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7/23/2019 Pieper's Concept of Leisure
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Part I
1. The etymology of leisureIn the frst part o his essay, Jose Pieper retraces the
etymology o the word leisure. The Greek word or
leisure (!"#$% is the origin o &atin scola, German
Schule, 'nglish school. The name or the institutions o
education and learning means leisure.)
2. The oblivion of leisure and the exaggeration
of work
*e continues +y writing that the original meaning o
the concept o leisure has practically +een orgotten in
todays leisure-less culture o total work in order to
win our way to a real understanding o leisure, we must
conront the contradiction that rises rom ouro/eremphasis on the world o work0. To pro/e his point,
he 1uotes 2ikolaus &udwig /on 3in4endor in the
writings o 5a6 7e+er8s The Protestant Ethic and the
Spirit of Capitalism that one does not only work in
order to li/e, +ut one li/es or the sake o ones work9.
3. Aristotelian concet on leisure and work
1 Pieper, J., Leisure the Basis of Culture, South Bend Indiana, 1998,
pp. 25-26.
2 Pieper, J., Leisure the Basis of Culturep. 26.
3 Pieper, J., Leisure the Basis of Culturep. 26 in Weber, M., The
protestant Ethic and the Spirit of Capitalism, e! "or#, 1958, p.
26$, note 2$.
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*e proceeds +y penning :ristotelian adage we work
in order to +e at leisure;. :ccording to Pieper and not only to indicate its hustle and +ustle, +ut
the work itsel. The Greek language had only this
negati/e term or it (? @ !"#AB%, as did &atin (neg-otium,
not-leisure%.CThus, the Greeks would pro+a+ly not
ha/e understood our ma6ims a+out work or the sake o
workD. Pieper then reEecti/ely asks Fould this also
imply that people in our day no longer ha/e direct access
to the original meaning o leisureH
!. "ervile and #iberal arts
In continuation, Pieper states that the Fhristian
concept o the contemplati/e lie (the vita
contemplative% was +uilt on the :ristotelian concept o
leisure. =urther, the distinction +etween the &i+eral
:rts and er/ile :rts has its origin precisely here.
*e also says 7ell, at least one side o the distinction
comes to the ore in e/eryday lie, when the issue o
$ Pieper, J., Leisure the Basis of Culturep. 26
5 Pieper, J., Leisure the Basis of Culturep. 26
6Pieper, J., Leisure the Basis of Culturep. 2%.
% Pieper, J., Leisure the Basis of Culturep. 2%.
8 Pieper, J., Leisure the Basis of Culturep. 2%.
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ser/ile work arises, the kind o acti/ity that is deemed
inappropriate or the holy rest o the a++ath,
undays, or *olidaysK
. =or this reason, he asks *owmany are aware that the e6pression ser/ile work
cannot +e ully understood without contrasting it with
the &i+eral :rtsH)L
Part II
1. #eisure is relaxed looking
The researcher presented in the frst part o Pieper8s
essay the diMerences +etween leisure and work. Though
it is tautological, it is important to underline that leisure
is not work and work is not leisure. The researcher puts
here some words o Pieper to understand the nature oleisure
7hat happens when our eyes sees a roseH 7hat do
we dowhen that happensH Nur mind does
something, to +e sure, in the mere act o taking in
the o+Oect, grasping its color, its shape, and so on.
7e ha/e to +e awake and acti/e. ut all the same,
it is a rela6ed looking, so long as we are merelylooking at it and not observingor studying it,
counting or measuring its eatures. uch
o+ser/ation would not+e a rela6ed action it
would +e what 'rnst JQnger termed an act o
aggression.)) ut simply looking at something,
ga4ing at it, taking it in, is merely to open our
9 Pieper, J., Leisure the Basis of Culturep. 2%.
1& Pieper, J., Leisure the Basis of Culturep. 2%.
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eyes to recei/e the things that present themsel/es
to us, that come to us without any need or eMort
on our part to possess them.)0
2. $ant%s denial of the ossibility of &leisured'
looking'knowledge(
The acts o+ser/ed +y Pieper are denied +y some
modern thinkers such as Rant. :s Pieper notices>
To Rant, or instance, the human act o knowing ise6clusi/ely dis-cursi/e, which means not merelylookingShuman knowing con-sists essentially inthe act o in/estigating, articulating, Ooining, com-paring, distinguishing, a+stracting, deducing,pro/ing - all o which a re s o ma ny ty pesand methods o acti/e mental e'ortS
k no wi ng ( intellectual knowing, t h a t i s , + ythe human +eing% is activity, and nothing +utacti/ity.)9
Jose Pieper then comments that it is no wonder
that, starting rom this +asis, Rant was a+le to
conclude that all knowing, e/en philosophy itsel (since
philosophy is at the greatest remo/e rom sense
perception%, should +e understood as a orm
o work);.
