RSNO Summer Pops: Viva Italia

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GLASGOW:ROYAL CONCERT HALL

sat 19 June 2010

In AssocIAtIon wIth

JEff TYzik (conductor)

GiORdANO LuCà (tenor)

ROYAL SCOTTiSH NATiONAL

ORCHESTRA

Programme £2.00

Rossini arr. Tyzik overture MedleyRota Music from The Godfather

Verdi ‘La donna è mobile’ from Rigolettodonizetti ‘Una furtiva lagrima’ from L’elisir d’amore

Traditional arr. Tyzik wedding tarantellaRossini arr. Respighi tarantella from La Boutique Fantasque

Bellstedt orch. Tyzik napoliVarious arr. Tyzik Italian song Medley

INTERVAL

Verdi overture to La forza del destinoMascagni Intermezzo from Cavalleria Rusticana

Verdi ‘Questa o quella’ from RigolettoPuccini arr. Hermann La bohème Fantasy

Mendelssohn symphony no4 in A major, Italian, 4th movementdi Capua arr. Tyzik o sole Mio

de Curtis arr. Tyzik torna a surriento

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Summer PoPS 2010: VIVA ItALIA

PAtron: her MAjesty the QUeen

Stéphane denèveMusIC DIReCToR

david danzmayr assIsTanT ConDuCToR

Neeme JärviConDuCToR LauReaTeAlexander LazarevConDuCToR eMeRITusWalter WellerConDuCToR eMeRITus

royal Scottish National orchestra

stéphane Denève became Music Director in september 2005, a partnership which enjoys great acclaim, at home and abroad. For choral performances the orchestra is joined by the royal scottish

national orchestra chorus, chorus Director timothy Dean, one of the most distinguished large symphonic choruses in Britain, and the acclaimed rsno junior chorus, chorus Director christopher Bell.

the rsno performs across scotland, including seasons in Glasgow, edinburgh, Dundee, Aberdeen, Perth and Inverness. the orchestra appears regularly at the edinburgh International Festival and recent appearances in england have included Manchester’s Bridgewater hall, Leeds town hall, the sage Gateshead and at the BBc Proms in London. In the last few years, the rsno has performed in orkney, France, Germany, the netherlands, Luxembourg, Austria, serbia, spain and croatia.

the rsno has a worldwide reputation for the quality of its recordings and has been nominated for eight GrAMMy awards in the last decade. over 200 releases are available, including the complete symphonies of sibelius (Gibson), Prokofiev (järvi), nielsen and Martinu (thomson). In 2008 the orchestra renewed its acclaimed partnership with conductor Laureate neeme järvi (with whom the rsno has made over 65 recordings) with the premiere recording of wagner’s The Ring, an orchestral adventure (arranged by henk de Vlieger). the rsno and conductor josé serebrier completed their Glazunov symphonic cycle in 2009, having already recorded five of the russian composer’s symphonies. In 2007 the rsno made its first recording with Music Director stéphane Denève – the first instalment of a complete cycle of roussel’s orchestral works – receiving the Diapason d’or de l’année for symphonic Music. three more discs in the series have been released in 2008, 2009 and 2010 respectively, to widespread critical acclaim.

the royal scottish national orchestra is one of europe’s leading symphony orchestras. Formed in 1891 as the scottish orchestra, the company became the scottish national orchestra in 1950, and was awarded royal Patronage in 1991. throughout its proud history, the orchestra has played an important part in scotland’s musical life, including performing at the opening ceremony of the scottish Parliament building in 2004. Many renowned conductors have contributed to its success, including walter susskind, sir Alexander Gibson, Bryden thomson, conductor Laureate neeme järvi, conductor emeritus walter weller and conductor emeritus Alexander Lazarev.

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the rsno is committed to introducing young people to live orchestral music through its standard Life Passport to Music project, which enables under sixteen year olds to attend concerts for free (www.passport2music.org.uk). Additionally, the rsno’s education and community engagement programmes continue to develop musical talent and appreciation in people of all ages throughout scotland. once a year, the orchestra embeds itself in a local community for out and About: a week-long series of concerts, workshops and community projects.

naked Classics is the orchestra’s celebrated series which uses multimedia projections, lighting, a presenter and excerpts by the orchestra to reveal the stories behind some of the great classical masterpieces.

you can find out lots of information about the rsno online at www.rsno.org.uk where you can buy tickets, read our blog, find out more about the music and view behind-the-scenes photos, videos and interviews. you can also follow the orchestra on facebook www.rsno.org.uk/facebook and on twitter www.rsno.org.uk/twitter.

the rsno is one of scotland’s national Performing companies, supported by the scottish Government.

