The Daily Front Row

Monday, February 11, 2013

steel

alex wang’spolished

edge

plus:carolina herrera

in her atelier

dennis basso turns 30

daily doubles ! mountains of dish!

and...

thislook !

collect& discuss

MECHANICALREVIEWPROTOTYPE

CONCEPTINGLAYOUT

FINALRELEASE

FINALRE-RELEASE

1/7/2013

for jcp

MEET DURO OLOWU The Nigerian-born, London-based designer brings his masterful mixing, a riot of color, and some fashionable friends to jcp.

This March, for a limited time.$10 – $90#DuroOlowuForJCP

PMH JOB#: JCP-1316

FLAT SIZETRIM: 21.5" × 13.5"LIVE: 21" × 13"BLEED: 22" × 14"

FOLD SIZEVERTICAL FOLD: noneINSERTION FOLD: none

DISTRIBUTIONPUB NAME: Daily Front Row ISSUE DATE: 2/13/2013MATERIALS DUE: 1/18/2013

VENDORSRETOUCHER: SEPARATOR: name

PMH TEAMAE: nameAD: SuePM: AnnePP: CMoePA: Scott

CLIENT TEAMCM: nameMM: nameP: namePP: name

COLOR4C: C M Y KSPOT: none

CREATED @ 100%THIS OUTPUT @ 55%

CLIENT: JCPenneyPROJECT: DuroEXECUTION: Spread Ad - Runway Issue

fold/gutterlive live

fold/gutter

live live

trimbleed live

trim

bleed

live

trim

bleed

trim bleedlive

live

trim bleedlive

trim

bleed

live

trimbleed live

trim

bleed

live

66405_JCP1316_Duro_SprdAd_DailyFR_FR.indd 5 1/10/13 12:49 PM

MECHANICALREVIEWPROTOTYPE

CONCEPTINGLAYOUT

FINALRELEASE

FINALRE-RELEASE

1/7/2013

for jcp

MEET DURO OLOWU The Nigerian-born, London-based designer brings his masterful mixing, a riot of color, and some fashionable friends to jcp.

This March, for a limited time.$10 – $90#DuroOlowuForJCP

PMH JOB#: JCP-1316

FLAT SIZETRIM: 21.5" × 13.5"LIVE: 21" × 13"BLEED: 22" × 14"

FOLD SIZEVERTICAL FOLD: noneINSERTION FOLD: none

DISTRIBUTIONPUB NAME: Daily Front Row ISSUE DATE: 2/13/2013MATERIALS DUE: 1/18/2013

VENDORSRETOUCHER: SEPARATOR: name

PMH TEAMAE: nameAD: SuePM: AnnePP: CMoePA: Scott

CLIENT TEAMCM: nameMM: nameP: namePP: name

COLOR4C: C M Y KSPOT: none

CREATED @ 100%THIS OUTPUT @ 55%

CLIENT: JCPenneyPROJECT: DuroEXECUTION: Spread Ad - Runway Issue

fold/gutterlive live

fold/gutter

live live

trimbleed live

trim

bleed

live

trim

bleed

trim bleedlive

live

trim bleedlive

trim

bleed

live

trimbleed live

trim

bleed

live

66405_JCP1316_Duro_SprdAd_DailyFR_FR.indd 5 1/10/13 12:49 PM

LAUNCHING OUREXCLUSIVE COLLABORATION

wITH KIRNA ZABêTE!

23442_NWSP13_TheDaily_KZFINAL.indd 1 2/7/13 7:24 PM

LAUNCHING OUREXCLUSIVE COLLABORATION

wITH KIRNA ZABêTE!

23442_NWSP13_TheDaily_KZFINAL.indd 1 2/7/13 7:24 PM

your daily dose

Julianne Moore and Uma Thurman at Bulgari’s Year of the Snake party.

g e t t y imag e s ( 7 ); b fanyc.com (2)

“It’s important to do things that are unusual, that celebrate creativity, that celebrate artistry, that celebrate out-of-the-box thinking, which is not the way the industry is right now. And rather than kill myself like Alexander McQueen, I [want to] do things really differently and take the risk and not conform.”

Have you gradu-ated from high school yet?No. I dropped out at the beginning of my junior year and got my GED.you have a dream home in the works!I’m trying to find an architect to work with. I have a lot of ideas about the house I want to build. It will be Japanese, modern with high ceilings. It will take about five years to build.Where will it be?It’s a secret. I don’t want anybody to know where I live.

Rihanna

SCENE Feel like you’re flagging?

Channel your inner Karl with visions of endless energy. So, where does

Le Lagerfeld get his vim and vigor? “He doesn’t take vacations.

He thinks they’re middle-class.” —Brian Wolk “I hate to say it, but I think he’s a vampire. That’s sexy! He still looks incredible. He could also be an alien.” —Eve “He’s connected to the core of the earth. Maybe there’s an invisible golden thread of lava that connects him to the sun or the earth.” —actress Nicole LaLiberte “He’s a brilliant man. There’s always something going on in that head of his. He’s light years ahead of everyone else.”

—Ken Downing “The metals in the rings he wears [give him power].” —Brad Goreski

a moment WitH…

Lindsey Wixson, Daily cover

Welcome to new york! any problems with the snow?No snow drama! I’ve been here since Tuesday. I was shooting couture here.What are you looking forward to in new york?Last season I was only here for a few days, so I’m happy to be here longer. I like show season!We always see you in jeans. How many pairs do you think you own?An indecent number...thoughts on John galliano working with oscar?It’s fantastic! It’s good news. I’m happy to hear his name back in the industry. I hope I’m going to see him at Oscar’s show.

a moment WitH…

emmanuelle alt

“Jill stuart is my first show ever. it’s a very big deal. if anybody knows me at all, they know that this is probably more important than my virginity. i was raised on fashion.” —Carrie Diaries star chloe bridges

The beaT goes on!

Designer-ese (with Tara Subkoff)

FAT LADY SINGS:

oPeRa staRs sUbbeD

foR moDeLs at

imitation of cHRist

sHoW!

Julia Restoin-Roitfeld, Liberty Ross, and Liya Kebede at alexander Wang

FA S H I O N W E E K DA I LY. C O M

Bulgari

SpottEd: Eve performing “Let Me Blow Ya Mind” to close the Prabal Gurung post-show bash. Who said designers-of-the-moment had to be humble all the time?

