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UvA Faculty of Science, University of Amsterdam Eva Pel, Art For Data Center Workers, 2016 (see 6) Gerrit Rietveld Academy Students, CSNP, Cognitive and Systems Neuroscience Project, 2016 In collaboration with Carien Lansink and Guido Meijers (SILS, UvA) A project of eighteen Basicyear students of the Gerrit Rietveld Academie in collaboration with the Cognitive and Systems Neuroscience Department SILS - University of Amsterdam. Under guidance of Sonja Bäumel and Curdin Tones. Lansink and Meijer’s research looks into visual cognition. Doina Kraal – Particle Hunt, 2016 Angelo Vermeulen & Joenoes Natar – [sb]iLD, 2015 – ongoing Aluminium prints Inspired by research of Peter Schall (IoP, UvA) and Wim Noorduin (AMOLF) [sb]iLD is a hard sciencefiction project that aims to explore the ethical repercussions of man-made artificial intelligence interacting with extra-terrestrial life. The project proposes new concepts for interstellar life detection, inspired by na- notechnology, metamaterials research, distributed comput- ing and swarm behaviour. Maura Biava Spira Mirabilis of Bernoulli & Lame’ curve M=4, 2013 Rose of Grandi a=3,b=2 & Epitrochoid of Durer, 2013 Zero #06, 2016 Prints and ceramic installation “I see the act of making in direct relation to my work. It can be seen as a wish to involve a performative aspect. There might only remain an image after an action. The work has an affinity with science and mathematics, which I employ as a language to inform and create forms as well as to analyse them.” Gwenneth Boelens – The very thing we don’t know is always trying to expand, 2016 Digitized 16mm films, 11 and 14 minutes In collaboration with Erik Verlinde (IoP, UvA) One of the most remarkable aspects in the study on “dark matter phenomena” as practiced by the protagonist of this film, theoretical physicist Erik Verlinde, is the sheer invisibility of its subject matter, and the role ofimagination in coming to a scientifically sound equation. By layering speech, notation, movement and sound, this film taps into this process in an oblique manner. Maura Biava Porphyrin green, 2016 Organometallic red, 2016 Organic yellow, 2016 Porphyrin orange, 2016 Solar pigments and graphite on glass. Frans Reek – Solar Paintings, 2016 Solar pigments and graphite on glass Research in progress in collaboration with Simon Mathew and Joost Reek (HIMS, UvA) Doina Kraal – Particle Hunt, 2016 Doina Kraal – Particle Hunt, 2016 Han Schuil – HEAT XII, 2013 Alkyd and lacquer on aluminium. Domnitch & Gelfand – Implosion Chamber, 2014 Accompanied by a text from Erik Verlinde (IoP, UvA) (see ) 9 Current images are results of [sb]iLD’s ongoing artistic research, and are used as preparatory studies in the creation of techno-specific narratives. Daniela de Paulis – A Sign in Space, 2016 Wooden light- boxes Imagery by Rudy Wijnands (API, UvA), credits: NASA/Swift How do we internalize the knowledge made of scientific data based on the study of the electromagnetic spectrum and converted into sound and images? The lightboxes show the centre of our galaxy, and how this is captured over time by NASA’s Swift satellite. While visualising the inner core of our galaxy estimated to be over 25.000 lightyears away, the images are simultaneously a documentation of the degradation of satellite parts, dam- aged by space debris, cosmic rays and time, resulting in a dialogue between medium and mediated that both express the passing of time. Tarja Szaraniec – No Title, 2016 Mixed media on paper/in tableInspired by research imagery of Harry Seijmonsbergen (IBED, UvA) Based on color-codes that were used in geomorpho- log- ical maps which very specifically say something about an area, the work explores the relationship between our spatial awareness and the layers of meaning that a landscape interconnects. Where geomorphology includes erosion and time, mathe- matics and astrophysics bring about new concepts of space. This engenders questions about how a landscape can be suggested as a drawing. 2 8 9 5 6 7 10 18 17 15 16 11 12 13 14 Opening hours: Starting point and audio tour pick up: Cafe Polder mon-fri 10am-7pm / sat-sun 12pm-5pm NWO area walk mon-fri 10am-7pm / sat-sun 12pm-5pm AMOLF and Nikhef mon-fri 10am-5pm UvA mon-fri 10am-7pm / sat-sun 12pm-5pm Contact Find us on www.newrealism.org and www.facebook.com/newrealismamsterdam. For more information and questions you can contact us directly at [email protected]. With the generous support of: Printed and sponsored by 8 9 5 10 11 12 13 14 15 16 17 18 6 7 8 10 11 12 13 14 15 16 Bicyclestand Entrance Main Entrance UvA Ground Floor UvA First Floor

