PERCUSSION MANUAL

PERCUSSION MANUALRULES AND REGULATIONS

for

GROUPS I, II, III, IV, AND VIncluding the

REQUIRED MUSIC LIST FOR GROUP I

2013-14 -- 2018-19

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This Association is governed by an elected State Board consisting of three music teachers and one school administrator from each of the eight zones inIndiana. Rules and Regulations of all events are determined throughprocedures as prescribed in the ISSMA Music Festivals Manual.

All festivals are administered and coordinated through the ISSMA office. Please direct all inquiries to:

Indiana State School Music Association, Inc.www.issma.net

All Directors Please Note

It is important to refer to the Solo and Ensemble required manuals listed on the official ISSMA web site to validate and retrieve the most currentinformation. Any publication posted on the ISSMA, Inc. website will supersede any previously printed edition.

Unless a particular editor or arranger is specified, any standard, unabridged, unarranged edition is acceptable.

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TABLE OF CONTENTS

Acknowledgements ...........................................................................................................4Drum Set Solo - Event No. 99 ...........................................................................................5-6 Mallet Solo (Xylophone, Marimba, Vibraphone) - Event No. 100 ...................................6-7Glockenspiel or Bell Lyra - Event No. 101 for Groups IV and V only ..................................7Snare Drum Solo - Event No. 102 ................................................................................7-9Timpani Solo - Event No. 103 ......................................................................................9-11Multiple Percussion Solo - Event No. 104 .......................................................................12Multi-Tenor Solo - Event No. 105 .................................................................................12Percussion Ensembles - Event No. 110 (3 to 6 performers) ........................................12Mallet Ensembles - Event No. 111 (3 to 6 performers) .............................................12Large Mallet Ensembles - Event No. 112 (7 to 20 performers) ..........................................12Large Concert Percussion Ensembles - Event No. 113 (7 to 20 performers) .........12Large Marching Percussion Ensembles - Event No. 115 (7 to 20 performers) ................12Specifics for All Percussion Ensemble Events .........................................................13-14Guideline for Stick and Mallet Selection .....................................................................15-16Required Music Selections Drum Set Solos - Event No. 99 ..............................................................................17 Xylophone, Marimba, and Vibraphone Solos - Event No. 100 ...........................17-19 Snare Drum Solos - Event No. 102 ..................................................................19-21 Timpani Solos - Event No. 103 .............................................................................22 Multiple Percussion Solos - Event No. 104 .......................................................22-23 Multi-Tenor Solos - Event No. 105 .........................................................................23 Percussion Ensembles - Event No. 110 ........................................................23-24 Mallet Ensembles - Event No. 111 ...................................................................24-26 Large Mallet Ensembles - Event No. 112 ..........................................................24 Large Concert Percussion Ensembles - Event No. 113 ..................................26-28 Large Marching Percussion Ensembles - Event No. 115 .....................................29Audio Example Links .......................................................................................................30Drum Set Style Patterns Group V .................................................................................................................31 Group IV and III ...............................................................................................32-33 Group II ..........................................................................................................34-35 Group I ............................................................................................................36-37Mallet Scales and Arpeggios .........................................................................................38Timpani Roll Requirement ..............................................................................................38Snare Rudiment Required List with Minimum Tempos .................................................39Snare Drum Rudiments (International Drum Rudiments) ........................................40-41 Recommended Supplementary Material ..................................................................42-47Key to Publisher Codes ..............................................................................................48-54

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The Indiana State School Music Association gratefully acknowledges the professional efforts of the Percussion Manual Revision Committee and all the contributors who offered suggestions for this publication. Jim Williams and his committee devoted many hours in research and meetings to develop all the material included. This publication includes the required music selections as well as educational instructions and explanations to aid teachers and students in their quest to develop total percussion musicianship.

Percussion Committee

Jim Williams, Chairman Luke Aylsworth Brandan Baker John Coller Keith Cozart Dr. Penny Dimmick Wilber England Karl Gilbert Herbert Hedstrom Bill Leather Kevin Miles Dr. Erwin Mueller Jeff Parthun Jason Pruden Robb Thiel Murray Weaver

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PERCUSSION SOLO EVENTS

I. Drum Set Solo – Event No. 99

A. Event Requirements

1. Any three of the appended “Drum Set Rhythmic Patterns” (depending on the Group Level entered,beginning on page 31) must be performed from MEMORY.

2. Group Requirements should be as follows:

a. Group V will play any three of the following Drum Set Rhythmic Patterns: one Rock Time, one Swing Time, and either Basic Latin or Show Style. (Student’s choice)

b. Groups IV and III will play any three of the following Drum Set Rhythmic Patterns: Rock Time;Jazz Time; Brush Time; Bossa Nova; Cha Cha; Funk; Samba. (Gp IV – Student’s choice; Gp. III -Judge’s choice)

c. Groups II and I will play any three of the following Drum Set Rhythmic Patterns: Rock Time; JazzTime; Brush Time; Jazz Waltz; Bossa Nova; Cha Cha; Mambo; Samba; Funk; Beguine. (Judge’schoice)

3. Performers should continue playing patterns until requested to stop by the judge.

B. Tuning, Stick Choice, Drum Set-Up

1. Tuning of an indefinite pitched instrument and size relationship of sticks to that instrument areextremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation andclarity.(For stick choice, see appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED –ONLY A RECOMMENDED GUIDELINE.)

2. Tune drum set in order of “Pitch” from highest to lowest – snare drum, small tom-tom, large floortom-tom, and bass drum.

3. Drum set set-up should give the performer a comfortable playing position and accessibility to allpieces of equipment.

C. Accuracy of Notes and Rhythms

1. Correct pitches on correct drum.

2. Correct interpretation of rhythms.

a. Optional interpretation of eighth and sixteenth notes when applied to jazz phrasing:

(1)

(2)

D. Interpretation, General Musicianship and Balance of Sound

1. Correct interpretation of style (jazz, rock, latin, etc.)

2. Evaluation should be made only on the indicated expression marks.

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3. Additional expression marks may be indicated on the music by the performer or teacher and areacceptable but not required.

4. Evaluation of the observation of dynamics.

5. Balance of sound – the ability of the performer to dynamically control the various drums and cymbalsof the drum set (e.g., the bass drum and/or ride cymbal too loud or the small tom-tom too soft)

.E. Technique – Facility on Set

1. Matched or traditional grip is acceptable on the drum set.

2. Technique – the ability of the student to perform with skill on the drum set (stiff/relaxed – fast/slow).

3. Facility on the drum set – the ability of the performer to get around on the set (smoothly or awkwardly).

F. General Effect (Preparation) - Evaluation of the performer’s adherence to the details or aspects of a composition which results in a fine musical performance.

G. Time Keeping – Evaluation of the ability of the performer to keep a steady beat.

II. Mallet Solo (Xylophone, Marimba, Vibraphone) Event No. 100

A. Required Scales – Arpeggios

1. Three (3) Scales – Arpeggios (depending on the group level entered) must be performed fromMEMORY. (See appended list of “Mallet Scales – Arpeggios,” page 38, for tempi, rhythm options, and range.)

2. Group Requirements

a. Group V and IV - Any three scales and arpeggios up to four flats and four sharps, one octave.(student’s choice)

b. Group III, Scales – Arpeggios; C, F, G, B-flat, D, E-flat, A, A-flat, E. (judge’s choice)

c. Groups II and I, Scales – Arpeggios; C, F, G, B-flat, D, E-flat, A, A-flat, E, D-flat, B, G-flat, F-sharp, C-flat, C-sharp. (judge’s choice)

3. Size of instrument may limit the Scale – Arpeggio range with no penalty to the performer.

B. Choice of Mallets and Correct Playing Area

Considering that the performer has no pre-performance knowledge of the acoustics of the room, theadjudicator must not allow his evaluation of choice of mallets to be influenced by either excellent or pooracoustics. (See appended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY ARECOMMENDED GUIDELINE.)

1. Choice of mallets – Considering the highly subjective nature of this area, the adjudicator should basehis evaluation on the following criteria:

a. Balance of solo with accompaniment.

b. Dictates of music:

(1) Indicated on the solo

(2) Rhythmic articulation and clarity

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(3) Legato, staccato, etc.

(4) See appended “Guideline for Stick and Mallet Selection,” page 15.

2. Correct playing area

a. Center of bar.

b. End of bar (not on node).

C. Accuracy of Notes and Rhythms

1. Correct notes.

2. Correct interpretation of the rhythms.

D. Expression, Phrasing, Tempo, Dynamics


2. Additional expression marks may be indicated on the music by the student or teacher and areacceptable but not required.

E. Mechanical Skills (Technique) and Physical Approach

1. Acceptable grips

a. Two mallets – Traditional grip.

b. Four mallets – Traditional, “Musser,” “Stevens,” or “Burton” grips acceptable.

F. General Effect (Preparation)

Evaluation of the contestant’s adherence to the details or aspects of a composition which results in a finemusical performance.

III. Glockenspiel or Bell Lyra – Event No. 101 for Groups IV and V only

Event No. 101 is not offered at the Group III, II or I level.

A. Groups IV and V will perform Scales – Arpeggios as listed under Group Requirements forEvent No. 100 (Mallet Solo), page 6.

B. All captions for Events No. 101 are the same as Event No. 100. (See II. Mallet Solo, page 6.)

IV. SNARE DRUM SOLO – Event No. 102

A. Required Rudiments

1. Three of the PAS 40 rudiments will be performed selecting not more than one from each category. The rudiments must be memorized at State Level only. (see appended “List of Rudiments” and their metronome markings for each Group Level, page 39-41)

2. Group Requirements

a. Group V – The student will choose three rudiments designated for Group V selecting not more than one from each category.

b. Group IV – The student will choose three rudiments designated for Group IV selecting not more than one from each category.

c. Group III – The judge will choose three rudiments designated for Group III selecting not more than one from each category.

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d. Group II – The judge will choose three rudiments designated for Group II selecting not more than one from each category.

e. Group I – The judge will choose three rudiments designated for Group I selecting not more than one from each category. Memorization is required for Group I performance at State Level event.

3. Acceptable Methods of Demonstration

a. Fortissimo, gradual decrescendo to pianissimo, gradual crescendo to fortissimo, at performer’smaximum controlled tempo. (See appended “List of Rudiments” for minimum tempi.)

b. Run-down – slow, gradual accelerando to fast gradual ritard to slow. (See “List of Rudiments”for minimum fast tempi.)

4. A uniform rhythm, as specified in the appended “List of Rudiments,” must be maintained throughoutthe demonstration of each rudiment.

B. Tone, Snare Adjustment, Head Tension

The tuning of a snare or field drum and the size relationship of sticks to drums are extremely subjective.Consequently, the adjudicator should evaluate this category as to rhythmic articulation and clarity. (Seeappended “Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDED GUIDELINE.)

C. Rhythmic Accuracy

1. Rudimental Solos

a. Correct interpretation of the 7-Stroke Roll:

(1) Short 7-Stroke Roll

(2) Long 7-Stroke Roll

(Tempo and uniformity are governing factors.)

b. Correct interpretation of the 15-Stroke Roll:

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2. Jazz Style Solos in a Moderate Tempo

a. Optional interpretation of eighth and sixteenth notes when applied to jazz phrasing:

(1)

(2)

D. Expression, Phrasing, Tempo, Dynamics


2. Additional expression marks may be indicated on the music by the performer or teacher and areacceptable but not required.


1. Acceptable hand positions:

a. Traditional (Unmatched)b. Matched (Left hand identical to the right hand of the traditional grip)

2. Angle of the drum should be compatible with the hand position; however, drum angles are extremelysubjective. Consequently, the judge should evaluate this category as to rhythmic articulation andclarity. The suggestions regarding playing surface angle are only a guide.

a. Traditional – Playing surface should be slanted, high side to the player’s left.b. Matched – Playing surface should be horizontal.

3. Style of the rolls used (rudimental or multiple-bounce) must be consistent with the style of the soloor as indicated by the composer.


Evaluation of the performer’s adherence to the details or aspects of a composition which results in a finemusical performance.

V. Timpani Solo – Event No. 103


1. Tuning Requirements

a. Groups V and IV – Tune pitches needed in performer’s solo.

b. Group III – Tune an interval of a perfect fifth up from one of the following initial pitches:G, A-flat, or B-flat. (judge’s choice)

1) G to D

2) A-flat to E-flat

3) B-flat to F.

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c. Groups II and I – Tune one interval, either a major third, perfect fourth, or perfect fifth upfrom an initial pitch of G, A-flat, or B-flat. (judge’s choice)

1) Major third

(a) G to B

(b) A-flat to C

(c) B-flat to D

2) Perfect fourth

(a) G to C

(b) A-flat to D-flat

(c) B-flat to E-flat

3) Perfect fifth

(a) G to D

(b) A-flat to E-flat

(c) B-flat to F

d. Adjudicators will indicate the initial pitch to be tuned on timpano 2. (The performer will utilize anaccepted pitch source to obtain initial pitch.) The second pitch of the interval requested by theadjudicator is to be tuned on timpano 3 without further assistance, i.e., by ear.

2 31 4 (set of timpani)

2. Tuning of the timpani will be accomplished from memory solely by the performer.

3. Acceptable pitch sources:

a. Pitch pipe (unaccompanied solo)

b. Tuning fork (unaccompanied solo)

c. Accompanying instrument (accompanied solo).

B. Roll Requirement

The “Roll Technique” exercise (see appended “Timpani Roll Requirement,” page 38) is to be performed frommemory on a pitch determined by the tuning requirements of V-A-1.

C. Choice of Mallets and Correct Playing Area

Considering that the performer has no pre-performance knowledge of the acoustics of the room, theadjudicator must not allow his evaluation of choice of mallets to be influenced by either excellent or pooracoustics. Choice of timpani mallets for a particular solo is extremely subjective. Consequently, theadjudicator should evaluate as to rhythmic articulation and clarity. (See appended “Guideline for Stickand Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDED GUIDELINE.)

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1. Objective criteria to be used to evaluate this area:

a. Balance of solo with accompaniment

b. Dictates of music:

(1) As indicated on the music

(2) Rhythmic articulation and clarity

c. See “Guideline for Stick and Mallet Selection,” page 15.

2. Correct Playing Area

a. The general playing area – approximately four to five inches from the edge of the kettle.

b. Dictates of the music:

(1) Legato – General playing area used

(2) Staccato – Playing area may be moved slightly toward the center of the kettle

(3) Pianissimo – Playing area may be moved slightly toward the edge of the kettle

(4) Special effects – As indicated on the solo.

D. Accuracy of Notes and Rhythms

1. Correct notes and/or pitches on kettles.


E. Expression, Phrasing, Tempo, Dynamics



F. Mechanical Skills (Technique) and Physical Approach

1. Acceptable grips

a. Matched

b. Thumbs up:

(1) “French” – Use of finger for impetus

(2) “German” – Use of wrist for impetus.

G. General Effect (Preparation)

Evaluation of the performer’s adherence to the details or aspects of the composition which results in a finemusical performance.

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VI. Multiple Percussion Solo – Event No. 104


No requirement for tuning, rudiments, or Scales – Arpeggios – in the Multiple Percussion event.

B. Tuning of an indefinite pitched instrument and the size relationship of sticks to that instrument areextremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation andclarity.

C. All captions for Multiple Percussion Solos other than tone and intonation will be the same as for the Timpani Solo Event, No. 103 (page 9).

VII. Multi-Tenor Solo – Event No. 105

A. Required Rudiments

Rudiments are to be performed the same as specified for Event No. 102, Snare Drum (page 7).

B. Tuning of an indefinite pitched instrument and the size relationship of sticks to that instrument areextremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation andclarity.

C. All captions for Multi Tenor Solos other than tone and intonation will be the same as for the Snare Drum Solo Event, No. 102 (page 7).

PERCUSSION ENSEMBLE EVENTS

I. Percussion Ensembles – Event No. 110 (3 to 6 performers)

II. Mallet Ensembles – Event No. 111 (3 to 6 performers)

Small Ensembles shall perform without direction. Small ensembles that are directed by an individual fromany place in the audition room shall be penalized one division rating except that a student director is permitted when he/she is a performing member of the small ensemble.

III. Large Mallet Ensembles – Event. No. 112 (7 to 20 performers)

IV. Large Percussion Ensembles – Event No. 113 (7 to 20 performers)

Large Ensembles (Events 112, 113, and 115) may be directed by a student director who might or might not be a performing member of the ensemble.

V. Large Marching Percussion Ensembles - Event No. 115 (7 to 20 performers)

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SPECIFICS FOR ALL PERCUSSION ENSEMBLE EVENTS

A. Tone and Intonation

(Refer to this category under “Snare Drum Solo, Mallet Solo, Timpani Solo, Multiple Percussion Solo,Multi-Tenor Solo, and Drum Set Solo.”)

1. Tuning of an indefinite pitched instrument and the size relationship of the sticks to that instrument areextremely subjective. Consequently, the adjudicator should evaluate as to rhythmic articulation andclarity.

2. Tune drum set in order of “Pitch” from highest to lowest – snare drum, small tom-tom, large tom-tom,floor tom-tom, bass drum.

3. Appropriate substitution for unique and difficult to obtain instruments is acceptable without penalty.

B. Set-Up, Choice of Mallets, Sticks, Beaters and Correct Playing Area

1. Considering the vast choice of beaters, mallets, and sticks available and the extreme subjectivity ofthis area, evaluation should be made according to rhythmic articulation and clarity. (See appended“Guideline for Stick and Mallet Selection,” page 15. NOT REQUIRED – ONLY A RECOMMENDEDGUIDELINE.)

2. Correct playing area:

a. Mallets – center of bar or end of bar (not on node)

b. Timpani – General playing area, approximately four to five inches from the edge of the kettle

c. Snare Drum – Dependent upon dynamic level desired or dictates of music.

3. Set-up:

a. All instruments should be easily accessible to the performer

b. Section leader should be visible to all musicians.

C. Accuracy of Notes, Rhythms and Precision

1. Accuracy of Notes – Drum set notation is generally written considering the placement of the drumsrather than the pitch of the drums themselves and is not standardized. Therefore, the adjudicatormust refer to the music for its legend and correct interpretation.

2. Correct notes performed on mallet instruments.

3. Correct pitches performed on timpani.


D. Expression, Phrasing, Tempo, Dynamics and Balance



3. Evaluation of tempos played and the observation of dynamics.

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1. Refer to this category under the “Snare Drum Solo, Mallet Solo, Timpani Solo, Multiple Percussion Soloand the Drum Set Solo.”

2. Matched or traditional grip acceptable.


Evaluation of the performer’s adherence to the details or aspects of a composition which results in a finemusical performance.

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GUIDELINE FOR STICK AND MALLET SELECTION

There is an infinite number of possibilities to choose from when selecting mallets and sticks. The followingsuggestions are meant only as a guide. These selections are NOT required. The committee is only attempting toaid the non-percussionist music educator and his students.