Prabal GurungWe read on twitter that michael bloomberg called to check in on you after the storm.He did indeed call me. He had heard that Chelsea had been hit hard, and then he just wanted to know what my look was going to be today.What did you tell him?Gray snow bunny.Do you guys text?He’s still trying to BBM me. He hasn’t figured out technology. He’s smart ona lot of things, but not texting.

a fantasy moment WitH…

michael carl

Party

b fa n y c . c o m ( 1 0 ) ; g e t t y i m a g e s ( 7 ) ; P at R i c K m c m U L L a n . c o m ; s H U t t e R s t o c K

MCX3-10101121E

Operator: Print/Export: Printed At:Kim, Mike (NYC-GTH) 1-30-2013 10:26 AM 100%

BleedTrim

SafetyGutter

Line ScreenLo/Hi Res

PaperProof #

Revision Round

Dir of Studio SvcsDir of Graphic Svcs

Project ManagerAccount Exec

Global Creative DirCreative Director

Art DirectorCopywriter

Proofreader

Additional Specs: None

Notes: None

11.25” x 14”10.75” x 13.5”10.25” x 13”None133HiFortune Gloss Text02

Chris WestonStuart TurnerPhil KrellKathryn BurnsJane MaukschJudy WongTony HanstadRobyn DutraDenni Heiges

MAYBELLINE COMPANYCorporate

Spring 2013 Fashion Week Kemp Daily Front Row Page

Kemp Muhl4/C Bleed Magazine Page

Daily Front Row: Feb. 11, 2013

Fonts: Helvetica Neue (55 Roman)Images: MCX3-10101121E_Kemp_F_4CMG.tif (CMYK; 449 ppi; 66.81%), MNY-FW_2013_Spring_KO_No_URL.ai (143.85%), MAYNY05_POS_White.eps (68.29%)Inks: Cyan, Magenta, Yellow, Black

PDF Sent To

Makeup artistry by Charlotte Willer.©2013 Maybelline LLC.

S:10.25”S:13”

T:10.75”T:13.5”

B:11.25”B:14”

A MoMent with…

Your inspiration: Brigitte Bardot

You Saw It At…Monique LhuillierMara Hoffman

Cat eyes abound on the runways for Fall, paired with barely-

there lips—just like Brigitte’s! But the only way for you to truly pull it off in the front row is with a sub-limely moisturized bouche. Enter Maybelline New York’s Baby Lips Repairing Lip Balm with SPF 20, with its mixture of natural botanicals covering lips with eight hours of hydration (not to mention UV protec-tion)—exactly what you need during this week of chic! We recommend opting for just a slight touch of tint in either the Peach Kiss or the Pink Punch shade.

Front-row Beauty: the Killer Combo

g e t t Y i M A g e s ( 1 1 ) ; f i r s t v i e w . c o M ( 2 ) ; b fA n Y c . c o M ; s h u t t e r s t o c k FA S H I O N W E E K DA I LY. C O M

heard: What perk from 2003 do you miss? “I was a fashion director at W at the time. I miss my supermodels. They were such a big thing back then. I can’t expense a supermodel today.” —Joe Zee “Gift bags! I love free sh*t. I don’t care if it’s a bag of almonds.” —robert verdi “I was still in college. I miss a lot of those perks like being on a meal plan. I also miss being 10 years younger.” —Derek blasberg “Sleeping in, because that’s before I had children.” —rebecca taylor

your daily dose

romance! ambition! exhaustion!It’s all in a day’s work, chicettes...

V-Day Dish with Joe Zee and Rob YounkeRs

Today’s Pick

The always-on-point Giovanna Battaglia at Bulgari. Cast your vote at VanityFair.com and remember, we’ll be watching!

giovanna battaglia

Amy fine collins, contributing editor, Vanity Fairhow does one get on the best-dressed list?You have to prove yourself as a consistently original and appropriate dresser. Are you a judge?I’m keeping an eye on the submissions!how have they been?One thing we all noted is that men are as obsessed with their handbags as women

are. I’m not sure if that’s a good direction or not.what about the women?I like to see hair that’s a little groomed and styled. We’ve had too much of long, straight hair. Pull it back, cut it, don’t let it hang like you’re Eve in the Garden of Eden!

“I’m not quite sure why people have after-parties, because every show is such a social Mardi Gras. By the time the shows are over, I need to

go in a dark room and compose myself.” —siMon DoonAn

A MoMent with…

Daria werbowycongrats on closing Prabal!

I like closing better than open-ing, actually. Somehow it makes me feel like the leader. The closing outfit is the dot!how are you dealing with our slushy streets?I like snow. It’s just water. I’m from Russia and I’ve been to Siberia.will you go back to college?I did two years in Moscow and then transferred to the New School, but took the year off

because I got so busy. English is not my first language, so writing takes me twice as long. Hopefully next year I’ll come back to it.You studied screenwriting?

I daydream in movies. I might do a screenplay about this crazy fashion world. It’s always so fake in the movies. You’re always hop-ing it’s going to be good, but it all comes off as too glamorous.

on ennui: “Oh, my God!

17 times at least, and I’ve said to people twice already,

‘It’s in the program!’” — Monique LhuiLLier on

how MAnY rePorters hAD AskeD for her coLLection

‘insPirAtion’ on sAturDAY

what are you doing for valentine’s Day?Joe: We’re going on a romantic dinner. I don’t want to say where, because Rob doesn’t know yet. Does rob school you on fashion, given his gig as a Parsons prof? Joe: All the time. He’ll be like, “Oh, no, babe—that’s the wrong fabric.” Or, “That’s not the type

of seaming you’re talking about.” But I learn so much.

is that true? rob: So many people will

not correct him, but I’m his boyfriend!

Monique Lhuillier

1070 MADISON AVENUE, NEW YORK, NY 9 PRINCE STREET, NEW YORK, NY 20 NEWTON LANE, EAST HAMPTON, NYHAUTEHIPPIE.COM

Ikram GoldmanA MoMent wIth…

enjoying the party?JCP homed in on an amazing artist. You can tell Duro loved this project.when did you first meet Duro?He came to my hotel room. He had a duffel bag and pulled out two dresses. I said, “Those are great dresses, but what’s inside the bag?” Out came these incred-ible, one-of-a-kind beaded, embroidered jackets. I did end up getting some of the jackets for Ikram, and it’s been a love affair ever since. He’s an orgasm for the heart, the eyes, and the mind.I heard you got his autograph.Are you kidding? What fool isn’t going to get his autograph? I’m so proud of him!