11 J(n)er, *., Bltter und Steine, +abur), 193$, p. 2&2.
12 Pieper, J., Leisure the Basis of Culturep. 3&.
13 Pieper, J., Leisure the Basis of Culturep. 31.
1$ Pieper, J., Leisure the Basis of Culturep. 31.
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9. )atio and intellectus
J. Pieper +ril liantly recalls a medie/al distinction
+etween ratio and intellectus The medie/alsdistinguished +etween the intellect as ratio and the
intellect as intellectus. Ratio is the power o
discursi/e thought, o searching and re-searching,
a+stracting, refning, and concluding Ucf &atin dis-
currere, to run to and roV, whereas intellectus
reers to the a+ility o simply looking (simple!
intuitus"#%, to which the truth presents itsel as a
landscape presents itsel to the eye.)D ut this
ratio and intellectus as Pieper points out are /erymuch related. The spiritual knowing power o the
human mind, as the ancients understood it, is
really two things in one ratio and intellectus, all
knowing in/ol/es +oth. The path o discursi/e
reasoning is accompanied and penetrated +y the
intellectus$ untiring /ision, which is not acti/e +ut
passi/e, or +etter, receptive- a recepti/ely
operating power o the intellect.
)
:ccording to t. Thomas :1uinas as cited +y Pieper
:lthough human knowing real ly takes place in
t he m od e o ratio, ne/ertheless i t is a kind o
participation in that simple knowing which takes
place in higher natures, and we can thus conclude
that human +eings possess a power o intellectual
/ision). Thus, This s t a t em en t m ea n s t h a t
h u m a n k n o w i n g i s a p a r t a k i n g i n t h e n o n -d i s c u r s i / e p o w e r o / i s i o n e n O o y e d + y t h e
an gel s , to who m i t h as +een granted to take
15 ordin) to St. /hoa0 uina0 Contemplation i0
16 Pieper, J., Leisure the Basis of Culturep. 32.
1% Pieper, J., Leisure the Basis of Culturep. 32.
18 Pieper, J., Leisure the Basis of Culturep. 33 in St. /hoa0
uina0, Disputed Questions on Truth, .4, 1.
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in the immater ia l as eas i ly as our eyes take
i n l i g h t o r o u r e a r s s o u n d ) K . Jo s e P i e p e r
t h e n r e a l i 4 e s t h a t
h u m a n k n o w i n g h a s a n e l e m e n t o t h enon-acti/e, purely recept i/e seeing, which i s
not there in /irtue o our humanity as such, +ut
in /irtue o a transcendence o/er what is human,
+ut which is really the highest ulfllment o what it
is to +e human, and is thus truly human ater all
( in the same way, again according to Thomas
:1uinas, the vita contemplativa as the h igh-est
orm o human li/ing is not properly human, +ut
superhuman non proprie humana, sed
superhumana %0L.
!. )atio as leisure and intellectus as work
7hat in conse1uence is the relationship among ratio,
intellectus and workH Pieper says =or the ancient
and medie/al philosophers the la+oring nature othe human ratio was likewise a mark o its
humanness. The operation o the ratio, its
discursi/e thinking process, really is work and a
dicult acti/ity0). The researcher, in that case,
interprets Pieper8s words as ratio pertaining to work and
intellectus reerring to leisure.
*. The reference on +ercules as a symbol ofwork
2owadays, the appreciation o leisure is taken or
granted. It seems that there is more attention in work.
19 Pieper, J., Leisure the Basis of Culturep. 33.
2& Pieper, J., Leisure the Basis of Culturep. 33 in St. /hoa0
uina0, Quaestio disputata de virtutibus cardinalibus 1.
