�00:00:30:- Told you. Piece of cake.|- Let's just do this and get out of here.00:00:33:Relax, Clay. I told you|no one's home. The owner's dead.00:00:37:Stay here. Keep watch.|We'll get the urn.00:00:45:- Clay doesn't know, does he?|- Why spook him?00:00:47:He'd believe it was the curse|that killed the old man.00:00:49:He was stung to death|by a scorpion, Wesley,00:00:52:in the bathroom of an aeroplane.00:00:53:- Don't tell me you believe in that crap.|- You think I'd be here if I did?00:00:59:Is that it?00:01:02:That's it.00:01:07:- You see any scorpions around?|- No, just dollar signs.00:01:11:- Let's go.|- Hey, there's a car coming.00:01:13:- You guys must've tripped an alarm.|- Let's get out of here.00:01:26:I should've never let you guys|talk me into this.00:01:28:Shut up. We'll split up|and meet in San Francisco.00:01:31:Take this to your friend|and hock it right away.00:01:33:And don't you think about ripping|us off, because I'll find you.00:01:44:What? What...?00:01:47:What are you?00:01:50:- I'm The Guardian of the urn.|- The what?00:01:56:Hey, what are you doing?00:02:04:You're being punished|for your greed.00:02:10:As for your friends...00:02:22:- New York Clay? That Clay?|- That's the one.00:02:25:You said you never wanted|to see him again.00:02:27:- Ancient history.|- Six months?00:02:29:Five. He's just stopping by|on his way home. It's not a big deal.00:02:32:He was travelling or something.00:02:33:- Who's Clay?|- Nobody.00:02:35:Her ex-boyfriend. The musician.00:02:37:She met him when she was working|at the Rainbow Room. You remember.00:02:40:No, I don't. Nobody told me.|They hired you at the Rainbow Room?00:02:43:Yeah, she was a hostess until she|started working at the Chelsea Pier.00:02:46:Okay, can we talk about this|later please?00:02:49:A lot later.00:02:51:We're just friends.|That's all, you know.00:02:53:- Do I have lipstick on my teeth?|- Yes.00:02:57:That was mean.00:02:59:- That was not mean.|- Okay.00:03:04:Phoebe.00:03:06:Clay.00:03:09:It's really good to see you.00:03:23:You okay?00:05:17:What else don't I know?00:05:21:Prue, don't take this personally,|but sometimes you can be judgmental.00:05:24:Oh, that is so not true.00:05:29:All right, so maybe|it's sometimes true.00:05:33:I just don't understand why Phoebe|never even told me about this guy.00:05:37:People don't like to dwell|on things that end badly.00:05:39:Yeah, well, I wish my relationships|ended that badly.00:05:42:Did you hear them last night?|There was music,00:05:45:- there was wine, there was...|- Talking.00:05:48:And how do you know|there was wine?00:05:50:Okay, so I peeked.00:05:52:Well, you know, if nobody tells me|anything, I have to get creative.00:05:58:Stop worrying. She'll be fine.00:06:02:She knows what she's doing.00:06:04:Watch that entrance,|make sure nobody comes in.00:06:23:- Whoa, Doug. Easy.|- Thanks, Piper.

