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    Douglas Niedt's

    GUITAR TECHNIQUE

    TIP OF THE MONTH

    Yes,it's"Doug'sDirtyLittleSecrets"

    (DougsubtitledhisTechTipas"Doug'sDirtyLittleSecrets"afterreading

    someone'spostedmessageonaguitarwebforum.Thewriterassertedthat

    professionalvirtuosoguitaristsallhadsecretstheykepttothemselvesand

    wouldn'ttellanyoneelse,sonoonewouldplayaswellasthem!)

    SIGNUPFORTHEGUITARTECHNIQUETIPOFTHEMONTH

    The "Guitar Technique Tip of the Month" is available in newsletter form, which can be

    emailed to you every month. FREE, no muss no fuss. No more checking to see if the new

    tip is out each month. It is VERY convenient. Sign Up For Douglas Niedt's Guitar Technique Tip of

    the Month

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    Tambor

    By

    Douglas

    Niedt

    CopyrightDouglasNiedt,AllRightsReserved.Thisarticlemaybereprinted,butpleasebe

    considerateandgivecredittoDouglasNiedt.

    You are on DouglasNiedt.com

    The

    tambor

    (Spanish)

    or

    tambour

    (French)

    or

    tambora

    (Afro

    Caribbean?)

    is

    an

    effect

    used

    in

    classical

    andflamencoguitarplayingtoimitatethesoundofatuneddrum.(Thetamboraisactuallyapercussion

    instrumentwithalowrangethatmakesalowdeepsoundyoucouldthinkofitasabassdrum.)Some

    writerslikentheusageofthetamboreffectinsomepiecestothesoundofthetimpani. Itcanbe

    notatedinseveralways.

    NotethatthewordsTambor,Tambora,TambourortheabbreviationsT,Tam,andTamb(andprobably

    others)maybeused.Thewordorabbreviationcanbefollowedbyeitherasolidordashedbracket:

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    Initsmostbasicfunctionsolelyasadrumeffect,itisusuallyproducedbyrapidlyrotatingtheforearm,

    wrist,andhandasoneunit,thumpingthestringswiththesideoftherighthandthumb,parallelwith

    andclosetothebridge.Itisimportanttorotatetheforearmtoexecutethemovement.Donotliftthe

    armofftheguitar.Donotusetheupperarmtomakedownwardverticalhitsorkaratechopsofthe

    handonto

    the

    strings.

    That

    produces

    extreme

    tension

    in

    the

    arm

    and

    hand,

    wreaking

    havoc

    with

    whateverfollowsthetamborpassage.Suchexcessivetensionalsomakestheexecutionofthetambor

    itselfmuchmoredifficultthanitshouldbe.

    Youhavetowatchthis.

    Thetonequalityofthetamborcanbealteredquitedramaticallywithtwobasicadjustments.Thethumb

    position

    can

    be

    changed

    from

    parallel

    with

    the

    bridge

    to

    an

    angled

    position.

    We

    can

    also

    choose

    to

    use

    eithermoreofthehardbonypartsofthethumborthefleshiersofterpartstohitthebridgeandstrings.

    Theseadjustmentsenabletheplayertoproducemoreorless"wood"andvaryingdegreesofpercussive

    attackinthesound.

    You are on DouglasNiedt.com

    Also,keepingthethumbclosetothebridgeproducesthemostdrumlikesound.Asthehandismoved

    awayfromthebridgeandclosertothesoundhole,thesoundofthedeepdrumdecreasesandthesound

    ofthestringsbecomesmoredominant.

    WatchasIdemonstratethesevariations.

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    Keepingthethumbclosetothebridgealsopresentstheopportunitytomixthetamboreffectwith

    percussivehitsonvariouspartsofthesoundboardusingtheotherfingers.Theeffectcanbegreatly

    variedbywhatthelefthandholds(ormutes)astherighthandexecutesthepercussion.

    Checkthisout.

    Hereishowtheseeffectscouldbenotated:(Composersandarrangers/copyistspleasenoteitisan

    excellentideatoprovideadiagramindicatingwhereontheguitarpercussivehitsaretobemade.Such

    effectscanbeverydifficulttodescribeinwords.)

    Thisphotoshowswhereeachfingeristohittheguitar:

    You are on DouglasNiedt.com

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    Notationforsametypeofeffectbutholdingchordsonlefthand:

    You are on DouglasNiedt.com

    Insteadofusingthethumb,thetamborcanalsobeexecutedbyhittingthestringswithanyoftheother

    fingersoreventheedge(side)ofthepalmbelowthelittlefinger.Forthatmatteryoucouldalsousethe

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    faceofsomeorallthefingerstogetherasoneunit.Youcanproduceveryfasttamborhitsordrumroll

    effectsbyalternatingtwoindividualfingers(usually"im").

    WatchasIdemonstratesomecommontechniques.

    Playing

    a

    Melody

    with

    a

    Simultaneous

    Tambor

    Acommonlycalledforeffectinguitarmusicistoplayamelody,chordalaccompaniment,andtamborall

    atthesametime.Thisisdonebyfingeringthemelody(usuallyonthefirstandsecondstrings)and

    chordalaccompanimentwiththelefthandandsimultaneouslyexecutingthetamborwiththeright

    handthumb.

    But

    there

    is

    a

    key

    difference

    in

    execution

    that

    sets

    this

    effect

    apart

    from

    other

    tambor

    effects.

    The

    melodyhastobebroughtouttosoundmarkedlylouderthantheaccompanimentanddrumeffect.To

    dothis,thethumbandarmarekeptrotatedmuchmoretotheleftsothethumbisalmostupsidedown

    inrelationtothetopofthesoundboard.

    You are on DouglasNiedt.com

    Tothumpthestringswiththethumb,theplayerstillmovesthehandbyrotatingtheforearm.Butnow,

    thebackofthethumbnailstrikesandbouncesoffthetreblestringwhichresultsinaccentuatingthe

    melody.Atthesametime,therearofthethumbhitsthestringsclosetothebridgeorthebridgeitself

    toproducethetamborandtoresonatethestringsoftheheldchord.

    Thisisfun.Watch.

    Herearesomenotationalexamplesofitsuse:

    FromGranJotadeConciertobyFranciscoTarrega:

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    Thetamborisaverycolorfultechnique.Asyoucansee,itcanbeexecutedinavarietyofways

    dependingonthedemandsofthemusicandthesounddesiredbytheperformer.

    You are on DouglasNiedt.com

    SIGNUPFORTHEGUITARTECHNIQUETIPOFTHEMONTH

    The "Guitar Technique Tip of the Month" is available in newsletter form, which can be

    emailed to you every month. FREE, no muss no fuss. No more checking to see if the new tipis out each month. It is VERY convenient. Sign Up For Douglas Niedt's Guitar Technique Tip of the

    Month.We promise you will NOT be sent anything else. This is just the Tech Tip.

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    BESURETOVISITDOUG'S"SECRETVAULT"

    Doug'sDirtyLittleSecrets.

    It contains ALL of Doug's Previous

    Guitar Technique Tips of the Month