-
8/4/2019 The Object in Photography
1/27
e Object.e still life and photography.
-
8/4/2019 The Object in Photography
2/27
Early days and pictorialism.When photography wanted to be
painting.
-
8/4/2019 The Object in Photography
3/27
e Photographers Studio,Daguerre, (1837)
-
8/4/2019 The Object in Photography
4/27
Still Life with Fruit and Decanter,Roger Fenton, (1860)
-
8/4/2019 The Object in Photography
5/27
Pure photography.e F64 group and its followers.
-
8/4/2019 The Object in Photography
6/27
Edward Weston, Pepper (1930)
-
8/4/2019 The Object in Photography
7/27
Ansel Adams, Rose and Driftwood (1933)
-
8/4/2019 The Object in Photography
8/27
Imogen Cunningham - Unmade Bed (1957)
-
8/4/2019 The Object in Photography
9/27
Karl Blossfeldt, Art forms in Nature (1928)
-
8/4/2019 The Object in Photography
10/27
Robert Mapplethorpe, Tulips (1984)
-
8/4/2019 The Object in Photography
11/27
Evidence.Social and political commentary.
-
8/4/2019 The Object in Photography
12/27
Shomei Tomatsu, Melted Bottle (1961)
-
8/4/2019 The Object in Photography
13/27
Irving Penn, Cigarette Butts (1972)
-
8/4/2019 The Object in Photography
14/27
Pictures from a Rubbish Tip, Keith Arnatt (1988-89s)
-
8/4/2019 The Object in Photography
15/27
Pseudo-science.
-
8/4/2019 The Object in Photography
16/27
Joan Font-Cuberta, Herbarium (1984)
-
8/4/2019 The Object in Photography
17/27
Victoria Jenkins - Images from the Institute of Esoteric
Research
serieshttp://www.troikaeditions.co.uk/artists/victoria-jenkins
-
8/4/2019 The Object in Photography
18/27
Fischli/Weiss - qulibres (1984/85)
-
8/4/2019 The Object in Photography
19/27
Chema Madoz
-
8/4/2019 The Object in Photography
20/27
Conceptual.
-
8/4/2019 The Object in Photography
21/27
Sophie Callee Hotel series, Room 28
-
8/4/2019 The Object in Photography
22/27
Nigel Shafran11th February 2000. Muesli, tuna and salad
sandwich, left over seitan Irish stew with Nick.
-
8/4/2019 The Object in Photography
23/27
Painting > Photography.Artists using the language of
painting.
-
8/4/2019 The Object in Photography
24/27
Olivier Richon, Generic still life, with lobster (2008)Anne
Vallayer-Coster,
Still Life with Lobster, 1781
-
8/4/2019 The Object in Photography
25/27
Ori Gersht, 2008Juan Snchez Cotn, 1602
-
8/4/2019 The Object in Photography
26/27
Laura Letinsky, 2006Sebastian Stoskopff, 1650
-
8/4/2019 The Object in Photography
27/27
e Object BriefYou are asked to construct and photograph a
still-lifeof your own, using colour-lm using a Large Format
View Camera.You will be required to think about a contemporary
idea for your work that youwould like to form the basis of your
still-life. It is your chance to produce anindividual comment or
opinion through the objects in your still-life.
What current debates or issues concern you? Inspiration may come
from the
media (newspapers, radio, internet, television, etc)
ere may be something you wish to make a comment upon, such as
yourexperience of an aspect of the local Medway area.
You may feel strongly about issues such as vegetarianism,
starvation, orconsumption, for example.
It is up to you to construct a meaningful photograph through
research and carefuluse of objects. ere will be tutorial support to
help and develop your idea. Yourphotographic decisions will also be
crucial: how and why will you decide to shootthe still-life the way
that you have?
