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HEATHER TUNG | GRAPHICS 1 PORTFOLIO FALL 2014

PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 - MAPPING PART 1 03 - MAPPING PART 2 04 - DIGITAL FABRICATION 05 - RENDERING 06 - …

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Page 1: PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 - MAPPING PART 1 03 - MAPPING PART 2 04 - DIGITAL FABRICATION 05 - RENDERING 06 - …

HEATHER TUNG | GRAPHICS 1PORTFOLIO

FALL 2014

Page 2: PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 - MAPPING PART 1 03 - MAPPING PART 2 04 - DIGITAL FABRICATION 05 - RENDERING 06 - …

CONTENTS01 - ORTHOGRAPHIC PROJECTIONS

02 - DIGITAL DRAWING

03 - MAPPING PART 1

03 - MAPPING PART 2

04 - DIGITAL FABRICATION

05 - RENDERING

06 - TECTONICS AND INTENTION

07 - SURFACE ARTICULATION

08 - LAYOUT

09 - MEASURED DRAWING

10 - PHYSICAL MODELING

ARST 451 Graphics 1 | Heather Tung - Fall 2014

Page 3: PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 - MAPPING PART 1 03 - MAPPING PART 2 04 - DIGITAL FABRICATION 05 - RENDERING 06 - …

Orthographic ProjectionsMetronomeHand Drawings

01

ARST 451 Graphics 1 | Heather Tung - Fall 2014

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Digital DrawingMetronome02

SECTION 3SCALE 1:1

FRONT ELEVATION

SECTION 1 (FRONT) SECTION 2 (MID) SECTION 3 (RIGHT)

SECTION 4 (BACK)RIGHT ELEVATION

COMPOSITE 1 COMPOSITE 2

ASSIGNMENT 2 - DIGITAL DRAWINGMETRONOME SCALE 1:1

FRONTELEVATION

HEATHER TUNGSEPTEMBER 20, 2014

RIGHTELEVATION

SECTION 3(RIGHT)

SECTION 2(MID)

SECTION 1(FRONT)

SECTION 4(BACK)

ARST 451 Graphics 1 | Heather Tung - Fall 2014

Page 5: PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 - MAPPING PART 1 03 - MAPPING PART 2 04 - DIGITAL FABRICATION 05 - RENDERING 06 - …

Mapping - Part 11st Street LRT Station031ST STREET LRT STATION

STUDY AREA:

THE USE OF THE TRAIN INFRASTRUCTURE AT VARYING TIMES OF THE DAY

INDIVIDUALS ARE REPRESENTED WITH LINE AND COLOUR COMPOSITIONS

THE CAMERA ANGLE OF THE PLATFORM WAS CHOSEN SPECIFICALLY TO MAP OUT THE ACTIONS OF ITS USERS.

IT INCLUDES A CLEAR VIEW OF THE LRT BENCHES, POSTS, AND STANDING AREA OF THE PLATFORM.

ARST 451 - GRAPHICS 1 | BONNIE CHUONG, HEATHER TUNG, DUSTIN YEE | SEPTEMBER 27, 2014

PROCESS:

ARST 451 Graphics 1 | Heather Tung - Fall 2014

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Mapping - Part 2031st Street LRT StationCommunicating Context: The Physical Dimensions of Site

Project Description:The way objects on the platform interacts with sunlight to produce shade.

PLAN VIEWSCALE: 1:200

SECTION 2SCALE: 1:200

DIAGRAM - SHADESCALE: 1:200

PLAN VIEW

SECTION 1

DIAGRAM

PERSPECTIVE

SECTION 2

ARST 451 Graphics 1 | Heather Tung - Fall 2014

Page 7: PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 - MAPPING PART 1 03 - MAPPING PART 2 04 - DIGITAL FABRICATION 05 - RENDERING 06 - …

Digital Fabrication04Cubes

Detail: Taking the inverse of the spaceMaterial: 1/4” Baltic Birch PlywoodConstruction Method: Contouring & Stacking; adhesive - glue

LASER CUT FILES:

- Cut

- Engrave- Cut

Bottom

Main Structure

Base

Detail: Tabs added to initial designMaterial: Cardstock & 1/8” Millboard BaseConstruction Method: Folding with tabs; adhesive - glue

Detail: Stacked with equally sized spacersMaterial: 1/8” MillboardConstruction Method: Contouring with spacers; adhesive - glue

Base 4

Base 5

Base 1

47 6 5 3 2 1

7 56 4 3 2 1Base 2

Base 0

- Engrave- Cut

Base 3

Base 6

Base

MiddleSupport Pieces

Spacers

Top Finishing

ARST 451 Graphics 1 | Heather Tung - Fall 2014

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Rendering05Reading Space

ARST 451 Graphics 1 | Heather Tung - Fall 2014

Page 9: PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 - MAPPING PART 1 03 - MAPPING PART 2 04 - DIGITAL FABRICATION 05 - RENDERING 06 - …

Tectonics and Intention06SANAA - Toledo Glass MuseumSANAA | Toledo Glass Museum | Tectonics and Intention

NOVEMBER 02, 2014

The transparent property of glass allows the horizontal aspect of the design to dominate, even though the glass is constructed in a vertical manner throughout the space.

