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Penguin Random House New Zealand 67 Apollo Drive, Rosedale, Auckland 0632 Phone: +64 (0)9 442 7400 Fax: +64 (0)9 442 7401 Penguin Random House TEACHERS’ RESOURCE KIT From the Cutting Room of Barney Kettle By Kate De Goldi Barney Kettle knew he would be a very famous film director one day, he just didn’t know when that day would arrive. He was already an actual director – he’d made four fifteen-minute films – but so far only his schoolmates and the residents of the High Street had viewed them. Global fame was a little way off. It would come, though. Barney was certain about that ... RESOURCE KIT CONTAINS: Before Reading Themes Setting Language features, structure and narrative Characters Comprehension/Close Reading Questions: Creative responses Price (GST inclusive) and author details are correct at the time of writing but are subject to change without notice. Visit www.randomhouse.co.nz for up-to-date information. SPECIFICATIONS: Publication: September 2015 ISBN: 9781775535768 RRP: $30.00 Format: Trade Paperback Extent: 336 pages Readership: 12+ The Author: Kate De Goldi is one of New Zealand’s most loved authors, whose short fiction, novels and picture books engage children, teenagers and adults alike. The author of the phenomenal The 10 PM Question, which has been published extensively overseas, she is a two- time winner of the New Zealand Post Children’s Book of the Year Award. The 10 PM Question won Book of the Year and Best YoungAdult Fiction in the 2009 New Zealand Post Children’s and Young Adults’ Book Awards, was a runner-up in the 2009 Montana NZ Book Awards, and won the Readers’ Choice Award. It was a finalist in the LIANZA Children’s Book Awards for the Esther Glen Award, was shortlisted for the Nielsen BookData NZ Booksellers’ Choice Award, and was selected for the 2009 edition of the prestigious international catalogue The White Ravens. In 2010 De Goldi was awarded the Creative New Zealand Michael King Writers’ Fellowship to research and write a book on children’s book collector, Susan Price. She has a regular spot reviewing children’s books on Saturday Mornings with Kim Hill on National Radio.

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Page 1: Penguin Random House TEACHERS’ RESOURCE KIT Kettle Teacher... · 2019-03-05 · yelp’ (p. 41) and ‘poured forth rumble, yelp and purr’ (p. 153). Find another example from

Penguin Random House New Zealand67 Apollo Drive, Rosedale, Auckland 0632Phone: +64 (0)9 442 7400 Fax: +64 (0)9 442 7401

Penguin Random HouseTEACHERS’ RESOURCE KIT

From the Cutting Room of Barney KettleBy Kate De Goldi

Barney Kettle knew he would be a very famousfilmdirectoroneday,hejustdidn’tknowwhenthatdaywouldarrive.Hewasalreadyanactualdirector–he’dmadefourfifteen-minutefilms–butsofaronlyhisschoolmatesandtheresidentsoftheHighStreethadviewedthem.Globalfamewasalittlewayoff.Itwouldcome,though.Barneywascertainaboutthat...

RESOURCE KIT CONTAINS:

• BeforeReading

• Themes

• Setting

• Languagefeatures,structureand narrative

• Characters

• Comprehension/Close ReadingQuestions:

• Creativeresponses

Price(GSTinclusive)andauthordetailsarecorrectatthetimeofwritingbutaresubjecttochangewithoutnotice.Visitwww.randomhouse.co.nzforup-to-dateinformation.

SPECIFICATIONS:Publication:September2015ISBN:9781775535768RRP:$30.00Format:TradePaperbackExtent:336pagesReadership:12+

The Author: KateDeGoldiisoneofNewZealand’smostlovedauthors,whoseshortfiction,novelsandpicturebooksengagechildren,teenagersandadultsalike.TheauthorofthephenomenalThe10PMQuestion,whichhasbeenpublishedextensivelyoverseas,sheisatwo-timewinneroftheNewZealandPostChildren’sBookoftheYearAward.The10PMQuestionwonBookoftheYearandBestYoungAdultFictioninthe2009NewZealandPostChildren’sandYoungAdults’BookAwards,wasarunner-upinthe2009MontanaNZBookAwards,andwontheReaders’ChoiceAward.ItwasafinalistintheLIANZAChildren’sBookAwardsfortheEstherGlenAward,wasshortlistedfortheNielsenBookDataNZBooksellers’ChoiceAward,andwasselectedforthe2009editionoftheprestigiousinternationalcatalogueTheWhiteRavens.In2010DeGoldiwasawardedtheCreativeNewZealandMichaelKingWriters’Fellowshiptoresearchandwriteabookonchildren’sbookcollector,SusanPrice.Shehasaregularspotreviewingchildren’sbooksonSaturdayMorningswithKimHillonNationalRadio.

