16
SIGMA LENS CATALOGUE

SIGMA · 2018. 3. 12. · Mou nt, Nikon Mo..o>~ PooIax t.1ount and ~ I.\c""t. ~ I §£' I .\¥ I . MINI ZOOM MACRO 28·80 . m. F3.5-5.6 . Covering the most popular focal length range

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  • SIGMA

    LENS CATALOGUE

  • UC&DL

    A new lens generation, the UC Zoom, features high performance in an

    ultra body

    24·70 ~ F3.5-5.6 ASPHERICAL

    The angle of view of this new Sigma zoom lens changes from 84 degrees at 24mm to 34 degrees at 70mm - an image perspective change th~ PooIax t.1ount and ~ I.\c""t.

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    MINI ZOOM MACRO 28·80 mF3.5-5.6 Covering the most popular focal length range fro m 28mm wid e angl e to BOmm mid·range telepho to. Ihis idea l zoom lens also has lelemacro c llpability provid ing a max imum magnifi cation ra tio o f 1:2. plus a minimu m s hooting d is tance of under 9·1 /2 iDe hes, Everything from grab shots to portraits to closeup photos can be easily handled witb JU SI this one lens. Sigma's exclusive optical technology makes optimum use of asphericallens elements to achieve results on a par with fixed focal length len ses, throughout the entire range. Furthennore, with an oven.ll1ength oljust 2.7". "maximum diameter of 2.7", and a weight of less than 9 oz. this lightweight compact lens is perfect [or t~vel and tlle photOgr.lpher on the go. Carr~~"II "' F Mcu>o' S'}I1la ,"",un!. Minta MoonI, N: Moun\ l/ICI Cann Mot.->!

    • 1m

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  • LNiEUYo 70·210 mFH6 uc·n 70·300 mF4·5.6 DL MACRO 100·300 mF4.5·6.7 UC Th i ~ cOllvenient telephoto z()nm l en~ effect.ively l'()V~r~ t h ~ 11l0~ 1 freqUe nll )' used telephotu ral\ge~, Wl'ighing ju ~ l 12 oUllces (340g) wi lh a short le rlglh of:U incht::s and a filter dioimt' ler of 55 111111, i t is t rul y worth)' of being l'alleu an ullra,'om pac \ ligh lweigh t zoom. Dt' livers exceptional performa nce in photogra phic si 1u~tior)s demanding eXl'dlenl maJlueverability. Wi thout eliminating dislan,~E' Ol'ldlng AF Mouunl Ni kOO Mount, PBtlta< Mounl and canon Moon l

    Using origi nal lhree-group 1:oom technology, Sigma has creilled Ihe most compact zoom lens in its d~ss, Less than 4" long and less than 2.8" in diameter, and with a. filter diameter of 55mm. this l e n ~ is nOI much larger than the conventional Sigma 70-210mm Uc. But it covers the most frequently used telephoto focal lengths. making it periect for a broad range of subjects and applications. fro m portraiture to spo rts and nature shooting. Thi~ lens excels both in optical performance and ease of use. Conespond 'ng AF Moon! S7"3 Mo\nt , Mm!O~f.'oIloo', .ndO. ~ ,.·'.'l>'r..'" .1.,,, I""

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    IMPRESSION ZOOM

    Standard zoom lenses in a wide range of focal lengths, each with the

    of several lenses.

    , , .'IC •

    18·35 ill F3.5·4.5 ASPHERICAL UC 28·105 ~ F4-5.6 UC 6tEUiYJ 28·105 mF2.B-4.0 ASPHERICAL

    11li$ !"evolutionary new lens does tlle work of five le nses - 180110 , 20mm , 24mrn . 28mm and 3-m.m. A dual runction. high resolu tiull. iIoating group leos system incorporates an aSllheric l{'1ls element. This eliminates th t: distonion nannally common to ultra wide ilngle lenses. and improves do se focus performance. Sig ma· s intern al focus/zoom l;yslem keeps this hms at a constant si1.e. evell while 2ooming. (o r co m fortab le hand ling. The front end of Ihe len!> does not rol

  • 7().2tOmm (2tOmm)

    28·200 mFa.8·5.6 ASPHERICAL UC 28· 70 ~ F2.8 APO ZOOM 70·21 0~ F2.8

    Acclaimed as .he new Ms.andardN in worn lenses this lalesl Slima 28-200 lens is now more comVact .han eve ... An overall length of just over 3" and a maximum diameter of 3", makl"S it the world 's smallest le ns o( its type. And weighing just 15.9 oz. it is also unmatched in l ightness. But. the rea' feature of this uniQue lens is its supe-rior opti ca l pe rformance. Th roughoul its e ntire zoo m range it offe rs a min imu m shoo li ng d ista nce of just 59". Its circula r diaphragm provides nalural, ~oft focus fo r egrou nds and backgrounds. while keeping Ihe main subje

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    IMPRESSION

    Innovative lenses that inspire you to new creative heights.

