Select Experience - WordPress.com · 2019. 10. 24. · Select Experience Managing Editor, The Moving Image tters tional y College y of North Carolina Wilmington 2009– 2102– 2013–

Select Experience

Managing Ed

itor, The M

oving Image

Co-Ed

itor-in-Chief, Film

Matters

Contributing Ed

itor, Film International

Librarian, B

runswick C

ommunity C

ollege

Lecturer, U

niversity of North C

arolina Wilm

ington2009–

2102–

2013–

2017–2011–

Skills & A

bilities

Publishin

g

Com

munication

Inform

ation T

echnology

Graphic D

esign

Adobe P

hotoshopAdobe Illu

stratorAdobe In

Design

Collaboration

Problem

-Solvin

g

Education

Graphic D

esign Certificate

October 2

019

Cape Fear C

ommunity

College, W

ilmington, N

C

M.A. L

ibrary & Inform

ation Stud

iesMay

2003

May

2001

University

of Wisconsin-M

adison, M

adison, W

I

M.A. C

ommunication A

rts

B.A. Film

and V

ictorian Stud

iesMay

1999

Bard

College, A

nnandale, N

Y

Contact

References furnished

upon request

lizajanepalmer@

gmail.com

https://bibliographicdesign.com

/

Liza Palmer

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Elizabethby Elizabeth Friedländer

Elizabeth Friedländer (1903-1984) was a G

erman

designer notably active in Great Britain during the

inter- and postwar years, a� er escaping religious

persecution as a Jewish w

oman in N

azi Germ

any and, later, Italy. A “design prodigy,” 1 she studied under E. R. W

eiss at the Berlin Academy and, in 1927,

was invited to design a typeface by the Bauer Type

Foundry on the strength of her work for the m

agazine D

ie Dam

e. This typeface, originally called Friedländer-Antiqua, w

as eventually renamed Elizabeth to avoid

drawing a� ention to her Jew

ish surname; ow

ing to the turbulent political situation in Europe, it w

as not struck until 1939.

Friedländer’s professional history is fascinating, from

her imm

igrant experiences in London as a domestic

servant to her work for the M

inistry of Information’s

black propaganda unit, where she designed forged

Nazi rubber stam

ps and ration books in support of the w

ar eff ort. A rare example of a w

oman w

orking in the early contem

porary era of typography, Friedländer w

ould continue to defi ne postwar British

advertising and publishing thanks to her career at Penguin publishing house, despite her w

ork being “resolutely un-English.” 2 Secure in her sense of self and purpose, Friedländer fl ourished in the collective spirit that dom

inated British design at the time, w

hen – according to curator Katharine M

eynell -- “your job w

as to do the work, rather than announce yourself in

front of it.” 3

1 htt p://ww

w.dorafabrics.com/2018/01/16/12007/ | 2 htt p://w

ww.dorafabrics.

com/2018/01/16/12007/ | 3 htt ps://w

ww.itsnicethat.com

/features/elizabethfriedlander-graphicdesign-internationalw

omensday-080318

https://bibliographicdesign.com/ | [email protected]

Bibliographic Designvision·concept·curation

T385v. 1

Struck from a vintage French stamp and edited in Adobe Photoshop, this design showcases my interest in recontextualizing historical materials.

A design, made in Adobe Photoshop, featuring a digital photograph of the negative space created by my silver flatware

when arranged upon my beloved kitchen table, which is then layered over images of Victorian wallpapers. A commentary on

the repurposing of the old to become new once again.



T385v. 2

A narrative of waves, created in Adobe Illustrator.

Variations on a pattern design inspired by Rococo wallpapers, created in Adobe Illustrator.

A selection of custom-designed logos that demonstrate my creativity and aesthetic range, along with my Adobe Illustrator skills.

PLLO



Z 253.532 .A34v. 1

Name That SpeciesThe George W. Bush Beetle

What do you do when

you have sixty-fi ve new species of slime-mold beetles to name?

That problem faced entomologists Quentin Wheeler and Kelly Miller, who discovered the new species while revising the genus’s monograph. “You can exhaust the really descriptive names easily. Once you’ve done that, you have the opportunity to be a litt le more creative,“ says Wheeler, chief of entomology at the Natural Museum in London.

First they named some aft er their wives, then moved on to characters in popular culture: Darth Vader, who resembles a beetle, and Pocahontas, who does not. Aft er that it was on to political heroes. Wheeler is a fan of President George W. Bush, so he named the beetles for Bush, Vice President Dick Cheney, and Secretary of Defense Donald Rumsfeld . . .

The

Geo

rge

W. B

ush

Beet

le

Name That SpeciesWhat do you do when you have sixty-fi ve new species of slime-mold beetles to name? That problem faced entomologists Quentin Wheeler and Kelly Miller, who discovered the new species while revising the genus’s monograph. “You can exhaust the really descriptive names easily. Once you’ve done that, you have the opportunity to be a little more creative,“ says Wheeler, chief of entomology at the Natural Museum in London.

First they named some after their wives, then moved on to characters in popular culture: Darth Vader, who resembles a beetle, and Pocahontas, who does not. After that it was on to political heroes. Wheeler is a fan of President George W. Bush, so he named the beetles for Bush, Vice President Dick Cheney, and Secretary of Defense Donald Rumsfeld . . .

