Sample Graphic Design Work

8/20/2019 Sample Graphic Design Work

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2/19

TypographyPoster Design: Type Designer

Archer is a slab serif typeface designed in

2001 by Jonathan Hoefler and Tobias

Frere-Jones. Originally commissioned

by the Martha Stewart Living

magazine, Archer is now used by

numerous companies for their

websites, magazines, posters,

and other medias.


3/19

Magazine Spread Re-Design

t this time, Gurian’s interest inphotography was just starting, and Guster gave him theability to be hands-oninthe eld, learning about exposure and composition. Not

only did this experience provide the groundwork forGurian’s technicalchops, butit alsoshaped his creative eye and provided him withinsight into astylistic range

that meets music industry needs. Infact, Guriannow has aportfoliothat includes inuential

industry clients suchas Rolling Stone, Red Bull, VH1, Coachella and The Associated Press.“I’d say 95% of my work is in the music industry, and that’s not necessarily alot of concert

work. I’ve done atonof that over the years, but totell the story of whosomeone actually isas apersonis told in amuch more authentic way whenthey’re out of the spotlight”, explains

Gurian. “It canbe backstage, onthe tourbus, ina hotelroom. Orit could be inthe recording

studioas they’re working onanew album, whichtome, is one of the most intimate momentsyou canget. It’s a very private time, and they’re creating something that they’re about toshare

withthe world.”

Gurian is acutely aware of the exibility and versatility needed whenmoving betweentheseintimate momentsand the theatricallighting of stage performance. “Withstage lighting, you

don’t have controloverit. You obviously have tobe quite procient withyourcamera systembecause you’re working onyourtoes. Traditionally speaking, you get to shoot the rst three

songs from the photopit, soyou have 6 to10 minutes toproduce everything you need. That’s

really difcult,” he says.Inorderto ensure his images stand out among the competitive eld of concert photography,

he uses access tohis advantage. “If I’m shooting foraband ora publicationthat has gottenme all-access, I’lltypically shoot onstage with the band forthe rst three songs. I’m onthe

side stage. I’m crouched downby the drummer. I’m hiding behind anampand popping up

totake shots of the lead singerwi ththe crowd. Then afterthose three songs are done, I’llgodown intothe photo shoot pit and have the entire things touse by myself”. Off-stage,

Guriantacklesaportraitshootin twodifferentways .Heenjoysdevelopinga previsualizedandwell-lit portrait,then

movingtoa morerawandorganicapproachto embrace

personality,nuance,andhappyaccidents .He creditshismentorsJoeMcNallyandDannyClinchforshapinghis

workstyle. Gurianinterned withboth photographersandlaterjoinedMcNally’st eamasan assistant.

“Joeenabledmetoseetheworld,whichinuenceshow

youliveandhowyousee.You’reinformedina different waythe moreyouexperience inlife. Ithink Ilearned alot

technicallyjustbasedonthefactthatJoeisknownforbig productionwork,”reectsGurian.

ByAshleyMyers-Turner

While still in high school, Drew Gurian was offered

the opportunity to photograph a family friend’sband. Of course, this is an exciting propositionfor any budding photographer.

Master of Musical

IMAGERY

To tell the story of

who someone

actually is as a

person is told in

a much more

authentic way

when they’re out

of the spotlight D I G I T A L P H O T O P

R O

P O R T F O L I O M

A S T E R S

64

P h o t o g r a p h y b y D r e w G u r i a n

ByAshleyMyers-Turner •Photographyby DrewGurian

i n phot o gr aphy was j ust s t ar t ing ,

and Guster gave him the ability to

be hands-on in the eld, learning

aboutexposureand composition.Not

only didthisexperienceprovidethegroundwork for Gurian’s technical

chops, but it also shapedhis creative

eye andprovided him with insight

into astylistic range that meetsmusic

industry needs. In fact,Guriannow

hasa portfoliothatincludes inuential

industrycl ientssuch asRol l ingStone,

Red Bul l, VH1,Coachel la and The

AssociatedPress.