Fix

Scene: On Saturday night, wild prints ruled at the party to fete Duro Olowu and JCP’s

collaboration at the swank Stone Rose Lounge. Olowu was humbled by all the adoration:

“I just want people to come and see what one can do when one thinks about the most basic product in the most visionary way,” he told The Daily.

And what did he make of his turn on our cover? “It surprised me. The Daily is about pop, and it really popped. It’s beautiful, and it’s what fashion should be: fun and stylish.” Darling, we think you pop, too!

A MoMent wIth…

You’re out late tonight.That’s the most ridicu-lous thing I’ve ever heard! I’m out late all the time.what’s your bedtime?Between 12 and 2 a.m.what’s been your favorite Fashion week moment?This moment right now.Didn’t you and Duro meet in a hotel?Sounds very sexy…don’t tell Thelma!

“He’s an amazing collaborator. He brings

a vitality with print and color that we just

don’t have in our DNA. It’s an amazing

marriage.” —nick wooster, JCP

Creative Director“I’ve always been a fan because he’s so

forward, so grand.” —Marcus

Samuelsson“I’m speechless. I love Duro! The girls

in my office are crazed for this col-

laboration. It really says Duro.”

—Mickey Boardman

“I’ve been a fan of his since I saw

Michelle Obama wearing his designs,

and we finally had dinner the

other night. He’s adorable and

genuine. I think we’re going to

be friends. We’ve already e-

mailed!” —Phillip Bloch

“When my mom and I would

visit our mall in New Jersey,

she’d always park at JCPenney

so we’d get to see everything

twice, when we came in and left.

That’s where we bought all our

clothes!” —Miss USA

Alyssa Campanella

Duro olowu, Bethann hardison, and thelma Golden a

front row

The

Vice President, PublisherLouis A. SarmientoAdvertising Director

Hannah SinclairMarketing Director

Fred MiketaSocial Media Director

Ashley TschudinDigital Director

Daniel ChivuPublishing Assistant

Anjali RajaDistribution Manager

Shawn BrennanDistribution Supervisor

Benjamin Woldoff

DAILY FRONT ROW, INC.

On the cOver: Alexander Wang Fall 2013,

shot by

Managing EditorTangie Silva

Features EditorAlexandra Ilyashov

Senior EditorsMaria Denardo, Sarah Horne Grose

Fashion News EditorPaige Reddinger

Contributing Writer Jenna SauersArt DirectorTeresa Platt

PhotographerGiorgio Niro

Senior DesignerDawn Sebti

Photo EditorsJessica Athanasiou-Piork,

Shane CisnerosProduction & Distribution Director

Allison Coles Imaging Specialist

George MaierCopy and Research Editors

Joey Meyer, Stefanie Schwalb, Christy Walker, Matt Weingarden

Production ManagerTimothy McVickerImaging Assistants

Megan Herlihy,Mihai Calin Simion

Brandusa NiroEditor in Chief, CEO Guillaume Bruneau

Creative Director

The Daily Front Row is a Daily Front Row Inc. publication. Copyright 2013. All rights reserved. Reproduction without permission is strictly prohibited. Requests for reprints

must be submitted in writing to: The Daily, Attn: Tangie Silva, 135 West 50th Street,

4th Floor, New York, NY 10020.

To advertise in The Daily, call (212) 467-5785

Or e-mail: [email protected]

Deputy Editor Eddie Roche

Executive Editor Christopher Tennant

Maya halie and Marcus Samuelsson

nina Garciawhat was your first thought when you saw our Duro cover?It made my day!what do you think of JCP’s new direction?It’s phenomenal. Wait and see what they have in store. It’s very special.which designer should they collabo-

rate with next?It’s going to be hard to

different, like Altu-zarra or Phillip Lim, or Preen.

Judy Bird, Marva Smalls, and tracey Kemble

Carlos Mota

Robert Verdi, Kenhinde wiley, and Mckenzie Liautaud

Caroline Issa

Iris Apfel

FA S H I O N W E E K DA I LY. c O m

nicole Vassall and Lola ogunnaike

“This is a beautiful representation of Duro’s project and his vision. I’m so excited by this.” —thelma Golden on The Daily’s Duro cover

tr yPDURO’s mOmenT

A MoMent wIth…

OlOwU lOve

Apfel’s accessories collab

S t e F A n I A C U R t o ( 5 ) ; A L L o t h e R I M A G e S P A t R I C K M C M U L L A n . C o M

beat Duro. It would have to be someone completely

FirstView.

America’s nail salon expert.Since 1981. essie.com

no chips ahead top coat

I’m a nail expert, not a gambler.

That’s why I rely on no chips

ahead, my unique top coat

that extends your manicure for

up to 10 days. Any way you

stack it, it’s a winner.

I bet you always have a winning hand.”

“with no chips ahead,

anti-aging

essie care for every nail need

DBP, Toluene and Formaldehyde free

grow

everyday

strong

runway

Fall2013


G E T T Y I M A G E S ( 5 )

Rebel with a cause. If anyone’s still wondering whether Wang has what it takes to work his wonders at Balenciaga, this collection shows he’s in it to win it. Bulky shapes and fuzzy textures revolted against the

Neoprene futuristic fabrics blanketing the runways. Here it was all about soft shoulders, luxurious fur coats and wraps, oversize mittens, and mohair knits that were simply, magnifique!

wangalexander

issuu.com/dailyfrontrow

Get your online fashionfix on issuu.com

runway

Fall2013

Bohemian Rhapsody. a bodiced Chinois

shirt dress, pantsuits with peeping peplum,

plus voluminous necktie blouses, are all

part of ruffian’s 19th-century, Bowery-

inspired collection that transitions a long day’s journey

seamlessly into night.


