Index:

imagine “indoor worlds”

curriculum vitae

selected projects

working experience

travel sketchbooks

contacts

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2017

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imagine "indoor worlds“

"The deepest originality of architecture is perhaps the internal mass. Giving a definite shape to this hollow space, it really creates its own universe. Without any doubt external volumes and their profiles introduce a new and human element in the horizon of natural forms. [...] But, on reflection, the most wonderful thing is that somehow has conceived and created a universe of space. Man walks and acts outside of all things: he is perpetually outside and to penetrate beyond the surface, he need to break it. The unique privilege of architecture among all the arts is not to assume a void and surrounding it with guarantees, but to build an indoor world that fits the space and the light at the laws of geometry, of mechanics and optics that are included in the natural order, but on which the nature hasn’t got any taking. "(Henri Focillon Vie des formes, Paris 1934).

In this zibaldone, imagery exercises of "inner worlds" at different scales, from urban scale to the architectural one, even to the object."Internal Worlds", indoor a building or outdoor in the urban fabric, but always "hollow spaces" to build an "inside" full of opportunities. In the firm belief that to build means to coagulate some void in a space that can accommodate activities and establish relationships with other areas of the city, understanding the characteristics of the wide entity that Aldo Rossi called locus.

A fascinating "inner world" of the Far East.A hypostyle hall of great beauty, a true triumph of the Chinese refined tectonic by Ming Dynasty (1424 approx)

Beijing, Chang Ling, the tomb of the third Ming Emperor, Yongle.Sketch of the Palace of Heavenly Favors’ interior.Beijing, 05.07.2012.

S T E F A N O D I D A N I E L

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Curriculum vitae

WORK EXPERIENCE

January 2014 Collaboration

ABDA architects Botticini-De Appolonia associated architects, BresciaFinal design and working plans of a school in Villafranca di Verona.Planning of a swimming complex in Germany – international competition.Planning of a residential building in Milan-competition.Planning of a school in Germany- international competition.Design of the trainstation square in Darfo Boario terme, BS,Planning of a swimming complex in Durres, Albania.

September 2013-January 2014Collaboration

DESARCH architetti associati, Architects Antonio Santarossa and Donata Manzon, PordenonePlanning of a public facility in Fontanafredda (PN). Interior design projects, making of 3d models.

August 2013Collaboration

EAA Emre Arolat Architects, Istanbul.Interior design of the “standard room” of the new St. Regis hotel in Maçka, Istanbul.

June-August 2013Collaboration

SB TASARIM VE MİMARLIK. Architect Sema Ekincioglu, Kadikoy, Istanbul.Interior design of the Konya new airport’s vip lounge. Ankara Palas, interior design of the head office of the Turkish Foreign Affairs Ministry in Ankara.Interior design of a textile showroom in Merter district, Istanbul. Interior design of various flats.

January – June 2013Collaboration

DESARCH architetti associati, Architects Antonio Santarossa and Donata Manzon, PordenoneFinal design and working plans of an office building in Pordenone. First prize in a competition for therestauration of an XIX century kervansaray in Sheki, Azerbaijan. Various interior design projects.

June-August 2011Internship-collaboration

Cendron studio, VeniceParticipation to an international competition: “Casa de retiro en Avila”.

January – March 2009Internship

Sergio Pascolo Architects, VeniceParticipation to an international competition. Planning of an urban settlement in Mestre.

EDUCATION

30-7-2012

“Esame di Stato”, qualifying exam to the exercise of the architectural professionIUAV University, Venice5

29-3-2012

Master Degree in Architecture and Urbanism with distinction(laurea magistrale)IUAV University, Venice

Mark: 110/110 cum laudeThesis: Val Vajont – architecture and infrastructure in the recomposition of the landscapeTutor: prof. Roberto SordinaSecond tutor: prof.ssa Sabina Lenoci

2011

Laboratorio metropolitano in São PauloIUAV University, Venice; FAU-USP University, São PauloUrban restoration of an unresolved area between two infrastructure beamsTeachers: Marcos Acayaba; Aldo Aymonino; Angelo Bucci; Enrico Fontanari; Francisco SpadoniExpositions at IUAV in Venice and at Palazzo Pamphilj, the Brazilian embassy in Rome

2010

Study trip to ParisIUAV University, VeniceSurvey on public spaces and urban parks in the French capital from the nineteenth-century interventions to the experiments in course of work. Participation to a lecture held by the landscape architect Jacqueline Osty at the Arsenal Pavilion.Accompanying teachers : Stefano Munarin, Maria Chiara Tosi

