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The Hard-Rock'n Bi-Weekly Magazine The kickass Local Edition www.plugdinmagazine.com www.plugdinmagazine.com 51 Run for your lives! The Zombies are coming! Inside this issue Artist Spotlight: The Pumpkin King Dear Dead Abby Business Spotlight: Aleigha of B.O.C. Records FTV James of Asking Alexandria Run For Your Lives 2012

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Page 1: Plug'd In Magazine Issue #51

The Hard-Rock'n Bi-Weekly Magazine The kickass Local Edition

www.plugdinmagazine.comwww.plugdinmagazine.com

51 Run for your lives!

The Zombies are coming! Inside this issue

Artist Spotlight:

The Pumpkin King

Dear Dead Abby

Business Spotlight: Aleigha of B.O.C. Records

FTV James of Asking

Alexandria

Run For Your Lives 2012

Page 4: Plug'd In Magazine Issue #51

Artist Spotlight: The Pumpkin King Interview by Vikki Sin I have to admit, when I first started seeing The Pumpkin King pop

up on my Facebook newsfeed, I brushed it off as just another wanna

be who put on a Halloween mask to claim all the glory up for grabs

in the horrorcore scene, driven by hoardes of Juggalos eager for new

material. And then I actually listened. What I found was a well-

blended flow of no nonsense metal and rap, seriously addictive lyr-

ics, and a down to earth guy who has zero pictures out of character,

which I admire in my own weird way. Juggalo impressive, no doubt,

but in playing his songs around unsuspecting metal heads, I’ve no-

ticed they dig it as well. I love when that happens! His third CD “The

End Is Mine” is dropping April 10th and features a pretty impressive

roster of guest artists, including one of my personal favorites, those

veterans of debauchery themselves, WOLFPAC. Here, Central PA’s

up and coming King of the underground explains the reason behind

his persona and why, if he really did take the throne, we would all

need to watch out…V.S.

PI: How did you get started rapping?

PK: I actually got started in all this as a depressed kid who used poet-

ry as an outlet. I used to write poetry all the time, sad, lonely, heart-

breaking shit. I even got a handful of my old stuff published. Around

age 15-16, I started experimenting with turning poems into songs. It

didn't seem too different, just the addition of a chorus. I wrote dozens

of songs, but never made any of them a reality. I was just a kid, did-

n’t know how to go about making music, so I started looking online

for people around my age doing it already. It took a while but I actually found a group of people over in the UK who

read my songs, liked them and then helped me learn how to do basic recording. Back then it was all on free Napster/

Morpheus beats, recorded with a computer mic, with terrible quality. But it was progress. My music turned very angry

during my late teen years, and my lyrics became more and more violent, which fit perfect with the growing under-

ground scene. It took a lot of research, a lot of energy, dedication, and hard work to evolve as a young musician. To

take things from recording in my family’s computer room, with free beats and basic equipment, to building my own

home studio, owning my music, and using pro equipment.

PI: Where does your Pumpkin King persona come from? Is there a story behind the character?

PK: Originally it was based on a face paint design I did for Halloween. I tried a few, but my favorite was a Jack-o-

Lantern. I actually started playing it off as a possessed scarecrow, but evolved my character and look to fit my love for

metal/rock music; less of an ICP and more of a Slipknot feel, The name actually comes from.. You guessed it, The

Nightmare Before Christmas! Tim Burton's early work was always an inspiration to me as a tortured youth, and NBC

was one of my favorite childhood movies. And with the Halloween/jack-o-lantern look becoming my common calling

card, the name kinda came along with it. I actually have Jack Skellington, Zero, and Sally tattooed on my forearms. I

never understood why Jack Skellington was considered The Pumpkin King, he was a skeleton. But if you actually lis-

ten to the original soundtrack cd, on the final track the narrator talks to (the now retired) Jack Skellington about his old

"Pumpkin King" days. So since he’s retired, I figured I'd claim the title.

PI: Who are some of your biggest influences, musically or otherwise?

