Managing Artistic Director Caleb MarshallDirector of Education & Programming Heather Burns

So if you’ve got to go, you’ve got to go through me!

music & lyrics by Mark Hollmannbook & lyrics by Greg Kotis

Managing Artistic Director Caleb MarshallInterim Director of Education Alana Hibbert

URINETOWNURINETOWN

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CONTACT USDerrold Norgaard, FCPA derrold@nkpg.caGrant Kratofil, CPA grant@nkpg.ca 202-4400 Chatterton Way T: 250-598-6998Victoria, BC V8X 5J2 F: 778-265-6155

Since March of 2020, we have all had to forge a way forward. Our work changed overnight, and we could look back at our own naivete in the ‘before time’ with a longing nostalgia. Perhaps once in a generation there is an event that so deeply impacts the very nature of life on this planet that it becomes their defining moment.

As a society we have had to forge a way forward. As educators we have had to forge a way forward, as education is essential to our future. As live performers, we are working to forge a way forward in an industry that was the first to close and will be the last to fully return; and yet ‘live performance’ is so crucial and necessary to expressing our very soul and the struggles we confront.

Our season theme is not rebuilding or reshaping our world. That sounds too easy. It is also not simply “time to start over” or “the dawn of something new”, as if it’s all happening whether we choose to participate or not. No, it’s forging a way forward, because it is hard work. It’s as hard as bending metal and will put the full strength of our human endurance to the test.

The choices we make now, how we choose to stay safe and yet forge ahead, will define us for decades. Our choices will determine if the next generation is prepared to lead when their time comes. They need education, art and expression, and we need stories told that both inspire and motivate, while reflecting our reality and choices back to us.

This season takes us from familiar isolation and frustration to disobedience, the emergence of free-will and self-determination, and ultimately, for all our characters – and all of us.... the need to adapt.

We look forward to exploring these themes with you this year. In-person or from a distance, the power of storytelling is not diminished.

Caleb MarshallManaging Artistic Director

From the College Directors

From the College DirectorsWelcome to our productions of Urinetown. We are so pleased and proud to be sharing these productions with you as we come to the end of a truly unique school year. As a recent arrival to the college with deep roots at CCPA, I have had the unique pleasure of joining this exceptional company at the mid-point of their project to “forge a way forward.” What a privilege it is to be collaborating live and in-person in the theatre, and to witness the countless new ways our students have found of learning, working and creating in this challenging, ever-shifting environment!

The capacity to adapt, to pivot in the moment towards something new, is a foundational lesson in theatre education. Thank you for your continued support and interest in the important stories that our students have invested such time, energy and passion in telling, and for adapting and pivoting in the moment right alongside us.

Alana HibbertInterim Director of Education

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This year, choosing our year-end musical was a more complicated undertaking than ever before, to ensure we could properly complete our students’ training during a global pandemic. We always carefully consider a number of factors when choosing show content: how well suited is the age-appropriateness, demographic, and distribution of roles for our student body? As theatre has the dual purpose of both entertaining and reflecting the world back to itself, can we also choose work that has thematic resonance and is timely for the world we are living in? Following a year where everyone on the planet was concerned for our future, Urinetown offers us a much-needed release, with humour, inspiring music, and jabs at corporate power, government mismanagement, global sustainability, and of course the musical genre itself. From an educational and entertainment point of view, the variety of musical styles in the show allow the students to explore many genres; gospel, jazz, Kurt Weill, and glitzy show tunes. There are a number of musical theatre nods to search for as you watch.

Being set in a somewhat dystopian future, Urinetown also gave us the opportunity to incorporate COVID-19 protections. Masks, barriers and a long socially-distanced lineup to the bathroom fit seamlessly into the world of the play. To reduce numbers, ensure student safety, and provide the best learning experience possible, we also made the decision to produce two separate, distinct productions of the show. Both productions are exciting, energetic, funny, and poignant, and offer their own unique flavour as the students discovered their own take on the characters.

This expanded process required an expanded team, many of whom had, of course, lost the majority of their employment in the last year. The College was proud to offer the opportunity to create again in a supportive learning environment, and is immensely grateful to our design, stage management, and production teams, our live orchestra of professional musicians, and, of course, our students, who embraced the uniqueness of this journey with an open heart, enthusiasm, energy, dedication, and a deep commitment to prevail.

-Urinetown Creative Team

Note: The last line of the play is a shout of “Hail Malthus!”. Thomas Robert Malthus was a 19th-century political economist who believed “that the increase of population is necessarily limited by the means of subsistence.” Urinetown strikes the perfect balance between being uproariously silly while at the same time being dark and profound.

