20
KWANPO CHENG PORTFOLIO arch. 2015

Portfolio_2015_web

Embed Size (px)

Citation preview

Page 1: Portfolio_2015_web

KWANPO CHENG

PORTFOLIOarch. 2015

Page 2: Portfolio_2015_web
Page 3: Portfolio_2015_web

04

08

10

12

14

16

18

TABLE OFCONTENTS

HAYES HALL

FLOODWALK

SACO LAKE BATH HOUSE

LUME

MOTION - MUSIC - SPACE - TIME

THE FEAST

HIVE

Page 4: Portfolio_2015_web

HAYES HALLSteiner Studios’ new emerging media campus attempts to bring New York back into the production limelight. The key goal is the cross-pollination of ideas between producers, professionals, students, and the community. Year: Fall 2014Instructor: Hal Hayes

Page 5: Portfolio_2015_web

1. Exterior Render2. Ground Floor Plan3. Mezzanine Floor Plan4. Second Floor Plan5. Fifth Floor Plan6. Interior Render

1.

3.2. 4. 5.

6.

Page 6: Portfolio_2015_web

1. Entry Render2. Studio Render

3. Section4. Model Detail - Studios

5. Model Detail - Classrooms6. Model Detail - Old Lobby

7. Full Model8. Solar Analysis

9. Exploded Anometric

2.1.

3.

Page 7: Portfolio_2015_web

5.

4.

7.

6.

The installation of “attractors” such as food or unique resources enables collaboration; the placement of the attractors promotes cross-pollination. These are arranged within the city, site, building, and human scales.

The form is derived from an optimization of solar gain and energy. Each row of solar panel is operable and self-orienting towards the sun while simultaneously promoting cross-ventilation. The spaceframe structure creates beautiful interiors at the top level for the library attractor.

9.

8.

Page 8: Portfolio_2015_web

FLOODWALKThe Floodwalk draws from the background and function of a boardwalk. It was envisioned as a structure that would examine, emphasize, and inhabit the boundary between the earth and water.

The system of levees and walls prevent and protect against rising water levels during storms. The space stretches along the shore of the Strip’s waterfront, creating spaces of public use and revitalizing what used to be an empty part of the Strip. The restaurant is located at one end of its length, existing as either the final destination of a journey or the focal point of a beginning. The remainder of the stretch includes markets, sunbathing areas, and shaded rest areas.

Year: Fall 2013Instructors: Frank Melendez, Kelli Brooks

Page 9: Portfolio_2015_web

1. Site Plan2. Sectional Model

3. Study Model4. Section Diagram

5. Wall Components6. Axonometric Detail

7. Plan

1.

2.

3.

4.

5.

6. 7.

Page 10: Portfolio_2015_web

SACO LAKE BATH HOUSE

Situated on the side of a mountain, the Bath House becomes the threshold between

earth, water, air, and light. The building cuts deep into the earth and exposes the layers

of rock and soil. Permeable walls filter air and water, carrying the elements through

the house.

The main feature is the permeable concrete wall, parts of which were

formed in detail. The process involved constructing a mold around which concrete could be formed. The negative concave forms not only deposit scents, but also refracts light in from one side to the other. Colored acrylic bring sensualities to the forefront. Year: Spring 2013Instructor: Josh BardCollaborators: Leah Wulfman

2.

Page 11: Portfolio_2015_web

Far Left: SectionUpper Left: Plan

1. Concrete Study Models2. Representative Model3. Vapor Study on Acrylic4. Wooden Negatives5. Light Study Models

1.

3. 4. 5.

Page 12: Portfolio_2015_web

LUMEThis folly was designed and produced as part of a three-day competition hosted by EPIC Metals. The rules simply required their metal decking material be creatively re-used.

The folly’s form is derived from duality. The spiral form creates experiences that ultimately clash at the focal center. Light and dark serves as the primary contrasting principle behind the two paths; while one ascends into light, the other remains cold. Metal decking material emphasizes this contrast with its acoustic properties by maintaining silence inside the shell. Users are ultimately able to interact with each other across the small threshold. Year: Spring 2014Collaborators: Shivani JainAwards: Honorable Mention

1. Elevation2. Section

3. Plan4. Interior Render

5. Nighttime Render6. Construction Detail

7. Exploded Axonometric

1. 2.

Page 13: Portfolio_2015_web

3.

4. 5. 6. 7.

Page 14: Portfolio_2015_web

MOTION | MUSIC | SPACE

TIME“Architecture is frozen music.”

“Parkour is the conditioning of the body in place and as subject to architectural and urban forces.”

“The human body is primary musical instrument.”

Each quote establishes individual relationships between architecture, music, and motion. This installation explores all three disciplines using time as the common denominator. The translation between all three disciplines generates a cyclic feedback loop.

Multiple iterations develop a pathway, symbolized in a three-dimensional section. Physical changes in the section create new sets of movements, musicalities, and forms for the user’s experience. Despite its seemingly linear nature, the user only exists within a small set of defined rules and ultimately has the musical and spatial freedom to create a unique path.

Year: Fall 2012Instructor: Mary-Lou ArscottPhoto credit: Erica Chan, Samantha GaoCollaborators: Nouf Aljowaysir, Christopher Ball, Erica Chan, Avanti Dabholkar, Samantha Gao

Page 15: Portfolio_2015_web

Left: ModelFar Right: Sketches of Sections

1. Clay Prototype2. Clack Mock-up

3. Model Plan4. Model Detail5. Model Detail

1.

2.

3.

4.

5.

Page 16: Portfolio_2015_web

THE FEASTThis feast shelter was designed using the given concept of Hiding. Jagged plywood panels become intimidating walls to the exterior, but cozy barriers for the interior. Small gaps in the facade admit transfuse light and allow “spying” through to the exterior. When not in use, the furniture folds away to accomodate space.

The shelter was given a limited budget, time, and materials. Through several iterations, the goal was ultimately met and constructed in a week. As celebration, the entire studio held a feast across the shelters.

Year: Fall 2012Instructor: Mary-Lou ArscottPhoto credit: Erica Chan, Samantha GaoCollaborators: Nouf Aljowaysir, Christopher Ball, Erica Chan, Avanti Dabholkar, Samantha Gao

Page 17: Portfolio_2015_web
Page 18: Portfolio_2015_web

HIVEThis reproduction of a popular game draws on minimalism and digital experimentation. The focus is on the planning and creation of a legible design.

Each piece was traced in Rhino and cut by laser on white illustration board and black matboard. After the ash was cleaned away, the burn marks were carefully sanded off the white pieces. The black pieces still sport their gold burn marks. These layers were then carefully glued in layers.

Page 19: Portfolio_2015_web

“HIVE is a bug-themed tabletop game, designed by John Yianni and published in 2001 by Gen42 Games. The object of Hive

is to capture the opponent’s queen bee by completely surrounding it, while avoiding

the capture of one’s own queen. Hive is an abstract strategy game.”

Left: Pieces Interlocking

1. Pieces in Play2. All Pieces

3. Queen Piece Detail 1.

1. 1.

Page 20: Portfolio_2015_web

KWANPO CHENGportfolio 2012 - 2015