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typefaces owned stat spread
13,968Total number of typefaces owned Total number of typefaces actually liked
233
PAR
SO
NS
AA
SG
RA
PH
ICD
ES
IGN
WO
RK
20
08V
OLU
ME
2
PARSONS AAS /
GRAPHIC DESIGN /
WORK 2008 /
VOLUME 2
8 9
Friday
Thursday64
.25 41
.75
Tuesday
Monday
Number of hours you spend in class each week
69
.5
34
.5
49
Wednesday
PARSONS AAS GRAPHIC DESIGN WORK 2008:VOLUME 2
4 54 5
Where are you from?
1
1
2
3
63
7
5
2
21
1
1
1
44
2
645
India
FranceGeorgia
Turkey
Israel
China
Korea
Russia
Japan
Thailand Philippines
Australia
New Zealand
Puerto Rico Sudan
Kenya
South Africa
Estonia
2731
23
3
2
3
82
22 PARSONS
United Kingdom
Ireland
Germany
Sweden
Spain
Canada
ItalyUnited States
Mexico
Brazil
Bolivia
Argentina
Alaska
Hawaii
stu-dentwork1 7
Number of cups of coffee or tea you drink a day
Han
sul
Am
y C
ho
Yfa
t Eya
l
Farr
ah F
ine
Shar
on G
amss
Cri
stop
her
Ged
da W
estr
ell
Tim
Gee
sman
Aar
on G
wir
tz
Ada
m H
ead
rick
Dan
Hof
fman
Ela
Jac
oby
Kru
ti J
osh
i
Eil
een
Kin
sell
a
Jen
nif
er L
ankf
ord
Ari
el L
apid
us
Dia
na
Lim
Jon
Lop
kin
Cal
olin
e M
aher
Mon
ica
Mir
anda
Mas
akaz
u O
kura
Ad
iti R
ao
Shel
ly S
uzu
ki
Nat
alie
Wat
erbu
ry
12
AA
S st
uden
ts le
arn
earl
y on
that
rese
arch
and
reso
urce
fuln
ess
are
the
best
-kep
t sec
rets
of a
ny g
reat
des
igne
r. T
ruly
und
erst
andi
ng a
pro
ject
is
ess
enti
al f
or i
nnov
atio
n, w
here
as i
gnor
ance
ine
vita
bly
prod
uces
th
e ex
pect
ed. O
ur s
tude
nts
look
at a
ny s
itua
tion
ope
nly,
then
dig
eve
r de
eper
wit
hin
the
subs
tanc
e of
the
pro
blem
, lea
ving
beh
ind
the
slow
de
cay
of “
good
eno
ugh.
”
In v
iew
of
the
role
vis
ual
com
mun
icat
ions
pla
y in
our
wor
ld t
oday
, it
is
exci
ting
to
pres
ent
a gr
adua
ting
cla
ss t
hat
has
prod
uced
suc
h w
ildly
inv
enti
ve a
nd i
nspi
rati
onal
wor
k. D
esig
ners
can
not
esca
pe
soci
al r
espo
nsib
ility
, an
d I
am p
roud
tha
t ou
r fa
cult
y pu
shes
our
st
uden
ts t
o ad
dres
s bo
th c
omm
erci
al a
nd s
ocia
l pr
oble
ms,
gui
ding
th
eir
resp
onse
s to
the
chal
leng
es w
e co
nfro
nt e
very
day
. The
se y
oung
de
sign
ers
leav
e re
ady
to m
ake
thei
r ow
n w
ay in
the
wor
ld, f
usin
g th
eir
man
y am
biti
ons
wit
h a
hard
-won
sen
se o
f goo
d de
sign
.
Kat
arzy
na G
ruda
, Dir
ecto
r
NO
TE
FR
OM
TH
ED
IRE
CTO
R stu-dentwork
10 11
NO
TENOTE
FROM THECHAIR
This year, the Graphic Design graduating class has once again produced outstanding work. How is this consistently high level of creativity and execution possible? We have terrific teachers and we’ve worked hard to provide instruction that reflects the ongoing evolution in the industry, but these factors by themselves can’t account for the excellent work that students produce after only two or three semesters of study. The answer has to be our students, themselves.