21 Pieper, J., Leisure the Basis of Culturep. 33.
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:ccording to Jose Pieper :ntisthenes00, one o Plato8s
riends and a ellow disciple o ocratesS was
responsi+le or the frst paradigm o the
worker - or rather, he represented it himsel. *enot only came up with the e1uat ion o e'ort
with g oodne ss, h e als o e6 tolled *ercules as the
:ccomplisher o uperhuman :ctions09. 2ow, this is an
image that sti ll (or, once moreH% has a certain
compelling attraction rom the motto o 'rasmus0;to
the philosophy o Rant, who used the word *erculean
to praise the heroism o philosophers, and on to Thomas
Farlyle, the prophet o the
rel igion o 7ork
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are ordered to some utility to +e attained through
action are called servile arts.0 To +ack up this
point o t. Thomas :1uinas, Pieper recalls that
si6 hundred years later, John *enry 2ewman saidas ollows I know well, 2ewman says, that
knowledge may resol/e itsel into an art, and
seminate in a mechanical process and in tangi+le
ruit> +ut it may also all +ack upon that Weason
which inorms it, and resol/e itsel into Philosophy.
=or one case it is called Xseul Rnowledge> in the
other, &i+eral0 .0K
Pieper +eautiully concludes &i+eral arts,thereore, are ways o human action which ha/e
their Oustifcation in themsel/es> ser/ile arts are
ways o human action that ha/e a purpose outside
o themsel/es, a purpose, to +e more e6act, which
consists in a useul eMect that can +e reali4ed
through pra!is. The li+erality or reedom o
the li+eral arts consists in their not +eing
disposa+le or purposes, that they do not need to
+e legitimated +y a social unction, +y +eing
work.9L
Part III
1. #eisure is not idleness
2% Pieper, J., Leisure the Basis of Culturep. $1.
28 B
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In this part o the essay, Jose Pieper
introduces the words acedia and idleness. To
+egin with, he says 2ow the code o lie o the
*igh 5iddle :ges saidSthat it was precisely lacko leisure, an ina+ility to +e at leisure that went
together with idleness> that the restlessness o
work-or-work8s sake arose rom nothing other than
idleness. There is a curious connection in the act
that the restlessness o a sel-destructi/e work-
anaticism should take its rise rom the a+sence o
a will to accomplish something.9) Pieper then
retraces the meaning o idleness and acedia.
:nd so, what is idlenessH :ccording to Pieper
Idleness, or the older code o +eha/ior, meant
especially this that the human +eing had gi/en up
on the /ery responsi+ility that comes with dignity
that he does not want to +e what God wants him to
+e, and that means that he does not want to +e
what he really, and in the ultimate sense, is90 .
7hat is acediaH In the words o Pieper %cedia is
the despair o weakness, o which Rierkegaard
said that it consists in someone despairingly not
wanting to +e onesel99.
:naly4ing acedia, Pieper says The opposite o
acedia is not the industrious spirit o the daily
eMort to make a li/ing, +ut rather the cheerul
aMirmation +y man o his own e6istence, o the
world as a whole, and o God @ o &o/e, that is,rom which arises that special reshness o action,
which would ne/er +e conused, +y anyone with
31 Pieper, J., Leisure the Basis of Culturep. $%.
32 Pieper, J., Leisure the Basis of Culturepp. $%-$8.
33 Pieper, J., Leisure the Basis of Culturep. $8 in Gier#e)aard, S.,
-ier&egaard*s ritings, Ho
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any e6perience, with the narrow acti/ity o the
workaholic9; .
Pieper wonderully reali4es that we would get thisall wrong, i we hadn8t +een e6pressly told Thomas
:1uinas understood acedia as a sin against the
Third Fommandment. o ar rom seeing in
idleness the opposite o the work-ethic, he
understands it as a sin against the a++ath,
against The soul8s resting in God9C .
Idleness then is not leisure. In the ipsissima verba
o Pieper Idleness in the old sense, then, has solittle in common with leisure, that it is the /ery
inner disposition to non-leisure, that it is really
lack o leisure. There can only +e leisure, when
man is at one with himsel, when he is in accord
with his own +eing. %cedia , thereore, is
disagreement with onesel. Idleness and lack o
leisure +elong with each other> leisure is opposed
to both.9D
2. The three asects of work
J. Pieper enumerates three aspects o work i.e.
acti/ity, eMort and social unction. &eisure, then,
as a condition o the soul @ (and we must frmlykeep to this assumption, since leisure is not
necessarily present in all the e6ternal things like
3$ Pieper, J., Leisure the Basis of Culturep. $9.
