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Gospel and the Birth of Soul
Fusion of West African musical traditions
The experience of slavery
Christian practices
Life in the American South
The Great Migration transported thousands of African Americans from the South to Northern cities
Gospel’s profound influence on secular music
We listened to this earlier in the semester with Sam Cooke’s “Loveable and “Wonderful”
Gospel’s rich vocal harmonies such as the Jordanaires and the Golden Gate Quartet
Influenced Girl Groups of the late 50s and early 60s to Frankie Valli and the Four Seasons, Elvis, etc.
Basic Elements of Gospel
Call-and-response
Complex rhythms
Group singing
Rhythmic instrumentation
Other musical genres took elements of Gospel to create new sounds
Listening and Analyzing
Southern Tones, “It Must Be Jesus” (1954)
What is the central message of the song? Who is the key figure?
Ray Charles, “I Got a Woman” (1954)
Identify the key figure mentioned
Does it remind you of any song you have heard on the radio?
Kanye West’s, “Gold Digger”
How are these songs similar, dissimilar, what has changed?
How has the central figure changed?
How is the overall meaning different?
What does sampling Ray Charles’s song do to West’s song?
Song Comparisons “Wonderful” Sam Cooke (1959)
Elvis Presley with the Jordanaires, “Too Much”
Sister Rosetta Tharpe, “Didn’t It Rain” and
Little Richard, “Tutti Frutti” (1957)
Song Analysis Songs are like portals that help you to see
the world: social, cultural, political
Personal emotional response to music
Questions of Ethnomusicology: song structure, instrumentation, etc.
Frameworks to understanding
Listening and analysis: Questions of Ethnomusicology
Timeline: placing song in historical context
Rock and Roll as a visual culture
Rock and Roll as Performance
Rock and Roll as a literary form
The music industry and technology associated with Rock and Roll
Chuck Berry “Johnny B. Good”
Instrumentation, Mood, Production, Tempo, Lyrics, Sounds like
Class Discussion using Questions of Ethnomusicology
iPad Chuck Berry
Timeline Billboard Chart from Wk 22 1958
Buddy Holly, “Rave On”
Sheb Wooley, “The Purple People Eater”
Wanda Jackson
National Guard called into Central HS in Little Rock, Arkansas, 1957
American Bandstand, joins ABC
Disneyland opens 1955
Pre-Civil Rights era
Berry was an African-American performer whose audience was significantly white
American Bandstand on ABC in 1957 brought the artists to a wider audience
Record labels such as Chess records in Chicago: Blues and R&B helped bring difference races together through music
Visual side of Rock and Roll
Elvis
Beatles
Lady Gaga
Fashion, photographic and cinematic presentation
Berry was being pitched to a teenage audience
African-American representation in film, theatre and radio
Performance The artist
The stage set
Choreography
Lighting
Venue
Fans
Culture of the music being presented
Rock&Roll as a Literary Form
Songwriting
Narrative
Storytelling
Identify five images that seem key to propelling the story it contains
Technology and Rock&Roll
How the music is delivered: record, radio, TV, iPod, etc.
Multi-track recording
Chess Records: Chicago Phil and Leonard Chess Independent record label
Major labels of the time: sun Imperial, Atlantic, King
Billboard Charts Dates back to 1936
Tracks Best Sellers in Stores
Most Played by Jockeys
Most Played in Jukeboxes
Buddy Holly Born in Lubbock, Texas in 1936
Called the, “single most influential creative force in early rock and roll”
Inspired the Beatles, The Rolling Stones, Bob Dylan, Elvis Costello, among many others
Incorporated rockabilly in his music
Formed the band The Crickets
Signed to Decca records