G E T T Y I M A G E S ( 1 1 )

ruffian

I am woman hear me roar! Power dressing was at

its sexiest best on Joseph Altuzarra’s runway, with severe, skinny skirt suits and leather trenches and

dresses nipped at the waist, for the working girl who

isn’t afraid to show a pen-chant for high fashion.

altuzarra

runway

Fall2013

Gorgeous glamazons. Lhuillier’s sirens sashayed

down the catwalk in stunning eveningwear,

like a tea-length gold lace dress and an emerald

gown paired with her new buzzed about heels. we look forward to seeing them on the Oscars’

tapis rouge.


G E T T Y I M A G E S ( 1 7 )

Monique

LhuiLLier

Marching orders. Prabal’s warrior women were like a ferociously chic fashion

tribe taking down the runway in military green garments slashed across the body or buttoned up and harnessed, uniform

style.

prabaL

hoffManFit for a prints-cess.

Lightening up what’s been a dark and bulky

season, Hoffman’s collection was full of tribal patterns and a

70’s vibe.

Mara

{Cat Eyes}CharlottE WillEr for Maybelline New York

trendbeauty

GurunG

s a l e s | r e n t a l s | r e l o c a t i o n | n e w d e v e l o p m e n t s | r e t a i l | m o r t g a g e | p r o p e r t y m a n a g e m e n t | t i t l e i n s u r a n c e

your one-in-a-million Home needs tHatone-in-a-million Buyer. How do you ensure tHe two meet?

As the largest regional and global network of real estate experts, Douglas Elliman has a way of understanding your home and what makes it unique. From buying and selling to appraisals, mortgage financing and rentals, top experts on AskElliman.com offer timely answers to today’s questions about all things real estate. With a powerful combination of talent and technology, we have the experience, insight and access to guide you skillfully from beginning to end. Put the power of Elliman to work for you.

© 2

013.

Dou

glas

Elli

man

Rea

l Est

ate.

E

qual

Hou

sing

Opp

ortu

nity

.



classicdish The Divine

Mrs. HA few days before her show, Carolina Herrera gave The Daily a peek at her new collection and a tour of her remodeled atelier. We talked legends, dancing, and Jackie O. BY EDDIE ROCHE PHOTOGRAPHY BY GIORGIO NIRO

H“I don’t want to be called a

legend. To me, legends are 102

years old. I don’t want to be

called an icon, either. Icons have

become like Coca-Cola.”

We did a feature on you and your longtime driver a few years ago. How’s he doing?Very well! He loved your feature. I gave him a lot of copies of The Daily for his family and friends.You’ve been showing at Fashion Week since 1981! Have you ever skipped a season? One year! In 1992, we couldn’t show because I was moving offices. So I had a tiny show in my office, which was on 57th Street. It was the office we started in: small, but very pretty. Do you know who came? Jackie Onassis. The space was so tiny, but I made sure to seat her in a place where nobody would bother her. Did the front-row photogs go crazy for her?[Laughs] Are you kidding me? Of course! If Jackie were alive today, could she even attend a show without getting paparazzi-mauled?I don’t think so. Every time she went out, people just jumped on her. Now there are more photographers, more media, and more everything!Thoughts on that aspect of fashion?It’s part of the business. Even if you don’t like it, you have to accept it, because that’s how you make your name. That’s how people know who you are. If you do [a show] in a very small space with no one there, what’s the point? Fashion is a very public thing; now it’s more public than ever. A show happens, and you can watch it on the Internet. New technology! Back to your collections: Did any of them almost not make it to the runway?When I showed a collection at the Library at the Public, on Astor Place, we almost didn’t make it. The clothes coming in the van got lost. They had to bring the collection in through the audience, in front of everybody! Things like that don’t happen anymore. Everything is much more calm. I don’t want people working until the morning of the show and showing up exhausted. Fashion involves deadlines like everything else; that’s part of the business. The more challenges you get, the better you are. If you think everything you do is perfect, that’s just not true! You better retire and not do it anymore. Do you get anxious pre-show? Any jitters now?I’m feeling very well! I’m always nervous, because I want everything to come out the way I have it in my mind, even though things change here and there. I have a very good team! It’s not only me.Who is your right-hand person?Hervé Pierre. My whole design team is great: I have all the people in my atelier like Miro, François, Celine, and Rita. They’re the ones making the clothes.Your show is always a favorite on the calendar. It’s that Monday-morning recharge. You like? It’s not so chaotic. We’re organized. Having my atelier in the building makes things easy to control, because I know exactly how everything is being made. We can change or make the collection right there: I don’t send clothes to be made in Italy and then wait for them. Your front-row regulars are loyal. Graydon Carter, Fran Lebowitz, Renée Zellweger…I love it! I have friendships with them, but they are also all important people in fashion. Graydon is the editor of one of the best magazines there is. They’re all friends and I love that they come out to support me. But I never see them until after the show, because I’m always in the back! I watch the show on the monitor to see who’s making mistakes!You’re always sending the girls out with your casting director, James Scully, by your side.James is a very important part. He’s been working for me for a long time. He’s the one who brings all the girls. He has a thermometer. He knows exactly who should be there. I usually use 42 or 43 girls. It’s fantastic to have each girl in just one look, so the

show comes out perfect. You don’t have to be running to change them backstage in a panic.Are you nervous backstage?Of course I am, but I don’t show it. If you start being nervous and you have a group of people working with you, they get nervous, too! I always say to my team: “Why are you so nervous? We’re only making dresses. We’re not inventing anything new. If one doesn’t work, we make another one!”Are you still having a blast?

Yes! I am, but it’s a great blast to me when [the show] is over. I like the creative side the most. I don’t like the publicity and talking about myself. The interviews backstage make me so nervous. It’s another animal.You always have Marie Griffin by your side backstage to guide you through the press circus... I adore Marie! I can’t do any television interviews without her. She has to be there. When I see her face, I smile. She’s in control! If a journalist asks to interview me, I say, “Of course! Come here!” but she’ll say, “No! He has to wait! Look at the line!” She’s my bad cop, but she’s perfect for me. She knows what she’s doing. Which interview questions do you always get?They all ask me “What is your inspiration?” [Joyful laughter] It’s always the same, but I suppose it’s the same with everyone. If you’re in the music business, they ask the same questions. What else can they ask? Sometimes I have fun with it.

