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Nonverbal Communication I I it ibl t i t ith t d? Is it possible to communicate without words? Studies show that over half of your message is carried through nonverbal elements: Your appearance Your body language The tone and The tone and the pace of your voice.

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Page 1: Nonverbal Communication Imohd-farid.weebly.com/uploads/1/2/7/4/1274031/nonverbal_commu… · Nonverbal Communication III • If this message reinforce the content of verbalIf this

Nonverbal Communication II it ibl t i t ith t d ?Is it possible to communicate without words?Studies show that over half of your message is

carried through nonverbal elements:• Your appearancepp• Your body language• The tone and• The tone and • the pace of your voice.

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Nonverbal Communication IINonverbal Communication IIWe know the importance of “first impression”But first impressions happen everytime we

initiate the communication.Before someone processes our verbal messages,• She has taken in our appearance,pp ,• Registered our enthusiasm and sincerety• Noted our tone of voice and processed all into• Noted our tone of voice and processed all into

nonverbal message.

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Nonverbal Communication III• If this message reinforce the content of verbalIf this message reinforce the content of verbal

one, it means we send a powerful message.• If the two messages do not match, they mayIf the two messages do not match, they may

cancel each other and that means nomessages delivered.

• Nonverbal communication part of this training is for learning how to create a powerfull g pnonverbal message that will support your verbal content.

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Projecting a Powerful Image I

How would you like to sound?How would you like to look?How would you like to look?How did you look &sound ?Th f h diff i h “i ”The name of the difference is the “image gap”Projecting an image that is consistent with the

person you want to be significantly improves your ability to develop trust &rapport

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Projecting a Powerful Image IIProjecting a Powerful Image IIImage can be critical to your successImage can be critical to your success.It is definitely a key element of communication.

li i i i hPoliticians, singers, anchormans, top managersIt is irrational but people mostly judge the book

by the cover. They expect a totaly different image from an executive and a rock musician.

Businessworld expect neat, clean, energetic look which reflects that she is ready to work.y

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Projecting a Powerful Image III

Total image consists of:• The first impressions you projectThe first impressions you project• The depth of your knowledge

Th b d h f k l d• The breadth of your knowledge• Your enthusiasm.

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First Impression

First impression includes:• Dress & groomingDress & grooming• Voice

H d h k• Handshake• Eye contact• Body posture

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First Impression II

Positive first impression make communications much easier and more comfortable.

Negative first impressions can cut off a relationship before it gets startedrelationship before it gets started.

Many people give up rather than trying to reverse the other people’s negative impressionreverse the other people s negative impression.

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First Impression III

• Accent, • Monotone and weak voice poor vocabularyMonotone and weak voice, poor vocabulary• Cold, limp handshake

L li i h i i l• Lower quality, with inappropriate coloures, messy dressing style, dirty shoes

• Seldom eyecontact• Poor posture, bad hygiene creates a barrier.p , yg

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Depth of Knowledge

Depth of knowledge: in the area of expertise• This refers how well you know your subject?y y j• How well do you know your company?• Does the depth of your knowledge projectDoes the depth of your knowledge project

credibility and command respect from your employees or do they say “I could do her job as p y y y jwell as she can”

• As a part of your image learn your job, p y g y j ,company, industry, firm’s policies, personnel

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Breadth of Knowledge I

Breadth of Knowledge: This area deals with your ability to converse y y

with others in fields of outside area of expertise.

• The latest development in world events? • Popular books and movies? p• Arts? Hobbies? Different interest areas? • Touristic experiences?Touristic experiences?

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Breadth of Knowledge IIBy increasing the breadth of yourBy increasing the breadth of your

knowledge, you will be able to develop rapport with othersrapport with others.

Research has shown that the more people h i h b h likhave in common, the better they like each other.

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Breadth of Knowledge IIIFor increasing breadth of o r kno ledge it isFor increasing breadth of your knowledge it is

recommended:• to spend the nonproductive time as driving• to spend the nonproductive time as driving,

doing home responsibilities with listening radio watching TV plus reading weeklyradio, watching TV plus reading weekly magazines,

• reading daily newspapers and min 4reading daily newspapers and min. 4 different books yearly and

• interacting with others listening to theminteracting with others, listening to them

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Enthusiasm

Most people like to work with others who are enthusiastic about their work.

Enthusiastic people seem to work harder, longer and more accurately than those who are not enthusiastic.

Enthusiasm is a projected behaviour to others and make the others enthusiastic.

Reverse is valid also.

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Projecting a Powerfull ImageThe response you receive from the worldThe response you receive from the world

around you is a measure of your success in interpersonal relationsinterpersonal relations.