PK: Some of my biggest musical influences are currently featured on my new project, one being SUTTER KAIN (DJ

Bless), the self-proclaimed "King of Ghetto Metal" and creator of the style of music. His combination of rap and metal

has had my interest peaked since my teen years, and I've wanted to work with him for a long time. Another big one

would have to be WOLFPAC. Although they haven't put out a new cd in almost a decade, their songs "Something

Wicked This Way Comes", "Evil Is", and "Death Becomes Her" were the soundtrack to my junior year (Cont’d)

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in high school. I've been in talks with them for

a long time, always been a big supporter, and

having them feature on my CD is (to me) one

of my biggest accomplishments to date. Bands

like Slipknot, Insane Clown Posse, Mush-

roomhead, and others have played parts in in-

spiring my musical evolution, none play big-

ger roles then the two above. I feel honored to

finally be at a level where I can personally

work with them. It kind of shatters a glass

ceiling that was currently over my head, and

allows me to reach out to new heights.

PI: Tell us about your CD. Is there a story or

theme behind it?

PK: The new CD is called "The End Is Mine", 15 tracks long featuring GrewSum, Intrinzik, Sutter Kain, Wolfpac,

and more! Mixed and mastered by my personal friend Nick "Tokk Sikk" Thomas, who actually features on the track

"Take a Hit" as part of the duo, Dem Korrupt Boyz. It’s my most intense project to date, mixing a lot of metal/rock

sounds with rap lyrics.

The story behind it can be taken in a couple different ways. Most people would see it and think it has to do with 2012

and the end of the world. While once you start listening to it, you realize it’s deeper than that. It’s more about how

some "Icons" of the genre have been around for a long time and seemingly refuse to step down on their own accord.

Because for the next generation to blossom and step out of the shadows, the current legends must step down and make

room for the new. When then do, (which they all eventually will have to) there are so many looking to jump into their

position and make their end, a new beginning. And "The End Is Mine".

PI: How would you describe your writing style? Where do your lyrics come from?

PK: It’s very intense, in your face style of writing. All my lyrics are taken from emotional experiences, highs and

lows. Although, most of my stuff has a very violent, angry vibe to it, it’s not because I'm currently angry or an angry

person. Heartbreak leads to anger, depression leads to anger, anger leads to more anger. I use personal experience to

help motivate the direction of my music and the sound of each song. To meet me you wouldn't think I was an angry

person, I'm very direct, funny, and open. But the skeletons in my closet are the fuel to the fire in my music,

PI: Who would you love to collaborate with in the future?

PK: I would love to work with the guys from Mushroomhead, even if it was just the lead singer, or if one of the guitar

players contributed to one of my beats. When it comes to the rap side of things, I would like to work with guys like

Tech N9ne of Strange Music, or Dirtball from Suburban Noize Records. I think they all have a sound that would

blend well with my own and make something my fans, as well with their fans, would love to hear. In this industry col-

laboration work is easy to accomplish if you have the money to fund it. And unfortunately I don't have the major

funds to shell out for 30 seconds of someone’s time like that. So only time will tell.

PI: What other things to you like to do in your spare time?

PK: Well, I work a full time job, 4 days a week, 10 hour days, but I'm still a young guy so I do a bunch of the typical

stuff. I listen to music over 10 hours a day, every day. I'll play some PS3 in my spare time, catch some new movies.

I'm a trained independent professional wrestler, and from time to time, I will go and make appearances at small indie

shows. Have some fun in the ring, power bomb some fool, and enjoy a crowd pop. I have to admit, I'm kinda addicted

to the sound of a crowd cheering for me. I also make all my own graphic work for music, so I like to play around on

new t-shirt designs, logos, show promos, when I'm bored. All in all, I stay pretty busy.

PI: What's the best concert you've ever been to?

PK: Hard to really say. Best performances or best experience? I went to see Ozzfest in 04' with some friends from

high school. It was the first time I saw Slipknot live and made the entire show for me. There were few bands I actual-

ly watched because the obsessive need to mosh pit took over. At one point security tried to break up a mosh pit for

becoming too violent and one of the security guards got stomped on until they (Cont’d)

Page 7: Plug'd In Magazine Issue #51

610-898-1228

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Page 8: Plug'd In Magazine Issue #51

finally just stopped trying to stop us. I broke my friend’s

nose, and watched half a dozen people be carted off by

EMT's due to exhaustion or injury. That was pretty fun.

PI: If you really were king for a day, what's the first thing

you'd do?