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rossInI (arr. tyzik) Overture Medley Il barbiere di siviglia La gazza ladra Guillaume Tell rotA Music from The Godfather sicilian Pastorale Tarantella Waltz Michael and Kay Love ThemeVerDI ‘La donna è mobile’ from RigolettoDonIZettI ‘una furtiva lagrima’ from L’elisir d’amore trADItIonAL (arr. tyzik) Wedding TarantellarossInI (arr. respighi) Tarantella from La Boutique FantasqueBeLLsteDt (orch. tyzik) Napoli (solo trumpet: john Gracie)VArIoUs (arr. tyzik) italian Song Medley al di là Come prima That’s amore

INTERVAL

VerDI Overture to La forza del destino MAscAGnI intermezzo from Cavalleria RusticanaVerDI ‘Questa o quella’ from RigolettoPUccInI (arr. hermann) La bohème fantasyMenDeLssohn Symphony No4 in A major, Italian Fourth Movement – saltarello: Presto.DI cAPUA (arr. tyzik) O Sole MioDe cUrtIs (arr. tyzik) Torna a Surriento

Viva Italia

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what makes Italian music so special? Partly it’s Italy’s diverse heritage – those unexpected non-western modalities of neapolitan song, for example, are thanks to Moorish influence on the history of naples. Partly it’s the sun-drenched landscapes that have inspired innumerable artists and writers – it would be a dull creative person indeed that was not moved by the beauties of the Italian countryside. Partly it’s an apparently innate gift for melody – the Italian language lends itself to bel canto, and the Italians are a nation of singers. Mostly though it’s soul, passion – whatever you want to call it, Italian music celebrates la dolce vita.

Gioachino rossini (1792-1868) was nicknamed ‘signor crescendo’ after his favourite musical device, heard to great effect in almost all of his opera overtures: rossini typically begins with a repeated musical motif, first heard quietly, but gradually building in intensity as more instruments are added and the pace accelerates – tension and excitement building all the while – until everyone in the orchestra seems to be playing as frantically and loudly as possible! But rossini’s opera overtures also display an abundance of invention and wit, and above all else they demonstrate his genius for coming up with fantastically singable melodies. tonight’s conductor, jeff tyzik, has made his own arrangement of three of rossini’s best-loved overtures. the whole of Il barbiere di Siviglia (‘the Barber of seville’) was written in just twelve days in 1816, according to the composer himself, though he did re-use a few themes from his earlier operas to create the famous overture. the martial overture for La gazza ladra (‘the thieving Magpie’) of 1817 has been used in many movies and tV shows, including stanley Kubrick’s notorious a Clockwork orange (1971). Most famous of all, the galloping, ebullient Finale of the overture to rossini’s last opera, Guillaume Tell (‘william tell’) of 1829, irresistibly recalls – for those of a certain age anyway – visions of the Lone ranger riding his faithful steed and crying, ‘hi-yo silver! Away!’

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Less boisterous is the lyrical music written by Nino rota (1911-1979) for Francis Ford coppola’s Italian-American epic, The Godfather (1972). rota was something of a musical prodigy, who began composing at the age of eight. In his long career he wrote operas, ballets and chamber works in addition to almost 150 film scores. he most often and famously collaborated with Italian

director Federico Fellini, including Fellini’s 1959 masterpiece La Dolce Vita, in which Anita ekberg unforgettably takes a shower in the trevi Fountain. All of rota’s work is imbued with a sense of wistful nostalgia, and characterised by a particularly Italian gift for lyrical melody that is nowhere more evident than in his surprisingly gentle music for coppola’s bloody mafia epic. the proud, lonely trumpet solo of The Godfather’s main theme seems to capture the Italian soul itself; even more distinctively Italianate is the Love Theme, which uses folk music-inspired modalities to create a palpable sense of yearning; and Italian folk-like elements appear throughout the score, especially in the traditional dances of the Tarantella and Waltz.

even for people who don’t know any of his operas – including those who don’t even like opera – the melodies of Giuseppe Verdi (1813-1901) are inescapable, such was and is his dominance of the Italian operatic tradition. Dating from 1851, Rigoletto is the story of the Duke of Mantua’s hunchbacked court jester, a malicious character whose vituperative tongue results in him being cursed by one of his victims. the aria ‘La donna è mobile’ is sung, rather ironically by the Duke, who complains of the fickleness of women while he sets about wooing different mistresses.

