8
TREEHUGGER_EPK MARSHMALLOW LASER FEAST 14/03/17 North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley Marshmallow Laser Feast Marshmallow Laser Feast +447702 401761 +447766 088169 [email protected] [email protected] Page of 1 8

North American Premiere: Tribeca Film Festival Storyscapes ... · North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley

Embed Size (px)

Citation preview

Page 1: North American Premiere: Tribeca Film Festival Storyscapes ... · North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley

TREEHUGGER_EPK MARSHMALLOW LASER FEAST 14/03/17

North American Premiere: Tribeca Film Festival Storyscapes 2017

PRESS CONTACTS

Michael Jones Eleanor (Nell) Whitley Marshmallow Laser Feast Marshmallow Laser Feast +447702 401761 +447766 088169 [email protected] [email protected]

Page of 1 8

Page 2: North American Premiere: Tribeca Film Festival Storyscapes ... · North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley

TREEHUGGER_EPK MARSHMALLOW LASER FEAST 14/03/17

SYNOPSIS SHORT

Treehugger: Wawona, the latest virtual reality installation from Marshmallow Laser Feast,

reveals the secret life of the giant sequoia and never-before-seen inner workings of the

world’s largest tree. Treehugger uniquely illustrates the sequoia’s immense scale and

questions our relationship with the natural world at a time of crisis and change.

SYNOPSIS MEDIUM

THE GIANT SEQUOIAS of northern California exist on a scale the human mind struggles

to comprehend. They are the world’s largest single trees, and one of the largest of all

living things. They can grow taller than a ten-storey building and live more than three

thousand years. The more we know about them, the more we wonder. How does

something get this big? How does it feed and breathe? How does a three thousand year-

old tree experience time?

The secret life of the sequoia is one of a multitude of hidden stories unfolding in the

natural world around us, stories beyond the spectrum of experience human senses allow.

Treehugger: Wawona, one in a series of immersive virtual reality (VR) installations from

Marshmallow Laser Feast (MLF), sheds light on this world beyond, rendering the invisible

visible at last. If you have ever looked at a tree and dreamed of climbing to the heights of

its canopy, glimpsing its inner workings or dialing into its particular rhythms (what we

might label as “tree time”) – such dreams are no longer beyond the limits of our

experience.

Treehugger seeks to convey the immense scale of these trees and to question our

relationship with the natural world at a time of crisis and change. MLF follows the principle

that a person must relate to a subject to be moved or inspired by it. Nowhere is this more

true than the field of conservation: to wish to save something, you must first fall in love

with it.

Page of 2 8

Page 3: North American Premiere: Tribeca Film Festival Storyscapes ... · North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley

TREEHUGGER_EPK MARSHMALLOW LASER FEAST 14/03/17

SYNOPSIS LONG

THE GIANT SEQUOIAS of northern California exist on a scale the human mind struggles

to comprehend. They are the world’s largest single trees, and one of the largest of all

living things by volume. They can grow taller than a ten-storey building and live more than

three thousand years. The more we know about them, the more we wonder. How does

something get this big? How does it feed and breathe? How does a three thousand year-

old tree experience time?

The secret life of the sequoia is one of a multitude of hidden stories unfolding in the

natural world around us, stories beyond the spectrum of experience human senses allow.

Treehugger: Wawona, one in a series of immersive virtual reality (VR) installations from

Marshmallow Laser Feast (MLF), sheds light on this world beyond, rendering the invisible

visible at last. If you have ever looked at a tree and dreamed of climbing to the heights of

its canopy, glimpsing its inner workings or dialing into its particular rhythms (what we

might think of as a “tree time”) – such dreams are no longer beyond the limits of our

experience.

Treehugger has no prescribed goal. What participants take from it is up to them. It seeks

only to convey the immense scale of these trees and to question our relationship with the

natural world at a time of crisis and change. MLF follows the principle that a person must

be moved or inspired by a subject if they are to relate to it. Nowhere is this more true than

the field of conservation: to wish to save something, you must first fall in love with it.