PK: Oooooo…interesting question. Well I'd definitely be

putting a lot of specific people to death by public, personal

be-heading, followed by making a bunch of proclamations

and law changes. After that, who knows, the world would

be my oyster, and even if it was only for one day, I would

have a reign that would live in infamy for generations. Go

big or go home!

PI: Tell us where we can find your album/music.

PK: Best place is at www.KingOfThePatch.com for tangi-

ble CDs. But as for digital distribution you can find me in

all the usual spots, iTunes, Zune, Rhapsody, CDBaby, etc.

Any major digital distribution company should/will have

my music available. I would love to have my music in

stores nationwide, but retail distribution is very expensive,

and I am 100% self-independent.

www.kingofthepatch.com

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Page 11: Plug'd In Magazine Issue #51

Dear Dead Abby Abby was born and raised in the coal regions of Northeastern

Pennsylvania. The oldest of eight, she constantly had her young-

er brothers and sisters asking her questions about everything

from how things work to why that boy threw dirt on her. She’d

try to steer them straight with her advice, though sometimes she

could be a bit sarcastic.

Abby also had an uncanny ability to see the truth in people,

despite what they tried to portray with their lies. Unfortunately,

this led the locals to believe that she was with surrounded with

dark forces. The summer before her final year of school, Abby

was sentenced to death by hanging, without a proper trial, simp-

ly stating that she was a witch. Abby can’t recognize the faces

of her family through death, but she answers questions, thinking

it might be one of her siblings needing her guidance.

Q. Gas prices are outrageous right now. Is it going to get worse? H.K.

A. Yes, and then it will drop off before the election, and pick back up afterwards. This country interjects itself in the

Middle Eastern affairs due to oil, and oil alone, no matter what else they try to tell us. The United States relies so

heavily on the import of oil that they will go to war to protect their interest. My suggestion, buy a cheap 4 cylinder

car that gets 30+ miles per gallon, and try to condense all your errands into one trip.

Q. I’m thinking about spending some money on radio advertising. Do you think radio advertising is worth it? D.F.

A. It depends on what type of people you are advertising to, and what your product is. If you think you can reach a

broad audience that way, then go for it, but remember, every business decision has risks, but you also won't get any-

where without taking risks.

Q. We had no winter at all! Something’s definitely wrong. What’s up? L.V.

A. Would you rather have a frigid winter with being snowed in every other weekend? Seasons go in spurts. Some-

times it might be cold, sometimes there's no snow, sometimes there's a lot of snow. It doesn't mean anything is "up"

as you put it. Or, you could believe in the global warming epidemic, that the solar flares are melting the poles, and

killing the polar bears, whatever floats your boat.

Q. My friend at work told me she saw my boyfriend out at a bar with another girl. I asked her if she was sure it was

him and she said she was positive it was him. She snapped a photo on her cell too. It’s not super clear but it kinda

does look like him. I’m furious. What should I do? W.R.

A. Oh, that's something you have to be careful with. Do you know where he was that night, or where he said he was?

Does he have an alibi? Do you have any reason to believe he was? Has he cheated before? I understand not trusting

someone, and then hearing from someone that they were out with someone else. It'll be a fight regardless, either him

being defensive or that you don't trust him, etc. I guess it comes down to you, and if you really want to know they

truth, or if you want to avoid it and live in denial or thinking "what if" the rest of the relationship.

Q. 6 million people died worldwide last year from smoking. What don’t they just make it illegal? G.D.

A. It's all about the Benjamin’s. Money is what it boils down to, or population control, whatever. It stinks, it's dis-

gusting, it rots your teeth or turns them yellow, constant dry mouth, bad breath, affects your health drastically, birth

defects on babies, and yet people still choose to smoke after knowing all this? It's a filthy disgusting habit. There are

arguments about how cigarettes are worse for you than certain drugs that are illegal. Either way, to each their own.

[email protected]

Page 12: Plug'd In Magazine Issue #51

Business Spotlight: Aleigha of Born Of Chaos Records Interview by Jessica Dietrich PI: Hey Aleigha! Thanks so much for doing this inter-

view today. I know you’ve been super busy between

your record label, your involvement in the local metal

scene, and now the Damsels Of Darkness Tour 2012!

