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The Styles of the Enlightenment 1750 – 1820 Rococo Bourgeois Neo- Classical

The Styles of the Enlightenment

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The Styles of the Enlightenment. 1750 – 1820 Rococo Bourgeois Neo-Classical. Marie-Elisabeth-Louise Vig ée-Lebrun Self-Portrait with Daughter c. 1798. Aristocratic patrons Neo-Greek Neo-Renaissance Sentimental KEY IMAGE p. 302. Neo-Classicism. Those Greek ideas again - PowerPoint PPT Presentation

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Page 1: The Styles of the Enlightenment

The Styles of the Enlightenment

1750 – 1820

Rococo

Bourgeois

Neo-Classical

Page 2: The Styles of the Enlightenment

Marie-Elisabeth-LouiseVigée-LebrunSelf-Portrait with Daughterc. 1798

Aristocratic patrons

Neo-Greek

Neo-Renaissance

Sentimental

KEY IMAGE p. 302

Page 3: The Styles of the Enlightenment

Neo-ClassicismThose Greek ideas again

(doesn’t that make this neo-neo-neo-Classicism?)

ART FOR ARISTOCRATS OR REVOLUTIONARIES?

Page 4: The Styles of the Enlightenment

Ange-Jacques Gabriel, Petit Trianon, Versailles, France 1761-4 (Louis XVI)

Page 5: The Styles of the Enlightenment

Monticello 1770-84

THOMAS JEFFERSON

Revolutionary & Neo-Classical architect

Key image p. 313

Page 6: The Styles of the Enlightenment

Similar to???

University of Virginia library

Page 7: The Styles of the Enlightenment

Self-portrait

Jacques-Louis David

Neo-Classical

Style in painting

Page 8: The Styles of the Enlightenment

David, The Death of Socrates, 1787

Page 9: The Styles of the Enlightenment

David, Oath of the Horatii, 1784

NEO-CLASSICALKey image p. 315

Page 10: The Styles of the Enlightenment

Jacques Louis David, Lictors Bring to Brutus the Bodies of His Sons, 1789

Page 11: The Styles of the Enlightenment

David, Death of Marat,

1793

Page 12: The Styles of the Enlightenment

NOTHEART vs. HEAD

EMOTION vs. INTELLECT

IT’S ALL EMOTIONS – IT IS A QUESTION OF WHAT KINDS OF EMOTIONS

Page 13: The Styles of the Enlightenment

SUMMARY – 18TH CENTURY• Age of Enlightenment but not all are enlightened . . .

• ART & IDEAS - 3 different styles (Rococo, genre, Neo-Classical) reflect overlapping and conflicting values of different social classes

• MUSIC – Genres such as the SYMPHONY and the STRING QUARTET emerge, all emphasizing CLARITY of musical ideas and the organization of CONTRAST, as exemplified by SONATA FORM