“I’dsay95% of mywork isin the music

industry, and that’s not necessarily

a lot of concert work. I’ve done a

ton of that over the years, but to tell

the story of who someone actually

isasa person istoldin a much more

authentic waywhen they’re out of the

spotlight”, explainsGurian. “It can be

backstage, on the tour bus, in ahotel

room. Or it couldbe in the recording

studio asthey’re working on a new

album, which to me, isone of the

most intimate momentsyou can get.

It ’sa veryprivate t ime,and they’re

creatingsomethingthatthey’reabouttosharewith theworld.”

Drew Gurian is acutely aware of

the exibility and versatility needed

when moving between all these

intimate moments with performers

and the specic theatrical lighting

of stage performance. “With stage

lighting, you don’t have any control

over it. You obviously have to be quite

procient with your camera system

because you’re working on your

toes. Traditionallyspeaking, you get

to shoot the rst three songsfrom the

photo pit, so you have 6to 10minutes

to produce the photographs you

need. That’sreallydifcult,” he says.

In order to ensure hisimagesstand

out among the competitive eldof

concert photography, he usesaccess

to hisadvantage. “If I’m shooting for a

bandor apublication that hasgotten

me all-access, I’ll typicallyshoot on

stage with the bandfor the rst three

songs. I’m on the side stage. I’mcroucheddown by the drummer. I’m

hiding behindan ampandpopping

upto take shotsof the leadsinger

with the crowd. Then after those three

songsare done, I’ll go down into the

photo shoot pit andhave the entire

thingsto use bymyself”.

Off-stage, Gurian tacklesa portrait

shoot in two different ways. He enjoys

developing a previsualizedand well-

lit portrait, thenmoving to amore raw

and organic approach to embrace

personality, nuance, and happy

accidents. He credits his mentors

Joe McNally andDanny Clinch for

shaping hiswork style. Gurian interned

with both photographers and later

joinedMcNally’steam as an assistant.

To tell the story of

who someone actually

is as a person is told in

a much more authentic

way when they’re out

of the spotlight

46 • DigitalPhoto Pro

MUSICAL IMAGERYMASTER OF

At ThisTime, Gurian’sInterest

Drew Gurian works within the moment to create photography of musicsuperstars on stage and during more intimate moments.

While still in high school, Drew Gurian was offered the opportunity

to photograph a family friend’s ban d. Of course, this is an exciting

proposition for any photographer.

M A S T

E R O F

IMAGERYTo tell the story

of who someone

actually is as a

person is told in a

much more authentic

way when they’re out

of the spotlight

t this time, Gurian’s interest in

photography was just starting,

and Guster gave him the ability

to be hands-on in the eld, learning

about exposure and composition. Not

only did this experience provide thegroundwork for Gurian’s technical

chops, but it also shaped his

creative eye and provided him

with insight into a stylistic range

that meets music industry

needs. In fact, Gurian now

has a portfolio that includes

inuential industryclients

such as Rolling Stone, Red

Bull, VH1, Coachella and

The Associated Press.

“I’d say 95% of my

work is in the music

industry, and that’s

not necessarily a lot

of conce rt work. I’ve

done a ton of that

over the years, but to tell the story of who

someone actually is as a person is told in

a much more authentic way when they’re

out of the spotlight”, explains Gurian. “It

can be backstage, on the tour bus, in a

hotel room. Or it could be in the recordingstudio as they’re working on a new album,

which to me, is one of the most intimate

moments you can get. It’s a very private

time, and they’re creating something that

they will share with the world.”

Gurian is acutely aware of the exibility

and versatility needed when moving

between these intimate moments and the

theatrical lighting of stage performance.

“With stage lighting, you don’t have

control over it. You obviously have to be

quite procient with your camera system

because you’re working on your toes.