Viva Italia

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Like rossini, Gaetano Donizetti (1797-1848) was an exponent of the bel canto (‘beautiful singing’) style. written in 1832, L’elisir d’amore (‘the elixir of Love’) tells the tale of gullible peasant nemorino, who is fooled by a travelling salesman into buying a magic potion that, so he believes, will win the heart of the lady he loves – unknown to nemorino, the ‘love potion’ is just cheap red wine. But when nemorino sees a tear in his beloved’s eye, he sings that the potion has worked its magic in the aria ‘una furtiva lagrima’ (‘A furtive tear’).

traditionally danced at Italian weddings, the Tarantella is an exuberant neapolitan dance supposedly named after the curious phenomenon of ‘tarantism’, an insatiable urge to dance wildly after being bitten by the tarantula spider – the only cure was to dance the Tarantella!

Following Guillaume Tell in 1829, rossini decided that, having already written 39 operas, it was time to retire from the stage. thereafter he devoted himself to writing small, salon pieces. In 1919, when Diaghilev commissioned a new work for his Ballets russes, called La Boutique Fantasque (‘the Magic toy shop’), Italian composer ottorino respighi adapted some of rossini’s late piano pieces for orchestra, including this version of the traditional Tarantella.

spicy and piquant, neapolitan song is the common heritage of the colourful melting-pot that is naples, and provides a window into the passionate souls of the city’s inhabitants. Herman Bellstedt’s theme and variations Napoli is based on Luigi Denza’s popular neapolitan song Funiculì Funiculà (1880). Bellstedt (1858-1926) was a cornet player who had played in sousa’s band, which accounts for the brilliant brass playing in this piece.

the Italian Song Medley weaves together three modern pop hits: first sung by Betty curtis, al di là was Italy’s entry in 1961’s eurovision song contest – it didn’t do very well, though, only getting 12 votes; Come prima dates from 1958, the year in which it made an entry in the UK charts in a version by the Marino Marini Quartet (an english-language version called More Than ever charted soon afterwards); That’s amore sounds like an Italian song, but was actually written by harry warren and jack Brooks for the 1953 hollywood film The Caddy, where it was sung by Dean Martin – thereafter, the song became his signature-tune.

Verdi’s opera La forza del destino received its first performance at the Bolshoi theatre in st Petersburg in 1862. the tragic story of ill-matched lovers and their inevitable doom is foreshadowed in the dramatic and poignant overture, the central melody of which was used in the movie Jean de Florette (1986) and in the stella Artois lager commercials on tV.

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Unfairly, perhaps, but Pietro mascagni (1863-1945) is known as something of an operatic ‘one-hit wonder’. he remains best known for Cavalleria Rusticana (1890), which is itself mostly known for the gorgeous orchestral Intermezzo that has appeared on several film soundtracks, including The Godfather Part III (1990).

Back to Verdi and the aria ‘Questa o quella’ from Rigoletto is sung by the lecherous Duke of Mantua as he agonises over which of the many women he should choose to satisfy him.

Giacomo Puccini (1858-1924) equalled if not surpassed Verdi as Italy’s greatest operatic composer. his melodrama La Bohème was first performed in 1896 and its realistic depiction of bohemian artists living and loving in Parisian garrets was something entirely new at the time. themes from the opera, including the impassioned aria ‘Che gelida manina’ (‘your tiny hand is frozen’) and Musetta’s Waltz form the basis of ralph hermann’s orchestral arrangement.