Name That Species The George W. Bush Beetle

Wheeler is a fan of President George W. Bush, so he named the beetles for

Bush, Vice President Dick Cheney, and Secretary of Defense Donald Rumsfeld . . .

What do you do when you have sixty-fi ve new

species of slime-mold beetles to name?

That problem faced entomologists Quentin Wheeler and Kelly Miller, who

discovered the new species while revising the genus’s monograph.

First they named some aft er their wives, then moved on to characters in popular culture: Darth Vader, who resembles a beetle, and Pocahontas, who does not.

Aft er that it was on to political heroes.

“You can exhaust the really descriptive names easily. Once you’ve done that, you have the opportunity to be a li� le more creative,“ says Wheeler, chief of entomology at the Natural Museum in London.

What do you do when you have sixty-fi ve new species of slime-mold beetles to name? That problem faced

entomologists Quentin Wheeler and Kelly Miller, who discovered the new species while revising the genus’s

monograph. “You can exhaust the really descriptive names easily. Once you’ve done that, you have the

opportunity to be a litt le more creative,“ says Wheeler, chief of entomology at the Natural Museum in London.

First they named some aft er their wives, then moved on to characters in popular culture: Darth Vader, who resembles a beetle, and Pocahontas, who does not.

Aft er that it was on to political heroes. Wheeler is a fan of President George W. Bush, so he named the beetles for Bush, Vice President Dick Cheney, and Secretary of

Defense Donald Rumsfeld . . .

The George W. Bush Beetle

Name That Species

Four examples — transitional (top left), axial (middle left), grid (bottom left), and bilateral (bottom right) — engaging with Kimberly Elam’s Typographic Systems. Layouts were constructed in Adobe InDesign and feature an original beetle design created using Adobe Illustrator.



Z 253.532 .A34v. 2

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v x

B

ee v vllma y ad er ne

dc

l jk

zl

l iza lu

aeele

a nor

dre

nko

wsky

smes h eoftheaft e rno

onritualin tr

aigure

dtim eatland a

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tudy

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ch

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eo gaphy

orthec

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ae

hfsAvant-garde filmmaker Maya Deren in Apple Chancery font, conceived in Adobe InDesign.

An example of a “twofer” advertisement, designed with library markets in mind, that plays with the limits of the frame -- created using Adobe InDesign.



Z 258

PANTONE®Cha-cha-cha de

PANTONE®

Devenir immortel et puis mourir.

PAN

TON

E®

La Rive Gauche de

PANTONE®Karina de

Pant

one®

and

the

Cul

tura

l Se

rvic

es o

f the

Fre

nch

Emba

ssy

part

ner w

ith

desi

gner

Liza

Pal

mer

to

hera

ld a

sea

son

of s

ixtie

s Fr

ench

cin

ema

at L

inco

ln

Cen

ter t

his

fall.

222

339

0631

La Jetée (Chris Marker, 1962)

PAN

TON

E®

Celebrating Pantone: A series of three-color postcards for an imagined retrospective of French New Wave films — featuring (starting top left) Salut les cubains (Agnès Varda, 1963), À bout de souffle (Jean-Luc Godard, 1960), La Jetée (Chris Marker, 1962), and Vivre sa vie (Jean-Luc Godard, 1962) — at Lincoln Center, created with Adobe Photoshop and InDesign.



HD62.38

Rate Menu

Product + Service + Format + Deliverable = Total Cost

ProductBusiness Card | $25Business Card (duplex) | $40Flyer | $30Flyer (duplex) | $50Logo | $50 Trifold Brochure | $75

ServiceAs Is (no revisions) | +$0Simple (one round of revisions) | +$25Moderate (three rounds of revisions) | +$50Complex (five rounds of revisions) | +$75

FormatOnline | +$0Print | +$0Both | +$10

Deliverablejpg | +$0gif | +$0pdf | +$0raw file | +$100

All Other Bespoke Designs = $33/hour

PoliciesA fifty percent deposit is required in advance for all contracted design work.

Turnaround time is typically two weeks for initial design; please allow one week for each round of revision.

I use fonts and elements that are free for commercial use, unless otherwise directed; clients are responsible for all licensing fees for specially requested materials.

I retain copyright over all my designs but license them for perpetual use by my clients.

liza palmerFUN

FACTS

Design Influences

May

a Deren

Kenneth AngerBarbara Stanwyck

Wes A

nderson

Terrence M

alick

Sofia C

oppola

Jane Wodening

Anna Karina

Kara Walker

Édouard Vuillard

Stan B

rakhage

Marie A

ntoinette

Frida Kahlo

Gra

nt

Wo

od

En esprit, je suis française.

I have an Etsy problem

.

avant-garde

I stalk art. Ch

oo

se K

ind

ne

ss

Savory Not S

weet

Dual C

itizen

Librarian

Costume Dramas

Editing & ProofingSpeak Truth to Power

Documents

Select Experience - WordPress.com · 2019. 10. 24. · Select Experience Managing Editor, The Moving Image tters tional y College y of North Carolina Wilmington 2009– 2102– 2013–