Traditionally speaking, you get to shoot the

rst three songs from the photo pit, so you

have 6 to 10 minutes to produce everything

you need. That’s really dicult,” he says.

In order to ensure his images stand

out among the competitive eld of

concert photography, he uses access to his

advantage. “If I’m shooting for a band or

a publication that has gotten me all-access,

I’ll typically shoot on stage with the bandfor the rst three songs. I’m on the side

stage. I’m crouched down by the drummer.

I’m hiding behind an amp and popping

up to take shots of the lead singer with the

crowd. Then after those three songs are

done, I’ll go down into the photo shoot pit

and have the entire things to use by myself”.

O-stage, Gurian tackles a portrait shoot

in two dierent ways. He enjoys dehveloping

a pre-visualized and well-lit portrait, then

moving to a more raw and organic approach

to embrace personality, nuance, and happy

accidents. He credits his mentors Joe

McNally and Danny Clinch for shaping

his work style. Gurian interned with both

photographers and later joined McNally’s

team as an assistant.

While still in high school, Drew Gurian was oered the opportunityto photograph a family friend’s band. Of course, this is an excitingproposition for any budding photographer.

Digital Photo Pro 46

By Ashley Myers-Turner

Photography by Drew Gurian


4/19


5/19

Self Identity Stereotype Poster


6/19

Brochure Concept Design: Beats by Dr. Dre

MUSICPeople aren’t hearing the

Formally established in 2008, Beats Electronics

(Beats) comprises the Beats™ by Dr. Dre™ family

of premium consumer headphones, earphones, and

speakers as well as patented Beats Audio™ software

technology and streaming music subscription

service Beats Music™. Through these world class

offerings, Beats™ has effectively brought the

energy, emotion and excitement of playback in the

recording studio to the listening experience and

has introduced an entirely new gener ation to the

possibilities o f premium sound enter tainment.

www.beatsbydre.com

Great sound should never be

an afterthought. In every pair

of Beats headphones, every

speaker, every note, you’ll

experience the unique blend of

science and artistry that lets you

hear your music the way the artist

intended. Don’t just listen. Hear.

Pro- The Headphones Used To

Mix In Every Major Studio.

Beats Pro headphones are

designed for sound engineers,musicians, and those who

take sound seriously.

They’re the headphones

that Lil Wayne uses

in the studio, and are

designed to deliver the

same level of emotion

and power the artist

originally intended.

Features

The Sound Of The Studio.

Beats Pro headphones allow you take sound seriously. That

means you’re hearing music the way it was originally heard

by the artist in the studio.

Clear Highs And Deep Lows

Beats Pro are made of steel and aluminum, giving you an

interior sound platform more solid than most. That’s why

you’ll feel the kind of bass that resonates deep in your chest

when you play your music.

Practically Indestructible

No cheap plastic, no frayed cords. Beats Pro headphones

are made with an aluminum gunmetal frame, encasing

overstuffed leather ear cups.

True Noise Reduction

Because Beats Pro headphones have heavily padded,

pivoting ear cups, you get the noise cancelling effect

without the need for power switches or batteries. It’s the

real studio monitor experience in a headphone.

Unboxed

Beats Pro™ over ear headphones

4.2mm coiled cable with 3.5mm twist lock plug

¼” audio adapter

In-line remote & mic cable

(features may vary)

Carrying pouch

Weight (kg): 0.40

Height (mm): 197

Length of Cable (m): 1.523

Type of Jack: 3.5mm

I want people to feel like

they were with me in the

studio, as if they were

a part of the recording

experience too.

