Silkscreen Lessons 3 5 6

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    Preparing & Exposing

    Photographic Silkscreens

    For use with Lesson 3

    FOR EDUCATION USE ONLY2009 The Andy Warhol Museum, a museum of Carnegie Institute. All rights reserved. You may view and download the materials posted in this

    site for personal, informational, educational, and non-commercial use only. The contents of this site may not be reproduced in any form beyond itsoriginal intent without the permission of The Andy Warhol Museum. Except where noted, ownership of all material is The Andy Warhol Museum,

    Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.

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    In a darkened room or in a room witha yellow safe light, pour the emulsioninto a scoop coater

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    Coat the screen, applying 2 thin coats ofemulsion on each side of the screen.

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    If your scoop coater is

    smaller than the width ofyour screen, coat asshown in this slide.

    Once you have one coat

    on this side, turn thescreen upside down to

    apply the second coat.Then apply two thin

    coats onto the back sideof the screen, againflipping the screenupside down in between

    coats.

    Wipe off any excess

    emulsion that gathersaround the edges.

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    Store the coated screens

    in a dark room or light-tight box until they are dry.Screens should dry with

    the flat side down (theside you used the

    squeegee on should be

    facing up). They need todry perfectly flat. If thescreen is tilted even theslightest bit, then theemulsion might dry

    unevenly and run off the

    screen.

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    If you are coating

    more than onescreen, stack them

    using small blocks in

    between each one.

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    Once the screens

    are dry they may beput in black plastic

    garbage bags until

    you are ready toexpose them

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    Expose the silkscreen with the students FilmPositives. There are different types of exposing

    units. This one is a light table with clear glassand florescent light bulbs.

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    This process involves direct contact exposure. There must beno space between the Film Positive and the screen. Build a flat

    that is larger than your image, but small enough to fit inside thescreen to ensure direct contact. Cover the flat in padding andblack fabric to protect the screen.

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    Weigh down the flat with something heavy.

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    A screen exposurechart should be

    included with youremulsion. If not, you

    will need to testexposure times. A

    good time to start withis 5 minutes.

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    After your exposuretime is up, rinse the

    screen on both sides.The emulsion that wasnot exposed to light(because it was

    blocked by the opaqueblack areas of the Film

    Positive) will washaway. Wash the

    screen until there arevery few white bubbles

    remaining. Store thescreen on a flat

    surface to dry or use afan.

    When dry, screen is

    ready to proof.

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    Cutting Stencilsfor use with lesson 5

    FOR EDUCATION USE ONLY2009 The Andy Warhol Museum, a museum of Carnegie Institute. All rights reserved. You may view and download the materials posted in this

    site for personal, informational, educational, and non-commercial use only. The contents of this site may not be reproduced in any form beyond itsoriginal intent without the permission of The Andy Warhol Museum. Except where noted, ownership of all material is The Andy Warhol Museum,

    Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.

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    The first color stencil isLayer 1 the background

    color. This should bethe lightest color of your

    color combination.

    Draw the background

    rectangle or square inthe center of your

    paper.

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    Cut this shape by

    using a cutting tool.

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    Using the students

    collage as a guide, tracethe shape(s) for Layer 2

    in the center of another

    piece of paper.

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    Cut these shapes, as

    well.

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    Repeat the processfor Layer 3.

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    Stencil and Photographic

    Silkscreen Printing

    For use with Lesson 6

    FOR EDUCATION USE ONLY2009 The Andy Warhol Museum, a museum of Carnegie Institute. All rights reserved. You may view and download the materials posted in this

    site for personal, informational, educational, and non-commercial use only. The contents of this site may not be reproduced in any form beyond itsoriginal intent without the permission of The Andy Warhol Museum. Except where noted, ownership of all material is The Andy Warhol Museum,

    Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc.

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    Tape your silkscreen using two-

    inch masking tape.

    Tape both sides of screen.

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    Place your Layer 1

    stencil on top of a piece

    of your final printing

    paper. Make sure the

    open area of the stencil

    is in the center of thefinal printing paper.

    Keep the stencil

    From moving by taping

    it to the printing paper

    using two small pieces ofblue painters tape.

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    Place your silkscreen in

    the hinge clamps,

    securely tightening the

    clamps.

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    Register the stackedstencil and print paper to

    the silkscreen. Use tape

    brackets on the print

    surface/table to mark the

    corners of 3 sides of the

    printing paper. Thesemarks will be guides so

    that each piece of paper

    is placed in the same

    place on the table,

    ensuring that the printed

    shape is in the sameplace on each piece of

    paper.

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    Carefully remove the

    small pieces of blue

    painters tape holding

    the stencil in place on

    the final paper.

    * Be careful to not

    move the stencil from

    its position.*

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    Carefully close the

    screen over the stencil

    paper.

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    Print the first color

    using enough ink for

    adequate coverage.

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    The stencil will stick to

    the back of the

    silkscreen because the

    ink acts as an adhesive.

    For large areas of color

    (like the background

    Layer 1) you may need

    to flood the silkscreen or

    make two passes with

    the squeegee.

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    Continue this process,

    placing each piece of

    paper inside the tape

    marks until all 10 pieces

    of paper are printed.

    Remove the stencil from

    the silkscreen anddiscard.

    Clean the silkscreen and

    squeegee thoroughly.

    The two-inch tape you

    placed around the edges

    of the silkscreen in Step# 1 should remain until

    you are finished printing.

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    When Layer 1 of your

    print is dry, place the

    photographic Film

    Positive for Layer 4 onto

    your print and register it

    to the first printed layer.Tape this to your print

    using two small pieces of

    blue tape to ensure the

    Positive does not move.

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    Register your next

    stencil (Layer 2) to the

    Film Positive. Once it

    is in the correct place,

    use two small pieces

    of painters tape to

    secure it to the print.

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    Remove the Film Positive.

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    Place the stacked

    stencil and print paper

    under the silkscreenand use tape to mark

    the edges of your

    print, as in Step #4.

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    Repeat the previous steps for printing and

    cleaning the screen.

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    Register your next stencil (Layer 3) to the

    Film Positive. Once it is in the correct

    place, use two small pieces of painters

    tape to secure it to the print.

    Remove the Film Positive

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    Repeat the previous steps for

    printing and cleaning the screen.

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    To print Layer 4,

    register your Film

    Positive to your print

    using small pieces of

    painters tape tosecure it to the print.

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    Clamp your second

    silkscreen with the

    photographic image

    burned onto it in the

    clamps and securely

    tighten.

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    Remove the Film Positive.

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    Print your final layer and

    clean your screen.