35 Pieper, J., Leisure the Basis of Culturep. $9. /he itation on St.
/hoa0 uina0 i0 in Summa theologiaeII-II, . 35, 3, ad 1u: De
malo. 11, 3 ad 2u. /he atehi0 o7 the atho
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+reaks, time oM, weekend, /acation, and so
on @ it is a condition o the soul% @ leisure is
precisely the counterpoise to the image o the
worker, and we can see how this pertains to allthree aspectsSwork as acti/ity, work as eMort,
work as social unction.9
'" )ork as an activity
The researcher then treats the frst aspect o work,
an activity, in Pieper8s perspecti/e. *e says
:gainst the e6clusi/eness o the paradigm o workas activity, frst o all, there is leisure as non-
acti/ity @ an inner a+sence o preoccupation, a
calm, an a+ility to let things go, to +e 1uiet 9 .
:nd he continues &eisure is a orm o that
sti llness that is the necessary preparation or
accepting reality> only the person who is still can
hear, and whoe/er is not still, cannot hear. uch
stillness as this is not mere soundlessness or adead muteness> it means, rather, that the soul8s
power, as real, o responding to the real @ a co-
respondence, eternally esta+lished in nature @ has
not yet descended into words. &eisure is the
disposition o recepti/e understanding, o
contemplati/e +eholding, and immersion @ in
real9K .
The researcher almost reproduce e/erything o theama4ing reali4ations o Pieper &eisure is not the
attitude o the one who inter/enes +ut o the one
who opens himsel> not o someone who sei4es +ut
o one who lets go, who lets himself go, and go
3% Pieper, J., Leisure the Basis of Culturep. 5&.
38 Pieper, J., Leisure the Basis of Culturep. 5&.
39 Pieper, J., Leisure the Basis of Culturep. 5&.
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under, almost as someone who alls asleep must
let himsel go (you cannot sleep, unless you do so%.
:nd in act, Oust as sleeplessness and restlessness
are in a special way mutually related, Oust so theman at leisure is related to someone sleeping> as
*eraclitus;Lsaid o those who sleep, that they are
acti/e and cooperati/e in the +usiness o the
world. The surge o new lie that Eows out to us
when we gi/e oursel/es to the contemplation o a
+lossoming rose, a sleeping child, or o a di/ine
mystery @ is this not l ike the surge o l ie that
comes rom deep, dreamless sleepH;)
0.0. )ork as an e*ort
The researcher treats now the second aspect o
work in Pieper8s paradigm, as an e*ort.
econd, against the e6clusi/eness o the paradigm owork as eMort, leisure is the condition o consideringthings in a cele+rating spirit. The inner Ooyulness othe person who is cele+rating U+er eierndeV +elongs tothe /ery core o what we mean +y leisure Uas does thatincompara+le German word or 1uitting time oresti/al-e/ening, eierabendV. &eisure is onlypossi+le in the assumption that man is not only inharmony with himsel Uwhereas idleness is rooted in thedenial o this harmonyV, +ut also that he is in agreementwith the world and its meaning. &eisure li/es on
aMirmation. It is not the same as the a+sence oacti/ity> it is not the same as 1uiet, or e/en as an inner1uiet. It is rather like the stillness in the con/ersationo lo/ers, which is ed +y their oneness.;0
$& ragment%5 ;ie.
$1 Pieper, J., Leisure the Basis of Culturep. 51.
$2 Pieper, J., Leisure the Basis of Culturep. 52.
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Thus, leisure is a esti/al. :nd a esti/al is a
cele+ration. The highest orm o aMirmation is
the esti/al> and according to Rarl RerYnyi, the
historian o religion, to esti/al +elong peace,intensity o lie, and contemplation all at once ;9.
The holding o a esti/al means an aMirmation o
the +asic meaning o the world, and an agreement
with it, and in act it means to li/e out and ulfll
one8s inclusion in the world, in an e6traordinary
manner, diMerent rom the e/eryday.;;
=esti/al then is the origin o leisure. 7ithout
esti/als there is no leisure. :nd the researcherspeculates that without leisure there are no
esti/als. The esti/al is the origin o leisure, its
inmost and e/er-central source. :nd this esti/e
character is what makes leisure not only
eMortless +ut the /ery opposite o eMort or
toil;C.
0.9. )ork as a social function
2ow, the researcher addresses the third
aspect o work as a social function according to
Pieper. &eisure stands opposed to the
e6clusi/eness o the paradigm o work as a social
unction;D. Zis-[-/is the social unction o work,
Pieper states The simple +reak rom work @ the
kind that lasts an hour, or the kind that lasts aweek or longer @ is part and parcel o daily
working lie; . It is not leisure per se. It is
$3 Gerni, G., Die anti&e 'eligion, 0terda, 19$&, p. 66.
$$ Pieper, J., Leisure the Basis of Culturepp. 52-53.