1-10-2009

Bachelor’s degree in Architectural sciences(laurea triennale)IUAV University, VeniceMark: 108/110

2009

WorkshopIUAV University, VenicePlanning of a public facility in the hystoric urban fabric of the Giudecca’s islandTeachers: prof. Quintus Miller, prof.ssa Paola Maranta

Study trip in PortugalIUAV University, VeniceParticipation to a lecture held by the architects Joao Luìs Carrilho da Graca and Manuel Aires Mateus.Accompanying teacher : Marina Montuori

2008

WorkshopIUAV University, VenicePlanning of a mosque in VeniceTeachers: prof. Arman Akdogan, prof. Felix Madrazo (IND Inter.National.Design)

2007

WorkshopIUAV University, VenicePlanning of a public facility in Campo S.ta Margherita, VeniceTeacher: Ricardo Porro

2006

Violin diplomaConservatorio statale di musica A. Steffani, Castelfranco Veneto (TV)

Mark: 9,50/10Teacher: M° Michele Lot

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Selected projects

House for a concierge

Protected voids to observewithout being observed

Competition -individual project-

Protected voids to observe without being observedThe topic of this competition has been the design of a house (80 mq)for the concierge of Belpoggio-Baciocchi villa (XVII-XIX century), in thevilla’s historical garden, near Bologna.How to design a house for a concierge located in a so relevant site?The site, a slope among the trees and nearby the villa, suggested toimagine a small wooden volume on a concrete basement, a new soil ina panoramic position. And the profession of the concierge suggestedthe necessity to have both domestic protected spaces and look outpoints.For these reasons the house is made by spaces with different levels ofintimacy, starting from the entrance in the upper part of the site, wherethe sitting room and the kitchen have many openings, and ending withthe more protected bedrooms. The system that graduates the level ofopening and closing is a “furniture wall” made by insulated plywoodX-lam panels that describe a series of niches equipped with cupboards.The heart of the house is a small space, a study room that looks ontothe double high sitting room and allows to have a complete visibilityboth of the garden and the villa and also to look into the distance up tothe center of the city.The layout of the house and the articulation of the volume evokeremarkable features of the XVII century villa in Bologna’s area, like villaAlbergati (Zola Predosa) and Villa Sorra (Gaggio di Piano) and villaBelpoggio Baciocchi, of course.

House for a concierge

Villa BelpoggioBaciocchi

Project site

visual relationships-ground floor(up) and study room(down)-

Genius loci

Villa Albergati

Villa Sorra

Concept schemes

Wood and white concrete: materials to create relationships with the villa and the trees

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A’

BB

’

Section AA’

Groud floor plan

Exploded axonometry

Concrete basement

Cupboard walls withwooden coverings

Plywood X-lam panels

Plywood X-lam beams

Plywood X-lam panels

Wooden roof coveringStudy room

Warehouse

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The wooden furniture wall:

1. massive plywood X-lam panel (thikness 8cm)2. niche to stiffen the plywood X-lam panel3. cupboard into the niche4. roof structure, plywood X-lam beams and plywood panels5. Insulation and wooden coverings both for the walls and the roof.

Views of the double high sitting room

1 2 3 4 5

Section BB’11

The study room: a nest to observe without being observed.12

Wall covering in wood boards

Concrete floor and floor heating

Massive plywood X-lam panel 8cm (3-2-3cm) thick

Wooden cupboard

Covering in wood boards overfolded metal sheets

Insulation in wooden wool,10cm thick

Lamp with led strip, Viabizzuno type

Protective waterproofing, insulation in wooden wool, 10cm thickand vapourproof layer;Plywood X-lam panel 8 cm (3+2+3cm) thick

Concrete wall

Vapourproof layer, thermal insulation and protective waterproof layer

Glass door

Wooden window

Plywood X-lam panel 12cm (4+4+4cm) thick

Photovoltaic panels

Protective waterproofing, thermal insulation and vapourproofing

Constructive section

Energy concept

cooling

heating

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Clusters of voids

A “library-flat” inKadiköy, Istanbul

-individual project-

living room

kitchenwc

wc

bedroom

Clusters of voids

A library-flat in Kadiköy, Istanbul

The aim of this interior design project is the transformation of a flat in the asian side of Istanbul in a “library-flat”. Actually the owner is a university professor who has a lot of books and the necessity to have a private study room.The flat (1) has a bad layout with a long corridor that turns around the living room; that means a lot of lost spaces and a lack of equipped spaces.