Considering the highly subjective nature of this area, the selection of sticks and mallets should be based on:

A. Balance of solo with accompaniment

B Dictates of the music:

1. Indicated on the printed solo or ensemble part2. Rhythmic articulation and clarity3. Striving to obtain legato, staccato, etc.

Many fine stick and mallet manufacturers are in operation today. However, the following list has been compiledfor the sake of reference.

SUGGESTED STICKS AND MALLETS (only suggestions; not required)

Snare Drum Sticks (Concert Use) Innovative Percussion IP1Pro-Mark SD-1 (general)Vic Firth SD-1 (general)Pro-Mark OWL (light)Vic Firth SD-2 (light)

Snare Drum Sticks (Drum Set Use) Vic Firth 5APro-Mark 5A

Timpani Mallets Grover TM4 (cartwheel-soft)Vic Firth T2 (cartwheel-soft)Grover TM1 (general)Vic Firth T1 (general)Grover TM2 (staccato-hard)Vic Firth T4 (ultra-staccato-very hard)

Xylophone Innovative Percussion IP 901 (soft)Vic Firth M14 (soft)Pro-Mark PK63Innovative Percussion IP 902 (general)Vic Firth M6 (general)Pro-Mark PK60 (general)Innovative Percussion IP 905Vic Firth M7 (loud)Pro-Mark PK61 (loud)

Bells/Glockenspiel Innovative Percussion IP 902 (soft)Innovative Percussion IP 906 (general)Vic Firth M6 (general)Pro-Mark PK60 (general)Innovative Percussion IP 907 (brass-loud)Vic Firth M11 (brass-loud)Pro-Mark PK62 (brass-loud)

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Marimba Innovative Percussion IP 100 (soft)Vic Firth M1 (soft)Pro-Mark PSM10 (soft)Innovative Percussion IP 240 (medium)Vic Firth M2 (medium)Pro-Mark PSM25 (medium)Innovative Percussion IP 400 (hard)Pro-Mark PSM40 (hard)

Vibes Innovative Percussion RS 201 (soft)Pro-Mark PK91 (soft)Innovative Percussion RS 251 (general)Vic Firth M3 (general)Pro-Mark PK93 (general)Innovative Percussion RS 301 (hard)Vic Firth M9 (loud)Pro-Mark PK95 (very loud)Vic Firth M10 (very loud)

Chimes Grover PM4Mike Balter CM3

Bass Drum Vic Firth TG01 (general)Innovative Percussion CB 1Vic Firth TG 05 (pair for rolls)Innovative Percussion CB 5 (pair for rolls)

Gong Innovative Percussion CG-2 (small)Mike Balter GM-1 (general)Innovative Percussion CG-1 (large)

Suspended Cymbal Various yarn marimba mallets depending on desiredvolume and color. Do not use timpani mallets onsuspended cymbals even when noted as such inthe score.

Temple Blocks/Wood Blocks Pro-Mark PK 21 (soft)Pro-Mark PK 23 (medium)Pro-Mark PK 35 (hard)Innovative Percussion IP 902 (hard)

Bongos Use fingers when possible (or)Pro-Mark 716 (timbale stick)Vic Firth WTAP (timbale stick)

Brushes Vic Firth WB (general)Pro-Mark TB3 (general)Vic Firth BJR (heavy)

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DRUM SET SOLOS

EVENT NO. 99

001 Boursault, E./Lefevre, G.-Dechiffrages pour Batterie, Book 2 (#4, 11, 15, 16, 21, 31) (any one) LED002 Elias, S.-Sieve’s Tweed EDI003 Fink, R.-Drum Set Suite (any two mvts.) FIN004 Henry, A.-C.K. KAS005 Holmquist, J.-Drum Set Etudes, Book III (#1, 2, 6, 7, 9, 10, 14, 17, 18) (any one) NAK006 Houllif, M-Afro Cuban KEN007 Houllif, M.-Ain’t It Rich KEN008 Houllif, M.-Con-Fusion KEN009 Houllif, M.-El Vino KEN010 Houllif, M.-Geneology KEN011 Houllif, M.-Homage KEN012 Houllif, M.-Just For the Funk Of It KEN013 Houllif, M.-Philly KEN014 Houllif, M.-Reggae Rock KEN015 Houllif, M.-Rudimentary, My Dear Watson KEN016 Houllif, M.-Samba-ly KEN017 Houllif, M.-Shufflin’ Feat KEN018 Kastuck S.-Syncopated Swing KAS019 Keezer, R.-Chop City KEN020 Kettle, R.-Blue Rondo a la Max (9 Solos for Drum Set) BTP021 Kettle, R.-For Philly Joe (9 Solos for Drum Set) BTP022 Kettle, R.-Folk-Cycle (9 Solos for Drum Set) BTP023 Kettle, R.-Metric Variations (9 Solos for Drum Set) BTP024 Kettle, R.-Snavelying (9 Solos for Drum Set) BTP025 Kettle, R.-Sonant XVII (9 Solos for Drum Set) BTP026 Kettle, R.-Trebling (9 Solos for Drum Set) BTP027 LaRosa, M.-Drum Set Etude #2 SOM028 LaRosa, M.-Rhapsody for Solo Drum Set SOM029 Morey, C.-All Set KEN030 Nearpass, J.-BCR NEA031 Nearpass, J.-Dave’s Samba NEA032 Paul, D.-Bossa Bop PAU033 Paul, D.-50 MPH PAU034 Paul, D.-For Pete’s Sake PAU035 Paul, D.-Hang Ten PAU036 Paul, D.-3/4 Bop PAU037 Perry, C.-Tripling KEN038 Rogers, Dennis -Conceptual Changes SMP039 Rogers, Dennis -Groovistic Funk SMP040 Rogers, Dennis -Jazz Rag SMP041 Rogers, Dennis -Quadrafunk SMP042 Rogers, Dennis -Quartz Time SMP043 Snider, L.-To Rock For Admiral Shunk BAR044 Stephans, M.-Downside-Up STD045 Thompson, R.-Blakey’s End (Jazz Solos) KEN046 Thompson, R.-Elvin Like KEN047 Thompson, R.-Max’s Mode KEN048 Thompson, R.-Tony’s Way KEN049 White, E.-Two Sketches KEN

XYLOPHONE - MARIMBA - VIBRAPHONE SOLOS

EVENT NO. 100 001 Abe, K.-Frogs STD002 Abe, K.-Dream of the Cherry Blossoms ZIM003 Abe, K.-Michi MUF004 Abe, K.-Works for Marimba (any piece) SCH005 Albeniz/Stevens-Asturias Leyenda KPP006 Bach/Hatch-Fugue II (Bach for the Marimba) MUL007 Bach/Hatch-Little Two Part Fugue (Bach for the Marimba) MUL008 Bach/Hatch-Two Part Invention (Bach for the Marimba) MUL009 Bach, J./Goldenberg, M-Violin Concerto in A Minor (Modern School of Xylophone, Marimba, and Vibraphone) CHP010 Bach, J. S./Gastyne-Gigot (Vibe) (Partita in B Flat Major) FER011 Bach, J. S./McMillan,-Sonata in e minor (Masterpieces for Marimba) PRO012 Bach, J. S/Moore, J.-Air for the G String (Bach for Marimba for 2, 3, and 4 Mallet Solos) KEN013 Bach, J. S./Moore, J.-Chorale-Kom Susser Tod (Bach for Marimba for 2, 3, and 4 Mallet Solos) KEN014 Bach, J. S./Payson-Two Part Invention No. 4 (Progressive Studies in Double Stops) PAY015 Bach, J. S.-Concerto in a minor (1st or 3rd mvt.) GSI016 Bach, J. S./Moore, J.-1st Mvt. from Brandenberg Concerto No. 2 (Bach for Marimba for 2, 3, and 4 Mallet Solos) KEN017 Bach, J. S/Moore, J.-Fugue from Sonata in a minor (Bach for Marimba for 2, 3, and 4 Mallet Solos) KEN018 Bach, J. S./Moore, J.-Jesu, Joy of Man’s Desiring (Bach for Marimba for 2, 3, and 4 Mallet Solos) KEN019 Bach, J. S./Moore, J.-Presto from Sonata in g minor (Bach for Marimba for 2, 3, and 4 Mallet Solos) KEN020 Bach, J. S./Moore, J.-Toccata from Toccata and Fugue in d minor KEN021 Bach/Stevens-Prelude and Fugue in B flat Major (perform either one) KPP022 Bach/Stevens-Prelude in g minor KPP023 Barnes, J./Maxey, L.-Yorkshire Ballad for Marimba and Piano SMC024 Basta, J.-Concerto for Marimba and Orchestra (any mvt.) MFP025 Bernadin, P.-Sonata for Vibes and Piano (any two mvts.) MFP026 Blume, B.-Like a Burden Too Heavy TSP

PERCUSSION SOLO & ENSEMBLEGROUP I

REQUIRED MUSIC SELECTIONS

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XYLO/MARIMBA/VIBR. SOLOS (Continued)027 Blume, B.-Unforced Rhythms TSP028 Boo, M.-Pieces of R (a four mallet solo) PPB029 Breuer, H-Back Talk (From Mallet Solo Collection ) ALF030 Breuer, H.-Bit O’Rhythm (From Mallet Solo Collection) ALF031 Breuer, H.-Encore-Elise (From Mallet Solo Collection) ALF032 Breuer, H.-Happy Hammers (From Mallet Solo Collection) ALF033 Breuer, H.-The 1908 Rag (From Mallet Solo Collection) ALF034 Breuer, H.-On The Woodpile (From Mallet Solo Collection) ALF035 Breuer, H.-Powder Puff (From Mallet Solo Collection) ALF036 Brown, T.-Alone (Mallets in Mind) KEN037 Brown, T.-Cuernevaca (Mallets in Mind) KEN038 Brown, T.-Dahoon (Suite for Percussion) (With Piano) KEN039 Brown, T.-Inagua (Mallets in Mind) KEN040 Brown, T.-Latin Chiffon (Mallets in Mind) KEN041 Brown, T.-Marimbato (Mallets in Mind) KEN042 Brown, T.-Mexican Murals (any piece) BEL043 Brown, T.-Rhumballade (Mallets in Mind) KEN044 Brown, T.-Samba Sonic (Mallets in Mind) KEN045 Brown, T.-Summer Scene (Mallets in Mind) KEN046 Brown, T.-Sun Shadows (Vibe) KEN047 Brown, T.-Sunday Trolley (Mallets in Mind) KEN048 Brown, T.-Time Has Come (Mallets in Mind) KEN049 Burritt, M.-October Night (marimba solo) LUD050 Burton, G.-Ajax Men of Science (Vibe) CMP051 Burton, G.-Catapult (Vibe) CMP052 Burton, G.-(arr.)-Childhood (Vibe) CMP053 Burton, G.-Enihs (Vibe) CMP054 Burton, G.-A Singing Song (Vibe) (6 Unaccompanied Solos for Vibes) CMP055 Burton, G.-The Sunset Bell (Vibe) CMP056 Chopin/Musser-Valse Brillante FOR057 Clementi, M.-Spiritoso (Vibe) (Solos for the Vibraphone Player) GSI058 Davis,T.-Recital for Vibraharp (any one solo) BAR059 Creston, P.-Concertino for Marimba (any mvt.) GSI060 Debussy, C./Miller-First Arabesque for Vibes and Piano LUD061 Debussy, C./Miller-Second Arabesque for Marimba and Piano LUD062 Debussy, C./Pimentel, L.-Le Petit Negre PPB063 De Lancey, C.-Rosewood Blues MPM064 De Ponte, N.-Concertino for Marimba STD065 De Pue, W.-Sonata Primitif MFP066 Diemer, E. L.-Toccata for Marimba MFP, (Unaccompanied) PMC067 Dinicu/Goldenberg-Hora Staccato CFM068 Dorn, B.-Step after Step ADL069 Eyles/Werle-The Golden Age of Xylophone MED070 Feldman, V.-Danny Boy (Vibe) (All Alone by the Vibraphone) GWN071 Fieldman, G.-Northampton TSP072 Fink, S.-Concertino for Vibraphone (Vibe) WRE073 Frackenpohl, A.-Introduction and Romp for Marimba and Piano GSI

074 Frazeur, T.-The Quiet Place for Marimba and Piano KEN075 Frazeur, T.-Rondo for Marimba and Piano PMC076 Gibson, Richard-Monograph IV STD077 Gomez,A.-Etude in D minor SMC078 Gomez, A./Rife, M.-Rain Dance SMC079 Green, G. H.-Waltz Brillante CFM080 Green, G. H./Becker-Valse Brilliante MED081 Green, G. H./Cahn-Dotty Dimples CAH082 Green, G. H./Cahn, W. L.-Fluffy Ruffles CAH083 Green, G. H./Eyles, R.-Chromatic Fox Trot (From Xylophone Rags) MER084 Green, G. H./Eyles, R.-Cross Corners (From Xylophone Rags) MER085 Green, G. H./Eyles, R.-Jovial Jasper (From Xylophone Rags) MER086 Green, G. H./Eyles, R.-Log Cabin Blues (From Xylophone Rags) MER087 Green, G. H./Eyles, R.-Rainbow Ripples (From Xylophone Rags) MER088 Green, G. H./Eyles, R.-The Ragtime Robin (From Xylophone Rags) MER089 Green, G. H./Eyles, R.-The Whistler (From Xylophone Rags) MER090 Green, G. H./Eyles, R.-Triplets (From Xylophone Rags) MER091 Green, J./Becker, B.-Xylophonia BEC092 Handel, G./Feldstein, S.-Sonata No. 3 (4th mvt.) ADL093 Hatch, E.-Furioso and Valse in D minor EHA094 Haydn, J./Finkel, I.-Divertimento (Vibe) (Solos for the Vibraphone Player) GSI095 Herold/Luscomb-Zampa Overture RUB096 Houllif, M.-Casper’s Dance KEN097 Houllif, M.-Contemplation for Vibraphone KEN098 Houllif, M.-Estudios #1-6 para marimba (any one) KEN, PPB099 Houllif, M.-Mist (Vibe) KEN100 Houllif, M.-Samba (marimba solo) STD101 Hovhaness, A.-Fantasy on Japanese Woodprints EDP102 Hulling, C.-A Collection of Marimba Solos (any one) LUD103 Immerso, J.-Viaggo per Marimba PIO104 Irvin, L.-Two Etudes for Marimba (any one) PPB105 Kraus, P.-Jan BEL106 Kraus, P.-Just Flippin’ BEL107 Kreisler/Green-Caprice Vienois FOL108 Kreisler/Green-Tambourin Chinois FOL109 Kreisler/Green-Liebesfreud FOL110 Kuhlau, F./Finkel, I.-Allegro from Sonatina No. 1 (Vibe) (Solos for the Vibraphone Player) GSI111 Kurka, R.-Concerto for Marimba and Orchestra (any mvt.) WTB112 Kuzell, C.-Six Little Pieces for Marimba (any one or all) MTP113 Lang, M.-Etude #1 and 5 (Both) (14 Contemporary Etudes) ADL114 Lang, M.-Etude #2, 7, 9 (any two) (14 Contemporary Etudes) ADL115 Larrick, G.-Marie, A Four Mallet Rag for Marimba PPB

19

XYLO/MARIMBA/VIBR. SOLOS (Continued)116 Lecuona, E./Peterson, H.-Gitanerias MAR117 Lecuona, E./Peterson, H.-Malaguena MAR118 Lipner, A.-Solo Jazz Vibraphone Etudes (any one) LUD119 Liszt/Edwards-Rhapsodie Fantasie RUB120 Mayuzumi, T.-Concertino for Xylophone and Orchestra (1st or 3rd mvt.) CFP121 McConnell, Bruce-Various Sinful Dances (any one solo) STD122 Miki, M.-”Time” (marimba solo from Modern Japanese Marimba Pieces) TPC123 Molenhof, B.-A Dancer At Heart KEN124 Molenhof, B.-From Music of the Day (any one) KEN125 Molenhof, B.-From New Works for New Times (any one-except Solo #1) KEN126 Molenhof, B.-Kleine Albstadt KEN127 Monkman, J.-Parody TSP128 Monti, V./Moore, J.-Csardas PPB129 Mozart, W./Scarmolin, A.-Allegretto for Marimba and Piano LUD130 Musser, C.-Etude in A Flat, Op. 6, No. 2 STD131 Musser, C.-Etude in C Major, Op. 6, No. 10 STD132 Musser, C.-Prelude, Op. 11, No. 3 STD133 Musser, C.-Etude in B, Op. 6, No. 9 STD134 Nearpass, J.-Border Song NEA135 Nearpass, J.-Childlike NEA136 Paganini/Daughtrey-24 Caprices, Op. 1, No.2 in b minor ALP137 Parthun, Jeff-Nora’s Nightmare PPB138 Peters, M.-Sonata Allegro for Marimba and Piano MTP139 Peters, M.-Theme and Variations MPM140 Peters, M.-Three Pieces for Three Mallets (any two mvts.) MPM141 Peters, M.-Waves (marimba solo) MPM142 Peters, M.-Yellow After the Rain for Marimba MTP143 Pitfield-Sonata (any mvt.) PET144 Rimsky-Korsakov/Quick-The Flight of the Bumble Bee RUB145 Rosauro, N.-Concert for Marimba and Orchestra (any mvt.) POP146 Rosauro, N.-Sonata-The Periods of Life (any mvt.) ZIM147 Rosauro, N.-Suite Popular Brasileira (any mvt.) ZIM148 Samuels, D.-Footpath (marimba solo) 149 Satei/Casella-Gymnopedie No. 1 TSP150 Schubert/Quick-Marche Militaire RUB151 Schumann/Stevens-Album for the Young (any piece) MAP152 Sholle, E.-The Brook BPC153 Sifler, P.-Marimba Suite (any or all) WIM154 Skoog, D.-Water and Fire CNT155 Smadbeck, P.-Rhythm Song MAL156 Smith, S.-Suite Moderne (marimba solo) PPB157 Spencer, J.-After the Storm SPP158 Spencer, J.-Ask (vibraphone solo) SPP159 Spencer, J.-Fire Elves (marimba solo) SPP160 Spencer, J.-Icecream (marimba solo) SPP161 Spencer, J.-Mountain Stream SPP162 Steinquest, D.-Radford Rag PIO

163 Stout, G.-Andante and Allegro STD, ALF164 Stout, C.-Astral Dance ALF165 Stout, G.-Elegy STD, ALF166 Stout, G.-Two Mexican Dances for Marimba (any mvt.) STD, ALF167 Tanner, P.-Sonata for Marimba and Piano (any two mvts.) COP168 Tschaikowsky/Stevens-Album for the Young (any mvt.) STD169 Ukena, T.-Tempest SMC170 Ulrich-Suite No. 1 (Marimba, Unaccompanied) MFP171 Verdi/Edwards-Il Trovatore Fantasie RUB172 Virich-Suite No. 1 (Finale) PMC, MFP173 Vivaldi/Moore-Concerto in a minor, Op. 3, No. 6 RV356 (1st mvt.) PPB174 Watson, W.-Recital Suite for Marimba MFP175 Weber, C. M./Sifert, C.-Invitation to Dance BMP