From the Urinetown Directors

Toronto-based (but Victoria-raised), Naomi has performed leads in theatres across Canada from Sally Bowles in Cabaret (Segal Centre), Janet in Drowsy Chaperone (MTC, Theatre Calgary), to Roxie in Chicago (Neptune Theatre), and 7 seasons at the Stratford Festival. Selected choreography credits include The Wedding Singer (St. Lawrence College), Sister Act (L.O.T.), The

Hobbit (The Capitol Theatre), as well as premieres of For Life (STC) and Michael Doherty and Caleb Marshall’s musical adaptation of A Christmas Carol (TNB / STC).

As a teacher, Naomi has been on faculty at Randolph Academy and Sheridan College. She has taught in dance studios across Southern Ontario for 20 years, and adjudicates dance competitions across Canada. Naomi holds her Advanced RAD Ballet and studied Solo Seal in the UK. She spent 3 summers in the Banff Centre ballet program and trained at Laine Theatre Arts in London, England.

Creative TeamNaomi Costaindirector (choreography & staging)

Michael Doherty is a Toronto-based composer, sound designer, music director and multi-instrumentalist. He is the composer and co-lyricist of two full-scale musicals: A Christmas Carol and For Life, as well as the composer and adapter for Brecht’s The Caucasian Chalk Circle, which has been performed many times throughout North America.

He is a multiple Theatre Nova Scotia Merritt Award nominee and winner. He was honoured with the musician’s achievement award at the East Coast Music Awards in 2008 and received the Playhouse Honours award from the Fredericton Playhouse in 2014.

Michael has been an artist in residence at both Theatre New Brunswick and the Sudbury Theatre Centre. As a teacher, Michael has taught at St. Thomas University, the University of New Brunswick, Dalhousie University, Mt. Alison University, and St. Lawrence College.

Michael Dohertydirector (music director)

Caleb Marshall is the Managing Artistic Director of the Canadian College of Performing Arts. He has produced over 80 theatre productions as the Artistic Executive Director of the Sudbury Theatre Centre and the Artistic Producer for Theatre New Brunswick. Internationally he served as Resident Director on a UK/European tour for Shakespeare’s Globe, and appeared

in productions by The Old Vic, The Imperial War Museum and the Edinburgh Fringe. Caleb spent four seasons in the Stratford Festival’s acting company and has premiered roles for the National Arts Centre, Canadian Stage, and the Blyth Festival. He has also played numerous principal roles in film and television. Caleb has maintained a life-long commitment to education and training. He holds a BFA Honours in Acting from York University, an MFA with Distinction in Theatre Directing from Middlesex University, London (UK). He has received the Christopher Plummer Fellowship Award, the Stratford Festival’s Eliot Haze Playwright Development Award, and was recognized by the New Brunswick Arts Board with an Excellence Award in the Arts.

Caleb Marshalldirector (design & staging) / livestream director

Creative Team

Jeff Poynter is a multi-instrumentalist who performs frequently with the touring indie-folk band West My Friend, with a Victoria collective of jazz manouche musicians, as a freelance musician, and as a music leader at Broadview United Church. He also maintains a private studio, where he teaches children and adults piano, accordion, saxophone, clarinet, and guitar. Jeff is a faculty member

at the Victoria Conservatory of Music and enjoys accompanying students and professionals alike. Recent shows include Sweeney Todd (Blue Bridge), Mamma Mia (Chemainus Theatre), Rocky Horror 2017/2018/2019 (Atomic Vaudeville), and Mary Poppins (GNS).

Jeff Poynterassociate director (associate music director)

A graduate of Canada’s National Ballet School, Amalia spent most of her decade-long performing career touring North America and Europe with the National Ballet of Canada in Toronto. She was the first member to be promoted directly from the corps to the rank of first soloist. Her repertoire encompassed solo roles in many of the great classic and contemporary

ballets. After a period freelancing in operas, modern dance, and jazz, Amalia and her husband moved to Vancouver Island to raise their four children. She adjudicates dance festivals, guest teaches, choreographs for dance and theatre, and continues to perform. She has produced her own show Momnipotence and Other Expressions of Motherhood. In addition to her position at the Canadian College of Performing Arts, Amalia teaches at Raino Dance and the Victoria Academy of Ballet.

Amalia Schelhornassociate director (associate choreographer)

Creative Team

R.J. is so excited and feels very honored just to be working, let alone working with so many amazing people. R.J. is the set & light design mentor and production manager at the Canadian College of Performing Arts. Favourite recent design credits include: God’s Lake (Castlereigh Theatre Project), The Penelopiad, Cabaret, Mary Poppins, Middletown, Working (CCPA), The Rocky Horror

Show, Matt and Ben (Atomic Vaudeville), Spring Awakening (Belfry), Mennonite Mafia, and Ski Bum: The Musical (Iron Mountain Theatre). R.J. is a founding member of both Gotta Getta Gimmick and Iron Mountain Theatre. R.J. would like to thank his partner Andrea Lemus for her constant support, encouragement and laughter through these crazy times, and also his family, who continue to provide so much support in this crazy career.