$5 Pieper, J., Leisure the Basis of Culturep. 53.
$6 Pieper, J., Leisure the Basis of Culturep. 53.
$% Pieper, J., Leisure the Basis of Culturep. 53.
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something that has +een +uilt into the whole
working process, a part o the schedule. The
+reak is there or the sake o work. It is
supposed to pro/ide new strength or newwork, as the word rereshment indicates one is
rereshed for work through +eing rereshed rom
work.;
3. Another ersective on ratio and
intellectus
Jose Pieper understands that
@&eisure stands in a perpendicular position with respect
to the working process @ in Oust the same way as the
simple ga4e o intellectus does not consist in the
duration (so to speak% o ratio$sworking-out process,
+ut instead cuts through it at the perpendicular (the
ancients compared the ratio with time, the intellectus
with the always now o eternity%.;K 2ow leisure is not
there or the sake o work, no matter how much new
strength the one who resumes working may gain rom
it> leisure in our sense is not Oustifed +y pro/iding
+odily renewal or e/en mental rereshment to lend new
/igor to urther work @ although it does indeed +ring
such things\CL
!. #eisure as contemlation
&eisure is like contemplation. :s contemplation, so
leisure is o higher rank than the vita active (e/en
though this @ the acti/e lie @ is the truly human in a
$8 Pieper, J., Leisure the Basis of Culturep. 53.
$9 7. St. /hoa0 uina0, Summa contra gentilesII, 96.
5& Pieper, J., Leisure the Basis of Culturep. 53.
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sense%. ut the ranking cannot +e re/ersed while it is
true that the one who prays +eore going to +ed sleeps
+etter, surely no+ody would want to think o praying as a
means o going to sleep. In the same way, no+ody whowants leisure merely or the sake o rereshment will
e6perience its authentic ruit, the deep rereshment that
comes rom a deep sleep.C)
*. #eisure makes us human
The researcher puts here 1uotations rom Pieper
&eisure is not Oustifed in making the unctionary astrou+le-ree in operation as possi+le, with minimumdowntime, +ut rather in keeping the unctionaryhuman (or as 2ewman said it, so that he can stay agentleman%> and this means that the human +eing doesnot disappear into the parceled-out world o his limitedwork-a-day unction, +ut instead remains capa+le otaking himsel as a +eing who is oriented toward thewhole o e6istence.C0
,. To know how to be at leisure is a ower
Pieper highlights in his essay this conclusion This is
why the a+ility to +e at leisure is one o the +asic
powers o the human soulC9. acking up this
consideration, Pieper articulates &ike the git o
contemplati/e sel-immersion in +eing, and the a+ility touplit one8s spirits in esti/ity, the power to +e at leisure
is the power to step +eyond the working world and win
contact with those superhuman, lie-gi/ing orces that
51 Pieper, J., Leisure the Basis of Culturep. 5$.
52 Pieper, J., Leisure the Basis of Culturep. 5$.
53 Pieper, J., Leisure the Basis of Culturep. 5$.
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can send us, renewed and ali/e again, into the +usy
world o workC;.
-. #eisure does not only makes us human but
also divine
=inally, in this third part o Pieper8s essay, the
researcher places the mar/elous ideas o :ristotle cited
+y Jose Pieper. 5an cannot li/e this way insoar as he
is man, +ut only insoar as something di/ine dwells in
himCC. :nd Pieper seconds :ristotle that this is the
parado6 that reigns o/er the attainment o leisure, whichis at once a human and super-human conditionCD.
Part I
1. The ga between the &leisured erson( and
the roletariat
In this part o Pieper8s essay, he does an e!cursus
on Proletariat and ]e-proletariani4ation. :t the
onset o this e6cursus, he asks ut would this not
mean, then, that the gap +etween an academic
educational le/el, which can aMord to take knowledge or
its own sake, and the proletarian, who only knows the
+reak @ +arely enough to renew him or his daily input
o la+or @ will not this gap necessarily get deeper as aresult o our thesis, no matter what our attitude or
intentionCH
5$ Pieper, J., Leisure the Basis of Culturep. 5$.
55 Pieper, J., Leisure the Basis of Culturep. 55 in ri0tot.
56 Pieper, J., Leisure the Basis of Culturep. 55.
5% Pieper, J., Leisure the Basis of Culturep. 59.