ORCHESTRA BELLS - BELL LYRA SOLOS

EVENT NO. 101

NO REQUIRED LIST

Entries accepted only in Groups IV & V(Not a State Event)

SNARE DRUM SOLOS

EVENT NO. 102

001 Abel, A.-Hi Ho Simpson FMH002 Abel, A.-Jennifer’s Jog PPB003 Abel, A.-2040’s Sortie LUD004 Angelis, N.-Train Wreck (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP005 Baker, J.-Lonely City Suite (Mvts. I,II,III) (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP006 Barrett, G.-Rudimental Heights PPB007 Beck, J.-Advanced Solos for the Snare Drum (No. 2 or 3) KEN008 Beck, J.-Colonial Capers KEN009 Beddis, Lee-Igidibick (from Ziggadabuszz Collection) RLP010 Benson, W.-Three Dances for Solo Snare Drum CHP011 Berg, S.-Festival Capers BOU012 Berg. S.-Rocky Rhythm BOU013 Burns/Feldstein-Soloistic Studies (Intermediate Drum Method, Pp. 49, 50, 52, 55, 56, 57,58, 59, 60 - any two) ADL

20

SNARE DRUM SOLOS (Continued)014 Cappio, A.-Lu-Lu HMR015 Casey, Mark-Casey Claw (from the Blue Book collection) TSP016 Ceroli-Trick Stickery PDS017 Cirone, Anthony-Portraits in Rhythm (a book collection) (play any selection) ALF018 Colgrass, M.-Six Unaccompanied Solos for Snare Drum (any one) GSI, LGM019 Corcoran Jr., James-7 Days & 7 Nights (from the Blue Book collection) TSP020 Delecluse, Jacques-12 Studies for Snare Drum (any one selection) with piano TPC021 DeLucia, Dennis-Five for Joe (from Just Desserts collection) RLP022 Dempsey, T.-Rodent Tomfoolery (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP023 DiBona, E.-Celtic American, The RLP024 DiBona, E.-Latin Drum Sargent, The RLP025 Duggan, Stacey-Display (from Just Desserts collection) RLP026 Duggan, Stacey-First (The Rudimental Cookbook) RLP027 Duggan, Stacey-Method To My Madness (The Rudimental Cookbook) RLP028 Duggan, Stacey-Popeye (from The Just Desserts collection) RLP029 Firestone-Etudes for Drum OOP030 Firestone-Solo No. 11 OOP031 Firestone-Tapology OOP032 Freytag, E.-And The Kitchen Sink (The Rudimental Cookbook) RLP033 Freytag, E.-Prattfalls (The Rudimental Cookbook) RLP034 Funnell, J.-Corps-Dially Yours KEN035 Gauger, T.-Snare Drum Solo No. 1 PMC, MFP036 Gauthreaux, S.-Technica 9 STD037 Gilbert, K.-Barney the Pedantic Weasel KGG038 Gilbert, K.-Esoteric 6/8 KGG039 Goldenberg, M.-Farfel’s Gavotte CHP040 Goldenberg, M.-5/8 Etude CHP041 Goldenberg, M.-5/8 Romp CHP042 Goldenberg, M.-Graduation Etude CHP043 Goldenberg, M.-Ramble Rumple CHP044 Goldenberg, M.-Rim Shot March MFP045 Goldenberg, M.-7/8 Romp CHP046 Goldenberg, M.-6/8 Etude CHP, MFP047 Hall, Jason-Invision (from Ziggadubuzz collection) RLP048 Hampton, Ellis-Aylesford Tonight (from The Blue Book collection) TSP049 Harber, S.-1/2 Way There STD050 Harris, E. E.-Sonata (The Solo Drummer) RIC051 Harris, E. E.-Theme and Variations (The Solo Drummer) RIC052 Harris, E. E.-The Yankee Flamdoodle (The Solo Drummer) RIC053 Helm, D.-The Titan PIO054 Hoey, F.-Jet Age 6/8 SMC055 Hoey, F.-Ruff Drag Strip SMC056 Hoey, F.-Unrolly Permutation SMC057 Hurley, M.-Crash Landing (Festival Snare Solos) RLP

058 Hurley, M.-Mambo King, The (Festival Snare Solos) RLP059 Hurley, M.-The Phancy Phantom MHA060 Hurley, M.-Phantom of the Phield MHA061 Hurley, M.-Phantom Phire RLP062 Hurley, M.-Phantom Phrenzy MHA063 Hurley, M.-Scud Attack (Festival Snare Solos) RLP064 Hurley, M.-Tower of Terror (Festival Snare Solos) RLP065 Jenny, J.-At Odds (2nd & 4th mvts.) PPB066 Johnson, Scott-Cheese…Glorious Cheese (from Progression collection) RLP067 Johnson, Scott-Hercules (from Progression collection) RLP068 Johnson, Scott-Modulation (from Progression collection) RLP069 Johnson, Scott-Para-Dise (from Progression collection) RLP070 Johnson, Scott-Patty (from Progression collection) RLP071 Johnson, Scott-Red Five (from Progression collection) RLP072 Johnson, Scott-Seven (from Progression collection) RLP073 Johnson, Scott-Sticking (from Progression collection) RLP074 Kettle, R.-Three Etudes for Snare Drum (any one) STD075 Leonard, S.-5 - 6 - 7 (Contemporary Album for the Snare Drum) LUD076 Lynch, Michael-It’s About Time (from Just Desserts collection) RLP077 Lynch, Michael-Odyssey II (The Rudimental Cookbook) RLP078 Lynch, Michael-On Parade (from Just Desserts collection) RLP079 Machamer, S.-Twenty-Four Swing Street PPB080 Maines, John-Git’n Jiggy With It (from Just Desserts colletion) RLP081 Mason, Brian-Penmoken (from the Blue Book collection) TSP082 Markovich, M.-Stamina CMP083 Markovich, M.-Tornado CMP084 Markovich, M.-The Winner CMP085 Marvin, H.-Variety MFP086 Marvin, H.-HaMaR’s Delight HMR087 McCoy, Scott-Guido’s Birthday (from The Blue Book collection) TSP088 McIntosh, M.-Three (from An Amazing Collection of top ranking Snare Drum Solos) TSP089 McMahan, J. W.-Hamiltonian SPR090 McMahan, J. W.-Lizard Thicket, The SPR091 McMahan, J. W.-Mueller’s Mazurka SPR092 Miller, D.-Four Marches for the Rudimental Snare Drummer (Nos. 1 & 3 or 3 & 4) LUD093 Moore, James-Six Solos for Snare Drum (any of the six) PER094 Moore, Jeff-Rhythmic Incantation (from Ziggadabuzz collection) RLP095 Morey, C.-Jim Dandy KEN096 Morey, C.-A Real Drag KEN097 Morey, C.-Waltzing Hipster, The KEN

21

SNARE DRUM SOLOS (Continued)098 Morrell, Jonathan-3.28 Pie Squared (from Just Desserts collection) RLP099 Morton, J.-One of a Kind STD100 Mouse, J.-Accentric SPR101 Mouse, J.-Conception SPR102 Murray, Al-Ramma Jamma (from Ziggadabuzz collection) RLP103 Payson, A.-Snare Drum Solo No. 1 MFP104 Pepe, J.-Snare Drum Solo PPP105 Petercsak, J.-Snare Drum Solo No. 1 MFP106 Peters, Mitchel-Advanced Snare Drum Studies Nos. 2,4,5,7,9,10,11,12,17,21,25 (any one in orchestral style) MTP107 Poole, Charles-Lancer (from Ziggadabuzz collection) RLP108 Pratt, J.-Attaching the 4-Stroke Ruff (Rudimental Solos for the Accomplished Drummer) MED109 Pratt, J.-Boston’s Drumming Crusader (Rudimental Solos for the Accomplished Drummer) MED110 Pratt, J.-Buttermilk and Crackers (Rudimental Solos for the Accomplished Drummer) MED111 Pratt, J. S.-Cider Jug (From The New Pratt Book) PPB112 Pratt, J. S.-Conquering Legions of Rome, The (From The New Pratt Book) PPB113 Pratt, J. S.-Coordination BMP114 Pratt, J. S.-Drum Corps on Parade (14 Modern Contest Solos) BMP115 Pratt, J.-Emperor Justinian at Constantinople (Rudimental Solos for the Accomplished Drummer) MED116 Pratt, J. S.-Flamaque Quickstep BMP117 Pratt, J. S.-Gladstone Cadets (14 Modern Contest Solos) BMP118 Pratt, J. S.-Hodge Podge (14 Modern Contest Solos) BMP119 Pratt, J. S.-My Friend Norman BEL, BMP120 Pratt, J. S.-Sound Off (From The New Pratt Book) PPB121 Pratt, J.-Swinging the Swiss Pataflafla (Rudimental Solos for the Accomplished Drummer) MED122 Pratt, J. S.-Syncopating the Single Drag BEL, SMP123 Pratt, J. S./Schinstine/Moore-The Solo Snare Drummer Vol. 1 (pp 11 & 12, or pp14 & 15) PPB124 Prentice, H. F.-Richard’s Rampage BMP, SMC125 Prentice H. F.-Santa Fe Chief BMP126 Queen, J.-Tribute (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP127 Ratliff, David-Fear (from The Blue Book collection) TSP128 Reichett, K.-Adagio (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP129 Rogers, Lisa-Kiwi (from Ziggadabuzz collection) RLP130 Rogers, R. E.-Flamboyant STD131 Roy, J. M.-Prestidigitation BAR132 Schinstine, W. J.-Recital Suite for Solo Snare Drum KEN133 Schinstine, W. J.-Beating the Blues SMC

134 Schinstine, W. J.-Contrary Computer, The SMC135 Schinstine, W. J.-Festival Drummer SMC136 Schinstine, W. J.-Hectic Hickorys SMC137 Schinstine, W. J.-Innovation in Two-Four SMC138 Schinstine, W. J.-Soliloquy OOP139 Schinstine, W. J.-Space Probe SMC140 Schinstine, W. J.-Synco-Stix SMC141 Schinstine, W. J.-Evocation #1 KEN142 Schinstine, W. J.-Evocation #2 KEN143 Schinstine, W. J.-Three Means To An End (any one) KEN144 Schletzer, Dustin & Derek-Googlyelemo’s Quest For Glory (from Just Desserts collection) RLP145 Spede, M.-Speed Trap PPB146 Stone, G. L.-Massachusetts Champion GBS147 Straight, E. B.-Drummer’s Downfall (Deluxe Drum Solos) CFM148 Street, G.-Steppin’ Out CFM149 Street, G.-Swingin’ Down the Street (The Drummer’s Heritage) CFM150 Tuthill, G.-Snare Drum Solo MFP151 Varner, M.-Punctuality PPB152 Wanamaker, J.-Bridgemen (From Championship Corps Style Contest Solos) ALF153 Wanamaker, J.-Crazy Army (From Championship Corps Style Contest Solos) ALF154 Wanamaker, J.-Drums Corps on the March (From Championship Corps Style Contest Solos) ALF155 Wanamaker, J.-4th of July (From Championship Corps Style Contest Solos) ALF156 Wanamaker, J.-Hurricane (From Championship Corps Style Contest Solos) ALF157 Wanamaker, J.-Main Street Strut (From Championship Corps Style Contest Solos) ALF158 Wanamaker, J.-Spirit of Sanchez (From Championship Corps Style Contest Solos) ALF159 Webster, C.-Bolero for Ed (from An Amazing Collection of Top Ranking Snare Drum Solos) TSP160 Whaley, G.-Essay for Snare Drum MER161 Whaley, G.-Etude in 32nds RAL162 Whaley, G.-Recital Solos (any two) MED163 White, E.-False Images KEN164 Whitlock, J.-Hit-N-Run (The Rudimental Cookbook) RLP165 Whitlock J.-In-Pulse (The Rudimental Cookbook) RLP166 Whitlock J.-Shala’ (The Rudimental Cookbook) RLP167 Whitlock J.-Tuo Kaerf (The Rudimental Cookbook) RLP168 Wilcoxon, C.-Battin’ ‘Em Out CHW169 Wilcoxon, C.-Heating the Rudiments CHW170 Wilcoxon, C.-Lake Woodite, The LUD171 Wilcoxon, C.-Swinging the Twenty-Six CHW172 Willmarth, John-Snare con Queso (from The Blue Book collection) TSP173 Wooten, J.-Africa Hot WOO174 Wooten, J.-Rudimental Clave RPP

22

TIMPANI SOLOS

EVENT NO. 103

001 Ameele, D.-Cadenza No. 1 KEN002 Ameele, D.-Cadenza No. 2 KEN003 Beck, J.-Interaction for Music and Sounds (with CD recording) KEN004 Beck, J.-Sonata for Timpani (any mvt.) BMC005 Beck, J.-Three Episodes (II or III) KEN006 Beck, J.-Triptych Motif (no cut) KEN007 Beck, J.-Three Movements for Five Timpani (any one mvt.) MER008 Bergamo, J.-Four Pieces for Timpani Nos. 1 & 4 MFP, PMC009 Bergamo, J.-Four Pieces for Timpani Nos. 2 & 3 MFP, PMC010 Britton, M.-Solo Piece for Timpani MFP, PMC011 Bigot-Timpaniana pour Timbales et Piano LED012 Campbell, J.-Blue Hammers RLP013 Carter, E.-Eight Pieces for Four Timpani (any one) AMP014 Cheadle, R.-Melodic Movements for Timpani ALP015 Cirone, A.-Sonata No. 1 for Timpani and Piano CIR016 Curnow, J.-Fanfare and Scherzo MDM017 Erickson, K.-In the Valley of Kings (Mvts. 2 and 3) INP018 Firth, V.-Solo Impressions for Two Timpani CFM019 Firth, V.-Solo Impressions for Three Timpani CFM020 Firth, V.-Solo Impressions for Four Timpani CFM021 Firth, V.-Solo Timpanist, The, Nos. 1, 2, 3, 7, 8, 10, 11, 15, 17, 22, 23, 25, 26 (any one) CFM022 Frock, G.-Seven Solo Dances (any one) SMC023 Gay, Kirk-Etude 31, Rock of the 80’s (from the Pedal To The Kettle collection) TSP024 Gay, Kirk-Etude 32(from the Pedal To The Kettle collection) TSP025 Gay, Kirk-Farfenmarch TSP026 Gay, Kirk-Fog (from The Pedal To The Kettle collection) TSP027 Gay, Kirk-Los Cinco de Clubs (from The Pedal To The Kettle collection) TSP028 Gay, Kirk-Overture for Timpani TSP029 Gomez, A./Rife, M.-International Style Etudes (any one etude) SMC030 Goodman, S.-Ballad for the Dance BEL031 Hinger, F.-Solos for the Virtuoso Timpanist (any one) JER032 Holly, R.-Sonata for Timpani KEN033 Houliff, M.-Der Paukenmeister KEN034 Houllif, M.-3 Settings for Timpani (any two mvts.) STD035 Houllif, M.-Suite for Timpani POT036 Huston, S.-Suite for Solo Timpani GSI037 Igelsrud, D.-Soundings KEN038 Jones, D.-Sonata for Three Unaccompanied Kettle Drums HRS039 Kashanski, R.-Semi-Straight Jazz Waltz, A HMR040 Leonard, S.-Canticle VLK, LUD041 Leonard, S.-Ostinato (From Forms) LUD042 Leonard, S. Rondino (From Forms) LUD043 Leonard, S.-Solo Dialogue VLK, LUD

044 Mancini, D.-Suite for Timpani KEN045 Mancini, D.-Suite #2 for Timpani KEN046 McCormick, R.-Fanfare Variations for Solo Timpani KEN047 Peters, M.-Primal Mood for Four Timpani MTP048 Peters, M.-Randino MTP049 Peters, M.-The Storm MTP050 Ramey, P.-Sonata for Three Unaccompanied Timpani MFP051 Riley, S.-A Delivering ALP052 Schinstine, W.-Dresden Dance SMC053 Schinstine, W.-Artiste Sonata, The (I or III) KEN054 Steinhart-Dance (+ 4 Timbales or Rotos) LAN055 Tharichen, V.-Concerto for Timpani (any mvt.) AMP056 Vitto, B.-Scherzo FDS057 Whaley, G.-Scherzo for Timpani MER058 Williams, J.-Variations for Solo Kettledrums (theme and any one variation) MFP059 Wuebold, E.-Fantasy for Timpani and Piano PMC060 Youhass-Four Pieces for Unaccompanied Kettledrums, Nos. I and II MMC061 Youhass-Four Pieces for Unaccompanied Kettledrums, Nos. III and IV MMC

MULTIPLE PERCUSSION SOLOS

EVENT NO. 104

001 Angelo, J.-Toccata for Solo Percussionist MMC002 Beck, J.-Episode for Solo Percussionist STD003 Burritt, M.-Sticks of Eloquence LUD004 Campbell, J.-Engine Room RLP005 Campbell, J. -Tork RLP006 Campbell, J. -Sidewinder RLP007 Campbell, J. - Zoku RLP008 Christian, B.-Rondino CRE009 Christian, B.-Danze Espagnola CMP010 Combs, F.-Gesture for Solo Percussionist MMC011 Davis, T.-Multi-Percussion, Suite No. 1 BAR012 Davis, T.-Soliloquy CRE013 Davis, T.-Spanish Dance CMP014 DeLancey, C.-Love of L’Histoire PET015 Delecluse, J.-A La Maniere #3 LED016 Dervaux-Batterie-Sketch (any two mvts.) LED017 Edgerton, M. -Songs of Vent MCP018 Frazeur, T.-Mood Piece MFP019 Frock, G.-Concert Etude for Solo Percussionist HLN020 Gaetano, M.-Multiple Episode No. 1 STD021 Glassock, L.-Motion KEN022 Glassock, L.-Statement for Solo Percussion KEN023 Goldenberg, M.-Studies in Solo Percussion (any solo, pp 36-72) CHP024 Guager, T.-Nomad GUA025 Holliden, D.-Six Ideas for Snare, Bass Drum and Cymbal MCP026 Jager, R.-Concerto for Percussion and Band MED027 Johnson, W.-Five Words SMC028 Kastuck, S.-Dance I KAS