I know you personally and professionally, and am

honored to say so. So I can certainly vouch when I

say you are definitely hardcore, dedicated, and driven

with the sole purpose of helping everyone out as a

metal family. That’s rare, and much appreciated! I

wish there were more like you in this business. How

are you able to find the time, energy, and inspiration to

not only continue in this cut-throat scene, but to also

put on an all-female fronted tour?

AE: Well, it is my chosen profession, literally. My

husband and I own Born Of Chaos Records, an independent underground label that supports vast genres of extreme

metal. That is what I do all day, every day. I get the energy from my inspiration, which is the Music! As the market-

ing and tour manager of the label, it is my job to assemble promotional projects that directly expose and advertise the

company, its bands, and its supporters. In the case of the Damsels Tour, it is an all-in-one promotional campaign.

The idea was born through a group discussion I had with The Lead Farmer Girls. We really wanted to hit the public

big time with what’s going on in a widely undiscovered scene, and to upstage the mainstream drab of bland and

trendy sounds with genuinely talented musicianship, and the dedication, backing and foundation of a loyal, laborious,

and thriving heavy metal community.

PI: Very cool. So, then what is the idea and cause behind the tour?

AE: We want to show the world that hard working musicians in the underground metal scene can tour successfully

and get their music heard without the big wigs, and without having to sell dozens of tickets to play under national

acts, as long as we come together as a collective support-network, and take a stand against the ridiculous require-

ments of pre-sale tickets for unsigned local talent. This tour is about maximizing the exposure of these bands, and

their incredible music, through live performances outside of their commonplace, with supporting bands and venues

who all share mutual aspirations in the hard rock/ heavy metal society.

PI: That’s great! Can you tell us who has been involved in making all this happen?

AE: So many people!! When I first brought the idea to the LFGs, about 9 of us began really working out all the hypo-

thetical situations a tour like this would involve. Then it grew immensely when we added 13 bands and 8 venues to it

over the course of 3 short weeks. And then it grew again as sponsors came forward to support such an exciting series

of events. Between the booking agents, club owners, bands, sponsors and promoters involved, we’re talking over 65

people pulling together as one big, single heavy metal unit we call the Family!

PI: Wow! That’s awesome Aleigha! So, what’s the path of the tour? As far as, which venues and bands are in-

volved?

AE: Ok, you ready? The list is long. (smiles) Alright, I guess we’ll go in alphabetical order here with the bands: We

have Ancient Wolves (Kingston, PA), Apocryfiend (Allentown, PA), A Sound Of Thunder (Washington, DC), For-

ever Her Nightmare (New York, NY), Infernal Opera (Lehigh Valley,

PA), Kandela (Philadelphia, PA), Mistress (Philadelphia, PA), Necromance (Whitehall, PA), Our Ashes Remain

(Scranton, PA), Pool Of Thorns (South Jersey/Philly), Portal Of Praevus (Howell, NJ), Save The Zombies

(Lancaster, PA) and True Rumors (Vineland, NJ) Our path is one big ass circle (that ironically looks like a lower-

case “d” on the map) and embodies over 400 miles of the tri-state region, including New Jersey, Pennsylvania and

Delaware. (Cont’d)

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“Award-winning work in a clean environment”

1402 N. 9th Street Reading, PA 19604

Www.reverbconcerts.com

Sunday, April 1st: Chris Kasper

Thursday, April 5th: SCARY MONSTER

Friday, April 6th: The Fallen Troubadours

Saturday, April 7th: BURIAL GROUND

Thurs. April 12th: KITTIE – Blackguard – The Agonist – Bonded by Blood – Save The Zombies

Saturday, April 14th: MANTIS

Custom & Freehand Tattooing

Sterile Body Piercing w/ a unique Selection of jewelry.

Page 14: Plug'd In Magazine Issue #51

PI: Haha….That’s funny! And what a great mix! It’s gonna be an

awesome tour! I know with anything we do, we hit bumps along the

way. The tour hasn’t even started yet, but are there any snags you’ve

had to overcome with this tour so far? I’m sure there was some hes-

itance in booking and promoting this due to the possible controversy

of all female-fronted bands only.

AE: Well sure, at first I definitely thought we’d be looked at as fem-

inists or something, due to the “all female-fronted” thing, and then I

thought to myself, “I’m not going to bother worrying about mere

opinions” What we have here is pure, original talent, and we’re go-

ing to shine some major light on it all! And yes, just as any inde-

pendent tour could always use more funds, so could we. But honest-

ly, we are in no position to complain. It’s not often that bands get

paid for their live performances anyway. On this tour, the bands are

splitting the take at the door evenly, even if it means each band only

getting $20 a piece each night. Something is better than nothing.

