Notes

1 RUSSIA AND JOYCE

1. S. Joyce, 1958, p. 63 (on Poles, see S. Joyce, 1971, p. 46). 2. On Pecherin, see E6in MacWhite, 'Towards a Biography of Father

Vladimir S. Pecherin (1807-85) - A Progress Report and Bibliography', ed. P.J. O'Meara, Proceedings of the Royal Irish Academy, 80, C, 7 (1980), 109-58. On Zubov (Roman Ivanovitch Zubof, 1866-?), see Charles F. Hammond, 'Roman 1. Zubof', a biographical introduction to Roman 1. Zubof, Viera: A Romance 'Twixt the Real and the Ideal (New York: The American News Company, 1890); this novel, though, was apparently on an English theme. On Litvinov, see Neil Cornwell, 'A Bolshevik in Belfast: an episode in the biography of Maxim Litvinov', Irish-Russsian COlltacts (Belfast: Irish Slavonic Studies,S, 1984), pp. 43-8.

3. Joyce's reference to the local language as 'Slavic' is of course correct, but only in the general sense; it is in fact a dialect of Croatian, known as cakavski. EHmann, however (1983, pp. 185-6) contrives several errors in his Pola account: the town is known now as 'Pula' (not 'puln; it is not 'ISO miles south of Trieste', but 75 miles (125 kilometres), although the road is such that it might seem twice as far; and, as for Joyce's three languages, 'Slavic' is transposed by Ellmann into 'Ser­bian', the very thought of which, now as then, would be liable to cause riots throughout Croatia. As these errors had already been made in EHmann's first edition (1959, pp. 191-2), it is surprising that they were not corrected by 1982, given EHmann's contacts with Yugoslav scholars (such details also have a habit of being perpetuated: see for example Maddox, 1989, p. 72).

4. See various essays in Melchiori, 1984; Manganiello, 1980. 5. Joyce continues (L, II, p. 182): 'Many eminent persons were consulted

as to whether this was right of the said general. Among them was Father Bernard Vaughan [model for Father Purdon in Joyce's st0ry 'Grace']. He said, "If it were my case I would simply 'chuck' ,he woman II • I suppose he was mis-reported by a reporter with a sense for verse.'

6. FW, 423, 15 (see Skrabanek, 1981, p. 4; McHugh, 1980, p. 423). Schaurek committed suicide in 1926. On the names 'Schaurek' and 'Joyce' (,yoyce' as pronounced in Trieste), for a suggestive etymology which corrects the 'garbled' version given by Ellmann (1983, p. 385) and involving the Slovene for 'eggs' (or 'testicles') and the Czech for 'scrotum', see Skrabanek, pp. 4-5.

7. Quoted from the translation of Francini given in EHmann, 1983, p. 187 (that in PoUs, 1986, p. 34, uses the less striking 'mud puddle'). Radek (see H.G. ScoU, 1977, p. 179) argues that 'a heap of dung is just as much a part of reality as the sun'.

145

146 Notes

8. On this affair, see Joyce's open letter (L, 2, pp. 438--40); and the biographical accounts in EHmann (1983), Maddox (1989) etc.

9. For references to Ludmila Savitsky [Ludmilla Savitzky) (1881-1957), see Ellmann, 1983, pp. 486-8, 561; SL, p. 265 and p. 278, in which Joyce refers (28 February 1921) to 'a hysterical letter from the translat­ress of the Portrait'.

10. Goldwasser, 1979, pp. 219-22. 'His father, Walter Frank Dixon, was an American citizen of British descent', who arrived in Russia in 1895, marrying 'Ludmilla Ivanova [sic) Bidzhevskaia'; Vladimir was brought up in Podol'sk, where his father worked for the Singer company (as, subsequently did he himself in Paris). He published books of poetry and prose in Russian in Paris (1924 and 1927); in 1930 his Stikhi i proza (,Poetry and Prose') was published, with a foreword by the well­known writer Aleksei Remizov.

11. See British Museum General Catalogue of Printed Books, London, 1960, vol. 53, col. 745 (publishers not given). See also, in addition to sources quoted by Goldwasser (p. 222), Gleb Struve, Russkaia literatura v izgnanii (New York: Chekhov Publishing House, 1956), pp. 333, 400; and, second edition (Paris: YMCA Press, 1984), pp. 72, 333.

12. Kapiton Denisovich Zaporozhets, a bass in the Bolshoi who subse­quently sang in Paris and London. The mis-spelling 'Zaporoyets', commonly found in Joyce literature, derives from a misunderstanding of the transliteration 'Zaporojets'.

13. The main sources for information on Ponisovsky (1901-44), and of course on Paul Leon, are his sister's memoirs (Noel, 1950 and 1970). Brian Boyd (1990), Nabokov's biographer, following Nabokov, spells the name 'Ponizovski'. On Leon, see Nadel, 1989, pp. 226-30.

14. Joyce's (unpublished) letter to Harriet Shaw Weaver of 27 May 1932, British Library, Weaver papers, # 5735G-53. Brenda Maddox (1989, p. 376) paraphrases this as 'Russians of all kinds, he says, gave him the shivers'. I am grateful to her for supplying me with the exact quotation and BL reference.

15. See Hubert Butler's essay of the same name, in his collection entitled The Children of Draney (Mullingar: Lilliput, 1988), pp. 186-96, referring to the 4051 children 'sent off to be killed in Poland from the transit camp at Drancy north of Paris' (p. 186).

16. The question of 'authority' in Joyce and Tolstoy has been discussed in a paper by Anna Tavis (1990, publication forthcoming).

17. International Review, II, 6 (31 May 1916), quoted from Manganiello, 1980, p. 245, n. 176. The claim made by Joyce for this story is so sensational that we should say a little about it. 'How Much Land Does a Man Need?' (1886) is one of Tolstoy's didactic stories, aimed at the peasantry and newly adult literate. In parable form, it relates the case of a man who, wishing to settle land on the edge of the Russian Empire, is allowed to claim as much land as he can get round on foot by sunset. His greed is such that he over-exerts himself, dropping dead as the sun sets. He is then buried. The answer to the question, therefore, is enough space for a hole in the ground which will accom­modate a body, with six feet of earth on top. No more, no less.

Notes 147

18. Vladimir Odoevsky (1804-69) is not an author whom Joyce is at all likely to have known, although some translations into French and German did exist (Le decameron russe, Paris, 1855; Magische Novellen, Munich, 1924). He does, however, have at least two further points of contact with Joyce, apart from his general encyclopaedism, which would have been to joyce's taste. One is his interest in Giordano Bruno, on whom he wrote an unfinished (and still unpublished) novel, and in a variety of early theosophical thinkers, as well as such romantic concepts as 'the reconciliation of opposites'. Secondly, Joyce's emphasis through Stephen Dedalus that 'the artist and his life are not distinct' (Ellmann, 1983, p. 364) is close to Odoevsky's romantic theory of the inseparability of an artist's art from his biography, best seen in his tale Sebastian Bach (a part of the Russian Nights cycle, completed in 1844). On Odoevsky, see the present author's study, V.F. Odoyevsky: His Life, Times and Milieu (London: Athlone Press, 1986).

19. For limited commentaries on the use of Russian and other Slavonic languages in the Buckley episode, and the Wake generally, see: Leem­ing, 1977; L.H. Scott, 1968; Skrabanek, 1981.

20. Could 'lugging up and laiding down his livepelts so cruschinly like Mebbuck at Messar' (FW, 344, 16) be a reference to this source? ('Me buck at mass' is one reading, while McHugh, 1980, supplies 'Nebu­chadnezzar' and Latin messa, harvest.)

21. Vishnevskii's diaries, 1938-40; quoted from Inostrannaia literatura, 11 (1989), pp. 241-2.

22. See Tall, 1980, p. 358, n. 9; Lidiia Chukovskaia, Zapiski ob Anne Akhmatove, vol. 1 (Paris: YMCA Press, 1976), p. 17; Inostrannaia lite­ratura, 11 (1989), p. 243.

23. See Cornwell, 1986, p. 13; for further detailed references to Pasternak scholarship, see the same study, especially pp. 52-5 and apparatus.

24. For a discussion of coincidence, symbolic patterning, Jungian 'synchron­icity' etc. in Doctor Zhivago, see Chapters IV and V of Cornwell, 1986.

25. Czeslaw Milosz, Emperor of the Earth: Modes of Eccentric Vision (Berke­ley: University of California Press, 1977), p. 246. Nicola Chiaromonte, The Paradox of History: Stendhal, Tolstoy, Pasternak and others (London, 1971), p. 125.

2 JOYCE AND THREE RUSSIAN CONTEMPORARIES

1. See his comments in 'Odisseia russkogo "Ulissa''', Inostrannaia lite­ratura, 1 (1990), pp. 178-9.

2. Field, 1977, p. 222: 'Once Nabokov was talking to Joyce at the Nouvelle Revue Fran<;aise, and Joyce asked him whether he knew Remizov. 'Why, yes, why do you ask?' Nabokov responded in per­plexity which he re-enacted for my benefit. - 'Joyce, you see, was under the impression that Remizov mattered as a writer!!' [Field's emphasis]. Nabokov's attitude to Remizov is typically idiosyncratic. Among other Russian novelists whom he rated rather low were Dostoevsky and Pasternak.

148 Notes

3. Deirdre Bair (19BO, p. 213) reports that Beckett was taken to 'a lecture on the Russian novelist Andrei Biely (called 'the Russian James Joyce') by Professor Fedor Stepun ... Stepun spoke at length about Biely's family situation: his [first, NC] wife, Assya Turgeneva, was a relative of the great Russian writer, and her sister (who had lived in Dresden for many years) was married to an Italian named Pozzo. It was probably the first time Beckett heard the name he later gave to one of the characters in Waiting for Codot'.

4. 'Menstrual'no-krasnym': Israel' Shamir, in 'Odisseia russkogo "Ulissa''', see note 1 above, p. 182.

5. Andrei Belyi, Na rubezhe dvukh stoletii ['On the Border of Two Cen­turies', 1930] (Letchworth: Bradda Books, 1966), p. 115.

6. See Nabokov, 19BO, p. xix; Nabokov, 1974, pp. 102-3. On Goudy, see Field, 1977, p. 138.

7. For reasons why M'Intosh might not be Joyce, see Gordon, 1983; Gordon's own candidate for the role is (the ghost of) Rudolph Bloom.

B. Apart from Werner, 1990, see Leon Moussinac, Serge Eisenstein (Paris: Editions Seghers' Cinema d' Aujourd'hui, 1964), p. 121. On Ivy Utvinov, see our remarks in Chapter 1; Werner (p. 494) is therefore mistaken is following Beach, 1959, over Maksim Utvinov's supposed attendance at U.C.D.

9. Jan Leyda'S translation in Film Form (Eisenstein, 1963) was made from the original publication, 'Za kadrom', an afterword to N. Kaufman, Iaponskoe kino (Moscow, 1929). This essay was published as S.M. Eisenstein, 'The Cinematic Principle and Japanese Culture' in transi­tion 19/20 (1930), 90--103 (quoted from McMillan, 1975, p. 261).

10. Eizenshtein, I, p. 486; elsewhere (ibid., I, p. 581) it is given as 'February­April 1930'; Herbert Marshall follows the latter date in his chronology to Immoral Memories (Eisenstein, 1985, p. 271). Ellmann's only brief mention of it, based on a letter from Hans Richter, seems to put it, if anything, even later (Ellmann, 1983, p. 654n). Reports of a plurality of meetings remain unconfirmed (see Werner, 1990, p. 503, n. 2).

11. Seton's account appears to be based on that of Moussinac (see note 8 above), pp. 48-50, an excerpt of which is included in Eizenshtein v vospominaniiakh sovremennikov (Moscow, 1974), p. 209. The visit is also alluded to in the same collection (p. 221) in an extract taken from Ivor Montagu's With Eisenstein in Hollywood (Berlin: Seven Seas Books, 1968).

12. For original of the foregoing, see Eizenshtein, I, pp. 454-5, 48.>-8. 13. Eisenstein, 1963, p. 104; Eizenshtein, II, p. 77 ('montage form as a

structure' is defined in this essay as 'the reconstruction of the laws of train of thought': II, p. 79).