The typical layout of the ottoman house with a central room, called divanhane, that gives access to the others, gave me an important suggestion. This feature is particularly clear in the Topkapı Valide Sultan apartment (2,3), in which the divanhane is the heart of the flat and gives access at the more intimate side, with the bedroom and the prayer room; near the door of the bedroom, an internal window enforce the visual relationship between these spaces.

And so I decided to put the study room behind the living room, taking the opportunity to enter from the living, opening a new door and closing the door towards the corridor (4). In this way it is possible to enlarge the single bedroom, recovering a large part of the lost spaces of the long corridor.Then I used wooden containers to give shape and equip the spaces; shelves and cupboards become a new equipped layer of the wall (5), that also contains new serving spaces (6 light red). Between the entrance and the living room a thickening of this layer produces an in-between space that distributes and, at the same time, separates three clusters of spaces (7): the entrance (equipped with a wardrobe) with the kitchen and the toilet, the living with the study room, and the bedroom quarter with the main bathroom.

The living is articulated as a sequence of very different spaces of which the study room is the summit (8); this room and the living are completely covered with shelves like a library, and to enforce the visual relationship between these two rooms a small cut in the wall multiplies the views from the study room, the hearth of this system of spaces.

bedroom

bedroom

living room

kitchenwc

wc

study

room

bedroom

bedroom

divanhane

bed

1- plan of the status quo 2- Topkapı, harem, Valide Sultan Daıresı3- Valide Sultan Daıresı, served (dark red) and

serving (light red) spaces 4-demolitions (yellow) and new constructions (red)

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5- new layer of wooden containers 6- served (dark red) and serving spaces 7- three clusters of voids

A- in-between space

B-living room

C- study room

8- the spatial sequence of the “living cluster”: wooden containers.

entrance and

services

bedrooms

living

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Ostensory

CompetitionDeisign 2012San Michele Foundation, Cuneo

with Paolo Allegro

liturgical consultant:monsignor Antonio Marangoni

The ostensory object as a revelation of the sacrifice of the Word made man.

The object consists of two elements: an olive wood container and a glass theca. The container evokes the body of the Christ-man.

A chest in the torture of sacrifice twists and rips revealing and, at the same time, protecting its intimate essence, the host, as if suspended in translucent and intangible glass theca to suggest the divine nature of the Holy Spirit incarnated in the Body of Christ.

The Theca is made by two entirely glass shells that slide from one inside to the other. In this way, the host seems to float, suspended in a vacuum container-chest and illuminated by the light that falls from above.

Then, the theca, wedge-shaped, is inserted into the cavity of the container-body, which is a hollow dug body. The theme of the excavation, the void, seems the most appropriate form to evoke the sacrifice.

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The body asa container:

Canopo, greybucchero,VII century b. C. Chiusi.

A’

Section AA’

The body:a chest in the torture of sacrifice twists and rips

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The morphology of this container-body has also suggested the use of wooden boards(2.5 cm thick) shaped and layered to suggest a layering of meat and ribs from strongiconic value and easy to make. The chosen essence is olive wood, because of itssymbolic power and the implicit evocation of one of the central moments of thePassion of Christ.

Master thesis:

Vajont valley – Architecture and infrastructure in the recomposition of the landscape

-individual project-

Mark: 110/110 cum laude

Tutor: Roberto Sordina

Second tutor: Sabina Lenoci

Claut

Cimolais

Andreis

Barcis

Erto

Casso

Montereale

Valcellina

Cellino

Vajont valley before the disaster21

The Valcellina-Val Vajont spatial continuum

Mount Toc’s landslide

Vajont valleya “landscape as infrastructure”

Vajont valley is located at the end of an interesting system of voids, (as you can see on the right) overall called Valcellina, and it is configured as a large hollow space outdoors, at the end of a tight chain of valleys.

It 's a narrow, deep and harsh valley, sparing of natural resources, but once crossed by a dense network of paths. An organic infrastructural system made life possible in a place so rough and bumpy, turning it into a unitary organism accessible in all its parts, a "landscape as infrastructure” (W. Spirn; K. Poole) ante litteram.

The Vajont disaster in 1963 shocked the topography of the valley, occluding a half of with the Monte Toc’s landslide (look at the picture on the right) and dissolved the infrastructural system. The result is a torn and split landscape.