    FISH-EYE 8mF4

    Thi!\ splu:rical !ish eye lens captur~~ a 180 vie.w in a 22tnm diameter circubr imilg-e on the film. Ev e n fa mi li ar subj ec t ma ile r COIn be given st.lrtlin(lly Irt'~ h creative e)(pre~!:ion through the t'>atggeraled Pf't'l!oeC( jve~ and unusual distortion eH~ls . Also, because it provides QUilnti flabk angle/ area rel,ltionships, il is ide.. , fo r academic/let'hllic.al appiicat iunll ~uch as solid ",ogle measureOlenL The U~ of SIGMA's original bayooeHYPt' filler chllnge system giv~ you loIal freedom in filter wo rk. 100. Popular fihers are supplied wilh the lens, and olht'f n.5mm Iiltet"S call also be used.

    14 mF3.5 The world's shorle~ 1 (ucal lr ngth, th is 14 tnm iluIO{OCUS lens is no slouch on features: a fuJI 1)4 0 ang"le of view, 13 eiernenls in II g roupS, rO~ lI sing dowl) to a scanl 7 in~hes O&m), built·in l ~ns hood ilnd a gelatin filter holder bo!h ind the float ing rear lens element Bul on lOP of all that, lh is l~ns is the most compact lens in its class, and weighs in at less than qn. Mo""t.~ino"" Mount. Nil

  • 24H2.8

    After 28mm, this is the most representative wideangle levs. The uniql\e characteristics of the Sigma Super Wide II 24 mm lens include outstanding abi lity to approach close lo the ~ubject. The minimum shooting distance is 7.1 inches (l&m) (8,6c;m from the front of the lens), at which distance a 1:4 magnification ratio is obtained. For truly dynamic shooting with tolal emphasis on the subject, or when shooting in a location without much interest, th is IIlide-angJe lens with powerful macro capabilitit!s comes in very handy. Of course distortion as weUas aU aberrations are excellently corrected. Equipped with an easy-to-use "perlect" hood, it is ideal for a wide range of landscape photographs and soapshots. C",'eopondong AF Mo

  • APO ZOOM MACRO &APO TELE MACRO

    Combine the power of telephoto shooting with the drama of macro.

    APO ZOOM MACRO 70·210 mF3.5-4.5 With a te lephoto minimum working distance of only 29.5", tJlis lens is also capable of 1:2 macro close-up photography. It is a remarkably versatile lens, covering everything [rom telephoto to midtelephoto to macro close-up. The Special Low Dispersion (SLD) glass used to suppress the ch.'omat ic aberration norma lly Occu rring in udeplloto lenses, ensure s clarity of image throughout lhe entire photographic range . The ZF.N finish resists $Cratches. making if perfectl y s'ui leo for outdoor photography and an ideal ccmpanion tor travels. Cor'e.pDfldlrlg Af Moon!: Sogm~ Moll",. MiIIoIIII MC:u>I, Nilcon Meunl. P""ta>: Moo nl .r>d eft"""~'

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    7(I.J())m", Cl(I(lmm MACRO)

    APO ZOOM MACRO 70·300 mF4-5.6 This APO Macro Zoom lens covers a br

  • 7'O-3OC'rnrn (7Ihtm)

    APo TELE MACRO 300 ~ F4

    Di scover a new world of possibiliti f:'s with this ultra te lephoto macro lens. This 300mm F4 lens allows you to get as close to your s ubject as 47.3". and its 1:3 macro capability enables you to photograph images that are so poweriul, thtfll lake your breath away. Two Spec ial Low Dispersion (Sill) g lass lens elements correct c h roma lle aberration 'lnd an inne r focusing mto

  • APO

    Superlative Apo telephoto lenses.

