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QUALITIES OF LITERARY MASTERPIECE

Qualities of Literary Masterpiece

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Page 1: Qualities of Literary Masterpiece

QUALITIES OF LITERARY MASTERPIECE

Page 2: Qualities of Literary Masterpiece

WHAT MAKES IT A MASTERPIECE?

A literary masterpiece is one that can withstand a test of time.

A literary masterpiece is one which speaks not only of specific events that occurred to a single character, but instead masterpieces create characters who are resounding, characters who are dimensional and who hold traits that remain true of people of modern society. 

Masterpieces are those that weave a thread of commonality that links together people from any society and any time period due to the presence of topics common to all humanity.

Page 3: Qualities of Literary Masterpiece

WRITING AN ANALYSIS OF LITERATURE

Page 4: Qualities of Literary Masterpiece

1. Read the material slowly. 2. Reread. 3. Assume everything is

significant. 4. Do not study details out of

context.

Page 5: Qualities of Literary Masterpiece

Literary criticism comes in various shapes and aims. At best it poses searching questions of the writer, and insists that he understands how the arts, the sciences and philosophy have different but coexisting concepts of truth and meaning. Art in the end cannot be divorced from contemporary life, and that consideration leads on to literary theory.

Page 6: Qualities of Literary Masterpiece

LITERARY ELEMENTS

Characters

Plot  

Point of View

Setting  

Theme

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CHARACTERIZATION

Major Characters Minor Characters Protagonist

The main character in the story Antagonist

The character or force that opposes the protagonist.

FoilA character who provides a contrast to the protagonist.

DYNAMIC characterSTATIC characters

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PLOT IS THE PLAN OR PATTERN OF EVENTS IN A STORY. (ELEMENTS) Exposition

The introductory material which gives the setting, creates the tone, presents the characters presents other facts necessary to understanding the story.

ForeshadowingThe use of hints or clues to suggest what will happen later in the story.

Inciting ForceThe event or character that triggers the conflict.

ConflictThe essence of fiction. It creates plot. The conflicts we encounter can usually be identified as one of four kinds. (Man versus…Man, Nature, Society, or Self)

Page 9: Qualities of Literary Masterpiece

Rising ActionA series of events that builds from the conflict. It begins with the inciting force and ends with the climax.

CrisisThe conflict reaches a turning point. At this point the opposing forces in the story meet and the conflict becomes most intense. The crisis occurs before or at the same time as the climax.

ClimaxThe climax is the result of the crisis. It is the high point of the story for the reader. Frequently, it is the moment of the highest interest and greatest emotion. The point at which the outcome of the conflict can be predicted.

Falling ActionThe events after the climax which close the story.

Resolution (Denouement)Rounds out and concludes the action.

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FOUR WAYS IN WHICH AN AUTHOR CAN EXPRESS THEMES ARE AS FOLLOWS:

1. Themes are expressed and emphasized by the way the author makes us feel.. By sharing feelings of the main character you also share the ideas that go through his mind.

2. Themes are presented in thoughts and conversations. Authors put words in their character’s mouths only for good reasons. One of these is to develop a story’s themes. The things a person says are much on their mind. Look for thoughts that are repeated throughout the story.

3. Themes are suggested through the characters. The main character usually illustrates the most important theme of the story. A good way to get at this theme is to ask yourself the question, what does the main character learn in the course of the story?

4. The actions or events in the story are used to suggest theme. People naturally express ideas and feelings through their actions. One thing authors think about is what an action will "say". In other words, how will the action express an idea or theme?

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POINT OF VIEW First Person

The narrator is a character in the story who can reveal only personal thoughts and feelings and what he or she sees and is told by other characters. He can’t tell us thoughts of other characters.

Third-Person ObjectiveThe narrator is an outsider who can report only what he or she sees and hears. This narrator can tell us what is happening, but he can’t tell us the thoughts of the characters.

Third-Person LimitedThe narrator is an outsider who sees into the mind of one of the characters.

Omniscient The narrator is an all-knowing outsider who can enter the minds of more than one of the characters.

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CONFLICTCONFLICT IS THE ESSENCE OF FICTION. IT CREATES PLOT. THE CONFLICTS WE ENCOUNTER CAN USUALLY BE IDENTIFIED AS ONE OF FOUR KINDS.

Man versus ManConflict that pits one person against another.

Man versus NatureA run-in with the forces of nature.

Man versus SocietyThe values and customs by which everyone else lives are being challenged.

Man versus SelfInternal conflict.