23

MULTIPLE PERC. SOLOS (Continued)029 Kraft, W.-Da-Dit AMC030 Kraft, W.-English Suite (play any one of the six mvts.) AVM, OOP031 Kraft, W.-French Suite for Percussion Solo (any one of four) MEM, AVM, OOP032 Kraft, W.-Morris Dance AVM033 Lopez, R.-Two Days TSP034 McCormick, R.-Homage to Harry Partch KEN035 Milhaud, D.-Concerto Op.109 for Percussion and Small Orchestra (Condensed for Piano) UTP036 Moore, J.-Sonata No. 1 for Percussion Soloist LUD037 Payson, A.-Die Zwitschermaschine CMP038 Payson, A.-Slavic Danse CMP039 Peters, M.-Etude #2 MTP040 Peters, M.-Perpetual Motion for Snare Drum and Four Tom-Toms MTP041 Peters, M.-Rondo for Four Tom-Toms MPM042 Pillin, B.-Duo for Percussion and Piano WIM043 Ramey, P.-Capriccio MCP044 Rosen, J.-Elegy for Solo Percussion MFP045 Russell, A.-Sonata (any two mvts.) MFP046 Schinstine, W.-Etude for Latin Instruments CMP047 Schinstine, W.-Etude for Membranophones CMP048 Starer, R.-Excursion MCA049 Stern, R.-Adventures for One (any two mvts.) MFP, PMC050 Tagawa, R.-Inspirations Diabolique (any one mvt.) WIM051 Udow, M. W./Watts, C.-Contemporary Percussionist, The (any one EXCEPT: IV; VII; XI; XII; XV; XVII; XVIII) MER052 Whaley, G.-Three Movements for Two Drums PRO

MULTI-TENOR SOLOS

EVENT NO. 105

001 Altmire, Matt-Green Eggs & Flam (from The Violent Tenor Cream book) TSP002 Aungst, T.-It’s Time (From Modern Multi-Tenor Techniques and Solos) RLP003 Bachman, Bill-Ubiquitour Illin-ness (from The Violent Tenor Cream book) TSP004 Bailey, J.-Green Lightning (From Modern Multi-Tenor Techniques and Solos) RLP005 Bissell, P.-Bones (From Tenor Madness) GFM006 Carr, C.-Busy Frames (From Modern Multi-Tenor Techniques and Solos) RLP007 Davila, J.-Cruise Control (From Modern Multi-Tenor Techniques and Solos) RLP008 Davila, J.-Webster’s Rumble (From Modern Multi-Tenor Techniques and Solos) RLP009 Dekaney, Joshua-Slug Guts (from The Blue Book collection) TSP010 Flack, Brian-Bus Bowl (from The Blue Book collection) TSP011 Hansen, L.-Out House RLP012 Hansen, L.-Double Crossed RLP013 Hansen, L.-Twist It Up RLP

014 Hodges, Mike-Afrobeat (from The Violent Tenor Cream book) TSP015 Hunter, Mark-Floatmeal (from The Blue Book collection) TSP016 Hurley, M.-Crash Landing RLP017 Hurley, M.-The Phancy Phantom RLP018 Hurley, M/Hansen, L.-The Phantom of the Phield RLP019 Hurley, M./Hansen, L.-Phantom Phrenzy RLP020 Hysell, E./Bissell, P.-SVC (From Tenor Madness) GFM021 Johnson, S.-Cha-Da-Da-Cha-Cha (From Modern Multi-Tenor Techniques and Solos) RLP022 McNutt, Colin- Hot Dogs in a Canteen (from The Violent Tenor Cream book) TSP023 Murphy, Ian-Sca-Fa (from The Blue Book collection) TSP024 Perez, Brian-Grooves & Chops O’Plenty (from The Violent Tenor Cream book) TSP025 Rennick, P.-Backstreet Beat (From Modern Multi-Tenor Techniques and Solos) RLP026 Werth, Nick-Chocolate Cherry Bomb (from The Violent Tenor Cream book) TSP

PERCUSSION ENSEMBLES

EVENT NO. 110(Three to Six Performers)

001 Abel, A.-Allegro Muchacho (6 players) LUD002 Abel, A.-Serenade To a Sand Dune (6) PPB003 Alfeieri, J.-Fanfare for Tambourines (6) MUF004 Artenziano, E.-El Muchacho Cinco (5) RLP005 Bach, J.S./Slawson-Concerto in a minor (6) TSP006 Bach, J. S./Moore, J.-Little Fugue in g minor (4) PPB007 Beck, J.-Concerto for Timpani and Percussion Ensemble (6) KEN008 Bellson, L.-Four Stories (4 drum sets) TRY009 Benson, W.-Three Pieces for Percussion Quartet (any two mvts.) (4) GSI010 Blount-Modulation (5) FMH,CFM011 Brand, M.-Africantus (4) KEN012 Breaux, T.-Ostinato-A-Koto (6) DSM013 Brooks, C.-Triple Threat (3) RLP014 Brown, T.-Morning Flower (5) BMP015 Brown, T.-Particles (any two mvts.) (6) SMC016 Carno, Z.-Sextet for Percussion (any one mvt.) MFP017 Chavez, C.-Toccata (1st or 3rd mvt.) (6) BMP018 Cirone, A.-5 Items for Solo Marimba and Percussion Ensemble (any two) (6) BMP019 Cirone, A.-4/4 for Four (4) CIR020 Cirone, A.-Japanese Impressions (5) BEL021 Cirone, A.-Overture in Percussion (5) CIR022 Cirone, A.-Percussionality (4 percussion + 1 student piano or 6 percussion) BEL023 Cirone, A.-Triptych (1st mvt. or

2nd & 3rd mvts.) (4) BMP024 Colgrass, M.-Chamber Piece for Percussion Quintet MFP, PMC

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PERC. ENSEMBLES Ev. 110 (Continued)025 Colgrass, M.-Fantasy, Variations for 8 Chromatic Drums and Percussion Sextet MFP026 Colgrass, M.-Percussion Music (4) MFP027 Cowell, H.-Pulse (5) MFP028 Davis, T. L.-Greensleeves (5 players and string bass) CMP029 Davis, T. L.-Fughetta Rock (6) BAR030 Debussy/Reeves, D.-Bruyeres (from Three Preludes) (Orch. bells can be sub. for crotales) (3) TSP031 Del Borgo, E.-Dimensions (4) KEN032 Del Borgo, E. A.-Preludio for Percussion (6) KEN033 Delp, R.-Announcement (4) KEN034 DiBlasio, D, -Cancun (6) KEN035 Elias, S.-Suite for Three Drum Sets EDI036 Faberman, H.-Percussion Ensemble Collection Level III (any two) (6) BMP037 Firestone, H.E.-Drummer’s Farewell (3) OOP038 Foss, L.-Percussion Quartet (4) CFM039 Frock, G.-Fanfare for Double Percussion Trio SMC040 Frock, G.-Three Asiatic Dances (6) SMC041 Gauger, T.-Gainsborough (any one mvt.) (5) SMC042 Gillingham,D.-SacrificialRite(5) ALP043 Glassock, L.-Between The Lines (5) MED044 Glassock, L.-Music for Mallets (6) ALP045 Goodman, S.-Canon for Percussion (6) BMP, MEM046 Goodman, S.-Scherzo (3) BMP047 Goodman, S.-Theme and Variations (4) BMP, MEN, CHP048 Gould, M.-Parade (3) CHP049 Handy/Houliff-St. Louis Blues (5) KEN050 Hankins, J.-Drummers Five (5) (includes bass drum and cymbals) FMH051 Hankins, J.-Five Up Front (5) (includes bass drum and cymbals) FMH052 Hankins, J.-Snares Forward (3) FMH053 Hanna, S.-Sonic Sauce (4) KEN, AKI054 Haydn/Jeanne, R.-Rondo from String Quartet Op. 33 No. 3 (4) PPB055 Hodkinson, S.-Drawings: Set No. 1 (any two mvts.) (4) MFP056 Holly, R.-Battlestations II (4 ) KEN057 Houliff, M.-Undercurrents (5)058 Hovhaness, A.-Bacchanale (5) EDP059 Jebe, P.-On The Horizon (6) RLP060 Jemison, D.-Quintession (5) WIM061 Jenny, J.-Pursuit for Solo Marimba and Percussion Ensemble (6) PPB062 Jerger, J.-”36” Heads (4) OOP063 Jerger, J.-”54” Heads (3 or 6) OOP064 Joplin, S./Burkett, G.-Stoptime Ray (3) PPB065 Joplin, S./Houllif, M.-Maple Leaf Rad (4) PPB066 Karlin, F.-Repercussions (4) SFP067 Keezer, R.-For Four Percussionists (4) KEN068 Kosteck, G.-Counterpoint for Percussion Quartet (4) BMP069 Kraft, W.-Suite for Percussion (any two mvts.) (4) BEL, MEM070 LaRosa, M.-Good News, The (4) HMR071 Leonard, S.-Four Images (6) LUD072 Leonard, S.-Promenade (6) LUD073 Lepper, K.-Boasphere (6) LEP074 Mancini, D.-Exit 39 (4) KEN075 Markovich, M.-Four Horsemen (4) CMP

076 Markovich, M.-Teamwork (4) CMP077 McKenzie, J.-Introduction and Allegro (4) MFP078 McKenzie, J.-Three Dances (3) MFP, PMC079 McMahan, J.-Connecticut Overtime (6) SPR080 McMahan, J.-Trio Con Brio (3) SPR081 Meacham/Houliff -American Patrol (6) KEN082 Meyer, R.-Ostinato (6) KEN083 Miller, D.-5 Short Pieces (No. 1 plus any two mvts.) (5) LUD084 Miller, D.-Prelude for Percussion (6) MFP, PMC085 Mozart, W. A./Moore, J. L.-Eine Kleine Nachtmusik (Allegro Mvt.) (4) PPB086 Mozart, W. A./Moore, J. L.-Ronda Ala Turk (4) PPB087 Naito/Crowell,-Nanafushi (3) TSP088 O’Gorman, P.-Fire (4) BAR089 O’Mahoney,T.-BurundiShuffle(5) PPB090 O’Reilly-Three Episodes (5) SCN091 Parchman, G.-Symphony for Percussion (any mvt.) (6) ELV092 Parchman, G.-Fifth Symphony for Percussion Ensemble (any mvt.) (6) ELV093 Peters, M.-A La Naningo (6) KSM094 Peters, M.-A La Samba (6) MTP095 Peters, M.-Piece for Percussion (4) MTP096 Peters, M.-Study in 5/8 (4) PDS, WIM097 Prentice-Batter Up, Snare Down (with drum set) (4) SMC098 Prentice-Epic of Western Man (4) FMH099 Proto/Akins-Protoplasm (4 percussion + 1 bass) KEN100 Rauschenberg-Discussion (4) PDS, WIM101 Rossini, G./Houllif, M.-William Tell Overture, The (6) KEN102 Russo, W.-Music for Percussion (4) SFP103 Saint Seans/Moore-Aquarium (6) ALP104 Slayter-Breakdown (4) TSP105 Snider, L.-Fixations (6) BAR106 Spears, J.-Jubiloso (5) SMC107 Starer, G.-Night Music for Percussion (6) BMP108 Strang, G.-Percussion Music for Three Players TPC109 Tatgenhorst, J.-Razzle-Dazzle and Rock (5) BIM110 Tilles, D.-Blue Percussion (6) CMP111 Williams, K.-African Sketches (4) LUD

MALLET ENSEMBLES

EVENT NO. 111(Three to Six Performers)

001 Adams-Sonata Ico (4) PPB002 Bach/Houliff-Double Concerto In d minor (4) PPB003 Bach/Houliff-Fugue In A Major (3) PPB004 Bach/Moore-Air (for the G String) (4) PPB005 Bach/Moore-Fugue in c minor (3) PPB006 Bach/Moore-Fugue in d minor from the Well Tempered Clavier (3) PPB007 Bach/Moore-Little Fugue in g minor (4) PPB

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MALLET ENS. Ev. 111 (Continued)008 Bach/Moore-Toccata & Fugue in d minor (4 or 5) PPB009 Bach/Schaefer-Brandenberg Concerto No. 2 (1st mvt.) (5) PPB010 Bartok/Jeanne-Rumanian Folk Dances (5) PPB011 Beethoven/Jeanne-The Metronome from 2nd Mvt., Symphony No. 8 (5) PPB012 Bizet/Janicki-Miacaela’s Aria (6) PPB013 Bizet/Jeanne-Farandole from L’Arleisienne Suite No. 2 (5) PPB014 Bizet/Musser-Selections from Carmen (5) FOR015 Brahms/Houllif-Hungarian Dance No.5 (4) PPB016 Breuer/Gipson-Back Talk (5) MED017 Breuer/Gipson-Blue Tid Bit (4) MED018 Breuer/Gipson-Four Stick Joe (4) MED019 Breuer/Gipson-Minor Moment (4) MED020 Breuer/Pershing-Balk Talk (3) ALF021 Breuer/Pershing-Bit O’ Rhythm (3) ALF022 Breuer/Pershing-Encore-Elise (3) ALF023 Breuer/Pershing-1908 Rag, The (3) ALF024 Breuer/Pershing-On the Woodpile (3) ALF025 Breuer/Pershing-Powder Puff (3) ALF026 Butov, G.-Russian Rag (3) STD027 Cahn-La Negra (5) CAH028 Chabrier/Hatch-Espana Rhapsody (6) EHA029 Chandler/White/Cohn/Cahn-Canadian Capers (5) CAH030 Chopin/Hatch-Minute Waltz, The (3) EHA031 Chopin/Jeanne-Prelude Op. 28, No. 4 (5) PPB032 Dauwalder, L.-Ice Cream Suite Rag, The (4) PPB033 Debussy/Barton-La Fille Aux Cheveaux De Lin (The Girl With the Flaxen Hair) (6) PPB034 Debussy/Prince-Danse (6) PPB035 DeFalla/Hatch-Ritual Fire Dance (4) EHA036 Dinicu/Hatch-Hora Staccato (5) EHA037 Dvorak, A.-Finale from Quartet in F Major (4) PPB038 Dvorak, A./Musser-Largo from New World Symphony (5) FOR039 Ford, M.-Afta-Stuba! (3) INP040 Ford, M.-Stubernic (3) INP041 Fleck, B./Steinquest, D.-Metric Lips (4) RLP042 Gabrieli/Schaefer-Canzon Prima (5) PPB043 Glassock-Passage (6) INP044 Green G. H./Becker, B.-Chromatic Fox Trot (5) BEC045 Green, G. H./Becker, B.-Charleston Capers (5) BEC046 Green, G. H./Becker, B.-Cross Corners (5) BEC047 Green, G. H./Becker, B.-Jovial Jasper (5) BEC048 Green, G. H./Becker, B.-Log Cabin Blues (5) BEC049 Green, G. H./Becker, B.-Stop Time (5) BEC050 Green, G. H./Becker ,B.-Triplets (5) BEC051 Green, G. H./Becker,B.-Whistler, The (5) BEC052 Green, G. H./Becker, B.-Xylophonia (5) BEC053 Green, G. H./Cahn, W. L.-Fluffy Ruffles (5) CAH054 Green, J./Schinstine-The Whirlwind (4) SMC055 Hatch, E.-Olivera Street, L. A. (any mvt.) (5) EHA056 Hatch, E.-Pliatan (4) EHA057 Hatch, E.-Three Concert Pieces for 8 Hands (5) DSM058 Haydn/Moore-Trio Sonata No. 1 (3) PPB059 Jeanne, R.-Paquita (5) PPB060 Johnson, C./Becker, B.-Dill Pickles (5) BEC061 Joplin/Burkett-Stoptime Rag (3) PPB062 Joplin/Freytag-The Easy Winners (4) RLP063 Joplin/Houllif-Maple Leaf Rag (4) PPB

064 Joplin/Moore-The Entertainer Rag (4) PPB065 Joplin/Rauschenberg-Solace (4) EXC066 Kabalevsky/Peters-Comedians Gallop (5) FDS067 Kachaturian/Hatch-Sabre Dance (6) EHA068 LaRosa, M.-Creation and Rebirth (5) KEN069 Leonard-Prelude (for Four Marimbas) (4) LUD070 Leonard-Quarimba (4) LUD071 Mendelssohn-Bartholdy/Tanner-Consolation, Op. 30, No.3 (6) PPB072 Moszkowski/Tanner-Scherzino (6) PPB073 Moszkowski/Vigneron-Caprice Espagnol (5) DSM074 Moussorgsky/Moore-Gopak (4) PPB075 Mozart/Gilroy-Variations On “Ah, Vous Dirai-Je Maman” (Twinkle Twinkle Little Star) (4) BMP076 Mozart/Glassock-Allegro (from Quartet In C) (4) PPB077 Mozart/Glassock-Allegro Assai (from Quartet In E-flat) (4) PPB078 Mozart/Glassock-Andante (from Quartet In C) (4) PPB079 Mozart/Glassock-Rondo (from Quartet In B-flat) (4) PPB080 Mozart/Hatch-Overture to the Magic Flute (5) EHA081 Mozart/Hatch-Overture to the Marriage of Figaro (6) EHA082 Mozart/Janicki-Rondo (4th mvt. from Eine Kleine Nachtmusik) (4) PPB083 Mozart/Moore-Rondo Ala Turk (4) PPB084 Mozart/Musser-Marriage of Figaro (5) EHA085 Paine/Roy-Fuga Giocosa (3) MDM086 Palestrina/Tanner-Exultate Deo (5) PPB087 Prokofiev/Gipson-Field of the Dead (from Alexander Nevsky) (4) OPE088 Raff/Jeanne-The Mill PPB089 Rimsky-Korsakov/Hatch-Flight of the Bumble Bee (6) EHA090 Rimsky-Korsakov/Hatch-Scheherazade (6) EHA091 Rimsky-Korsakov/Janicki-Variazioni (from “Capriccio Espagnol”) (6) PPB092 Rosales/Musser-Bolera (5) FOR093 Rossini/Parthun-Toast to the New Year, A (4-5) PPB094 Rossini/Hatch-Overture to William Tell (6) EHA095 Sibelius/Musser-Finlandia (5) FGP096 Slater, J.-Suite for Keyboard Percussion (I and II, or II and III) (4) OPE097 Smetana/Musser-Dance of the Comedians (6) FOR098 Sousa/Hatch-Stars and Stripes Forever (6) EHA099 Sousa/Leaman-Stars and Stripes Forever (5) PPB100 Steinquest, arr.-County Claire (6) RLP101 Strauss/Hatch-Tales of the Vienna Woods (5) EHA102 Tchaikovsky/Hatch-Dance of the Candy Fairy (5) EHA103 Tchaikovsky/Hatch-Dance of the Flutes (6) EHA104 Tchaikovsky/Hatch-Overture Miniature (5) EHA105 Tchaikovsky/Hatch-Russian Dance (4) EHA 106 Tchaikovsky/Hatch-Waltz of the Flowers (5) EHA107 Tchaikovsky/Jeanne-Album for the Young Suite (all three mvts.) (5) PPB108 Tchaikovsky/Jeanne-Arabian Dance (5) PPB109 Tchaikovsky/Musser-Andante from Symphony No. 5 (5) BHI

26

MALLET ENS. Ev. 111 (Continued)110 Tignor-Enchanted Circus (4) PPB111 Texidor/Jeanne-Amparito Roca (Spanish March) (5) PPB112 Vivaldi/Gilroy-Vivo Vivaldi (4) BMP113 Wagner/Musser-Pilgrim’s Chorus from Tannhauser (5) BHI114 Wagner/Musser-Traume (4) BHI115 Whibley-Higuita! (4) TSP

LARGE MALLET ENSEMBLES

EVENT NO. 112(Seven to Twenty Performers)

In addition to this list, any titles from event #111may be used with appropriate doubling

of parts.