R.J. Petersproduction manager / set & light design / livestream director

Mark Hollmann received the Tony Award®, the National Broadway Theatre Award, and the Obie Award for his score to Urinetown the Musical, which had its start in the 1999 New York International Fringe Festival. It won Outer Critics Circle, Drama League, and Lucille Lortel Awards for best musical in addition to garnering 10 Tony Award® nominations. Other shows as composer/lyricist include Yeast Nation (2011 New York International Fringe Festival, Perseverance Theatre, American Theatre Company, and Ray of Light Theatre), Bigfoot and Other Lost Souls (Atlantic Stage and Perseverance Theatre), The Man in the White Suit (New York Stage and Film), The Girl, the Grouch, and the Goat (University Theatre, U. of Kansas), Alchemist the Musical

(Seattle Fringe Festival), Jack the Chipper (Greenview Arts Center, Chicago), Kabooooom! (University Theater, U. of Chicago), I Think I Can and Deal with It! (Berkshire Theatre Festival), and Fare for All (Mount Vernon Hotel Museum & Garden, NYC). Actor and/or co-writer for the Cardiff Giant Theater (Chicago) productions The Rack, Theater of Funny, The Mercy Ripper, LBJFKKK, Love Me, All Eight Die, and After Taste, the last of which he also directed. TV: songs for Disney Channel’s Johnny and the Sprites. He has served on the Tony Nominating Committee, serves on the Council of the Dramatists Guild of America, and is a member of ASCAP. He is also a member of Sure Foundation Lutheran Church in Woodside, Queens, where he serves as a part-time pianist. He and his wife Jilly live in Manhattan with their sons, Oliver and Tucker.

Mark Hollmann music & lyrics

Writers

Greg Kotis wrote the book and co-wrote the lyrics for Urinetown the Musical, for which he won two Tony Awards in 2002. His new play, Pig Farm, opened at The Roundabout Theatre in New York City and at The Old Globe Theatre in San Diego in 2006. Currently, he is developing two new musicals with Mark Hollmann: Yeast Nation (the triumph of life), an original story that tells the tale of the dawn of life on Earth, and The Man In The White Suit, a musical version of the 1951 Alec Guiness film. Other plays include Eat the Taste (at New York’s Barrow Street Theatre), Jobey and Katherine, Baron von Siebenburg Melts Through the Floorboards, and Give the People What They Want. Greg lives in Brooklyn with his wife Ayun, his daughter India, and his son Milo.

Greg Kotis book & lyrics

Hello to the Red and Green casts of the Canadian College of Performing Arts! A quick word to wish you and everyone both onstage and off a happy opening and a happier run of Urinetown! I’m rereading a book called “Sapiens” about the history of our species. One theory the author posits is that storytelling is our greatest superpower. Storytelling allows us to organize, coordinate, predict the future, heal as individuals, bond as a community, and generally make sense of the world around us (or at least try). Theater is probably one of the oldest forms of storytelling, it’s been around for thousands of years, and most likely will be around as long as there are people who want to tell and hear stories. So, whatever the future may hold for you, whether it’s in theater, the arts, or elsewhere, it’s good to know there are a few more storytellers joining the rest of us who still can’t quite make sense of the world. Thanks for lending your time and talent to this show, I hope all goes well, and break a leg!

-Greg Kotis

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The Canadian College of Performing Arts presents

Naomi CostainMichael Doherty

Caleb MarshallJeff Poynter

Amalia SchelhornR.J. Peters

Shannon CarmichaelPedro M. Siqueira

Eleanor KschischangJackie Adamthwaite

Kathryn Boyd & Victoria StoltingMarissa McClymont & Hannah Ockenden

Lukas C. SmithMiriam Dumitra

Marissa McClymontCarole Klemm

Emil MogensenAndrea Lemus & Kyra Reine

Tessa ThompsonJean Hart, Abby McCallum,

Yasmin Pena, & Brandon WongAlexa Ste. Marie

Shania Cabilao, Jaren Guerreiro, & Mimi HicksErin Ormond

director (choreography & staging) director (music director) director (design & staging) / livestream directorassociate director (associate music director) associate director (associate choreographer) production manager / set & light design / livestream directorcostume designprojection & video designproduction stage manager / production associatestage management mentordeputy stage managersassistant stage managerssound technicianqlab technicianhead of propshead scenic paintertechnical assistant / scenic painter / spotlight operatorscenic paintersspotlight operatorassistant directors

assistant choreographerdance captainsvoice & text coach

Urinetown is approximately 1 hour and 50 minutes in length, with a 15-minute intermission.

