s why we make theatre training with the area’s top professionals accessible to everyone — not only to those who can afford it or choose to seek it out. The Theatre Lab’s groundbreaking arts education, scholarship and outreach programs serving economically and educationally disadvantaged youth and adults have earned its Directors the prestigious Linowes Leadership Award, recognizing D.C.’s “unsung heroes working to improve communities,” and the Mayor’s Arts Award for Innovation in the Arts.

YOUTH SCHOLARSHIP FUNDThe Theatre Lab works with area public schools and many of DC’s most respected grassroots organizations to identify youth to receive full or partial need-based scholarships. The Theatre Lab awarded more than $110,000 in need-based scholarships in 2017 to enable financially disadvantaged children and teens to attend our acting and musical theatre camps, and will do even more in 2018. (To learn more see page 20.)

FINANCIAL AIDThe Theatre Lab offers a limited number of need-based financial aid and work/study awards for adult students. To apply, please visit our website at www.theatrelab.org and fill out the online application forms, or call us at 202.824.0449.

THE LIFE STORIES INSTITUTEOctober 11-14 (Thursday–Sunday)

SERVING OUR COMMUNITY

A four-day intensive learning experience for educators,

social service providers, theatre artists and others

interested in connecting individuals in their communities

to the transformative power of the dramatic arts.

Become a certified instructor of the award-winning

Life Stories curriculum. Enrollment limited.

More info: www.theatrelab.org

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BRING A FRIEND… AND GET A DISCOUNT!Through The Theatre Lab’s referral program,

any student who has completed at least one

class and refers a new student gets a $25

credit toward a future class!

And the new student gets $25 off their first

class! Both credits take effect as soon as the

referred student signs up, and they’re good for

a full year from that date. So tell a friend!

POLICIES AND REFERRAL DISCOUNTS

CLASS POLICIES• Full tuition must be paid before the first class meeting. If

you require a payment plan, please call us at 202-824-0449. Note that we can only arrange payment plans that result in full payment before the class begins.

• If you withdraw from a class more than 48 hours before it begins, you will receive a full refund minus a $40 processing fee. As of 48 hours before the class begins, tuition is non-refundable.

• A $25 fee will be charged for returned checks.

• The Theatre Lab offers a 10% discount on tuition for seniors over 60, Actors’ Center members, and Theatre Lab members. Please call our office (202-824-0449) if you would like to register with the Actors’ Center discount or the senior discount. We also offer an Early Bird discount for early registrations; see website for details. Discounts are not valid in combination with other discounts.

• Mature teens 15 and older may register for adult classes with instructor permission.

• Auditing of classes is not allowed.

• Classes may occasionally be cancelled due to under-enrollment. Students will be notified of cancellations in advance and offered either a full refund or credit toward a future Theatre Lab class.

• Classes cancelled due to inclement weather or other reasons will be rescheduled if students, instructor, and space are available, but sometimes rescheduling will not be possible. Tuition is non-refundable. Weather cancellations will be posted on our Facebook page. If you have questions about a possible weather cancellation, call us at 202-824-0449.

• The Theatre Lab reserves the right to use photos and videos taken in our classes for promotional purposes only.

• The Theatre Lab reserves the right to make faculty substitutions in any of our classes.

• The Theatre Lab complies with all applicable laws governing discrimination.

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Theatre Lab Membership is a great way to get connected to Washington’s thriving theatre scene and support the work of The Theatre Lab at the same time.

The benefits of membership include a 10% discount on all Theatre Lab classes, as well as substantial discounts at some of the Washington area’s most prestigious theatres, including The Shakespeare Theatre, Round House, and Theater J. Members also enjoy a 10% discount at Teaism, the official restaurant of The Theatre Lab!

PLEASE JOIN US! JUST $60/YEAR CALL 202-824-0449 OR SIGN UP ONLINE AT WWW.THEATRELAB.ORG

MEMBERSHIP

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MAJOR DONORS

The Theatre Lab School of the Dramatic Arts received generous support from individuals, corporations, foundations, and government sources in the past year, including:

SUSTAINING FUNDERS $100,000+

DC Commission on the Arts and Humanities

LIFE STORIES CHAMPION $50,000+

Brian Smith and Lisa Ziehmann

$20,000+

Beech Street Foundation Morris and Gwendolyn Cafritz Foundation The City Fund of The Community Foundation of the National Capital RegionGeorge and Phyllis Cohen Melissa Feinberg and Kenneth Gottesman Harman Family FoundationLillian Kamen Fund The Osprey Fund Rotary Foundation of Washington DC

$10,000+

Anonymous Bill and Melinda Gates Foundation Employee Matching Gift Program The Dena Kohn Memorial Scholarship FundThe Deborah Rose FoundationThe Share Fund Hattie M. Strong Foundation Louise P. Zanar Fund of the CFNCR

$5,000+

Courtney and Doug Baldridge Richard and Sue Bloch Elizabeth Brown Bruce Cohen and Gabriel CatoneJulie Cohen and Paul BarrettCarla CrawfordCrowell & Moring Foundation Laura Einstein and Helen Blair MadonickEvents DCMathew and Shirley FitchJohn Edward Fowler Memorial FoundationAaron and Cecile Goldman Family Foundation Gray Graphics Barbara and Skip Halpern Ashley JeffersTom Lee

Mickey MacIntyre Nancy Peery Marriott Foundation George Preston Marshall FoundationMary MitchelsonNational Endowment for the Arts—Art Works Nelson Mullins Riley Scarborough LLP Timothy and Shana O’Toole Craig Pascal and Victor ShargaiFrank PetramaloPizzeria Paradiso Michael Rodgers and Alan Roth Gene and Iris RotbergSanford and Doris Slavin Foundation United TherapeuticsUPIC Health, LLCDiane Willkens