14. Inostrannaia literatura, 1 (1990), p. 179; for a number of interesting comments and quotations by Ivanov on Joyce and Eisenstein, see pp. 179-80. See also V.V. Ivanov, Ocherki po istorii semiotiki (Moscow, 1976), pp. 11~25 (quoted from Tall, 1987, p. 142, n. 5).

15. Eizenshtein, V, pp. 89-90; slightly amended from Eisenstein, 1963, pp.184-5.

Notes 149

3 JOYCE IN RUSSIA

1. Listed in the bibliography to Alex M. Shane, The Life and Works of Evgenij Zamjatin (Berkeley: University of California Press, 1968), p. 244. This notice, published under the heading 'England and America', was translated by the present author in James Joyce Broadsheet, 8, 1982, p. 4. According to E. Tall, 1984, p. 117, the first issue of Sovremennyi zapad (1922) included mention of Joyce in an item by one Douglas Goldring.

2. Such translated items will be readily identifiable from the Russian 'primary source' bibliography, listed by Joycean work, then in chrono­logical order. Criticism is listed in alphabetical order: western, Russian up to 1941, and then Russian post-1941. Referencing will normally be given by author and year. Any sources not in the present bibliography will be quoted in full in these notes. The author of the introduction (pp. 61-4) to the 1925 Ulysses excerpts is identified by E. Tall, 1984, p. 117, as E. Lann.

3. On Mirsky's career, and for bibliographies of his writings, see Nina Lavroukine and Leonid Tchertkov, 0.5. Mirsky: Profil critique et biblio­graphique (Paris: Institut d'Etudes Slaves, 1980); and G.S. Smith (ed.), 1989.

4. On Poplavsky (1903-35), see Simon Karlinsky, 'In Search of Po­plavsky: a Collage', and other references, in Simon Karlinsky and Alfred Appel, Jr (eds), The Bitter Air of Exile: Russian Writers in the West 1922-1972 (Berkeley: University of California Press, 1977). Karlinsky (p. 330) writes of a 'Proust-Joyce lecture' delivered by Poplavsky at the Kochevie Club, Paris, in October 1931 and remarks of Poplavsky (who was variously regarded by Roman Gul as 'an utter madman' and Nabokov as 'the first hippy, the original flower child': p. 331) as 'the only Russian writer I can think of besides Vladimir Nabokov who responded creatively to Ulysses'. See also Beaujour, 1989, pp. 140-3.

5. On these developments see for example Struve, 1972; Neil Cornwell, 'Through the Clouds of Soviet Literature', The Crane Bag, 7, 1 (1983), 17-33, reprinted in Mark Patrick Hederman and Richard Kearney (eds), The Crane Bag Book of Irish Studies (1982-1985), II (Dublin: The Crane Bag, 1987); and Michael Scriven and Dennis Tate (eds), European Socialist Realism (Oxford: Berg, 1988). A compendious source for lite­rary politics in the 1930s is Lazar Fleishman, Boris Pasternak v tridtsatye gody (Jerusalem: Magnes Press, 1984).

6. Lukacs's literary involvements in Moscow in the 1930s seem not yet to have been fully researched. See however the sources cited in Corn­well, 1984, pp. 79-80, n. 14. An interesting account of these events has since been published in Vittorio Strada's Le Veglie della Ragione (Turin: Einaudi, 1986), especially pp. 245-68.

7. See 'Problemy teorii romana', Literaturnyi kritik (1935): 2, 214-49; 3, 231-54.

8. Lavroukine and Tchertkov, D.S. Mirsky: profil critique, p. 45, G.S. Smith, 1989, p. 25, refers to 'the arrogant dogmatism that marks his

150 Notes

work after 1931'; to his stance as 'Marxist fundamentalist' and his 'holier-than-thou attitude, and the fiery, outspoken temperament that went with it' (p. 27).

9. The note on this point in Mirskii, 1978 (p. 287, n. 1) is not entirely helpful; in Mirskii, 1987, the title has been fully standardised to Wiss. Quotations from this article are here drawn from the 1978 reprinting (see bibliography for details of original; a very abbreviated English version appeared under the title 'Joyce and Irish Literature' in New Masses, 1934; and a slightly fuller but very poor translation as 'James Joyce' in International Literature, 1934: see bibliography for full details).

10. Joseph Frank, 'Spatial Form in Modem Literature' (1945), in his The Widening Gyre: Crisis and Mastery in Modern literature (New Brunswick, NJ: Rutgers University Press, 1963), p. 19.

11. 'Eto uzhe chistaia zaum', rabota slovesnogo masterstva na kholostom khodu' (Mirskii, 1978, p. 305). By using the word zaum', Mirsky is invoking a comparison, not infrequently made, between Joyce's verbal experimentation and that of the Russian Futurists, particularly of the more radical wing exemplified by Khlebnikov and Kruchennykh, whose style was also being suitably excoriated during this period.

12. Such a juxtaposition of literary schools is strongly reminiscent of the critical theories of Zamiatin, who had advocated a synthesis of sym­bolism and naturalism.

13. See Scott, 1935 (reprinted 1977, pp. 150-62 and 178-82); see also Struve, 1972, pp. 268-75, and Flaker, 1983, pp. 209-12. Quotes here are taken (and translations made) from the original Pervyi vsesoiuznyi s"ezd ... (1934, reprinted 1990), hereafter abbreviated as PVSSP, 1934.

14. See Garin, 1937 (also in Dublintsy, 1966); and the following reviews: Rykachev, 1938; T.G., 1938; and Borovoi, 1938.

15. See Internatsional'naia literatura, 7-8 (1940), 337; and 4 (1941), 141-2 (A. Isakov's review). The reference is to Letters, II, p. 187 Goyce to Stani­slaus Joyce, Rome, 6 November 1906).

16. Internatsional'naia literatura, 5 (1941), 230-2, in fact carried one further report, beyond the Gorman review the previous month, on American reactions to Joyce's death (Karmon, 1941).

17. The lack of a Russian text of A Portrait led not only to inconsistencies in a Russian title for the work (' ... as a Young Man' being variously rendered as 'v molodosti', 'v iunosti' [as it finally became] etc.), but to various, at times misleading, translations of key quotes. Notably perhaps, 'cunning', in the famous threefold 'silence, exile, and cun­ning' (A Portrait, p. 247) is variously (and contentiously) rendered as 'masterstvo' ('skill', by Umov, 1964, p. 18), 'kovarstvo' ('treachery', by Mikhal'skaia, 1966, p. 38) and (the more acceptable) 'khitrost" (Ivasheva, 1%7, p. 43). Umov, 1976, p. 194, compliments Bogoslovakaia­Bobrova, reviewing her translation, for her choice of the word 'khit­roumie' (perhaps a cross between 'cunning' and 'sharp-wittedness'). N. Anastas'ev, 1985, p. 169, strangely enough, reverts to 'masterstvo'.

18. One assumes that Meletinskii, himself evidently a polyglot, was not responsible for the indifferent summary in English given at the end of

Notes 151

his book (Meletinskii, 1976, pp. 399-406), and in particular for the rendering of Earwicker as 'Irvicker' (p. 405).

19. Conversation with E. Genieva, April 1988; Tall, 1980, p. 344. 20. The cancelled volume, which was to have been published by Nauka

(prestigious publishing house of the Soviet Academy of Sciences) and was vetoed in 1978 by 'Goskomizdat' (the State Committee on Pub­lishing) was to have included, as well as A Portrait and Giacomo Joyce, Stephen Hero, the first episode of Ulysses from the 1935 translation, plus articles, notes etc. (Tall, 1984, pp. 107; 111, n. 2).

21. Once again there is a strong feeling here of Zamiatin's theorising (see note 12 above); it should be remembered that Zamiatin remained all but unmentionable in Soviet criticism until the glasnost' period.

22. On Khinkis (1930-81), see Emily Tall's 1978 interview with him (Tall, 1980, pp. 349-53) and his correspondence with the Polish and Czech translators of Ulysses (Tall, 'Correspondence ... ', 1990), in which he describes his methods, his various difficulties, the availability or otherwise of books on Joyce in Soviet libraries, and other matters. See also Tall, 'Behind the Scenes', 1990. Unable to visit the West (or even Poland), he eventually gave in despair an invitation dated 1968 to stay with Sid Chaplin, one of whose books he had translated, to Emily Tall in 1978 (E. Tall, copies of unpublished material passed to me, April 1991).

23. Tall, 1984, p. 108. For a discussion of this translation, see Cornwell, 'A Russian "Cyclops"', 1982.

24. Dzheims Dzhois, 'Lirika', trans. by G. Kruzhkov and A. Livergant, intro. by E. Genieva, Inostrannaia literatura, 2 (1983), 165-70; id., 'Stat'i, dnevniki, pis'ma, besedy', Voprosy literatury, 4 (1984), 169-210.

25. The ensuing account is based on Tall, 'Behind the Scenes', 1990, together with conversations with and communications from E. Ge­nieva and S. Khoruzhii, April 1988 and since.

26. Letter from S. Khoruzhii, Moscow, 5 June 1988. 27. For an account of how Genieva persuaded Likhachev to participate in

this venture, see Tall, 'Behind the Scenes', 1990, pp. 188-9. Earlier, according to my private information, Likhachev had responded nega­tively to a suggestion that Ulysses should be published in the pres­tigious 'Literaturnye pamiatniki' ('Literary Monuments') series, of which he is president of the editorial board, on the grounds of the novel's indecency.

28. See Tall, 'Behind the Scenes', 1990, p. 188. Any proper attempt to analyse or evaluate the translation must remain outside the scope of the present study. For some discussion though, see Tall, ibid., pp. 189-90; and Tall, 'Interview with Nico Kiasashvili', 1990. See too some of the comments in 'Odisseia russkogo "Ulissa" " 1990. Further in­formation and comment are to be found in Tall's unpublished paper 'Ulysses returns to Russia', 1990. My own impressions, based on detailed study of the Literaturnaia ucheba text only, are, given the enormity of the task facing any Russian translator, largely favourable. In any case, native speakers will be the final judge. Regarding the provenance of the translation, which still seems to be causing

152 Notes

controversy (see Slavic Review, Fall 1991), I have taken Khoruzhii at his word (see note 31 below). Any final assessment must depend upon a study of the manuscripts.

29. 'Odisseia russkogo "Ulissa"', 1990, headed 'Iz besed v redaktsii' ('Round table discussion', or 'from chats in the editorial office'). One 'participant' at least (the present writer) can testify that not all the contributions were generated around any table; some at least were collected by other means. Those involved were: N.A. Anastas'ev, E.lu. Genieva, la.N. Zasurskii, A.M. Zverev, V.V. Ivanov, N.A. Kiasashvili, Neil Cornwell (GB), Emily Tall (USA), D.M. Urnov, V.A. Chalikova, Izrail' Shamir (Israel) and Ia. Zasurskii.

30. For all references to this forum, see 'Odisseia russkogo "Ulissa"', 1990.

31. Excerpted from Khoruzhii, 1990 (Krino, 8/9, 111-13). This piece is translated from the Russian by Sergei Khoruzhii and Kate Cook [and not by me, as erroneously stated in Krino, NC]. It is in this paragraph (p. 112) that Khoruzhii describes the even sadder posthumous fate of Khinkis's translation: 'As I went deeper into this esoteric novel, it proved impossible to preserve either his early work or that which we had done together. Everything was retranslated, often several times.'

32. Orwell, 1970: see particularly a letter of 1933 (pp. 150-4) and 'Inside the Whale' (1940), especially pp. 542-3.

33. Hawthorn's survey in this essay is recommended as an adjunct to the present section (as, too, is Segall, 1988); as we can see, Eagleton is not exempt from criticism, for remarks on Joyce made in his books Critic­ism and Ideology (London: Verso, 1976), pp. 156-7 and Marxism and Literary Criticism (London: Methuen, 1976), p. 31; neither is MacCabe, 1983 (referring to the first edition of 1979).

34. The literature on Bakhtin is beginning already to reach almost Joycean proportions (there being an International Bakhtinian Society and a Bakhtin Newsletter). See however in particular the recent 'New Accents' volume: Michael Holquist, Dialogism: Bakhtin and his World (London: Routledge, 1990); and the biography, Mikhail Bakhtin by Katerina Clark and Michael Holquist (Cambridge, Mass.: Belknap Press, Harvard, 1984).