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Before Reading

1. Whatdoesthecoverpictureindicateaboutthebook’scontent?

2. Whenandwheremightthestorybeset?

3. Whatdoesthetitlesuggesttoyou?

4. Readtheauthor’sdedication(p.3).Ifyouwroteabook,towhomwouldyoudedicateitandwhatwouldthededicationsay?

Themes 1.Discussthefollowingthemesandfindexamplesfromthebookwhichillustrateeach:

5. a.creativity,inspirationandart b.community,friendshipsandfamily relationships c.history,timeandchange d.childhoodandgrowingup e.collaborationandlove f.mysteries,secretsandintrigue g.survival h.humourandhumanity i.thesearchforpersonalidentityandone’s placeintheworld j.naturaldisasters k.death,griefandloss

2.Whatdoyouthinkisthemaintheme ofthenovel?Writeanessayonyourchoice.

Setting: ThebookissetinHighStreetinChristchurch,NewZealand,pre-andposttheFebruary2011earthquake.

Language features, structure and narrative:

1. Whatdoyouthinkthegenreofthisbookis?Listtheaspectsthatareindicativeofthisgenre.

2. Thebookhasanarrativestructureof‘storieswithinstorieswithinstories’(p.123).Findsomeexamplesofwhenthishappensinthebook.

3. Withinthebook,therearereferencestoliterarytechniques,suchassyllogism(p.137),MacGuffin(p.289),recurringmotif(p.292),coda(p.319)andepilogue(p.323).Findoutthedefinitionsoftheseterms.

4. Thestoryistoldinthefirstandthirdperson.

Whydoyouthinktheauthorchosetodothis?Isiteffective?Whyorwhynot?

5. Figurativelanguageisusedtoconveyideasthatmightotherwisebedifficulttoexpress,suchassimileandmetaphor.Examplesoftheseare:‘hisquestionscamelikeasprayofenemyarrows’(p.97)and‘hermulti-taskingbatterieswereflat’(p.144).Findmoreexamplesfromthebook.

6. Theauthorusesfoodimageryinsomesimiles,forexample,‘morelikeabigagingtomato,allredandcreasedandlookinglikeshemightburst’(p.42)and‘heflickedasideherobjectionslikemiserabletoastcrumbs’(p.219).Findotherexamplesfromthebook.

7. Theauthorusesanimalimageryinsomesimiles,forexample,‘thenhewasofflikeawildcatafterprey’(p.127).Thinkoftenotheranimalsandcreateasimileforeach.

8. Theauthorusesnatureimageryinsomesimiles,forexample,‘shejustdisappeared...likeapuffofdandelion’(p.158)and‘somethingwascoming,somethingatthebackofhishead,pushingitswaytothefront,likeanewshootmusclingupthroughthesoil.’(p.209).Writeapoemaboutaforceofnatureusingthreesimiles.

9. Thefollowingareexamplesofwhatfigureofspeech:‘thebellsangabrieffarewell’(p.132)and‘theboardedwindowsweremyriadsightlesseyesseekingthemout.’(p.198)?

10.Whatfigureofspeechdothefollowingexamplesillustrate:‘achokingcough,aharshyelp’(p.41)and‘pouredforthrumble,yelpandpurr’(p.153).Findanotherexamplefromthebook.Writeapoemordescriptiveparagraphwhichincludesthewordsfromyourexample.

11. Thefollowingareexamplesofwhatfigureofspeechare‘curledandcontent’(p.54)and‘troublesometraits’(p.55)?Thinkofthisfigureofspeechfortenotherlettersofthealphabet.

12. Theauthoroftenrunswordstogetherinthebodyofthetext,suchas‘thethrillingalchemyofthecreativeprocess’(p.48)and‘justthesameasalltheotherinterviews’(p.216).Whydoyouthinkhasshechosentodothis?Whateffectdoesithaveonthepaceandmeaningofthetext?