- Section is chosen due to the proximity of multiple

vertical surfaces.

PHYSICAL MODEL

FRONT FAÇADEVERTICAL GLASS PANES- DETAILING

HEATHER TUNGSCALE 1:10 ARST 451 Graphics 1 | Heather Tung - Fall 2014

Page 10: PORTFOLIO...PORTFOLIO FALL 2014 CONTENTS 01 - ORTHOGRAPHIC PROJECTIONS 02 - DIGITAL DRAWING 03 - MAPPING PART 1 03 - MAPPING PART 2 04 - DIGITAL FABRICATION 05 - RENDERING 06 - …

Surface Articulation07Surface Articulation: PatternHeather Tung

The repeated use of the star shape demonstrates Antoine Picon’s feature of pattern in contemporary ornamentation. The overlaying of the geometric shape is placed in a grid format, then projected onto a 3-D surface, thus creating a pattern on the surface.

1 Created Truncated Cone shape, then modi�ed it

using CageEdit

Array star shape to ceate a repeated pattern. Then the surfaces are extruded

for depth

3 Deleted all surfaces except for the ones highlighted in purple for variation within

the pattern

4 Pattern is Flown Along Surface 5 Delete the original

surface

Renderings:

Process Matrix:

2

ARST 451 Graphics 1 | Heather Tung - Fall 2014

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Layout08Chosen Project: Orthographic Projections

The metronome is used by musicians as a source to rely on for the speed of which they compose and play at. The device produces ticking noises that are synchronized with a swinging pendulum, allowing the musician to follow the visual movements.

This metronome consists of an enclosing wooden frame, the pendulum, as well as the gear technology within.

SECTION 1 (MID)

WOOD CASING

PENDULUM

GEAR TECHNOLOGY

RIGHT ELEVATION

FRONT ELEVATION

SECTION 3 (RIGHT)

SECTION 3SCALE 1:1

SECTION 2 (BACK)

FINAL COMPOSITE IMAGE

MetronomeThe Time Marker

HEATHER TUNG

2 PAGE SPREAD [2 X (8.5” X 11”)]

This metronome consists of an enclosing wooden frame, the pendulum, as well as the gear technology within.

The metronome is used by musicians as a source to rely on for the speed of which they compose and play at. The device produces ticking noises that are synchronized with a swinging pendulum, allowing the musician to follow the visual movements.

MetronomeThe Time Marker

SECTION 1 (MID)

RIGHT ELEVATIONFRONT ELEVATION

SECTION 3 (RIGHT)

SECTION 3SCALE 1:1

SECTION 2 (BACK)FINAL COMPOSITE IMAGE

HEATHER TUNG

WOOD CASING

PENDULUM

GEAR TECHNOLOGY

20” X 30” BOARD

ARST 451 Graphics 1 | Heather Tung - Fall 2014

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Measured Drawing09KASIAN Gallery

H1.0.4 | AXONOMETRIC

15.75

H1.0.2 | PLAN

H1.0.3 | ELEVATION

H1.0.1 | SECTION

The Kasian Gallery has been dimensioned and documented as seen on the drawings on this board. Using the articulated surface from the previous assignment, the display wall has been replaced.

KASIAN GALLERY - REDESIGN

UNIVERSITY OF CALGARY

FACULTY OF ENVIRONMENTAL DESIGN2ND FLOOR GALLERY

BY: HEATHER TUNG & DUSTIN YEE

SCALE:1/4” = 1’-0”

DRAWING #

H1.0VERSION:ORIGINAL

H1.0.5 | PHOTOGRAPHS

D1.0.4 | AXONOMETRIC

D1.0.2 | PLAN

D1.0.3 | ELEVATION

D1.0.1 | SECTION

The surfaced wall was created with the use of two rectilinear, interlocking spirals. These spirals were multiplied using the array technique. The resulting form was then rotated 90 degrees and copied to create a continuous, fluctuating arrangement.

The articulated surface has replaced the original display wall in similar dimensions for the frame. The surface can be observed from both sides of the wall.

KASIAN GALLERY - REDESIGN

UNIVERSITY OF CALGARY

FACULTY OF ENVIRONMENTAL DESIGN2ND FLOOR GALLERY

BY: HEATHER TUNG & DUSTIN YEE

SCALE:1/4” = 1’-0”

DRAWING #

D1.0VERSION:NEW

D1.0.5 | RENDERING

ARST 451 Graphics 1 | Heather Tung - Fall 2014

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Physical Modeling10KASIAN Gallery

Model: Heather Tung & Dustin YeeOriginal Drawings: Anne Kemp & Caila Anderson

ARST 451 Graphics 1 | Heather Tung - Fall 2014