Tarja Szaraniec 12 - New Realismnewrealism.org/cms/wp-content/uploads/2016/02/newrealism_map_9-4-2.pdfIn collaboration with Erik Verlinde (IoP, UvA) One of the most remarkable aspects

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Page 1: Tarja Szaraniec 12 - New Realismnewrealism.org/cms/wp-content/uploads/2016/02/newrealism_map_9-4-2.pdfIn collaboration with Erik Verlinde (IoP, UvA) One of the most remarkable aspects

UvA Faculty of Science, University of Amsterdam Eva Pel, Art For Data Center Workers, 2016 (see 6) Gerrit Rietveld Academy Students, CSNP, Cognitive and Systems Neuroscience Project, 2016 In collaboration with Carien Lansink and Guido Meijers (SILS, UvA)A project of eighteen Basicyear students of the Gerrit Rietveld Academie in collaboration with the Cognitive and Systems Neuroscience Department SILS - University of Amsterdam. Under guidance of Sonja Bäumel and Curdin Tones. Lansink and Meijer’s research looks into visual cognition.

Doina Kraal – Particle Hunt, 2016

Angelo Vermeulen & Joenoes Natar – [sb]iLD, 2015 – ongoingAluminium printsInspired by research of Peter Schall (IoP, UvA) and Wim Noorduin (AMOLF)[sb]iLD is a hard sciencefiction project that aims to explore the ethical repercussions of man-made artificial intelligence interacting with extra-terrestrial life. The project proposes new concepts for interstellar life detection, inspired by na-notechnology, metamaterials research, distributed comput-ing and swarm behaviour.

Maura BiavaSpira Mirabilis of Bernoulli & Lame’ curve M=4, 2013Rose of Grandi a=3,b=2 & Epitrochoid of Durer, 2013Zero #06, 2016

Prints and ceramic installation “I see the act of making in direct relation to my work. It can be seen as a wish to involve a performative aspect. There might only remain an image after an action. The work has an affinity with science and mathematics, which I employ as a language to inform and create forms as well as to analyse them.”

Gwenneth Boelens – The very thing we don’t know is always trying to expand, 2016Digitized 16mm films, 11 and 14 minutesIn collaboration with Erik Verlinde (IoP, UvA) One of the most remarkable aspects in the study on “dark matter phenomena” as practiced by the protagonist of this film, theoretical physicist Erik Verlinde, is the sheer invisibility of its subject matter, and the role ofimagination in coming to a scientifically sound equation. By layering speech, notation, movement and sound, this film taps into this process in an oblique manner.

Maura BiavaPorphyrin green, 2016 Organometallic red, 2016 Organic yellow, 2016 Porphyrin orange, 2016 Solar pigments and graphite on glass.

Frans Reek – Solar Paintings, 2016Solar pigments and graphite on glassResearch in progress in collaboration with Simon Mathew and Joost Reek (HIMS, UvA)

Doina Kraal – Particle Hunt, 2016

Doina Kraal – Particle Hunt, 2016

Han Schuil – HEAT XII, 2013 Alkyd and lacquer on aluminium.

Domnitch & Gelfand – Implosion Chamber, 2014Accompanied by a text from Erik Verlinde (IoP, UvA) (see )

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Current images are results of [sb]iLD’s ongoing artistic research, and are used as preparatory studies in the creation of techno-specific narratives.Daniela de Paulis – A Sign in Space, 2016 Wooden light-boxesImagery by Rudy Wijnands (API, UvA), credits: NASA/SwiftHow do we internalize the knowledge made of scientific data based on the study of the electromagnetic spectrum and converted into sound and images? The lightboxes show the centre of our galaxy, and how this is captured over time by NASA’s Swift satellite. While visualising the inner core of our galaxy estimated to be over 25.000 lightyears away, the images are simultaneously a documentation of the degradation of satellite parts, dam-aged by space debris, cosmic rays and time, resulting in a dialogue between medium and mediated that both express the passing of time.