We know that students choose the best education they can, based on the reputation of the school, the faculty, and the school’s connections to the design industry. But, perhaps the most important factor in the learning process itself is the caliber of the student in the next seat. AAS students come from everywhere —Argentina, California, Alaska, Colorado, France, Korea, Kenya, New York, Texas, and more. And in their previous lives they’ve been everything: ballet dancers, attorneys, writers, engineers, financial analysts, teachers, chefs, stockbrokers, fine artists and most any other profession you can think of. This provides a rich and unique learning environment because our students benefit from each other’s informed opinions and approaches to design problems. They help each other, compete with each other, and never stop until the solution is the best available. We challenge them; they challenge us; and they challenge themselves. From my side of the desk, it’s a thrilling, rewarding, and breathtaking process.
Pamela Trought KleinAssociate Dean of Professional Studies
26 27
1 Cookbook, Cuisine du Maroc, Dimensions: 10 x 10 in; 2 Movie Poster, In Transit, Dimensions: 27 x 40 in.
Where From Israel; Previous Work Experience No 11 Studio; Resource Magazine; Previous College Hadassah College, AAS in Photography; How many typefaces do you own? Maybe 100
2
1
38 39
1 Book, Dylan’s Muses, Dimensions: 6 x 9 in; 2 Fashion Look Books, Dimensions: 5 x 7 in; 3 Logo/Identity, Clothing Line (Hang Tags and Labels)
Where From Mishawaka, Indiana; Previous Work Experience Segal Savad; Sotheby’s; LPL Financial Services; Previous College Ball State University, BS, Marketing major, Journalism minor; How many typefaces do you own? Over 1,500
1
2
3
28 29
Sharon Gamss, continued
3–4 Poster, Program for Lecture Series, Dimensions: 20 x 28 in.
3 4
40 41
Tim Geesman, continued
4 Logo/Identity for Restaurant (Logo, Menu, Folder, Letterhead, Notepad and Envelope); 5 Poster, Dimensions: 15 x 20 in.
4
5
58 59
1 Book Cover, Packrat; 2 Book Cover, The Story is True
Where From Hartford, Connecticut; Previous Work Experience Time Warner; New York Parks Department; Previous College University of New Haven, BA Music; How many hours do you spend in class each week? 20 or so
1 2
30 31
Sharon Gamss, continued
5–6 Poster, Program for Lecture Series, Dimensions: 20 x 28 in.
5 6
68 69
1 Movie poster, Heavy Load, IFC documentary film, Dimensions: 26 x 40 in; 2 Poster, We Collect, exhibit of Vintage Vinyl at Seattle’s Experience Music Project, Dimensions: 15 x 22 in.
Where From Seattle, Washington; Previous Work Experience Universal Music Distribution Group; Eeboo!; CZ Design; Previous College BFA, Cornish College of the Arts; How many typefaces that you own do you actually like? 15
1 2
72 73
5
Ariel Lapidus, continued
5 Silk screen Poster, Octopus; 6 Logo, Three Peas Kitchens
6
K I T C H E N S
70 71
When was the �rst day of your last period?
Cycle Length
Mobile # for SMS
May 25 08
days
206 555 1557 Save
28
moontimewidget.com
3
Ariel Lapidus, continued
3 Logo, Greennote Jazz Festival; 4 Apple Widget, Moontime
4
4/28 6/21 >>
MAY
74 75
7
8
9
Ariel Lapidus, continued
7 Poster; 8 Program; 9 Event Ticket, Incorporations: The Body as Source Lecture Series
76 77
1 Photography Book, Richard Avedon, Dimensions: 5 x 7 in, with faux crocodile skin keepsake box; 2–4 Interior Spreads
Where From Vancouver, Canada; Previous Work Experience Martha Stewart Living; Ogilvy; Previous College University of British Columbia, BA, Psychology; How many times a week do you take the stairs (instead of the elevator)? Depends on my mood
1
2
3
4
80 81
Diana Lim, continued
10 Logo, Wattbusters Company; 11 Branding System; 12 Keychains
10
11 12
78 79
Diana Lim, continued
5 Logo/Identity, Ceres Restaurant; 6 Letterhead & Envelope; 7 Business Card; 8 Packaging, Cookies; 9 Packaging, Salad Dressing
5
6
7
8
9
82 83
Diana Lim, continued
13 Silk-screened Poster for a Cherry Blossom festival in Yokohama, Japan, Dimensions: 18 x 24 in; 14 Silk-screened Poster for Knoll Office Chairs Exhibit, Dimensions: 15 x 21 in.
