151
1976 Annual Report National Council ior the Arts on the Arts National Endowment

National Endowment for the Arts Annual Report 1976

  • Upload
    others

  • View
    1

  • Download
    0

Embed Size (px)

Citation preview

Page 1: National Endowment for the Arts Annual Report 1976

1976 Annual Report

National Council ior the Arts on the Arts National Endowment

Page 2: National Endowment for the Arts Annual Report 1976

1976 National CouncilNational Endowment on the Artstor the ArtsAnnual Report

Page 3: National Endowment for the Arts Annual Report 1976

National Endowment for the Arts Washington, D.C. 20506

Dear Mr. President:

I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended June 30, 1976, and the Transition Quarter ended September 30, 1976.

Respectfully,

Nancy Hanks Chairman

The President The White House Washington, D.C.

April 1976

Page 4: National Endowment for the Arts Annual Report 1976

Contents Chairman’s Statement 4 Organization 6 National Council on the Arts 7 Architecture ÷ Environmental Arts 8 Dance 20 Education 30 Expansion Arts 36 Federal-State Partnership 50 Literature 58 Museums 66 Music 82 Public Media 100 Special Projects 108 Theatre 118 Visual Arts 126 The Treasury Fund 140

Contributors to the Treasury Fund, Fiscal Year 1976 141 History of Authorizations and Appropriations 148 Financial Summary, Fiscal Year 1976 150 Staff of the National Endowment for the Arts 151

Page 5: National Endowment for the Arts Annual Report 1976

Chairman’s Statement In recognition of the great value to the public of the

country’s arts, artists, and cultural institutions, the National Endowment for the Arts was established in 1965 to help to strengthen the arts professionally and to ensure that American life is enriched by their aesthetic, intellectual, social, spiritual, and practical contributions. The intent of the Congress and the President was to create an inde­pendent nonpartisan agency that would work to increase the availability of the arts to all citizens, develop our cultural resources, and advance our cultural legacy--with­out governmental control of the arts. The Endowment was to be advised by a Presidentially appointed National Council on the Arts, composed of twenty-six persons nationally recognized for their achievements in of services to the arts.

The Endowment’s first decade has coincided with asurge of cultural interest among our people. This new artistic awareness has become a means for asserting the identities of the many cultures represented in America and for shaping a diverse new American cultural identity. It has brought respect to the country’s folk arts and crafts traditions. It has enlivened all the established arts.

The past decade has witnessed a reníarkable growth inthe quality and number of cultural institutions. In 1965, there were 58 professional symphony orchestras; in 1976 there were 110. Professional opera companies have expanded from 27 to 45; professional dance companies from 37 to 157. There are now 145 professional theatres, as against 23 a decade ago; 40 regional media centers, as against one. Museums grew in size and increased in number from 1,700 to 1,880. The number of small literary maga- ments for its grants, which bring additional non-Federalzines advanced frorn 450 to 700, and independent presses from 200 to 350.

The people’s desire to experience and participate inthe arts also is revealed by their support of state and local action to make the arts more widely available. A decade ago, only a dozen states and 175 communities had art agencies. Now they exist in all of the states, ñve territories, of a unique partnership in arts funding, involving all levelsand more than 1,000 communities. The prospect of Endow- of government and the private sector--most notably,ment annual bloc grants to all states and territories was an foundations, corporations, anda wide range of individuals,important stimulus to the creation of state arts agencies, For the future, there are very important jobs to bewhose total budgets in Fiscal Year 1975 were $59 million, done in continuing to fulñll the Arts Endowment’s mission.These continuing grants are an important incentive to the establishment and development of sound programs,

In further corroboration of this public interest, a 1975study of public attitudes toward the arts conducted by Louis Harris found that more than 90 percent of Ameri­

cans felt the arts to be essential to the quality of life for themselves and their children. Similar attitudes have been expressed in resolutions of the National Association of Counties, National Governors Conference, National League of Cities, and U.S. Conference of Mayors.