-Lil Wayne


7/19

Lexus car motors, recognized to be among the best in quality, reliability, and luxury,

takes great pride in welcoming its newest member of sportscars, the RC F. The

most powerful Lexus V8 performance car dened by three key elements: response,

a continuous-accelerations feeling, and a sound that excites. While the “F” in its

title is representative of the Fuji Speedway, where Lexus conducts much of its high

speed development, it can also stand for fun.

www.lexus.com

LexusRC F2015

Brochure Concept Design: Lexus RC F


8/19

467 Horsepower FirestormForged Alloy Wheels

THE F STRIKES AGAIN

2015 Lexus RC F

5.0-liter V8 Engineered for High Performance

Exclusive Aerodynamic Body Design

Track-Engineered Chassis, Drivetrain,Brakes, and Driver Controls

Torque Vectoring andStandard Torsen® Differential

In 2007, the F brand launched with IS F, a super sedan with a specially

built 416 horsepower V8, track tuned chassis and street-dominating

attitude. Then came the Lexus LFA, a V10-powered supercar that

sent a 552 horsepower, carbon-fber shockwave through the

world’s top sports car echelon. Ripples from the impacts

of these two models continue, bubbling up through

the next F model, the 2015 RC F.

LOOKS THAT THRILL.

BODY THAT CHEATS THE WIND.

HIGH-PERFORMANCE ABILITY .

A jolt to the eyes and spine with a more striking version of the

RC body with distinctive features, ideal aerodynamics,and advanced engine.


9/19

Cultural Studies Design: Logo and Stationery

l l

l l

l l

MEXICOMexican Cultural Center

P.O. Box 17144, Sacramento, CA 98156 | T 916.903.4061 | F 916.903.4051 | mcc.org

l l

l lMEXICOMexican Cultural Center MEXICO

Mexican Cultural Center

P.O. Box 17144, Sacramento, CA 98156

Karmen Hope, Curator

P.O. Box 17144, Sacramento, CA 98156T 916.903.4061 | F [email protected]| mcc.org

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Identity & Branding


10/19

Cultural Studies Design: Brochure

l l

l lMEXICOMexican Cultural Center

lt l t

i lt l t

i lt l t



11/19

AGENCY FOR CIVIC

ENGAGEMENT

AC E

Woodbury University7500 N. Glenoaks Blvd. Burbank, CA 91504 T 818 252 5157 www.woodbury.edu/ace

W o o d b u r y U n i v e r s i t y

7 5 0 0 N . G l e n o a k s B l v d . B u r b a n k , C A 9 1 5 0 4

AGENCY FOR CIVIC

ENGAGEMENT

AC E

Commitment for the Greater Good

Foundation Identity & Collateral: Logo and Stationery

7500 N. Glenoaks Blvd. Burbank, CA 91504

[email protected]/ace

T 818 252 5157

Woodbury University

Jeanine Centuori, FAIADirector

AGENCY FOR CIVIC

ENGAGEMENT

AC E


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13/19

School of Architecture

THE LATH PROJECTInstructors: Jeanine Centuori, Elizabeth Timme, and Sonny Ward

Architecture students created eight design-build garden pavilions for a

non-profit group serving at-risk teenage girls. The pavilions created

amenities for the seed to skillet program that teaches the girls to grow,

harvest, cook, and eat healthy organic produce. Each pavilion served a

facet of the program including: seedling storage, cooking, wet kitchen,

tool shed, goat pen, and dining area. This was a three-semester project.

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School of Media, Culture, and Design

GRAPHIC DESIGN PROJECTSInstructors: Cate Roman and Dan Hoy

For the last 20 years, the students in Graphic Design 3 have taken on a

non-profit client from the community to complete a comprehensive

design project. They produce a targeted identity program including

branding,information brochures, presentation folders, web design, and

promotionalmaterials. Clientsh ave includedHelping Young People

Excel and The Midnight Mission’s Family Living Program, where

students worked with professionals to create original design thinking

addressing the crucial and complex problem of creating opportunities

for at-riskf amiliesto live in a clean, safe, learning environment where

they can create a new life for themselves and their children.