00:06:28:I hope Shelly didn't see that.00:06:30:Don't worry about it, Doug.|You just hang in there.00:06:35:- What was that?|- What?00:06:38:That. You know, the guy, the glass.00:06:41:Do you do that often?00:06:42:Freeze time in front of,|I don't know, let's say, everybody?00:06:45:Yeah. I'm finally getting|some control over the unfreezing.00:06:49:The poor guy, he just keeps|dropping everything.00:06:52:- Then maybe you should just fire him.|- The owner wants me to.00:06:55:Actually, he threatened|to fire me if I don't.00:06:58:But he's going through a hard time.|Shelly, the waitress, just dumped him00:07:01:- after six years of dating.|- So, what? You're playing cupid00:07:05:- at the risk of your own job?|- Yeah. I mean, Doug loves her.00:07:09:He even bought an|engagement ring and everything.00:07:12:He just waited too long to ask.|So now he's a wreck.00:07:15:Still, you can't just keep, you know,|freezing in order to protect him.00:07:19:I know.00:07:22:So are you still going back|to Buckland's?00:07:24:Yeah, that's where I work.00:07:26:I just figured after everything|that happened with Rex and Hannah00:07:30:that you would be hitting|the classifieds.00:07:32:Well, if we don't save|the auction house, I might have to.00:07:35:Rex...00:07:39:Bankrupt.00:07:41:What were you saying?00:07:43:Never mind. Gotta go.00:07:56:I wish you could've been there,|Phoebe. You would've loved Egypt.00:08:00:Pyramids, giant sphinx,|Nile river, camel taxis.00:08:07:- It was amazing.|- You rode a camel?00:08:10:They're friendlier than some|of the cab drivers I've met.00:08:12:Can't imagine they're faster.00:08:18:You were right to leave me.00:08:21:Oh, and the conversation turns.00:08:23:No, I'm serious. You're the best thing|that ever happened to me00:08:26:and I blew it. I know that.00:08:29:Clay...00:08:30:- What? Too much too soon?|- Yup.00:08:36:Look, I hope you don't|take this the wrong way.00:08:43:But why are you here|with me now?00:08:46:What? Can't a guy visit?00:08:50:Yeah, but you're not just a guy.00:08:52:You're Clay, and Clay|comes with strings attached.00:08:56:I never could|hide anything from you.00:08:59:Actually, you could. That was one|of our problems, remember?00:09:04:I picked up this urn at...00:09:07:...an overseas market.00:09:09:Thought it might be|worth something.00:09:11:So you want me|to get Prue to help you00:09:15:because of the auction house.00:09:17:Guilty.00:09:20:For a minute there,00:09:22:I thought you were here|to win me back.00:09:25:No, Phoebe.00:09:27:I think too much for you|to still believe you're interested.00:09:31:Look,00:09:33:it's no secret.00:09:35:I've been in some trouble.00:09:37:I've gotten in too deep.00:09:39:I thought if I could sell this urn,|make some money, pay off a debt,

00:09:43:I can make a fresh start.00:09:47:Hey, think about it.00:09:51:Please, Phoebe.00:10:00:- Hi.|- Oh, hi. You must be Prue.00:10:03:- And you must be...|- Claire.00:10:06:Claire Pryce.00:10:08:The bank assigned me to see|if the business is worth salvaging.00:10:12:I'm looking for inventory records.00:10:14:The files in my predecessor's|office were empty.00:10:17:Yes, well, Rex and Hannah|weren't exactly qualified.00:10:21:Obviously why Buckland's|is in such dire straits.00:10:27:To be honest with you, Prue,|I don't know anything00:10:30:about auction houses,|and I know even less about art.00:10:33:But what I do know|is the bottom line.00:10:35:If we don't move $1.2 million worth|of inventory at the auction tomorrow,00:10:40:I'm shutting the place down.00:10:42:- Excuse me, did you say "tomorrow"?|- Did I stutter?00:10:46:With all due respect, you don't just|decide to throw an auction, okay?00:10:50:You need advance notice,|a catalogue, buyers.00:10:54:Then it looks like you've got a lot|of work ahead of you, doesn't it?00:11:03:Sorry.00:11:06:Who was that?00:11:08:The new sheriff.00:11:09:- Hey, Prue.|- Hey, Clay. What's up?00:11:12:A favour.00:11:14:Clay was hoping that maybe|you could sell this for him.00:11:18:Yeah, I picked it up|at a market overseas.00:11:21:Picked it up?