(And let’s face it, gas isn’t cheap.) We are touring for exposure. We

are touring to get our music heard. We are touring for the love of

what we do, with the hopes to expand our fan base.

PI: Hell yea! That’s a great attitude! What type of promotion are

you doing to help the bands on the tour?

AE: All sorts of stuff Jess. To start, some musicians from the tour

and I have been doing several promotional interviews on FM radio, online radio, in printed magazines, and online

webzines as well. We have our sponsors promoting the tour to their public. We’ve been hanging posters and handing

out flyers as a physical street-teaming effort. We’re currently putting together a free handout promotional compila-

tion with a track from each band on it. And of course, we’ve been saturating the online support networks, sending

tour info and samples of music to FM Radio, record labels, regional promoters, etc... Each person involved, bands,

venues, photographers, models, and fans alike are spreading the word in our support!

PI: Sounds like lots of great exposure! What opportunities do you feel this will open up for all that are involved?

AE: I truly hope that each and every one of the musicians on this tour will gain some form of exposure from their

involvement. It would be a blessing if because of this, bands get their singles picked up by FM radio, get signed, are

asked to play with national acts, make new fans in areas outside their own, etc… Sometimes all it takes is the right

place and the right time. That combined with the extraordinary talent on this tour, sounds like a good old-school reci-

pe for success. (smiles again)

PI: With everyone joining forces and helping each other, I think this will be a great opportunity! Do you foresee ex-

panding on this tour? Possibly having additional tours in the future?

AE: Absolutely! I organize at least one tour per year anyhow for the label. If the bands and venues all enjoy their

time spent with this tour, I’d be happy to put together another with the same cause: helping expose, what I call, the

Rising Stars of the Underground. Maybe not all female fronted next time, maybe not under the same name, but I’ll

always be putting together tours, big and small, and booking the local talent to rock them!

PI: Very cool! So, Aleigha….On a personal note, and I know the answer to this, but I know most others don’t. You

are somewhat newish to the area and the scene from a local standpoint. But, there’s actually much more to you and

our life in this industry. It really is in your blood! So, this really isn’t at all new to you at all, is it?

AE: I was literally born a rocker, thanks to my parents! Booking and managing local talent was something I did for

years in Rochester, Upstate NY, where I grew up. In between high school and college I did a lot of moving around.

I’ve been a major supporter of the metal music scene and motorcycle community all of my life. I moved to SE Penn-

sylvania in 2009 to be with my longtime love and now husband, Ron. That year, the Label was born, and I became

the strong center of an independent business in an underground community. So, to answer your question: yes and no.

Is the metal scene new to me? Definitely not. Is this state and region? Yes. Is organizing and managing bands and

Page 15: Plug'd In Magazine Issue #51

tour dates new to me? Not at all. Is running a business? Yes! (Laughs) However,

I’m currently registered for summer semester online studies in Business Admin-

istration & Accounting. Hopefully, that combined with the fact that my DNA is

literally made of heavy metal, I’ll have all it takes to take on the world!

PI: Hell yea! Much love and respect to you and all you do for our metal family!

Thanks so much for taking time out of your crazy schedule to do this interview

with me. I look forward to this tour!

AE: Thank you Plug’d In! It was my pleasure! Be sure to catch the Kickoff of the

Tour on Friday, March 23, 2012 at Championship’s Bar in Trenton, NJ, and hitting

8 major cities around you! Hailz!

www.bornofchaosrecords.com

Page 16: Plug'd In Magazine Issue #51

From the vault: James of Asking Alexandria Interview by Vikki Sin

With two CDs set to drop and a highly anticipat-

ed tour that’s selling out shows, England natives

Asking Alexandria are hard at work taking the

metalcore scene by storm. To support the April

5th release of their second studio album

‘Reckless and Relentless’, the band has set out

on a North American tour of the same name,

with an energetic and brutal lineup including

Emmure, Chiodos, Evergreen Terrace, and Low-

er Than Atlantis. I caught up with drummer

James Cassell before their second show on the

tour, March 11th at the Crocodile Rock in Allen-

town. There was no shortage of head banging,

black n blue eyes, and ice packs that night, and

the sold out crowd loved every minute of it. But

despite all the attention, James was quick to dismiss the label of ‘rockstar’, proudly showing off a large paper ‘A’

that a fan had made them hanging in their bus. Here’s what he had to say about life in Asking Alexandria…V.S.