Historically, advances in technology have taken us further away from the nature. Today

most of us can identify more corporate logos than species of tree. Yet, paradoxical as it

may sound, technology has reached a point where it can start to close the gap between us

and the natural world. Using a combination of LIDAR, white light and CT scanning, and the

latest developments in VR, it is possible to connect anew with the ancient, elemental

systems we have left behind.

These dynamic tensions between the synthetic and the organic, between knowledge and

experience, are at the heart of MLF’s work. Positioned at the intersection of art, science

and technology, the London-based creative studio transforms the empirical data and

abstract concepts of science into forms that can be absorbed and experienced by all. A

textbook can tell us that trees take in CO2 and expel oxygen, and that our bodies perform

an equal and opposite action. But if we could see this process of breath circulation, if we

could visualise it and on some level experience it, there is the potential for greater

understanding and empathy. Then we do not just know the tree breathes; we have lived it.

Page of 3 8

Page 4: North American Premiere: Tribeca Film Festival Storyscapes ... · North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley

TREEHUGGER_EPK MARSHMALLOW LASER FEAST 14/03/17

EXPERIENCE BACKGROUND INFORMATION

Treehugger: Wawona, a collaboration with researchers at London’s Natural History

Museum and Salford University, takes as its subject a giant sequoia from the Sequoia

National Park in California, USA. ‘Wawona’ is the local Native American word for ‘hoot of

an owl’, mimicking the sound of the Northern Spotted Owl believed to be the tree’s

spiritual guardian. Sonic artist Mileece I ’Anson used her custom-built hardware and

software to capture and sonify bio-signals within the tree, forming a soundscape which

represents the tree’s vascular system. She created an external, binaural soundscape was

built by layering audio recordings of birds, insects, amphibians, wind and rain.

To begin ‘seeing’ from a tree’s perspective, you must first put on a VR headset and a

Subpac, a haptic vest which heightens the tactile dimension of the experience. You are in a

forest, standing in front of the biggest tree you have ever seen. Rain starts to fall. The

water soaks into the soil – if you put your head close to the ground you can see the water

getting pulled into the root system. At this stage the droplets have a bluer hue. As they

stay in the tree they redden, taking on the hues of the tree. An interactive scent score by

Sensable’s Invisible Media & Entertainment evokes the smells of rain on the forest floor,

the upsurge of minerals as nutrients are sucked into the roots, the tree’s bark as it

responds to your touch and pulls you into its dank woody interior.

Transpiration begins, the process by which water is carried from root to leaf. You flow with

the movement of the water, getting sucked up in the sapwood, towards the canopy. Time

accelerates. Day turns to night. The tree’s inner systems slow down, then speed up as day

breaks again. Around you flow thousands of brightly-coloured splines, channeling the

water into the great web of branches stretching out around you. You keep heading up, into

the pine needles of the canopy where you are released into the atmosphere, airborne. You

see your breath as CO2. You exhale redder, warmer particles, while the oxygen from the

tree is a cooler blue.

This is the just the beginning. MLF plans to create a virtual forest of rare and endangered

trees from across the world. This archive of digital fossils is intended to act both as an

ecosystem where people will be able to connect with the natural world, and as a tool to

assist conservation. And as the technology develops, so will the Treehugger experience. It

will be possible to analyse brain function, to simulate touch and smell. As senses are

hacked, the horizons of our world extend accordingly, bringing us ever closer, revealing

ever more, of a world previously unknowable.

Page of 4 8

Page 5: North American Premiere: Tribeca Film Festival Storyscapes ... · North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley

TREEHUGGER_EPK MARSHMALLOW LASER FEAST 14/03/17

THE MAKERS

About Marshmallow Laser Feast (MLF): Treehugger is the brainchild of Marshmallow

Laser Feast, a London based experiential studio working at the intersection of technology,

art and science. Always looking to create experiences that immerse and amaze in

unexpected ways - they employ a wealth of creative disciplines, from photo-real virtual

reality to robotic performance and realtime mapping to push boundaries, redefine

expectations and excite audiences worldwide.