13 14
84 85
1 Poster for an annual comedy show at the Upright Citizens Brigade in Manhattan, Dimensions: 13 x 19 in; silkscreen, letterpress with wood type; 2 Poster, quote by Paula Scher from her book Make It Bigger, Dimensions: 20 x 30 in.
Where From Boston, Massachusetts; Previous Work Experience Madavor Media; Bridger Conway; Previous College Boston University, BS, Communications; How many cups of coffee do you drink in a day? 2
2
1
94 95
1–2 Poster, Incorporations: The Body as Source Lecture Series, Dimensions: 20 x 28 in.
Where From Puerto Rico; Previous Work Experience Taught at Fieldston School in NY; Previous College Sarah Lawrence College; Where do you plan to live after graduating? Same apartment I have now.
Lecture SeriesOctober 12–14, 2007The Cooper Union for the Advancement of Science and Art
Language, Sensuality, and PowerOctober 12, 8:00 pm
Claude Fouchy-Billancourt
Biorhythms and AlgorithmsOctober 13, 2007, 8:00 pm
Manoela dePasão
Corporeal Architecture: Living SpacesOctober 14, 2007, 3:00 pm
Heinrich Utenrraden
Three-lecture fee: $120 Individual lectures: $50Cooper Union faculty and students attend free, but must register in advance. Please provide your Union faculty or student ID number to waive the registration fee.The lectures are open to the public. Advance reservations are required. Please call The Cooper Union Office of Public Programs at 212.436.0187 or go online to www.cooper.edu/body to register.
“?%&,˜˚{[>*@\”
)!
)
˚
Inco
rpor
atio
ns:
The
Body
as
a So
urce
The Great Hall1 Cooper Sq, NYC
The Cooper Union for the Advancement of Science and Art
A discussion the physics of speech and cognition as related to the development of sexual power
Mr. Fouchy-Billancourt is a professor of linguistic anthropologyat the University de la Sorbonne in Paris, France. He is arecognized authority on linguistic ideology.
Thursday October 12, 8:00 pmClaude Fouchy-Billancourt
Three-lecture fee: $120 Individual lectures: $50Cooper Union faculty and students attend free, but
must register in advance. Please provide your Unionfaculty or student ID number to waive the registration fee.The lectures are open to the public. Advance reservations
are required. Please call The Cooper Union Office ofPublic Programs at 212.436.0187 or go online to
www.cooper.edu/body to register.
> ,(
Inco
rpor
atio
ns:
The
Body
as
a So
urce
The Great Hall1 Cooper Sq, NYC
#@!
Language, Sensuality, and Power
1 2
86 87
Jon Lopkin, continued
3–5 Noguchi Museum T-shirt & Cubed Packaging
3
4
5
96 97
Monica Miranda, continued
3–4 Poster, Incorporations: The Body as Source Lecture Series, Dimensions: 20 x 28 in.
Three-lecture fee: $120 Individual lectures: $50Cooper Union faculty and students attend free, but must register in advance. Please provide your Union faculty or student ID number to waive the registration fee.The lectures are open to the public. Advance reservations are required. Please call The Cooper Union Office of Public Programs at 212.436.0187 or go online to www.cooper.edu/body to register.
The Cooper Union for the Advancement of Science and Art
Friday October 13, 8:00 pmManoela dePasão
Inco
rpor
atio
ns:
The
Body
as
a So
urce
The Great Hall1 Cooper Sq, NYC
Biorhythms and Algorithms
[1342 76895The presentation will focus on numeric sequencing systems developed from biofeedback for application in medical and robotic manufacturing computation
Ms. dePasão is a Fellow of the Instituto Mechanicode São Paolo, Brazil, and a visiting chaired lecturer atHarvard College’s School of Applied Mathematics
.
