Philistine Hermes

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  • 7/24/2019 Philistine Hermes

    1/1694

    Photos Clement Pascal

    Set Design David de Quevedo

    WordsElla Ackroyd

    Pegase cotton blanketby HERMES Home Collection

  • 7/24/2019 Philistine Hermes

    2/1695

    Itsbeen bouncing in diagonals off walls,

    maybe three or our times beore it reaches

    our ground floor apartment. A weakened

    ray, eventually here, spreading as ar as it

    can, shaky and sluggish it hits my body.

    Slow waking, rolling to one side, hot sweat

    revealed, dampening our unclean sheets.

    Tis is the third time I have visited NewYork in the summer and I would like it to

    be the last. Can I just go home now, move

    on, orget it all: changed and marked.

    But New York is one o those cities that

    creep up into you, even afer you have lef,

    the pain is suddenly orgotten and you are

    back, undeterred by missed flights, fights

    on the Bowery and a city that never sleeps.

    Its a place that requires you to achieve a

    house in the Hamptons or the summer,

    we all dream, instead satisfied with the

    burst o a fire hydrant to cool our sticky

    bodies. A summer day in New York

    requires you to Do Te Right Ting as

    insisted by Spike Lee. Or more likely shout

    No Unnecessary Noise! as my ather

    once did on the platorm at Union Square,

    one too-long summer, as the metal wheels

    o the subway train, crashed passed on

    their metal tracks, madly rattling over a

    screeching tannoy.

    Rolls o film bleach and glare in the heat.

    Everything is exposed. Your hot skin

    rubs against me, becoming prickly and

    agitated, as we ride the subway, swaying in

    unison with the rest o the city trundling

    underground the pacing eet above.

    We emerge through the station, gasping

    or air as the platorm fills with the heat o

    an imagined hair dryer. You grab my hand,

    desperate to escape and take me with you.

    Clicking out through the revolving doors,

    poor sufferers entering in our place. 30

    steps which you skip, making it 15 until

    we are out. W 4 and Washington Square

    park here we come. Passing the people

    playing chess, who have done it orever

    and never stop. Dont stop. We rush past,

    our hands sweaty in your tight grasp. Te

    brown leather bag heavy in my other hand.

    Weighing me down as you bop through

    the crowd. Noticing, you stop, kiss me

    gently and swap the bag into your own

    hand.

    I remember where we are going, what

    happened yesterday, the act that we are

    getting out and a small smile breaks across

    my ace.

    Our exodus began yesterday, without

    knowing it, sitting at a small cae near our

    rented apartment. Te white tiles are cool

    beneath me, I slip my oot slightly to the

    right, releasing it briefly rom my sandal,

    a ew moments o relie on the cold tiled

    floor. I push my toe into the black ground,

    a orgotten gap in the tiling, squashing it

    down as my heel raises. Focused on what

    I am reading, I dont notice you return.

    You sit down with your spoils, porcelain

    clicking lightly down onto marble table

    tops. wo white saucers, two white cups,

    two silver spoons, two glasses and one

    porcelain bowl with lid. All to aid with the

    progress o our afernoon.

    Te final click catches my attention, the

    porcelain bowl with lid. Te colour o

    precious stones dripping down its edges. I

    look up at you, you stare back, it reminds

    us both o the same memory. Boundless

    antasy and explorationyou laugh at me.

    You have some-one with you that I do not

    know, but you tell me he has something

    to say to us.

    Te next day we wait on a tree-lined street

    in Greenwich village, the setting o the

    New York we know in stories and films

    but is now the home to million dollar

    brownstones. Te cast o Friends could

    never o paid their rent on time. Its no

    longer in the words o Allen Ginsberg:

    poverty and tatters and holloweyed and

    high sat up smoking in the supernatural

    darkness o coldwater flats floating across

    the tops o cities contemplating jazz

    Tere is no contemplating jazz i your

    apartment costs $3000 a month. Our blue

    Chevrolet, a significantly brighter blue

    shade than the sky, which turns a hazy

    cream in Summer, groans past. An old car,

    or should we call it classic, carrying the

    weight o 103 years. It pulls up just ahead

    o us with a heavy stop, straight rom

    when Detroit belonged to Henry Ford and

    the Chevvy became the best-selling car

    in 1929. Beore the crash and the walls o

    Detroit began to crumble, a society now

    (un)structured on decay, restructuring

    through politicisation and cheap rents.

    We jump in, engine revs and we begin topull away, leaving you just enough time to

    lean out and pull in my brown leather bag,

    which you almost leave resting on some

    unknown silver structure on the streets o

    New York.

    By the time we arrive at our destination

    we were sticky and grotty, that travelling

    dirt that dampens between your thighs

    and marks lines across your neck. We are

    finally out o the city, ready or anotheradventure, but I am sure we will be back,

    sooner than we expect.

    You open the curtains to let the light in its too early but a Summer in New York

    means noise a noise impossible to sleep through A line o golden light cracks through

    our tiny New York apartment window bouncing off the white wall o the opposite

    apartment block

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