About Natan Sinigaglia: Natan Sinigaglia is a sound and visual artist based in Varese, Italy.

With a strong background in music, dance and realtime graphics, he creates canvases

where these languages loose their boundaries and share forms and meanings. Sinigaglia’s

work has been exhibited and performed at Cite’ de la Musique, Paris; Roundhouse,

London; Arsenal, Metz; Le Centquatre, Paris; LeCube, Paris; Nemo, Paris; Auditorium,

Bordeaux; Nova, Rio de Janeiro & Sao Paulo; Elektra, Montreal; Freemote, Utrecht; Node,

Frankfurt; MIGZ, Moscow; Milan Design Week, Milano; Celeste Prize, New York City; Ars

Electronica, Lintz; VIA, Pittsburgh; Screenplay, Berlin; Troyka Multispace, Moscow; UCS,

Los Angeles; Node, Frankfurt; OFFFmx2015, Mexico City; NoPlace2, Fombio.

About Mileece I’Anson: Mileece is a multi-disciplinary sonic artist, environment designer,

and renewable energy ambassador. Her recorded music has heralded international critical

acclaim and her custom coded-immersive sound installations ‘promoting ecology through

technology and the arts’ have toured an array of prestigious museums, festivals, and

venues across the globe, reaching over 10 million people through prime time features. She

sits on the board of Cygnus Atratus Group for fuel cell innovation and recently founded

Children of Wild, a collaborative effort of cutting edge technology partners and

conservation groups to forge innovative connections between urban and wilderness

environments.

About Sensable Technologies / Invisible Media & Entertainment: Sensable is a California

company developing disruptive fragrance delivery technologies, including the world's first

wearable, rapid switching and high capacity scent microtechnology for virtual or

augmented reality.  Invisible, its creative division, expands the possibilities of storytelling

using scent in productions as wide ranging as videogames, films, documentaries, live

events, promotions and fashion.  Sensable/Invisible is headed up by Stewart Matthew, the

creator, writer and director of the world's first ScentOpera held at the Guggenheim

Museums in New York and Bilbao. In addition to Matthew, Sensable's co-founders are

Professor Sungho Jin and Dr Calvin Gardner.  Invisible's Head of Scent Design is Raymond

Matts, noted for his work in the creation of fine fragrances such as Clinique Happy,

Elizabeth Taylor's White Diamonds and Brioni Cologne, among others. 

Page of 5 8

Page 6: North American Premiere: Tribeca Film Festival Storyscapes ... · North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley

TREEHUGGER_EPK MARSHMALLOW LASER FEAST 14/03/17

Treehugger was commissioned by the Cinekid Foundation, STRP, Southbank Centre and

Migrations. After the Southbank Centre Winter Festival, Treehugger can be found at the

STRP Biennial in Eindhoven from the 20 to 27 March 2017; Tribeca from the 20 to 29 April

and at Migrations in Wales from April through to June 2017.

CREATORS COMMENTS

Barney Steel, MFL’s co-founder & creative director, says: “What if we could shift our

perception of the world, accelerate time, see microscopic detail or even see through solid

objects? Well, now we can. VR makes this possible by making the invisible visible whilst

distorting time and space to transform our perception of the world around us.”

Ersinhan Ersin, MLF’s Creative Director, comments: “The giant sequoia is naturally

seductive and the experience of standing beneath one is deeply moving. Because we tend

to protect what we fall in love with the ultimate hope with this project is that undergoing

such a deep VR experience will nudge people away from consumerism towards

conservation.”

Robin McNicholas, MLF’s Co-founder and Creative Director, adds: “The natural world is a

feature central to our practice. We hope that the act of engaging with incredible

organisms such as the sequoia helps keep the environment at the forefront of our

collective conscious.”