[ {>[ [/(
=
The Cooper Union for the Advancement of Science and Art
Saturday October 14, 3:00 pmHeinrich Utenrraden
Inco
rpor
atio
ns:
The
Body
as
a So
urce
The Great Hall1 Cooper Sq, NYC
Corporeal Architecture: Living Spaces
Three-lecture fee: $120 Individual lectures: $50Cooper Union faculty and students attend free, but
must register in advance. Please provide your Unionfaculty or student ID number to waive the registration fee.The lectures are open to the public. Advance reservations
are required. Please call The Cooper Union Office ofPublic Programs at 212.436.0187 or go online to
www.cooper.edu/body to register.
A moderated panel of noted architectswill discuss their explorations of user-centered
building in the context of a presentation on stylisticand functional trends of the past century
Mr. Utenrraden is a Professor Laureate of theBern Architectural Academy in Switzerland.
3 4
102 103
1 Poster; 2–3 Book Jackets (Front & Back)
Where From Japan; Previous Work Experience FutureBrand NY; How many typefaces do you own? About 100
3
2
1
110 111
1
2
3
4
1 Book Design, Pollution3: Air, land and water pollution in New York City;2–4 Interior Spreads
Where From Kailua, Hawaii; Previous Work Experience Advertising Account Service at Laird Christianson Advertising, John Duarte Design Group and Team Vision in Honolulu, Hawaii. Design Internships at Y Interact, Windup Design (New York, NY) and Red Rover Creative; Design Job at Basik Group (New York, NY); Previous College Claremont Mckenna College, BA, Economics & Psychology; How many typefaces do you own? 659
114 115
Shelly Suzuki, continued
8–9 Cookbook Design (Front & Back Cover), Deconstructing the Hawaiian Plate Lunch, Dimensions: 10 x 10 in; 10–12 Interior Spreads
9
8
10
11
12
120 121
1
1 Poster, Bangaluru 2007 Digital Film Festival; 2 Poster, A Retrospective
Where From San Francisco, California; Previous Work Experience Nylon Magazine; HDR Architects, Inc; Previous College Northwestern University, BS, Radio/TV/Film; How many typefaces do you own? 5,000
2
122 123
Natalie Waterbury, continued
3–4 Logo/Identity System, Good Soles Shoes
3 4
128 129
Natalie Waterbury, continued
12 Logo/ Identity System, Manhattan Vintage Car Show; 13 Package Design, Mustard
1312
132 133
collaboration
1
1 Release 2008 Cover
RELEASE MAGAZINE
The Eugene Lang College literary magazine Release is the product of a three-year collaboration between students and faculty from Lang and Parsons School of Design. This innovative partnership, in which writing students at Lang edited the magazine and students from the Parsons AAS program designed and produced it, has represented the best of the cross-disciplinary possibilities offered at The New School. By combining the creative literary talent of Lang’s writing students with the Parsons’ students’ innovative design vision and expertise, Release has become a first-rate, professional publication. Producing it has enriched students in both schools, offering them real-world publishing experience while also yielding extraordinary educational benefits—honing skills as writers, editors and designers, and, as important, fostering a creative community engaged in productive dialogue around a meaningful project.
Neil GordonProfessor, Literary StudiesDean of Eugene Lang College The New School for Liberal Arts
138 139
10 Release 2007 Cover; 11–12 Release 2007 Interior Spreads
10
11
12
134 135
5
4
3
2
2 Release 2008 Front & Back Cover; 3 –5 Release 2008 Interior Spreads
140 141
15
14
13–14 Release 2007 Interior Spreads; 15 Release 2006 Cover
13
136 137
9
8
7
6
6–9 Release 2008 Interior Spreads
142 143
collaboration
17
16
16–17 Release 2006 Interior Spreads
144 145
1
1 Claudia Brandenburg
FE
ATU
RE
D
FAC
ULT
YB
egin
wit
h a
clev
er c
once
pt.
Fini
sh w
ith
flaw
less
typ
ogra
phy.
In
betw
een
cons
ider
you
r cl
ient
, you
r au
dien
ce, a
nd y
our
prin
ting
bud
get.
Or,
in s
choo
l, co
nsid
er y
our
teac
her,
your
cla
ss, a
nd y
our
ink
jet.
I lov
e pr
inti
ng. I
’ve
save
d st
acks
of p
ress
she
ets.