Tarja Szaraniec – No Title, 2016Mixed media on paper/in tableInspired by research imagery of Harry Seijmonsbergen (IBED, UvA)Based on color-codes that were used in geomorpho- log-ical maps which very specifically say something about an area, the work explores the relationship between our spatial awareness and the layers of meaning that a landscape interconnects. Where geomorphology includes erosion and time, mathe- matics and astrophysics bring about new concepts of space. This engenders questions about how a landscape can be suggested as a drawing.

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Opening hours:Starting point and audio tour pick up: Cafe Polder mon-fri 10am-7pm / sat-sun 12pm-5pm

NWO area walk mon-fri 10am-7pm / sat-sun 12pm-5pm AMOLF and Nikhef mon-fri 10am-5pm UvA mon-fri 10am-7pm / sat-sun 12pm-5pm Contact Find us on www.newrealism.org and www.facebook.com/newrealismamsterdam. For more information and questions you can contact us directly at [email protected].

With the generous support of:

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Page 2: Tarja Szaraniec 12 - New Realismnewrealism.org/cms/wp-content/uploads/2016/02/newrealism_map_9-4-2.pdfIn collaboration with Erik Verlinde (IoP, UvA) One of the most remarkable aspects

POMPHUISJE

Lotte Geeven - The Sky Museum, 2016 4K video, 35 minutesBased on research by John van Boxel (IBED, UvA) and inspired by research imagery from the Anton Pannekoek Institute (UvA)One slow meditative camera movement captures museumlike rooms in which different states of the atmosphere are taking shape. Static snowlike structures, and swirling complex patterns transform into floors, while a multitude of elements from the sky, such as snowflakes, insects, seeds and gasses, slowly pass by.

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You can pick up a mp3 player and headphones at Polder, or scan this QRcode to listen directlyto the audiotour with your smartphone on Soundcloud. The audiotour starts with number on the map.

For the audiotour follow the pink route.The yellow route indicated on the map will guide you through the entire exhibition incuding the audiotour.

POLDERYou can pick up a mp3 player and headphones at Polder, or scan this QRcode to listen directly to the audiotour with your smartphone on Soundcloud. The audiotour starts with number on the map.

If you want to visit the NWO area during the weekend, please register at Polder.

Doina Kraal – Particle Hunt, 2016 Multimedia audio-tour

In collaboration with Marcel Merk (Nikhef/CERN).Particle Hunt explores the way we can speak about the subatomic world. Investigating the questions that arise from CERN’s beauty experiment, it explores the mystery of the matter and antimatter asymmetry and the possibility of exist-ence. The audiotour leads past several locations spread out over the Science Park. From Nikhef to the old particle accelerator and the university, it includes music fragments, questions and stories as well as sculptures, (photographic) images and other objects. It points to the ongoing search of elementary particles in all its aspects.Special thanks to Stan Bentvelsen, Niels Tuning, Patrick Werneke and Jelle van der Werff (Nikhef/CERN).

AMOLF Categories are changing. Sound becomes light, meteorite becomes a pair of glasses, a molecule becomes a sea. Former boundaries between categories, between life and object, between matter and process are blurring. How can we understand this transient territory today? What are the implications of the changes in how we think about matter, what it is and what it can be. New systems of thought give space to new stories.

Domnitch & Gelfand – Implosion Chamber, 2014 Video documentation of installation, 5:27 minutes High fre-quency sound waves propagate through a water-filled cyl-inder, prompting naturally diffused air bubbles to implode. While tracing the motion imparted by sound waves, these implosions are accompanied by shock waves, jet formations, temperatures as high as are found on the Sun, and conjec-turally quantum tunnelling. A white laser illuminates the bubbles, transforming them into shimmering lenses. Accompanied by a text from Pieter Rein ten Wolde (Amolf)

Doina Kraal – Particle Hunt, 2016

Sema Bekirovic – Space Piece, 2013

Voebe de Gruyter – The Cable Theory: Offices seen by means of string theory, 2004. Book

Anne Geene – Anne Geene’s Kleine Wateralmanak: van zee tot molecuul, 2014 Book

Kyra Hurkmans – Genesis 3.0, 2014Book

NIKHEF Invisible realities define our world. Datastreams structure society just as the subatomic world forms the environment. Invisible, yet constructing the visible. Incredible yet knowable through incredible ways. New sci-entific territories resist traditional visual modes and narrative structures giving rise to an aesthetics of new methods of exploration.

