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Near-field Acoustic Holography : The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

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Page 1: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Near-field Acoustic Holography: The Frame Drum

Grégoire TronelDr Steven Errede

REU 2010

Page 2: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Overview• The use of Near-field Acoustic Holography (NAH) over a vibrating

system enables the extraction of fundamental acoustic quantities such as the complex acoustic pressure (P) and particle velocity (U).

• From these can be derived many important properties of a sound field such as the complex acoustic impedance (Z), the sound intensity (I), the sound power, the energy density, as well as structural wave number indications and phase information.

• The NAH setup ultimately allows to image the vibration modes of a drum membrane to significant accuracy.

Frame drum

Page 3: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Data Acquisition (DAQ) System

Lock-in Amplifiers: Uscn

Pscn

Umon

Pmon

Thompson rods:X-Y translational stages for scan microphones

Microphones:Above2 (P,U) scan

Below2 (P,U) monitor

Computer Processing the data

Page 4: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Eigen-Modes of a Vibrating Surface

• The vibration modes of a drum are mathematically described by the Bessel functions of the 1st kind (Jmn).

• By correct use of the phase-sensitive P/U microphones, one is able to visualize the normal modes of vibration.

• Two adjacent regions oscillate 180° out-of-phase to each other.

First 12 Jmn eigen-modes of a vibrating drum head – The number below each mode is the frequency ratio of a resonance mode normalized to J01.

Page 5: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Finding the Resonance Peaks:Frequency Scan

• A characteristic mode of vibration can only be observable if the membrane vibrates at a certain frequency called eigen-frequency.

• The purpose is to maintain the scan mics at constant position above the magnets. Then sweeping the frequency over a suitable range will reveal the modes.

Left:Pressure spectrum taken with the driving force at the center.For an ideal drum, only the (0,n) modes should be accessible.Each positive peak represents an eigen-frequency.

Expected modes: J01

J02

J03

Page 6: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Imaging the Modes of Vibration:Spatial Scan

• Once the eigen-frequencies are known, one can stabilize the magnet vibrations to a desired frequency, exciting the drumhead at its corresponding mode of resonance.

• Then the translational stages supporting the P/U mics will scan the drumhead allowing 3D representation of the vibrating membrane.

J(0,1) J(0,2) J(0,3)

First three ideal modes of resonance with magnets placed at the center of the drum

Page 7: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Obtained modes of vibration • In order to maximize to study of the drum harmonic spectrum, we

conducted our experiment at three different positions of the driving force along the membrane radius (center, half-radius, edge).

• Careful measurements of the eigen-frequencies revealed the presence of few resonance modes between 175 Hz and 685 Hz (3 at center, 5 at edge).

• Nearby resonant frequencies generate coupling of eigen-modes.Focusing on the three modes previously mentioned:

176 Hz: J(0,1) 426 Hz: J(0,2)? 662 Hz: J(0,3)

Well defined J(2,1) nearby J(0,2) Coupled with J(2.2)

Page 8: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Mode-locked eigen-frequency and reference phase

Drifting resonant frequency (left) for J03, and its reference phase with negative parity (right), both in function of the measurement number (32x32).

Correction of the drifting phase and frequency (primarily due to changes in ambient temperature) is processed throughout the entire scan period by the mode-locking monitor microphones.

Page 9: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Causes of Phase Shift• Propagation time effect – mics placed a height z above/below the

drumhead which gives rise to frequency-dependent phase shift = -kz.• Phase-shift effects of nearby/overlapping resonances, and possible non-

linear mixing of nearby eigen-modes.• Frequency dependent phase-shift effects due to LIA (<< 1o).• Particle velocity microphone has frequency-dependent phase shift, but

is relatively small (< 10o) over the frequency range 60 Hz < f < 4 KHz.• The time-delayed response of the drumhead from its driven force? No,

because of the 1-d mechanical equation of motion: max + bvx + kx = Fdrive (Fdrive is from the coil+magnets, the coil is driven by constant current NIC which eliminates phase shifts due to inductance of the coil).

• However, all the known phase-shift effects are corrected in the offline data analysis upon acquirement of the raw data.

Page 10: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Summary• The Data acquisition system describes a phase sensitive setup for

acoustic holography.• By first finding the eigen-frequencies, one can then scan the drum

surface by mode-locking to a desired resonant frequency. • Many relevant physical quantities may be derived from measurements

of the complex pressure and particle velocity.• Ultimately, a 3D image representation of the vibrating membrane

reveals the correlation between a Jmn eigen-mode and its corresponding eigen-frequency.

• Finite stiffness, non-uniform tension across the drumhead, membrane-to-shell coupling, asymmetric clamping of the drum shell, spatial instability of the excited system, standing waves and interference near the setup, constant drifts of the room conditions, all these may cause the observed model to diverge from the theoretical model.

Page 11: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Acknowledgments

• I would like to thank Professor Steven Errede for introducing me to the domain of physical acoustics, and for his devotion and assistance throughout the research.

• I also wish to thank Adam Watts for his help, Tony Pitts as the REU coordinator, and Katie Butler for sharing the workspace.

Page 12: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Understanding the ApparatusEXTRA

Page 13: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Microphone Response Calibration• To extract physical quantities from the microphones, each

microphones were absolutely calibrated in a Lp = 94.0 dB sound field at f = 1 KHz, using a NIST-certified Extech 40774 calibrator. Upon calibration their output voltage could then be related to either pressure or particle velocity (expressed in RMS Pa or mm/s, rather than arbitrary RMS volts).

• In a Lp = 94.0 dB sound field @ NTP: |p| = 1.0 Pa (RMS), |u| = 2.42 mm/s (RMS)

EXTRA

Page 14: Near-field Acoustic Holography: The Frame Drum Grégoire Tronel Dr Steven Errede REU 2010

Microphone + LIA Phase CalibrationsEXTRA