001 Grainger/Ragsdale-Irish Tune (9 players) SMC002 Granados/Tanner-Moresque (7) PPB003 Handel/Janicki-Allegro (From Concerto Grosso In C) (7) PPB004 Houliff, M.-Octaphonics (8) PPB005 Saint-Saens/Gipson-Adagio from Symphony No. 3 (8) OPE006 Steinhort, W.-Two Movements For Mallets (Mvt. I or II) (8) OPE

LARGE CONCERT PERCUSSION ENSEMBLES


001 Abujamra, A./Smith, W.-Alma Nao Tem Cor (17 percussion + 1 bass) DSM002 Arevalo, M.-Shadows (8) DSM003 Arevalo, M.-Shiva’s Dance (8) DSM004 Astrand, A.-Purge (7) INP005 Bach, J. S. /Faini-Fuga Five (10) CMP006 Bach/Freytag, E.-Brandenburg Concerto No.2 (First Mvt.) (10) RLP007 Bach/Slawson-Brandenburg Concerto No.2: Allegro Moderato (10) TSP008 Bach/Jebe, P.-Sambach (6-7 percussion + 1 piano) RLP009 Barber, B./Ford, M.-Invention (11 percussion + 1 piano and 1 bass) INP010 Barretto, R./Nearpass, J.-Song for Chano (8 percussion + 1 bass) NEA011 Bartok/Ancona, J.-The Miraculous Mandarin (8) TSP012 Bavicchi, J.-Music for Mallets and Percussion (12) OUP013 Beck, J.-Concerto for Drum Set and Percussion Ensemble (8) KEN

014 Beck, J.-Concerto for Tympani and Percussion Ensemble (6) KEN015 Beck, J.-Jazz Variants (8) BMC016 Beck, J.-Overture for Percussion Ensemble (8) KEN017 Beethoven/Miller-Pathetique (8) TSP018 Bencriscutto, F.-Rondeau for Percussion (7 percussion + 1 piano) MFP019 Bissonnette, M./Rennick, P.-Wildwood (11-12 percussion + 1 guitar and 1 bass) DSM020 Bizet, G./Brooks, C.-Instant Carmen (10-12) RLP021 Bizet, G./Houllif, M.-Excerpts from Carmen Suite (7) KEN022 Blume-Alarm! (7) TSP023 Brand, M.-Concerto for Percussion Ensemble (9) BRA024 Brand, M.-Tijuana Samba (8) KEN025 Brooks, C.-Echoes of Babylon (15) RLP026 Brooks, C.-Midnight in Tunisia (18-20) * RLP027 Brooks, C.-Millennium (14) RLP028 Brooks, C.-Ritual of the Tribe (9) RLP029 Brooks, C.-Shongaloo Ramble (9-11) RLP030 Brooks, C.-Valley of Nepal (14-15) RLP031 Brown, T.-Above and Beyond (10) BMP032 Brown, T.-Brazilian Street Dance (7 percussion + 1 synthesizer + 1 bass) BMP033 Brown, T.-Keystone Capers (8) KEN034 Brown, T.-Strike Force (9) KEN035 Brubeck, D./Kellis/Scheitroma-La Fiesta De la Posada (13) RLP036 Bruford, B./Smith, W.-Beelzebub (11 percussion + 1 bass, 1 piano, 1 guitar) DSM037 Byrd/Raush-The Bells (13) DSM038 Camillo, Eigenberg, Koski/Brooks, C.-Why Not! (9 percussion + 1 piano + 1 bass) RLP039 Campbell, J.-Batik (10) RLP040 Carr-Shock and Awe (13) TSP041 Casella, J.-Cop Drama (16) TSP042 Casella, J.-Cyclone (12) TSP043 Casella, J.-Dystopia (15) TSP044 Casella, J.-Joaquin on Sunshine (15) TSP045 Casella, J.-Katraterra (9) TSP046 Casella, J.-Technonlogy (8) TSP047 Cirone, A.-Dichotomy (8) BMP048 Cirone, A.-Symphony No. 1 (any mvt.) (8) CIR049 Cirone, A.-Symphony No. 2 (any mvt.) (9) CIR050 Coers-Swimmin’ in it (15) DSM051 Colgrass, M.-Three Brothers (9) MFP052 Creston, P.-Ceremonial for Percussion Ensemble (7) GSI053 Crockarell, C.-Circus Circus! (10-12) RLP054 Crockarell, C.-Glitzville (9-11) RLP055 Crockarell, C.-Gorsky’s Dream (12) RLP056 Crockarell, C.-Stratus (9) RLP057 Crockarell, C.-Sushi Funk (9-11 percussionists + 1 bass) RLP058 Daughtrey, N.-Ellipsis (8) ALP059 Daughtrey, N.-Limerick Daydreams (10) ALP060 Daughtrey, N.-Mercury Rising (7) ALP061 Daughtrey, N.-Power Struggle (8) ALP062 Daughtrey, N.-Spun (8) ALP063 Davila, L.-Cruzin’ (8-12 percussion + 1 bass) RLP

27

LARGE PERC. ENS. Event 113 (Continued)

064 Davila, L.-Dun’t Be Blue Mon (8 percussion + 1 guitar and 1 bass) RLP065 Davila, L.-Fiesta Latina (8 percussion + 1 bass) RLP066 Davila, L.-Mo Java (7-8 percussion + 1 bass) RLP067 Davila, L.-Para Rafa (10-12 percussion + 1 bass) RLP068 Davila, L.-Ritmo Suave (8-9) RLP069 Davis, T.-El Races De La Camptown (8) CMP070 Davis, T.-Flat Baroque (7) CMP071 Davis, T.-Mau Mau Suite (8) NME072 Davis, T.-Panda Pause (9) CMP073 Davis, T.-Stompin’ Thru the Rye (8) CMP074 Davis, T.-Taste of Brahms (8) CMP075 Debussy/Diko-Nocturnes No. 2, Fetes (8) DSM076 DiBlasio, D.-Outback (8) KEN077 Djavan & Fieger/Brooks, C.-The Zoo Blues (10 percussion + rhythm sections) (Do not use optional horn parts) RLP078 Douthit, M./Crockarell, C.-If You Please (9 percussion + 1 synthesizer + 1 bass) RLP079 Dutton, F.-Rondo Barock (8) MTP080 Dvorak, A./Rosener, D.-Carnival Overture, Op.92 (14) DSM081 Dvorak, A./Daugherty-Song to the Moon (8) ALP082 Dvorak, A./Hearnes-Slavonic Dance No. 5 in A (13) RLP083 Dvorak, A./Hearnes-Slavonic Dance No. 8 in G (13) RLP084 Erskine, P./McDonald, S.-Calypso (11 percussion + synthesizer and bass) DSM085 Fagen, D./Brooks, C.-The Goodbye Look (8 percussion + 1 bass) RLP086 Faini, P.-El Cumbanchero (10 percussion + 1 piano + 1 bass) BMP087 Firth, V.-Encore in Jazz (7) CFM088 Fleck, B./Steinquest, D.-Hurricane Camille (6 percussion + 1 bass) RLP089 Fleck, B./Steinquest, D.-Sinister Minister (7-9 percussion + 1 bass) RLP090 Fleck-Wooten/Hearnes,J.-Stompin’ Ground (11-12) RLP091 Flores, R.-Common Times (11) RLP092 Freytag, E.-Death by Oooga Booga (10) RLP099 Gaetano, M.-Mosaic, Op.30 (8) ALP093 Gaetano, M.-Undercurrents (7) INP094 Gilbert, K.-Street Samba (14) KGG095 Glassock, L.-Consortium (10) ALP096 Glassock, L.-Dragoon (8) ALP097 Glassock, L.-Fractions (10) ALP098 Glassock, L.-Layers (8) SMC100 Glassock, L.-No Exit (8) SMC101 Glassock, L.-Teamwork (7) ALP102 Glassock, L.-Twisted Proverbs (8) ALP103 Gorecki/Kikta,P.-Concerto AGP104 Gottry-Shifting Waves (10) DSM105 Gottry-Unsettled Surface (9) DSM106 Grainger, P./Ragsdale, C.-Irish Tune From County Derry (9) SMC107 Grieg, E./Fyffe, D.-In the Hall of the Mountain King (12) DSM108 Hennagin, M.-Duo Chopinesque (10) OPE109 Henson-Conet, D./Nearpass, J.-California Calypso (7 percussion + 1 bass) NEA110 Herbert, V./Houllif, M.-March of the Toys (7) KEN

111 Holst/Ancona, J.-Mercury (10) TSP112 Horner/Campbell-Casper’s Lullaby (11) RLP113 Houghton, S.-The Path (4-7 percussion + 1 piano and 1 bass) RLP114 Houllif, M.-Blue Samba (8) SMC115 Jacob, G.-Hava Nagila (8) MAR, HLN, OOP116 Jebe, P.-Montunosis (9-12 percussion + 1 piano and 1 bass) RLP117 Jebe, P.-Xylatin (7-8) RLP118 Jenny, J.-Three Scenes from the Scioto (any two mvts.) (13 percussion + 1 piano) PPB119 Johnson, C./Argenziano, E.-Dill Pickles (6-8) RLP120 Jones, K.Schietroma, S.-Servitude (11 percussion + 1 bass and 1 guitar) DSM121 Kastuck, S.-Components (all 3 movements) (10) KAS122 Kastuck, S.-Ritual No.2 (8-16) KAS123 Kennedy, J.-Odyssey: Concerto for Multiple Percussion and Percussion Ensemble (7) INP124 Khachaturian/Moore-Sabre Dance (7-10) PPB125 Kim, B.-Concertino for Percussion (7 percussion + 1 piano) MTP126 Leonard, S.-Antiphonies (8) DSM127 Leonard, S.-Ex Machina (8) DSM128 Leonard, S.-Skies (10) DSM129 Leonard, S.-Winter Fantasy (10 percussion and hand bell choir or piano) DSM130 Lins/Martins/Nearpass-Leva E Traz (Elis) (11 percussion + 1 bass) NEA131 Lipner, A./Steinquest, D.-Sweet Rio (12-14 percussion + 1 bass) RLP132 Loya, M./Nearpass, J.-Rain: Weatherman (6 percussion + 1 bass) NEA133 Lytle/Steinquest-Pogo Sticks (8) RLP134 Mancini, D.-Caribbean Festival (7 percussion + piano and 1 bass) KEN135 Mancini, D.-Extremes (7) KEN136 Mancini, D.-Jubilee Concerto, Mvt.1: Legacy (8 percussion + 1 piano) KEN137 Mancini, D.-Jubilee Concerto, Mvt.2: Retrospective (8 percussion + 1 piano) KEN138 Mancini, D.-Jubilee Concerto, Mvt.3: Celebration (8 percussion + 1 piano) KEN139 Mancini, D.-Song of Joy (9) KEN140 Mancini, D.-Suite for Solo Drum Set and Percussion Ensemble (8) KEN141 Manga, A./Nearpass, J.-Ekanga (8 percussion + 1 bass) NEA142 Manring/Martin/Nearpass-Senegal Calling (9 percussion + 1 bass) NEA143 Manring, M./Nearpass, J.-Life In the Trees (9 percussion + 1 bass) NEA144 Mainieri, M./Rennick, P.-Beirut (12 percussion + 1 bass) DSM145 McKenzie, J.-Introduction and Allegro (9) MFP146 McKenzie, J.-Nonet (9) MFP147 Mashina, T.-Conversation (10) NAK148 Meister, S.-Taqsimn (7) ALP149 Mendelssohn/Slawson-A Midsummer Night’s Dream: Intermezzo (16) TSP150 Mendelssohn/Slawson-A Midsummer Night’s Dream: Scherzo (12) TSP151 Metheny/Ancona, J.-Metheny Dream (10) TSP

28

LARGE PERC. ENS. Event 113 (Continued)152 Metheny, P./Mays, L.-Phase Dance (6 percussion + 1 bass) SIE153 Metheny, P./Houghton & Warrington- (It’s Just) Talk (7 percussion + 1 bass) SIE154 Moore, D.-Game Over (9) INP155 Moreira, A./Brochocki, D.-Tombo In 7/4 (12 percussion + 1 bass) DSM156 Moreira, A./McDonald, S.-Lua (13 percussion + 1 bass) DSM157 Moussorgsky/Peters-Ballet of the Unhatched Chicks (7) FDS158 Moussorgsky/Schietroma-Night on Bald Mountain (14) DSM159 Moussorgsky/Hannum-Pictures at an Exhibition (12) DSM160 Narell/Mayor/Rennick-Calabash (10 percussion + 1 piano + 1 bass) DSM161 Nearpass, J.-Blume’n Cuban (4-8) NEA162 Nearpass, J.-Looking Up (7 percussion + 1 bass) NEA163 Obiedo, R./Rennick, P.-Brasileiro (11 percussion + 1 bass) DSM164 O’Connor, T.-Orientale (8) BAR165 O’Mahoney, T.-Aruba Getaway (8) PPB166 O’Mahoney, T.-Aruba Roca (Spanish March) (8) PPB167 O’Mahoney, T.-Cha-Cha Rufus (7 percussion + 1 bass) PPB168 Pascole, H./Nearpass, J.-Pipoca (9 percussion + 1 bass) NEA169 Peters, G.-Greensleeves (7 mallets) FDS170 Peters, G.-Swords of Moda-Ling, The (Including student piano) (8) FDS171 Piazzolla/Smith/Schietroma-Oblivion (10 percussion + 1 piano + 1 string bass) DSM172 Piazzolla, A./Smith, W.-Tres Minutos Con La Realidad (12 percussion + 1 piano + 1 string bass) DSM173 Prokofiev, S./Maricle, S.-Troika (12) KEN174 Ravel/Ancona, J.-Alborada del Gracioso (9) TSP175 Ravel/Hardimon-Le Tombeau de Couperin Prelude (9) TSP176 Reeves-Pieces of Eight (8) TSP177 Riley, Jim-Legend (8, set feature) PER178 Rimsky-Korsakov, N./Houliff, M.-Capriccio Espagnol (7) KEN179 Rimsky-Korsakov,N./Norfleet-Dance of the Tumblers (13) DSM180 Rimsky-Korsakov, N./Primatic-Russian Easter Overture (14) DSM181 Rossini/Kutz/Schietroma-Italian In Algiers (17) DSM182 Saint Seans/Diko-Carnival of the Animals (8-9) DSM183 Saint-Seans/Baker-Danse Bacchanale (13) DSM184 Samuels, D.-Rendezvous (8 percussion + 1 bass) BMP185 Sanchez/Mayor/Schietroma-Sin Timbal (10 percussion + 1 piano + 1 bass) (Do not use optional horn parts) DSM186 Santamaria/Kikta, P.-Afro Blue AGP187 Schietroma, T./Schietroma, S.-La Chiave (13 percussion + synthesizer + 1 bass) (Do not use optional vocal parts) DSM188 Schman/Kikta, P.-Conversations AGP

189 Schubert/Hatch-Symphony No. 8 (Unfinished) (7 mallets) EHA190 Schubert/Primatic-Trout Scherzo (7) TSP191 Shorter, W./Nearpass, J.-Palladium (9 percussion + 1 bass) NEA192 Shostakovich/Peters-Polka from the Golden Age (7 mallets) FDS193 Shulze-Shades of Glass (14) TSP194 Sousa/Hatch-King Cotton (6 mallets + 1 snare) EHA195 Sousa/Hatch-The Thunderer (6 mallets + 1 snare) EHA196 Spears, J.-Blues & Chaser (8) SMC197 Spears, J.-Caprice Diabolique (8) SMC198 Spears, J.-Flight of the Falcon (8) SMC199 Spears, J.-Time for Jazz, A (8) SMC200 Spears, J.-Winstone Suite (any two mvts.) (8) BAR201 Spruance/Sipe/Schietroma-Ma Meeshka Mow Skwoz (14 percussion + 1 organ + 1 bass) DSM202 Steinquest, D.-Big Yellow Mambo (11 percussion + 1 bass) RLP203 Steinhort, W.-Two Movements for Mallets (8) PLY204 Stravinsky, I./Ancona, J.-The Devil’s Dance (8) TSP205 Stravinsky/Moss/Schietroma-Suite for Small Orchestra No.2 (12 percussion + 1 piano/celeste) DSM206 Strayhorn,B./Brooks, C-Take the “A” Train (9-11 percussion + 1 piano + 1 bass) RLP207 Tchaikovsky,P./Rath-Symphony No. 4: Scherzo (12) TSP208 Tchaikovsky, P./Fyffe, D.-Symphony No. 4: Finale (16 percussion + 1 bass) DSM209 Tchaikovsky, P./Houllif, M.-Trepak from the Nutcracker Suite (7) KEN210 Tompkins, M.-Islands of Fire (13) TOM211 Traugh-1812 Over-Easy (13) OAM212 Udow, M.-African Welcome Piece for Percussion Ensemble (7-12) UMM213 Vazquez/Warrington/Houghton-Pire (8 percussion + 1 bass + 1 piano) RLP214 Verdi/Aylsworth-La Forza del Destino (13-14) TSP215 Vivaldi/Slawson-Winter from the Four Seasons (10) TSP216 Whittaker, S./Schietroma, R.-Stumpy Meets the Firecracker In Stencil Forest (10 percussion + 1 piano, 1 guitar and 1 bass) DSM217 Witt-Cellar Door (12) ALP218 Yanni/Brooks, C.-Marching Season (14-15) RLP

29

LARGE MARCHING PERCUSSION ENSEMBLES


Selections marked with an asterisk (*) may double the snare and multiple tenor parts up

to a maximum of 20 players in the entire ensemble.