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2. The leisured erson is a hilosoher
To de/elop the in1uiry recently mentioned, Piepercomes up with ancient philosophy especially with Plato.
*e aMirms that Plato, in act, in one passage opposes
the type o the philosopher to the type o the banausos
Uhand-workerVC. The philosophers according to Plato,
cited +y Pieper are those>
Swho ha/e +een +rought up, not like sla/es, +ut in theopposite way. :nd this, N Theodoros, is the way o eacho them the one, who has +een raised truly in reedomand leisure, whom you call a philosopher and who canget away with appearing /ery simple and good ornothing, when it comes to practical accomplishments,so that he seems not to know how to tie a knot, toasten up a +undle to +e carried, or how to cook up atasty dishS > the other is the way o the one who knowshow to do all these things nim+ly and neatly, +ut doesnot know how to wear his cloak like a ree man, and
much less, how to praise with worthy accent the truelie o gods and menSCK
3. /hat is a roletarian0
2ow that we are in the e!cursus on proletariat and
]e-proletariani4ation, it is good to ask +ut what do
such word really mean @ proletariat, proletarian, de-
proletarianieDLH Pieper synthesi4es that being a
proletarian is being bound to the working processD).
58 Pieper, J., Leisure the Basis of Culturep. 59.
59 P
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Pieper connects the idea o work with the concept
o .bonum utile/. 7ork is meant as useful acti/ity,
which means that +y defnition, work does not ha/e its
meaning in itsel, +ut is directed toward somethingsocially ad/antageous, a bonum utile, the reali4ation o
practical /alues and needsD0.
Pieper makes some three e6planations with
regards to what is it to +e a proletarian, really, what is
proletariat and de-proletarianiationD9H =irstly, +eing
proletarianis not the same as being poor. Nne can +e
poor without +eing proletarian the +eggar in the class
structured medie/al society was not a proletarian. Nnthe other hand, one can +e proletarian, without +eing
poor the engineer, the specialist in the total-work state
is, certainly, proletarian.D;
econdly, one must still state the o+/ious the negati/e
aspect o the proletariat, the aspect we need to remo/e
rom it, does not consist in the act that the condition is
limited to a certain social class, so that the only way to
eliminate the negati/e would to ha/e e/eryoneproletarian\ Proletarianism, then, clearly cannot +e
o/ercome +y proletariani4ing e/eryone.DC
Thirdly, the +inding to the working-process can ha/e its
roots in the inner po/erty o the person the proletarian
is one whose lie is ully satisfed +y the working-process
itsel +ecause this space has +een shrunken rom within,
and +ecause meaningul action that is not work is no
longer possi+le or e/en imagina+leDD.
62 Pieper, J., Leisure the Basis of Culturep. 61.
63 Pieper, J., Leisure the Basis of Culturep. 61.
6$ Pieper, J., Leisure the Basis of Culturep. 61.
65 Pieper, J., Leisure the Basis of Culturep. 61.
66 Pieper, J., Leisure the Basis of Culturep. 62.
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!. To be only roletarian is to be slave
There is a concept o being bounded in
Proletarianism. To +e +ound to the working process isto +e +ound to the whole process o useulness, and
moreo/er, to +e +ound in such a way that the whole lie
o the working human +eing is consumedD. Pieper
continues
This +inding can ha/e /arious causes. The cause may+e lack o ownership, or the proletariat is the wage-
earner without property, who has nothing +ut his work,and thus he is constantly orced to sell his working-power. (^: D9% ut such +inding to the workingprocess can also +e caused +y dictate o the total-working state. The proletarian is one who, whether ornot he owns property, is constantly on the mo/e,+ecause o the practical necessities o the a+solutelyrational production o goods. (^: ))K%D
*. Proletarianism servile and liberal arts and
de'roletariation
Fonnecting proletarianism with artes serviles, Pieper
e6presses that proletarianism would conse1uently +e
e1ui/alent to the narrowing o e6istence and acti/ity to
the realm o artes serviles@ whether this narrowness +e
conditioned through lack o ownership, compulsion o
the state, or spiritual po/ertyDK. It is now the time to
portray the idea o +e-proletariation. It would
conse1uently +e the widening o ones e6istence +eyond
the realm o the merely useul, ser/ile work, and the
6% Pieper, J., Leisure the Basis of Culturepp. 61-62.