Do you ever just make stuff up?All the time! Oh, yes! Fashion has to be fun, right? You have to be fun. My everyday life is about making women more beautiful. Why do you have to be serious to do that? Make it fun. What’s your standard pre-show meal?I don’t eat. I normally eat breakfast every day, but not on show day. I wake up very early, get ready, and go to the Tents at 8 a.m. to check on everything. There are so many things to do on that day. You love music, right? When’s the last time you went out dancing?I haven’t been dancing in a long time. I do love to dance, though! What kind of dancing?Any kind! I love salsa! I’m Latin; we’re very good dancers. Do you like pop music?Yes, I do! I love Beyoncé! She’s fabulous! Don’t you think so?Did you see her Super Bowl performance?I didn’t. I wish I had, because everyone has been saying it was fabulous. You have lots of books in your office…Books have been a constant companion in my life since I was a child. My mother and father used to always tell us that we had to read. At this moment I’m reading all of F. Scott Fitzgerald’s short stories. Do you have any time to read before your show? Yes, I do: I read every day, in the night or morning. It calms me. I read when I’m sad, I read when I’m happy, I read when I’m nervous. I read all the time.What’s your current state of mind?It’s wonderful, with a little cloud here and there. It’s like the weather! Who’s your best friend in fashion?One of my best friends was Bill Blass. I loved him. Oscar is a great friend, too. I have many [friends]!Everybody calls you Mrs. Herrera…I don’t know why. I’ve always been called that, since the beginning. I don’t understand why, but I like it! They call me Mrs. H at my atelier.Does anybody call you Carolina?Yes! Masses of people. Of course. Do you feel like a legend?I don’t want to be called a legend. To me, legends are 102 years old. I don’t want to be called an icon, either. Icons have become like Coca-Cola: Everybody is one, everybody drinks that! What would you like to be called?Carolina Herrera!

G E T T Y IMAG E S

Renée Zellweger

Graydon Carter

Jackie Onassis

Beyoncé Fran Lebowitz

Dennislessons


How do you like your pizza?Crispy. I sometimes like sausage. I love

the smoked-salmon pizza on the every-

thing dough at the Mark. Should we go

there now?

When’s the last time you went fishing?With my father and my uncles. This was

1966. It was fishing and clamming, actually.

My father got annoyed with me because

each clam that came into the boat, I

shucked to see if there was a pearl in it. I

thought they were like oysters!

How good a driver are you?I’d say I’m medium to not-so-great.

Favorite musical of all time?Come on! That’s impossible. OK, it’s a tie.

Mame and Hello, Dolly! I made a coat for

Carol Channing once. Love her.

Favorite Broadway diva of all time?Patti LuPone. Easy.

When was your last cleanse?Never! But it’s something I’ve thought

about. It’s probably a good idea.

And your favorite toast spread?I’m a butter guy.

Do you wear your own fragrance, Dennis Basso by Dennis Basso?

I’m wearing it right now. In fact, I’m

addicted to my own fragrance. It

smells gorgeous!

Who is the hunkiest actor working today?I’m old-school and he’s not so young, but

I like George Clooney.

Bradley Cooper?Nah. I like somebody with some experience.

Nobody humors The Daily like Dennis!

inse ts: pAtriCk mCm u ll An .Co m

Waiter: Can I get you a drink?

I’ll have a Grey Goose martini, no olives, clean, shaken.

is that your signature?Yes, always.

Congratulations on 30 years. How old do you feel?I feel 30. The brand feels young, too. We’ve had a long and

fun journey. I feel like I’m in the middle! Some friends who

have been in the business as long as me feel ready to wind

down. I feel like I’m just winding up! Many people don’t get

to do what they want to do. I’m living my dream.

How did you get your start back in 1983?Before I even launched, we were doing at-home “fur par-

ties” and I would take various collections and rent a big car

and fill it up with different furs. It was like a Tupperware

party, but with fur. It was quite successful. We created a

clientele and then, when I went off on my own, they came

with me.

ivana trump was at your first show…Yes, she was! At the Regency Hotel. It was very exciting.

Angela Taylor, who is no longer with us, was a fashion writer

at The New York Times and gave us a half-page with three

photographs. What’s exciting about doing this shoot today

at the Pierre hotel is that I did a multitude of shows here. I

feel very at home at the Pierre. I also got married here!

Where’d you get the dough to go it alone?I’m an only child, and when I went into business, my

parents were very generous. They supported the whole

situation. My father probably thought all those tens of

thousands of dollars were to buy skins, but he didn’t know

I was using it for PR and fashion shows. Without them, it

wouldn’t have been possible.

shows and pr have changed quite a bit in 30 years. For the better?It’s totally changed! Today fashion is viewed differently.

Fashion shows are live-streamed! You show your collection

and 15 minutes later you read a review. It’s instant every-

thing. I don’t know how good it is. I’m not sure. There was

something about the allure of not having everything being

so instantaneous. That’s the way of the world, but I like to

think of myself as somebody completely contemporary

who has moved with the times. Many of the daughters of

my original clients are now my clients. Ivanka Trump was

four when I met her and now she’s a client. To transcend

that client, you better be busy with that Instagram!

Do you instagram?No, but I’m doing all the rest. I haven’t switched over to the

iPhone yet.

Come on, Dennis!I can’t type on it! It takes too long. I’m still an AOL guy! Ev-

ery person at my company has an address with their name

at DennisBasso.com, except me.

When did you know you’d made it?The celebrities! I’m talking 20-something years ago. I did

something for Barbara Walters, Zsa Zsa Gabor, Jaclyn

Smith, Elizabeth Taylor—all of ’em. I’m designing for the

most glamorous women in the world. This is something

quite amazing! Being approved in the CFDA was a wonder-

ful thing for me, and when I first showed at Mercedes-Benz

Fashion Week and opened my first Madison Avenue store.

I also remember my first Daily cover, but that was years

later! When Meryl Streep wore my coat in The Devil Wears

Prada and to sit there in the movie theater and see her

opening a movie wearing something I made? It was a won-

derful sense of accomplishment. I’m never jaded. Things

excite me daily. I’m excited to be here talking to The Daily. I

even wore a new tie!

Your show always feels like a real fashion show…Women come to my show dressed! It’s a high compliment.