001 Brecker, R./Freytag, E.-Some Skunk Funk (14-20) * RLP002 Brooks, C.-Midnight In Tunisia RLP003 Brooks, C.-Sans Rival RLP004 Camilo/West/McDonald-Caribe (20 percussion + 1 bass + opt. piano) DSM005 Clarke, S./Crockarell, C.-Dayride RLP006 Crockarell, C.-Helichopter RLP007 Crockarell, C.-Mo Better Groove RLP008 Crockarell, C.-Orca RLP009 Crockarell, C.-Pass the Salsa RLP010 Gusseck, M.-Electric Wheelchair (from Parking Lot Etudes) TSP011 Gusseck, M.-It’s In Four (from Parking Lot Etudes) TSP012 Gusseck, M.-Martian Mambo (from Parking Lot Etudes) TSP013 McNutt, C.-Red’s Rhumba (from the Vacant Lot Sessions) TSP014 McNutt, C.-Star ‘93 (from the Vacant Lot Sessions) TSP015 Reynolds/Davila/Davila-Cuban Dance (20 percussion + 1 bass and 1 synthesizer) DSM016 Shostakovich/Bovenschen-Symphony No.10, Movement 3 (20) DSM017 Thompson, C.-Vegas (17-20) RLP018 Watkins, K./Scheitroma, S.-Mr. Mirror’s Reflections on Dreams (20) DSM019 Webster, C.-Mr. Adamson’s Monkey TSP020 Zawinul, J./Delucia, D.-The Pursuit of the Lady in the Feathered Hat (19-20) * RLP

30

Audio Examples of Percussion Requirements

Links to audio examples of theDrum Set Rhythmic Patterns (pages 31-37) and Snare Drum Rudiments (pages 39-41)

can be found on the ISSMA website at:

www.issma.net/percussionmanual.php

31

q=88-100

DRUM SET STYLE PATTERNS / Event No. 099GROUP V

q=88-100

q=88-100

q=88-100

q=88-100

q=166-200

KEY

Hi-Hat BassDrum

Snare RimClick

HighTom-tom

RideCymbal

Crownof Cymbal

ClosedHi-hat

OpenHi-hat

CrashCymbal

2 - BEAT ROCK (snares on)

Group V performers will play any three of the following Drum Set Rhythmic Patterns: one Rock Time; one Swing Time; and either Basic Latin or Show Style. (Student's choice)

4 - BEAT ROCK (snares on)

2 - BEAT SWING (snares on)

3 3 3 3

4 - BEAT SWING (snares on)

3 3 3 3

BASIC LATIN (snares off)

SHOW STYLE (snares on)

32

q=112-120

q=132-152

q=132-152

q=128-138

KEY

HiHat Bass Drum

Snare RimClick

Hightom-tom

RideCymbal

Crownof Cymbal

ClosedHiHat

OpenHi-hat

CrashCymbal

DRUM SET STYLE PATTERNS / Event No. 099GROUP IV & III

Group IV and III performers will play any three of the following Drum Set Rhythmic Patterns: Rock Time; Jazz Time; Brush Time; Bossa Nova; Cha Cha; Funk; Samba. (Student's choice - Group IV) (Judge's choice - Group III)

ROCK TIME (snares on)

JAZZ TIME (snares on)

3 3 3 3 3

3

BRUSH TIME (snares on)

3 3 3 3

BOSSA NOVA (snares off) Brush on Sn Dr. or Stick on Ride Cym.

33

q=104-116

q=112 - 120

q=120 - 132

CHA CHA (snares off)Cowbell or Crown of Cym.

GROUP IV & III(continued)

FUNK (snares on)

SAMBA (snares off)

34

q=112-126

q=168-192

q=132-152

h.=60

KEY

Hi-Hat BassDrum

Snare RimClick

HighTom-Tom

RideCymbal

Crownof Cymbal

ClosedHi-hat

OpenHi-hat

CrashCymbal

DRUM SET STYLE PATTERNS / Event No. 099GROUP II

Group II performers will play any three of the following Drum Set Rhythmic Patterns: Rock Time; Jazz Time; Brush Time; Jazz Waltz; Bossa Nova; Cha Cha; Mambo; Samba; Funk; Beguine. (Judge's choice)



3 3 3 3 3

3


3 3 3 3 3 3

3

JAZZ WALTZ (snares on)

3 3 3

35

q=128-144

q=104-116

h=112-126

h=104-116

R R L R R R L R R R L R R R B R R L R R L R

q=84-96

R R L R L R L R R L R L R Lq=128-144

BOSSA NOVA (snares off) R.H. - Brush on SN Dr. / or stick on Ride Cym.

GROUP II(continued)

CHA CHA (snares off)R.H. - Cowbell or Crown of Cym.

MAMBO ( snares off)

SAMBA (snares off)

FUNK (snares on)

BEGUINE (snares off)

36

q=112-126

q=168-192

q=132-152

h.=60

KEY

Hi-Hat BassDrum

Snare RimClick

HighTom-tom

RideCymbal

Crown ofCymbal

ClosedHi-hat

OpenHi-hat

CrashCymbal

DRUM SET STYLE PATTERNS / Event No. 099GROUP I


Group I performers will play these patterns in four bar phrases - the 4th measure being an ad lib "fill" in the style of the pattern. The purpose of the "fill" is to demonstrate the student's ability to keep time and maintain the style / flow of the pattern. Personal taste of the "fill" should not enter into the judging of the pattern. Students will play three patterns. (Judge's choice)

Fill


Fill3 3 3 3 3

3

3 3


Fill3 3 3 3 3 3

3

3 3 3

JAZZ WALTZ (snares on)

Fill3 3 3 3

37

q=128-144

q=104-116

h=112-126

h=104-116

R R L R R R L R R R L R R R B R R R R L R R R L R R R L R R R L Rq=84-96

R R L R L R L R R L R L R L R R L R L R Lq=128-144

BOSSA NOVA (snares off)R.H. - Brush on Snare or / Stick on Ride Cymbal

Fill

R.H. - Stick on Cowbell or / Stick on Ride CymbalCHA CHA (snares off)

Fill

GROUP I(continued)

MAMBO ( snares off)

Fill

SAMBA (snares off)

Fill

FUNK (snares on)

Fill

BEGUINE (snares off)

Fill

38

L R L R L R L R L R L R L R L R L R L R L

q = 60 72 84 92 104

L R L R L R L R L R L R L R L R L R L R L R L R L R L R

L R L R L R L R L R L R L

L R L R L R L R L R L R L R L R L R L R L R L R L R L R L

L R L R L R L R L R L R L R L R R L R L R L R L R L R L R L R L R

mp ff mp

q=60

GROUP V & IVSCALE PATTERN

V - - IV - - III - - II - - I

Mallet Scales - Arpeggios / Timpani Roll Requirement Event No. 100 - 101 Event No. 103

VARIATION 1GROUP V & IV - ALLOWED ALTERNATIVE SCALE PATTERNGROUP III - II - I - REQUIRED SCALE PATTERN

3

3 3

3

VARIATION 2GROUP V & IV - ALLOWED ALTERNATIVE SCALE PATTERNGROUP III - II - I - REQUIRED SCALE PATTERN

TIMPANI ROLL REQUIREMENT - ALL GROUPS

Single Stroke Roll

39

Snare Rudiment Required List with Minimum Tempos

I. Roll Rudiments Group V Group IV Group III Group II Group I 1. Single Stroke Roll 40 50 60 70 80 2. Single Stroke Four 90 100 3. Single Stroke Seven 90 100 4. Multiple Bounce Roll 60 76 92 108 124 5. Triple Stroke Roll 90 100 6. Double Stroke Roll 92 108 124 7. Five Stroke Roll *60 *76 92 108 124 8. Six Stroke Roll 124 9. Seven Stroke Roll 92 108 124 10. Nine Stroke Roll *60 *76 92 108 124 11. Ten Stroke Roll 124 12. Eleven Stroke Roll 108 124 13. Thirteen Stroke Roll 92 108 124 14. Fifteen Stroke Roll 124 15. Seventeen Stroke Roll *60 *76 92 108 124II. Diddle Rudiments 16. Single Paradiddle 70 90 110 130 150 17. Double Paradiddle 70 90 110 130 150 18. Triple Paradiddle 110 130 150 19. Single Paradiddle-diddle 130 150III. Flam Rudiments 20. Flam [70] [90] [110] [130] [150] 21. Flam Accent 70 90 110 130 150 22. Flam Tap 52 66 82 98 112 23. Flamacue 66 82 98 112 24. Flam Paradiddle 52 66 82 98 112 25. Single Flammed Mill 82 98 112 26. Flam Paradiddle-diddle 90 100 27. Pataflafla 90 100 28. Swiss Army Triplet 80 29. Inverted Flam Tap 80 30. Flam Drag 80IV. Drag Rudiments 31. Drag 90 110 130 150 32. Single Drag Tap 66 82 98 112 33. Double Drag Tap 82 98 112 34. Lesson 25 82 98 112 35. Single Dragadiddle 90 100 36. Drag Paradiddle #1 80 90 100 37. Drag Paradiddle #2 90 100 38. Single Ratamacue 80 90 100 39. Double Ratamacue 90 100 40. Triple Ratamacue 100

Group V and IV student's choice, Groups III-I Judge's choice* Multiple Bounce accepted Group V and IV only

All tempos are based on the quarter with the exception of #20 Flam on the eighth note. [ ]

40

I. Roll RudImentsAll rudiments should be prActiced: open (slow) to close (fAst) to open (slow) And/or At An even moderAte mArch tempo.

A. single stroke roll rudiments

1. single stroke roll *

7. five stroke roll *

6. double stroke open roll *

5. triple stroke roll

4. multiple bounce roll

3. single stroke seven

2. single stroke four

8. six stroke roll

9. seven stroke roll *

* These rudiments are also included in the original Standard 26 American Drum Rudiments.

b. multiple bounce roll rudiments

c. double stroke open roll rudiments

19. single pArAdiddle-diddle

18. triple pArAdiddle

17. double pArAdiddle *

16. single pArAdiddle *

II. dIddle RudIments

11. ten stroke roll *

15. seventeen stroke roll

14. fifteen stroke roll *

13. thirteen stroke roll *

12. eleven stroke roll *

10. nine stroke roll *

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percussive Arts society internAtionAl drum rudiments

Copyright © 1984 by the Percussive Arts society™, 110 W. Washington street, suite A, Indianapolis, In 46204 International Copyright secured All Rights Reserved

Used by permission of the Percussive Arts Society.

41

pAs internAtionAl drum rudiments pAge 2

III. flAm RudImentsj

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20. flAm *

21. flAm Accent *

22. flAm tAp *

23. flAmAcue *

24. flAm pArAdiddle *

25. single flAmmed mill

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26. flAm pArAdiddle- diddle *

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L R L L R R L R R Lfor more informAtion on becoming A member of the percussive Arts society contAct pAs At:

110 w. wAshington street, suite A, indiAnApolis, in 46204 • e-mAil: [email protected] web site: www.pAs.org

29. inverted flAm tAp

30. flAm drAg

Iv. dRAG RudIments

31. drAg *

32. single drAg tAp *

33. double drAg tAp *

34. lesson 25 *

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36. drAg pArAdiddle #1 *

37. drAg pArAdiddle #2 *

38. single rAtAmAcue *

39. double rAtAmAcue *

40. triple rAtAmAcue *

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35. single drAgAdiddle

Used by permission of the Percussive Arts Society.

See page 39 for minimum tempos.

42

RECOMMENDED SUPPLEMENTARY MATERIALCode: B = Beginner; I = Intermediate; A = Advanced

SNARE DRUM/RUDIMENTAL DRUMMING

Accents and ReboundsGeorge Lawrence StoneGeorge B. Stone & Son Inc.B, I

Advanced Snare Drum StudiesMitchell PetersMitchell Peters PublishingA

Alfred's Snare Drum Method Books 1 & 2Sandy Feldstein & Dave BlackAlfred PublishingB, I

All American Drummer, TheCharley WilcoxonLudwig Music PublishingI, A

Contemporary Rudimental Studies &SolosLalo DavilaRow-Loff ProductionsB, I

Contemporary Studies For the Snare DrumFred AlbrightCPP Belwin Pub.A

Douze Etudes pour Caisse-Claire(Twelve Studies for Snare Drum)Jacques DelecluseAlphonse LeducI, A

Drum Method for Band & Orchestra Bk 1 & 2Haskell W. HarrM. M. Cole PublishingB

Drummer's Rudimental Reference BookJohn WootonRow-Loff ProductionsB, I, A

Flams, Ruffs & RollsJohn BeckMeredith Music PublicationsB, I

Fresh Approach To The Snare Drum, AMark WesselsMark Wessels PublishingB, I, A

Fundamental Studies for Snare DrumGarwood WhaleyJ. R. PublicationsB

International Drum RudimentsBook and TapeWanamaker/CarsonAlfred PublishingB, I, A

Life’s Little Rudiment BookDavid SteinquestRow-Loff ProductionsB, I, A

Master Technique Builders for Snare DrumCompiled/Edited by: Anthony J. CironeBelwin Mills PublishingI, A

Modern School for Snare DrumMorris GoldenbergHal Leonard PublishingB, I, A

Musical Studies for theIntermediate Snare DrummerGarwood WhaleyJ. R. PublicationsI

Portraits in RhythmAnthony J. CironeBelwin Mills PublishingA

Primary Handbook for Snare DrumGarwood WhaleyMeredith Music PublicationsB, I

Readin' Ritin' & RudimentsJohn W. McMahan Columbia Pictures PublicationsB, I

Recital Solos for Snare DrumGarwood WhaleyMeredith Music PublicationsI, A

Rudimental Cookbook, TheEdward FreytagRow-Loff ProductionsI, A

Rudimental Primer for the Snare DrumMitchell PetersMitchell PetersB, I, A

Simple Steps To Snare DrumAnthony J. CironeCPP Belwin Pub.B

Solos and Duets for Snare DrumGarwood WhaleyMeredith Music PublicationsI

Standard Snare Drum MethodBenjamin PodemskiBelwin Mills PublishingI

Stick ControlGeorge Lawrence StoneGeorge B. Stone & Son Inc.B, I, A

20th Century Orchestral Snare Drum StudiesThomas McMillanCreative MusicA

43

MALLETS

Bar Percussion Notebook Vol. 1 & 2Linda Lorren PimentelPermus PublicationsB, I

Fresh Approach To Mallet Percussion, AMark WesselsMark Wessels PublishingB,I,A

George Hamilton Green'sInstruction Course for XylophoneEdited by: Randall Eyles & Garwood WhaleyMeredith Music PublicationsI

Mallet Percussion for Young BeginnersRandall EylesMeredith Music PublicationsB

Master Technique Buildersfor Vibraphone and MarimbaCompiled and Edited by: Anthony J. CironeBelwin Mills PublishingI, A

Method of Movement for MarimbaLeigh Howard StevensMarimba ProductionsI, A

Modern Mallet Method: Vol. 1, 2, & 3Phil KrausCPP Belwin Pub.B, I, A

Modern School for Xylophone/Marimba/VibraphoneMorris GoldenbergHal Leonard PublishingI, A

Musical Studies for theIntermediate Mallet PlayerGarwood WhaleyMeredith Music PublicationsI

Orchestral Mallet Player, TheAnthony J. CironeBelwin Mills PublishingI

Percussion Keyboard TechniqueThomas McMillanPro Art PublicationsB, I

Primary Handbook for MalletsGarwood WhaleyMeredith Music PublicationsB, I

Simply Four4-Mallet PercussionGifford HowarthTapspace PublishingB, I, A

Simple Steps to Keyboard PercussionAnthony J. CironeCPP Belwin Pub.B

Vibraphone Technique: Dampening and PedalingDavid FriedmanBerklee Press Pub.B, I, A

4 Mallet PrimerNeil GroverMeredith Music Pub.B

TIMPANIModern Method for TympaniSaul GoodmanBelwin Mills PublishingB, I, A

Musical Studies For TheIntermediate TimpanistGarwood WhaleyJ. R. Pub.I, A

Musical Timpanist, TheThomas N. AkinsKendor MusicI, A

Orchestral Timpanist, TheAnthony J. CironeBelwin Mills PublishingI

Pedal To The KettleKirk J. GayTapspace PublicationsB, I, A

Primary Handbook for TimpaniGarwood WhaleyMeredith Music PublicationsB, I

Simple Steps to TimpaniAnthony CironeBelwin Mills Pub.B

Technique for the Virtuoso TympanistFred D. HingerJerona Music CorporationI, A

Twenty One Etudes for TimpaniFred BegunMeredith Music PublicationsI, A

Well Tempered Timpanist, TheCharles DowdBelwin Mills Pub.I, A

44

DRUMSET

Advanced Techniques for the Modern DrummerJim ChapinPub. by: Jim ChapinI, A

Alfred Master Tracks (w/CD)LatinHoughton, WarringtonAlfred Publishing CompanyA

Alfred Master Tracks (w/CD)JazzHoughton, WarringtonAlfred Publishing CompanyA

Beats and Variationsfor Dance Band DrummersJoel RothmanJ. R. PublicationsI

Dancin’ On The TimeRoyal HartiganTapspace PublicationsA

Double Bass DrummingJoe FrancoD. C. PublicationsI

Drummers Cookbook, TheJohn PickeringMel Bay PublicationsI

Drum Improvising Studies for Jazz and RockJoe LambertMel Bay Publications I

Drumset ReadingRon FinkAlfred Publishing CompanyI, A

Drum Set Fundamentals-For Studentsand Educators (w/audio tape)Dave ManciniDave Mancini Pub.B

Essential Styles for the Drummer &Bassist: Vol. 1 & 2 (w/CD)Steve Houghton/Tom WarringtonAlfredA

Essential Techniques for Drum Set: Book 1Ed SophMeredith Music PublicationsI

Fresh Approach To The Drum Set, AMark WesselsMark Wessels PublishingB,I,A

Funk Drumming (book & tape)Jim PayneMel Bay PublicationsI

Killer - FillersDrum Set Exercises for Today's DrummerJames MortonMel Bay PublicationsB, I, A

Logical Approach To Rock Coordination, ThePhil PerkinsLogical Pub.B, I, A

Practical Approach to the Drum Set, AJohn BeckBelwin Mills PublishingB

Primary Handbook for Drum SetGeorge SheppardMeredith Music PublicationsB, I

Rockin' Bass DrumJohn Lombardo & Charles PerryAlfred PublishingI

Stage Band Drummers GuideJohn PickeringMel Bay PublicationsI

Student’s Guide to the Drumset, AG.W. “Sandy” SchaferIMP PublishingB, I

Studio/Jazz Drum CookbookJohn PickeringMel Bay PublicationsI

Today's Sounds for Drum SetMurray HoullifKendor MusicB, I

45

CONCERT PERCUSSION INSTRUMENTS

Art of Playing the Cymbals, TheSam DenovHenry Adler, Inc.I

Bass Drum, Cymbals, and AccessoriesAl PaysonPayson Percussion ProductsB, I

Logic of it All, TheAnthony J. Cirone and Joe SinaiBelwin Mills PublishingI, A

Modern School for Snare DrumMorris GoldenbergHal Leonard PublishingB, I, A

North Texas Percussion Methods ManualSchiertroma/ArevaloNorth Texas Percussion PressI

Percussion in the School Music ProgramPayson/McKenziePayson Percussion ProductsB, I

Percussion SymposiumVic FirthCarl FischerI

Triangle, Tambourine, & CastanetsPaul PriceMusic for PercussionI

MARCHING PERCUSSION (DRUM LINE)

Building A Championship Drum LineDennis DeLuciaHal Leonard PublishingB, I, A

Championship Conceptsfor Marching PercussionThom Hannum & Robert MorrisonHal Leonard Publishing Corp.B, I, A

Developing the Corps StylePercussion SectionLarry SniderC. L. Barnhouse Publishing I

Marching Percussion Ensemble ExercisesNovice, Intermediate & Advanced Vols.Marty HurleyRudimental Perc. Pub.B, I, A

Total Marching Percussion Bk 1 & 2Larry SniderC. L. Barnhouse PublishingI

Up FrontPit EnsembleJim Casella and Jim AnconaTapspace PublicationsB, I, A

Visual Drum Line, TheStaging the ContemporaryMarching Percussion SectionWill RappJenson PublicationsB, I, A

LATIN AND ETHNIC INSTRUMENTS

Authentic Bongo RhythmsBob EvansHenry Alder Publishing

Authentic Conga RhythmsBob EvansHenry Alder Publishing

Brazilian Percussion Manual –Rhythms and TechniquesDaniel SabanovichAlfred Pub.

