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Susan Meiselas

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An overview of documentary photographer Susan Meiselas' work. All images © Susan Meiselas / Magnum Photos. For educational use only.

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Page 1: Susan Meiselas
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"The camera is an excuse to be someplace you otherwise don't belong. It gives me both a point of connection

and a point of separation.” - Susan Meiselas

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The recognition of this world is not the invention of it. I wanted to present an account of the girl show that portrayed what I saw and revealed how the people involved felt about what they were doing.

… If the viewer is appalled by what follows, that reaction is not so different from the alienation of those who participate in the shows.

-Excerpts from the introduction by Susan Meiselas published in her first book, Carnival Strippers, July 1976

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Carnival Strippers

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Susan Meiselas1974USA. Barton, Vermont. 1974. Lena in the motel.

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Susan Meiselas1975USA. Fryeburg, Maine. 1975. Between shows.

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Susan Meiselas1975USA. Carlisle, Pennsylvania. 1975. Backstage.

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Susan Meiselas1974USA. Tunbridge, Vermont. 1974. Afternoon tease.

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Susan Meiselas1974USA. Tunbridge, Vermont. 1974. Gawker.

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Susan Meiselas, 1973USA. Woodstock, Vermont. 1973. Teen Dream.

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Susan Meiselas 1974USA. Barton, Vermont. 1974. Shortie on the Bally.

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The Prince Street Girls

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I was the stranger who didn't belong. Little Italy was mostly for Italians then. The girls were from small Italian-American families and they were almost all related.

Sometimes they would reluctantly introduce me to their parents if we met in the market or the pizza parlor, but I was never invited into any of their homes. I was their secret friend, and my loft became a kind of hideaway when they dared to cross the street which their parents had forbidden. I

started photographing them in the spring of 1975…

'The Prince Street Girls' began as a series of incidental encounters; I would photograph them when I could. At the beginning I was making

pictures for them. They'd see me coming and yell, 'Take a picture! Take a picture!' By 1978, they were changing, and I wanted to capture them

growing up.

-Susan Meiselas, excerpt from artist’s statement, Magnum Photos

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Susan MeiselasUSA. New York CIty. 1978. Pebbles, JoJo and Carol on the A train.

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Susan MeiselasUSA. New York CIty. 1978. Little Italy. Ro and Pina in front of their home on Mott Street.

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Susan MeiselasUSA. New York City. 1976. Little Italy. Carol, JoJo and Lisa hanging out on Mott Street.

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Susan MeiselasUSA. NYC. 1976. Little Italy. Dee and Lisa fight on Prince Street.

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Susan MeiselasUSA. New York City. 1976. Little Italy. Dee and Lisa on Mott Street.

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Susan MeiselasUSA. NYC. 1976. Little Italy. Ro, JoJo, Dee and Lisa leaving St. Patrick's School.

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Susan MeiselasUSA. New York City. 1976. Little Italy. Carol, Pina and Lisa.

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Susan MeiselasUSA. NYC. 1975. Little Italy. "The Prince St. Girls".

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Susan MeiselasUSA. New York CIty. 1978. Little Italy. Tina with Julia on Mott Street.

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“I think photography has a huge potential to expand a circle of knowledge. There’s a reality that we are all the more linked globally and we have to know about each other. Photography gives us that opportunity.”

-Susan Meiselas

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Overseas Documentary Work

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Nicaragua

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Car of a Somoza informer burning in Managua, 1978. © Susan Meiselas/Magnum Photos

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A funeral procession for assassinated student leaders. Demonstrators carry a photograph of Arlen Siu, an FSLN guerrilla fighter killed in the mountains three years earlier, Jinotepe. © Susan Meiselas/Magnum Photos

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Wall graffiti on Somoza supporters house burned in Monimbo, asking "Where is Norma Gonzales? The dictatorship must answer," Monimbo, 1978. © Susan Meiselas/Magnum Photos

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Children rescued from a house destroyed by 1,000-pound bomb dropped in Managua.They died shortly after, 1979. © Susan Meiselas/Magnum Photos

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Kurdistan

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Families return to the ruins of their homes after the Iraqi army forced them to leave in 1989, Qala Diza, Liberated Kurdistan, 1991. © Susan Meiselas/Magnum Photos

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Dr. Clyde Snow, internationally known forensic anthropologist, holds the blindfolded skull of an executed male teenager estimated to be between 15-18 years old. The skull was found with two bullet holes in his head, Kurdistan, December 1991. © Susan Meiselas/Magnum Photos

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Widow studying mass gravesite found in Koreme, Kurdistan, June 1992. © Susan Meiselas/Magnum Photos

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Photographs of 20-year-old Kamaran Abdullah Saber are held by his family at Saiwan Hill cemetery. He was killed in July 1991 during a student demonstration against Saddam Hussein, Kurdistan, 1991. © Susan Meiselas/Magnum Photos

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All images © Susan Meiselas/ Magnum Photos