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1) 2) 3) 4) Ø Ø Ø Ø Ø Ø TEMPLE ARCHITECTURE IN SOUTH INDIA: 4 styles developed Dravidian Vesara Nayaka Vijayanagara In pallava school, temple architecture developed PALLAVAS: Mamallapuram cave temples - panchapandava, varaha Descent of ganga and arjuna's penance Pancha pandava raths and 2 pidari raths - Narasimhavarman II Shore temple at mamallapuram and kailasanath temple at kanchi - structural temples Kailasanth temple - barrel vaulted pyramidal tower Pallava school of temple architecture emerged in 4 stages STAGE I - MAHENDRA GROUP Ø Rock cut architecture Ø Word mandapa is used instead of temple STAGE II - NARASIMHA GROUP Ø Decoration in rock cut caves Ø Mandapa became rathas Ø Biggest rath - Dharmaraja rath Ø Smallest - draupadi rath Ø Dravidian style - dharmaraj rath was a precursor STAGE III - RAJASIMHA GROUP Ø Development of real structural temples Ø Shore temple and kailasanath temple STAGE IV - NANDIVARMAN GROUP Ø Development of small temples Ø Dravidian style continued INDIAN ART AND CULTURE FOR CIVIL SERVICES EXAMINATION

Temple Architecture in South India

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  • 1) 2) 3) 4)

    TEMPLE ARCHITECTURE IN SOUTH INDIA: 4 styles developed Dravidian

    Vesara Nayaka Vijayanagara In pallava school, temple architecture developed

    PALLAVAS: Mamallapuram cave temples - panchapandava, varaha Descent of ganga and arjuna's penance Pancha pandava raths and 2 pidari raths - Narasimhavarman II

    Shore temple at mamallapuram and kailasanath temple at kanchi - structural temples Kailasanth temple - barrel vaulted pyramidal tower

    Pallava school of temple architecture emerged in 4 stages

    STAGE I - MAHENDRA GROUP

    Rock cut architecture Word mandapa is used instead of temple

    STAGE II - NARASIMHA GROUP

    Decoration in rock cut caves Mandapa became rathas Biggest rath - Dharmaraja rath Smallest - draupadi rath Dravidian style - dharmaraj rath was a precursor

    STAGE III - RAJASIMHA GROUP

    Development of real structural temples Shore temple and kailasanath temple

    STAGE IV - NANDIVARMAN GROUP

    Development of small temples Dravidian style continued

    Vijayanagar:

    Ceylon:

    INDIAN ART AND

    CULTURE FOR

    CIVIL SERVICES

    EXAMINATION

  • 1)

    2) 3) 4)

    DRAVIDIAN STYLE: Oldest style of architecture

    4 parts - differ according to ages in which they are executed Principal part - temple > vimana - square in plan & pyramidal proof - image of god is placed Mandapas - covers and precede the door leading to the cell Gate - pyramids, gopurams > principal features in quadrangular enclosures Pillared halls or chaultris - various purposes Dravida style of temples are founded more in southern India. Here the shikara reduces in size along certain steps and not in a curve Ex: Brihadeswara temple at tanjore - RAJARAJA I, Gangaikonda cholapuram -

    RAJENDRA, SON OF RAJARAJA I Shikara is a crowning element at the top of the temple - octagonal cupola - equal to

    "AMALAK" & "KALASH" of nagara style Dravidian - only one vimana, crucified ground plan, uprised platform Dravidian style started during pallavas but flourished during the rule of cholas

    FUNCTIONS OF TEMPLES: Religious Administrative centre Controlling vast areas of land in terms of revenue collection Centre of education Various sources of revenues of temples - donation and revenue collection

    CHOLAS: Vijayalaya - choleswara temple at Narttamalai > earliest chola temple Brihadeswara temple - great pyramidal tower (vimana) crowned by dome (kalasa) set the style for dravidian shikhara Rajendra I introduced the mahamandapa before the ardhamandapa in the Brihadeswara temple at Gangaikondacholapuram

    VESARA STYLE/ CHALUKYA STYLE/ KARNATAKA STYLE Features of both Nagara and Dravidian style 2 principal components - vimana and mandapa > joined by Antarala Dont have covered ambulatory around sanctum Pillars, door frames and ceilings are carved Ex: dodda basappa temple at dambal Lad khan temple at aihole and temples at badami Developed in mid 17th century

    NAYAKA STYLE Best ex - meenakshi temple at madurai Meenaksi was the daughter of a pandyan king who married Sundereswara (Siva) All the features of dravidian style are present Additional feature - prakarns Prakarn - huge corridors along with roofed ambulatory passage ways Interior carvings are seen - temple walls Tank was added Constructed with initiative of Tirumalai Mid 17th century

    VIJAYANAGARA STYLE: Some variations from Dravidian style in temple architecture

  • 1) Gopuram now enlarged 2) High enclosure walls 3) More decoration 4) Sculpture of motif of supernatural horse

    God's chief wife AMMAN was provided with a separate shrine Kalyana mandapam - god and goddesses married Mandapa - 1000 pillared hall Decorative motifs like prancing horses, leoglyphs and

    monsteres were added.

    These additions can be seen at vittalswami temple at hampi Secular structures - vijayanagar throne room gateways in

    rajasthan and entrances to wells in gujarat

    Concept of secular buildings was introduced by vijayanagar empire. Ex: lotus mahal