Vajont valley after the disaster

ancient paths

Casso

Erto

Casso

Erto

A new “landscape as infrastructure”

The project aims to compose a new and comprehensive infrastructure system capable of: -connect the various elements of the valley landscape; -order the complex body that is the landscape; -reveal and facilitate the reading of the different materials of the landscape.

1-Ruins of San Martino church. XIII sec. 2-Viewpoint. 3-Memorial for the victims (Gresleri-Varnier) 4-Erto social condenser. A path building to recompose the public space of the two urban cores. 5-Public vegetable gardens. 6-Le Spesse viewpoint, view of Erto’s lake. 7-Discesaall'imboccatura della galleria di sorpasso. 8-Interchanging parking: bikes, bus stop Pordenone-Belluno line, paths for Casso, petrol station and public wc. 9-Front of the landslide. 10-Equipped space at a low level. 11-Propylaea gateway to Climbing: toilets pavilion, climb to the Longarone’sviewpoint. 12-Parking facilities and viewpoint. 13-Depression climbing –Big- 14-Casso path building. "Grepions“ hut and information office Friuli Dolomites Nature Park, pivot between the gym and the dam. 15-Parking area and lookout on the dam. 16-Protected access to the top of thedam. 17- Vajont’s dam.

1- San Martino2- Erto

3- Casso and the Climbing-Dam system

4- Mount Toc landslide

5- South side villages

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route 251

pedestrian and cycling ring

path system

Erto

Casso

The five macro-areasIdentification and theming of five macro-areas (1-San Martino, 2-Erto, 3-Casso, 4-Mount Toc, 5-South side villages) characterized by different topics and issues: Erto and Cassomacro-areas are the cornerstones of the process of recomposition of the valley landscape and the project deepens them.The infrastructure at the large scale:Transformation of the route 251 in a system of public spaces and public facilities, a new gateway to the valley and threshold switching among the paths.The dual circuit of paths:Establishment of a double circuit of paths, divided into a pedestrian and suitable for cycling ring in the south side and a path system crossing the north side, and connected by the route, to the new systems of public spaces in the Erto and Casso macro-areas.

The five macro-areas

The infrastructure at the large scale: a system of public spaces and facilities

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Erto’s macro-area:The old village in ruins, and the new settlement, built after the 1963 disaster, are deeply separated from the route 251, that is an infrastructure which divides, instead of connecting. The target of the project is the recomposition of the public space of the two urban cores by a public facility: a "social condenser" located astride the route, which is the area of the new public spaces. This building becomes the point of connection between the route and the dual circuit of paths, thereby restoring the close relationship between the village and the valley landscape.

Public paths

Routes

old village new settlement

Public green spaces and urban vegetable gardensSite plan. Note the central position and the bending of the building project, as determined by the performance of contour lines.

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Social condenser

route 251

Buildings

Social condenser

The building bends along the contour lines describing a new topography that allows to get off from the new settlement back to the old core.

Public buildings

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At the end of the new settlement and just at the beginning of the old core there is an empty and unsolved area, which is a slope between the main street of the new settlement and the route 251.The building, public and open to the free use, is located in this area and becomes integral part of the new network of paths because it is shaped as a path-building , a concatenation of "hollow spaces" at different heights, crossed by a ramp, an inclined plane that allows you to get off from the new settlement (right side in the photo) back to the old core (left side).

Concept at the urban scale:

•a strong border (a) constructs a limit for the new settlement, like a mountain (1 Raut mountain at the entrance of Valcellina valley) and the row houses of the Erto’s old core (2;3);•a solid basement (b) constructs a new topography that allows to get off from the new settlement to the old one like the basements of the row houses in the old settlement (4, 5).

1 2 3 4 5

a

b

1

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East elevation and upper level plan1-entrance and “winter square” (upper level) equipped with seats 2-stairs, access to the conference room, 3-niche-living-stage for shows; 4-main stairs and elevator, 5-tavern-bar on two levels with toilet and smoking-room, 6-tobacconist, newsagent; 7-bookshop; 8- exhibition area, small street trading museum 9-light wells equipped with niches-showcases; 10-niche-lounge; 11- niches-showcases; 12 - auditorium for

outdoor shows.

Section AA’ and mezzanine plan.

