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DigDesFab 2011 “Centre Pompidou” Analysis Centre Pomp dou

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  • DigDesFab 2011 Centre Pompidou Analysis

    Centre Pomp dou

  • DigDesFab 2011 Centre Pompidou Analysis

    Construction: 1972 -1977

    150 million visitors

    French National Museum of Modern Art

    Public library

    Center for music and acoustic research (IRCAM)

    Area: 100.000 m2

    Levels: 7

    Height: 42m

    Length: 166m

    Width: 60m

  • DigDesFab 2011 Centre Pompidou Analysis

    " A n a r c h i t e c t u r a l a n d u r b a n c o m p l e x w h i c h w i l l m a r k o u r c e n t u r y .

    G e o r g e s P o m p i d o u

  • DigDesFab 2011 Centre Pompidou Analysis

    Renzo Piano Richard Rogers

    Aims: To achieve a large degree of

    flexibility, freedom of movement ,

    and an open approach to all

    exhibition areas and levels.

  • DigDesFab 2011 Centre Pompidou Analysis

    Supporting structures

    Air

    Fluids

    Electricity cables

    Movement

  • DigDesFab 2011 Center Pompidou Analysis

    Peter Rice developed the structural

    concept for the facades, with a system

    that hinged on six elegantly tapered cast

    steel rocker beams known as

    gerberettes.

  • DigDesFab 2011 Centre Pompidou Analysis

    The components and connections are of a scale rarely

    seen in the construction industry- massive steel

    elements were fabricated in off- site foundries and

    delivered by truck to the site during the night.

  • DigDesFab 2011 Centre Pompidou Analysis

    The superstructure consists of thirteen bays, six

    floors high, constructed of 16,000 tons of cast

    and prefabricated steel with reinforced concrete

    floor sections. The two main structural support

    planes comprise a series of 800mm (31.5 inch)

    diameter spun steel hollow columns, each of

    which supports six gerberettes, or brackets.

    One end of each gerberette is connected to an

    outer tension column, while the other supports

    a steel lattice beam. The stability of the

    building is achieved through diagonal bracing in

    the long facades and by stabilised end frames.

  • DigDesFab 2011 Centre Pompidou Analysis

    The building was envisaged as

    a cross between 'an

    information-oriented

    computerised Times Square

    and the British Museum' , a

    democratic place for all

    people, all ages and all creeds,

    simultaneously instant and

    solemn, and the centrepiece of

    a regenerated quarter of the

    city.

    The decision to place structure

    and services on the exterior

    was driven primarily by the

    need for internal flexibility, the

    scheme provided huge

    expanses of uninterrupted

    space on open floors nearly 50

    metres deep.

  • DigDesFab 2011 Centre Pompidou Analysis

    External services give scale and detail to the

    facades, while the celebration of movement and

    access is provided by lifts and escalators which,

    like the services, are placed outside the building

    envelope.

  • DigDesFab 2011 Centre Pompidou Analysis

  • DigDesFab 2011 Centre Pompidou Analysis