The Arts Endowment has hada key role in focusing these developments. Listening to the popular voice, ir has created opportunities for the fulfillment of public desires :

¯ It has helped leaders in the various artistic fields come together, shape responsive plans, and implement effective programs,

¯ As resources have permitted, it has moved into a widening range of cultural arcas and assisted in the devel­opment of new centers of excellence in the arts in various geographic regions.

¯ It has encouraged innovative methods of bringingcultural opportunities to a larger audience and fostered more energetic grass roots arts programming,

¯ Working as an advocate within the Federal Govern­ment, it has stimulated other departments and agencies to use the arts more effectively in such arcas as architecture, graphic design, public arts and education,

Critical to the Endowment’s work has been its abilityto draw on the talents of the best professional leadership in the arts. Through the years, the National Council and the advisory panels have included many of our finest artists and cultural leaders in every artistic field. They constitute a continuing representative national forum in behalf of the arts in America.

Also vital ate the Endowment’s matching require-

resources to the arts. Overall, each Endowment dollar generates three to four other dollars in the support of

particular projects. Endowment grants generally providesomewhere between 5 and 8 percent of the total budgets of major cultural institutions. But because these íunds have a catalytic effect, the past decade has seen the development

Among them:

Securing greater financial stability in cultural institutionsBeset by rising costs and unable to increase prices to

a commensurate level without raising economic barriers to

participation, many cultural institutions face mounting gaps between costs and earnings which must be filled by additional contributions. To help meet this need and to enable cultural institutions to establish higher levels of regular philanthropic support from a broader range of sources, the Congress has authorized a new Cultural Challenge Grant Program, with funding at $12 milIion in Fiscal Year 1977.

Cultural Challenge Grants are intended as one-time grants that must be matched at a minimum of 3 to 1 and can be used for up to three years. They will be awarded on the basis of long-range integrated program, audience, and financial development plans submitted by the institutions.

There are already encouraging signs that foundations, corporations, unions, and others will be stimulated bychallenge grants to reassess their philanthropic priorities, and accept greater responsibility for the cultural life of their communities. However, fuIfillment of the promise in this program will require creative and energetic work by leaders of cultural institutions and by public officials and civic leaders at all levels. If successful, this effort will result not only in a better financial base for the arts but in asignificant strengthening of the public-private sector partnership for the arts.

Achieving a larger tole in the arts for state and local governments

As already indicated, these governmental jurisdictions have increased their recognition and support of the arts. At the state level, many continue to be far too dependent on Federal funding. This is nota reason for cutting back the Federal contribution, but for encouraging them to do more for themselves. This should be possible, despite thefinancial problems of state and local governments, ir all government officials achieve a better understanding of the growing importance of the arts to their citizens and the ways in which the arts can assist in achieving such other civic goals as economic growth, community development, improved education, anda better life for senior citizens.

Making the arts even more widely available Substantial progress has been made in extending

cultural opportunities of quality to a wider public, includ­ing specialized audiences. As cultural institutions grow stronger and more stable, as state and local governments assume greater arts responsibility, andas artists learn to

Page 6: National Endowment for the Arts Annual Report 1976

serve broader communities, this progress will be extended, present ah effective program. In addition, the Endowment’s programs in all fields must The Federal government has already done a great give continuing attention to this need--emphasizing deal to strengthen the arts in America. With personal

leadership from Presidents Kennedy, Johnson, Nixon. andcommunity-based arts programs, touring exhibits and per-Ford, and with strong support from the Congress, theformances, developing indigenous cultural resources, and

bringing more extensive quality arts programming to work of the National Endowment for the Arts has pro-television and radio, vided hope, inspiration, a sense of direction, anda small

but essential element of material support. These contribu­

lntegrating the arts into other pursuits tions have been made without intruding government into Important in their own right, the arts--and the per- artistic substance, which is a remarkable achievement. It is