I sn
iff t
he in
k in
new
boo
ks. I
w
ante
d to
be
a gr
aphi
c de
sign
er w
hen
I firs
t wor
ked
a pr
inti
ng p
ress
. Dur
ing
my
wor
k-st
udy
sum
mer
job
at
RIS
D’s
Typ
e Sh
op I
lea
rned
abo
ut t
ype
and
prin
ting
whi
le s
orti
ng a
nd s
uper
visi
ng. N
ot o
nly
coul
d I
reco
gniz
e a
9-po
int
lett
erfo
rm b
ackw
ards
in
lead
, bu
t I
beca
me
obse
ssed
wit
h cr
eati
ng m
any
inst
ead
of j
ust
one.
Fro
m t
hen
on,
a si
ngle
moc
k-up
was
not
eno
ugh.
My
scho
ol p
roje
cts
wer
e ab
out q
uant
ity,
ser
ies
and
mul
tipl
es.
For t
he p
ast t
hree
Spr
ing
sem
este
rs I’
ve ta
ken
my
Pub
licat
ion
Des
ign
clas
s on–
pres
s fo
r the
pri
ntin
g of
Relea
se. A
fter
cri
tiqu
ing
was
hed-
out i
nk je
t pag
es fo
r 15
wee
ks, t
he a
ctua
l flor
esce
nt a
nd m
etal
lic in
ks a
re m
esm
eriz
ing.
Wat
chin
g th
e sh
eet
form
s ro
ll of
f th
e pr
ess
is d
izzy
ing.
See
ing
the
stud
ent’s
att
enti
on
and
awe,
I r
ecog
nize
the
begi
nnin
g of
a lo
ng a
nd h
ealt
hy o
bses
sion
.
148 149
9
10
8
7 Cover; 8–10 Interior SpreadsLong Island City: Connecting the Arts. The Design Trust for Public Space, Case Study Publication, 7.5 x 11 in, 88 Pages
7
146 147
4
5
2 Sleeve Box; 3 Cover; 4–6 Interior SpreadsThe Andy Warhol Foundation for the Visual Arts 20-Year Report, 1987–2007,The Andy Warhol Foundation for the Visual Arts3 Publications & Sleeve Box, 10 x 10 in, 96 Pages EachAll artworks © The Andy Warhol Foundation for the Visual Arts
2
3
6
150 151
12
13
1411 Cover; 12–14 Interior SpreadsMake It Now: New Sculpture in New York. SculptureCenter Exhibition Publication, 6.5 x 9.25 in, 96 Pages
11
152 153
17 18 1916
15 Fold-out Spread; 16–19 Covers,The Center of It All, Abrons Arts Center Seasonal Event Program & Calendar, 9.5 x 13 in, 8 Pages
15
158 159
1
1 Emily Wardwell
FEATUREDALUMNA
My undergraduate degree in liberal arts was from Indiana University. After three and a half years working first on the account management and then production side in various big-name advertising agencies, I changed my focus to the creative side of the industry.
Parsons’ Associate Degree Program was the perfect catalyst for such a change. After an intense year and a half of “design boot camp” at Parsons, I felt very prepared to reenter the professional world. The mentors I found in the AAS faculty raised my expectations of the type of people I chose to work with right out of school, and that I continue to choose to this day—people such as Lina Kutsovskaya and Charles Churchward, with whom I was lucky enough to work with while he was still directing Vogue magazine on the book Vogue Living: Houses, Gardens, People.
Redesigns seem to greet me wherever I go. With Lina, I was a part of the redesign of Teen Vogue. From there I moved to the beauty industry where I helped drive the redesign of the Almay brand. Most recently, I have redesigned the beauty section for Glamour magazine, which debuted in its September 2008 issue. There is a ton of process involved in redesigning a brand and /or magazine and I feel very lucky to have had the strong foundation and understanding of design process, color theory, typography and use of photography that I received at Parsons.
164 165
4 Cover Design, Open Magazine; 5–6 Open Magazine Interior Spreads
4
5
6
160 161
2 Teen Vogue Magazine Opening Spread
2
170 171
314
24bestbeautybuysof2008 A record 106,627 of you voted in this year’s Glammy awards, and these are your winners— the makeup, hair and skin-care products Glamour readers just can’t live without. Find your new favorites here!
