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ISSUE 145 JANUARY/FEBRUARY 2018 SPACES AND PLACES SOLANGE KNOWLES

SOLANGE KNOWLES · 145_MOODBOARD.indd 48 1/12/18 5:54 PM MOOD BOARD 49 08 “CAPTAIN’S MIRROR, BDDW “This space needed something round, curvy, and made of leather—another different

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Page 1: SOLANGE KNOWLES · 145_MOODBOARD.indd 48 1/12/18 5:54 PM MOOD BOARD 49 08 “CAPTAIN’S MIRROR, BDDW “This space needed something round, curvy, and made of leather—another different

ISSUE

145 JA

NU

AR

Y/F

EB

RU

AR

Y 2018

SPAC

ES A

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PL

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SOLANGE KNOWLES

Page 2: SOLANGE KNOWLES · 145_MOODBOARD.indd 48 1/12/18 5:54 PM MOOD BOARD 49 08 “CAPTAIN’S MIRROR, BDDW “This space needed something round, curvy, and made of leather—another different

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At 33, Ryan Korban creates interiors that convey Generation Y’s vision of luxury. His forthcoming projects—like NoHo’s 40 Bleeker, opening early this year—epitomize the cool, informal feel of his work for high-profile clients including Alexander Wang and Kanye West. He’s long been into put-ting on a show: Korban originally moved to New York to pursue acting, but fell in love with set design instead. We asked the Philadelphia native to design a room around Studio 65’s 1970 Bocca sofa. Korban’s refer-ences, from a George Condo painting to sumptuous materials, showcase his knack for balancing timeless sophistication with a contemporary more-is-more ethos.

Interior designer Ryan Korban designs a room around the iconic Bocca sofa using his seductive, anything-goes approach.

AS TOLD TO TIFFANY JOW

01 BOCCA SOFA, GUFRAM

“I’ve always loved this sofa. It’s all about

the silhouette. And I liked the challenge

of finding a way to tone this piece down,

and create a space that feels edited,

rather than eccentric. I don’t ever want to

be too intelligent, too serious, or

too about one period in my work. I find

that exhausting.”

02 “PILAZZO PITTI, SALA BIANCA, FIRENZE”

(2008), MASSIMO LISTRI

“I’m in love with Massimo’s photography.

He prints his images very large, so

they literally take over a space.

Even though it’s such a different

style from the sofa, it creates an

underlying playful, romantic vibe.”

03 MARIA PERGAY (PICTURED WITH PIERRE

CARDIN, IN 1977)

“This entire room reminds me of the work

she made, in which art and sculpture were

blended with furniture. She was really

ahead of her time.”

04 ROCK CRYSTAL QUARTZ SIDE TABLES,

JEAN PATRICK GUILBERT

“I thought these could be gathered next

to the sofa. They would work with it since

they’re more a piece of sculpture than a

traditional end table.”

05 CARROUSEL CANDLESTICKS, L’OBJET

“I wanted to have something to go

alongside the Georg Jensen bowl,

which felt kind of lonely, so I added these.

They’re simple and understated.”

06 KARAKORUM IVORY FABRIC, DEDAR

“This bouclé wool is the complete opposite

of the sofa’s shocking red hue. I don’t use

this color much, but I like the idea of adding

texture to this room. It’s a way of making it

more abstract.”

07 CLARIDGE’S HOTEL

“This London hotel was designed by Basil

Ionides, who’s one of my favorites, and

Oswald Milne. It’s a bit art deco, a period

of architecture I find so inspiring.”

03

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145_MOODBOARD.indd 48 1/12/18 5:54 PM

MOOD BOARD

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08 “CAPTAIN’S MIRROR, BDDW

“This space needed something round,

curvy, and made of leather—another

different material. Here’s a fitting solution.”

09 “THE DISCARDED HUMAN” (2013),

GEORGE CONDO

“George Condo is my favorite artist, and

this piece adds a new component to this

space. I love the weird dichotomy of mixing

the worlds of fantasy and romance—it

doesn’t always have to be pretty.”

10 BLOCK TRIPLE WALL SCONCE,

EDITION MODERN

“These feel right because they’re so

angular and totally different in tone. The

shades are made of alabaster, adding to

the texture that’s already in the room.”

11 BOWL 1068, GEORG JENSEN

“I don’t like the idea of ‘decorating,’ even

though that’s what I do. This room is really

true to the way I work: it feels personalized

rather than decorated. I imagined that its

owner had been collecting these art

objects over time, and was finally putting

them all together. This bowl, designed by

Henning Koppel in 1958, has the same spirit

as the sofa, but it’s from a totally different

time period.”

12 FLOOR LAMP, LASZLO KATONA

“This sixties wrought-iron floor lamp feels

very twenties—like, glam. I wanted a lighting

fixture without a lampshade for this room.

The sofa is so much, so it needs something

sculptural that is an object unto its self.”

13 CHAUFFEUSE OSSELET, ERIC

SCHMITT STUDIO

“I love that this is made of bronze and

has a hand-crafted feel. Eric’s work is

amazing. To create a real seating area here,

you need a piece that’s petite, with low

proportions.”

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