accounted for partly by the fact that the Endowment’sspectives and skills ot~ artists--also can serve many other ends. There are worthwhile examples in projects that serve programs are firmly rooted in the arts professions them­

selves, and partly by the agency’s independent position,youth, the handicapped, and the aging; improve the quality which enables ir to protect the integrity of responsibleof our physical environment; build effective cornmunities professional judgment--the essential ingredient for thein neighborhoods and places of work; rehabilitate crim­proper exercise of its obligations to the public.inals; and help the sick. These should be extended and

improved upon by both the public and private sectors. As this is done, we also will learn better how to serve the arts in the context of pursuing such practical goals as full em­ ~~’/ "~~~~"~~7 ~ ployment, urban development, and increased productivity.

Because of the range and pervasiveness of their activities, all Federal departments and agencies can do a Nancy Hanks, Chairman great deal to point the way in this area. Some progress National Endowment for the Arts already has been rnade in such activities as Federal graphics and buildings, public service employment, and public works, but lar more remains to be done. Full utilization of the arts should be as important a general aim in public programs as the full utilization of science and technology.

Strengthening opportunities o[ individual artists The individual artist is the source of all the arts. The

Endowment assists the creative development of artists by supporting fellowships, workshops, and residencies. These activities should be continued as attention also is given to such additional arcas of concern as training, career devel­opment, employment, marketing of artistic works, and the effect of copyright and tax laws on artists.

Encouraging a global arts perspective ¯ The United States must proceed to develop effective

programs for sharing our artists and cultural heritage with other countries, rnaking their cultural contributions better known to the American people, and thereby fostering deeper understanding among all peoples. The Department of State and other concerned Federal agencies, such as the Endowment, rnust work together to develop and to

Page 7: National Endowment for the Arts Annual Report 1976

Organization The National Foundafion on the Arts and the I-Iumanities In 1965 Congress created the National Foundation on the Arts and the Humanities as an independent agency of the ]~xecutive Branch of the Federal Government. The Act, Public Law 89-209, was last amended by Public Law 94-462 in October 1976. The National Foundation is com­posed of the National Endowment for the Arts, the National Endowment for the Humanities, and the Federal Council on the Arts and the Humanities (basicaily a coordinating committee of Federal officials). The Founda­tion is purely a legislative umbrella concept. It has no administrative or program identity separate from its com­ponent parts. The National Endowment for the Arts and the National l~ndowment for the Humanities are advised by their respective Councils, formulate their own pro­gratas, and share some administrative staff,

The Nafional Council on the Arts The National Council on the Arts, formed in 1964, preceded by approximately one year the establishment of the National Foundation on the Arts and the Humanities.

The Council is composed of the Chairman of the National Endowment for the Arts, who serves as Chair­man of the Council, and of 26 Presidentiaily appointed private citizens, who are wídely recognized for their knowledge of the arts, or for their experience or profound interest in the arts.

The Council is mandated by law to advise the Chair­man regarding policies, programs, and procedures; and to review and make recommendations for financial assistance.

The National Endowment for the Al~s While receiving some administrative services from a "shared staff" which also serves the Humanities Endow­ment, the National l~ndowment for the Arts is in effect ah independent Federal agency which has its own Chair­man, National Council, staff, programs, and budget,

Both legislatively and in Council policy, the Endow­ment was conceived asa catalyst which helps to increase opportunities for artists and to strengthen the involvement of private citizens, public and private organizations, states and communities, in the arts. The !~ndowment’s relation­ship to the private and local cultural community is one of partnership, in which the Federal role is to respond to the needs of the field, not to director interfere in the creative activities of individual artists of cultural organizations.