|Does that mean you bought it?00:11:23:What else could it mean?00:11:25:Well, it's really beautiful.00:11:28:Gold inlay, 24 carat, a lot of lapis,|looks to be from Egypt.00:11:32:Exactly.|That's where I was travelling.00:11:34:- These etchings are very unusual.|- You think it's worth something?00:11:39:Well, I would have to determine|the urn's origins, its previous owners...00:11:43:- Couldn't you just skip a step or two?|- Phoebe, I cannot risk00:11:47:this auction house's reputation on|something like this without checking.00:11:50:Come on, come on. I will...00:11:53:What will I do?|I will cook you dinner.00:11:56:Don't threaten me.|Fine, I'll see what I can do.00:11:58:Hey, thanks. Thanks a lot.00:12:00:Is she the best or what?00:12:02:Thank you, thank you.00:12:03:I love you.00:12:16:Thanks for doing that, Phoebe.00:12:17:No problem. Prue will get you|a great price for it too.00:12:20:She's really good at her job.00:12:22:Well, it'd be nice if she|just liked me a little bit.00:12:25:She likes you. She's just real|protective of me, that's all.00:12:29:- I remember when that was my job.|- Yeah, and then I quit you.00:12:32:Hey, Clay.00:12:35:Palmer.00:12:37:- What are you doing here?|- I'm bumping into you.00:12:40:- Aren't you gonna introduce us?|- Oh, yeah. Sorry.00:12:43:Phoebe, this is Palmer.|I met him in Cairo.00:12:45:- Hi. Oh, wow. Small world, huh?|- Yeah.00:12:48:- Hey, what's going on with that urn?|- You know about the urn too?00:12:53:Well, actually that's where we met,|at the marketplace where I bought i

t.00:12:56:Yeah, right, the marketplace.|I thought you were gonna sell it?00:13:00:Phoebe's sister works|at that auction house.00:13:02:- She's looking for a buyer.|- That's good. That's good.00:13:04:The sooner the better, I guess, huh?00:13:08:- Hey, are you okay?|- Yeah, I'm fine. Thank you.00:13:11:It's just I'm a little tired.|Jet lag, you know.00:13:14:Are you staying at the Ashcroft|like I suggested?00:13:17:Yeah, sure.00:13:18:Good. Me too.00:13:20:Maybe we'll hook up later?00:13:23:- It was nice to meet you.|- Oh, yeah. You too.00:13:29:Creepy guy.00:13:32:Yeah.00:13:36:You hungry?00:13:53:- Help you?|- I was a friend of Wesley's.00:13:56:His family wanted me to make sure|he got home all right.00:13:59:Sorry. How did he die?00:14:02:I don't know.00:14:03:Spider bite, I think.00:14:06:He's off to JFK, right?00:14:09:First flight in the morning.00:14:17:Sorry, Wes.00:14:44:What am I supposed to think, Piper?00:14:47:Phoebe's ex pops into town and wants|me to sell something for him.00:14:50:You think that's a coincidence?00:14:51:Oh, Prue, you wonder why|you're out of the loop.00:14:54:You worry too much about Phoebe.00:14:56:No, I don't. I just don't wanna|see her get hurt, that's all.00:15:00:Look, I just get this really|bad feeling about Clay.00:15:03:- I can't explain it.|- I can.00:15:05:You don't think|he's good enough for her.00:15:07:Just like you didn't think Jeremy|was good enough for me.00:15:10:Of course, in his case, you were right.|But that's not my point.00:15:13:No, your point is that it's none of my|business, and you're probably right.00:15:18:Speaking of playing matchmaker,|how's Doug?00:15:21:The same, unfortunately.00:15:23:Except I'm getting a little|freeze frazzled. It's draining.00:15:26:Don't you think you need to find|a better way to deal,00:15:28:before you get fired?00:15:30:I know.00:15:32:I gotta go. I gotta go.00:15:40:Sorry, Doug. Too pooped to pop.00:15:47:I'm surprised you moved back here.00:15:49:I remember a few late nights,|a few beers,00:15:51:a few not-so-pleasant|conversations about your sisters.00:15:55:And here you are|living together again.00:15:58:Necessity or choice?00:16:00:I think a little bit of both.00:16:03:Anyway, things have...00:16:05:...kind of picked up|at the Halliwell Manor.00:16:07:- Yeah? Like how?|- Oh, well, let's just say00:16:10:San Francisco has been a lot more|unusual than New York.00:16:15:- More rice?|- No, thanks.00:16:20:You know, Phoebe,00:16:21:you really haven't said much|about what you've been doing.00:16:24:- Protecting the innocent from evil.|- Come on, be serious.00:16:29:I mean, you barely|had a spare minute in New York,00:16:31:three jobs just to afford|your social calendar.