1-gallery beneath the ramp system; 2-rooms for local association; 3-library: reading room, upper level. 4-library: entrance to books deposit; 5-library: books deposit, the "books caskets“.

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The sequence of interconnected voids, which articulates both in plan and in section the complex volume, (2) makes the building an "indoor world" suitable to become a laboratory of sociality and a place of social convergence, in other words, a "social condenser "(A. Pasternak). Outside of the building, a solid basement supports the new soil, allowing you to come down to the share of the old village (3).A series of transverse ramps (4) complete the lowering movement, hiding an auditorium and leaning over the route, without interruption in the stone surface of the paving, which turns the dull ribbon of asphalt into a less specialized "square“.

1 plan of theupper level

“Space diagrams”

2 longitudinalsection

3 longitudinalsection on thebasement

4 crosssection ontheauditorium

ba

1

2

2

2

3

4

5

The planimetric articulation (1) evokes the spatial continuum of Valcellina and the morphology of the urban fabric of the old village, collecting the complexity of the type of the row house, parallel to the contour lines, and giving the interior the spatial quality of the urban spaces. Actually in both these systems the space flows seamlessly, now contracting, now expanding and this is an important feature of this place that we could call “genius loci“.

A A’ 0 4 8 16 32

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In these photos the long row houses of the Erto’s old core and the volume-paths, where space flows seamlessly, now contracting, now expanding, along the paths, the morphogenetic elements of the urban settlement. Seats enrich these spaces and sudden holes in the row houses show the valley landscape.

1-entrances from the lower square; 2-gallery below the ramp system, 3-niche-wardrobe equipped with cupboards and chairs, 4-covered square-foyer, lower level; 5- stairs to the mezzanine rooms, 6 -niche-lounge; 7-library: entrance and borrow books, 8-library: staircase to deposit books and toilets; 9-library: reading room, lower level with positions for consulting catalogs; 10-auditorium with 120 seats, backstage and toilet; 11-toilets; 12-lower square, green pool with pre-existing walnut tree; 13-fountain; 14-stop shelter of the bus line Pordenone-Belluno; 15-parking niches, carved out below the slope: 10 seats and the emergency exit of the auditorium; 16- the last ramps beyond the road.

Lower level plan.

1

1

2

3

4

5

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6

7

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910

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The entrance hollow space is a “winter square”, covered and furnished with seats. A series of serving spaces with a tavern-bar, a newsagent, a tobacconist and a bookshop, is contained in the simulated thickness of the wall of the room, two walls more or less side by side, the external one in lightweight concrete and covered with the local red marble, and the inner one completely wooden.

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The building’s volume suggests the complex structure of the indoor world of hollow spaces: above the entrance a conference room, and then the upper level of the “winter square”.An exhibition space follows. It’s equipped with niches-showcases and bordered by two light wells, hollow spaces which light up the mezzanine and lower level.At the lower level, a second-covered square foyer below the rooms on the mezzanine and the library books deposit.

0 1 42 8

BB’

28View of the second-covered square foyer at the lower level.View of the exhibition space.

CC

’

DD

’

Section CC‘

The lower level is accessible from the lower square which is bounded by the auditorium and the library transverse bodies.

Section DD‘0 2 4 8 16

29View of the library.View of the second-covered square foyer at the lower level.

At the lower level, a second-covered square foyer below the rooms on the mezzanine and the library books deposit.

Section EE‘

The lower level is accessible from the lower square which is bounded by the auditorium and the library transverse bodies.The auditorium is hidden beneath the ramps.

Materials

1. Concrete with expanded clay (liapor and liaver)2. Local red marble from Buscada quarry3. Spruce pine

Roof : stone slabs on a steel structure over the timber main structure covered by a corrugated metal sheet.

Concrete wall with expanded clay, high insulation properties (λ 0,12-0,8 w/mk).Covering in stone slabs (local red marble).

Wooden covering: spruce pine

30View of the square at the level of the road 251.View of the auditorium beneath the ramps.

1

3

2

45

6

7

To the pedestrian and cycling row

To the path-system

The new system of interconnected spaces

1-Propylaea gateway to Climbing: toilets pavilion, climb to the Longarone’sviewpoint; 2- parking facilities; 3-depression climbing-Big; 4-Path-building. "Grepions hut” and information office Friuli Dolomites Nature Park, pivot between the gym and the dam; 5-parking area and lookout on the dam; 6-protected access to the top of the dam; 7-Vajont’s Dam.