PI: This is the second night of your Reckless and Relentless tour, and you’re selling out shows so far. So, how does

it feel?

JC: It feels great. It feels awesome. It just feels really good to be back in America, really, because we’ve spent a lot

of time abroad. But yea, it’s awesome. Really good. Really happy with how it’s going.

PI: Who are the bands/artists that influenced you, growing up and currently?

JC: For me, I listen to a lot of metal and nu-metal and stuff. I know a lot of the guys in the band listen to rock stuff,

like Queen and Aerosmith and stuff. For me it was more the sort of heavier side of music that influenced me.

PI: You guys have a lot of techno influences?

JC: Yea, that was something I sort of got into when I was about 16-17, started going to clubs and stuff. When I was

younger, I didn’t really listen to a lot of it.

PI: On the ‘Life Gone Wild’ EP, you cover two Skid Row songs. Is everyone in the band a really big fan of Skid

Row?

JC: Yea, yea. We all love Skid Row. At the moment, for me, I’m getting into a lot more music. Some more 80’s

metal. It influences a lot of our new album.

PI: Do you think that hair metal will ever make a comeback?

JC: I don’t think it’ll make a comeback, and if it does it’ll have to be in a different form. It can’t be the same. You

couldn’t re-release those tracks and expect them to do well, they’re classic. It’d have to have a heavier twist or like

a different twist on it, which is kind of what we’re trying to do. Our new album has got more hair metal sounding

stuff but it’s still really heavy.

PI: So, you’re not going to start wearing spandex and teasing your hair?

JC: (laughs) No, I don’t think so. If we do, it’s just for fun.

PI: I know you get asked this all the time, but I have to ask about the name. Where did it come from, because I read

a couple different things on where ‘Asking Alexandria’ came from?

JC: There’s so many rumors out there, and to be honest, we started most of them. Everyone’s always asking about

the name. (PI) I’ve heard you give different answers. So you won’t ever tell anyone? (JC) See the laminate that

you’ve got? (Points to the press pass, which has a picture of a tattooed girl with thorny (Cont’d)

Page 17: Plug'd In Magazine Issue #51

vines wrapped around her) She’s now Alexandria. We got to de-

sign someone to fit the part. She’s just a hot tattooed girl. (PI)

So, it just came about, the name? (JC) Yea, it literally just came

about. The band was already named it before I was in the band.

To be honest, Ben (Ben Bruce, founder and guitarist) made it

because it sounded cool. But now we have a back story and it’s

going to be, not the face of the band, but the symbol is going to

be that girl. (PI) Everyone loves a hot tattooed chick right? (JC)

Sure!

PI: You guys are from England and you spend a lot of time over

here. What do you find that the main difference is between tour-

ing over in England and touring over here? Are the fans any dif-

ferent?

JC: Fans here are a little bit more insane, a little more into it.

Fans in the UK are crazy but they’re not going to come up to

you. It’s different, it’s weird. They’re very, very similar, espe-

cially compared to all the rest of the world.

PI: Do you have any crazy fan stories?

JC: All the crazy fan stories definitely come from Asia. We did

Japan, and Japan was awesome. We went to Singapore and Thai-

land. Whoa, they were crazy. They were some of the best shows

I think we’ve ever done. They were so good, but the fans were

so intense. We finished playing in Singapore and we’d look out-

side the green room window and the whole crowd just stood out-

side the green room looking up, because they know that’s the

green room. We literally would look out and they’d just start

screaming, as if we were about to walk on stage again. In Thailand, we finished playing the show and the van we

were in was about to take us to the airport and we were trying to get in and it was just people trying to get in the van

and it was just intense.

PI: Is that the craziest place you’ve ever been, over in Asia?

JC: Yea, Thailand is pretty crazy. They don’t see any shows. No bands go there, so when bands do go there it’s just

the best day ever for them so they get crazy. Not like America. So many tours go across America and the UK.

PI: So what do you, personally, do when you’re not on tour?