$3,500+

Daniel Felton and David JamesRoberto IfillRichard and Joanne Rome United Way of the National Capital Area Buzz Ward Brad Weaber Rob Weinzimer Paul and Margot Zimmerman

$2,000+

Capitol Hill Community Foundation Rachel Liba Cardozo Foundation Lee Casey Dimick FoundationThe Enchanted Garden, LLCExxonMobil Foundation Educational Matching Gift Program Lynn Hackney and Kim HooverLynne HalbrooksAmy Kossoff and Rob EnelowHarv Lester and Don McMinnMaximus FoundationMarc Ness Caroline and John Osborne James PearsonNancy Sainburg and Roderick Carroll Evelyn Sandground and Bill PerkinsScrivner Leon Group, LLCChip Walgren and Lee AllenWells Fargo Foundation

$1000+

Swati AgrawalMichael BerissCathy BernardThe John Bickford FoundationLisa BinnerSally Brice and Kathleen Shank Don Canada

Paul Cunningham and Peter KazonLisa Dickey and Randi BarnesPriya DoshiKaren DucaMary EsterRichard and Helen FiskeMargaret FlinnerMonique FortenberryMarta Goldsmith and Gary RosenthalBetsy HagueAmy JacksonAreta Kupchyk and JoAnn KaneNiki and Gary KohnMichael MercierRobert MuseGlen and Nora PetittIrma PoretskyJerry RehmRuth RobbinsKyle Glen RobertsKarin RosnizeckAndrew Schwartz and Lisa KrimElizabeth SiegelDavid SimsPatricia SmithJack Stein and Peter MeccarielloStephen WhisnantTodd WilliamsCovey Willkens

$500+

Kris AulenbachAmy Austin and Deidre JoyBank of America Charitable FoundationMatthew BassowJennifer BaxterMichael BowersAnne BurnsSally Burrell and David SorensenVicki BurtSusan ButlerStephen DaiglerElizabeth DeanBarbara and Dwight DoneskySusan FriedmanMark FrieseJoanne GallosDeborah GandyJean GoldbergRobert and Judith Goldberg-StrasslerFrancis Guzzetta and Paul ManvilleSarah HaftRachel HaltermanLarry HefterMolly HoltSabina and Josh JavitsBarbara Johnson and Ruth GresserKim Kaufman

Halina KarachukAnna LaszloMichael Ledford Pete Leon and David HallBeth and Tim LovainElizabeth MansonFrancis and Donna MauroYsabel and Charles McAleerMadeleine McDonoughMelahed FoundationPete MillerBrittany MosmanArne and Sara PaulsonKris PerryJane Petkofsky and Kevin AdamsRobert PierceNeil RobinsonKathleen and Kevin RohanCarmen RomeroAlexis and Michael RonickherDeborah RutterEdward and Deanna SchwartzbergAndrea Sharrin and Mary TuckerJoel Singer and Mindy WeinsteinKrista StarkChris SvobodaAlex Tang and Bob BagnallDavid Taylor and Lisa SmithMatt Van MelikianJane VannemanBob WeinbergJoan WesselDarrell West 

Funded in part by the DC Commission on the Arts & Humanities, an agency supported in part by the National Endowment for the Arts.

 

And special thanks to the hundreds of other individual donors who support our work.

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United Wayof the National Capital Area

BOARD OF DIRECTORSMary Mitchelson, Chair Courtney Baldridge George CohenElizabeth DeanVictoria FortuneDeb GottesmanAbrahem HelalBert IfillAmy KossoffTom LeeBuzz MauroTim O’TooleMichael RodgersNancy SainburgAndrea Sharrin

ADVISORY BOARDWilliam S. CohenEric D. Schaeffer

TRUSTEES EMERITIJeffrey BaumanLaura EinsteinRoberta GottesmanEugene H. Rotberg Shar Taylor

STAFF Deb Gottesman Director

Buzz Mauro Director

Bryce Sulecki Program Administrator

Kara Turner Marketing and Events Manager

Terah Herman-Saldaña Program and Development Manager

Elizabeth Houvener Finance and Human Resources Manager

Angelo Merenda IT and Technical Director

CONTACT US733 8TH Street, NWWashington, DC 20001

PHONE: 202.824.0449FAX: 202.824.0458

contact@theatrelab.org www.theatrelab.org

PHOTOGRAPHS BY Clinton Brandhagen, Teresa Castracane, Liza Harbison, Colin Hovde, Gary Kohn, Ryan Maxwell, John Milewski, Emily Mills, Paul Oberle, Lauren Oleskie, and Jonathan Timmes DESIGN BY Alice Lewis

REGISTER ONLINE AT WWW.THEATRELAB.ORG OR CALL 202.824.0449

Funded in part by the D.C. Commission on the Arts & Humanities, an agency supported in part by the National Endowment for the Arts.

The Theatre Lab School of the Dramatic Arts is easily accessible by Metro: About one block from

the Gallery Place/Chinatown Metro station on the Red, Yellow and Green Lines.

733 8TH STREET NW (BETWEEN G & H STREETS)

The Theatre Lab • 733 8th Street NW, Washington, DC 20001 NON-PROFIT ORG.U.S. POSTAGE PAID

WASHINGTON, DC

PERMIT #6481

“I’M WALKING AWAY WITH ONE GREAT BIG WONDERFUL EXPERIENCE.”

— RECENT STUDENT EVALUATION