    APD 135·400 lllF4.5·5.S ASPHERICAl RF Covering tJu~ most frequently used focal lengths, from mid to long range telephoto, Olis one lens lets you handle an unprecedented finge oJ subjects from landscapes to fast action sports. Sigma's exclusive advanced design incorporates a :;'group zoom system with aspherical lens eleme nts to achieve sbarp, high co ntrast photographic results th roughout the enlire zoom fang. SLD (Special Low dispersion) Klass elements eliminate the secondary Spectrd effect normany associated with telephoto lenses. And with Sigma's rear focus system, Ihe (ront len:;; group does not rotate making it extremely easy 10 work with polarizing fil ters. In order to prevent the vibration during the shu tter release. this lens incorporales rotary triPOd socket. Co

  • APO 500 mF4.5 APO 800H5.6 APO 1000mF8

    Why sacrifice high image Quality at telephoto ranges? The APO SOOmm uses SLD glass for pe rfeCt e li lllio:\ tion of c hromat ic abe rra ti on, achieving sharp, high-COlltrast image quality , In addition to the large f4.5 aperture - at the very fore front of this class in brigh tness - it has 80laziog portraiture capabilities. f ocusiog is by meaos o( ,10 irllernal mechanism so the overa ll length. anti consequently the c(,'nter of ~rdv ity , never changes, ACCQrdingly manual fOCuSing can be do,ne with a sin Rle fi oger and s hut ter oppo rtunities ca n be -grabbed instantly. It is equipped with front end protective gb ss. 111e use o,f rear iosertion-type 6lters eoables rapid. secure fill e r change s. and the fill er size JO.5mm. Furthermore. it is the most compact lens in the entir~ wo,rld in this class, furt her contributing to Inlly enjoyable phomgraphy. eorr.ilj)("'Od "'9 AF Moon.: S ogma M oonl. MiOOlta Mount. Nikon MOUM and Caro:;.n Me un!_

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    Featuring a focal leflgth of BOOmm and tele-phOl1) ra tio of 0.57, th is super te le photo Ie os is the world 's smallest in its class. Its compact des ign makes it ('asy 10 handle. Though it is a super teleph oto lens. its internal foc using sy stem enab les you to focus quickly, una1CcC'ted by the movement of your subject. Chromatic all€tTatio,n. which is characterist ic of ~ SUpel' telephoto lens, h~s been re duced to a mini mum by us ing apochrnmatic desig n and two pieces or SlD (Special lAw Di spt' rs ion) glass for the front elements. On the outside, the exclu!'.ive "ZEN" malte fini sh offe rs a sur e grip. prevent s reflectioos aod resists scratches. Its sturdy body withstands severe shooting conditions, allowing yo,u 10 shoot sharp. q uali ty pic tures anytime, anywhere, Corre..,.,....:fnI1AF....,.· Sog ma Moont. "' _ Mooot, N,."" Mounl _no Cenoo Mounl .

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  • MACRO

    Light and compact Macro lens group.

    MACRO 50 ffiF2.8

    Le~s than 2.22 inches (5f;.5nun) long . 1his workllor:;e le ns does the jobs of two or more lenses and has exceptional sharpness! It is ideal of course, not only for " alurc photos (flowers, insects. etc.). bul for Ihe whole fascinating world of close-ups - al1 lhe way do\\'Il to 1:1 (li fe-size) macro ShO IS. Bul foc us back to infinity - the compact size makes that very quick and easy and il"

  • APO MACRO 180mF2.8 The Apo Ma.cro 180mm F2.8 is the world 's fast~t telephoto macro lens in the 200mm range. Despite it s high speed and long focal length. chromatk abe rration ha~ been reduced to a minimum by using SLD gla$s io the three front Ien~ elements. Another oPtical innovat ion. an internal focusi ng system in which tv.1) ~l1oating~ elements rnovt' as lhe len9 is focused. maintains high op(ical perfonnance all the way from infm ity 10 1:2 macro magnification. TIle oody of the Jens has Sigm~'s ZEN finish to withsta nd the rigors of outdoor usc. For the brightest finde r imag .. in telephoto Illacro len~es, see Ihe Sigma J80 mm Apo Macro. eoIHHp."ulll9 AF "'ounI SIgma Mount Minoa;, fISoooI . fII,""" Mounl and Cwlon Moon!

    •I ~ - I "!'"

    APO MACRO 180 mF5.6 UC '11i", 180mm is an u!tra-(:ompacl telephoto Illacro lens with Apochromatic design and unparalleled optical performance. Chromat/.:: aberration. oftt>fl a probl em in telt'ph olo l e n s~~. h:as been el imin

  • CREATIVITY& QUALITY

    Sigma's advanced technology and originality. Great lineup for expanded shooting possibilities.