00:16:34:Things have changed.00:16:37:I've changed.00:16:41:I'm trying to change too.00:16:46:One thing that won't change|is how I feel about you.00:16:58:I'm sorry. I shouldn't have.00:17:00:No, it's not that, believe me. I...00:17:07:It took me a long time|to get over you. And...00:17:12:...I just wanna be careful.00:17:17:I understand.00:17:21:But if I clean up my act...00:17:24:...would you consider moving back.00:17:26:Do not go there now.00:17:33:- Sorry to interrupt.|- It's okay. It happens.00:17:37:I should get back|to the hotel anyway.00:17:39:- Clay, stop. I got it. I got it.|- Okay.00:17:42:- So how's it going with the urn?|- It's going.00:17:46:I think what he's trying to ask is,|"Is it going, going, gone?"00:17:49:Well, I put it on the auction block.00:17:52:Great. That's great. Thanks a lot.00:17:54:I'm still waiting for the background|check to come through on it00:17:57:so I can set a reserve price.00:17:58:Okay, whatever you get|for it is fine with me.00:18:01:As long as it sells, right,|and in a hurry?00:18:03:Well, from what I understand,|if anyone can do that, it's you.00:18:09:So I will call you tomorrow.00:18:12:Maybe you can show me|around the city,00:18:14:help me see where I left my heart.00:18:21:Hey, I really appreciate it.|Thanks again.00:18:23:Anything for Pheebs.00:18:26:- See you later.|- Okay.00:18:33:- What?|- Nothing.00:18:36:I can worry about|my little sister, can't I?00:18:39:Don't ever stop.00:18:48:Are you okay?00:18:50:Nothing to see here. Move along.00:18:52:- Welcome to London.|- What did you do?00:18:56:More like, who did you do it to?00:18:58:I put a charm on Doug,|but I doubled the recipes.00:19:01:Just something to boost|his confidence00:19:03:so he can give love a shot|and give me a break.00:19:06:Go ahead, Prue. Yell at her.00:19:08:It's not for personal gain|and it fits into the whole00:19:10:harm-none thing|we have top live by.00:19:12:Besides, Prue told me|to do something.00:19:14:- Did not.|- Yes, you did.00:19:16:I just need Doug to stop dropping|things so I can stop freezing things.00:19:20:I'm just exhausted.00:19:21:You know, maybe he and Shelly|aren't meant to be together.00:19:24:Not everybody's supposed to be.00:19:27:Oh, that was real subtle, Prue.00:19:30:Well, we'll never know unless Doug|has the guts to pop the question.00:19:34:All I'm doing is giving it to him.00:19:36:It's just like The Cowardly Lion|from The Wizard of Oz.00:19:41:Well, it is.00:19:49:Ladies and gentlemen,|this exquisite bronze-plated carving00:19:52:dates back well over 120 years.00:19:54:Surely, it's worth more|than $2500 dollars.00:19:57:Do I hear 26? 26?00:19:59:Mark, move the F. Scott Fitzgerald pen|to the next slot, all right?00:20:03:Our buyer, Mr Gordenson,|is getting restless. Go.

00:20:05:Twenty-six, going once.00:20:07:- I think you should see this, Prue.|- What is it?00:20:10:It's the appraisal on the urn|you requested.00:20:14:The good news is|it's worth a fortune.00:20:16:- The bad news is...|- It's stolen.00:20:19:Apparently. No wonder|the auction house is going under.00:20:22:Selling stolen goods.00:20:24:No, this is highly unusual|and very embarrassing.00:20:27:Yes, it is.00:20:29:Yes. Now 16? 16,000?00:20:32:- Oh, no.|- Sixteen thousand?00:20:36:Fifteen thousand going once,|going twice.00:20:39:Sold for 15,000.00:20:41:Paddle number three.00:20:44:Next item up,|lot number 51, 5-1.00:20:49:This beautiful 24-carat|gold inlay urn from Egypt...00:20:55:Obviously,|there's been some mistake.00:21:05:- Who are you?|- You must be Prue, Phoebe's sister.00:21:08:- Same question, who are you?|- Me?00:21:13:I'm a friend of Clay's.00:21:15:Why didn't you sell that urn?|You're supposed to sell it.00:21:17:- I think you'd better leave.|- No. Don't you understand?00:21:20:- You have to sell it before the curse.|- Curse? What curse?00:21:23:The urn, it's cursed.00:21:25:Never mind. Forget it.