From the beginning to the end of every transaction with another person you are ontransaction with another person, you are on the stage.

E d iEvery word, gesture, expression an dimpression is being seen and evaluated

Therefore be careful and respectful generally..

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Language of Gestures

Body language and nonverbal communication are transmitted through the eyes, face, hands, g y , , ,arms, legs and posture (sitting and walking)

Each individual isolated gesture is like a wordEach individual, isolated gesture is like a word in sentence; it is difficult and isolated dangerous to interpret in and of itselfdangerous to interpret in and of itself.

Therefore consider the gesture in the light of everyhing else that is going on around youeveryhing else that is going on around you.

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Eyes

Windows of the soul, excellent are indicators of feelings.g

Shifty eyes, beady eyes and look of steel demonstrate awarenessdemonstrate awareness.

Honest person has a tendency to look you straight in the eye when speakingstraight in the eye when speaking.

At least listeners accept it like that.

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Eyes IIPeople avoid eye contact with other person whenPeople avoid eye contact with other person when

an uncomfortable question asked.Try to reduce tension and build trust rather thanTry to reduce tension and build trust rather than

increase tension.The raising of one eyebrow shows disbelief andThe raising of one eyebrow shows disbelief and

two shows surprise.People are classified as right lookers andPeople are classified as right lookers and

leftlookers. Right lookers are more influenced by logic and precision, left lookers are found to by og c d p ec s o , e oo e s e ou d obe more emotional, subjective and suggestible.

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The Face

The face is one of the most reliable indicators of a person’s attitudes, emotions & feelingsp , g

By analysing facial expressions, interpersonal attitudes can be discerned and feedbackattitudes can be discerned and feedback obtained.

Some people try to hide their true emotionsSome people try to hide their true emotions. The term Poker Face describes them.

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The Face

Common facial gestures are: Frowns: unhappiness angerFrowns: unhappiness, anger Smiles: happinessS di lik diSneers: dislike, disgustClenched jaws: tension, angerPouting lips: sadness.

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The Hands

Tightly clenched hands usually indicate that the person is experiencing undue pressure.p p g p

It may be difficult to relate to this person because of his tension and disagreementbecause of his tension and disagreement.

Superiority and authority are usually indicated when you are standing and joining yourwhen you are standing and joining your hands behind your back.

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The Hands II

Rubing gently behind or beside the ear with the index finger or rubbing the eye usually g g y ymeans the other person is uncertain about what you are saying.y y g

Leaning back with both hands supporting the head usually indicates a feeling ofhead usually indicates a feeling of confidence or superiority.

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Hands III

Cupping one or both hands over the mouth, especially when talking, may well indicate that the person is trying to hide something

Putting your hand to your cheek or stroking your chin generally portrays thinking, interest or consideration.

Fingers bent across the chin or below the mouth most often shows critical evaluation.

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The Arms and Legs

Crossed arms tend to signal defensiveness. They seemingly act as a protective guard y g y p gagainst an anticipated attack or a fixed position which the other person would p prather not move.

Conversely arms open and extended towardConversely, arms open and extended toward you generally indicate openness and acceptanceacceptance.

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The Arms and Legs II

Crossed legs tend to seem disagreement. People who tightly cross their legs seem to bePeople who tightly cross their legs seem to be

saying that they disagree with what you are saying or doing If the people have tightlysaying or doing. If the people have tightly crossed legs and tightly crossed arms, their inner attitude is usually one of extremeinner attitude is usually one of extreme negativity toward what is going on around them It may be difficult to get agreementthem. It may be difficult to get agreement.

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Posture: Sitting and WalkingSitting with your legs crossed and elevatedSitting with your legs crossed and elevated

foot moving in a slight circular motion indicates boredom or impatienceindicates boredom or impatience.

Interest and involvement are usually projected b i i h d f h h i dby sitting on the edge of the chair and leaning slightly forward.

Generally, people who walk fast and swing their arms freely tend to know what they want and to go after that.

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Posture: Sitting and Walking IIPeople who walk with their shoulders hunchedPeople who walk with their shoulders hunched

and hands in their pockets tend to be secretive and critical. They don’t seem to like much of ywhat is going on around them.

Dejected people usually scuffle along with their j p p y ghands in pockets, heads down, and shoulders hunched over.

People who are preoccupied or thinking, usually walk with their heads down, hands clasped b hi d h i b k d l lbehind their backs and pace very slowly.

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Interpreting Gesture Clusters

Certain combinations of gestures are especially reliable indicators of a person’s true feelings. p gThese combinations are clusters.