THE WINNING LIP GLOSSES
Why it’s
still a champ: It looks “rich,” voters say, but it’s never gloppy.
Comes in 30 “delicious” flavors and has a “sexy sheen.”
photographs by James woJcik
w in every single one! enter at glamour.com.
13 15
17
16
18
13 Glamour Magazine Opener Spread; 14 Follow-up Spread; 15–18 Glamour Magazine Pages
14
166 167
7 Vouge Living: Houses, Gardens, People (Front & Back Cover); 8–10 Interior Spreads
7
8
9
10
174 175FACULTY
MARK MULLINDegree(s) AAS, Parsons School of DesignWork Manager of Creative Services and Graphic Designer, Cleary Gottlieb Steen & Hamilton LLPCourse(s) Process & Skills
SUSAN MOLNARDegree(s) BFA, Tufts University; Diploma, School of the Musuem of Fine ArtsWork Principal, SuMo Design NYCCourse(s) Digital Layout 1
PAMELA KLEIN, Chair /Associate ProfessorDegree(s) MFA, BFA, Pratt InstituteCourse(s) Color Theory
KATARZYNA GRUDA, Director/Associate ProfessorDegree(s) MFA, Yale University School of Art; BS, Architecture, City College of New YorkCourse(s) Process & Skills, Graphic Design, Silkscreen & Letterpress; Silkscreen Printing
THOMAS BOSKET, Coordinator/Associate ProfessorDegree(s) MFA, Yale University School of Art; BFA, Parsons School of DesignCourse(s) Color Theory, Drawing
ROLF ANDERSENDegree(s) MPS, New York University; Tisch School of the Arts; BFA, Teknolo-gisk Institut, Copenhagen, DenmarkWebsite www.rolf-design.comWork Digital Artist, 2D & 3D, Graphic /Web Designer and EducatorCourse(s) Digital Layout 1
JASON BOOHERDegree(s) BA, Princeton University; AAS, Parsons School of Design, Graphic DesignWork Designer, Alfred A. KnopfCourse(s) History of Graphic Design
CLAUDIA BRANDENBURGDegree(s) BFA, Rhode Island School of DesignWebsite www.languagearts-ny.com Work Principal, Language ArtsCourse(s) Typography 1, Publication Design
SARAH GEPHARTDegree(s) MFA, Yale University School of Art; BA, Oberlin CollegeWebsite www.mgmtdesign.com Work Partner, MGMT Design Course(s) Typography 1 & 2
JONATHAN J. GOUTHIERDegree(s) BFA, Hartford Art School, University of HartfordWebsite www.gouthier.comWork Principal / Creative Director, Gouthier DesignCourse(s) Graphic Design 1 & 2
ANDREW GRABERDegree(s) BS, SUNY, BinghamtonWork Graphic Designer, PhotoeditorCourse(s) Digital Layout, Advanced Digital Layout
BRETT GROVESDegree(s) BFA, Pratt InstituteWork Master Printer, Axelle Fine Art Prints, Freelance BookbinderCourse(s) Silkscreen Printing
JULIA GORTONDegree(s) BA, Parsons School of DesignWork Children’s Book Illustrator & DesignerCourse(s) Graphic Design 1
DMITRY KRASNYDegree(s) MFA, Yale University School of Art; BFA, The Cooper Union School of ArtWebsite www.dekadesign.comWork Principal, Deka Design Course(s) Typography 2
MARA KURTZ Degree(s) MA, The New School, Media Studies; BA, New York University; AAS, Parsons School of DesignWebsite www.marakurtzstudio.comWork Graphic Designer, Photographer, Photo/IllustratorCourse(s) Graphic Design 1, History of Graphic Design (online)
JOHN MALCOLMSONDegree(s) MFA (honors), Rhode Island School of Design; BFA, University of Canterbury, New ZealandWebsite www.teamproam.comWork Partner, Team Pro-AmCourse(s) Graphic Design 3
TAMARA MALETICDegree(s) MFA, Yale University School of Art; Post-baccalaureate Certificate, The Art Institute of Chicago; BA, Université des Sciences Humaines, Strasbourg, FranceWebsite www.linkedbyair.netWork Partner, Linked by AirCourse(s) Typography 1