Climbing

Vajont’s Dam

Section AA’

Casso’s macro-area:

In the western portion of the valley, the road unfolds far from the urban core of Casso, but laps two attraction poles of large flows, the climbing gym and the Vajont dam and the edge of the landslide. Even in this case, failed the dense network of paths, the route has become a disruptive margin.

The target of the project is to build an organic network of paths , the only effective binder of a new system of spaces and publ ic facilities suited to serve the two poles .The pivot of this system is, once again, a path-building , a hut focused on the pedestrian way that leads from the climbing wall to the dam.

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B B’

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The hut is set up as a series of wooden pavilions fell in the forest that borders the route 251 and linked together by a system of ramps and terracings through which the path flows seamlessly.

The pavilions, such an open courtyard to better accommodate the existing firs, house the rooms with the toilets (1), a restaurant (2) and the Friulan Dolomites Natural Park’s information centre, equipped with public toilets (3). Trees among the trees, these little wooden pavilions are covered with plates of copper and evoke the vertical thrust of the trees by the articulation of the roofs.

The night pavilion

The longitudinal body houses the toilets, the

two transverse arms house a room with five

beds each.

The room is preceded by a vestibule equipped with

shelving useful to put the backpacks.

2

1

3

the upper level.

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Interior views of the night pavilion:

the vestibule and the room.

Working experiences

School complex in Vaterstetten,Germany

a landscape of voids for teachingand learning

international competition

ABDA associated architectsarchitect Camillo Botticini

and the collaboration of LucaScardulla and Neringa Mataciunaite

Located in the suburbs of Munchen, Vaterstettenis a town surrounded by forests and fields that describe an interesting landscape of voids that wedge into the urban settlements.The school, located in-between the urban settlement and this system of voids, gathers this feature and try to construct a landscape of voids for teaching and learning.Two main courtyards articulate the school in three parts: primary school, secondary school and, in the middle, secretary and common facilities with, around the entrance courtyard, a gym and a swimming pool.The classrooms , in groups of four, are located around a double height void, that works as a light collector and a climate regulator.

A landscape of voids for teaching and learning

Site plan

Ground floor

First floor

Basement

Music school

Swimming pool

GymSecondary school

Swimming pool

Primary school

Hall

Covered courtyard

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Ground floor

First floor

The “learning landscape”: a cluster of four classroom around a space for common activities and a double height void.

Photo of the model, view from north-west

Photo of the model, view from south-east

Double height void Wc and

changing room

Space for common activities

ClassroomSpecial classroom

A’A

Section AA’37

B’ B

Section BB’

Constructing section on the double height void and the classrooms

View of the primary school corridor

View of the common space between the two double height voids

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Insulation: rockwool, 16 cm

Wall covering: folded metal sheet

External curtain

Window type "Schuco" aws102, 100 cm x 100 cm

Concrete wall, 30 cm

Wall covering in birch plywood

Cupboard in plywood

Curtain wall type “Schuco swg65”, with openings for indoor

ventilation

Concrete slab, 36 cm

Glass top on metallic panelledceiling

Window for indoor ventilation

Concrete slab, 36 cm

Covering in folded metal sheetpanels “metecno” type

Primary school Villafranca, (VR)Italy

ABDA associated architectsarchitect Giulia de Appolonia

Working plans and constructionprocess

Primary school in Villafranca VR

Since the last year I have beenhaving the opportunity to make theworking plans and monitor theconstruction process of this school .The project transforms an existingbuilding demolishing the olderportion, restoring the recent one andconstucting a new building with themain entrance hall, a refectory, agym and five classrooms.

Matter of fact

Project

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View of the entrance

Photos of the constructing site

Ground floor First floor

41

Transversal section

Longitudinal section

Study skecht of the covering of the classroomscorridor

Photos of the constructing site

View of the entrance double high hall

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Travel sketchbooks

Istanbul, June-August 2013

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45

Istanbul, June-August 2013 Bursa, July 2013

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Istanbul, June-August 2013 47

China, July 2012

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Roma, October 2013

Mantova, December, 2013

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contatcts:

Stefano Di Daniel

Via Andrea Mantegna n.2

33084 Cordenons (PORDENONE) ITALY

mob. +39 335 6388173

tel. +39 0434 40301

mail: stefanodidaniel@gmail.com

Pordenone, Corso Vittorio Emanuele.

The volume-road, a fascinating "innerworld" outdoor

A long "linear square" arcade, the living room of the town.

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