Bibliography

PRIMARY SOURCES: JOYCE PUBLICATIONS (WESTERN)

Dubliners (Harmondsworth: Penguin Books, 1965) Stephen Hero (London: Granada, 1977) A Portrait of the Artist as a Young Man (Harmondsworth: Penguin, 1966) Exiles (London: New English Library, 1962) Ulysses, ed. Hans Walter Gabler et al. (Harmondsworth: Penguin, 1986) Finnegans Wake (New York: The Viking Press, 1972) Poems and Shorter Writings, ed. Richard Ellmann et al. (London: Faber and

Faber, 1991) Letters, ed. Stuart Gilbert (vol. I) and Richard EHmann (vols II and III)

(London: Faber and Faber, 1957, 1966) Selected Letters, ed. Richard EHmann (New York: The Viking Press, 1975) The Critical Writings, ed. Ellsworth Mason and Richard EHmann (Ithaca,

New York: Cornell University Press, 1989) Scritti Italiani, ed. Gianfranco Corsini and Giorgio Melchiori (Milan: Mon­

dadori, 1979)

PRIMARY SOURCES IN RUSSIAN TRANSLATION (SOVIET AND WESTERN)

Dubliners [Dublintsy] Leningrad, 1927: trans. by E.N. Fedotova [11 stories] Moscow, 1937: trans. edited by LA. Kashkin. Naples, 1966: reprint of Moscow, 1937 Moscow, 1982: reprint of Moscow, 1937 (also contains Giacomo Joyce) (for details of translators, see E. Tall, 1984)

A Portrait of the Artist as a Young Man [Portret khudozhnika v iunosti] Naples, 1968: trans. by Viktor Frank Inostrannaia literatura, 10-12 (1976), 171-98, 119-74, 139-82; trans. by M.P. Bogoslovskaia-Bobrova (commentary E. Genieva)

Dubliners. A Portrait of the Artist as a Young Man [includes Giacomo Joyce as Appendix], Moscow: Progress Publishers, 1982 (introduction and com­mentary in Russian: E. Genieva) In English

Poetry: odd poems have appeared in various journals and anthologies from 1932-7 and again from 1977 [see E. TaH, 1984]

Giacomo Joyce [Dzhakomo Dzhois] Literaturnaia Gruziia, 9-10 (1969), 79-86; trans. by N.A. Kiasashvili. Reprinted in Dublintsy, 1982.

Ulysses [Uliss]: excerpts or episodes only 'Uliss' [excerpts from various episodes], trans. by V. Zhitomirskii, Novinki zapada. Al'manakh No.1, Moscow-Leningrad, 1925, pp. 61-94. 'Uliss' [excerpts from episodes 4 and 8], trans. by S. Alymov and M. Levidov, Literaturnaia gazeta, 20, 2 September 1929, 3.

153

154 Bibliography

'Pokhorony Patrika Dignema' [Hades], trans. by V. Stenich (commen­tary R. Miller-Budnitskaia), Zvezda, 11 (1934), 116-42. 'Uliss' [episodes 1-6], under editorship of 1st. Translation Collective, Union of Soviet Writers, Internatsional'naia literatura (1935): I, pp. 61-73, trans. by I. Romanovich; 2, pp. 43-50, trans. by L.D. Kislova; 3, pp. 55-66, trans. by I. Romanovich; 9, pp. 43-52, trans. by An. Eleonskaia; 10, pp. 85-95, trans. by V. Toper; 11, pp. 54--62, trans. by N. Bolzhina; 12, pp. 45-55, trans. by N. Bolzhina. 'Utro m-ra Bluma' [episodes 4 and 5], trans. by V. Stenich (foreword D. Mirskii), Literaturnyi sovremennik, 5 (1935), 136--59. 'Uliss' [episodes 7-10], under editorship of 1st. Translation Collective, Union of Soviet Writers, Internatsional'naia literatura (1936): I, pp. 51-69, trans. by E. Kalashnikova; 2, pp. 52-73, trans. N.L. Daruzes; 3, pp. 53-76, trans. by I. Romanovich; 4, pp. 69-91, trans. by O. Kholmskaia. 'Dzhois-parodist' [excerpts from Cyclops], trans. by A. Livergant, Vop­rosy literatury, 4 (1982), 258-72. 'Sireny' [Sirens], trans. by Israel Shamir, Dvadtsat' dva, 29 (1986),69-90.

'Uliss. Glavy iz romana' [excerpts from Nestor, Calypso and Oxen], trans. by V. Khinkis and S. Khoruzhii, Literaturnaia ucheba (1988): I, pp. 170-92; [and from Circe] 6, pp. 163-84 (commentary E. Genieva).

Ulysses: complete text: Dzheims Dzhois, Uliss. Translated from the English by V. Khinkis and S. Khoruzhii. Inostrannaia literatura (1989), nos 1-12: No. I, pp. 140-86

140 title page and illustrations 141-2 D.S. Likhachev, 'Slovo k chitateliu' [prestigious intro.] 142-76 I [text, 'Episode 1': Telemachus, Nestor, Proteus] 176--86 E. Genieva: Commentary

No.2, pp. 127-77 127-70 II [text, 'Episode II': Calypso, The Lotus Eaters, Hades] 171-7 E. Genieva: Commentary

No.3, pp. 114-66 114-61 7 [Aeolus] and 8 [The Lestrygonians] 161-6 E. Genieva: Commentary

No.4, pp. 103-63 . 103-55 9 [Scylla and Charybdis] and 10 [The Wandering Rocks] 155-63 E. Genieva: Commentary

No.5, pp. 157-85 157-83 11 [The Sirens] 184-5 E. Genieva: Commentary

No.6, pp. 143-85 143-82 12 [The Cyclops] 182-5 E. Genieva: Commentary

No.7, pp. 154-86 154-8013 [Nausicaa] 181-6 E. Genieva: Commentary

No.8, pp. 142-81 142-75 14 [Oxen of the Sun] 175-81 E. Genieva: Commentary

No.9, pp. 101":'85 101-80 15 [Circe)

Bibliography

180-5 E. Genieva: Commentary No. 10, pp. 121-63

121-59 16 [Eumaeus) 160-3 E. Genieva: Commentary

No. 11, pp. 117-70 117-67 17 [Ithaca) 167-70 E. Genieva: Commentary

No. 12, pp. 157-93 157-89 18 [Penelope) 189-93 E. Genieva: Commentary

Miscellaneous:

155

'Stat'i. Dnevniki. Pis'ma. Besedy', compiled and trans. by E. Genieva and A. Livergant, Voprosy literatury, 4 (1984), 169-210.

'Pis'ma. Nekrolog. S. Bekket 0 D. Dzhoise', 'Dva otryvka is "Ulissa"', trans. by Igor Pomerantsev, Sintaksis, 14 (1985), 154-74.

JOYCEAN AND OTHER SOURCES (WESTERN AND/OR ENGLISH LANGUAGE)

Adams, Robert M., 'Ipso-Translators (Mostly Joyce)', in his Proteus, His Lies, His Truth: Discussions of Literary Translation (New York: Norton, 1973), pp. 133-50. Afterjoyce: Studies in Fiction after 'Ulysses' (New York: Oxford University Press, 1977).

Anschuetz, Carol, 'Bely's Petersburg and the End of the Russian Novel', in John Garrard (ed.), The Russian Novel from Pushkin to Pasternak (New Haven and London: Yale University Press, 1983), pp. 125-53.

Appel, Alfred Jr and Newman, Charles (eds), Nabokov: Criticism, Remi­niscences, Translations and Tributes (London: Weidenfeld and Nicolson, 1971).

Arnold, I. and Diakonova, N., Three Centuries of English Prose, Leningrad, 1967, pp. 266-72.

Atherton, James S., The Books at the Wake: A Study of Literary Allusions in James Joyce's 'Finnegans Wake' (London: Faber and Faber, 1959).

Attridge, Derek (ed.), The Cambridge Companion to James Joyce (Cambridge: Cambridge University Press, 1990).

Attridge, Derek, and Ferrer, Daniel (eds), Post-Structuralist Joyce: Essays from the French (Cambridge: Cambridge University Press, 1984).

Auber, J. and Jolas, M. (eds), Joyce & Paris: 1902 . ... 1920-1940 . ... 1975 (Paris: Editions du C.N.R.S., 1979).

Bair, Deirdre, Samuel Beckett: A Biography (London: Picador, 1980). Barrow, Craig Wallace, Montage in James Joyce's Ulysses (Madrid: Studia

Humanitatis, 1980). Barta, Peter, 'Childhood in the Autobiographical Novel. An Examination

of Tolstoy'S Childhood, Joyce's A Portrait of the Artist as a Young Man and

156 Bibliography

Bely's Kotik Letaev', in Wolfgang Zach and Heinz Kosok (eds), Literary Interrelations: Ireland, England and the World: 2 Comparison and Impact (Tiibingen: Gunter Narr, 1987), pp. 49-55.

Bates, Martin, 'Joyce for Russians', Irish Slavonic Studies, 5 (1984), 195-6 [review of Dubliners and A Portrait, Moscow, 1982].

Beach, Sylvia, Shakespeare and Company (London: Faber and Faber, 1960). Beckett, Samuel, et al., Our Exagmination Round His Factification for Incami­

nation of Work in Progress [1929] (London: Faber and Faber, 1972). Bely, Andrei, Kotik Letaev, trans. by Gerald Janecek (Ann Arbor: Ardis,

1971). The Silver Dove, trans. by George Reavey (New York: Grove Press, 1974). 'About myself as a writer', trans. by Charlotte Douglas, Russian Litera­ture Triquarterly, 13 (1976), 561-6. Petersburg, trans. by Robert A. Maguire and John E. Malmstad (Bloom­ington: Indiana University Press; Sussex: Harvester, 1979; Harmonds­worth: Penguin Books, 1983). 'The Magic of Words', in T.G. West (ed.), Symbolism: An Anthology (London and New York: Methuen, 1980), pp. 120-43. Selected Essays of Andrey Bely, ed. Steven Cassedy (Berkeley: University of California Press, 1985).

Benstock, Bernard, Joyce-Again's Wake: An Analysis of 'Finnegans Wake', (Seattle and London: University of Washington Press, 1965). 'Redhoising [sic] JJ: USSRlII', James Joyce Quarterly,S (1968), 2, 177-80.

Berlin, Isaiah, Personal Impressions, ed. Henry Hardy (London: Hogarth Press, 1980).

Berman, Marshall, All That is Solid Melts into Air: The Experience of Modernity (London: Verso, 1983).

Blamires, Harry, The Bloomsday Book: A Guide through Joyce's Ulysses (Lon­don and New York, Methuen, 1985).

Boldereff, Frances M., Hermes to His Son Thoth: Being Joyce's use of Giordano Bruno in 'Finnegans Wake' (Lawrenceville, NJ: Classic Non-Fiction Library, 1968).

Bonheim, Helmut, Joyce's Benefictions (Berkeley and Los Angeles: Univer­sity of California Press, 1964).

Boyd, Brian, Vladimir Nabokov: The Russian Years (London: Chatto & Win­dus, 1990).

Brick, Allan, 'The Madman in his Cell: Joyce, Beckett, Nabokov and Stereotypes', Massachussetts Review, 1 (1959), 41-55.

Brockbank, Philip, 'Joyce and Literary Tradition: language living, dead and resurrected, from Genesis to Guinnesses', in McCormack and Stead, 1982, pp. 166-84.

Budgen, Frank, James Joyce and the Making of 'Ulysses' and other writings, introduction by Clive Hart (Oxford and New York: Oxford University Press, 1989).

Carswell, John, The Exile: A Life of Ivy Litvinov (London: Faber and Faber, 1983).

Colum, Mary and Padraic, Our Friend James Joyce (London: Gollancz, 1959).

Bibliography 157

Cooke, Olga Muller, 'The Grotesque Style of Belyj's Moscow Novels', Slavic and East European Journal, 32, 3 (1988), 399-414.