URINETOWNmusic & lyrics by Mark Hollmann

book & lyrics by Greg Kotis

Content Advisorysome mature content, a gunshot, screaming, and strobe lighting effects

Creative Team

Urinetown is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. mtishows.com

Urinetown was produced on Broadway in September, 2001 by the Araca Group and Dodger Theatricals in association with TheaterDreams, Inc., and Lauren Mitchell.

Tiffany Oud

Adrian Palek

Hailey Sabourin

Jean Hart

Brandon Wong

Evelyn Hawes

Brayden Lord

Rain Mahendra

Michaela McLean

MadelineJane

Paris Iverson

Emma Sainte-Marie

Elizabeth Hilderman

Mackenzie Langdon

Tyler Spencer

Mimi Hicks

Cooper Hiebert

Josie Schmalz

Hannah Kinch

Victoria Callin

Gina Bayliss

Benjamin Cooper

Shania Cabilao

Elizabeth Fehr

AlisonBendall

StatiaBenny

Grace Martin

Abby McCallum

Sara Gargaro

Nat Glass

Jaren Guerreiro

Greg Murdoch

Kane O’Scalleigh

Year I

Year II

The Company

Devon Side Walker

Dustyn Forbes

Maxwell Gallagher

Kaylee Ross

Jeremy Sinclair

Sian Tisserand

Lara Mullings

Yasmin D’Oshun

Heather Watt

Eilidh Tew

Tyrus Williams-Penney

Leo Livora

Naomi Lorenzo

Billy Boy Bill Bobby Strong Caldwell B Cladwell Dr. Billeaux / RosenbloomHope Cladwell Hot Blades Harry Joseph “Old Man’ Strong Josephine “Ma” Strong Julie Cassidy Little Becky Two-Shoes Little Sally McQueen Mrs. Millenium / UGC Officer Barrel Officer Lockstock Penelope Pennywise Police / UGC Executive 1Police / UGC Executive 2Robby the Stockfish Secretary / Roosevelt Senator Fipp Soupy Sue Tiny Tom

Red CastGina BaylissJeremy SinclairAdrian PalekBrandon WongHeather WattKane O’ScalleighBen CooperShania CabilaoKaylee RossSara GargaroGrace MartinHailey SabourinEmma Sainte-MarieMaxwell GallagherLeo LivoraAlison BendallEvelyn HawesRain MahendraNaomi LorenzoParis IversonCooper HiebertStatia BennyAbby McCallum

Green CastMimi HicksDustyn ForbesJaren GuerreiroEilidh TewMadeline JaneBrayden LordTiffany OudJosie SchmalzLara MullingsDevon Side WalkerNat GlassMackenzie LangdonMichaela McLeanElizabeth FehrGreg MurdochElizabeth HildermanVictoria CallinTyler SpencerHannah KinchSian TisserandTyrus Williams-PenneyJean HartYasmin D’Oshun

The Company

Jeff PoynterJoey Smith

Jon EngMonik NordineScott MacInnes

pianodouble basspercussionwoodwindsbrass

Band

Penelope PennywiseSenator FippHope CladwellUGC swingLittle SallyHot Blades HarryLittle Becky Two-ShoesMcQueenOfficer Barrel

Gina BaylissBen Cooper

Yasmin D’OshunJean Hart

Lara MullingsTiffany OudKaylee Ross

Emma Sainte-MarieTyler Spencer

Understudies

Behind the ScenesThe Stage Management TeamIf, as Shakespeare says, “all the world’s a stage”, then stage management should be seen as one of the noblest professions; unfortunately, outside our industry, it’s generally just misunderstood. The stage itself takes very little management, it’s the people. I often tell anyone who asks what a stage manager does to think of us as train conductors, counsellors, custodians, time-keepers, life coaches, teachers, crossing guards, paper-pushers, magic makers, hand holders, first responders, drill sergeants, and cheerleaders.

When the College decided to do two full-scale productions of Urinetown, we knew it was going to be no small task, and we knew it was going to require a larger-than-usual team of stage managers to support that process.

Since 2011, CCPA has been bringing back alumni to work as assistant stage managers on the year-end musical. Who better to understand the College’s process, the intense rehearsal schedule, and the professional standards we hold the students to, than people who have walked in those shoes? I have had the great fortune to work alongside those alumni for the last 10 years.