JC: Catch up on old friends, see family, and see my girlfriend. Try and live normally. You get home and you’re like

‘This is so fucking good” but then in a few days you’re like “Oh man, I want to get back on tour again”. Sort of like a

love/hate relationship.

PI: Tell us a little bit about the ‘Stepped Up and Scratched’ remix CD that you guys have coming out.

JC: Yea! I mean, I don’t actually know when it’s coming out to be honest. We’ve changed the date so many times; I

don’t even know when it’s coming out. It’ll be coming out at some point. (PI) You’re creating a buzz. (JC) Yea, it’s

going to be awesome. Were working with some really, really great artists on that stuff. (PI) And dubstep’s on it? (JC)

Yea, there’s dubstep, all sorts of shit. It’ll be coming at some point. I don’t know when. But it’s going to be really

good. There are a lot of really good artists working on that, some of my favorite artists in that sort of scene.

PI: If you could tour with anyone, who would you like to tour with?

JC: Just for the size of the band, or just cause I want to?

PI: Just cause you want to, if you could put together a dream tour.

JC: Dream tour…it would be so random. It would be like (laughs) I don’t even know where to start. (PI) Hair metal?

(JC) Yea it would be like a massive hair metal…it would be like someone like Bon Jovi, Prodigy (laughs), Slipknot.

Yea, it would be such a weird collection of artists, but definitely those 3. (Cnnt’d)

Page 18: Plug'd In Magazine Issue #51

PI: What do you think you’d be doing if you weren’t in a band?

JC: I’d still be playing. I was going to music class before I joined

the band, so I’d still be doing something in music, more behind the

scenes, still playing drums. Maybe doing a tour or two but I’d just

be a fill in, do regular gigs, not in a band. Definitely be doing that,

or teaching. Or else, I’d just become a crack head and then fail in

life. (Laughs)

PI: You guys have an intense tour, it’s like every night. What to do

you do to keep up the energy? Is it hard?

JC: Oh, God. Especially, like, at the moment I’m so tired. I’m really

tempted to go to sleep. I did that last night and I woke up even more

tired. I had a couple hours sleep and then had to play. As soon as

you get on stage really it changes, you get into it. You had to have a

really rough night to go onstage and be like ‘I can’t’, like no sleep at

all, which has happened a few times.

PI: What do you want to say to the people that buy your CD’s and make you things and wear your shirts and sell out these shows?

JC: Just, thank you. Thanks for taking an interest in the band. It’s awesome.

PI: Did you ever think you were going to end up in a band that became this big?

JC: No, I didn’t. I was in bands before, I thought I’d always have a band to play in but I never thought I’d be doing it on this scale. Get to

see the world, travel around and play sick shows to thousands of people and shit. I never thought that would happen, but it has! (Laughs)

PI: Thanks for giving us a chance to get Plug’d In!

JC: Thank you very much.

www.askingalexandriaofficial.com

Page 19: Plug'd In Magazine Issue #51

Run For Your Lives By Michael Demos We love zombies. We really do. We’d love

them a little more if we were double tapping

them instead of running from them. Some-

times though, you’ve gotta run. And every-

one remembers what they said in Zombieland

right? Cardio. That’s right. If you want to sur-

vive the impending zombie apocalypse

you’ve gotta be able to run.

It wasn’t hard for me to see that we’re head-

ing for the hot place in a hand basket real fast.

If there’s going to be undead walking the

earth anytime soon, then I need to get into

shape and fast! My problem wasn’t enthusi-

asm, it was motivation. Sure the apocalypse

sounds fun…but who the hell wants to train

for it? I know I didn’t until I came across Run

For Your Lives.

Run For Your Lives is not your typical 5K. For starters it’s a 5K and an obstacle course. Oh yeah and it’s filled with

blood thirsty zombies. Don’t believe me? It’s coming to Baltimore, MD in October and we’re going to bring you in-

side like you’d never expect.

We’re going to give you a chance to watch

the training that I’m going to undergo so I’ll

be able to undertake, and hopefully survive,

the Run For Your Lives course. We’ll keep

you posted with all the latest goodies and

tidbits ,and of course, bring you the exclu-

sives you’ve come to expect from Plug’d In

Magazine. So get ready and Run For Your

Lives! M.D.