13. BarneymakesapunaboutimaginingSuitasa‘suitor’(p.120).Thinkofthreeexamplesofpunsandacontextinwhichtheycouldbeused.

14. Theauthorusessymbolismandidiomsinthebook.Whatarethephrasesbelowtypicallysymbolicof?Whatistheoriginofthesephrases?Researchtheirorigin.Chooseten

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phrasesanddrawcartooninterpretationsofthem. a. writer’sblock(p.35) b. spunherwheels(p.40) c. thisdisappointingtendencyisyourfuneral (p.57) d. avoidedthoseliketheplague(p.58) e. amereblinkoftheeye(p.76) f. keepanythingonthedown-low(p.97) g. actionsspeaklouderthanwords(p.102) h. onaroll(p.103) i. theirpearlsofwisdom(p.103) j. catgotyourtongue(p.107) k. speakofthedevil(p.111) l. doesn’tliketobefleeced(p.126) m. goneintoawholenewgear(p.135) n. burningthemidnightoil(p.200) o. hehadbeenhidinghislight(p.201) p. steppedout(p.224) q. knockyourselfout(p.227) r. justalwaysbouncesback(p.245) s. anemotionalrollercoaster(p.265) t. inanutshell(p.275) u. abitterpill(p.285) v. allhandstotheplough(p.290) w. topushapen(p.291)

15. Finddefinitionsofthewordsfromthenovelbelow.Writeasentenceforeachorusethemtocreateaglossaryforthenovel.Youmayliketo add any words from the novel that are new toyou. a. excrescence(p.48 b. benevolence(p.50) c. proprietorial(p.54) d. macabre(p.55) e. melodious(p.73) f. feckless(p.90) g. banal(p.94) h. belligerent(p.96) i. mollified(p.98) j. elusive(p.107) k. insouciance(p.111) l. indefatigable(p.115) m. malevolent(p.117) n. basilisk(p.122) o. rueful(p.128) p. impudent(p.129) q. fallacious(p.138) r. fastidiously(p.148) s. garrulous(p.195) t. paean(p.202) u. precarious(p.256) v. astute(p.256) w. obdurate(p.264) x. oeuvre(p.288) y. cacophony(p.305) z. abeyance(p.306)

Characters:

1. DoyoulikeBarneyandRenascharacters?Doyouthinktheyarerealisticcharacters?Whyorwhynot?Compareandcontrasttheirpersonalities,opinionsandactions,andanalysehowtheyareinfluencedbyoneanother.Usequotesfromthenoveltosupportyourpoints,forexample,‘Barneystudiedhissister.Shewassodifferenttohim.Itwasquiteamazingtheywererelated’(p.36).

2. DoyouthinkBarneyandRenhavearealisticbrother-sisterrelationship?Doyoubelievethattheirrelationship,aswellastheirrelationshipwiththeirfriendsandfamily,developsandchangesthoughthebook?Ifso,listwhatarethesechangesareandthemaineventswhichcontributetothedevelopment?

3. AtthestartofthebookBarney’smotherdescribeshimasa‘megalomaniac’and‘abuddingdictatorwithdelusionalfantasiesofomnipotence’(p.15).Findexamplesofwhenhedisplayseachofthesequalities.

4. InthebookDadisdescribedas‘atotaldinosaurand...atotalmiser’(p.167)andMsBloodworthas‘abenignsorceress’(p.174).Thinkofthreeadjectivestodescribethefollowingcharacters:Barney,Ren,Suit,AlbertAnderson,OrangeBoyandCrimsonGirl.

5. ChooseanimportanteventfromthenovelanddescribeBarneyandRen’sreactionstoit?WhatarethedifferentpressuresonBarneyandRenthroughoutthenovel?Whatfactorsleadtothedecisionstheymakeandhowdotheycopewiththevarioussituationstheyfindthemselvesin?

6. Whatdoesthenovelsayaboutfriendshipsand/orfamilyandtheirimportanceduringdifficulttimes?Listexamplesofepisodeswhenfriendsand/orfamilyareeitherahelporahindrancetoBarneyandRen.

7. Drawapictureofoneofthecharactersbasedontheirphysicaldescriptions,forexample,MsBloodworth(p.150)andOrangeboy(p.177&p.180).

8. Chooseacharacterfromthebook,otherthanBarneyandRen,towriteacharacterstudyon.

9. Whichcharacterdoyouparticularlylikeordislike?Why?

10.Whichcharacterdoyoumostidentifywith?Why?

Comprehension/Close Reading Questions:

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1. WhathelpsBarney’sbadmoodpop‘likeaballoonunderapin’andwhatdoesthistellusaboutoneaspectofhispersonality(p.19)?