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AGENCY FORCIVIC

ENGAGEMENT

AC E

A Vision to Empower Students

and Improve Underserved Communities

architecture design business transdisciplinarity

Commitment for the Greater Good

AGENCYFORCIVIC

ENGAGEMENT

AC E7500 N. Glenoaks Blvd. Burbank, CA91504 T 818 252 5157 www.woodbury.edu/ace

Woodbury University

I I I I

The ACE Center connects students and faculty with non-profit

and governmental organizations that are dedicated to helping

underserved communities. Students work collaboratively across

Woodbury University’sd isciplines to combine their skills and

test their fields of study on real projects for the public good.

Projects include architectural design and build works for tactical

structures, business plans, graphic design projects, films and

videos, journalistic and creative writing, and other services.

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DISCIPLINES INCLUDED

School of Media, Culture, & Design

School of Architecture

AnimationGraphic DesignFashion DesignFilmmaking

Game Art & DesignMedia TechnologyPsychologyMedia for Social Justice

ArchitectureInterior ArchitectureLandscape Architecture

School of BusinessAccountingFashion Marketing

MarketingManagement

College of TransdisciplinarityLeadership

Politics and History

Professional Writing

Public Safety and Administration

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BOYS AND GIRLS MARKETING PLANInstructor: Danielle Ramirez

School of Business College of Transdisciplinarity

Students worked with the Boys and Girls Club of Greater East Valley

(BGEV) to develop a marketing plan for the local office. In addition,

students volunteered at least 7hours with the center in an effort to give

back their time and share skills to the BGEV community.

The Dream Center was designed t o introduce students to the

fundamentals of social justice and learning initiatives. This class

incorporates a hands-on learning experience for students that are not

possible through traditional classroom learning models. The inaugural

class was comprised of a team of 12 students. They worked closely

with the Los Angeles Dream Center to sort, pack, and deliver food to

homeless individuals. Students served approximately 150 meals each

day.The latter half of the course was spent working with the team at

Hope Gardens to revamp their facilities and programs for clients.

DREAM CENTERInstructor: Danielle Ramirez

OUR PROCESSWematch communityneedswith appropriate disciplines and faculty in order

tofulfill theproject. Projects may involve singleunit or multi-disciplinaryteams

with collaborati ons. We meet with clients to assess the project and determine

the scope. We then set upa plan witha schedule,deliverables,and check

points for client/stude nt interaction. Projects may be single or multi-semester,

depending on the scope and learning opportunities for students

AGENCY FOR CIVIC

ENGAGEMENT

AC E

CONTACT US

If you have a project and want to discuss it with us, or want to learn moreaboutACE projects, give us a call or visit our website at www.woodbury.edu/ace.

Jeanine Centuori, FAIA, ACE Director

Woodbury University

7500 N. Glenoaks Blvd. Burbank, CA 91504818 252 5157

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Foundation Identity & Collateral: Brochure


14/19

Advertising DesignNewspaper Advertisement Re-Design

Original Re-Design


15/19

Billboard and Magazine Ad Design: Cholula


16/19

Advertising Campaign: Concept


17/19

Advertising Campaign: Brochures

80 YEARSOF WALKING THROUGH NATURE

Plumas National ForestSierra Nevada,California

Have this Experience.

visit REI.com

TH

ANNIVERSARY

Read other storiesof REI adventureson blog.rei.com

REAL PEOPLE.

REAL REI EXPERIENCES.

“I’vespent monthsin thewildernessonexpeditions,and themost important thing I’ve

learned isthis:My ability to stay out longer is

dependent onmy ability tostay comfortable.

OnceI let myself settleintodaily life,and

themain goal isto survive,I’venever been

morecontent.Explorationbecomes lessof a

struggleand morea way of being.”

-Ben Horton

80 YEARS WITH REI

Celebrate by experiencingour adventure trips,outdoor

activities,and gear.