|I'll get rid of it myself.00:21:30:Oh, my God. It is cursed.00:21:33:Oh, no.00:21:37:- What's going on?|- The curse.00:21:40:It's happening.00:21:42:It's too late.00:21:44:I gotta get out of here.00:21:55:So do you believe in giving people|second chances?00:21:58:Absolutely. That's probably why|I wanted to help out Doug so much.00:22:02:Okay, well, Clay says he can change|and I wanna believe him, but...00:22:07:But you're afraid of getting hurt.|That's totally understandable.00:22:10:So I keep my distance|and then what?00:22:13:Hope that I'm wrong?00:22:16:Well, you could be. That premonition|of yours was definitely the future.00:22:21:Yeah, but the problem is|I keep thinking about the past.00:22:25:When I moved to New York,|I was so angry.00:22:29:All right, I was scared.00:22:32:And then I met Clay,|and he helped me out a lot.00:22:36:He was really good to me at a time|in my life when nobody else was.00:22:41:Sorry, you know what I mean.|I didn't mean it like that.00:22:44:All right. That's fine.00:22:47:So why did you leave him?00:22:49:Well, he kept living|beyond his means.00:22:51:He never thought of the future.00:22:54:Yeah, I know that sounds familiar.00:22:58:Let's just say...00:23:00:...he took one too many shortcuts.00:23:03:Got involved with some bad people,|got in over his head, way over his head.00:23:07:And finally I just couldn't take it|anymore. I had to leave.00:23:12:And so now he's back, hoping to be|the man you fell in love with originally.00:23:16:Yeah. So, what do I do?00:23:19:What if he's the one?00:23:20:Like you say Doug and Shelly are.

00:23:23:- Do I just walk away?|- No, but...00:23:26:We can't live together forever.00:23:27:What do we expect, to be 60 years old|and still be sharing clothes and a cat?00:23:33:Well, now that|you put it that way, no.00:23:36:I don't wanna live with you anymore.00:23:43:Oh, boy.00:23:49:I thought your charm|was to boost his confidence00:23:52:not turn him into Tom Cruise.00:23:55:Maybe I shouldn't have|doubled the recipe.00:23:58:Yeah.00:24:01:Doug.00:24:04:What's going on?00:24:06:Not sure, but whatever it is,|I feel great.00:24:15:Thanks, Doug.00:24:18:Doug, what about Shelly?00:24:20:Who cares about Shelly when I got|Thursday, Friday and Saturday00:24:24:all lined up and waiting?00:24:27:- I don't believe I've had the pleasure.|- I don't believe you will. Off limits.00:24:34:Well, your charm worked.00:24:36:- You've turned Doug into...|- A monster.00:24:40:I gotta go. I told Clay|I'd meet him over at the house.00:24:44:Goodbye.00:25:03:Leaving?00:25:06:- How'd you get here?|- I came with your friend.00:25:09:I waited for your fear|to consume you.00:25:13:Where's the urn?00:25:15:The Buckland Auction House.|I tried to get it back.00:25:18:I was gonna return it, I swear.00:25:19:I tired to make things right.|Please! Don't! I'm sorry.00:25:25:No!00:25:26:No, no, no!00:25:29:You're being punished|for your greed.00:25:39:So the band goes on at 10:00,|but if we get there before 9:0000:25:42:- there's no cover. You interested?|- In anything that involves you.00:25:52:Okay.00:26:02:- Déjà...|- Vu.00:26:04:I miss this.|The day-to-day of us.00:26:12:Yeah. Me too.00:26:16:Okay, well, I'm gonna change now.00:26:19:Okay.00:26:22:Oh, you want me to leave.00:26:24:That's kind of|a loaded question, but yeah,00:26:27:- I think that would be best.|- Phoebe, we did live together.00:26:30:- It's not like I haven't...|- Yeah, I know.00:26:33:But things have changed.00:26:37:Come here. Sit down.00:26:42:- Very different.|- Do they have to be?00:26:45:Well...00:26:47:You know, when you...00:26:51:Okay, stop. Stop.00:26:56:Okay, go. Go.00:27:01:What am I doing?|What am I doing?00:27:04:Okay, you know this isn't fair|because I love it when you...00:27:15:Prue, you scared me.00:27:17:- Where's Phoebe?|- Upstairs.00:27:20:But you might wanna...00:27:23:...knock.00:27:26:Phoebe, we need to talk.