Each gesture is dependent to others so analysisEach gesture is dependent to others, so analysis of a person’s body language is based on a series of signals to ensure that the bodyseries of signals to ensure that the body language clearly and accurately understood.

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Interpreting Gesture Clusters II

All the individual gestures fit together to project a common, unified message. p j , g

When they do not, this means a incongruity.For example: A nervous loughFor example: A nervous lough.A laugh generally signal of relaxation. But if

h i l i b d lthere are nervous signals in body language that means the person is trying to escape f l i ifrom an unpleasent situation.

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Common Gesture ClustersCommon Gesture ClustersOpenness:

Several gestures indicate openness and sincerety • Open handsOpen hands, • unbuttoned coal or collar,

l i li h l f d i h h i• leaning slightly forward in the chair, • removing coat or jacket, • uncrossing arms and legs, • moving closermoving closer.

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Common Gesture ClustersCommon Gesture ClustersOpenness:

When people are proud of what they have done, they usually show their hands quite openly.

When they are not often put their hands into their pockets, or hide back

When people show signals of openness that means they are generally beginning very comfortable in your presence which is good.

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Common Gesture ClustersCommon Gesture ClustersDefensiveness:

People who are defensive usually have • a rigid bodya rigid body, • arms or legs tightly crossed,

l i id d i i l• eyes glancing sideways or darting occasionaly.• minimal eye contact• lips pursed, fists clenched and downcast head

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Common Gesture ClustersEvaluation:

Evaluation gestures say that the other person isEvaluation gestures say that the other person is being thoughtful or is considering what you are saying Sometimes in a friendly wayare saying. Sometimes in a friendly way sometimes in an unfriendly way.

Typical evaluation gestures includeTypical evaluation gestures include • tilted head,• hand to cheek, • leaning forward and g• chin stroking

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Common Gesture ClustersCommon Gesture ClustersEvaluation:

Sometimes evaluation gestures take on a critical aspect.

• The body is more drawn back• The hand is to the face but the chin is in the

palm of the hand with one finger going up the cheek and the other fingers positioned below the mouth.

• This is generally an unfavorable gesture.

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Common Gesture ClustersCommon Gesture ClustersEvaluation:

To gain time for evaluating the situation people use cigarette or pipe smoking habits, p p g p p g ,removing eyeglasses.

A final negative evaluation gesture isA final negative evaluation gesture is dropping his eyeglasses to the lower bridge of noise and peering over themof noise and peering over them.

This gesture usually causes a negative emotional overreaction in other peopleemotional overreaction in other people.

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Suspicion, Secrecy, Rejection,Suspicion, Secrecy, Rejection, and Doubt:

These negative emotions are communicated typically by:typically by:

• Sideways glances• Minimal or no eye contact• Shifting the body away from the speakerg y y p• Touching or rubbing the nose.

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Suspicion, Secrecy, Rejection,Suspicion, Secrecy, Rejection, and Doubt II

When a person do not want to look at you it could mean he is being secretive, has private feelings g , p gin opposition to what you are saying or hiding something.g

A sideway glances means suspicion and doubt.Shifting your body from someone means you wishShifting your body from someone means you wish

to end the conversation, meeting etc.T hi i di d b lTouching nose may indicate doubt or concealment

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Common Gesture ClustersCommon Gesture Clusters Readiness

Readiness is related to the goal-oriented high achiever with a concern for getting things done.

It communicates dedication to a goal and is usually communicated by sitting forward at the y y gedge of a chair.

This may negatively give the appearence of beingThis may negatively give the appearence of being overly anxious also.

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Common Gesture ClustersCommon Gesture ClustersNervousness

• Clearing one’s throat,

• Whistling,• Jingling pocket,

• Chain smoking.• Covering the mouth

Jingling pocket change

• Fidgeting• Covering the mouth with hand,T i fi

• Fidgeting• Twitching lips or

f• Tapping fingers face

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Common Gesture ClustersCommon Gesture ClustersBoredom or Impatience

These unproductive feelings are usually conveyed by the y y

• Drumming of fingers• Cupping the head in the palm of the hand• Cupping the head in the palm of the hand,• Foot swinging• Brushing or picking a lint• Looking at your watch or the exit.g y

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Common Gesture ClustersCommon Gesture ClustersEnthusiasm

This is an emotion hat you love to see in other people and they in you. It is conveyed byp p y y y y

• A small upper or inward smile• Hands open and arms extended outward• Hands open and arms extended outward• Eyes wide an alert• A lively and bouncy walk• A lively and well-modulated voice.y