The Council and Endowment have translated their broad mission into three basic goals:

1. Availability o[ the Arts To promote broad dissemination of cultural resources of the highest quality;

2. Cultural Resources Development To assist our cultural institutions to provide greater public service and to improve artistic and administrative standards;

3. Advance o[ Our Cultural Legacy To support creativity among our most gifted artists, encourage the preservation of our cultural heritage, and enhance the quality of life of our nation,

With Council advice and assistance, the Endowment pursues its basic mission and goals through two main types of activities:

¯ Providing financial assistance in the form of grants to public or private, non-profit organizations, and to individuals of exceptional talent; and

¯ Performing a variety of leadership functions, includ­ing technical assistance, research, dissemination of infor­mation, development of pilot concepts, and advocacy on behalf of the arts.

In working toward these goals, the National Endow­ment for the Arts and the National Council on the Arts have the benefit of the recommendations received from Advisory Panels--experts who serve the individual pro­grams of the l~ndowment muchas the National Council serves the Endowment asa whole.

Panel structures vary according to the characteristics of each field. In general, they ate composed of artists, arts administrators, board members, critics, and others repre­senting a wide range of knowledge and experience in the field, as well as broad geographic representation anda diversity of professional viewpoints.

Panelists, over 200 private citizens, are appointed by the Chairman, generally for 3 or 4 year terms, with the advice of Councii and staff as well as other organizations and leaders in the field.

Panelists review grant applications, evaluate past pro­gratas and advise Endowment staff and the National Council on the Arts as to the direction of future programs. Panel recommendations are presented to the National

Council on the Arts which is responsible for final recom­mendations to the Chairman.

The Endowment has 12 major program areas. Eight programs are basically single discipline fields: Architec­ture + Environmental Arts, Dance, Literature, Museums, Music, Public Media, Theatre, and Visual Arts. Four pro­gratas are interdisciplinary: Education, Expansion Arts, Federal-State Partnership, and Special Projects.

Each of the 12 programs provides assistance in sev­eral funding categories--ranging from 4 to 17. In total, there are some 110 funding categories of l~ndowment assistance. I~ach program is different, but each continually changes to reflect the unique characteristics and needs of the field it serves.

This Annual Report is divided into these 12 major program areas. A narrative section describing the program is followed by a list of grants made by that program during Fiscal Year 1976 and the Transition Quarter (July 1 through September 30, 1976). Grants are listed alpha­betically under each funding category. Also listed are the men and women who served on the l~ndowment’s Advisory Panels.

Page 8: National Endowment for the Arts Annual Report 1976

National Council . ,/

on the Arts Nancy Hanks Chairman

Michael Straight Deputy Chairman

Members whose terms expired in 1976:

Maurice Abravanel Conductor, Muslo Director

Kenneth Dayton Corporate Executive

Charles Eames Designer and Film Producer

James Earl Jones Actor

Charles K.Mc Whorter Attorney

Beverly Sills Opera Singer

E. Leland Webber Museum Director

Robert Wise Producer-Director

Members whose terms expire in 1978:

Richard F. Brown Museum Director

Henry J. Cauthen Educational Television

Clint Eastwood Actor, Director, Producer

Judith Jamison Dancer

James D. Robertson Investment Banker

Rosalind Russell * Actress

Billy Taylor Jazz Musician

Eudora Welty Author

Anne Potter Wilson Arts Patron

James Wyeth Painter

Members whose terms expire in 1980:

Angus L. Bowmer Educator, Theatrical Director

Van Cliburn Concert Pianist

Jerome Robbins Choreographer

Thomas Schippers Conductor, Music Director

Gunther Schuller Composer, Educator, Conductor

George C. Seybolt Corporate Executive, Museum Official

Harry M. Weese Architect

Dolores Wharton Arts Patron, Author

Members whose terms expire in 1982:

Martina Arroyo Concert and Opera Singer

Willard L. Boyd University President

Hal C. Davis Musician, Union Official

J.C. Dickinson, Jr. Museum Director

William H. Eells Businessman

Harold Prince Director-Producer

Franklin J. Schaffner Film Director

Geraldine Stutz Corporate Executive, Fashion Leader

Former Members

Marian Anderson 1966-72 Elizabeth Ashley 1965-66 Robert Berks 1969-70 Leonard Bernstein 1965-68 Anthony Bliss 1965-68 David Brinkley 1965 Albert Bush-Brown 1965-70 Jean Dalrymple 1968-74 Agnes de Mille 1965-66 Rene d’Harnoncourt 1965-68 * Richard C. Diebenkorn 1966-69 Duke Ellington 1968-74 * Ralph Ellison 1965-66 Paul Engle 1965-70 O’Neil Ford 1968-74

Virginia B. Gerity 1970-72 * Lawrence Halprin 1966-72 R. Philip Hanes, Jr. 1965-70 Huntington Hartford 1969-72 Reverend Gilbert Hartke, O.P. 1965-66 Helen Hayes 1966-69; 1971-72 Charlton Heston 1966-72 Richard Hunt 1968-74 Ruth Carter Johnson 1969-70 Herman David Kenin 1965-68 * Eleanor Lambert 1965-66 Warner Lawson 1965-68 * Harper Lee 1966-72 Jimilu Mason 1966-72 Robert Merrill 1968-74 Gregory Peck 1965-66; 1968-74 William L. Pereira 1965-68 Sidney Poitier 1966-70 Richard Rodgers 1965-68 Rudolf Serkin 1968-74 David Smith 1965 * Oliver Smith 1965-70 John Steinbeck 1966-68 * Isaac Stern 1965-70 George Stevens, Sr. 1965-70 * James Johnson Sweeney 1965-68 Edward Villella 1968-74 Donald Weismann 1966-72 Nancy White 1966-72 Otto Wittmarm 1965-66 Minoru Yamasaki 1965-69 Stanley Young 1965-66 * Roger L. Stevens, Former Chairman 1965-69

* Deceased

Page 9: National Endowment for the Arts Annual Report 1976

Architecture + Environmental Arts

Page 10: National Endowment for the Arts Annual Report 1976

Architecture + Environmental Arts 9

Wlive in a world of man-made things. The goal Cultural Facilities--The growth of the arts audience "Schoolhouse Journal," a special issue devoted in America has created a new demand for facilities to entirely to the community use of school facilities forof the Architecture + Environmental Arts Program is to

improve the designed characteristics of that world, house the arts. Many communities suddenly need facilities performing arts. to accommodate local arts groups of to host performing American A rchitectural Heritage--Like CulturalThe program touches all the design professions, among arts tours, exhibitions, festivals, and other special events. Facilities, this funding interest became a separate grantthem architecture, landscape architecture, urban design, Under the Cultural Facilities program, these communities program for the first time in 1976. The year also broughtcity and regional planning, interior design, and industrial can receive funding assistance for planning, feasibility a shift in emphasis from the preservation of individualdesign. It aims to encourage invention and innovation in studies, and the actual design of facilities for the arts. buildings to the conservation and regeneration of historicthese professions, but also to bring to the people a greater

Cultural Facilities also includes a technical assistance of otherwise individualized neighborhoods--neighborhoodsawareness of design possibilities, a greater opportunity effort which concentrates on the development, under with "a sense of place." The change reflects a newto participate in the shaping of their own environment,

Grants from Architecture + Environmental Arts do contract, of publications and reference materials pertaining approach to urban revitalization: treating the city through to the design, planning, and use of cultural facilities, its neighborhood components, and responding to eachnot go to support the acquisition of real property, capital This year the program contracted Educational Facilities neighborhood’s own assessment of its identity and direction.construction, o.r the modification of existing structures, Laboratories to produce a publication, "Arts and the The program makes matching grants available to localbut rather research, program development, creative design Handicapped: An Issue, of Access," and to develop a governments and non-profit institutions to seek ways ofstudies, and public awareness programs.