For almost 80 years, RecreationEquipment

Incorporated,REI,hasbeen a trusted retailer of

quality outdoor gear and public motivator for

opting outside.Ever since1938 whenpacific

Northwest mountaineer Lloyd Andersonbegan

REI’sthriving spirit ina searchfor a highquality

axe,thecompany has quickly expanded.

Today, REI isthe nation’slargest consumer co-op

withmore than3.5 million activemembersand

a commitment tohelping peopleenjoy thegreat

outdoors.JoinREI and experiencetheshared

passionfor outdoor recreation,commitment to

giving backtothe community,and preparationfor

thenext generationof environmental stewards.

Enjoying where you’re sitting?

There’s more.

Thistent installationaims toencouragepeople

toexperiencethe outdoorsand gosomeplace

new.PlumasNational Forest isoneof REI’s

adventuretrip destinationsfor its camping

sites.For other REI outdoor activity installations

around your city,visit city.REI.com

ACTIVITYGEAR OFFERED BYREI

Camping And Hiking

Cycling

Climbing

Paddling

Running

Skiing

Snowboarding

Yoga

Traveling (REI AdventureTrips)

For a completelist,contact a local

REI storeor visit REI.com

80 YEARSOF EXPLORING THE WATERS

Lake Almanor

Plumas County,California


visit REI.com

TH

ANNIVERSARY

“Drifting ondownstream,and increasinglytuned intothe nuancesof thewater,forests

and skiesaround us,thesimplereality of life

onthe river temptsus tokeep thisgoing for

weeks.Inthe meantime,spending just a few

beautiful daysona small sectionof thecanoe

tail feelspretty satisfying.”

-Brian Mohr & Emily Johnson

REAL PEOPLE.



80 YEARS WITH REI


















There’s more.

Thiscanoe installationaimst oencourage

peopleto experiencetheoutdoors and go

someplacenew.LakeAlmanor isone of REI’s

adventuretripdestinations for itscanoe trail.

For other REI outdoor activity installations



Camping And Hiking

Cycling

Climbing

Paddling

Running

Skiing

Snowboarding

Yoga




80 YEARSOF NAVIGATING WHITEWATERS

Kaweah RiverSequoia National Park,California


visit REI.com

TH

ANNIVERSARY


REAL PEOPLE.


“ At first,my head went backto whereI hadbeenon riverboats,”heexplained.“That fear

camein asif it wereyesterday.But onceI met

and beganto talkto people,and got onthe

river,I cameto understand that I wasnot ona

gunboat.I wasat peace.”

-Greg Sensel,Veteran

80 YEARS WITH REI


















There’s more.Thisrafting boat installationaimst oencourage


someplacenew.KaweahRiver isone of REI’s

adventuretrip destinationsfor itswhitewaters.

For other REI outdoor activity installations



Camping And Hiking

Cycling

Climbing

Paddling

Running

Skiing

Snowboarding

Yoga




80 YEARSOF REACHING NEW HEIGHTS

Mount Baldy Ski LiftsSan Gabriel Mountains,California


visit REI.com

TH

ANNIVERSARY


REAL PEOPLE.


“During theworst snow year onrecord inthePacific Northwest,it wasstill possibleto get

somegreat skiing just by paying attentionto

theweather and being willing todrive a bit.

Thebest part of the road trip wasn’t just the

skiing — but discovering new places,return-

ing tofamiliar terrainand spending timewith

friendsalong theway.”

-Grant Gunderson

80 YEARS WITH REI


















There’s more.

Thisski lift installationaims toencourage


someplacenew.Mount Baldy isoneof REI’s

adventuretrip destinationsfor itsski lifts.For

other REI outdoor activity installations



Camping And Hiking

Cycling

Climbing

Paddling

Running

Skiing

Snowboarding

Yoga





18/19

PhotographyArt Directed Product Photography


19/19

Commercial Product Photography

Documents

Sample Graphic Design Work