Cornwell, Neil, Translations of the Works of James Joyce in Eastern Europe: a checklist', Irish Slavonic Studies, 2 (1981), 9-15. 'Zamyatin on Ulysses', James Joyce Broadsheet, 8 (1982), 4. 'A Russian "Cyclops"', James Joyce Broadsheet 9 (1982), 4. The Russian Joyce', James Joyce Broadsheet, 13 (1984), 2. 'Some Russian Attitudes to James Joyce: the 1930s and since', Irish­Russian Contacts, ed. Neil Cornwell, being Irish Slavonic Studies, 5 (Bel­fast: ISS, 1984), pp. 57-82. Pasternak's Novel: Perspectives on "Doctor Zhivago" (Keele: Essays in Po­etics, 1986). 'Odyssey to Glasnost', James Joyce Broadsheet, 26 (1988), 3; expanded version in Making Sense, September/October 1989, 23--4. 'Bely and Joyce: Half a Century On', Annali Di Ca' Foscari, XXVIII, 1-2 (1989), 41-8. 'James Joyce and his Russian Contemporaries', Coexistence, (March 199.2, 5>-72).

Dalton, Jack P., and Hart, Clive, Twelve and a Tilly: Essays on the ocCJlsion of the 25th anniversary of Finnegans Wake (London: Faber and Faber, 1966).

Deane, Seamus, 'Joyce the Irishman', in Attridge, 1990, pp. 31-53. Della Volpe, Galvano, Critique of Taste [1960], trans. by Michael Caesar

(London: NLB, 1978). De Petris, Carla (ed.), Joyce Studies in Italy 2 (Rome: Bulzoni, 1988). Deming, Robert H., A Bibliography of James Joyce Studies (Boston, Mass.:

G.K. Hall, 1977). Diment, Galya, Split AutobiographiCJlI Selves: Duality and Autobiography in the

Works of Ivan Goncharov, Virginia Woolf and James Joyce (Ann Arbor: University Microfilms, 1988). Letter [on an allusion to Gogol], James Joyce Quarterly, 27, 1 (Fall 1989), 175. 'Nabokov and Joyce: Portraits of Innovative Writers as Conservative Poets', unpublished conference paper, 1990.

Eagleton, Terry, Walter Benjamin or Towards a Revolutionary Criticism (Lon­don: Verso, 1981). The Ideology of the Aesthetic (Oxford: Basil Blackwell, 1990).

Eco, Umberto, The Middle Ages of James Joyce, trans. by Ellen Esrock (London: Hutchinson Radius, 1989).

Edgerton, William B., 'Dzhoising with the Soviet Encyclopaedias', James Joyce Quarterly, V (1967-8), 125-31.

Egri, Peter, Avantgardism and Modernity, trans. by Paul Aston (Tulsa, Ok.: University of Tulsa/Akad~miai Kiad6, Budapest, 1972).

Ehrenburg, Ilya, Memoirs: 1921-1941, trans. by Tatiana Shebunina and Yvonne Kapp (Cleveland, Ohio: World Publishing Co., 1963).

Eisenstein, Sergei, Film Form: Essays in Film Theory, ed. Jan Leyda (London: Dennis Dobson, 1963). Immoral Memories, trans. by Herbert Marshall (London: Peter Owen, 1985).

158 Bibliography

Ellmann, Richard, The Consciousness of Joyce (London: Faber and Faber, 1977). James Joyce, new and revised edition (Oxford: Oxford University Press, 1983). First edition 1959. Ulysses on the Liffey (London, Faber and Faber, 1984). Oscar Wilde (Harmondsworth: Penguin Books, 1988).

Erlich, Victor, Russian Formalism: History - Doctrine, 3rd edition (New Haven and London: Yale University Press, 1981). .

Farrell, James T., A Note on Literary Criticism (New York: Vanguard, 1936). On Irish Themes, ed. Dennis Flynn (Philadelphia: University of Phi­ladelphia Press, 1982).

Field, Andrew, Nabokov: His Life in Part (London: Hamish Hamilton, 1977). VN: The Life and Art of Vladimir Nabokov (London: Macdonald Queen Anne Press, 1987).

Fitch, Noel Riley, Sylvia Beach and the Lost Generation: A History of Literary Paris in the Twenties and Thirties (New York: Norton, 1983).

Flaker, Aleksandar, 'Russian Joyce', in Gaiser, 1986, pp. 19S-214. Fox, Ralph, The Novel and the People [1937] (London: Lawrence and

Wishart, 1979). Freeborn, Richard, The Russian Revolutionary Novel (Cambridge: Cam­

bridge University Press, 1982). Friedberg, Maurice, A Decade of Euphoria: Western Literature in Post-Stalin

Russia (Bloomington: Indiana University Press, 1977). French, Marilyn, The Book as World: James Joyce's 'Ulysses' (London: Abacus,

1982). Freund, Gisele, and Carleton, V.B., James Joyce in Paris: His Final Years

(London: Cassell, 1966). Gaiser, Gottlieb (ed.), International Perspectives on James Joyce (Troy, NY:

Whitston, 1986). Genieva, Ye., 'James Joyce', in 20th Century English Literature: A Soviet View

(Moscow: Progress Publishers, 1982), pp. 95-128. Gerigk, Horst-Jurgen, 'James Joyce und Dostojewskij', Dostoevsky Studies,

5 (1984), 167-70. Gifford, Don, Joyce Annotated: Notes for 'Dubliners' and 'A Portrait of the

Artist as a Young Man', second edition: revised and enlarged (Berkeley: University of California Press, 1982). with Robert J. Seidman, 'Ulysses' Annotated: Notes for James Joyce's 'Ulys­ses', second edition: revised and enlarged (Berkeley: University of Cali­fornia Press, 1989).

Gilbert, Stuart, 'Selections from the Paris Diary of Stuart Gilbert, 1929-1934', ed. by Thomas F. Staley and Randolph Lewis, in Staley (ed.), Joyce Studies Annual, 1990, pp. 3-25.

Gilenson, Boris, 'James Joyce in the Soviet Union', Soviet Weekly, 23 October 1982, 13.

Gillespie, Michael Patrick, Inverted Volumes Improperly Arranged: James Joyce and his Trieste Library (Ann Arbor: UMI Press, 1983).

Glasheen, Adeline, Third Census of 'Finnegans Wake': An Index of Characters and Their Roles (Berkeley: University of California Press, 1977).

Goldwasser, Thomas A., 'Who Was Vladimir Dixon? Was He Vladimir

Bibliography 159

Dixon?', James Joyce Quarterly, 16,3 (1979), 219-22. Gordon, John S., 'The M'lntosh Mystery', Modern Fiction Studies, 29, 4

(1983), 671-9. Grayson, Jane, Nabokov Translated: A Comparison of Nabokov's Russian and

English Prose (Oxford: Oxford University Press, 1977). Guggenheim, Peggy, Out of this Century: Confessions of an Art Addict

(London: Andre Deutsch, 1980). Halper, Nathan, 'James Joyce and the Russian General', Partisan Review,

July-August (1951), 424-31. Studies in Joyce (Ann Arbor: UMI Press, 1983).

Hart, Clive, A Concordance to 'Finnegans Wake' (Minneapolis: University of Minnesota Press, 1963).

Hawthorn, Jeremy, "'Ulysses", Modernism and Marxist Criticism', in McCormack and Stead, 1982, pp. 112-25.

Herr, Cheryl T., 'Theosophy, Guilt and "That word known to all Men" in Joyce's Ulysses', James Joyce Quarterly, 18, 3 (1981),45-54. Joyce's Anatomy of Culture (Urbana and Chicago: University of Illinois Press, 1986).

Honig, Anton, 'Anmerkungen zur sowjetrussischen Joyce-Rezeption', Zeitschrift fur Slavische Philologie, XLVIII, 1 (1988), 111-23.

Hyde, G.M., Vladimir Nabokov: America's Russian Novelist (London: Marion Boyars, 1977).

Jameson, Fredric, Marxism and Form: Twentieth-Century Dialectical Theories of Literature [1971] (Princeton, New Jersey: Princeton University Press, 1974). "'Ulysses" in History', in McCormack and Stead, 1982, pp. 126-41.

Johnson, D. Barton, Worlds in Regression: Some Novels of Vladimir Nabokov (Ann Arbor: Ardis, 1985).

Jolas, Eugene, 'My Friend James Joyce', Partisan Review, March-April (1941), 82-93.

Jolas, Maria, 'The Joyce I Knew and the Women Around Him', The Crane Bag, 4, 1 (1980), 82-7.

Joyce, Stanislaus, My Brother's Keeper, ed. Richard Ellmann (London, Faber and Faber, 1958). The Complete Dublin Diary of Stanislaus Joyce, ed. George H. Healey (Ithaca and London: Cornell University Press, 1971).

Karlinsky, Simon (ed.), The Nabokov-Wilson Letters: Correspondence Between Vladimir Nabokov and Edmund Wilson (New York: Harper and Row, 1979).

Kashkin, Ivan, 'James Joyce, 1882- " trans. from 'Literary Encyclopedia', Moscow, 1930, in Edgerton, 1967-8, pp. 125-8.

Kershner, R.B., Joyce, Bakhtin and Popular Literature (Chapel Hill and Lon­don: University of North Carolina Press, 1989).

Kettle, Arnold, An Introduction to the English Novel, vol. II [1953] (London: Arrow Books, 1962).

Keys, R.J., 'Andrey Bely and the Development of Russian Fiction', Essays in Poetics, 8: 1 (1983), 29-52. 'Bely's Symphonies', in Malmstad, 1987, pp. 19-59.

Khoruzhii, Sergei, 'Molly in Moscow', Krino, 8/9 (1990), 111-13. Kornilova, E.V., 'James Joyce, 1882-1941', trans. from 'Short Literary

160 Bibliography

Encyclopedia', Moscow, 1964, in Edgerton, 1967-8, pp. 129-31. Leeming, H., 'Lepoglasu ize sQstejaviru: James Joyce's Slavonic opto­

phones', The Slavonic and East European Review, LV, 3 (1977), 289-309. Lidderdale, Jane, and Nicholson, Mary, Dear Miss Weaver: Harriet Shaw

Weaver 1876-1961 (London: Faber and Faber, 1970). Lodge, David, 'Double Discourses: Joyce and Bakhtin', James Joyce Broad­

sheet, 11 (1983), 1-2. After Bakhtin: Essays on Fiction and Criticism (London and New York: Routledge, 1990).

Lottman, Herbert, The Left Bank: Writers in Paris from Popular Front to Cold War (London: Heinemann, 1982).

Lubin, Peter, 'Kickshaws and motley', in Appel, 1971, pp. 187-208. Lukacs, Georg, 'The Ideology of Modernism', in his The Meaning of Con­

temporary Realism [1957], trans. by John and Necke Mander (London: Merlin Press, 1972), pp. 17-45.

McAlmon, Robert, Being Geniuses Together 1920-1930, revised by Kay Boyle (London: Michael Joseph, 1970).

MacCabe, Colin, James Joyce and the Revolution of the Word (London: Mac­millan, 1979).

Mc Cormack, W.J., 'Nightmares of History: James Joyce and the Phenom­enon of Anglo-Irish Literature', in Mc Cormack and Stead, 1982, pp.77-107.

Mc Cormack, W.J. and Stead, Alistair (eds), James Joyce and Modern Litera­ture (London: Routledge, 1982).

McHugh, Roland, Annotations to Finnegans Wake (London: Routledge, 1980). The Finnegans Wake Experience (Dublin: Irish Academic Press, 1981).

McMillan, Dougald, transition: The History of a Literary Era 1927-1938 (Lon­don: Calder and Boyars, 1975).

Maddox, Brenda, Nora: A Biography of Nora Joyce (London: Minerva, 1989). Malmstad, John E. (ed.), Andrey Bely: Spirit of Symbolism (Ithaca and

London: Cornell University Press, 1987). Manganiello, Dominic, Joyce's Politics (London: Routledge, 1980). Melchiori, Giorgio (ed.), Joyce in Rome: The Genesis of Ulysses (Rome:

Bulzoni, 1984). Mikhail, E.H. (ed.), James Joyce: Interviews and Recollections (London: Mac­

millan, 1990). Miller-Budnitskaya, R., 'James joyce's "Ulysses''', trans. by N.J. Nelson,

Dialectics, 5 (1938),6-26. Reprinted as pamphlet (same title) by Norwood Editions, 1975.