    With innovative, state-at-the-art technology Sigma's complete line of lenses expand your ranges of photographic possibilities. $tleeling Ihe right le ns h; an imporlant faClor in e nric hing ph olographic expre ssion. YO ll s hould ask yourself. "How good is its optical performance? Is it ea~)' t() use? Dees it fit into an expandable system?" At Sigma we've answered these questions with OU f wide range of lenses mad e possible by the techn ologica l advances we have achieved in over 30 years of le ns design.AII our lenses 3re desig ned 10 be s harp, depe nd able. versatile. ergonomical. and user friend ly. They are unmatched for low weight and (.ompactness. All in all Sigma lenses enhance the shooting performa nee of your SLR ca mera. Th ey will b~ you r favori te tool>; for creating richer images. Try a Sigma lens and you'll be stepping up to a new level of creaLivity.

    • Angle of field Angle o( fie ld indicates the ang l~ wilhin

    which a lens o( specifi c focal length can convey a sharp image to the focal plane. In our catalog. the angle of view describes the field of view from the camera posilion (or a 35m m frame. The longer lhe focal lenglh. the natTower the angle of view.

    +Maximum aperture (f-stop rating) The maximum aperture. givel) as an fstop number, indicates the lens' relative ability to handle luw·light situations. The maximum aperture is obtaine d by dividing the fo cal length of the lens by the maximum diameter of its incident iris. and is ~hciwn &5 fl.4, 12.8, f5.6, etc. Th e sma ll er the C-s top numbe r, th e larger the maximum aperture, and 1e~~ light is there fore needed. Smaller (--stop num be rs le t you use faste r s h uller speeds. crea le shallow depth-a I-fie ld . increase the brigh tn ess of your view finder, as well as many other advantages,

    +Depth of field Depth of fi eld is lhe range of distances within which the subj ec t js in fo cus.

    Depth of fi eld increases with smalle r aperture!;, and as the aperture becomes large r, de pth of the field becomes sha ll ower. Depth of field also changes with the focal length of the lens, Short, wide-angle lenses offer greater depth of field, and longer telephoto lenses have shallower d ..::pth of field .

    +Perspec tive Depe nding on the foca l leng th of the lens, the subject can look closer to or Carther from jts background. This ~iSllar effect is known as perspective. Through a wid e-angle lens, th e background rece des into the di s tanc e , and th e subjec t becomes more promine nt. A tdepho lo lens compresses th e image, bringing the background closer to the s ubject and shortening the apparent distance betwee n th em. To s how the sut>jec t within it s e nvironment_ use a wide·angle leos. A tele photo le ns is better for zeroing in on a s ubjec L ECfective use of lens focal length can do a lot to enrich your photo resuits.

    +Angle of field +Oepth of f ield

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  • .Aspherical lens

    Sigma uses aspherical lenses to enhance optical perfonnance

    and minimi7-e lens s ize and weight. Aspherical lenses ha ve

    minimized some common problems associated wilh wide angle

    and ~oom lenses, such as lens nare and edge distortion. They

    also de liver higher quality telephoto images.

    .APO lens

    Sigma's APO telephoto lenses minimize color aberration , a

    phenom~non cdused by djfferent wave lengths of lighl refracting

    at di((erenl ang les, causing each color to have a slightly different

    imaging poin!. Color aberrat ion is parlicularly strong in fast telephoto lenses , and is a common cause of poor picture quality.

    O ur APO lens design keep aberTation to a minimum, using special

    ·Internal and rear focusing Conventional automatic focusing is done by pushing forward

    either the entire lens system or jusllhe front lens group. As auwfocus cameras have come mto wider use, and the demand for

    macro capabilities has increased, the need has grown for aulofacus

    sr.;tems is which the physkallength of the lens does not change

    and aberrations are kept to a minimum. For telephoto and tele

    lo w-di sp e rsi o n glass in an innova

    tive arrangem ent

    and creating images

    with outstanding

    cri s pness and

    ~harpnes~.

    eCtlI'om.llc .berT.ttOl'l chart APO TELE MACRO 400mm 1'5.6

    -.APO Zoom Macro

    Although telephoto zoom lenses have advantages over fixed focal length telephoto lenses for macro work. they also have their limitations. Sigma however has worked Ioog and hard to find ways to

    shorten the distance between lens aIId subject to develop a macro

    7.00lU thal rewns the APO advantages and is as good for macro work ru:; with a fixed !ocaJ length macro kDSo Without the necessity

    macro lenses ,

    Sigma developed an internal focusing

    syste m that moves

    two le ns groups

    in s ide th e le ns

    barrel, significantly

    improvi ng macro

    cap~b ilities. For super wide-angle

    len ses with large

    fr ont spherical

    diameters, we

    created a rea r

    focu !SiDg sy s tem

    that moves only the rear lens group.