68 Pieper, J., Leisure the Basis of Culturep. 62.
69 Pieper, J., Leisure the Basis of Culturep. 63.
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restriction o the area o the artes serviles, to +eneft the
arts liberalesL. To concreti4e+e-proletariation, three
things would +e necessary +uilding up property rom
wages, limiting the power o the state, and o/ercominginternal po/erty).
,. +onorarium and wages
To understand urther the diMerences +etween liberal
arts and servile arts, Pieper resort to the dissimilarities
+etween honorarium and wages.
The li+eral arts are honored> the ser/ile arts are paid inwages. The concept o the honorarium implies acertain lack o e1ui/alence +etween achie/ement andreward, that the ser/ice itsel really cannot +erewarded. 7ages, on the other hand (taken in theirpurest sense, in which they diMer rom thehonorarium%, mean payment or work as an article orcommodity the ser/ice can +e compensated throughthe wage, there is certain e1ui/alency. ut thehonorarium means something +eyond this itcontri+utes to one8s lie-support, whereas wage (again,in the strict sense% means the payment or the isolatedaccomplishment o the work, without regard or thelie-support o the working person. It is characteristic,now, o the mind that has +een ormed +y the workerideal, to deny this distinction +etween honorarium andwage there are only wages.0
-. The need for de'roletariation
Pieper o+ser/es +rilliantly that a totalitarian dictator
can say that payment or la+or must +e measured
%& Pieper, J., Leisure the Basis of Culturep. 63.
%1 Pieper, J., Leisure the Basis of Culturep. 63.
%2 Pieper, J., Leisure the Basis of Culturep. 6$.
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according to producti/ity, and not according to needs9,
while in the 'ncyclical &etter 0uadragesimo anno, (the
aim o which was de-proletariani4ation%, we read In the
frst place, the worker is entitled to a wage that shouldsuMice or the lie-support o himsel and his amily;.
In this conte6t o proletariani4ing e/erything, Pieper
1uotes a socialist, P.J. Proudhon who parado6ically talks
on the importance o leisure particularly the cele+ration
o unday, the &ord8s ]ay. Nn the a++ath day, the
ser/ants regain their human dignity or a day, and put
themsel/es on a le/el with their mastersC
Thus, mar/elously Pieper sums up that a true de-
proletarianiationwould consist in making a/aila+le or
the working person a meaningul kind o acti/ity that is
notwork, in other words, +y opening up an area o true
leisureD. ut, with what acti/ity one8s leisure is
flledH Pieper reali4es that although, to +e sure,
something necessary would +e done there+y, the
decisi/e thing would still +e missing it is not enough
merely to create the e6ternal conditions or leisure> theproOect would only come to ruition i it were possi+le or
the human +eing as such to +e-at-leisure.
%3 Sta
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Part
1. The heart of leisure is religious festival
The heart o leisure is esti/al. It has three elements
i.e. ().% rela6ation, (0.% eMortlessness and (9.%The
ascendancy o +eing at leisure Udoing leisure, scholen
ageinV o/er mere unction. The esti/e character o
leisure points towards cele+ration and cele+ration aims
at worship. :ccording to Jose Pieper To e6perienceand li/e out a harmony with the world, in a manner 1uite
diMerent rom that o e/eryday lie @ this, we ha/e said,
is the meaning o esti/alK.
The most esti/e esti/al that can +e cele+rated isreligious worship, or cultL, and there is no esti/althat does not get its lie rom such worship or does not
actually deri/e its origin rom this. There is no worshipwithout the gods, whether it +e mardi gras or awedding. This is not intended to +e a prescription>rather, it is necessarily soSTo +e sure, since the =renchWe/olution, people ha/e tried o/er and o/er to createartifcial esti/als without any connection with religiousworship, or e/en against such worship, such as therutus =esti/al or &a+or ]ay, +ut they alldemonstrate, through the orced and narrow charactero their esti/ity, what religious worship pro/ides to aesti/al> scarcely nothing could +e e6perienced more
clearly than that genuine esti/ity is only to +e seenwhere there is still some li/ing relationship withreligious cult.)
%9 Pieper, J., Leisure the Basis of Culturep. 69.
8& /he *n)
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The interconnectedness +etween leisure and worship
makes the researcher theori4e that i there is no feast
there is no Eucharist and vice versa. :nd so Pieper
reasons out that the meaning o a rest rom la+or iscultic0. I worship is to time then temple is to space.