What’s most unique about my show is that the clients

who are there are really friends. There’s that same feeling

at Mrs. Herrera’s show, Mr. De la Renta’s show. There’s a

warmth in the audience. They aren’t looking at it with a

critical eye; they are looking at it through a friend’s eye.

That’s always a nice thing.

Were you a party boy in your youth?I had my fair share of nights out. I still like to go out!

What’s the latest you’ve been out recently?We were out in Beirut a few months ago until 4 a.m. To

them that’s like 11 at night. I was in London a few weeks

ago and got back to Claridge’s at 2 a.m. But in New York,

it’s dinner and home.

no pit stops at Barracuda?I don’t want to be all “been there, done that,” but I’m

more interested in going to places like the Top of the

Standard. That’s a little more appealing. I like a good

house party.

Getting back to your career: You’ve made some bank at QVC!I went there in 1993, and at that time most designers were

not doing secondary lines. Today it’s very popular for design-

ers to do a line with H&M or Kohl’s, but it wasn’t back then. I

love show business, and this was a wonderful combination.

The customer understood me and I understood the custom-

er. Twenty years later, we’ve had an unbelievable journey. On

television, it’s possible to sell four or five thousand pieces of

one style. QVC is on par with the major department stores.

Do you get a rush being on live tV?It’s the most exciting thing you could possibly do!

How has your husband, michael, contributed to your success?He’s part of the Dennis Basso world, and he’s extremely

grounded. He’s kept our home life as private as possible.

We’ve had a great journey together. It really has been so

incredibly fun.

Can you believe it’s been 30 years since baby-faced fashion furrier Dennis Basso started swaddling the chic set? In the face of such a momentous milestone, there was only one thing to do: hail a Town Car up to Sirio at the Pierre hotel for some serious old-school dish. Happy birthday, Basso! Make a wish... BY EDDIE ROCHE PHOTOGRAPHY BY GIORGIO NIRO

BASSOPROFUNDO


Ever since Essie Weingarten’s popular nail polish brand, Essie, was bought by L’Oréal USA in 2010, its haute hues have been popping up all over Fash Week both on the runway and in the front row. So we asked the editors, “Which Essie are you?”BY PAIGE REDDINGER

in living

color

Nailedit

Essie nails on the runway at

Carlos Miele Spring 2013

r u n w ay : f i r s t v i e w ; b fa n y c . c o m ( 1 2 ) ; pat r i c k m c m u l l a n . c o m ( 6 ) ; a l l b o t t l e s c o u r t e s y

Joyann King, site director, Harper’s Bazaar“Essie Au Natural. It’s the perfect non-color to fool everyone into thinking I don’t need manicures.” Gretchen Gunlocke Fenton, accessories director, Glamour“Fed Up—just one coat. I’m not much of a beauty risk taker. Fed Up is for wimps like me who just want the slightest hint of color.”

Maria Dueñas Jacobs, senior accessories editor, Glamour“Pepperoni—for a bit of spice, minus the calories.”

Rina Stone, creative director, InStyle“I love Aperitif. It’s a really saturated garnet, great for a chic short mani.”

Lisa Arbetter, deputy managing editor, InStyle“Topless & Barefoot is my go-to. It’s an opaque beige, which I find cooler than sheer pink.”

April Long, executive beauty director, Elle“While I love flashes of gray, green, lilac, and blue on other people’s fingers, those shades react with my skin tone to give me crypt hands. I stick to Essie Lollipop—a classic-but-playful, season-less, Old Hollywood red that never fails to make me feel glamorous.”

Leah Wyar, beauty director, Cosmopolitan“Lapiz of Luxury.Beyond the current blue manicure craze (which I’m loving!), this was my wedding pedi color, so it always feels special.”

Michelle McCool, fashion director, Cosmopolitan“Spaghetti Strap is my go-to for a week at the office. Guchi Muchi Puchi is my toe color for a Hamptons weekend. I dream of donning that one soon!”

Jean Godfrey-June, executive beauty and fashion news director, Lucky“Russian Roulette— gorgeous, sexy, and I love the Deer Hunter aspect.”

Alexis Bryan Morgan, executive fashion director, Lucky“Sandy Beach for my fingers—I like a sheer neutral—and Red Nouveau for sexy toes!”

Anne Keane, fashion director, Lucky“I love A-List, but somehow I always end up calling it Grade A at the salon. True story.”

Elle Strauss, senior fashion editor, Lucky“Of all the red nail polishes that I’ve tried, Fifth Avenue is the perfect shade of red.Flirty Fuchsia for beach toes!”

Linda Wells, editorin chief, Allure“My color is Allure—Essie named it after us.”

Patricia Tortolani, beauty director, Allure “That’s a trick question, right? I’m going to go with Allure. On the weekends, I break out a bright, sexy bottle of Miami Nice.”

Anne-Marie Guarnieri, senior beauty editor, Allure“Allure! Though I know it sounds totally biased, it really is the perfect neutral. But Mesmerized, a bright blue, describes my state of mind during Fashion Week.”

Jamie Rosen, beauty director, Town & Country“Jazz is the perfect taupe-y nude for hands, and I love Geranium for poppy orange pedicures.”

Mary-Kate Steinmiller, senior fashion market editor, Teen Vogue“I only use All In One Base, but inside I’m Carnival.”

Sheena Smith, accessories director, Teen Vogue“Put me down for Essie’s Clambake color—I’m obsessed.”

in living

color

Who’s

Out?