Here’s a little bit about the race:

Run For Your Lives is an apocalyptic 5K

obstacle race. But you’re not just running

against the clock — you’re running from

brain-hungry, virus-spreading, bloody zom-

bies. Before the race, you will be given a

flag belt, just like the overly intimidating game of flag football. These flags represent your health. The zombies want

to take your flags and maybe eat your brains. If you lose all your health flags, you die. And the zombies win. Health

bonuses will be hidden throughout the course. If you find one and carry it to the finish, it will save your life.

Throughout the 5K obstacle race, there will be a series of man-made and natural obstacles for you to complete. Run-

ners may choose NOT to complete an obstacle, BUT any runner who skips an obstacle will not be eligible for prizes.

There will be zombies. Their job is to chase you and eat you — but mainly go after your health, in the form of your

flag belt. Avoid the zombies to keep your health flags. Use speed, strategy and your intact brains to make it to the

FINISH LINE “alive” with at least ONE FLAG INTACT (or a health bonus pack). If you finish with zero health flags,

this means the zombies have successfully transformed you into the “undead”; your time will be (Cont’d)

The Zombies are coming!!!

Page 20: Plug'd In Magazine Issue #51

recorded, but you will not be eligible

for awards.

There will be a start line, and a finish

line, but what happens in between is

up to you. There are multiple routes to

reach the finish. Choose wisely, or

your 5k might turn into a 10k.

Registration packages for participants

include a race shirt, admission to the

Apocalypse Party, a medal signifying

your survival or zombie transfor-

mation, and advanced training for the

zombie apocalypse. Spectator and

camping packages are also available.

Prizes will be given to the top male

and female human finishers in several

age brackets, including: 14-19; 20-29;

30-39; and 40 and up. There will also

be an awards bracket for military participants. A por-

tion of every ticket sold will be donated to the Ameri-

can Red Cross.

Athletic apparel company, Warwear is the title sponsor

for Run For Your Lives, and Subaru of America has

signed on as a presenting sponsor of the race.

Run For Your Lives will be launching in

locations near the following major cities:

Atlanta – March 3

Boston – May 5

Minneapolis – June 2

Indianapolis – June 23

Denver – July 14

Seattle/Portland – Aug.4

St. Louis – Aug. 18

Pittsburgh – Sept. 1

Toronto – Sept. 15

San Diego/

Los Angeles – Oct. 20

Baltimore – Oct. 27

Austin – Dec. 15

To register for Run For Your Lives or for more information regarding how the race works, please visit:

www.runforyourlives.com

Page 23: Plug'd In Magazine Issue #51

Special thanks to all the following for making this issue happen:

Without you...well, we just would have had to work a little harder.

The Reading Tattoo Co, American Heroes, Belly Busters, 1Up Collectibles, Its All The Rage Hair

Designs, Vertical Pole Fitness, Pottstown Tattoo Co, Gotham City Tattoo, Plug N Play, Pocket Aces

Skate Shop, Crocodile Rock Café, Danielle Welgemoed Taylor, Michael Demos, Liana Marie, Ni-

cole Marie, Nicolle Stella, Vikki Sin, Tyler Heckard, Bandi Budwash, David Barber, Justin Ernst,

Designs By Your Arsonist, Roadrunner Records, Century Media, W.M.G., Victory Records,

Facedown Records, Fearless Records, Metal Blade records, E1, Hollywood Records, Disney,

Adrenaline P.R., Solid State Records, DRP Records, Strike First, Rise Records, Tech Basement, The

Children's Home of Reading, Bimbo Bakery, Pepsi, Smaltz’s Harley Davidson, SLP Concerts, and

all the amazing National and Local bands we’ve had the privilege to work with.

Man, We need your Help!!

Want Tickets? Meet and Greets? Exclusive Access? The chance to Hang out with your favorite Musician? The Experiences of a Lifetime?

Plug’d In is looking for the following:

Transcribers

Photographers Interviewers

Writers Columnists

If you would like your band featured in Plug’d In hit us up @

[email protected]

Page 24: Plug'd In Magazine Issue #51

2605 Kutztown Rd. Reading Pa 19605

484.706.6982

www.plugnplaystore.comwww.plugnplaystore.com

New and Used Video

Games*New and Used

Systems*Computer

Repair*Excellent

Service*Buy/Sell/Trade

and More!