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The Magic of Love: LGBTQ Characters in YA Fantasy
Jill S. Ratzan, Rutgers SCILSNJLA Annual Conference, Long Branch, NJ
May 1, 2008
Introduction: Cart and Jenkins Cart & Jenkins (2006): The Heart Has Its Reasons: Young Adult Literature with Gay/Lesbian/Queer Content, 1969-2004
Examined 187 LGBTQ YA titles - 10 are fantasy
Gap: YA LGBTQ texts in speculative genres
Texts Studied Commercially published YA LGBTQ SF novels and short stories
Study attempts to be comprehensive within this scope
Definitions: YA, LGBTQ, fantasy/SF
Texts Excluded Adult or children’s crossover texts
Graphic novels, TV texts, and fan-created texts
Texts whose LGBTQ content is based on fan speculation or author interviews
Criteria set to keep scope manageable
Data
26 texts examined: 16 novels, 10 short stories
Texts include 5 short story collections, 3 series/interconnected novels
Claims
1. YA LGBTQ SF texts tend to be contemporary.
2. YA LGBTQ SF texts tend to be unmarked for LGBTQ content, or marked in subtle ways.
3. YA LGBTQ SF texts tend to make sexuality differences unremarkable.
Claim 1: YA LGBTQ SF texts tend to be contemporary.
Earliest publication date: 1989 (Weetzie Bat)7 years after Annie on My Mind
20 years after I'll Get There. It Better be Worth the Trip
Claim 1: YA LGBTQ SF texts tend to be contemporary.
42% (n=11) published after 2004
27% (n=7) published in 2007Discussion: SF more “advanced” genre?
*note: all figures rounded
Claim 2: YA LGBTQ SF texts tend to be unmarked/subtly marked.
77% (n=20) of texts not marked in any way that would be apparent to the casual reader (title, cover art, jacket copy) Does the “casual reader” read subject headings?
*Note total of 29, not 26, texts due to inclusion of various Dangerous Angels editions
Claim 2: YA LGBTQ SF texts tend to be unmarked/subtly marked.
62% (n=18) of texts marked only in ways that require prior knowledge Knowledge of author/editor Knowledge of other texts in series Knowledge of text at hand
•Ambiguous jacket copy (“something different about Thom” - Hero)
Claim 2: YA LGBTQ SF texts tend to be unmarked/subtly marked.
Only two texts marked via title or cover art: Boy Meets Boy Am I Blue?: Coming Out From the Silence
Four texts completed unmarked: Dragonhaven Kiesha’ra series (Wolfcry, Wyvernhail) The Will of the Empress
Discussion: reader comfort levels, connecting texts and readers
Claim 3: YA LGBTQ SF texts tend to make sexuality differences
unremarkable.
Queer sexuality: a matter of angst, or just there?31% (n=8) angst58% (n=15) just there12% (n=3) combinations
Claim 3: YA LGBTQ SF texts tend to make sexuality differences unremarkable.
Subdivisions of “just there”: Sexuality acknowledged as nonissue No mention of sexuality as issue or nonissue
Focus on relationship, not sexuality, issues
Discussion: suspension of ordinary rules, metaphorical coming-out tales
Weetzie Bat by Francesca Lia Block
1989 publication date, earliest in study
First Dangerous Angels book
“It doesn’t matter one bit, honey-honey” - just there
The Rose and the Beast by Francesca Lia Block and Kissing the Witch by Emma Donoghue
The Rose and the Beast (2000), Kissing the Witch (1997)
Retold retold folk and fairy tales, some with lesbian themes
Highly literary
Hero by Perry Moore 2007 publication date
Highly publicized for gay content, although marked ambiguously (“something different about Thom”)
Am I Blue?: Coming Out From the Silence, ed. Marion Dane Bauer
1994 publication date
Contains two SF stories
One of two texts marked in title and cover art
Boy Meets Boy by David Levithan
2003 publication date
Most-highly marked text in study
Angst character as foil: “I guess I’m still afraid that peoples’ minds can’t open that far” (Wide Awake)
Is it SF?
Dragonhaven by Robin McKinley
2007 publication date
Unmarked Minor character is gay
Of a female friend: “It’s going to take a better man - or woman - than me to tackle her” (non-heteronormative)
The Will of the Empress by Tamora Pierce
Unmarked Major character is lesbian
All three subdivisions of “just there” present
Ironside by Holly Black and Wide Awake by David Levithan
Ironside (2007), Wide Awake (2006)
Metaphorical coming-out tales: coming out as a faerie, as Jewish
Wolfcry and Wyvernhail by Amelia Atwater-Rhodes
Wolfcry (2006), Wyvernhail (2007)
Unmarked In Wolfcry, lesbianism resolves plot issue, in Wyvernhail, just there
Family tree shows straight and gay couples equally
Future Research Correlations between date and level of markedness, date and “just there”
Additional variables: SF sub-genre, orientations/identities portrayed, major vs. minor characters
Compare YA LGBTQ SF texts to contemporaneous YA LGBTQ realistic fiction texts
Re-add missing texts: TV, comics, fans
Suggestions for Practice
Incorporate YA LGBTQ SF texts into booklists, booktalks, and displaysLGBTQ themed lists and programs
SF themed lists and programs
Works and Images Cited Buffy the Vampire Slayer image copyright Twentieth Century Fox Film Corporation
Cover art copyright various publishers See complete bibliography on handout
Questions? Comments?
Presenter email:[email protected]
Thank you for attending, and enjoy your day at NJLA!