Felix mendelssohn (1809-1847) was enchanted by Italy when he toured the country in the early 1830s, and expressed his enthusiasm in his Fourth Symphony, the sunniest of his orchestral works. the fast final movement is rhythmically inspired by both the roman saltarello folk dance and the neapolitan Tarantella.

we end the evening with two songs from the beautiful area of naples in the south of Italy. with its use of the local dialect and tunes borrowed or inspired by folk traditions, neapolitan song is a beguiling mixture of traditional and modern elements: although most of them date from the nineteenth century or later, they tend to sound much older. naples-born composer eduardo di Capua (1864-1917) wrote perhaps the most famous neapolitan song of all, O Sole Mio, in 1898. Four years later, ernesto de Curtis (1875-1937) penned the nostalgic Torna a Surriento (‘return to sorrento’), another song with lyrics in the neapolitan dialect that sounds older than it really is. As we bid farewell to the land of good food, good wine and good times – just remember arrivederci doesn’t mean goodbye, it means until we meet again.

© Mark walker

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john Gracie was born in creetown, Kirkudbrightshire and started playing the cornet in the village brass band at the age of nine. he went on to study at the rsAMD and the Guildhall school of Music. During the 1970s he was Principal trumpet with the Ulster orchestra and the BBc northern symphony orchestra in Manchester (where he also taught at the royal northern college of Music and at Manchester University) and performed with the hallé, royal Liverpool Philharmonic and city of Birmingham symphony orchestra. In the early 1980s john returned to scotland to become the rsno’s Principal trumpet – a position he has held for the last 29 years. john is currently Professor of trumpet at the rsAMD and a member of the Paragon ensemble, chamber Group of scotland and the rsno Brass ensemble. he is a regular trumpet coach with national youth orchestra of scotland and edinburgh youth orchestra and is regularly invited to play Guest Principal trumpet with the London orchestras.

(1813-1901) PrIncIPAL trUMPetGiuseppe Verdi John Gracie

1813 Born in Le roncole near Busseto on 9 october

1825 Began music lessons with Ferninando Provesi1831 Antonio Barezzi took Verdi into his household

and supported his musical talent1833 Moved to Milan to study privately as he was

not accepted into the conservatory1836 Appointed Busseto town music master and

married Margherita Barezzi 1837 Daughter Virginia born, first opera oberto

written1838 Daughter Virginia died, son Icilio born, moved

to Milan1839 son Icilio died, oberto premiere at La scala

theatre1840 Margherita died1848 Began living with soprano Giuseppina

strepponi1851 Rigoletto premiere1859 un ballo in maschera, married Giuseppina 1862 La forza del destino premiere1871 aida premiere1874 requiem written and premiered1886 otello 1893 Falstaff 1897 Giuseppina died1898 Four sacred Pieces published 1901 suffered a stroke and died 27 january

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Lyric tenor Giordano Lucà was born in rome in 1988. his extraordinary talent was noticed when he was 16 while attending master classes at the Accademia Lirica di Katia ricciarelli. this led to master classes with enzo Dara and also Monserrat caballè; and in 2007 he began studies at the Istituto Musicale G Verdi di Milano with c Gaifa followed by studies in rome with his current teachers, clizia Aloisi and sergio La stella.

Giordano Lucà represented Italy in the 2009 cardiff singer of the world competition where he was awarded the Audience Prize. other awards include the Mario Lanza prize at the Lirico di Filignano and the special Prize at the Lirico città di Merano competition. In May 2010 he was awarded second prize in Plácido Domingo’s operalia held at teatro alla scala.

In 2009 he appeared with Monserrat caballè in a christmas concert and in a Puccini gala in saragozza. In December he made his debut in china at the Beijing national centre for the Performing Arts and he appeared on una notte per Caruso broadcast on raiUno.

tenorGiordano Lucà

Naked PicturesGlasGow Thu 9 DEC 2010: 7.30PMEDinburGh Fri 10 DEC 2010: 7.30PMwith titles like BalletoftheUnhatchedChicks, TheGnome, TheHutonChicken’sLegs and BabaYagayou might assume that Mussorgsky was barking mad. you’d be right. Despite this, he found time away from the russian army, the Forestry commission and the tavern to compose one of the most popular classics of all time. join Paul rissmann and conductor Danail rachev as they explore PicturesatanExhibition.

iNsomNia: musical caffeiNeGlasGow Thu 17 Mar 2011: 7.30PMEDinburGh Fri 18 Mar 2011: 7.30PMIn a first for NakedClassics, Paul and stéphane explore a new work, one of the rsno’s new TENOUTOF10 series. composer (and world famous conductor) esa-Pekka salonen’s Insomnia is an exciting, driving, orchestral thrill-ride. Find out what happens when the team take a look under the bonnet at this super-charged sportscar of a piece!

a classic. Period.EDinburGh Fri 20 MaY 2011: 7.30PMGlasGow saT 21 MaY 2011: 7.30PMhaydn’s final symphony was also the last of his musical postcards from London. Its premiere in 1795 earned him a fortune – but after writing 104 symphonies you wouldn’t begrudge him that, would you? For this very special NakedClassics, Paul and authentic performance specialist roy Goodman strip back the veneer to see what lies beneath this popular classic.