Mirsky, D.S., 'Joyce and Irish Literature', trans. by David Kinkead, New Masses, 3 April 1934, 10-11, pp. 31-4. 'James Joyce', trans. by S.D. Kogan, International Literature, 1 (1934), 92-102.

Mittenzwei, Werner, 'The Brecht-Lukacs Debate' [1967], in Preserve and Create: Essays in Marxist Literary Criticism, ed. Gaylord C. Leroy and Ursula Beitz (New York: Humanities Press, 1973), pp. 199-230.

Mochulsky, Konstantin, Andrei Bely: His Life and Works, trans. by Nora Szalavitz (Ann Arbor: Ardis, 1977).

Monas, Sidney, 'Verbal Carnival: Bakhtin, Rabelais, Finnegans Wake and

Bibliography 161

the Growthesk', Irish Slavonic Studies, 6 (1985), 35-45. Morgan, Edwin, 'James Joyce and Hugh MacDiarmid', in McCormack and

Stead, 1982, pp. 202-17. Nabokov, Vladimir, Strong Opinions (London: Weidenfeld and Nicolson,

1974). Lectures on Literature, ed. Fredson Bowers (London: Weidenfeld and Nicolson, 1980). Lectures on Russian Literature, ed. Fredson Bowers (London: Weidenfeld and Nicolson, 1982). Vladimir Nabokov: Selected Letters, 1940-1977, ed. Dmitri Nabokov and Matthew J. Bruccoli (Weidenfeld and Nicolson, 1990).

Nadel, Ira B., Joyce and the Jews: Culture and Texts (London: Macmillan, 1989).

Noel, Lucy Leon, James Joyce and Paul L. Leon: the story of a friendship (New York: The Gotham Book Mart, 1950). 'Playback', Tri Quarterly, 17 (1970), 209-19; reprinted in Appel, 1971.

Orwell, George, The Collected Essays, Journalism and Letters of George Orwell, vol. I, ed. Sonia Orwell and Ian Angus (Harmondsworth: Penguin, 1970).

Palmer, R. Barton, 'Eisensteinian Montage and Joyce's Ulysses: the analogy reconsidered', Mosaic, XVIIU3 (1985),73-85.

Palumbo, Donald, 'The Paradoxical and Constructive Uses of Irony in the Fiction of Dostoyevsky and Joyce', Interpretations, 14 (Fall 1982), 45--54.

Parrinder, Patrick, James Joyce (Cambridge: Cambridge University Press, 1984).

Pearce, Richard, 'Experimentation in the Grotesque: Comic Collisions with the Grotesque World of Ulysses', Modern Fiction Studies, 20 (1974), 378--84.

Pilling, John, 'The Case of Andrey Biely', PN Review, 8, 5:4 (1978), 19-21. Potts, Willard (ed.), Portraits of the Artist in Exile: Recollections of James Joyce

by Europeans (San Diego: Harcourt Brace Jovanovich, 1986). Power, Arthur, Conversations with James Joyce, ed. Clive Hart (London:

Millington, 1974). Proffer, Carl R., Keys to Lolita (Bloomington: Indiana University Press,

1968). Quennell, Peter (ed.), Vladimir Nabokov: A Tribute (London: Weidenfeld

and Nicolson, 1979). Rabate, Jean-Michel, 'Joyce the Parisian', in Attridge, 1990, pp. 83-102. Radek, Karl, 'Contemporary World Literature and the Tasks of Proletarian

Art', in H.G. Scott (ed.), 1935/1977. Raleigh, John Henry, 'Joyce and Tolstoy', in Joseph P. Strelka (ed.),

Literary Theory and Criticism: a festschrift presented to Rene Wellek in honor of his eightieth birthday, 2 vols (Bern: Peter Lang, 1984), pp. 1137-57.

Rayfield, Donald, The Georgian "Ulysses"', Irish Slavonic Studies, 5 (1984), 196-8 [review of Ulisi I, Tbilisi, 1983].

Reavey, George, 'A Note on Andrey Bely', The New Review, 4 (1932), 356-60. 'Le mot et Ie monde d'Andre Biely et de James Joyce', Roman, 2 (March 1951), 103-11 (translated in introduction to Bely, The Silver Dove, 1974).

162 Bibliography

Reichert, Klaus, 'The European Background to joyce's Writing', in At­tridge, 1990, pp. 5~2.

Rice, Thomas Jackson, James Joyce: A Guide To Research (New York and London: Garland, 1982).

Rodgers, W.R. (ed.), Irish Literary Portraits (New York: Taplinger, 1973).

Scott, Bonnie Kime, James Joyce (Brighton: Harvester Press, 1987). Scott, H.G. (ed.), Problems of Soviet Literature (London: 1935).

Republished as Soviet Writers' Congress 1934: The Debate on Socialist Realism and Modernism in the Soviet Union. Maxim Gorky, Karl Radek, Nikolai Bukharin, Andrey Zhdanov and others (London: Lawrence and Wishart, 1977).

Scott, L.H., '''Sdrats ye, Gus Paudheen!": Notes from a Survey-in­Progress of Slavs and Slavicisms in Finnegans Wake', in Charles E. Gribble (ed.), Studies presented to Professor Roman Jakobson by his Students (Cambridge, Mass.: 1968), pp. 289-98.

Segall, Jeffrey, 'Between Marxism and Modernism, or how to be a Revol­utionist and still love "Ulysses''', James Joyce Quarterly, 25, 4 (1988), 421-44.

Seton, Marie, Sergei M. Eisenstein, revised edition (London: Dennis Dob­son, 1978).

Skrabanek, Petr, 'Slavansky slavar, R. Slavyanskii slovar (Slavonic diction­ary)', A Wake Newslitter, IX, 4 (1972), 5-68. 'Slavonicisms in Finnegans Wake', Irish Slavonic Studies, 2 (1981), 3-8.

Smith, G.S. (ed.), D.S. Mirsky: Uncollected Writings on Russian Literature (Berkeley: Berkeley Slavic Specialties, 1989).

Staley, Thomas F., An Annotated Critical Bibliography of James Joyce (Hemel Hempstead: Harvester Wheatsheaf, 1989).

Staley, Thomas F. (ed.), Joyce Studies Annual 1990 (Austin: University of Texas Press, 1990).

Steinberg, Ada, Word and Music in the Novels of Andrey Bely (Cambridge: Cambridge University Press, 1982).

Struve, Gleb, 'Obituary: Andrey Bely (Boris Bugayev)', The Slavonic and East European Review, 13 (1934), 183-5. 'Monologue interieur: the origins of the formula and the first statement of its possibilities', PMLA, 69 (1954), 1101-11. 'Andrej Bely's Experiments with Novel Technique', in Stil-und Form­probleme in der Literatur (Heidelburg: 1959), pp. 459-67. Russian Literature under Lenin and Stalin, 1917-1953 (London: Routledge, 1972).

Tall, Emily, 'The Soviet Debate on Modernism in Western Literature, 1956-1970', PhD dissertation (Brown University, 1974). 'James Joyce Returns to the Soviet Union', James Joyce Quarterly, 17, 4 (1980), 341-58. 'The Joyce Centenary in the Soviet Union: Making Way for Ulysses', James Joyce Quarterly, 21, 2 (1984), 107-22. 'Eisenstein and Joyce: Sergei Eisenstein's Lecture on James Joyce at the State Institute of Cinematography, November, 1934', James Joyce Quar­terly, 24, 2 (1987), 133-42. 'Interview with Nico Kiasashvili, Georgian Translator of Ulysses', James

Bibliography 163

Joyce Quarterly, 27, 3 (1990), 479-87. 'Behind the Scenes: how Ulysses was finally published in the Soviet Union', Slavic Review, 49, 2 (1990), 183-99. 'Correspondence between Three Slavic Translators of Ulysses: Maciej Slomczynski, Aloys Skoumal, and Viktor Khinkis', Slavic Review, 49, 4 (1990), 625-33. 'Ulysses returns to Russia: background and first reactions', unpublished conference paper, 1990.

Tavis, Anna A., 'Authority and its Discontents in Tolstoy and Joyce', paper offered to Irish Slavists' Association, Dublin, 1990.

Torchiana, Donald, Backgrounds for Joyce's Dubliners (Boston: Allen and Unwin, 1986).

Tysdahl, B.J., Joyce and Ibsen: A Study in Literary Influence (Oslo/New York: Norwegian Universities PresslHumanities Press, 1968).

Uhlenbruch, Bernd, 'Heaps of Dead Language und Friedhof der Worte: Russi­sche Parallelen zu James Joyce', Arcadia: Zeitschrift fUr Vergleichende Literaturwissenschaft, 21 (1986), 145-65.

Vidan, Ivo, 'Joyce and the South Slavs', Atti del Third International James Joyce Symposium, Trieste 14-18 giugno 1971 (Trieste: 1974), pp. 116-33.

Weber, Robert W., 'Reality in Modern Experimental Fiction', Neohelicon, VIII-1 (1980), 177-87. 'Belyj, Proust, Joyce, Faulkner and the Modern Novel', Neohelicon, IX:2 (1982), 287-98. 'On Modernist Syntax', Essays in Poetics, 13:1 (1988), 47-62.

Werner, Gosta, 'James Joyce and Sergej Eisenstein', James Joyce Quarterly, 27, 3 (1990), 491-507.

West, Alick, 'James Joyce: Ulysses' [1937], in his Crisis and Criticism and Selected Literary Essays (London: Lawrence and Wishart, 1975), pp. 104-27.

Wicht, Wolfgang, 'Eine friihe "Ulysses" - Rezeption in der Sowjetunion', Wissenschaftliche Zeitschrift - Piidagogische Hochschule 'Karl Liebknecht' Pots­dam, 28, 2 (1984), 351-4.

Williams, Raymond, Politics and Letters: Interviews with New Left Review (London: New Left Books, 1979).

Wilson, Edmund, Axel's Castle (1931] (London: Fontana, 1967). Woronzoff, Alexander, Andrei Belyj's "Petersburg", James Joyce's "Ulysses"

and the Symbolist Movement (Berne: Peter Lang, 1982). Zamyatin, Yevgeny, A Soviet Heretic: Essays Uy Yevgeny Zamyatin, trans. by

Mirra Ginsburg (Chicago: University of Chicago Press, 1970). 'Zamyatin on Ulysses', trans. by Neil Cornwell, James Joyce Broadsheet, 8 (1982), 4.

Zhantieva, D.G., 'Joyce's Ulysses', in Gaylord C. Le Roy and Ursula Beitz (eds), Preserve and Create: Essays in Marxist Literary Criticism (New York: Humanities Press, 1973), pp. 138-72.

OTHER SOURCES (IN RUSSIAN, UP TO 1941)

Arkhangel'skii, Aleksandr, 'Vs. Vishnevskii, Iskateli Dzhemchuga Dzhoisa: otryvok iz romana, 1932', God shestnadtsatyi: al'manakh pervyi, Moscow, 1933.

164 Bibliography

Azov, V., 'Dzheims Dzhois', Sovremennyi zapad, kniga 4-aia, Petersburg­Moscow, 1923, pp. 210-12.

Borovoi, L., 'Dublintsy', Literaturnaia gazeta, 9, 15 February 1938, 6. Eizenshtein [Eisenstein], S.M., 'S.M. Eizenshtein (Kino-rezhisser), [reply

to questionnaire], Na literaturnom postu, 1 (1928), 71-3. Fedotova, E.N. [intro to] Dublintsy, Leningrad, 1927, pp. 5-8. Fel'zen, Iurii, '0 Pruste i Dzhoise', Chisla, 6 (1932), 215-19. Fogerti, Iudzhin [Eugene Fogerty], 'Dzhems Dzhois', Vestnik inostrannoy

literatury, 10 (1928), 119-28. T.G., 'Dzhems Dzhois - Dublintsy', Kniga i proletarskaia revoliutsiia, 3 (1938),

155-6. Garin, N., 'Dublintsy i put' Dzhoisa', afterword to Dublintsy, 1937, pp.

322-8 (reprinted in Dublintsy, 1966, pp. 319-25). Gertsfel'de, Viland [W. Herzfelde], '0 metode Dzhoisa i revoliutsionnoi

literature', Izvestiia, 27 August 1934, 6 (and in Pervyi vsesoiuznyi s"ezd sovetskikh pisatelei 1934, pp. 358-61).