00:27:30:Yes, we do.00:27:43:- You know you don't have to leave.|- Yeah, I think I should.00:27:48:- I'll call you.|- Okay.00:27:55:I hope you liked the show.00:27:56:Phoebe, I'm so sorry. I had no idea.00:27:59:What, that it was my room|that you barged into?00:28:02:I had more privacy|when I lived in New York,00:28:04:a tiny island crawling|with 8 million people.00:28:08:And at least one thief.00:28:10:I'm sorry, excuse me?00:28:14:My new boss handed this to me,00:28:16:thankfully just before|the urn could be sold.00:28:20:Clay didn't buy it at some|outdoor bazaar, Phoebe.00:28:24:- He stole it.|- This can't be right.00:28:28:- It looks right, Pheebs.|- Seasons change. People don't.00:28:31:I changed.00:28:33:Do you remember what|you thought of me00:28:35:before I walked back|through that door?00:28:37:- That's different.|- How is that different?00:28:39:You're my sister.00:28:45:Well, there's gotta be some mistake.00:28:48:It gets worse.00:28:51:If the background information|is accurate,00:28:53:there's a curse attached to the urn.00:28:57:Anyone who steals it ends up dead,00:29:00:a victim of The Guardian|who protects it.00:29:03:And she feeds off their greed.00:29:04:Okay, well, even if that's true,00:29:07:Clay could've never known about it.00:29:09:Otherwise, he wouldn't have|brought it here.00:29:12:Are you sure, Pheebs?00:29:13:You wouldn't be the first Halliwell|to misjudge a guy.00:29:16:No, it's not about judging.|It's about knowing. And I know Clay.00:29:20:And I know what Clay has done.00:29:22:Okay, he put my job in jeopardy.|He lied to me.00:29:25:Phoebe, he lied to you.00:29:28:You don't know that.00:29:31:Look, I'm not saying|that he's perfect.00:29:35:Okay, and even if he is foolish|enough to risk his own life...00:29:42:...he would never risk mine.00:29:58:If I didn't know any better,|I'd say this is a scorpion sting.00:30:02:A scorpion sting in San Francisco?00:30:04:I know, but that's what it looks like.00:30:07:Any chance he was killed|somewhere else and moved here?00:30:10:No. The lividity is consistent|with where he was found.00:30:13:Well, I buy this place has roaches.00:30:14:I'm not so sure about scorpions.|Anything else?00:30:18:Found someone's|business card in his pocket.00:30:21:Buckland's Auction House?00:30:23:Let me guess, Prue Halliwell?00:30:25:- Yeah. How'd you know?|- I'm cursed.00:30:29:Let me know when you get|the report back on that sting.00:30:38:Excuse me.00:30:48:Palmer?00:30:59:Lot 49, 2600. Lot 50, 15,000.|Lot 51, excluded.00:31:09:Shouldn't that be turned in|to the proper authorities?00:31:12:I'm contacting Customs|as soon as we're finished here.00:31:15:Look, again I just wanna assure you|that I didn't have anything to do with...00:31:19:Just handle it.