A unique production, under a unique set of circumstances, called for a unique team set up. The plan we came up with included a Production Stage Manager at the helm to guide the early stages of rehearsals. The PSM was later joined by two alumni Deputy Stage Managers, one assigned to each company. This trio navigated the early staging rehearsals and implemented additional COVID safety protocols into the rehearsal process. Two weeks later the final two members of the team, alumni Assistant Stage Managers, completed the quintet. In my current role as Stage Management Mentor, I have had the privilege of assembling and guiding this team through this challenging process.

Trying to find a way to stage manage two companies, working on the same show, with one creative team, under the same roof, on the same days, in the midst of a global pandemic, took a little out of the box thinking. I could not be more proud of the work they have done, the care they have given, the talent they bring, and the lightheartedness that they do it all with. They inspire me, and I am grateful that they chose to be a part of this production. Eleanor, Kathryn, Victoria, Hannah and Marissa, thanks for answering the call - we could not have done this without you.

Jackie Adamthwaite Stage Management Mentor

Shannon has been costuming for stage and film for more than twenty years. She has had a long relationship with the Canadian College of Performing Arts, working with them since their second season. Shannon is very pleased to share her experience as a Costume Designer and as Head of Wardrobe as she mentors their multi-talented students. Memorable projects include: Beauty and the Beast, Mary Poppins, The Great Gatsby, Young Frankenstein, 42nd Street, Puttin’ On the Ritz, and Into The Woods.

Shannon Carmichaelcostume design

Creative Team

Pedro graduated from the Canadian College of Performing Arts, where he further developed his studies in acting, singing and dancing. Recently, Pedro has been assisting the theatre community in Victoria with his tech theatre skills, artistic talent, and unique perspective from his diverse background. He has worked for Puente Theatre, Theatre SKAM, SNAFU Dance Theatre, Story Theatre, VOS, CCPA, and Atomic Vaudeville locally.

Pedro M. Siqueiraprojection & video design

Eleanor is honored to be able to work on Urinetown this season at CCPA. The accomplished directors, staff and faculty, along with the dedicated students, made each day full of laughs! Eleanor is lucky to be able to apply her BFA in Theatre Management, Lighting Design and Dramaturgy to all aspects of her position at the college. Eleanor has spent the previous eight years working independently throughout Ontario, as well as four seasons with Drayton Entertainment.

Eleanor Kschischangproduction stage manager / production associate

Marissa McClymont is a recent graduate from the Canadian College of Performing Arts, and is thankful to be a part of the creative team for Urinetown during this crazy time. As both Props Master and Assistant Stage Manager for the show, she is excited to help bring the joy of theatre back to the people who are missing it dearly. Marissa is a local to Victoria, BC, and spends most of her time with her puppy basset hound, Gerald. Gerald hopes you enjoy the show!

Marissa McClymontassistant stage manager / head of props

Creative Team

Kathryn is so grateful to be on the stage management team as an alumni of CCPA. After graduation, she was the Stage Management Mentor at St Margaret’s School, producing and expanding their performing arts curriculum. She earned the Graduate of the Year Award from the National Association of Career Colleges, in recognition of her leadership, inspiration, and passion in her career goals. Kathryn is so excited to be back and show you Urinetown! The musical - not the place.

Kathryn Boyddeputy stage manager

Victoria is delighted to be back on the CCPA stage management team for the 4th time now! Time has flown by since she graduated Company C in 2017. Since then, she has been working non-stop in theatre and film as a performer, costumer, voice actor, etc.! Recently she signed with a local talent agency, DEI Talent. Victoria has loved getting to know this amazing cast and crew; what a special gift this show is to the world!

Victoria Stoltingdeputy stage manager

Creative Team

Hannah is filled with joy to be back working at CCPA! Since graduating from Company C in 2017, Hannah has worked on stage and behind both in Canada and abroad. Highlights include South Pacific (Calgary Opera) as Assistant Director and Dinah, A Winter’s Tale (GVSF) as Costume Designer and Mopsa, and White Horse Theatre Tour as many characters and an adventurous traveller! Hannah has loved getting to know a new generation of CCPA students. Enjoy their beautiful work!

Hannah Ockendenassistant stage manager

With over eight years of experience working on live events, Lukas is a dynamic theatre professional with a passion for sound. Building on his past experiences working with organizations like the Banff Centre For Arts and Creativity, the Belfry Theatre, and the Chemainus Theatre Festival, Lukas strives to create an immersive audio experience to support any production. Lukas is excited to be a part of CCPA’s production of Urinetown and is sure you will enjoy the show!

