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Principles of Design

Principles of Design

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Page 1: Principles of Design

Principles of Design

Page 2: Principles of Design

The process of selecting and organizing visual elements and the product of that process

In two-dimensional arts, this organization is referred as to composition.

Design

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Unity and Variety

Balance

Emphasis and Subordination

Directional Forces

Contrast

Repetition and Rhythm

Scale and Proportion

7 Key Principles of Design

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Unity and Variety are complementary with

each other

Unity is the appearance or condition of

oneness.

It describes the feeling that all the elements

in a work belong together and make up a

coherent and harmonious whole.

Unity and Variety

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Variety provides diversity, acts to counter

unity

Balance between unity and variety creates

life.

Pattern refers to a repetitive ordering of

design elements.

Unity and Variety

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Going Home by Jacob Lawrence

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Interior of a Dutch Houseby Pieter de Hooch

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Chariotby Alberto Giacometti

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The achievement of equilibriumA painting can depict an act of violence or

imbalance-a frenzied battle or a fall from a tight rope

Two types of balance: Symmetrical (formal) and Asymmetrical (informal)

Balance

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Balance is both a visual issue and a structural

necessity.

It is the achievement of equilibrium, in which

acting influences are held in check by

opposing forces

Balance

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Symmetrical BalanceThe near or exact matching of left and right sides

of a three-dimensional form or a two-dimensional

composition.

It is useful in architecture because it is easier to

comprehend than asymmetry.

It imposes a balanced unity and connotes

permanence and poise.

Two General Types of Balance

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A President’s House By: James Hoban 1793-1794

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Portrait of the Hung-Chih Emperor

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Asymmetrical BalanceThe left and right sides are not the same instead,

various elements are balanced—according to their

size and meaning—around a felt or implied center

of gravity.

Two General Types of Balance

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Evening Glow of the Ando by Suzuki Haranobu

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The Holy Family on the Stepsby Nicolas Poussin

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Emphasis is used to draw our attention to an

area or areas.

If that area is a specific spot or figure, it is

called focal point.

Emphasis and Subordination

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Through subordination, an artist creates

neutral areas of lesser interest that keeps us

from being distracted from the areas of

emphasis.

Emphasis and Subordination

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The Holy Family on the Stepsby Nicolas Poussin

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Directional Forces influence the attention we pay to parts of an artwork.

These are “paths” for the eye to follow provided by actual or implied lines.

Directional Forces

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Bullfightby Francisco Goya

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It is the juxtaposition of strongly dissimilar elements.

Without contrast, visual experience would be monotomous.

Contrast

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Luster-Painted Bowl

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The repetition of visual elements give a composition of unity, continuity, flow and emphasis

Rhythm is created through the regular recurrence of elements with related variations.

Repetition and Rhythm

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Madonna of The Chairby Raphael Sanzio

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Cranesby Ogata Korin

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Zapatistasby Jose Clemente Orozco

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Scale is the size relation of one thing to another.

Proportion is the size relationship of parts to a whole

Format refers to the size and shape of a two-dimensional picture plane

The use of unnatural proportions to show the relative importance of figures is called Hierarchical scale

Scale and Proportion

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ShuttlecocksBy Claes Oldenburg and Coosje van Bruggen

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Rembrandt van Rijn’s self-portrait

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Pietaby Michelangelo Buonarroti

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PietaSt. Mary’s Church, Poland

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Sistine Chapel: Creationby Michelangelo

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Thank You!