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OAST NOTES O A S T T H E A T R E T O N B R I D G E January 2018

O A S THE TR OAST NOTES ONBR I D G E · a reprobate he used to know into strangling Margot for a fee, whilst ... Fisherman: Mel Paszkowski Riverwoman: Annie Young Stranger: Karen

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Page 1: O A S THE TR OAST NOTES ONBR I D G E · a reprobate he used to know into strangling Margot for a fee, whilst ... Fisherman: Mel Paszkowski Riverwoman: Annie Young Stranger: Karen

OAST NOTESOAST THEATRE

TONBRIDGE January 2018

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DATES FOR YOUR DIARY

SATURDAY, 6th JANUARY COPY DATE FOR

FEBRUARY OAST NOTES

Saturday, 20th to Saturday

28th January incl.

Play of the Month:

“Bronte”

Sunday, 28th January Find out about

The Edinburgh Fringe

Monday, 29th January Members’ Evening

Louise Jameson returns

Sunday, 11th February Quiz Night

Sunday, 18th February

Monday, 19th & Wednesday

21st February

Audition re-calls:

“Dial M For Murder”

Monday, 19th – Saturday,

24th February

Southern Counties –

Oxted One Act Play Festival

NEXT MONTH’S PLAY – “The Game’s Afoot” by Ken Ludwig, 17th

– 24th February. A light-hearted mix of comedy, melodrama, farce and

intrigue. This spoof who-dun-it is set on Christmas Eve in 1936 at the

home of an actor famous for portraying Sherlock Holmes.

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PLAY OF THE MONTH

“Bronte” by Polly Teale

The external lives of the Bronte sisters were dreary, repetitive, and

uneventful and yet their inner lives were the opposite. This play

dramatises the collision between drab domesticity and unfettered, soaring

imagination, showing us both the real and internal world at once and

making visible what is hidden inside. In the play the characters from the

novels are living in the house, haunting their creators. While the sisters

cook and clean and sew, there exists another world full of passion and

fury. This is a story of make-believe, of the power of the imagination to

transcend time and place and circumstance, to take us to places we cannot

otherwise go.

Directing this play with such a talented and enthusiastic cast and crew has

been a real joy. I hope you will enjoy watching it as I have enjoyed the

process of bringing it to the stage at the Oast.

Barbara Smith

Director

Our first production of 2018! I think you’ll agree that this season we have

some excellent plays on offer and this is certainly one of the best. It is

sure to be well attended so do make sure of your seat by BOOKING

EARLY! Go to the website – www.oasttheatre.com or book by ‘phone

on 01732 363849 or even by post if you collect an Advance Booking

Form from the foyer at the theatre.

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LOUISE JAMESON RETURNS TO THE OAST

FOR A MEMBERS’ EVENING!

29th JANUARY, 2018 – 8.00pm

The well-known actress, Louise Jameson, remembered for her

roles as the leather-clad Leela from ‘Doctor Who’, Rosa di Marco

in ‘East Enders’, Bergerac’s girlfriend Susan, the feisty Blanche

in ‘Tenko’ and Doc Martin’s mother-in-law, is returning to the

Oast for another Members’ Evening on 29th January.

Now Jameson will be playing Rachel in ‘My Gay Best Friend’,

an award-winning play which she wrote with fellow performer

Nigel Fairs. This two-hander is a frivolous, camp comedy in

many respects but is quite profound as well. It helps us

understand the value of friendship, of loving someone warts and

all, of knowing their dark side and accepting it. It is witty,

articulate and touching.

Louise’s last visit to the Oast sold out, so make sure you book

early!

To book your ticket either email [email protected] or tel.

01622 813573.

Tickets are £7.50 payable on the door.

Maggie Hoiles

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FUN IN FEBRUARY! MEMBERS’ EVENT

QUIZ NIGHT

Sunday, 11th February 7.00pm for a 7.30pm start

Our quizmaster, Stephen Pierce, returns to test your knowledge!

Cost - £7.00 a person to include a glass of wine or soft drink with

nibbles placed on the table. The bar will be open.

Teams of 6. Smaller numbers will be made up into a team.

Please book your places by sending a cheque payable to TTAC

to Valerie Armstrong, Candytree Plat, Foxhole Lane, Matfield,

Kent. TN12 7ES or leave the envelope in the ‘Wardrobe’ pigeon

hole at the Oast.

Please include an email address (or telephone number) to receive

confirmation of your booking.

