15
Style & Voice adapted from Voice Lessons, Dean, 2000 • We are beginning a series focusing on the following areas: – diction, – detail, – imagery, – syntax, – and tone.

Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Embed Size (px)

Citation preview

Page 1: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Style & Voiceadapted from Voice Lessons, Dean, 2000

• We are beginning a series focusing on the following areas: – diction, – detail, – imagery, – syntax, – and tone.

Page 2: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Diction Defined• Diction refers to the author's choice of

words.

• Words are the writer's basic tools: – they create the color and texture of the

written work; – they both reflect and determine the level

of formality; – they shape the reader's perceptions.

Page 3: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Diction, Continued• Diction reflects the writer's vision and steers

the reader's thought.• To understand a writer’s voice, readers must

both "hear" the words and "feel" their effects. • This is why, in studying serious literature, you

should rarely skip words they do not know.

Page 4: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Shaping Voice with Diction• Effective voice is shaped by words that

are clear, concrete, and exact.

• Good writers avoid words like "pretty," "nice," and "bad."

• Instead they utilize words that invoke a specific effect.

Page 5: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Specific Diction• Specific diction brings the reader into

the scene, enabling full participation in the writer's world.– A coat isn't "torn"; it is "tattered." – The United States Army does not "want"

revenge; it is "thirsting" for revenge. – A door does not "shut"; it "thuds."

Page 6: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Topic• Diction depends on topic, purpose,

and occasion. • The topic often determines the

specificity and sophistication of diction. – Articles on computers are filled with

specialized language: e-mail, e-shopping, web, interface. Many topics generate special vocabularies as a nexus to meaning.

Page 7: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Purpose• The writer's purpose - whether to convince,

entertain, amuse, inform, or plead - partly determines diction.

• Words chosen to impart a particular effect on the reader reflect and sustain the writer's purpose. – For example, if an author's purpose is to inform,

the reader should expect straightforward diction. – On the other hand, if the author's purpose is to

entertain, the reader will likely encounter words used in ironic, playful, or unexpected ways.

Page 8: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Audience• Diction also depends on the intended

audience. As with clothes (what you wear), level of formality influences appropriate choices.

Page 9: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Types of Diction• Formal Diction is largely reserved for

scholarly writing and serious prose or poetry, and business writing, and essays.

• Informal Diction is the norm in newspaper editorials, works of fiction, and friendly writings.

• Colloquial Diction and slang borrow from informal speech and are typically used to create a mood or capture a particular historic or regional dialect, found in song lyrics.

Page 10: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Formal Diction• Language that creates an elevated tone

(proper) • Free of slang, idioms (expressions familiar with its own

language: a penny saved is a penny earned), colloquialisms (informal spoken words: wanna, aint, y’all)

• It is more sophisticated, elegant vocabulary • For example: Discerning the impracticable state of the poor

culprit's mind, the elder clergyman, who had carefully prepared himself for the occasion, addressed to the multitude a discourse on sin, in all its branches, but with continual reference to the ignominious letter.

Page 11: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Informal Diction• Language of everyday use• Relaxed and conversational• Often includes common and simple words• Jargon, slang, idioms, colloquial

*Keep in mind some language doesn’t fall in either formal or informal, so it is neutral diction (simple vocabulary-standard English-no slang, idioms, colloquial)-The majority of writing

Page 12: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Types of Informal Diction• Neutral Diction: Every day vocabulary: The shark

swung over and the old man saw his eye was not alive and then he swung over once again, wrapping himself in two loops of the rope. The old man knew that he was dead but the shark would not accept it.

• Slang refers to a group of recently coined words often used in informal situations. Slang words often come and go quickly, passing in and out of usage within months or years. “that's bad” “you just got dissed” (today we can add text language)

Page 13: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

More types Informal Diction• Colloquial expressions are nonstandard, often regional, ways

of using language appropriate to informal or conversational speech and writing. The characteristic "ayah" of the Maine resident or the southern word "y'all" are examples of colloquialisms.

• Jargon consists of words and expressions characteristic of a particular trade, profession, or pursuit. Some examples of nautical (sailor) jargon from "cuddy," "taffrail," "mizzen," and "binnacle." –Think of pirate talk

• Idiom is a form of speech or expression of a given language that is peculiar; it's meaning is other than the literal meaning of the words that comprise the idiom: bad egg, back burner, in a pickle, in hot water, no-brainer.........

Page 14: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Connotation vs. Denotation• When studying diction, you must understand

both connotation (the meaning suggested by the word) and denotation (literal meaning).

• A word's power to produce a strong reaction in the reader lies mainly in its connotative meaning.

• When a writer calls a character "slender," the word evokes a different feeling from calling the character "gaunt."

Page 15: Style & Voice adapted from Voice Lessons, Dean, 2000 We are beginning a series focusing on the following areas: –diction, –detail, –imagery, –syntax, –and

Freshness & Originality• Finally, diction can impart freshness and

originality to writing.

• Words used in surprising or unusual ways make us rethink what is known and re-examine meaning.