How to Play Latin AmericanRhythm InstrumentsHumberto Morales/Henry AdlerCPP Belwin Pub.

Let’s All Play CongasJack BurgerRobbins Music Publishing

46

REPAIR

Mallet RepairArthur PressBelwin Mills PublishingI

Percussion Repair and MaintenanceMark P. BonfoeyBelwin Mills PublishingB, I, A

COMPACT DISC RECORDINGS

Various RecordingsKeiko Abe

Various RecordingsGary Burton

Various RecordingsDavid Friedman

Various RecordingsEvelyn Glennie

Virtuoso Percussion MusicRainer Kuisma

Artistry of the Marimba, TheLinda Maxey

Various RecordingsNexus

Various RecordingsDavid Samuels

Various RecordingsJulie Spencer

Bach on MarimbaLeigh Howard Stevens

Marimba When...Leigh Howard Stevens

Pictures for PercussionAlbrecht Voltz

VIDEO

Concert Percussion: A Performer’sGuide Vol. 1 & 2Cirone/Denov/DuffYamaha

Contemporary Rhythm Section, TheSteve HoughtonCPP Media Video

Drummer’s Guide to ReadingDrum ChartsSteve HoughtonCPP Media Video

Drumset (The): A Musical ApproachEd Soph/Horacee ArnoldYamaha

Essence of BrushesEd ThigpenInterworld Music

Everything is Time KeepingPeter ErskineDCI Music Video

Fundamental Techniques forMarching PercussionThom HannumCPP Media Video

Living Art of Brushes, TheClayton CameronDCI Music Video

Mallet Keyboard MusicianshipSteps to Excellence Vol. 1 & 2Dave SamuelsYamaha

Percussive Arts Societywww.pas.org

Time Keeping IIPeter ErskineDCI Music Video

47

EDUCATIONAL SOURCES

Modern Drummer MagazineModern Drummer Publications, Inc.12 Old Bridge Rd.Cedar Grove, NJ 07009-1288www.moderndrummer.com

On Line Metronomeswww.metronomeonline.comwww.webmetronome.com

Percussive NotesAn Official Publicationof the Percussive Arts Society110 W. Washington St., Suite AIndianapolis, IN 46204www.pas.org

Tapspace PublicationsP.O. Box 55753Portland, OR 97238-5753www.tapspace.com

Teaching PercussionGary D. CookSchirmer Books(2005 edition includes book and DVD’s)

Vic Firth EducationVic Firth Company65 Sprague St.Boston MA 02136www.vicfirth.com/education

48

AAM Afro-American MusicACA American Composers Alliance, 170 W. 74th St., New York, NY 10023ACC Accura Music, Box 887, Athens, OH 45701 ADL Henry Adler (See BMP)ADV Advance Music, Rottenburg, West GermanyAFL Affiliated Musicians, Inc., Los Angeles, CA 90046 (See EMU)AGP Agave Music Press, 3358 W. S.R. 40, Brazil, IN 47834, [email protected] AGS Augsburg Publishing House 426 S. 5th St., Minneapolis, MN 55415AJA Albert J. Andraud (See SMC)AKI AKI Publisher, 8141 N. Meridian, Indianapolis, IN 46260 ALF Alfred Publishing Co. Inc., P. O. Box 10003, 16380 Roscoe Blvd., Suite 200, Van Nuys, CA 91410ALI Alliance Music Publications, P.O. Box 131977, Houston, TX 77219-1977ALL M. W. Allen MusicALP C. Alan Publishing, P. O. Box 29323, Greensboro, NC 27429 Ph: 910/665-6116ALR Alry Publications Etc., Inc., P. O. Box 36542, Charlotte, NC 28236AMA Edition Amadeus (See FMD) AMB Amberson Enterprises, Inc. (See GSI & BHI)AMC Award Music Co., 136 W. 46th St. New York, NY 10036AME American Music Edition, 9109 Sunset Blvd. Hollywood, CA 95069AMP Associated Music Pub. Inc. (See GSI & HLN)ANT Antara Music Group, P. O. Box 210, Alexandria, IN 46001-0201APL Alphonse Leduc (See KNG)ARR Arrow Music Press (See BHI)ART Artisan Press (See PHC)ASC Amsco Music Publishing Co. (See MSC)ATA ARTIAATE Autograph Editions, Atlantic Music Supply (See CMC)AUL Aulos Music Publishers, Montgomery, NY 12549AVM Avant Music Corp. (See WBR)

B&H Breitkoph & Haertel (See BRE, FMD, & HLN)BAK Barenreiter Kassel (SEE FMD)BAR C. L. Barnhouse, Inc., 205 Cowan Ave. West, Box 680, Oskaloosa, IA 52577BBD Broadbent & Dunn, www.broadbent-dunn.com BEC Bob Becker, c/o Nexus, Box 100, Norland, Ontario, Canada KOM 2L0BEL Belwin-Mills, (See BMP)BEM Bernadol MusicBER Irving Berlin, 29 West 46th Street, New York, NY 10019BFW B. F. Wood Music Co., Inc. (See BMP)BGZ Bergez Music Pub., www.bergez.nlBHC Baltimore Horn Club, www.poperepair.com BHI Boosey-Hawkes, Inc., 52 Cooper Square, New York, NY 10003-7102BIM Birch Island Music Press (See BAR)

BLD G. Billaudot Editor, 14 rue l’Echiquir, Paris (Xe) (See TPC)BLF Belaieff (See CFP)BMA Broadcast Music, Inc. (See HLN)BMC Boston Music Co., 116 Boylston St. Boston, MA 02116BMP CPP/Belwin Music, 15800 N.W. 48th Ave., Miami, FL 33014BOO Boozey Music Publishing Co., 25 Clark St., Brooklyn, NY 11201BOS Bosworth & Co. (See BRD)BOT Bote & BockBOU Bourne, Inc., 5 W. 37th St., New York, NY 10018BPC Brook Publishing Co., 4047 Meadowbrook Blvd. University Heights, OH 44118BRA Bramora, Box 71, St. Cloud, MN 56301BRD Brodt Music Co., Box 9345, 1409 E. Independence Blvd., Charlotte, NC 28299BRE Broude Bros., 141 White Oaks Rd., Williamstown, MA 01267BRH Breitkopf & Hartel, Germany (J.W.Pepper) www.breitkopf.comBRO Brolga Music Publishing Co., www.brolgamusic.com BRP The Brass PressBRS BRS Music, 603 Chapel Hill W.Dr. Indianapolis, IN 46214 (317/248-9755)BRV Barenreiter-Verlag, (See FMD)BSM Black Squirrel Music, www.blacksquirrelmusic.com BSO Basso Music Publications, 6716 W. Canal Point Lane, Fort Wayne, IN 46804, www.bassomusic.com BTG Birch Tree Group (See SBP)BTM Big Three Music Corp., 1350 Ave. of the Americas, New York, NY 10019BTP Benjamin Thomas, 4928 St. Elmo Ave., Bethesda, MD 20014BUD Editio Musica Budapest (See BHI & TPC)BYD Byron Douglas, Box 565, Phoenix, AZ 85001 (See BMP)

CAH William L. Cahn, (See WBR)CAN Canzona PublicationsCAP Choral Arts Pub. (See SFP)CAW Carl Anton Wirth, General Delivery, El Granada, CA 94018CBC Cundy-Bettony Co., (See CFM)CBD CeBeDeM, www.cebedem.be CBL Chamber Brass LibraryCCB C. C. Birchard, 265 Secaucus Rd., Secaucus, NJ 07096-2037 (See WBR)CCP Charles Colin, 315 W. 53rd St. New York, NY 10019CFE Composers Facsimile Edition (See ACA)CFM Carl Fischer, 62 Cooper Square, New York, NY 10003CFP C. F. Peters Corp., 373 Park Ave. S., New York, NY 10016CFS (See SBP)CHC John Church Co., (See TPC)CHL Chester Ltd. (See MSC)CHM Chant du Monde, 32 Rue Beaujon, Paris 8, France

KEY TO PUBLISHERS

49

CHN Chantry Music Press, Inc., 32 N. Center Street Springfield, OH 45502CHP Chappell & Co., (See HLN & TPC)CHR Chart Music Pub., Co. (See WBR)CHW Charles Wilcoxen, Box 2993, Cleveland, OH 44116CIM Cimarron Music & Productions, 8500 N. Stemmons Frwy (#2073) Dallas, TX 75247CIR Anthony Cirone (See BMP)CMC Criterion Music Corp., 6124 Selma Ave., Hollywood, CA 90028CMP Creative Music Publishing, (See SBP & WBR)CNM Concert Music Publishing Co., 5003 Ridgebury Blvd., Cleveland, OH 44124CNO Continuo MP (See BRE)CNT Contemporary Music Project, 1186 15th N.W., Washington, D.C. 20005COL Franco Colombo, Inc. (See BMP)CON Concordia Publishing House, 3558 S. Jefferson Ave., St. Louis, MO 63118COP M. M. Cole Pub. Co., 823 S. Wabash Ave., Chicago, IL 60605COR Core Publishing Co., (See WBR)COS Costallat (See TPC)CPC Carousel Publishing Corp., 27 Union St. Brighton, MA 02135CPI Choral Press, Inc. (See SHP)CPP Capitol PressCPR Composers Press (See Raol Ronson, 177 E. 187th St., New York, NY 10018)CRD Concord Music Pub., Co. (SEE HEM)CRE Creative Music (See SBP & WBR)CRS Crescendo Music Sales, (FEMA Music

Publications) Box 395, Naperville, IL 60566CSD Consolidated Music Pub., Inc. (See MSC)CUR Curwen Pub. (See GSI & HLN)CVR Classical Vocal Reprints, P.O. Box 20263 Columbus Circle St., New York, NY 10023CWU Concert Works Unlimited, Delaware Water Gap, PA 18327

DEA Roger Dean Publishing (See LOR)DEL Delkas (See MCA)DER Derby Music Service, 11007 N. 56th St., Suite N, Temple Terrace, FL 33617DES DeSantis (See BMP)DFT DFT Music, P.O. Box 53, Flemington, NJ 08822DGO David Gornston, 83-45 Broadway, Elmhurst, NY 11373DIT Ditson (See TPC)DMC Dorabet Music Co., Dist. by CBC Pub. P.O. Box 29128, San Antonio, TX 78229DOB Doblinger (See FMD)DON Donemus (See TPC)DOR Dorn Publications, Inc., P.O. Box 206, 5 West Mill St., Medfield, MA 02052DOV Dover Publishers, 31 E. Second St. Mineola, NY 11501DRM David A. Roth Music, [email protected] DSM Drop 6 Media, Inc., P.O. Box 81, Denton, TX 76202DUR Durand (See TPC)

DVL Deutscher Verlag (See FMD, GSI & HLN)

EAC Edward Arnold & Co. (See BAM)EAM European American Music Dist. Corp., P. O. Box 850, Valley Forge, PA 19482-0850EAR Earthsongs Publ., 220 NW 29th St. Corvallis, OR 97330EBI Elan Brass Impressions, 463 E. Deerfield, Mt. Pleasant, MI 48858ECK E. C. Kerby Ltd., 198 Davenport Rd., Toronto 5, Ontario, CanadaECS E. C. Schirmer Music Co., 138 Ipswish St. Boston, MA 02215EDB Edition BIM, P.O. Box 576, CH-1360, BULLE 1 (Switzerland)EDI Educational IdeasEDM Edition Musica Budapest (See BHI)EDP Edition Peters Publishing (See CFP)EDS Edition Schuberth (Write Music Dealer Service, 243 Veterans Blvd., Carlstadt, NJ 07072)EDT Editions Musicales Transatlantiques, Paris (See TPC)EEL Emerson Ed. LTD, Windmill Farm, North Yorkshire, England YO6 4HFEHA Earl Hatch Publications, 5140 Vinceland Ave., North Hollywood, CA 91601EHM Edwin H. Morris & Co. (See HMM)ELK Elkin & Co., Ltd. (See ECS)ELL Edition De L’Oisseau Lyre (See BRE)ELV Elkan-Vogel Co. (See TPC)EMA Editions Maurer, Bruxelles 15, Avenue Du Versea 7, WatermanlaanEMC Embassy Music Corp., (See MSC)EMB Education Music BureauEMI Elkin Music International, www.elkinmusic.com EMR Editions Marc Reift, 8126 Zumikon, SwitzerlandEMS Educational Music ServiceEMT Editions Metropolis (See TPC)EMU Edition Musicus, P. O. Box 1341, Stamford, CT 06924ENC Encore Music Pub.ENO Eighth Note Publications, 25 Robinson St., Markham, Ontario, L3PIN5 CANADAENP Ensemble Publications, Box 98, Bidwell Sta., Buffalo, NY 14222ENS Ensemble Publications (See ENP)ESA Edition Salabert, 22 Rue Chauchat, Paris, France, or 575 Madison Ave., New York, NY 10022ESC Eschig, 48 Rue de Rome, Paris 8, France (See GSI, HLN & TPC)ETH Ethos Publications, P.O. Box 2043, Oswego, NY 13126ETL Etoile (See MMB)EUL Eulenberg (See EAM)EXC Excelsior Music Publ.

FAB Faber Music LTD. IK (see KNG)FCI Frederick Charles, Inc. (See SHP)FCL Franco Colombo, Inc. (See BMP)FDS Frank’s Drum Shop, 226 S. Wabash Ave., Chicago, IL 60604FER Fereol Pub., Box 6007, Alexandria, VA 22313

50

FET Fentone Music LTD (See TPC)FHP Falls House Press, P.O. Box 7121, Nashua, NH 03060FIN Fink Publishing Co., 1206 Piping Rock Lane, Denton, TX 76201FLN Flute.Net, 1301 S. Walter Reed Dr. Suite 204, Arlington, VA 22204FLW Flute World, P.O. Box 250248, Franklin MI 48025 www.fluteworld.comFMC Frank Music Co., 119 W. 57th St. New York, NY 10019 (HLN)FMD Foreign Music Distributors, 13 Elkay Drive, Chester NY 10918FMH Fillmore Music House Edition (See CFM)FMI FEMA Music Publication, (See WJM)FOL Charles Foley Co., 156 W. 44th St. New York, NY 10036 (See BMP, CFM)FOR Forster Music Publishing Co., 216 S. Wabash Ave., Chicago, IL 60604FOX Fox Publishing Co.FRB Forberg (See CFP)FRE Forest R. Etling, 1790 Joseph Court, Elgin, IL 60120FRN Samuel French, 25 W. 45th St. New York, NY 10036FRP Fredonia Press, 3947 Fredonia Drive, Hollywood, CA 90068FTR Fetter (see RKC)FTZ H. T. FitzSimons Co. (See ANT)

GAV Generally AvailableGBS George B. Stone & Sons, Inc., 27 School St., Boston, MA 02106GEN Gentry Publications (See TPC)GFB George F. Briegel, Inc.GFM Go Fish MusicGHM Gamble Hinged Music Co. (See MPH)GIA GIA Publications, 7404 South Mason Ave. Chicago, IL 60638GMC Galaxy Music Co., (See ECS)GMP General Music Publishing Co. (See NAK)GMU General Music Publishing Co., Hastings-on-Hudson, NY 13076GOL Goldsen (See CMC)GPE Great Performance Edition (See BRE)GRD Gordon Music Pub. Co., P. O. Box 2250, Canoga Park, CA 91307GRL GrahlGRM Gehrmans Musicforlag (See BHI)GSI G. Schirmer, Inc., (See HLN) GTM Gene Thomas Music Group, 1451 Elm Hill Pike, Nashville, TN 37210GUA Guager, Thomas, Symphony Hall, Boston, MA 02115GVT Gordon V. Thompson Ltd. (See WBR)GWM G. W. Music Co., 1614 Magnolia, South Bend, IN 46613GWN Gwyn Publishing Co., Box 5900, Sherman Oaks, CA 91413

HBI Harold Branch, 42 Cornell Dr. Plainview, NY 11803

HED Hunt Edition, 40 Portland Rd., London, England W114LGHEM Henri Elkan Music Publisher, P. O. Box 7720, FDR Station, New York, NY 10150HEU Heugel Inc. (See TPC & SMC)HFI Harold Flammer, Inc. (SEE SHP)HFM Hoffmeister (See FMD)HGP Highgate Press (See ECS)HIC Hickey’s Music, www.hickeys.com , 104 Adams St., Ithaca, NY 14850HIM Hickman Music Editions, www.hickmanmusiceditions.com HIN Hinshaw Music Inc., P. O. Box 470 Chapel Hill, NC 27514HIP Hip-Bone Music, Inc., 119 W. 71st St., #88, New York, NY 10023HLM Henry Lemoine (See TPC)HLN Hal Leonard Music Inc., 7777 W. Bluemound Rd., P. O. Box 13819, Milwaukee, WI 53213HMI Hinshaw Music Co., P. O. Box 470 Chapel Hill, NC 27514HMM Charles Hansen Music Corp., 1804 West Ave., Miami Beach, FL 33139HMP Heritage Music Publication, Inc. (See LOR)HMR HaMar Percussion Pub. (See BHI)HNA Hornarama, Australia, www.hornarama.com HNN Hornists’ Nest, P.O. Box 33, Buffalo, NY 14231HOF Hoffman Music Publisher, 1615 Briggs, Wichita, KSHPC Hope Publishing Co., 380 South Main Place Carol Stream, IL 60188HPE Hans Pizka Editions, www.pizka.de HRG Hargail Music Press, Hargail Music Inc., 28 W. 38th St., New York, NY 10018HRI Harms, Inc. (See WBP)HRS Hinrichsen (See CFP)HUE Henle Urtext Editions, 2446 Centerline Industrial Drive, Maryland Heights, MO 63043-0753HUG Hug & Co., Zurich (See MAG)HWG H. W. Gray Co. (See BMP)