Book your table now!

Jo Pierce

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AUDITION

Alfred Hitchcock’s

“Dial M For Murder” adapted by Frederick Knott

Auditions: Sunday, 18th February – 10.00am – 2.00pm

(Janet Young Room)

Re-calls: Monday, 19th & Wednesday, 21st February

8.45pm (venue tba)

Performance dates: 19th – 26th May 2018

Director: Helen Thorpe – 07909881347 or

[email protected]

When Murder calls … hang up!!

Frederick Knott’s intense, darkly gripping thriller, famously filmed by

Alfred Hitchcock, just screams – Watch Me!

Ex-tennis pro Tony Wendice has married his wife Margot for her money,

but subsequently (and with good reason) becomes convinced that she has

been having an affair, so he implements what he thinks is the perfect plot

to have her murdered and to get the inheritance. He starts by blackmailing

a reprobate he used to know into strangling Margot for a fee, whilst

creating an alibi for himself – or so he thinks!

A frighteningly brilliant, claustrophobic plot twisting, passionate tale of

betrayal and murder. It will require strong performances from all the

actors.

The Characters:

Margot Wendice: The charming, naïve, and wealthy socialite wife of

Tony. She is quick witted and intelligent and genuinely kind, good

natured and graceful. Age range mid 20s – early 40s.

Tony Wendice: Margot’s husband. A former English

professional tennis player who has married Margot for her money

as his professional career is nearly over. He is selfish, narcissistic

and arrogant. Age range 30s – early 50s.

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Max Halliday: An American crime fiction writer who had an affair with

Margot when Tony was playing professional tennis tournaments in

America. Age range 30s – 40s.

Captain Lesgate: An old down on his luck acquaintance of Tony’s from

Cambridge University, who is now a convicted criminal, and is blackmailed

by Tony into murdering Margot. Fantastic fight scene. Age range 30s –

early 50s.

Inspector Hubbard: An intelligent, good natured stoic British Scotland

Yard detective much sharper than he first appears. A treat of a character for

a heavy hitting actor. Age range mid 40s – 60s.

Thompson: A Police Officer working with Inspector Hubbard. Supporting

character of your own making. Age range 20s – 60s. Male but possible

female may be considered.

Audition pieces:

1. Tony with Lesgate. From start of scene 2 to page 12 & from page 17

‘Where’s the nearest police station?’to page 19.

2. Margot with Max. From page 3 ‘You look very serious all of a

sudden’ to page 4.

3. Margot with Hubbard. From page 34 ‘Good morning madam’ to

page 39.

4. Max with Tony. From page 48 ‘You mustn’t give up trying. It’s not

over yet’ to page 51.

5. Hubbard with Tony. From page 51 ‘Oh – hullo Inspector’ to page

53.

6. Margot with Tony. From page 32 ‘More coffee’ to page 34.

Ping Helen for a script or scanned audition pieces...

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100 CLUB – NOVEMBER RESULTS

£25.00 Mrs M O’Boyle

£10.00 Mrs A Leader

£10.00 Mrs K Morgan

£10.00 Mr & Mrs M Adams

£10.00 Mr J Perry

Be IN for a chance to WIN!

It only costs £13.00 per year!

It helps to raise money for your Theatre!

Prizes every month!

Ring Rita Carpenter on 01732 358282 or email on

[email protected]

You can join at any time!

But who not make it NOW!

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SOUTHERN COUNTIES DRAMA FESTIVAL

19th – 24th FEBRUARY, 2018 – OXTED

Our entries for the 2018 one act festival here are:

“Strangers” by Colin and Mary Crowther

Fisherman: Mel Paszkowski

Riverwoman: Annie Young

Stranger: Karen Gorbutt

A hauntingly beautiful, multi-layered tale of love and forgiveness played

out on an abandoned jetty with only a fisherman to help disentangle the

weeds.

“Ghost Story” by Mark Ravenhill

Lisa: Karen Dix

Meryl: Elizabeth McCreadie

Hannah: Natalie Smith

Meryl is a healer who believes in the power of positive thinking. Hannah

is her girlfriend and Lisa needs healing. A moving story of ghosts, and

the lies we tell ourselves to cope with what is really happening.

Please come to Oxted and support us if you can. The dates we are

performing and their box office details will be put in the next edition of

Oast Notes.

Sandra Barfield

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NEW MEMBERS

We start by thanking G Collins & Sons Jewellers who have renewed their

Associate Membership for the season. As ever we are extremely grateful

for their support.