Lukas C. Smithsound technician

take the leap into the

PERFORMING ARTS

Special ThanksTerry and Kevin Costain, Paul Croy (Croy and Co. Stage Lighting),

Anne and Chris Daley, Peter Pokorny, Britt Small (Atomic Vaudeville), Alexa St. Marie, and Meredith Zwicker

At Carlton House, we want you to live in welcoming surroundings that make you happy from morning until night. Our goal is to help you stay active, support your health, and foster the joy of living in a caring place. Enjoy life in the nicest setting, in the best location of any senior’s resi-dence in Greater Victoria here at Carlton House.

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Dining at Carlton House is reason alone to choose us. We believe in fresh – fresh fruit, fresh vegetables, prime cuts and variety in our menus. Led by our award-winning Executive Chef Jeff Chan and his team, ‘dining in’ will be something you look forward to daily! And wait til you taste dessert!

We like to keep it fresh.

2 0 8 0 O A K B AY AV E N U E | R E C E PT I O N : 2 5 0 . 5 9 5 . 1 9 1 4

carltonhouse.ca

A boutique senior’s residence in the heart of Oak Bay.

Dining at Carlton House is reason alone to choose us. We believe in fresh – fresh fruit, fresh vegetables, prime cuts and variety in our menus. Led by our award-winning Executive Chef Jeff Chan and his team, ‘dining in’ will be something you look forward to daily! And wait til you taste dessert!

We like to keep it fresh.

At Carlton House, we want you to live in welcoming surroundings that make you happy from morning until night. Our goal is to help you stay active, support your health, and foster the joy of living in a caring place. Enjoy life in the nicest setting, in the best location of any senior’s resi-dence in Greater Victoria here at Carlton House.

2 0 8 0 O A K B AY AV E N U E | R E C E PT I O N : 2 5 0 . 5 9 5 . 1 9 1 4

carltonhouse.ca

We want you to be happy.

A boutique senior’s residence in the heart of Oak Bay.

At Carlton House, we want you to live in welcoming surroundings that make you happy from morning until night. Our goal is to help you stay active, support your health, and foster the joy of living in a caring place. Enjoy life in the nicest setting, in the best location of any senior’s residence in Greater Victoria here at Carlton House.

At Carlton House, we want you to live in welcoming surroundings that make you happy from morning until night. Our goal is to help you stay active, support your health, and foster the joy of living in a caring place. Enjoy life in the nicest setting, in the best location of any senior’s resi-dence in Greater Victoria here at Carlton House.

2 0 8 0 O A K B AY AV E N U E | R E C E PT I O N : 2 5 0 . 5 9 5 . 1 9 1 4

carltonhouse.ca

We want you to be happy.

A boutique senior’s residence in the heart of Oak Bay.2 0 8 0 O A K B AY AV E N U E | R E C E PT I O N : 2 5 0 . 5 9 5 . 1 9 1 4

carltonhouse.ca

A boutique senior’s residence in the heart of Oak Bay.

Dining at Carlton House is reason alone to choose us. We believe in fresh – fresh fruit, fresh vegetables, prime cuts and variety in our menus. Led by our award-winning Executive Chef Jeff Chan and his team, ‘dining in’ will be something you look forward to daily! And wait til you taste dessert!

We like to keep it fresh.

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Concert Series: from time to timeSacred music to sustain us on the Journey. Seasonal noon-hour series, plus more throughout the year: www.stmarysoakbay.ca/concerts

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Jonathan studied at University of Victoria, Humber College and the Banff Centre for the Arts. His versatility is shown through a wide range of work, in symphonies, musical theater orchestras, big bands, and working with fife and drum groups. He is an active Canadian Forces primary reservist, and has previously led a premiere jazz quintet to play for the Governor General and the US Ambassador to Canada. He is also an active educator in the community.

Jonathan Engpercussion

Band

Scott MacInnes received his MMus from the University of Victoria (11) and his BMus at the University of Toronto (05). Scott holds the position of Principal Bass Trombone with the Vancouver Island Symphony as well as a teaching position at the University of Victoria. He is extremely active as a chamber musician as a member of both the Pinnacle Brass Quintet and iTromboni. Scott is also the Artistic Director for both the Meridiem Wind Orchestra and the BC Brass Collective.

Scott MacInnesbrass

Woodwind player Monik Nordine has received several prestigious arts awards, including a Juno Award nomination for her work on the album Cruel Yet Fair (1997) with John Korsrud’s Hard Rubber Orchestra, and has toured with Hugh Fraser’s band VEJI. She has recorded three albums as a leader: Not Just To But Over the Moon (1998), Departure (2010), and The Old-New Town (2017), and can be found in Victoria and online wearing a turquoise wig.