How have you changed Out since arriving in 2006? I wanted Out to be Bowie gay, not Cher gay. I have nothing against Cher, but Bowie to me was a real artist: eternally cool, super-creative, his sexuality is fluid.Did that piss off a lot of people? Some people thought there was a certain presumption and arrogance. I have plenty of critics! I’ve grown a thick skin, but you can’t worry too much about pleas-ing your critics. Plenty of people probably think the magazine now is slight, superficial, and not rigorous or thoughtful enough. That’s true, occasionally. How’d you enter the biz? Back in university, I wanted to be a hardcore news

reporter. In 1993, the Bosnia War was going on. I was doing entertainment listings at The Scotsman; I told my editors I wanted to go to Bosnia. I went for three weeks. I saw crazy things. It was thrilling and terrifying. You write really well in those situations: stories write themselves. It’s much harder to write a

profile of a fashion designer than to write about five hours in a refugee camp or a hospital in Sarajevo. How did you get from Bosnia to Out?I was invited to a dinner with Bob Guccione Jr. in Scot-land; he’d also covered Bosnia for Spin, and we bonded over that. The next day, we had a long breakfast and discussed me coming to New York to be a senior edi-tor at Gear. I didn’t even know what a senior editor did! I arrived in 1998, was at Gear for a few years, it folded, then I went to Blackbook.Gotcha! What’s Out up to lately?We took a hard and thoughtful look at what was hap-pening with print. We weren’t utilizing our staff in the most efficient way. Out is operated by Here Media, a TV company; we work with them as a content provid-er. Now I’m responsible for the editorial costs of what we do run through my brand-new company, Grand Editorial. It was a chance to be more creative. How many straight guys are reading Out? Not too many! I look forward to the day when straight men won’t feel awkward picking up a copy. How about lesbian readers?No, most of our readers are gay men. I’m well aware that it upsets people, but it’s not always possible to do a magazine that’s completely 50/50.

What’s your fave cover?The best cover we’ve ever done was Neil Patrick Harris. Adam Lambert also sells really well, with gay men and straight women. How fashion-y is Out? Our March issue has around 50 pages of fashion. We profile a lot of gay design-ers. We’ve even profiled Miuccia Prada—and she rarely gives interviews! Hermes, Vuitton, and Cal-vin advertise in Out. How do you snag such chic ads?We have to work for every dollar. People who look after ad budgets are rarely gay. If you’re a Condé title, it’s probably easier to make your case. Why’d you move the mag to Carroll Gardens?New York is moving eastwards! A small magazine is a natural fit for Brooklyn; there’s lots more creative energy than there is in Manhattan. Do you ever hit up the pet store downstairs?My cat loves it. I bring treats home every night!

How does a bloke go from reporting on the Bosnian War to EIC of Out magazine? It’s the unusual story of Aaron Hicklin, who runs America’s largest gay monthly glossy from Out’s HQ, perched above a pet store in Brooklyn. BY EDDIE ROCHE PHOTOGRAPHY BY GIORGIO NIRO

Location,

FA S H I O N W E E K DA I LY. C O M ALL INSET PHOTOS COU RTE SY

location...

Happy tenth anniversary!It doesn’t feel like 10 years. It just whizzed by! Walk us through your first year.I saw minor miracles happen. I landed at the Intermezzo tradeshow before I had a business! I couldn’t have done it without the contractors, shops, or patternmakers who were willing to do less than the minimum quantity.Who are you modeling your business on? Emilio Pucci spent every afternoon at his stores talk-ing to customers. That turned off the in-crowd and his friends in the nobility. But those relationships nour-ished him, just like they nourish me.Is the industry nicer or nastier since you started? In the eighties, screaming was the modus operandi. Now it’s about positive reinforcement. What’s been your greatest milestone?My first Anthropologie order in 2004. They spotted me at a trade show and picked the most difficult-to-make dress. It became their catalog cover, and sud-denly an order for 800 became 3,400.Who wears Yoana, besides Anthro adorers?A lot of lawyers wear it. That was the intention. This isn’t a line for mistresses!How important are department stores?We’re like the slow-food movement: Our product is homegrown, detail-oriented, and unique. I don’t want to be sold in every store or expand too quickly. It’s important for me to build strong relationships with stores—specialty or department—that appreciate this model. Neiman Marcus does, and I’ve worked with them for eight years.Most memorable moment on the job, please!Nine years ago, we had our first photo in the Sep-tember issue of Marie Claire: Jessica Simpson wore a brown gingham suit with a fishtail skirt. Iman saw the picture and wanted to wear the suit to an event where she received an award from Mayor Bloomberg. But the temperature rose into the 90s and Iman never wore the suit!Is that celeb factor still important for business?Right now, there’s too much of a chase for it. We con-tinue to do that, but it’s spun out of control!Are you planning on showing at MBFW again?This season, we’ll do a two-minute video on Style.com about Fall 2013. It’s half the price of a presentation, but has a longer shelf life. We’re not the ultimate newsmaking item right now, and editors are oversolicited. You also hold appointments in Paris.Yes, we book a glamorous hotel suite in Place Vendôme so our Middle Eastern clients can view the collection. A lot of those clients don’t come to New York anymore; they expect the courtesy of a Paris presentation. Any projects in the pipeline?Our jewelry collaboration comes out in May. But this year, I’m focused on a stronger online presence and international expansion; we just opened a couple of large accounts in Australia, for example. Who are your biggest cheerleaders? Brandusa [Niro], Dana Avidan-Cohn from InStyle, Dita Von Teese, Alexis Bryan Morgan and Anne Keane from Lucky, Mitch Johnson and Julie Sumner from Nei-man Marcus, and my husband!

A Decade of DesignRomanian designer Yoana Baraschi, donned by the likes of Heidi Klum and Stacy Keibler and filling racks from Anthropologie to Neiman Marcus, is ringing in 10 years in the biz. That calls for a walk down memory lane, of course, plus projects like a top secret bauble collection. Intrigued? Gather round!

Chictenth

BY MARIA DENARDO PHOTOGRAPHY BY vITAl AGIBAlOw FA S H I O N W E E K DA I LY. C O M

SPECSL/S: None DOC SIZE: 10.25” x 13”B: None G: None

TEAMCreative: Aaron Eiseman Abi Aron

Acct: Kent Breard

Prod/Traf: Janice Thor Lynn Mathis

Studio: bd

MEDIA / PRINT INFOPubs: The Daily Front Row Media: None

Line Screen: None

Printed: 1-28-2013 1:41 PM @ None

COLORS Cyan Magenta Yellow Black

MBC_CRP_P12051_TD Client: MERCEDES-BENZ USA, LLC. Corporate WO: ’13 CLA Fall MB Fashion Wk. a supermodel in

IMAGESMB_FashionWeek_CLA_C_400_V1.tif (CMYK; 60%; 666 ppi; SuperStudio:ART:MNH:MERCEDES:2013:2013 Corp:Fashion Week:MB_FashionWeek_CLA_C_400_V1.tif) MBFWNY_STAR_Stckd_4C-Neg.eps (33.28%; SuperStudio:Logos:Mercedes:Fashion Week:MBFW 2011:MBFWNY_STAR_Stckd_4C-Neg.eps)

FONTSCorporate S Light, Bold Corporate A Condensed T Regular

200 Varick St. New York, NY 10014 : Phone 212-805-7500

PATh: M.P_MECHANICALS:Volumes:M.P_MECHANICALS:Mercedes:MBC:CRP:P12051:MBC_CRP_P12051_TD

Pre-production model shown with optional equipment. Available in dealerships September 2013. ©2013 Mercedes-Benz USA, LLC For more information, call 1-800-FOR-MERCEDES, or visit MBUSA.com.