New Hoppers

Seb Bray and Isla & Kiah Spurle

New Youth Theatre Members

Nora Dedek and Auriel Tiltman

Howard Perry joins as an Audience Member.

John Hall has joined the Art Group & will also be an Audience member.

Sophie Jackson joins as an Actor, Director, to help in the Wardrobe and

with Make-up/Hair.

Matthew Jenner joins as an Actor, Prompter, Props, Stage Management,

Set production and the Art Group.

Loraine Kyd would like to help with Front of House, the Box Office and

as an Audience Member.

Rachel Rowland joins as an Actor and to help with Make-up/Hair.

Charlotte Whiting joins as an Actor.

A lot of useful people. Welcome to you all. We are so pleased to have

you with us.

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AGM – 3RD DECEMBER

It is with great pleasure that I announce that life membership has been

given to the following:

Jean Bruce

Rita & Arthur Carpenter

Lee Kirk

The Management Committee wish to thank them for the many years of

support and hard work they have given to the Oast.

Thank you to all of you who came to this year’s AGM.

I have pleasure in informing you of your new Management Committee:

Phil Porter – Chairman

Valerie Galbraith – Vice Chairman

David Keith – Hon. Treasurer

Elizabeth Portlock – Hon Secretary

Sandra Barfield – Drama Director

Maggie Hoiles – Publicity

Jason Lower – Youth Director

Brian Perryman – Membership Secretary

Gordon Court – Art Group Representative

Jo Pierce – Wardrobe Representative

Cathryn Gahan – Chaperoning

John Perry

Shirley Browning

Phil Holden

Geoff Daniels – Co-opted as Technical Director.

Elizabeth Portlock

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ONE POINT OF VIEW

“The Communication Cord” by Brian Friel

I was looking forward to seeing this play and I wasn’t disappointed. It’s a

complicated farce involving several couples wherein Friel relentlessly

parodies both academia and the tendency of the Irish to treat their past with

an overly reverent attitude. It’s a cleverly written play, demonstrating the

breakdown of communication. A theme so prevalent in Friel’s work.

The setting is a restored thatched cottage in Donegal, Ireland. A place of

romantic idealism which was caught well by the spacious set, affording

plenty of opportunity for movement. The entrance into the cottage was

through a stable door which appeared to have a mind of its own, opening of

its own accord. This worked well, as did the billowing smoke wafting from

the fireplace. I was struck by the sign of the cross in several places which I

thought was a nice touch as it gave a sense of Catholic Ireland.

The central character is Tim Gallagher, a junior lecturer in linguistics, who

is borrowing his friend Jack’s cottage so he can pretend to his girl friend’s

father, the corrupt local politician, Senator Donovan, that he owns the

cottage, and is responsible for its restoration. Tim was played by Sebastian

Junemann who talks eloquently about language but, ironically, is

inarticulate when talking about anything else. He executed a demanding

role very well indeed. He was completely believable. He was one of three

actors I haven’t seen before. The other two were Emily Rose Sawyer, who

was equally believable as Tim’s girl friend, Susan. Jack McNeilis, the

owner of the cottage who suggested the deception, was played by Mark

Davidson. This was also well performed although I felt he was using his

hands too much.

The play is full of strong characters. My personal favourite is Senator

Donovan, acted by Alan Round. He captured the essence of the man,

imposing his authority on the stage. Barney the Banks, the German, who

had many laughs due to his misunderstanding of the language, was played

with relish by John Ewens. Elizabeth Goodall is at her best when she takes

on a character role. Nora Dan, the nosey neighbour suited her very well,

although I wasn’t too sure about the character’s shoes. Lisa Bunyan

played Claire Harkin. I felt this was a difficult part because we are

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“The Communication Cord” contd. not too sure about her motivation. Does she simply want to be a nuisance, or

are there other reasons? The end seemed to suggest the latter. She had to put

on more than one accent which she did convincingly. Faye Bedding performed

Evette Giroux. Another good performance in this ensemble play. I thought

her French accent was very good. Indeed I thought the accents throughout the

cast were very good.

Farce is demanding, requires good timing, pace and energy, and I thought

overall the performance had plenty of pace and the movement was good. I felt

that just occasionally, particularly when there were only two on stage, it

became a little static, but that’s a minor detail. The farce ends with the roof of

the cottage literally falling down on top of Gallagher. This didn’t quite work

as there was no roof to fall in. This was understandable. I just wonder if it

may have been better with a quick blackout, tabs closing quickly, and the

sound of a roof collapsing. Once again this is just a small point in what was a

very enjoyable evening’s entertainment, and so thank you to Nadia Higson for

directing this challenging play.