WILLIAM MORRISEYDegree(s) BFA, Rhode Island School of Design; BA, University of ColoradoWebsite www.wmwmwm.comWork Principal, wmwmwmCourse(s) Graphic Design, Silkscreen & Letterpress
RENDA MORTONDegree(s) BFA, Minneapolis College of Art and DesignWebsite www.rumors-online.comWork Partner, Rumors StudiosCourse(s) Interactive Web Design
ALExA NOSALDegree(s) BFA, Montclair University; BA Montclair UniversityWork Creative Director, Leap Course(s) Typography 1, Designing Symbols, Graphic Design, Silkscreen & Letterpress
TED MAUSETHDegree(s) MFA, Tyler School of Art, Temple University; BA, Michigan State UniversityWork Principal, Mauseth Design Course(s) Graphic Design 3
MARTIN MAZORRADegree(s) MFA, American University, Washington DC; BFA, West Virginia UniversityWebsite www.cannonballpress.com; www.martinmazorra.com Work Director, Cannonball PressCourse(s) Photo Lithography & Graphic Design, Silkscreen & Letterpress
CHRISTINE MOOGDegree(s) MFA, Yale University School of Art; MA, University of Toronto; BA, Sarah Lawrence College; AAS, Parsons School of Design;Work Creative Director, Little Spoons Inc.Course(s) Portfolio & Process, History of Graphic Design
176FACULTY
TIMOTHY SAMARADegree(s) BA, University of the Arts, PhiladelphiaWork Principal, Stim Visual CommunicationCourse(s) Graphic Design 3
DIEGO VAINESMANDegree(s) BFA, Parsons School of DesignDiploma, Art Institute of BostonWebsite www.40N47Design.com Work Principal, 40N47 Design Course(s) Graphic Design 2
WILLIAM VAN RODENDegree(s) BA, Graphic Design, Rhode Island School of DesignWork AVP Art Director of Books and Special Projects, Martha Stewart Living OmnimediaCourse(s) Typography 2, Portfolio & Process
JEFF RAMSEYDegree(s) MFA, The Werkplaats Typografie, Netherlands; BFA, The Savannah College of Art and DesignWebsite www.jefframsey.net Work Advertising Manager/ Designer, The Museum of Modern Art (MoMA)Course(s) Portfolio & Process
PAUL ROERAADEDegree(s) MA, Grafiska Institutet; Royal Instititute of Techonology, Sweden; AAS, Parsons School of Design; Website www.windup-design.com Work Principal, Windup Design Course(s) Interactive Web Design 1 & 2
ALEx W. WHITEDegree(s) MFA, Syracuse University; BFA, Graphic Design, Kent State University Work Design Consultant and Authorof Graphic Design BooksCourse(s) Graphic Design 1 & 2, Portfolio & Process
MUSHON ZER-AVIVDegree(s) MPS, New York University,; Tisch School of the Arts; BDS, Bezalel Academy of Art and Design, JerusalemWebsite www.shual.com Work Co-founder, Shual Design Studio Course(s) Interactive Web Design 1 & 2
ANDY PRESSMANDegree(s) BFA, Cooper Union School of ArtWebsite www.andypressman.comWork Partner, Rumors StudiosCourse(s) Graphic Design 2, Process & Skills
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SPECIAL THANKS Thomas BosketJim O’ConnorLarry Jackson
Denise WallnerAnnemieke Beemster Leverentz
TYPEFACES Akzidenz Grotesk (Designed by
Günter Gerhard Lange),Archer (Designed by Heofler & Frere-Jones
Type Foundry)
PRINTER Fernando Luciano,
Project 44, Long Island City, NYCredits and Acknowledgments
PRODUCTIONAlix Sorrell
DIRECTOR / EDITOR /
PHOTOGRAPHERKatarzyna Gruda
ART DIRECTOR Claudia Brandenburg
DESIGNER /PRODUCTION DIRECTOR
Brian McDermott
DESIGNERShelly Suzuki
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Typography
Digital Layout
Publication Design
Process & Skills
Digital Imaging
The most crucial skill obtained while studying at Parsons
46%
29%
13%
8%
4%