IMD International Music Diffusion, www.sheetmusicplus.com IMG Intrada Music Group, 2222 Hill St., Anderson, IN 46012INO International Opus, P.O. Box 4852, Richmond, VA 23220INP Innovative Percussion, Inc., 501 Metroplex Dr. Suite 109, Nashville, TN 37211INT International Music Co., (See BOU)IRA Israeli Music Publications, Ltd., (See TPC)ITA International Trombone Association Press, 138 Fine Arts Bldg., University of Missouri- Columbia, Columbia, MO 65211ITG International Trumpet Guild, www.trumpetguild.org ITL Interlochen Press (See FMI)

JBI Joseph Broonin, Inc., Box 2124, South Hackensack, NJ 07606JCS J. Curwen & Sons Ltd. (See GSI & HLN)

51

JEN Jenson Publications, Inc., (See HLN)JER Jerona Music Corp., P. O. Box 5010, Hackensack, NJ 07606-4210 (See MNM)JFB J. Fisher & Bro. (See BMP)JHL Julius Hainauer, Ltd.JOB Jobert Publishers, Paris 844, Rue Du Colisée, (See TPC)JPM Joseph Patelson Music House, 160 W. 56th St. New York, NY 10019JSM Spratt Music Publishers (See PLY)JTL JTL Pub., 1405 Fox Knoll Dr. Colonial Heights, VA 23834JWC J & W Chester, Ltd. (See MSC)

KAL Edwin F. Kalmus, P. O. Box 5011 Boca Raton, FL 33433-8011KAS Kastuck Percussion Studio, Inc. 1357 Senseny Rd., Winchester, VA 22602KBE Kagarice Brass Editions, www.kagarice.com KEN Kendor Music Inc., P. O. Box 278, Main & Grove Sts., Delevan, NY 14042KGG Karl Gilbert Percussion Studio, www.kgpercussion.com 825 N. Carter, Greentown, IN 46936KNG Robert King Music Sales Inc., 140 Main St. North Easton, MA 02356KNZ Edition Kunzelmann-USA (See FMD)KPM Keith Prowse Music Pub. Co. Ltd. (See SFP)KPP Keyboard Percussion PublicationsKSM K S M Publishing Co., (See HIN)KSP Kistner & Siegel (See CON)

LAN Lang Percussion, (See PLY)LAT Latham Music, Ltd., 145 Forest Drive, Winston-Salem, NC 27104 www.latham-music.com LAU Laudamus Press, Intrada Music Group, P.O. Box 1240, Anderson, IN 46012LED Leduc (See DER, LIB, TPC, & SMC)LEM Edition Lemoine & Co. (see TPC)LEO Les Editions Ourvieres (See GAL)LEP Kevin Lepper, Advantage Network, 7163 Longmeadow Lane, Hanover Park, IL 60103 Ph: 800/779-0103LEU Leuckart, Salomonstrasse, Leipzig, Germany (See HLN)LEY Leyerle Publishers, P.O. Box 384, Geneseo, NY 14454LGM Lawson-Gould Music Pub., Inc. (See ALF)LIB Liben Music Publishers, 6265 Dawes Lane, Cincinnati, OH 45230LKS Luck’s Music Library, Inc., P. O. Box 71397, 32300 Edward, Madison Heights, MI 48071-0397LMC Leeds Music Corp. (See MCA & HLN)LMM Lemur Music, 32238 Paseo Adelanto, Suite B, San Juan Capistrano, CA 92675-3624, www.lemur-music.com LMP Lang Music PublicationsLMS Lilly Music Service, 980 Centennial Road, Martinsville, IN 46151LNG Lengnick (See MSC)LOM Lombardo Music Publ., P.O. Box 3037, Trenton, NJ 08619LOR Lorenz Publishing Co., 501 E. 3rd St. Dayton, OH 45401

LPI LeBlanc Publications Inc., 7019 30th Ave., Kenosha, WI 53141 (See SMC)LUD Ludwig Music Publishing Co.LWM Laurence Wyman, Music Dept. SUNY, Fredonia, NY 14036LYC Lyceum Press, P.O. Box 747, Ithaca, NY 14850

MAG Magnamusic Distributors, Inc., Rte. 4 Sharon, CT 06069MAL Mallet Arts, See KPPMAM Marvin MusicMAN Manduca Music, P.O. Box 10550, Portland, ME 04104MAP Marimba Productions, 487 West End Ave. New York, NY 10024MAR Edward B. Marks Music Corp., (See HLN & TPC)MAS David Maslanka www.davidmaslanka.comMBC M. Baron Co., Box 149, Oyster Bay, NY 11771MBP Mel Bay Publications, 107 W. Jefferson Ave., Kirkwood, MO 63122MCA MCA Music, 1755 Broadway, 8th Floor New York, NY 10022 (See HLN)MCC McCoy’s Horn Library, Houston, Minn.MCL McLaughlin & Reilly, (See WBR & SBP)MCP McClaren PublicationMDM Medici Music Press, 4206 Ridgewood Ave. Bellingham, WA 98226MED Meredith (See PLY)MEM Merion Music Inc. (See TPC)MEN Mentor Music Co., Hempstead, L. I. NY (See PDP)MEP Merson Musical Products Corp.MER Mercury Music Corp. (see TPC)MET Metropolis (See HEM)MFM Mark Foster Music, Box 4012, Champaign, IL 61820MFP Music for Percussion, (See PLY)MGB Magnamusic-Baton, Inc., 10370 Page Industrial Blvd., St. Louis, MO 63132MGM McGinnis & Marx, 236 W. 26th St., #11S, New York, NY 10001-6736MHA Marty Hurley and Associates, P. O. Box 8058 New Orleans, LA 70182MIL Mills/Belwin (See BMP & TPC)MKV Moeck Verlag, Celle (See EAM)MMB M M B Music, Inc., 10370 Page Industrial Blvd., St. Louis, MO 63132MMC M. M. Cole Publishing Co., 251 E. Grand Ave., Chicago, IL 60611MMI Mills Music, Inc., 1790 Broadway, New York, NY 10019 (See BMP)MMP Modern MusicMMU Masters Music Publications (See LUD)MNM Margun Music, 167 Dudley, Newton Centre, MA 02159MOD Modern EditionsMOL Molenaar (See HEM)MOP Marimba One PublMOR Erik Morales Music, www.moralesmusic.com MOS Moseler (See DER)MPC Music Publishing Co., 5003 Ridgebury Blvd., Cleveland, OH 44124

52

MPH Music Publishers Holding Corp. (See WBR)MPI Music Press Inc. (See TPC)MPM Mitchell Peters Music (See MTP)MPR Merrymount Press (See TPC)MPT Music Press (See TPC)MSC Music Sales Corp., P. O. Box 572 Chester, NY 10918MSD Musikverlag Schwann, Dusseldorf, GermanyMSI Music 70 (See PLY)MSS M. S. Publications, 946 S. Wesley, Oak Park, IL 60304MTP Mitchell Peters, 3231 Benda Place, Los Angeles, CA 90028MUC Music Corp. of America (See HLN & MCA)MUF Music for Percussion, 17 W. 60th St. New York, NY 10023MUL Marimbas Unlimited, 5140 Vineland Ave., North Hollywood, CAMUP Musicians Publications, 1076 River Rd., Trenton, NJ 08628MUR Music Arts Co.MUS Musica Rara (France)MUX Music Express

NAK Neil A. Kjos Music Co., 4382 Jutland Drive, San Diego, CA 92117-0894NCI National Cello Institute, 956 Sentinel Dr. La Verne, CA 91750NEA Jeff Nearpass, 3514 E. 98th St. Carmel, IN 46033NEM National Educational Music (See VLK)NGV Nagel Verlag (See FMD)NKV Norsk Musicforlag, A. S. Osla (See MMB)NME New Music Edition (See TPC)NMP National Music Publishers, Box 868, Tustin, CA 92680NOE Heinrichshofen’s-Verlag (See CFP)NOR Northeastern Music Pub., P.O. Box 517, Glenmoore, PA 19343NOV Novello & Co. (See TPC)NSP Nick Stamon Press, 4380 Middlesex Drive, San Diego, CA 92116NWM New World Music Corp. (See WBR)NWP Nourse Wind Publ., 7 Ronan Ave., Toronto, Ontario, Canada M4N 2X8

OAK Oak Publications (See MSC)OAM O.A.M.E. Press, Box 806, Montebello, CA 90640OME Omega Music Edition (See SFP)OOL Ooolitic Music, 1111 E. Wylie, Bloomington, IN 47401, www.oooliticmusic.com OOP Out of Print (permanently)OPE OU Percussion PressOPM Samuels Publication, Orient Point Music Publ., 143 W. 27th St., New York, NY 1001OUP Oxford University Press, 170 N. E. 33rd Street, Ft. Lauderdale, FL 33334

PAC Paris Conservatory PublishersPAP Papagena Press, Box 20484 Park West Station, New York, NY 10025PAT Paterson’s Publications (See TPC)

PAU Paul-Mueller Studios, 3049 W. 71st. Indianapolis, IN 46268PAX Paxman, www.paxman.com.uk PAY Albert Payson, 1478 Van Buren, Des Plaines, IL 60016PDS Professional Drum Shop, Inc., 854 Vine St. Hollywood, CAPER PercMaster Publications, www.percmaster.com PET C. F. Peters Corp., 373 Park Ave. S., New York, NY 10016PHC Philharmusica Corp., Box 180, West Nyack, NY 10994PIC Peer International Corp., 810 Seventh Ave., New York, NY 10019 (See TPC, PSC)PIE Piedmont Music Co., Inc. (See HLN & MAR)PIO Pioneer Percussion, Box 10822, Burke, VA 22009PIP Little Piper, P. O. Box 14038, Detroit, MI 48214PLY Plymouth Music Co., Inc., 170 N. E. 33rd St. Fort Lauderdale, FL 33334PMC Paramount Music Corp., 1619 Broadway, New York, NYPMP Phoenix Music Publ., www.hornarama.com PMS Presto Music Service (See DER)PNO P. Noel, 24 Bld. Poissoniere, Paris (1Xe) (See MBC)POD Podium Music Inc., 4 Broadway, Valhalla, NY 10595POP Penn Oak Press, P. O. Box 20885, Philadelphia, PA 19141POT Potsdam PublicationsPPB Permus Pub., Box 02033, Columbus, OH 43202PPM PP MusicPPP Paul Price Pub. (See PLY)PRO Pro- Art Publications (See HPC)PRP Preludio Publications c/o Shar Products Co., Ann Arbor, MIPVM Providence Music Press (See HPC)PYR Pyraminx, 358 Aldrich Rd., Fairport, NY 14450

QCB Queen City Brass (See MAN)

RAH R. A. Hoffman (See ANT)RAL Raldon Music Corp., Jericho, L. I., NY 11753RBC RBC Music Co., P.O. Box 29128, San Antonio, TX 78229RBO Rebo Music Co., 842 S. Franklin, Denver, CO 80809RCP Roncorp, P. O. Box 724, Cherry Hill, NJ 08003RDC Rudall Carte (See BHI)RDP Roger Dean Publishing Co., 324 W. Jackson, Macomb, IL 62455 RDR Richard D. Row Music Co. (See CFM)REC Recital Publications, P.O. Box 1697, Huntsville, TX 77342, www.recitalpublications.com REM Remick Music Corp. (See MPH)RGM Really Good Music, LLC, 121 E. Polk Ave., Eau Claire, WI 54701RIC G. Ricordi & Co. (See RMP, GSI)RLP Row-Loff Productions, P. O. Box 292671, Nashville, TN 37229RMC Robbins Music Corp. (See BTM, BMP)

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RMP Rochester Music Pub. Inc., 358 Aldrich Rd., Fairport, NY 14450RMW R.M. Williams, www.rmwpublishing.com RNH Ernest Reinhardt, Basel (See MGM)ROC Roncorp Inc., P.O. Box 724, Cherry Hill, NJ 08003RON Rongwen Music (See BRE)ROS Rosehill PublicationsRPP Rudimental Percussion Publications, P. O. Box 17163, Hattiesburg, MS 39404-7163RPR Richmond Music Press, Box 465-PP Sta., Richmond, IN 47374RUB Rubank, Inc., (See HLN)

SAI Sweet Adelines, Inc., 5334 E. 46th St. P. O. Box 45168, Tulsa, OK 74145SAL Editions Salabert, (See HLN & GSI)SAN Sansone (See SMC)SBC Silver Burdett Co., Park Ave. & Columbia Rd., Morristown, NJ 07960SBP Summy-Birchard Pub. Inc., (See WBR)SBR Shapiro-Bernstein (See PLY)SCH Schott & Co. (See EAM)SCI Sprague-Coleman, Inc. (See MCA & HLN)SCN Schneider, 60 Avenue Poincare, Paris 16, FranceSCP Scott PublicationsSEE Seesaw Music Corp., 2067 Broadway, New York, NY 10023 SFP Sam Fox Publishing Co. (SEE PLY)SHM Schmitt, Hall & McCreary Co. (See BMP)SHP Shawnee Press Inc., Waring Drive, Delaware Water Gap, PA 18327SHU Schumann Music Co. (See BOU)SIE Sierra Music, P. O. Box 543, S. 1210 Star Lane, Liberty Lake, WA 99019 Ph: 509/255-6551SIK Sikorski, Hamburg (See HLN & GSI)SIS Simon & Schuster, Inc., Rockefeller Center, 630 Fifth Ave., New York, NY 10020SKD Skidmore Music Inc. (See SBR)SLP Slingerland Pub., 6633 N. Milwaukee Ave., Niles, IL 60648SMC Southern Music Co., P. O. Box 329, 1100 Broadway, San Antonio, TX 78292SMP Southern Music Pub. Co., 1619 Broadway, New York, NY 10025 (See TPC & SBP)SMR Simrock (See TPC)SMS Somerset Music Press, Inc. (See CFM)SNB Santa Barbara Music Publishing, P.O. Box 41003, Santa Barbara, CA 93140SOM Somers Music Publications, 45 Kibbe Dr. Somers, CT 06071SPE S.P.E.B.S.Q.S.A., Inc., Box 575, Kenosha, WI 53141SPP Spencer Blume Pub., 1717 Broadview Lane, #214, Ann Arbor, MI 48105 Ph: 313/662-4497SPR Studio P/R, Inc. (See BMP)STB Stainer & Bell, Ltd. (See ECS)STD Studio 4 (See ALF)STI STIM-Swedish Performing Rights Society Email [email protected]

STP Standard Music Pub. Inc., Box 1043, Whitman Square, Tunerville, NJ 08012

TAP Tap Music Sales, 1992 Hunter Ave. Newton, Iowa 50208 www.tapmusic.com TBI The Bass Project, Inc., 8908 Eastbourne Lane, Laurel, MD 20708TBP The Brass Press, 136 Eighth Ave. North Nashville, TN 37203TEM Tempo Music Publications, Inc., Box 392, Chicago, IL 60690TEN Tenuto Pub. (See TPC)TEP Tuba-Euphonium Press, www.tubaeuphoniumnpress.com TET Tetra Music Corporation (See PLY)TEZ Mark Tezak (Germany)THE Thompson Edition, Inc. (see KNG)TIE Tieroliff Muziekcentarle (Nederland)TMC Transcontinental Music Corp., 838 Fifth Ave., New York, NY 10021TOM M. Tompkins, Publisher 42821 Woodvale Ln., Columbiana, OH 44408TOU Touch of Brass (Canada)TPC Theodore Presser Co., 1 Presser Place, New York, NY 10021TPL Triplo Press, 806 White Oak Drive, Oxford, OH 45056TRI Trigram Music Inc., 1801 Century Park East, Suite 2400, Los Angeles, CA 90067TRM Tromba PublicationsTRN TRN Music Publisher, [email protected] TRO TRO Music (See PDS)TRP Tritone Press (See TPC)TRY Try Pub. (See PDS)TSP Tap Space Publications, P.O. Box 55753, Portland, OR 97238-5753TTF To The Fore Pub., www.totheforepublishers.com TUB Tuba Press Editor, David Miles, TUBA, 3811 Ridge Road, Annandale, VA 22003TUS Tuskeegee Music

UED Universal Editions (Austria)UME Union Musical Espagnola (See MCS, GSI & HLN)UMI University of Miami Pub., Coral Gables, FL (See SFP)UMM University of Miami Music Publications, (SEE PLY)UMP University Music Press, Box 1267, Ann Arbor, MI 48106UNI Universal Edition, Inc., 254 W. 31st St., 15th floor NY, NY 10001 www.universaledition.com UNV Universal Musical Instrument Co., 732 Broadway, New York, NY 10019UTP Universal Edition (See EAM)

VIR Virgo Music Publishing, 9018 Waldon Rd. Silver Springs, MD 20901VLK Volkwein Bros., Inc., (See BMP)VMP Viola World Publications, 14 Fenwood Rd., Huntington Station, NY 11746VOR Voice of the Rockies, P.O. Box 1043, Boulder, CO 80306 (see IMG)

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WAL Walton Music Corp., 170 N. E. 33rd. St. Fort Lauderdale, FL 33334 (See PLY)WAR Warwick Music U.K., Holloway House The Market Place, Warwick, England CV34 4SJWAT Waterloo, 3 Regina St., N. Waterloo, Ontario, CanadaWBM Whitney Blake Music Pub. (Out of Business)WBR Warner Bros., Inc., 265 Secaucus Rd., Secaucus, NJ 07096-2037WDM Watchdog Music www.watchdogmusic.comWEH Wehr’s Music House, 3533 Baxter Dr., Winter Park, FL 32792, www.wehrs-music-house.com WEI Josef Weinberger (See BHI)WFL William F. Ludwig Drum Co., 1827-40 N. Damon Ave., Chicago, IL 60647WHH Wilhelm Hansen, Copenhagen (See MSC)WHL Whaling Music Publishers (See CIM)WHM William Holab MusicWIB Wimbledon Music, Inc. (See TRI)WIL Williams Music Publishing Co.WIM Western International Music, 3707 65th Ave., Greeley, CO 80634-9626, www.wiminc.com WIT M. Witmark & Sons (See WBR)WJM Wingert-Jones Music, 2026 Broadway, Box 419878, Kansas City, MO 64141WLC Jos. Williams Co. (See ECS)WLD Wilder Music (See PLY & TPC)WLE Weaner Levant (See TPC)WLM Willis Music Co., 7380 Industrial Rd., Florence, KY 41042WLS Willis Music Corp., (See WLM)WMI Williamson Music Inc. (See HLN)WNT Weintraub Music Co. (See MSC)WOO John Wooten, Southern Station Box 5032, Hattiesburg, MS 39406-5032WPU Wick Publishing Co., 3936 43rd St. Minneapolis, MN 55400WRE Otto Wrede, Wiesbade, W. GermanyWTB Weintraub (See MSC)

YBM Ybarra Music, Box 665, Lemongrove, CA 92045YED Yorke Edition (See ECS)

ZAN Zanibon, Piazza del Signori 24, 35100 Padore, Italy ZIM Zimmerman (See CFP)

Documents

PERCUSSION MANUAL