sophie brauer architect maa

p o r t f o l i o

c o n t e n t s

june 2011- present. freelance and internship work, Copenhagen

2009 - 2011. master of arts in architecture, Kunstakademiets Arkitektskole

2006 - 2008 bachelor of arts in architecture, Dalhousie University, Halifax

balcony study

fieldwork for thesisValletta, Malta2010

chapel window print. Luis Barragán’s Tlalpan Chapel, Mexico City

2008

Yoko Ono HALF-A-WIND SHOW

Exhibition architecture, from concept and layout to detail design of walls, vitrines, seating, and other installations.

Louisiana Museum of Modern Art, Humlebækjune 2013

1: 20 model final installation plan with displayed materialfinal installation

longitudinal sectionplancross section

LED - lit display table for Ono’s records

CEILING PAINTING (YES PAINTING), 1966

Tekst på papir, ramme, glas, kæde, forstørrelsesglas, bemalet stige / Text on paper, frame, glass, chain, magnifying glass, painted ladder

Privateje / Private Collection

CEILING PAINTING (YES PAINTING), 1966

Tekst på papir, ramme, glas, kæde, forstørrelsesglas, bemalet stige / Text on paper, frame, glass, chain, magnifying glass, painted ladder

Privateje / Private Collection

CEILING PAINTING (YES PAINTING), 1966

Tekst på papir, ramme, glas, kæde, forstørrelsesglas, bemalet stige / Text on paper, frame, glass, chain, magnifying glass, painted ladder

Privateje / Private Collection

B2– IMG- Mark.– Instructions

CUT PIECE

First version for single performer:

Performer sits on stage with pair

of scissors placed in front of him.

It is announced that members of the

audience may come on stage-one at

a time-to cut a small piece of the

performer’s clothing to take with them.

Performer remains motionless

throughout the piece.

Piece ends at the performer’s

option.

Second version for audience:

It is announced that members

of the audience may cut each other’s clothing.

The audience may cut as long

as they want.

Instruction Painting opdeler maleri i to forskellige funktioner:

anvisning og udførelse. Værket bliver først til, når andre udfører

det. Anvisninger kan udføres af forskellige mennesker på mange

forskellige måder. Dette muliggør en uendelig transformation af

værket, som er uforudsigelig for kunstneren, og indfører begrebet

“tid” i maleriet. Det eliminerer på forhånd den vægt, der normalt

tillægges maleriet, og kunsten bringes ned fra sin piedestal...

Instruction Painting gør det muligt at udforske det ikke synlige,

verden hinsides de eksisterende begreber om tid og rum. Og

derefter, sommetider senere, forsvinder anvisningerne og bliver

fuldstændig glemt.

Yoko Ono: Yoko at Indica, Indica Gallery, London 1966

the instructions and the realizations. The work becomes a reality

only when others realize the work. Instructions can be realized

transformation of the work that the artist himself cannot foresee,

and brings the concept of “time” into painting. It immediately

eliminates the usual emphasis put on the original painting, and art

comes down from the pedestal...

Instruction painting makes it possible to explore the invisible, the

world beyond the existing concept of time and space. And then,

sometimes later, the instructions themselves disappear and be

properly forgotten.

Yoko Ono: Yoko at Indica, Indica Gallery, London 1966

PAINTING TO SEE IN THE DARK (Version 1), 1961PAINTING FOR THE WIND, 1961PAINTING TO SEE IN THE DARK (Version 2), 1961SHADOW PAINTING, 1961

A PLUS B PAINTING, 1961WATERDROP PAINTING (Version 1), 1961SMOKE PAINTING, 1961PAINTING IN THREE STANZAS, 1961

PAINTING TO BE STEPPED ON, 1961WATERDROP PAINTING (Versions 1 and 2), 1961PAINTING TO LET THE EVENING LIGHT GO THROUGH, 1961TIME PAINTING, 1961

paper and wood

1 : 1 prototyping with Maya Lahmy. Folded paper lamps, milled and stretched plywood screens.

Copenhagenfebruary 2013

lamps in lasercut and folded paper, design Maya Lahmy

exhibition of works in progress at Baghuset, Teglgårdsstræde

making wooden screens at Statens Værksteder for Kunst

Sam Eydesgate

Månaveien

Storgata

Plass til sommerscene

Plass til scene, marked ++

N

solskålenrjukan torgcompetition entry collaboration with Nicola Markhus and Frederik Beckett-Nilsson

Rjukan, Norway

february 2013

adjustable shelf

designed for the changing displays in the café at Republikken, parts produced in-house on the CNC milling machine.

Copenhagendecember 2012

holdfasten redningsstige til danske havnecompetition entry collaboration with Madleena Larivaarasteel tube ladder with cast chloroprene rubber “boots”

Copenhagennovember 2012

1 : 1 0 P L A N & E L E V A T I O N , G R A N I T E Q U A Y

220 mm

70 m

m

33 mm chloroprene rubber tube

1 : 5 S E C T I O N , G R A N I T E Q U A Y

250

mm

70 mm

plan and elevation

section

stronghold: a production house for the women filmmakers of maltathesis project

transformation of a fortificationbased on fieldwork in Valletta, MaltaKunstakademiets Arkitektskole, Afd. 2

Copenhagenjune 2011

longitudinal section

maltese bobbin lace

city of valletta, malta 1: 5000

Ncity of valletta

sectional elevation from ditch

stonelace sketches

cross section

storytelling chair

for a grandparent and a restless grandchildsemester projectKunstakademiets Arkitektskole, Afd. 11

Copenhagen2010

visualization

prototype in birch plywood, laminated veneer, steel and felt

study model of enclosed balcony in valletta, malta