Goldring, Douglas, 'Novaia angliiskaia literatura', Sovremennyi zapad, kniga 1-aia, Petersburg-Moscow, 1922, p. 148.

Isakov, A., 'Gerbert Gorman. "Dzhems Dzhois"', Internatsional'naia litera­tura, 4 (1941), 142-3.

Karmon, Volt [Walt Carmon?], 'Otkliki amerikanskoi pressy na smert' Dzhemsa Dzhoisa', Internatsional'naia literatura, 5 (1941), 230-2.

Kashkin, Iv., 'Dzhois', Literaturnaia entsiklopediia, III, Moscow, 1930, 248-51.

Khezlop, Garol'd [Harold Heslop], '''Pominki po Finneganu" Dzhemsa Dzhoisa' ['letter from London', dated August 1939], Internatsional'naia literatura, 1 (1940), 185-8.

Lann, E. [intro. to 'Vliss'], Novinki zapada, al'manakh no. 1, Moscow­Leningrad, 1925, pp. 61-4. 'Dzhois, Dzhems', Bol'shaia sovetskaia entsiklopedia, XXI, Moscow, 1931, 802-3.

Lukash, G. [Georg Lukacs], 'Roman', Literaturnaia entsiklopediia, IX, Mos­cow, 1935, 773--832.

Miller-Budnitskaia, R. 'Ob "Vlisse" Dzhemsa Dzhoisa', Literaturnyi kritik, 1 (1934), 162-79 [see 11:1 above for English translation]. 'Kommentarii k "Pokhoronam Patrika Dignema''', Zvezda, 11 (1934), 137-42. "'Vliss" Dzhemsa Dzhoisa', Internatsional'naia literatura, 4 (1935), 106-16. 'Filosofiia kul'tury Dzhemsa Dzhoisa', Internatsional'naia literatura, 2 (1937), 188-209.

Mirskii, 0.5. [Kn. D. Sviatopolk-Mirskii], 'Dzhois ("Ulysses", 1922)" Versty, 3 (1928), 147-9. 'Dos-Pass os, sovetskaia literatura i zapad', Literaturnyi kritik, 1 (1933), 111-26. 'Dzheims Dzhois', God shestnadtsatyi: al'manakh pervyi, Moscow, 1933, pp. 428-50 [see 11:1 above for English translations; reprinted Mirskii, 1978, pp. 281-307; and 1987, pp. 161-87].

Bibliography 165

'a formalizme', God shestnadtsatyi: al'manakh vtoroi, Moscow, 1933, pp. 490--517. 'Ob "Ulisse"', Literaturnyi sovremennik, 5 (1935), 131-5. 'Poslevoennye poety Anglii', lnternatsional'naia literatura, 10 (1936), 127-35 [author given as 'D.P. Mirskii').

O'Keisi, Shon [Sean O'Casey), 'Literatura v lrlandii', trans. by M. Bogo­slovskaia, lnternatsional'naia literatura, 12 (1939), 203-9.

Pil'niak, 8., Pasternak, B., Sannikov, G., 'Andrei Belyi', lzvestiia, 9 January 1934,4.

Platonov, Andrei, 'a "likvidatsii" chelovechestva (Po povodu romana K. Chapeka "Voina s salamandrami")', Literaturnyi kritik, 7 (1938), 174-91.

Pol', Elliot, 'Vstrecha s Dzhoisom', Literaturnaia gazeta, 29 September 1932,2.

Poplavskii, Boris, 'Po povodu ... Dzhoisa', Chisla [Tchisla, Cahiers Trimestriels), 4 (1930--1), 170--5.

Rykachev, la., 'Dublintsy', Literaturnoe obozrenie, 1 (1938), 50--3. Sharshun, Sergei, 'Vstrecha s Dzheims Dzhoisom', Chisla, 4 (1930--1),

225--9. 'Magicheskii realizm', Chisla, 6 (1932), 229-31.

A.S. [presumably A. Startsev], 'Dzhems Dzhois' [obituary], Internatsional­'naia literatura, 2 (1941), 241.

Startsev, A. 'Eksperiment v sovremennoi burzhuaznoi literature (tretii period Dzhemsa Dzhoisa)" Literaturnyi kritik, 6 (1934), 57-79. 'Dzheims Dzhois', Literaturnaia gazeta, 19,31 March 1936,5. 'a Dzhoise', lnternatsional'naia literatura, 4 (1936), 66--8. 'Dzhois pered "Ulissom'", Internatsional'naia literatura, 1 (1937), 196--202.

Vishnevskii, Vs. 'Znat' zapad!', Literaturnyi kritik, 7 (1933), 79-95. Zamiatin, Evgenii [E.Z.], [on Ulysses, under heading 'Angliia i Amerika'],

Sovremennyi zapad, kniga 2-aia, Petersburg-Moscow, 1923, p. 229.

PLUS (Collective or Unsigned Works) Pervyi vsesoiuznyi s"ezd sovetskikh pisatelei 1934: stenograficheskii otchet, Mos­

cow, 1934 (reprinted Moscow, 1990). 'Novyi roman Dzhoisa: mimicheskoe predstavlenie Maka, Nika i Meggi',

Literaturnaia gazeta, 30 September 1934, 3. 'Problemy teorii romana' [paper by Georg Lukacs and discussion thereof

at the literature section of the Institute of Philosophy of the Communist Academy], Literaturnyi kritik, 2 (1935) 214-49; 3 (1935), 231-54.

'Primechanie' [to Proteus], Internatsional'naia literatura, 3 (1935), 64-6 [seemingly attributed, by E. Tall, 1984, and others to R. Miller­Budnitskaia, under title 'lazyk i stil' Dzh. Dzhoisa'].

'Novaia kniga Dzhoisa', Internatsional'naia literatura, 9-10 (1939), 282. 'Chelovek kotoryi sozdal "Ulissa'" [on Gorman's James Joyce], Internatsion­

al'naia literatura, 7-8 (1940), 337.

166 Bibliography

OTHER SOURCES (IN RUSSIAN, POST-1941)

Anastas'ev, N., 'Preodolenie "Ulissa'", Voprosy literatury, 11 (1985), 155-88. 'Zachem nam IUlisS"?', Literaturnoe obozrenie, 6 (1991), ~9.

Belozerova, N.N., 'K voprosu 0 khudozhestvennom vremeni v proizvede­niiakh Dzheimsa Dzhoisa (printsip 'now and here' v angliiskoi literature pervoi treti XX veka', Vestnik Leningradskogo universiteta: istoriia, iazykoz­nan ie, literaturovedenie, 2 (April 1988), 35-9.

Belyi, Andrei, Na rubezhe dvukh stoletii (Letchworth: Bradda, 1966). Masterstvo Gogolia (Ann Arbor: Ardis, 1983).

Burtsev, A.A, 'K voprosu 0 poetike rannego Dzhoisa (na materiale sbor­nika Dublintsy)" in Stilisticheskoe issledovaniia khudozhestvennogo teksta, Iakutsk, 1986, pp. 35-45.

Dneprov, V., 'Nuzhno rasobrat'sia', Voprosy literatury, 11 (1975), 107-34. Doroshevich, A, 'Mif v literature XX veka', Voprosy literatury, 2 (1970),

122-40. Eizenshtein, S. [Eisenstein], Izbrannye proizvedeniia v 6-ti tt., Moscow,

1964-71. Eliot, T.S., 'Uliss, poriadok i mif', trans. by Iurii Komov (intro. E. Ge­

nieva), Inostrannaia literatura, 12 (1988), 226-8. Erenburg, I., 'Liudy, gody, zhizn', Novyi mir, 10 (1961), 124-57.

Liudi, gody, zhizn': kniga tret'ia i chetvertaia, Moscow, 1963. Frank, Viktor, 'Dzheims Dzhois', in his Po suti dela, London, 1977, pp.

43-6. Genieva, E. Iu., 'Khudozhestvennaia proza Dzheimsa Dzhoisa'. Av­

toreferat dissertatsii, Moscow University, 1972 [abstract]. 'Dzhois i Ibsen', Vestnik Moskovskogo universiteta. Filologiia, 3 (1971), 32-41. 'Dzhakomo Dzhois (0 naidennoi rukopisi Dzh. Dzhoisa)" VestnikMoskovs­kogo universiteta. Filologiia, 6 (1971), 76-9. 'Pominki po Finneganu', in Problemy angliiskoi literatury, Moscow, 1974, pp.115-37. '"Dzhakomo Dzhois", voskreshennyi po-russki', Literaturnaia Cruziia, 9 (1979), 85-96. 'Dzheims Dzhois', introduction to Dubliners. A Portrait, Moscow, 1982, pp.7-38. 'Perechityvaem Dzhoisa ... ', introduction to Dublintsy, Moscow, 1982, pp.5-22. 'Dzheims Dzhois: Lirika', Inostrannaia literatura, 2 (1983), 165-7. 'Odisseia russkogo "Ulissa'", Uteraturnaia ucheba, 1 (1988), 170-4. 'Kommentarii' [to Uliss], Inostrannaia literatura, 1-12 (1989) [see Bibli­ography 1:2 above].

Ivasheva, V., 'Dzheims Dzhois', in her Angliiskaia literatura. XX vek, Moscow, 1967, pp. 38-66. 'Pocherki novoi epokhi', Voprosy literatury, 9, 1975, 76-116.

Izhevskaia, T.N., 'Tekstovye formy vneshnei kharakterizatsii personazha (na materiale romanov A Beloro i D. Dzhoisa)" Kiev G.P.!. inostran­nykh iazykov, 1987. Avtoreferat dissertatsii [?] [abstract ?].

Bibliography 167

Khoruzhii, 5., 'Kak chitat' Ulissa', Inostrannaia literatura, 1 (1989), 214-17. Kiasashvili, N., 'K 100-letiiu so dnia rozhdeniia Dzheimsa Dzhoisa', Vop­

rosy literatury, 6 (1982), 279-80. 'Vse uzhasy i tragedii etogo ispytaniia', Literaturnaia Gruziia, 10 (1988), 116-25.

Kirshon, VI., Izbrannoe, Moscow, 1958, pp. 509-23. Kisileva, Irina Viktorovna, 'Problematika i poetika rannego Dzhoisa:

(sbomik rasskazov "Dublintsy")'. Avtoreferat dissertatsii, Leningrad University, 1984 [abstract].

Komilova, E. V., 'Dzhois', Kratkaia literaturnaia entsiklopediia, II, Moscow, 1964, 654-55.

Lesnevskii, 5.5. Prilozheniia [to reprint of] Pervyi vsesoiuznyi s"ezd pisateiei 1934: stenograficheskii otchet, Moscow, 1990.

Likhachev, 0.5., 'Slovo k chitateliu', Inostrannaia literatura, 1 (1989), 141-2 [preface to Ulysses complete publication].

Meletinskii, E.M., Poetika mifa, Moscow, 1976. Mikhal'skaia, N.P., 'Dzheims Dzhois', in her Puti razvitiia angliiskogo

romana 1920-1930gg., Moscow, 1966, pp. 31-63, 149-65. 'Roman "Uliss" Dzheimsa Dzhoisa', in Uchenye zapiski MGPI, 304, 1968, 'Voprosy zarubezhnoi literatury', pp. 3--33.

Mikhal'skaia, N.P., Anikin, G.V., Angliiskii roman 20 veka, Moscow, 1982. Mirskii, D., Literaturno-kriticheskie stat'i, Moscow, 1978.

Stat'i 0 literature, Moscow, 1987. Motyleva, T., 'Vnutrennii monolog i "potok soznaniia"', Voprosy litera­

tury, 1 (1965), 179-96. Zarubezhnyi roman segodnia, Moscow, 1966.

Oldington [Aldington], Richard, 'Uliss mistera Dzheimsa Dzhoisa', Ino~ strannaia literatura, 8 (1963), 221-3.

Peshko, V.E., 'Vnutrenniaia rech' u L.N. Tolstogo i "potok soznaniia" u Dzh. Dzhoisa', in Problemy tipologicheskikh i kontaktnykh sviazei v russkoi i zarubezhnoi literature, Krasnoiarsk, 1983, pp. 74-95.