Temple has a certain meaning (reEected also itsetymology, c. Greek temenos, rom temnein, to cut>&atin templum% a defnite physical space has +een cutoM +y enclosure or encing rom the rest o the land,whose surace was di/ided up or arming or other
uses. These sectioned-oM spaces were handed o/er tothe possession o the gods and were not inha+ited orplanted +ut were remo/ed rom all practical use. Justso, through religious esti/al, and or the sake oreligious esti/al, or cult, rom day-to-day time adefnite period was separated oM, and this period otime, no otherwise than the ground-suraces o thetemple and places o sacrifce, would not+e used, andwould likewise +e kept rom use. '/ery se/enth daywas such a time periodS2ow there can +e no unusedspace in the total world o work, neither an unused area
o ground nor an unused time> nor can there +e a spaceor worship or esti/alS9
2. #eisure humanly enriches man
There is a Wussian saying that goes this way 7ork does
not make you rich> it only makes you +ent o/er. Pieper
rationali4es this statement +y saying that there isnothing, then, to keep the world o the worker rom
+eing a poor, sterile world, e/en though flled with
material goods> thanks to the principle o utility, in /irtue
o which the world o work comes into +eing, there can
81 Pieper, J., Leisure the Basis of Culturep. %&.
82 Pieper, J., Leisure the Basis of Culturep. %1.
83 Pieper, J., Leisure the Basis of Culturep. %1. Kr. /hoa0 uba
in hi0 boo#
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+e no real wealth, no o/erEow. 7here/er something is
let o/er, this e6cess will +e su+Oected again to the
principles o rational utility.;
In connection to the idea recently mentioned, Pieper
comes to the conclusion that it is the nature o religious
esti/al to make a space o a+undance and wealth, e/en
in the midst o e6ternal po/erty in material thingsC.
Welationally, the concept o sacri1ce is /ery much
connected to religious esti/als. 7hat is the connectionH
The relatedness is the act that sacrifce is /oluntary, a
git that is oMered, and certainly notuseulness, +ut the
/ery opposite o useulnessD.
3. /ithout /orshi leisure is not authentic
7ith what is said, what is the signifcance o this with
regards to leisureH Pieper points out this act that when
leisure is separated rom worship, leisure +ecomes
toilsome, and work +ecomes inhuman.
7ithout cult or worship, leisure does not turn only to a
sort o idleness or acedia. 5ere time-killing and
+oredom gain ground, which are directly related to the
a+sence o leisure, or only someone who has lost the
spiritual power to +e at leisure can +e +ored. :nd then
]espair, the sister o Westlessness, rears its hideous
+ored.
8$ Pieper, J., Leisure the Basis of Culturep. %2.
85 Pieper, J., Leisure the Basis of Culturep. %2.
86 Pieper, J., Leisure the Basis of Culturep. %2.
8% Pieper, J., Leisure the Basis of Culturep. %2.
88 Pieper, J., Leisure the Basis of Culturep. %3.
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Pieper in his essay underlines this /ery important
conclusion Fulture li/es on worshipK. *e cites Plato
+y declaring In it, the origin o leisureKLin worship, and
the association o the 5uses with cultic esti/al aree6pressed in a magnifcent image, in esti/e consort with
the gods, man regains his true worth, and reco/ers his
upright postureK).
Pieper writes this aMirmation o great importance The
cele+ration o God8s praises cannot +e reali4ed unless it
takes place or its own sakeK0.
There are certain things which one cannot do them atall or one does them +ecause they are meaningul inthemsel/es. Fertainly the doctors are correct in sayingthat lack o leisure makes one ill. ut at the same time,it is impossi+le to +e truly at leisure merely or the sakeo health. uch logical conusion is not only unftting, itsimply cannot work. &eisure cannot +e reali4ed so longas one understands it to +e a means, e/en as a meansto the end o rescuing the culture o Fhristian
'urope.K9
:ccording to Pieper, there is only one true and fnally
/alid orm o cultic worship, which is the sacramental
sacrifce o the Fhristian FhurchK;. That is why, it is
89 Pieper, J., Leisure the Basis of Culturep. %5.
9& /ran0
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interestingly o+ser/ed +y Pieper that weekday in &atin is
called aferia. The liturgy only recogni4es esti/al-
daysKC.
95 Pieper, J., Leisure the Basis of Culturep. %% in Pa0her, J.,
Eucharistia/ !estalt und 8oli9ug, Mun0ter, 19$8, p. 266 '.