A supermodel in every sense.

Introducing the all-new, groundbreaking CLA. Style, beauty and glamour brought to you by

the leader in style, beauty and glamour. Mercedes-Benz Fashion Week. MBUSA.com/lifestyle

T:10.25”T:13”

How’s the new gig treating you? Our Spring/Summer 2013 campaign shoot with Terry Richardson was my first day! We staged it in an old, French-inspired chateau in Long Island. It was a crisp day, the sun was out, and Jessica Hart was modeling. Are you a big Terry fan? Who isn’t? I definitely gave him a thumbs-up on set. Working with Terry gives us credibility. It tells the consumer that we’re here to stay, and we’re investing in our brand. Where were you pre-PLV? I worked at Ralph Lauren men’s for 10 years as an account exec, then VP of sales for the home collection. Then I went into licensing at Tommy

Hilfiger for nine years, Perry Ellis for three, and Kenneth Cole for five. What excited you about working with PLV? The focus on accessories, for one. A customer’s experimentation with accessories is far greater than in the ready-to-wear market, so it’s easier for us to engage them. Why did the company decide to rebrand? When businesses become challenged, there’s a tendency to become opportunistic as opposed to strategic. You need to understand your target customer. If you’re focused on that customer, you never lose sight of what the brand is all about. What direction is the brand headed? PLV was known as a sexy brand; now it’s more of a sensual brand. The PLV cus-tomer is feminine and more ladylike instead of grungy. It sounds more grown-up. It is a little bit. Our target customer is on average 32 years old, but it can swing into the twenties and late thirties. Biggest challenge so far? Getting to know our assets, whether human assets or brand assets, and leverag-ing them together, has been the greatest challenge so far. What brands is PLV in league with? We’d sit close to Sam Edelman or Stuart Weitzman.

Do you have any plans to launch a lower-priced line? We’re going to remain consistent and not try to tier up or down—otherwise we start confusing our customer. We’re going after an accessible, contemporary cus-tomer. Our other line, Kelsi Dagger, provides us with diversification, because you have price points below $120 versus up to $300 for PLV. Is the shoe industry becoming too crowded? No, but it’s an easier business as a point of entry since some of the minimum buys are not as high. I think all the competition just makes everyone sharper.

Disenchanted by “doctor’s office”-quality shoe brands charging top dollar, PLV Studio mastermind David Giordano whipped up an edgy-yet-attainable footwear line called Pour la Victoire that exploded onto the scene with red-carpet credits, editrix endorsements (Carine’s a fan!), and distribution in 30countries. Thanks to newly installed CEO Chris Nakatani, PLV is about to kick things up another notch. BY MARIA DENARDOPHOTOGRAPHY BY GIORGIO NIRO


Shoptalk

plus! A moment with... PLV creative director david giordanoBackstory, please! I actually began my career on the runway as a young model for European brands like DSquared before moving over to the business side. Before PLV, I worked for BCBG and Theory. When did you break out on your own? When I found a loft on Park Avenue South that I couldn’t afford, I called some friends who were independent sales reps who needed a place to showcase their lines and convinced them to share the rent. From there we created a progressive New York-based showroom that sold, financed, and marketed young, talented, and mostly local designers. The showroom is also where I developed my own ready-to-wear line. Where did the name Pour la Victoire come from? I wanted something French and attractive. I also loved that it was hard to say and spell. It struck me that once someone got it, they would never forget it! Also, at the time it felt fresh since most accessories collections in the marketplace were designers’ names, like Stuart Weitzman or Sam Edelman. Are you a Francophile? I love Paris and everything European, except the food...which I can take or leave.

checking in with chris nakatani...

Best footfoRwARD

patrickmcm u ll an .com (5); g e t t y image s (4); b fanyc.com (2)

Daily Doubles

Dylan mcDermott Practice pinup

We always thought you looked familiar!

cory bonDmale model

geena DaVisBeetlejuice babe

Desiree grubermarketing maestra

iggy berlinDrag-tastic singer

grace coDDingtoncat-tastic editor

mr. cHoWa-list maître D’

malik so cHicreality refugee

k. D. langlesbian crooner

kerry WasHingtonDjango goddess

naomi campbellrunway empress


Harry brantubiquitous scenester

Chelsea Gramlich - Berkeley College StudentFashion Marketing and Management, Class of 2013

“My goal is to be a fashion forecaster, so the program at Berkeley is perfect for me. Professors have firsthand knowledge of what’s going on in the industry and give us lots of one-on-one attention. They’re very helpful; they truly want us to be successful. Our education continues outside of the classroom, too — participating in events like Fashion Week, clubs, internships, job opportunities, and more. I’m making connections and getting a great education!”

Ready, Willing, and

Marketable

For more information,

call 800-446-5400, ext. BFN

BerkeleyCollege.edu • [email protected]

Locations in New York, New Jersey, and Online

Berkeley College reserves the right to add, discontinue, or modify its programs and policies at any time. Modifications subsequent to the original publication of this information may not be reflected here. For the most up-to-date information, please visit

BerkeleyCollege.edu. For more information about Berkeley College graduation rates, the median debt of students who completed programs, and other important disclosures, please visit BerkeleyCollege.edu/disclosures.

Why are Berkeley College interns and graduates so well prepared?

• Students learn current practices and the latest technologies from accomplished faculty, many of whom are working professionals with market experience

• Advisory Boards help ensure relevant program and course content, based on marketplace needs

• Internships or job-related assignments are required in all programs, providing students with valuable, practical experience

P2458.1.2013

Find out why so many students depend on Berkeley College tohelp prepare for career success!

Daily Front row_10,75x13,5_Colonne jaune.indd 1 05/02/13 16:45

Documents

The Daily Front Row