2. Whatisthereasonbehindtheauthor’s‘unorthodox’decisiontowriteasecondbeginning(p.22)?

3. Whatarethethingsthat‘spin’Ren’swheels(p.40)?

4. WhatdoesBarneymeanbyhisstatementthattheStreetisjusta‘biggerversionofaschoolclassroom’(p.95)?

5. WhatwouldBarneyratherbedoingthan‘actualschool’andwhy(p.118)?

6. WhydoesGenewinkatBarneyandBarneyyawpbackwhentheyarefilmingSuitinMontgomery’s(p.201)?

7. WhatdoBarneyandRenfeelabout,andconsequentlydo,afterWilly’smeaningfullookastheyleavehisoffice(p.235)?

8. How,andwhy,doBarneyandReneachreacttothenewsthatOrangeBoyandCrimsonGirlareleaving(p.258)?

9. WhatdoesNick’sobsessionwithmathsteachBarneyabouthimselfandothers(p.268)?

10.WhatcommentdidSallymakeattheopeningoftheLivingHistoryMuseumthatgreatlyimpressedBarney(p.273)?

11. WhatnameshadBarneyandRentriedoutfortheirsecretenvelopelife(p.292)?

12.WhatwasitthathelpedBarneyfeel‘gloriouslyincharge’andwhydidhefeelthisway(p.294)?

13.WhatdidBarneydoduringtheearthquake(p.300)?

Whosays‘thereisnothinglikethebalmofstory’andwhodoesheworkonthestorieswithasatypeoftherapy(p.322)?

Comprehension/Close Reading Questions:

1. Thebookisastoryabouttheheadlongexcitementofthecreativeprocess.Barneylovesitwhenhehasa‘popofanidea’(p.45)andoftenextollshisloveof‘thethrillingalchemyofthecreativeprocess’(p.32).Eitherchooseyourfavouritescenefromthebook,orsomethingfromthebooklistedbelow,tocreateyourownartisticinterpretationofit.Use,forexample,adiorama,painting,model,poem,cartoonstrip,moviestoryboard,video,

etc. - thesketchoftheR&Rmeeting(p.116) - theAmbulatorix(p.145) - themenagerieofcarvedanimals(p.156) - theCrazopolygame(pp.189-190) - thebadgesstolenfromtheEmporium (pp.190-191) - amapfromtheMapShop(p.203) - theLonelyheartsDatingAgencySock Installation(p.240) - theUnpublishedPoet’smissingcat posterpoem(p.110),haikuaboutpawns (p.241)orvillanelleentitled‘Rook’(p.326) - CrimsonGirl’scaricaturesoftheStreet inhabitantswiththeirexaggerated features(p.263) - Barney’sdailylogasdemandedbyMs Bloodworth(p.266)

2. BarneyconsidersRen’slistsofnounsinherexercisebookas‘awordsketchoftheStreet,itssoundsandshapesandsmells,itsactivitiesandhabits’(p.46).Createawordsketchofyourschool,streetoraplaceofsignificanceinyourlocalarea,usingnounsandadjectives.

3. Thebookheavilyfeatures‘zines’,includingthoseBarneyandRen’sclasshavemadeatschool(p.55-57)andtheseriesofOrangeBoyPartsI-VIzines.Createeitheroneofthezineslistedaboveorazineaboutasubjectofyourownchoice.Asaclass,displayandreadthezinesyouhavecreated.

4. BarneyandRenfilmallovertheStreetbuttheyparticularlyenjoyfilmingatthehairsalonas‘somuchjusthappens’andsomeeventsthereare‘liketheatresports’(p.109).Asaclassplayatheatresportsgameofcharades.Ingroups,actoutacharacterdoingsomethingfromthebookwithoutspeaking.Seehowquicklyyourgroupcanguesswhoyouareandwhatyouaredoing.

5. Sallyworksatthe‘LivingHistoryMuseum’whichisallaboutcommunityhistory(p.74)includingthepeopleinthestreetwho‘hadcomefromelsewhere’(p.153).Researchandinterviewanimmigrantoranotherinhabitantfromyourownlocalcommunity.Presentyourfindingsinthestyleofabiographicalentryinanencyclopaedia.Includeaphotographofyoursubject.

6. Theauthorincludesdescriptionsoftheexteriorandinteriorofthepostoffice.Findotherexamplesofdescriptionsofexteriorandinteriorspacesinthebook.Drawoneofthesebasedonthedescriptions.Next,inpairs,writeadescriptionofanexteriororinteriorspaceofyourchoice.Readyourdescriptionaloudtoyourpartnerandgetthemtodrawthespacebasedonyourdescription.

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7. BarneyandRendiscoveredthattheyenjoyedtheattentionofOrangeBoyandCrimsonGirlastheysharedtheirlifestoriesandinturnhadwantedtopresenttheirlife‘storyasagift:theonceuponatimeoftheKettlefamily,ofBusby’sEmporium,ontheHighStreetoftown’(p.187).Writedownyourlifestoryandpresentitasanillustratedpublishedchildren’sgiftbook.