00:31:22:- How did we do?|- $1.28 million. We did it.00:31:27:The auction house lives|to see another day.00:31:29:- Congratulations. Good work.|- Thanks.00:31:37:Hey.00:31:40:Andy, hi.00:31:41:Here to arrest me again?00:31:44:Not this time.00:31:48:A scorpion.|Why am I not surprised?00:31:51:I'm afraid I don't...00:31:53:A young man died last night|of a scorpion sting.00:31:56:- Palmer Kellogg, you know him?|- I don't believe I do.00:31:59:Well, he obviously knew you.00:32:01:I found your card on his body.00:32:04:We did just have an auction.|I met a lot of people.00:32:09:Well, I'll bring a photo by later,|see if it jogs anything.00:32:12:That's fine.00:32:18:Prue, just because|we're not dating anymore,00:32:20:I want you to know|I still care about you.00:32:24:So if you're ever in a jam|or you ever need anything,00:32:27:just know you can always call me.00:32:31:I know that. Thanks.00:32:46:- Clay, are you in there?|- Phoebe?00:32:53:- You stole the urn, didn't you?|- Why don't you come inside.00:32:57:No, I am not going anywhere|until you answer the question.00:33:00:Okay, yes.00:33:05:Were you planning on saying|goodbye before you skipped town?00:33:09:Palmer's dead, Phoebe.00:33:11:- What?|- He died from a scorpion sting.00:33:14:I call Wesley to tell him.00:33:16:That's when his parents tell me|he's dead too.00:33:18:Spider bites. I don't know how,|I don't know why,00:33:21:but I know one thing,|I'm not gonna stick around.00:33:23:- You are such a liar!|- Phoebe, I'm not lying.00:33:26:You knew it was cursed when|you stole it. You knew the legend.00:33:29:What are you talking about?|What legend?00:33:31:Are you telling me that you didn't know|whoever steals the urn dies?00:33:35:Palmer, Wesley...00:33:37:I swear I knew nothing about it.00:33:39:- Yeah, right.|- Phoebe, you have to believe me.00:33:42:No, I don't.00:33:44:You're a liar, Clay.00:33:46:You will never change.00:33:48:You'll always look for|the easy way out.00:34:06:Sorry.00:34:07:- I'll go get the broom|- Good idea.00:34:11:I see you reversed the spell.00:34:13:Yeah and I've been given|until tomorrow to fire him.00:34:16:Maybe Prue was right.|Maybe they just don't belong together.00:34:20:Seems like the theme of the day.00:34:23:Oh, Clay?00:34:25:He totally used me, Piper.00:34:27:He just used me to get to Prue.00:34:31:I'm sorry.00:34:34:Thanks for not saying,|"I told you so."00:34:39:Why didn't I see it coming?00:34:41:- What am I, a sucker for punishment?|- No.00:34:44:You see the good in people|and that's never wrong.00:34:47:Besides, the wrong guys|are usually the most interesting.00:34:51:Until you get your hopes up00:34:53:and let your guard down, and|then they reveal their true selves.

00:34:55:- It's so true.|- I mean, look at Doug.00:34:58:Great guy, kind of boring|on the surface, easy to overlook.00:35:03:But maybe in the long run|we're better off with his type.00:35:06:Maybe in the way long run.00:35:09:- I think I'm still looking for adventure.|- Then you risk paying the price.00:35:16:I got it.00:35:18:- Maybe it's a price worth paying.|- Yeah.00:35:21:I just don't know anymore.00:35:24:Thanks for the ear.00:35:37:- Can I come in?|- No.00:35:39:Look, I may have lied|about buying the urn,00:35:42:but I swear I didn't know|it was cursed.00:35:44:Well, that still makes you|a thief now, doesn't it?00:35:46:That's why I'm here.|I wanna make things right.00:35:48:I wanna turn myself in to the police.00:35:51:I mean it, Phoebe, honest.00:35:52:It's the only way I can|redeem myself with you.00:35:55:And how do I know this isn't|just another one of your scams?00:35:58:I guess you don't, but I don't wanna|take shortcuts anymore.00:36:01:I wanna take the urn|with me to the police.00:36:03:But there's no way Prue|is just gonna give it to me...00:36:06:...not without you there.00:36:08:I need your help.00:36:11:It's the last favour|I'll ever ask, I promise.00:36:17:I don't think so.00:36:20:Please.00:36:29:The curse.00:36:31:What?00:36:33:Let's go.00:36:41:- Phoebe, what is he doing here?|- Save it till later.00:36:44:I have seen the future,|and it's not bright.00:36:46:Oh, good. You didn't give|the urn to the police.00:36:48:No, I thought it might|get you in trouble.00:36:50:You know that little legend|we were talking about?00:36:53:Well...00:36:57:- I think it's true.|- What the hell is that?00:37:01:- Clay!|- Get him out of here.00:37:03:Go!00:37:10:I don't wanna harm you.00:37:12:- I came for the thief.|- Who are you?00:37:15:I'm The Guardian of the urn.00:37:18:You cannot destroy me.00:37:25:Phoebe. Run.00:37:30:So now there are more who will die.00:37:45:I still don't understand.00:37:46:You stay down here,|we'll be right back.00:37:48:- What's going on?|- I'll tell you in the attic.00:37:50:- Where are you going?|- Fill her in, I'll meet you guys upstairs.00:37:55:Piper is really into legends00:37:57:and Prue is really good|with her mind, so...00:38:01:Yeah, but that thing,|The Guardian, she's not even...00:38:04:Human? Yeah. I know.00:38:05:But she's real|and we have to figure out00:38:07:- how to stop her before she gets you.|- I don't know what you're thinking.00:38:10:I do not want you|getting hurt because of me.00:38:14:You know, I think|I actually believe you.00:38:26:- Did you find anything?|- Nothing about Egyptian urns00:38:29:or greed demons. Zip.