Roskolot'ko, LL., 'K analizu vliianiia irratsionalisticheskoi filosofii na tvorchestvo D. Dzhoisa', Izvestiia Akademii nauk Turkmenskoi SSR. Seriia obshchestvennykh nauka, 1 (1979), 20-6.

Samochvalov, N.L, 'Tri ved'my Makbeta i Dzhois (ob odnom devize modemizma), in Amerikanskaia literatura XIX-XX vekov, Krasnodar, 1981, pp. 134-49.

Startsev, A., 'Russkie klassiki za rubezhom: Chekhov i Dzhois', Litera­turnaia gazeta, 13 September 1955.

Suchkov, Boris, 'Real'nost' i roman', in his Liki vremeni: stat'i 0 pisateliakh i literaturnom protsesse, vol. 2, Moscow, 1976, pp. 249-55.

Szilard, Lena, 'Andrei Belyi i Dzheims Dzhois (k postanovke voprosa)', Studia Slavica Hungarica, XXV (1979), 407-17. 'K voprosu ob ierarkhii semanticheskikh struktur v romane XX veka', Hungaro-Slavica (1983), 297-313.

Umov, D.M., Dzh. Dzhois i sovremennyi modernizm, Moscow, 1964 (39 pp.). Also in Sovremennye problemy realizma i modernizma, Moscow, 1965, pp. 309-45.

168 Bibliography

'Portret Dzh. Dzhoisa - pisatelia i "proroka'", Znamia, 4 (1965),215--34. 'Demarkatsionnye linii v "pocherkakh epokhi'", Voprosy literatury, 11 (1975), 74-106. 'Drugaia kniga Dzheimsa Dzhoisa: 0 romane "Portret khudozhnika v iunosti'", Inostrannaia literatura, 12 (1976), 187-96.

Urnov, D. and Urnov, M., Literatura i dvizhenie vremeni, Moscow, 1978, pp. 105--42.

Urnov, M., 'Literaturnyi Dublin', Inostrannaia literatura, 12 (1967), 247-50. Uells, Gerbert, 'Gerbert Uells 0 Dzhoise' [trans. of H.G. Wells' letter to

Joyce, 23 November 1928], Voprosy literatury, 8 (1959), 162-3. Vishnevskii, V., Sobranie sochinenii v 5-ti tt, Moscow, 1960: V, 550-2; and VI

(supplementary), 11, 434-5. Vlodavskaia, LA., 'Esteticheskoe kredo, geroi i avtor v romane Dzheimsa

Dzhoisa "Portret khudozhnika v iunosti"', in Zarubezhnyi roman. Prob­lemy metodika i zhanra, Perm', 1982, pp. 58--64.

Volodin, Boris, 'Dzheims Dzhois', in Pamiatnye knizhnye daty, Moscow, 1982, pp. 162-5.

Zatonskii, D., 'Iskusstvo i mif', Inostrannaia literatura, 6 (1965), 188--200. V nashe vremia, Moscow, 1979.

Zhantieva, D.G. [DJ.], 'Angliiskaia literatura ot pervoi do vtoroi mirovoi voiny', in Istoriia angliiskoi literatury, III, Moscow, 1958, 362-9. 'Dzheims Dzhois', in her Angliiskaia literatura XX veka 1918-1939, Moscow, 1965, pp. 14-67. Dzheims Dzhois, Moscow, 1967 (95 pp.).

PLUS (Collective or Unsigned Works) [anon.] 'Dzhois', Bol'shaia sovetskaia entsiklopediia, 2nd edition, XIV, Mos­

cow, 1952, 231. 'Iubilei Dzheimsa Dzhoisa', Inostrannaia literatura, 5 (1982), 251-2. 'Literaturnyi mir ob "Ulisse'" (introduced and compiled by Ekaterina

Genieva), Inostrannaia literatura, 5 (1989), 225--9; 10 (1989), 218--21; and 11 (1989), 239-43.

'Odisseia russkogo "Ulissa"', Inostrannaia literatura, 1 (1990), 172-92.

Index

Adams, R. 78,79 Adler, A. 118 Adorno, T. 140 Akhmatova, A. 60, 130 Aldanov, M. 73 Aldington, R. 89, 113-14, 125,

130,137 Alexander I. Tsar 38 Alexander II, Tsar 38, 39 Alexander III, Tsar 38 Anastas'ev, A. 124-5, 126, 150,

152 Andreev, L. 26 Anschuetz, C. 70 Antheil, G. 12, 16 Appel, A., Jr 74, 76, 149 Aragon, L. 8 Arkhangel' sky, A. 130 Artsybashev, M. 8, 26 Atherton, J.S, 32, 36, 47, 50 Atkinson, B. 86 Attridge, D. 53, 54 Auber, J. 41,55 Azov, V. 89

Babel, I. 56, 97 Bach, J.S. 34, 147 Bair, D. 22, 148 Bakhtin, M. 5, 71, 117, 134, 141,

142-4,152 Bakunin, M. 4, 26, 39 Balzac, H. de 34, lOS, 124 Barnacle, Nora see Joyce, Nora Barnes, D. 7 Barr, A., Jr S6 Barrow, C. W. 83 Beach, S. 2, 7, 8, 9, 10, 14, 15,

16, 20, 21, 30, 80, 81 Beaujour, E.K. 149 Beckett, S. 9, 17, 18-19, 20, 21,

22, 46, 47, 55, 68, 102, 114, 116, 117, 141, 148

Belinsky, V. 135

Bely, A. ix, 30, 57, 61, ~71, 74, 78, 86, 90, 98, 100-1, 110-11, 114, 116, 134, 144, 148

Bennett, A. 91, 96, 130 Benstock, B. 41, 50, 115 Bergson, H. 113 Berlin, I. 61 Berman, M. 140 Blake, W. 34,51 Blavatsky, Mme. H.P. 26, 45, 50 Bliznakoff, M. 4, 5 Bliznakoff, V. 5 Blok, A. 55 Bobrikov [BobrikoffJ, General

N.1. 43, 45, 47 Boehme, J. 45 Bogoslovskaia-Bobrova,

M.P. 108, 112, 120, 150 Borsch, Dr L. 7, 12 Bosch, H. 107 Boski [Elizabeth Marcus] 16 Boyd, B. 17, 71-2, 73, 78, 146 Boyle, K. 7, 11 Brecht, B. 139 Brezhnev, L. x, 114, 119, 123,

130, 135 Brockbank, P. 144 Bruno, G. 45, 102, 147 Buckley, D. 47 Budgen, F. 5, 9, 22, 26, 46, 61,

67, 116 Bukharin, N.J. 105 Bulgakov, M. 39 Bunin, I. 8, 73 Burgess, A. 51 Burtsev, A.A, 124 Butler, H. 146 Butler, S. 116

169

Camus, A. 126 Capek, K. 112 Carr, H. 6 Carswell, J. 15

170 Index

Chaliapin, f.I. [Shaliapin] 12, 13, 51

Chaplin, C. 50, 105 Chekhov, A. 27, 28, 32-3, 35, 93,

111, 113, 115, 120, 144 Chernyshevsky, N. 30, 135 Chiaromonte, N. 62-3, 147 Chukovskaia, 1. 60, 147 Ciolkkowska, M. 7 Clark, K. 143, 152 Colum, M. 18, 30 Colum, P. 17-18, 22, 24, 112 Conrad, J. 66 Constant, B. 20 Cooke, O.M. 68, 69 Cornwell, N. 89, 126, 145, 147,

151, 152 Cournos, J. 6 Curran, C. 3

Dalton, J. 74 Dante [Alighieri] 28, 102, 107,

109 Davidson, J. 7 Day Lewis, C. 108 Deane, S. 54 Della Volpe, G. 139 De Valera, E. 52 Diaghilev, S. 11, 12 Dickens, C. 28, 66, 144 Diment, G. 36, 79 Dixon, V. 8-11, 14, 16, 146 Dneprov, V. 120 Doroshevich, A. 117, 124 Dos Passos, J. 60, 94, 95, 96, 105 Dostoevsky, F.M. 5, 26, 27, 28,

30, 32, 33--4, 35, 36, 50, 70, 71, 72, 84, 123, 124, 144, 147

Dreiser, T. 82 Duff, C. 103 Dujardin, E. 29, 30, 31, 66 Duns Scotus, J. 28

Eagleton, T. 137, 140, 141, 152 Eastman, M. 56 Edgerton, W. 64, 113 Egri, P. 138 Eisenstein [Eizenshtein], S.M. ix,

8, 56, 79-87, 89, 98, 100, 130, 136, 142, 148

Eliot, T.S. 12, 29, 90, 120, 125, 129

Ellmann, R. 2, 5, 6, 9-10, 12, 13, 16, 18, 19, 20, 21, 23, 24, 25, 26, 29, 32, 37, 38, 4tHi, 47, 72, 76, 82, 116, 126, 131, 145, 146, 147, 148

Erenburg, l. 8, 56-8, 114 Erlich, V. 70 Ermilov, V. 93 Ernst, M. 103 Esenin, S. 56

Fadeev, A. 93, 94 Faktorovich [5. ?] 8, 13-14, 16 Farrell, J.T. 137 Faulkner, W. 126 Fedin, K. 56 Fel'zen, Iu. 92 Field, A. 66, 72, 77, 147, 148 Fitch, N.R. 7, 12, 14, 16 Flaker, A. 104, 105, 150 Flaubert, G. 28, 63, 108, 109, 111,

120 Fleischman, H. see Joyce, Helen Fogarty, E. 89-90, 100 Fox, R. 137 Francini Bruni, A. 4, 26, 145 Frank, J. 96, 118, 150 Frank, N. 22-3,31,56 Frank, V. 108 Frazer, J.G. 117 Freeborn, R. 38, 70 Freidenberg, O. 117 French, M. 62, 70 Freud, S. 30, 45, 96, 102, 118,

123, 141, 142 Freudianism 83, 97, 101, 102,

107, 115, 117, 144 Friedberg, M. 114 Frye, N. 117, 143

Gabler, W. 53 Gabrilovich, E.l. 100 Garin, N. 111, 150 Genieva, E. xi, 58, 114, 120,

Index 171

121-3, 124, 125, 127, 129, 130, 131-2, 151, 152

George V, King 39 Gerigk, H.-J. 33 Gide, A. 14, 24, 114 Gifford, D. 41,42,43,44 Gilbert, S. 9, 10, 14, 76 Gilenson, B. 123, 134 Gillespie, M.P. 26 Gillet, L. 31 Globocnik, A. 4 Goethe, J.W. von 109 Gogarty, O. St J. 24, 36, 112 Gogol, N.V. 26,28,32,34,36,

50,66,70 Goldberg, S.L. 116 Golding, W. 126 Goldwasser, T.A. 10, 146 Golschmann, V. 12 Goncharov, I. 19 Gorbachev, M.S. 124 Gorbacheva, R. 128 Gordon, J .5. 148 Gorky, M. 26, 50, 100 Gorman, H. 32,79,91, 113 Goudy, A. 71, 148 Goya, F. de 107 Grayson, J. 77, 78 Greene, G. 116 Guggenheim, P. 17, 19,20 Gul, R. 149

Halper, N. 45,4S-9 Hamsun, K. 61 Hart, e. 28, 119 Hauptmann, G. 1, 29, 61 Hawthorn, J. 140, 142, 152 Healy, M. 5 Heijermans, H. 44 Hemingway, E. 60 Herr, e. 26, 67, 143 Herzfelde, W. 105, 106 Heslop, H. 112 Himmel, S. 55 Hitler, A. 24, 105 Hoffmeister, A. 15 Holquist, M. 143, 152 Homer 29, 75, 110, 117, 118

Huxley, A. 88 Hyde, G.M. 78

Ibsen, H. 1, 11, 15, 25, 27, 28, 29, 32, 40, 61, 63, 111

Inge, Dean 28 Ischlonsky, Prof. M. 8 Ivanov, Viacheslav 67 Ivanov, Vsevolod 56 Ivanov, V.V. 68,83, 117, 131,

142, 148, 152 Ivasheva, V. 114, 115, 116, 119,

121

Jacobsen, J.P. 61 James, H. 57, 109, 114, 116 Jameson, F. 139, 140--1 Johnson, D.B. 79 Jolas, E. 9, 15, 20, 23, 24, 25, 55,