Monik Nordinewoodwinds

Joey is a bassist, guitarist and arranger. B.S. in Music Education 1977 UT Chattanooga. Toured with the Glenn Miller Orchestra from 1985 - 1987. Masters in Jazz Studies and Contemporary Media from Eastman School of Music in 1990. Faculty at the Victoria Conservatory of Music since 2004. Played CCPA shows since 2013 with Heather Burns. Currently performing with The Great American Song Book Trio. Recently played on Brooke Maxwell’s Ride The Cyclone album.

Joey Smithdouble bass

Band

NumbersOverture OrchestraToo Much Exposition Lockstock and CompanyUrinetown Full CompanyIt’s a Privilege to Pee Pennywise and the PoorIt’s a Privilege to Pee (Reprise) Lockstock and the PoorMr. Cladwell Cladwell, Hope, McQueen, and the Staff of UGCCop Song Lockstock, Barrel, and CopsFollow Your Heart Hope and BobbyLook at the Sky Bobby and the PoorDon’t Be the Bunny Cladwell and the Staff of UGCAct One Finale Bobby, Cladwell, Hope, and Company

Intermission

What is Urinetown? CompanySnuff That Girl Hot Blades Harry, Little Becky Two Shoes, and the PoorRun, Freedom, Run! Bobby and the PoorFollow Your Heart (Reprise) HopeWhy Did I Listen to That Man? Pennywise, Fipp, Lockstock, Barrel, Hope and BobbyTell Her I Love Her Little Sally, Bobby, Soupy Sue, Tiny Tom, and JosephineWe’re Not Sorry Little Sally, Hot Blades Harry, Josephine, Soupy Sue, and CompanyI’m Not Sorry (Reprise) Cladwell and PennywiseI See a River Hope, Little Becky Two Shoes, Josephine, and Company

Behind the Scenes

photos by Peter Pokorny

LANGHAM, your way.flexible, affordable space rentals

now accepting rental requestswww.langhamtheatre.ca/about/venuerental

Board of DirectorsAustin Eckert DirectorBarbara Greeniaus Board ChairRoxanne Helme DirectorJean Ives SecretaryDuncan Low DirectorRandall Mang DirectorJean Medland DirectorDerrold Norgaard TreasurerPatricia O’Brien DirectorYukari Peerless DirectorMaureen Shaw DirectorMichael Shepherd Vice ChairJoan Yates Director

Honorary BoardMel Cooper C.M., O.B.C., LLDChair - TELUS Victoria Community BoardDuncan Stewart CSACasting Director, Stewart Whitley, NYC

Program Advisory CommitteeThom Allison PerformerStuart Aikins Casting DirectorKathryn Laurin CEO, Victoria SymphonyGlynis Leyshon DirectorMichael Shamata Artistic Director, BelfryLisa Stevens Actor, ChoreographerJovanni Sy Actor, Playwright, & Director

250 595 9970 | ccpacanada.com

Founded in 1998, the Canadian College of Performing Arts offers three unique conservatory style post-secondary training programs, where emerging artists receive intensified, rigorous skill-based alternatives to academically oriented university programs. The curriculum is built on equal respect for all disciplines, and the belief that collaboration, partnership and community are the essence of theatre. We believe cultural leadership is cultivated through mentorships, community rooted volunteerism and fostering new creation.

We measure success by preparing a student to be a motivated self-employed business and an inspired artist, whose voice will better illuminate the human condition when they confidently enter the profession.

The Canadian College of Performing Arts is a program of the Canadian Heritage Arts Society. Charitable registration #131341356RR0001

We gratefully acknowledge the Lekwungen-speaking peoples, also known as the Songhees and Esquimalt Nations, on whose traditional

territory we are honoured to learn, create, and perform.

About the College

Mark Adams Finance OfficerTony Adams Audience Services OfficerJackie Adamthwaite Stage Management MentorAndrew Barrett Communications & Marketing OfficerMichelle Buck Operations ManagerShannon Carmichael Head of WardrobeMaia Crockett Executive Assistant / Design & PublicationsNicole Hergert Engagement OfficerAlana Hibbert Interim Director of EducationEmma Kirkland Development OfficerEleanor Kschischang Production AssociateCaleb Marshall Managing Artistic DirectorR.J. Peters Production ManagerMichael D. Reid Public Relations LiaisonMark Riishede RegistrarDanny & Bonnie Sabados Facility Caretakers

FacultyGlenda Balkan-Champagne, Michael Boston,Heather Burns, Naomi Costain, Mike Doherty,Jane Edler-Davis, Luba Ellis, Alison Greene, Kim Greenwood, Jessica Hickman, Jim Hill, Stacey Horton, Matthew Howe, Ming Hudson, Kayvon Koshkam, Jacques Lemay, Caleb Marshall, Nathan McDonald, Kiiri Michelsen, Jeremy Miton, Tiffany Miton, Angela Mousseau, Duncan Ollerenshaw, Erin Ormond, Arlene Overman, Sara Partridge, Barbara Poggemiller, David Roland, Amalia Schelhorn, Alexa Ste. Marie, Treena Stubel, Brian Tate, Janice Tooby-MacDonald, Jessica Van der Veen, Christopher Weddell, Jonathan Winsby, and Raugi Yu

Staff

Thank you for supporting the development of emerging artists by donating to the College. Your charitable donation has helped provide excellent performing arts training to talented youth from across the country and around the world! We are pleased to recognize donors who have given $100 and above.