8. BarneyandRenplayTwentyQuestionswithOrangeBoyandCrimsonGirl(p.181-188).Divideintosmallgroups,getonepersontochooseacharacterfromthebooktobe,andplayTwentyQuestions.Answerthequestionsasyourchosencharacterwouldandplayuntilyourgroupsuccessfullyguesseswhichcharacteryouhaveadopted.

9. WhentheyhelpOrangeBoyandCrimsonGirl,‘RenandBarneyhadbecomeanexclusiveaidorganisation,helpingjusttwopeopleinneed.’(p.212).Inpairs,createacharitytohelp.Designamarketingcampaigntoraiseawarenessofyourcharity.Thinkofthetypeoflanguageyouwoulduseinyourcampaign,suchaspersuasivewritingforradioandtelevisionadvertisementsorinformativeandbusinesswritingforpamphletstodistribute,etc.

10. BarneyandRendiscusswhattheyseeandthinkotherpeopleseewhentheylookatthemselvesinthemirror,aseitherapast,presentorfutureself(p.222).Writethreeshortdescriptiveparagraphsabouthowyouviewthosethreeversionsofyourselfinthemirror.

11. Usethesequotesfromthebookaseitheratopicforaclassdebateorasanessaystarter:‘Evenperfectlydecentadultscouldbestrangeaboutchildren’srights’(p.113)and‘Everyoneneedsrepresentation...nomatterwhattheymayhavedone.That’sacornerstoneofourdemocracy’(p.229).

12. BarneywatchesthecreativeprocessofOrangeBoyandCrimsonGirlastheymakeazine(p.261).Studyanartistcreating,eitherinpersonorviainternet,andwriteadetailedwrittendescriptionoftheircreativeprocess.

13. Barneyisobsessedby,andloves,thefilmmakingprocess(p.288)butfindsithardtounderstandhowotherscanbepassionateaboutdifferentinterests,suchasmaths,sports,knittingandmarinebiology(p.267).However,hesoonrealisesthat‘everywhere...perhapseverystreetintheircityhummedalonginanoutwardlyordinaryway,butinfactharbouredinnumerablecitizenswithmadpassionsandhabits’(p.274).Choosesomethingthatyou,orsomeoneyouknow,arepassionateabouttowriteadescription

and/oranillustratedinstructionalpamphletabout.

14. Barneymentionslinearstorytelling(p.242).Ingroups,createanillustratedlineartimelineforBarneyandRenthatshowsthemaineventsofthenovelandwheretheytookplace.

15. ImagineyouareoneoftheotherinhabitantsofHighStreet,suchasSallyorAlbertAnderson.Chooseaneventfromthebookandwriteapersonaldiaryentryormonologueaboutitfromyourpointofview.Thinkabouthowyouwoulddescribethephysicalscene,anyothercharacterswhowereinvolvedandyourfeelingsabouttheincident.

16. Doyouthinkthenovelcouldbesuccessfullyadaptedintoadramaticfilm?Writealetterinsupportofthefilmforpossibleinvestorsandincludewhichactorsyouwouldliketostarinthefilmandthereasonsbehindyourchoices.Lookatsomemovieposters.Noticethepicturesandthewords.Designamoviepostertoadvertisethefilm.Or,imaginethenovelisgoingtobeturnedintoastageplay.Designasuitableset,programmenotesandadvertisingposterfortheplay.

17.Whichisyourfavouritechapterinthebook?Why?Writeaplotsummaryofit.

18. ThecoverillustrationandchapteropeningsarebyartistGregoryO’Brien.Whatdoyoulike/dislikeaboutthem?Designyourownillustrationsfortwoofthechapters,aswellasanewcover.

19. KatedeGoldiisanaward-winningauthor.Researchandwriteashortbiographyaboutherandherotherbooks,suchasThe10PmQuestion,TheACBofHonoraLee,Club:ALollyLeopoldStoryandSanctuary.

20. Visitthewebsitehttp://www.highstreetstories.co.nztolistentosomestoriesthatmayhaveinspiredKatedeGoldiwhenwritingthebook.

21.Writeareviewofthebook,aimingitatthereadershipofyourfavouritemagazine,newspaper,websiteorblog.Giveitarating,suchasstarsoranumberoutoften.Considerthefollowingquestions: ● Whichcharactersappealedtoyouthe most?Theleast? ● Howdidthestorymakeyoufeelasit unfolded? ● Whatideasinthebookawakenedyour interest? ● Whatdidyoudislike,orfindboring? ● Doyouthinkthisisasignificantbook? ● Whyisthisbookimportantfortoday’s readers?

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