00:38:32:Well, let's just hope that|she didn't follow us here00:38:34:because our powers|are useless against her.00:38:37:How is that possible? I mean,|that's never happened to us before.00:38:40:Maybe we're not supposed|to protect him.00:38:42:- What are you saying?|- Look, all I'm saying00:38:46:is that maybe there's a reason.00:38:48:Like Piper trying to force Doug|and Shelly back together again.00:38:51:Maybe there are some things|that we're not supposed to save.00:38:53:No, we're saving Clay, period.00:38:56:There's just gotta be|something that we're missing.00:38:59:Maybe this is something.00:39:00:It doesn't talk about the urn, but it|talks about the seven deadly sins.00:39:04:- Greed being one of them.|- Wait a minute.00:39:07:The Guardian punishes the greedy.00:39:09:So maybe if Clay does something|selfless, it'll even the score.00:39:15:Good luck.00:39:19:Sorry.00:39:23:Clay!00:39:24:Clay, where are you?00:39:26:Clay?00:39:28:- I think he left.|- I don't believe it.00:39:32:- Well, sorry, Pheebs.|- No, I mean, I really don't believe it.00:39:35:- He wouldn't just leave.|- You have a better explanation?00:39:37:He was worried about me,|he was worried about us.00:39:39:I'm telling you...00:39:42:Wait, my vision, I think I know where|he's going. We gotta stop him.00:39:56:I knew you'd come back.|Your greed consumes you.00:40:00:I'm not here for the urn.00:40:03:- You must be punished.|- I know.00:40:08:When you're done with me,|that's it, right?00:40:10:- You're not gonna hurt anybody else?|- Not until somebody steals the urn.00:40:14:How do you know anybody will?00:40:16:Somebody always does.00:40:35:- Clay!|- Stay back, Phoebe.00:40:37:- No!|- Phoebe, look out!00:40:44:A selfless act.|Just like the Book of Shadows said.00:40:56:- Where did it go?|- Who cares, as long as it's not here.00:41:01:Are you okay?00:41:03:Am I okay?00:41:05:Who says people never change?00:41:21:Good thing we didn't have to use|our powers to vanquish her,00:41:24:otherwise Clay would've seen it.00:41:26:They didn't work anyway.00:41:27:Not something I hope|ever happens again.00:41:31:I forgot about Doug.00:41:35:- This is getting ridiculous.|- Tell me about it.00:41:38:That engagement ring's probably|still burning a hole in his apron.00:41:43:Where are you going?|What are you doing?00:41:45:Solving your problem|and keeping you employed.00:41:52:Okay.00:41:58:Sorry.00:42:02:What's that?00:42:08:I was carrying that around|for weeks trying to find00:42:11:the right time to ask you.00:42:13:- Ask me what?|- To...00:42:18:...marry me.00:42:20:But that's why I broke up with you.00:42:24:I gave up on waiting.

00:42:34:Maybe this would've|happened sooner00:42:36:if I kept my little Wicca-nose|out of their business.00:42:38:I guess you can't change people.|They have to change themselves.00:42:44:Speaking of that.00:42:48:- Go, baby.|- Go, girl.00:42:50:- All right.|- You go. You can do it.00:42:55:- Hey.|- Hey, I'm glad you stopped by.00:42:59:Any chance you're gonna|come back with me?00:43:03:No, this is my home now.00:43:06:You know me, I had to try.00:43:09:I know I've lied to you|about a lot of things,00:43:12:but one thing I never lied to you|about was how much I care about you.00:43:17:I know, Clay.00:43:25:- I guess I should be going.|- Yeah.00:43:30:You know, I hope|the next time we cross paths,00:43:35:I'll be the guy you always|think you see.00:43:42:Goodbye.00:43:52:- Hey, you okay?|- Oh, yeah, yeah.00:43:54:He was just stopping by|on his way home. No big deal.00:43:58:I've heard that before.