ThE rsno PrEsEnTs

www.nakedclassics.org.ukAll tickets only £10, u26s £5, u16s free

www.nakedclassics.org.uk

GlasGow roYal ConCErT hallBox office 0141 353 8000ushEr hall, EDinburGhBox office 0131 228 1155

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conDUctor

jeff tyzik has earned a reputation as one of America’s most innovative pops conductors. he is recognised for his brilliant arrangements, original programming, and engaging rapport with audiences of all ages. tyzik has just completed his sixteenth season as Principal Pops conductor of the rochester Philharmonic orchestra. he also currently serves as Principal Pops conductor of the oregon symphony and the Vancouver symphony orchestra.

In his sixteen years with the rochester Philharmonic orchestra, tyzik has developed an incredible relationship with devoted rochester audiences and written over 160 works for the orchestra. he also regularly appears as a guest conductor in the orchestra’s classical subscription series performing works by some of the greatest American composers to critical acclaim. he has also been commissioned to compose original works including his trombone concerto (by the national endowment of the Arts) and his timpani concerto (by the rochester Philharmonic orchestra) which was premiered in january 2010. In May 2007, the harmonia Mundi label released his recording of works by Gershwin with pianist jon nakamatsu and the rochester Philharmonic orchestra which reached no.3 on the Billboard classical chart.

highly sought after as a guest conductor, tyzik has recently appeared with orchestras such as the Boston Pops, the cincinnati Pops, the new york Pops, the Philadelphia orchestra at the saratoga Performing Arts center and the Los Angeles Philharmonic at the hollywood Bowl. In addition to his commitments in rochester, oregon and Vancouver, during the 2010/11

season he will appear with orchestras across north America including the Detroit, Milwaukee and toronto symphony orchestras, as well as the Florida orchestra, among others. During the summer of 2010, he will return to the Boston Pops and to the saratoga Performing Arts center to lead the Philadelphia orchestra. he also leads three programmes with the Dallas symphony at the Vail Festival.

A native of hyde Park, new york, tyzik began his life in music at nine years of age, when he first picked up a cornet. he studied both classical and jazz music throughout high school, and went on to earn both his bachelor’s and master’s degrees from the eastman school of Music, where he studied composition/arranging with radio city Music hall’s ray wright and jazz studies with the great band leader chuck Mangione, both of whom profoundly impacted him as a musician.

tyzik spent the next few years working with Mangione, soaking in every part of the music business. he became a skilled record producer, while continuing to be active as a performer and arranger. these experiences led tyzik to one of the great early opportunities of his career—the chance to co-compose a trumpet concerto with friend and virtuoso trumpeter Allen Vizzutti to be recorded by pops legend Doc severinsen. After that first recording, tyzik worked closely with severinsen on many projects including orchestrating many of the great band leader’s symphony orchestra programmes, and producing a GrAMMy Award-winning album, The Tonight show Band with Doc severinsen, Vol 1. to this day, he credits severinsen as his greatest musical and professional inspiration.

Jeff Tyzik

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As an accomplished composer and arranger, tyzik has had his compositions recorded by ensembles including the London symphony orchestra, the rochester Philharmonic orchestra, and the summit Brass, and his arrangements have been recorded by groups including erich Kunzel and the cincinnati Pops orchestra, the rochester Philharmonic, the Vancouver symphony orchestra, and Doc severinsen with the royal Philharmonic orchestra. he has also produced and composed theme music for many of the major American television networks, including ABc, nBc, hBo, and cinemax, and released six of his own albums on capitol, Polygram and Amherst records.

committed to performing music of all genres, tyzik has collaborated with such diverse artists as tony Bennett, Art Garfunkel, Dawn Upshaw, Marilyn horne, Arturo sandoval, the chieftains, Mark o’connor, Doc severinsen, john Pizzarelli, Billy taylor and Lou rawls, and has created original programmes that include the greatest music from jazz and classical to Motown and swing.