Mileece I’Anson, Soundscape Designer/Sonic Artist comments:  “We cannot replace the

awesome experience of being in the presence of this living giant Sequoia, however by

applying the cutting edge visualization and sonification technology used in this project, we

can experience these trees in a profound and entirely new way. Treehugger: Wawona lets

us hear and see the hidden systems that serve to reveal how similar these giants are to us;

breathing, consuming and creating energy, transpiring and even communicating, all to an

internal rhythm we can easily recognize as kin to our own heartbeat. I can only hope I have

served the honor of bridging some gap between ourselves and these great companions of

the Earth through the sounds presented here, albeit generated or recorded through

machines. 

Stewart Matthew, Head of Sensable/Invisible comments: “Our sense of smell informs

everything we perceive and feel about our world, our technologies and approach to

scenting will further imprint Treehugger, so that the audience's memory of it will remain

as strong and vivid as originally experienced.”

Page of 6 8

Page 7: North American Premiere: Tribeca Film Festival Storyscapes ... · North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley

TREEHUGGER_EPK MARSHMALLOW LASER FEAST 14/03/17

CREDITS:

Concept by: Marshmallow Laser Feast

Direction: Barney Steel, Ersin Han Ersin, Robin McNicholas

Collaborating Artist: Natan Sinigaglia

Executive Producer: Eleanor (Nell) Whitley

Senior Producer: Mike Jones

Senior Producer (US): Armand Weeresinghe

Production Manager: Mark Geary

Production Support: Cordelia MacDonald

Binaural Sound Designer / Sonic Artist / Audio Capture: Mileece I’Anson

Custom Binaural Audio Engine Designer: Antoine Bertin

Scent Technology and Production: Sensable Technologies LLC

Director, Scent Production: Stewart Matthew

Technical Director, Scent Production: Calvin Gardner

Scent Score and Scent Design/Creation: Stewart Matthew and Raymond Matts (Invisible

Media & Entertainment)

Scent Creation: a collaboration between Invisible Media & Entertainment and Symrise

Scent Production Sponsor: Symrise, a global leader in fine fragrance innovation/creation

3D Designer: Harvard Tveito

VVVV Developers: Chris Plant, Tebjan Halm

Junior Developer: Laine Kočãne

Photogrammetry & VFX Supervisor: Scott Metzger

LIDAR Scanning & Photogrammetry: Mimic

Root System Modelling: Ironklad

Installation Technologist: Hayden Anyasi

Tree Fabrication: Octant Objects / Other Fabrications / ML Fabcuts

Seamstress: Natalie Wilkins

With thanks to:

Symrise

PNY

Natural History Museum

Salford University

3Dception

The Macaulay Library at the Cornell Lab of Ornithology, Ithaca, New York

Page of 7 8

Page 8: North American Premiere: Tribeca Film Festival Storyscapes ... · North American Premiere: Tribeca Film Festival Storyscapes 2017 PRESS CONTACTS Michael Jones Eleanor (Nell) Whitley

TREEHUGGER_EPK MARSHMALLOW LASER FEAST 14/03/17

Treehugger is commissioned by Cinekid Foundation, STRP, Southbank Centre and

Migrations.

LINKS

www.marshmallowlaserfeast.com

www.cinekid.nl

www.strp.nl

www.southbankcentre.co.uk

www.migrations.uk

www.sensabletec.com

www.invisiblemedia-ent.com

www.symrise.com

SOCIAL MEDIA LINKS

www.treehuggervr.com

instagram.com/marshmallowlaserfeast

#treehuggervr

@marshmallowlf

IMAGES FOR DOWNLOAD

https://www.dropbox.com/sh/qzrvktsk09ab9jx/AABDD5hXj2Vi0I2p-G9lwwfxa?dl=0

TRAILER

https://www.dropbox.com/sh/yzlyz6pqhl2n0sq/AADa_AtZxV9k4CsxF-8ywfyNa?dl=0

Page of 8 8