73,81 Jolas, M. 20, 21, 23, 41, 55, 73 Joyce, Eileen [later Schaurek] 4, 6 Joyce, Giorgio 5, 11, 12, 16, 17,

18, 19,26 Joyce, Helen [nee Fleischman] 12,

17, 18, 19, 20 Joyce, John 1, 45, 4&--7 Joyce, Lucia 5, 8, 13, 17-18, 19,

22,24,29 Joyce, Nora [nee Barnacle] 2, 4, 5,

12, 18, 20 Joyce, Stanislaus 1, 3-4, 6, 23,

24, 25-6, 27, 29, 30--1, 35, 37, 38, 45, 145, 150

Joyce, Stephen 19, 21 Jung, e.G. 40, 117, 118, 119, 147

Kafka, F. 55, 64, 72, 74, 114, 117, 120, 126, 139, 143

Kandinsky, V. 8, 56 Karlinsky, S. xi, 78, 149 Kashkin, I. 64, 90, 108, 111,

122 Kataev, V. 123 Kerensky, A. 73 Kershner, R.B. 143-4 Kettle, A. 116, 138 Keys, R. 66, 71

172 Index

Khinkis, V. 126-7, 128, 131, 133, 134, lSI, 152

Khlebnikov, V. 150 Khoruzhiy, S. xi, 127-30, 132-4,

lSI, 152 Khrushchev, N. 58, 114 Kiasashvili, N. xi, 123, 130, lSI,

152 K1ee, P. 103 Kol'tsov, M. 105 Korolenko, V. 26 Koussevitzky, S. 12 Kravchinsky, S. see Stepniak Kropotkin, P. 4, 26, 50 Kruchennykh, A.E. 150 Krylov, I. 50 Kuprin, A 8

Lann, E. 90, 149 Larbaud, V. 89, 96, 130 Lavroukine, N. 149 Leeming, H. 50, 147 Leger, F. 58, 59 Lenin, V.I. 5, 68, 79, 95, 135 Leon, Lucie see Noel Leon, Paul 12, 13, 16, 17, 18, 19,

20--3, 24, 28, 52, 71, 72, 73, 76, 146

Lermontov, M.lu. 2, 26, 30, 32, 35--6

Levi-Strauss, c. 117 Levin, H. 8, 82, 116 Lewis, D.B. Wyndham 140 Leyda, J. 148 Liakhovsky, B. 80 Lidderdale, J. 8, 21, 24 Lidin, V. 56 Lifshits, M. 93 Likhachev, D.S. 129, 151 Lipmann, R.I. 36 (see also Zubov) Lissitsky, El 56 Litvinov, I. [nee Low] 14, IS, 80,

148 Litvinov, M. 2, 14, IS, 145, 148 Livergant, A 127, 151 Liubchenko, A. 105 Lodge, D. 135, 142-3, 144 Lotman, Iu.M. 40, 117, 143, 144 Lowry, M. 126

Lubin, P. 75, 76-7, 79 Lukacs, G. 93, 103, 138-9, 140,

141 Lunacharsky, A 100 Luriia, AR. 142

McAlmon, R. 7,9, 11 MacCabe, C. 129, 141, 152 Mc Cormack, W.J. xi, 140 McCormack, J. 12 MacDiarmid, H. 142 McHugh, R. 36, 45, 47, 50, 51,

52, 145, 147 McLuhan, M. 83 McMillan, D. 29, 55, 148 MacWhite, E. 145 Maddox, B. 4, 12, 17, 18, 145,

146 Maiakovsky, V. 8, 96, 99, 136 Makinsky, Prince 23 Malevich, K. 56 Malraux, A 62 Mangan, J. C. 49, 53 Manganiello, D. 4, 6, 24, 26, 28,

29, 31, 35, 41-2, 52, 54, 145, 146

Mann, T. 117, 125--6 Marshall, H. 81, 148 Marx, K. 83, 100 Marxism x, 24, 95, 135--7, 139-41,

142, 144, ISO, 152 Maupassant, G. de 30, 130 Mekhiori, G. 145 Meletinsky, E.M. 117-19, 124,

125--6, 150--1 Mencken, H. L. 5 Mercanton, J. 12, 23 Meredith, G. 116 Merezhkovsky, D.S. 8 Meyerhold, Vs. 100 Mikhail, E.H. 2, 16, 150 Mikhal'skaia, N. 114, 115 Miller-Budnitskaia, R. 93, 101-2,

107-8, 109-10, Ill, 121 Milosz, C. 62, 147 Mirsky, D.S. [Sviatopolk-Mirsky,

Prince] 89, 90--1, 93, 94-9, 100, 101, 103, lOS, 107, 108-9, Ill, 121, 131, 137, 149, 150

Index 173

Mittenzwei, W. 139 Mochulsky, K. 70 Monas, S. 143 Monnier, A. 7,20 Montagu, 1. 148 Moore, G. 31 Morgan, E. 142 Moussinac, L. 80, 148 Mrosovsky, P. 71 Muir, E. 91 Mussolini, B. 6

Nabokov, Vladimir [Sirin) ix, 8, 17, 36, 56, 62, 64, 66, 68, 71-9, 86, 90, 129, no, 146, 147, 148, 149

Nabokov, Vera 72,73,74-5 Nadel, I.B. 2, 5, 7, 19, 21, 23,38,

44, 52, 54, 146 Newman, Cardinal, J.H. 28 Nicholas II, Tsar 21, 39, 41, 42 Nicholson, M. 8, 21, 24 Nietzsche, F. 67 Nijinsky, V. 13, 50 Nikulin, L. 105 Noel, Lucie [Leon, nee

Ponisovskaia) 12, 16, 17, 18, 20, 21, 22, 23, 27, 28, 72, 73, 146

Novikov-Priboi, A. 56

O'Brien, F. 141 O'Casey, S. 112, 116 Odoevsky, V. 30, 147 Offenbach, J. 108 Olesha, Iu. 100, 105, 123 Orwell, G. 88, 137, 152 Ostrovsky, A. 26

Paderewski, I.J. 50 Palmer, B. 83 Parnell, e.S. 47 Parrinder, P. 32 Pasternak, A. 61 Pasternak, B. 42, 53, 60-3, 64,

68, 70, 100, 105, 117, 130, 147, 149

Paull, Tsar 38 Pecherin, V. 2, 145

Peshko, V.E. 30, 124 Picasso, P. 57, 111 Pilling, J. 66 Pil'niak, B. 56, 64, 100, 101, 130 Platonov, A. 112 Poliakov, M.A. 94 Ponisovsky, A. 16, 17-18, 19-20,

23, 71, 72, 81, 146 Poplavsky, B. 91-2, 149 Potts, W. 2, 12, 16, 22, 23, 24,

31, 34, 56, 145 Pound, E. 5, 6, 7, 12, 89, 130 Power, A. 27-8, 32-3, 34 Powys, J.e. 116 Proffer, e.R. 79 Proust, M. 11, 29, 57, 61, 64, 72,

74, 90, 92, 93, 95, lOS, 109, 114, 116, 126, 149

Pushkin, A. 27, 28, 50, 56, 70, 73, 144

Quennell, P. 74 Quinet, E. 119 Quinn, J. 5

Rabate,I.-M. 7, 30 Rabelais, F. 119, 143 Radek, K. 4,24,83,84,89,

104-5, 106, 107, 130, 137, 140, 145

Raleigh, J.H. 29 Reavey, G. 64, 65-6, 68, 90 Reichert, K. 35 Remizov, A. 68, 92, 146, 147 Richardson, D. 116 RiIke, R.-M. 61 Rimsky-Korsakov, N. 12 Robinson, R. 74 Rodker, J. 7, 9 Romanov, P. 56 Romanova, H. 13 Romanovich, I. 108, 130 Roth, S. 8 Rousseau, J.-J. 20,36 Rumbold, Sir H. 6 Russell, G. 26 Ruttman, W. 81

Said, E. 139-40

174 Index

Sannikov, G. 64, 100 Savitsky, L. Bloch- 7, 8, 146 Schaurek, F. 4, 15, 145 Schmitz, E. see Svevo Schnitzler, A 16 Schoek, O. 12 Schoenberg, A 139 Scott, H.G. 106, 145, 150 Scott, L.H. 147 Segall, J. 152 Seton, M. 80, 81, 82, 83, 85, 86 Shakespeare, W. 28,29,33,34,

59, 77, 91, 109, 144 Shaliapin see Chaliapin Shane, AM. 149 Shapskaia, M.M. 105 Sharshun, S. 92 Shaw, G.B. 38 Shklovsky, V. 94, 98 Sirin see Nabokov Skrabanek, P. xi, 4, 16, 48, 49,

51, 145, 147 Skrivanitch, A. 4, 52 Slingshy, G.V.L. 9 Smith, G.S. 131, 149 Solov'ev, V. 67, 142 Soupault, P. 23 Stalin, J. x, 2, 14-15, 39, 52, 83,

111, 112, 113, 134 Stalinism 87, 93, 95, 131, 135,

138 Startsev, A. 65, 93, 102-3,

110-11, 113, 121 Stein, G. 125 Steinberg, A 66, 70 Steiner, G. 143 Steiner, R. 69 Stendhal [H. Beyle] 139 Stenieh, V. 107, 108, 134, 143 Stepniak, S. [Stepniak-

Kravchinsky] 38 Stepun, F. 148 Sterne, L. 66, 144 Stoppard, T. 5 Stravinsky, I. 11, 12 Struve, G. 30, 65, 66, 90, 99, 104,

105, 106, 146, 150 Suchkov, B. 119

Sullivan, J. 11, 12 Suter, A 26, 34 Svevo, I. [Schmitz, E.] 5&-8, 96,

114 Swift, J. 57, 119, 133, 144 Synge, J.M. 4, 7 Szilard, L. 67, 69

Tall, E. xi, 83, 84, 116, 119, 120, 123, 126, 127, 129-30, 131, 147, 148, 149, 151, 152

Tavis, A. xi, 143, 146 Tchertkov [Chertkov], L. 94, 149 Tolstoy, L.N. 1, 3, 17, 20, 22, 25,

26, 27, 28-31, 35, 41, 50, 61, 70, 96, 97, 105, 118, 120, 124, 135, 143, 144, 146

Toporov, V.N. 117 Torchiana, D. 35 Tret'iakov, S. 106 Triolet, E. 8 Troubnikoff, A 23 Tucker, B. 28 Turgenev, I. 3, 25, 26, 27-8, 32,

34-5,36,39 Tysdahl, B.J. 52, 61

Updike, J. 126 Urnov, D.M. 114, 116, 120-1,

125, 129, 131, 152 Uspensky, B.A 117, 143

Van Gogh, V. 34 Venclova, T. 126, 130, 135 Vieo, G. 102, 103, 109, 117, 119 Vidacovieh, N. 4 Vishnevsky, Vs. 8, 58-60, 94, 95,

99-100, 101, 103, 105, 106, 107, 130, 147

Vlodavskaia, LA 124 Volodin, B. 123 Vygotsky, L.S. 142, 144

Wagner, R. 26, 66 Wain, J. 62 Wallach, M. 2 (see also Litvinov) Weaver, H. Shaw 5, 6, 7, 13, 16,

18, 21, 23, 146

Weber, R. 67, 69 Weiss, O. 45 Wells, H.G. 79, 91, 95, 96, 113 Werner, G. 80, 83, 148 West, A. 116, 137 Wilde, O. 38, 50 Wilhelm II, Kaiser 39 Williams Ellis, A. 105 Williams, R. 137-8, 139 Wilson, E. 60, 137 Wolfe, T. 116 Woolf, V. 116 Woronzoff, A. 66

Index 175

Yeats, W.B. 1, 26, 40, 46, 126

Zamiatin, E. 8, 39, 65, 85, 88-9, 107, 130, 149, 150, 151

Zaporozhets, KD. 12, 146 Zasulich, V. 38 Zatonsky, D. 114, 117 Zhantieva, D. 114, 115, 116, 121 Zhdanov, A. 93, 95, 135 Zubov, R.I., Count 2, 36, 145 (see

also Lipmann) Zoshchenko, M. 56 Zukofsky, L. 7