Doina Kraal – Particle Hunt, 2016

Eva Pel – Art For Data Center Workers, 2016Video, 10:12 minutes The Amsterdam Internet Exchange, the AMS-IX, is partly housed at the Nikhef and is the most important and biggest internet node in the world. It is the physical location where networks come together to inter-connect and directly exchange traffic, although there is no obligation to do so. AMS-IX, a nonprofit platform, started in 1994 as SURFnet, a university network. The Internet is a network of networks, based on a set of rules; the Internet Protocol (IP). It is community-based, and does not belong to anyone. Filmed on location at Nikhef, National Institute for Subatomic Physics, Amsterdam.

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New Realism: The Gaze of ScienceNew Realism: The Gaze of Science brings artists and scientists together to experiment with a way of seeing that goes beyond the limits of our imagination. By visualising a world that lies beyond optical laws, scientific imagery creates a radical new visual language - a post-lens perspective - and challenges us to imagine the unimaginable.New Realism conflates scientific and artistic research in an experiment that delves into topics such as dark matter, symmetry, metamaterials, and the building blocks of life.

With work by: Semâ Bekirovic, Maura Biava, Gwenneth Boelens, Domnitch & Gelfand, Anne Geene, Lotte Geeven, Gerrit Rietveld Academy students, Voebe de Gruyter, Kyra Hurkmans, Doina Kraal, Daniela de Paulis, Eva Pel, Han Schuil, Tarja Szaraniec, and Angelo Vermeulen & Joenoes Natar in collaboration with scientists from AMOLF, Nikhef and the University of Amsterdam.

Participating Scientists: Renée van Amerongen & Anders Aufderhorst-Roberts & Tanneke den Blaauwen & Petra Bleeker & Mick Boekhoff & Jan de Boer & Willem Bouten & John van Boxel & Fred Brouwer & Carsten Dominik & Arjen van Doorn & Leo Dorst & David Dubbeldam & Joachim Goedhart & Mark Golden & Michel Haring & Jason Hessels & Erik van Heumen & Michiel van der Klis & Gijsje Koenderink & Ruud Korver & Carien Lansink & Frank Linde & Sera Markoff & Simon Mathew & Guido Meijer & Marcel Merk & Selma de Mink & Bela Mulder & Wim Noorduin &

Joost Reek & Arthur la Rooij & Peter Schall & Harry Seijmonsbergen & Maike Stam & Aneta Stodolna & Christa Testerink & Niels Tuning & Erik Verlinde & Pernette Verschure & Bart Vos & Ivo van Vulpen & Max Welling & Hans Westerhoff & Ralph Wijers & Rudy Wijnands & René Williams & Pieter Rein ten Wolde & Viktoria Wollrab & Sander Woutersen & Ning Yan & Jeroen van Zon

Public ProgrammeSPUI25 lecture, in collaboration with the University of Amsterdam April 5, 2016 17:00-18:30

Perception and Imagination Lab – About the scientific visual language and the future of our imagination.Gravitational waves, Higgs particles, quantum behaviour, nanophotonics, the genome; our imagination cannot visualise the current scientific knowledge. How can a future complex dynamic perspective take shape? The Perception and Imagination Lab looks at the biggest and smallest things, and how the new scientific perspective influences our imagination and worldview. During the lecture an astrophysical, philosophical, artistic, and psychological perspective experiment with the limits of our imagination. With: Doina Kraal, Marthe Zeevenhooven, Sera Markoff, and Martijn van Calmthout. Sign up for the lecture on the website of SPUI25, www.spui25.nl

Film screening at the Royal Netherlands Academy of Arts and Sciences (KNAW) in Fall 2016. The exact date and time will be announced on www.newrealism.org and Facebook.

Open during weekdays and weekends Open during weekdays only Parking Restaurant

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