    Our mid-range

    28-105m m F4-S.6

    IF zoom uses an

    eAPOZ~m MaetO APO ZOOM MACf'lO 1O-3IlOrro'n F4--5.6 ~

    l]Nffi- -t -:1

    internal focu si ng system that moves the second lens group,

    allowing a minimum focu s distan ce of only 50cm (19.7") throughout the zoom range. Tn longer 200m lenses. like our APO

    13S-400mm f4.5-S.6 RF and 170- S00mrn FS.0-6.3 RF, these systems make focusing faSle r and quieter,

    • Floa1ing focus system

    Our "oating focus system is designed

    to move seve ral

    It!ns groups within

    the optical system

    to different degree':>. minimizing aber

    ratioo from changes

    shooting

    distance and focus

    movement. This is

    especiaUy effective

    for macro lenses

    elnternal focusing ,.po 70-210rMl F28

    n

    ~aLt-~~-Hit

    elntemalloeuslng APO MACRO !1IOmm F2.a

    ~~

    IWlill\~-J

    eRe,l!rfoeu.lng ,.po l :J5--.4OOm'n F.5-!j .6

    ~

    t -· :~

    for an inconvenient

    macro attachment,

    this le ns offers up

    to 1:2 l'nlargemenl

    in th e teleph oto

    range and allows insl2nt shifting

    e Floating foeu. aystem Z6mm Fl .8 ~,

    ~QJ ,

    eFloatlng focus sy&tem MACRO SOmm F2.8 , n

    1\NSl~_[jmL

    from normal to macro shooting.

    .APO Tele-Macro

    Many photographers need to keep a long working dislanct! to

    photogrnph &naI.I wikllile subjects and to shoot subjects behind fences and other obstruction$. TIle Sigma APO TeJe.Macro (ullills these needs with unsurpassed

    eAPO Tele-Macro excellence, It offers APO TELE MACAO 3OOfM1 F. a 1:3 image size

    close focus, which

    has long been con

    sidered impossible

    ror a telephoto lens

    and is no larger than a fixe

    and asymmetrical wide-angle lenses. Sigma uses this noating

    system for ils macro lenses (50mm n .8, 90mm F2,8) and largedi30leter wide-angle lenses (2flmm n.8 aspherical) ,

    Aspbo-ric~llens: Lens e\e~1$ LooL arC' not spberical in cross s.tttion l«>ar focus (RF) : In thi ~ focusing !Y~ lCm only l~ rear len, group

  • SIGMA LENS LlNE-UP Comsponding CoI'TU\lOn!ling

    AF(AlI"rO FOCUS) AF MG'WI MF'MOWl\ MF(MAI'J..UC 0 0 (I) 0 0 0 0 13 14 71.4' 12.3' 22-3 2 150"(1)0) l:6.j'(1:2,2) 72 AT 7O-2 IOmm~'l.UP() 00 5=m=mcn=:.8="=scH=·8fficc·________t;r;r;-lClCcf°ot°:t°:tC°+:O+:O~-='--t-c'~1--c> ""=c-1--=~:--+--=,sc-+---cc-+---=__+-="c'=xc'"c=s-+l-ii ~~ Z4mmF'2.S 00 0 0 0 0 0 0 0 0 0 7 S 54.1' 22 L8 N 52 001)(42.5 ~~ 2Smm Fl .S nASPH ERICAl 00 (t) 000000 0 0 8 9 75.4 ' 22 30 1:7.5 58 li'lx 61.5 290

    ~~ SOmm f"LII MACRO 0 0 (1) 0 0 0 0 0 0 0 9 10 46.8" 22 19 1:1 52 xx", ..~

    ~f 9OrnmF2.8MAC RO 00 q) 0000000 9 9 'n' 22 32'(22) 1:2'(1 :1) 52 XX62.5 AI lSOmm F2.sAPO MACRQ 0 0 0 0 0 11 13 11.7" 22 64 1:2 82 &SX 181) "'%

    AI LSOmm FMAPO MACROUC 0 0 0 0 0 G 9 1l.i"' 22 ~ 1:2 ~ 69.Sx 103 433

    AI JOOmmF"l.8APO 0 0 0 a 0 9 12 8.2" 22 2S0 \:7.7 I ~~) IZOX223 2.000 .-tf 3OOI!lm F4 APO MACRO 0 0

    • (S) corretpond~ to Sigma Moun!. 9co~nds 10 MlilOlt> Moont. ®C

    o

    SIGMA

    2-3·1 5 L"" lItO-Minami Komlle-sni. Tokyo 201

    TeL 03(3480)1 43 1 Telex. 2423560 S IGMA JJ