Actively sharing his passion for music with others, tyzik has been recognised for his community service and educational work by rotary International, the Monroe county Music educators, and the rochester Philharmonic League. he is also the recipient of the Arts & cultural council of Greater rochester’s 2002 Performing Artist Award. tyzik currently serves on the Board of Managers of the eastman school of Music, and as a board member of the hochstein school of Music and Dance. he lives in rochester, new york, with his wife jill.

For more information about tyzik, please visit www.jefftyzik.com

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1ST ViOLiNMia cooper GuesT LeaDeRwilliam chandler assoCIaTe LeaDeRtamás FejesAndrew Martin Barbara Patersonjane reidAlison McIntyre Gail Digneycaroline Parry Ursula heideckerelizabeth Lloyd susan hendersonDiane Merson-jonesjulie reynolds

2Nd ViOLiNjacqueline speirs assoCIaTe PRInCIPaLelita Bungardharriet wilson christopher Ffoulkesnigel Masonsheila McGregor Penny DicksonIsabel GourdiePaul MeddAnne Bünemannsophie LangAlexa Butterworth

ViOLAjohn harrington PRInCIPaLMichael LloydLisa rourkeDavid Martinnicola McwhirterFiona westclaire DunnKatherine wrenMaria trittingerFrancesca hunt

CELLOPauline Argondizza PRInCIPaLjeremy FletcherBetsy taylorLyn ArmourPeter huntwilliam Patersonruth rowlandsrachael Lee

dOuBLE BASSDavid Inglis PRInCIPaLrobert Mitchell Michael raePaul sutherlandjohn clarksally Davis

fLuTEKatherine Bryan PRInCIPaLhelen Brewsusan Frank PICCoLo OBOEemmanuel Laville PRInCIPaLMary jamesZoe Kitson PRInCIPaL CoR anGLaIs

CLARiNETjohn cushing PRInCIPaLjosef Pacewicz PRInCIPaL eb CLaRIneTDuncan swindells PRInCIPaL Bass CLaRIneT

BASSOONDavid hubbard PRInCIPaLnicholas reader PRInCIPaL ConTRaBassoon

HORNDavid Mcclenaghan PRInCIPaLAlison Murrayjohn Loganrobert McIntoshtim hunter

TRuMPETjohn Gracie PRInCIPaLMarcus PopeBrian Forshaw PRInCIPaL CoRneT TROMBONEDávur juul Magnussen PRInCIPaLLance GreenAlastair sinclair PRInCIPaL Bass TRoMBone

TuBAjohn whitener PRInCIPaL

ACCORdiONjohn Logan

TiMPANiMartin Gibson PRInCIPaL

PERCuSSiONjohn Poulter assoCIaTe PRInCIPaLAlan starkrhian MacLeodrobert Pursestuart semple

kiTstuart semple

HARPPippa tunnell

CELESTE/PiANOLynda cochrane

GuiTAR/ MANdOLiNross Milligan

GuiTAR/ ELECTRiC GuiTARGed Brockie

JAzz BASSrick standley

royal Scottish National orchestra

conGrAtULAtIons…ALAN STARksUB-PrIncIPAL PercUssIonthis month Alan stark celebrates his 40th year in the orchestra. everyone at the rsno would like to say congratulations and thank you for all the years of music-making that Alan has been involved in.

Edinburgh thu 24 JunE 2010: 7.30pmglasgow Fri 25 JunE 2010: 7.30pm www.rsno.org.uk/pops

IncludesBest of The Beatles James Bond The dambusters March My Fair lady

GLASGOW Sat 26 June 7.30pmEdinburGh Sun 27 June 7.30pm www.rsno.org.uk/pops

featuring Dame Evelyn Glennie

with the RSNOEDN FRI 8 OCT 2010 7.30PMGLW SaT 9 OCT 2010 7.30PM

fEaturing…

lisa stokkE, PEtEr grant and thE rsnoEliot Murray ConduCtor/ArrAngEr

In AssocIAtIon wIth

In AssocIAtIon wIth

Documents

RSNO Summer Pops: Viva Italia