Andy Taylor

BOX OFFICE RESULTS A total of 815 tickets were sold for “The Communication Cord” being 91% of

the capacity. There were 170 (21%) Season Ticket holders, 269 (33%)

Members, 350 (43%) Non Members and 26 (3%) Associate Members. 585

seats were booked online, being 72% of the total bookings.

Brian Perryman

FIND OUT ABOUT THE EDINBURGH FRINGE The Edinburgh Fringe is the biggest arts festival in the world and the Oast

Theatre was represented there in August with Ian Tucker Bell’s ‘From Today

Everything Changes’. It got good audiences and some great reviews! If

you’ve wondered what it’s like being part of the Fringe or you think you might

want to take part in the future – on stage, back stage, writing or directing –

then come along on SUNDAY, 28th JANUARY 2018 at 2.00pm to listen and

ask questions. Phil Holden, Ian Tucker Bell and others will give you the

inside story of their Fringe adventure and what they’ve learned. And they

may even show you some pictures.

Phil Holden

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HELP IS NEEDED

As a member of the Oast you must, I’m sure, be aware of the theatre’s

amazing costume department. All those costumes seen on stage need

constant attention, managing general wear and tear and, if occasion

demands, creating new ones. Another branch of the Wardrobe

Department is to hire out costumes, mainly on Sunday mornings. This

involves dealing with customers whose needs are many and varied as

well as keeping the necessary records.

All productions need a member of the Wardrobe Department to work

closely with directors and casts to costume the plays. These people are

also on hand during the run of a play to help with any costume issues that

may arise.

There is a happy band of ladies who meet regularly once a week to sit,

sew, and enjoy each other’s company as they maintain the wardrobe

stock. However, as you will appreciate, there are many wardrobe jobs

that do not require great sewing skills but only a desire to help and

become meaningfully involved.

If you think that being part of our fantastic Wardrobe Department is

something you’d enjoy, we’d love to hear from you. Remember, any

skill you have we’d love you to share it with us. Just ‘phone Jean Bruce

on 01732 369878 and she will gladly tell you all you need to know.

We look forward to hearing from you.

Shirley Browning

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OAST YOUTH THEATRE

“WENDY AND PETER PAN” Well done to everyone involved in “Wendy & Peter Pan” – I hope

everyone who took part or came to see them enjoyed themselves.

Now on to “The Tempest”!

NEXT SEPTEMBER SHOW

Many of you will be leaving us next September to go to university/drama

schools/ gap years. I am on the hunt for a show that will be a good send-

off. If you have any ideas, please let me know. We will have one cast,

five performances (running a week earlier than ‘Our Country’s Good’

and ‘Laramie’ and many of the rehearsals will run in July.

WORKSHOPS Finally, we are back to regular workshops!

Thursday, 4th January, 7.30pm – 10.00pm

Thursday, 11th January, 7.30pm – 10.00pm

Thursday, 18th January, 7.30pm – 10.00pm

CALENDAR

All of our upcoming dates can be found in the OYT calendar:

http://oastyouth.co.uk/oyt-calendar

Jason

[email protected]

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OAST THEATRE

TONBRIDGE

THE OAST THEATRETonbridge Theatre & Arts Club

OFFICERS

Box Office: (01732) 363849 [email protected] ROAD TONBRIDGE KENT TN10 3AN TEL: (01732) 350261

www.oastheatre.com

Tonbridge Theatre & Arts Club Registered Charity No. 227035

PHIL PORTER [email protected]

DAVID KEITH [email protected]

ELIZABETH PORTLOCK [email protected]

BRIAN PERRYMAN [email protected]

ANNIE YOUNG [email protected]

PHIL PORTER

LYN PORTER [email protected]

MAGGIE HOILES [email protected]

JO PIERCE [email protected]

JASON LOWER [email protected]

Chairman

Honorary Treasurer

Honorary Secretary

Membership Secretary

Editor

Premises Manager

Hirings and Rehearsal Bookings

Publicity

Wardrobe Representative

Youth Theatre

01732 835460

01732 458876

01732 300551

01732 354368

01732 352084

01732 835460

01622 813573

01892 528166

07812061753

01732 835460