Annual DonorsInner Circle $1,300 - $4,999 Mavis BeggAlbert and Shelia FowlerThe Joe Wo Joint Spousal TrustAilsa OdermattMarguerite RoweShirley Rose Mitchell Fund through the Victoria FoundationFW and KE Strawn Samis

Sustainers $300 - $1,299 Jackie AdamthwaiteStuart AikinsAnonymousJohn BaseyBerwick Retirement Royal Oak Ltd.Sherry & Tom BlackSylvia Bradley Richard CavayeMel CooperMichael DohertyJolene EnsMichael GaudetDavid Grierson Arts Legacy Fund through the Victoria Foundation Ursula HolmstenBarbara HousserWilliam HosieBetsy IvesBrian JacksonT. LangfordJacques LemayHelen LindholmNicole MalcomCathy McKeonPatricia O’Brien

Edwin PincherPuente Theatre SocietyQuimper Consulting Inc. Aaron SeversMaureen ShawMichael ShepherdJacqueline St DenisTrafalgar/Pro Patria Branch #292Sharon TunnellMicheal and Ann Tyler Fund through the Victoria Foundation Antonina WasowskaGary WeirBarbara Wilson

Supporters $100 - $299 I.A.T.S.EAnastasia AndrianovaClayton BaraniukJane BlaneyRosemary CameronChanah CaplanBertha ChurchillDorothy CookDeborah CooperNaomi CostainMaia CrockettTom CroftChristina CrlijenkovicJade DavisLinda DeslauriersDouble A Painting Ltd.Jane and Hermann EdlerAlissa GramsGloria GreeniausJohn Greeniaus

Recognizing donations received between October 1 2019 and April 30 2021.

Our Supporters

Sheridan GreeniausTed GreeniausRoxanne HelmeSydney KalefTammy KayJacqueline KolsonMary Ann LadromaNancy LangdonGary LeeGlynis LeyshonCaleb MarshallMia MakiPeter and Marianne McGahonML MeadowElizabeth MonkJanet MorningstarSara NeelyMaggie O’ScalleighJoan PeggsMarion PercyMargaree PorteousS. SalomenssenSaskatoon Institute for Medical SimulationElana ScrabaDennis TamRobert TaylorThe Benevity Community Impact FundJudy ThompsonKenneth ThornicroftJessica Van der VeenErlene WaghornBarbara WaldnerKaren WilsonYanik Giroux Performing Arts StudioJoan Yates

Lifetime of GivingDunning/LemayFounders’ Circle $25,000+Patricia & Kenneth W. Mariash Sr.Bruce MacKenzie & FamilyThe Estate of Betty Willkinson Derrold Norgaard Randall Mang

Artistic Director’s Circle $5,000 - $24,999Maria DominelliHarry & Dorothy Gray Foundation Barbara GreeniausJean Ives and James GriffithHugh & Helen Mogensen Fund through the Victoria FoundationDaniel Parker & Parker Johnston IndustriesAlice May Salmon Fund through the Victoria FoundationPatricia Margaret Shanahan Fund through the Victoria Foundation Jim Hill Joan Wells Patricia Firth

Every effort is made to recognize your donation as per your wishes. To update your listing, renew your support, or add to your donation, please contact our Development Officer, Emma Kirkland, at 250 595 9970 ext. 201, by email at development@ccpacanada.com, or donate online at ccpacanada.com/support.

Government & Foundation Support

Our Supporters

Corporate and Community Partners

Star ($5,000+)

Lead ($2,500 - $4,999)

Principal ($500 - $2,499)

If you would like to become one of our community partners, please contact Emma Kirkland at development@ccpacanada.com.

Rite Storage is a supporter of the artistic community and we wish the singers,

dancers and actors of CCPA the best of luck with their upcoming season.

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Congratulations on your continued success!

Sandy J. Lee, CPA, CA, CGA Adam H. Sharpe, CPA, CA Douglas K. DeBeck, CPA, CA

Professional advisors in accounting, assurance, tax and management

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CHARTERED PROFESSIONAL ACCOUNTANTS

Forging a way20-21 SEASON

box office 250 940 6851 | boxoffice@ccpacanada.com

forward.