Two new programs highlighted fiscal 1976: Cultural national information service on new developments in the revitalizing neighborhoods: desig~ studies, zoning atea, including legislative activities, sources of funding revisions, economic incentives, and other legislative orFacilities and American Architectural Heritage.

administrative actions. In other Architecture + Environmental Arts programs

this year, new applications reflected relatively few new"lt is time for us to expand our understanding of good environment in order to include trends or ideas. The building community has been severelynot only natural environment, but also good design of our man-made surroundings." limited the past few years by ah economic recession and

--.Ioseph R. Grassie, City Manager, ah energy crisis. Architectural and design opportunities Grand Rapids, Michigan have suffered accordingly; in fact this past year the

, American Institute of Architects notes a 25 percent, unemployment rate among architects. Restraints on new

and technical assistance, conferences, workshops, and construction, though, have contributed to the rising model projects. Barrier-free design--the accessibility of interest in preservation and conservation, so that many arts facilities to the handicapped--has Iong been a concern architects are now specializing in restoration architecture. of the Endowment, and therefore the Cultural Facilities Individual Design Fellowships--Non-matching grants program gives special attention to projects which include are made to professional designers to engage in independ­this concern in their planning and design efforts, ent projects, usually lasting ~:rom six to, twelve months

Several other 1976 publications are worth noting, all and designed to broaden or deepev~ their professional of them developed in conjunction with Educational awareness and capability. The number of fellowship Facilities Laboratories: applicants was unusually high this year, due in part to

"Reusing Railroad Stations--II," a follow-up publi- the fact that the number of architectural commissions cation reflecting the program’s continuing interest in the available out in the field was unusually low. The fellow-reuse of old railroad stations, many of which are easily ships awarded reflected the continuing and growing interest converted into cultural facilities, in behaviorism and humanista in architecture--better

"The Arts in Found Places," a look at some exem- known as "design for people." plary projects in which older structures were adapted for Academic and Pro]essional Research--Architecture reuse as arts facilities. + Environmentai Arts offers’ matching grants under this

"New Places for the Arts," a collection of case category for expioratory activity in design, especially studies of model cultural facilities built within the last research projects which show promise of influencing the five years, future quality of our surroundings.

"Hands-On-Museums--Partners in Learning," a look Public Design and A wareness--In essence, this pro-at some participatory museum facilities, gram strives to make the public more appreciative of fine

Page 11: National Endowment for the Arts Annual Report 1976

10 Architecture + Environmental Arts

design, and to increase its participation in design activities. Individuals, universities, state and local governments, and other non-profit organizations may receive matching aid for their efforts to educate people and get them involved in design issues,

National Theme: "Cityscale"--This was the t~ird of Architecture + Environmental Arts’ national theme programs, following "City Edges" and "City Options" as a program to highlight the need for creative design in the urban envlronment. "Cityscale" encouraged mumcipal governments to focus on the "furnishings" of the city, the little items which help define its characte.r, such as street lights, signs, benches, plantings, and pavements. Fiscal 1976 was the last year in which "Cityscale" appli­cations were accepted,

State .4rts .4gencies--Matching grants are awarded to state arts agencies for the promotion of design activities, This year such grants supported six pilot State Design Assemblies, an outgrowth of the Federal Design Assem­blies developed under the Federal Design Improvement Program.

Services to the Field--Professional organizations forarchitects, landscape architects, city and regional planners, interior designers and industrial designers make valuable contributions to the cause of good design. National membership organizations are eligible for grants to supporl efforts at improving their effectiveness of that of their members,

General Programs--This grant category allowsArchitecture + Environmental Arts to respond to new developments in the field of design. Applications which do not fit under any other category will ñt here.

Federal Design lmprovement Program--The Endow­ment directs and coordinates this Federal initiative, begun in 1972, to upgrade the design of buildings, office interiors, grap~ics, and publications throughout the gove.rnment. Several sub-programs ate included.

Federal ,4 rchitecture Pro]ect--In 1976 tñis program worked closely with other Federal agencies and Congress on formulating policies, procedures, and major legislation (Public Law No. 94-541) on the multiple and adaptive use of Federal buildings. A pilot project in Architect Selection, carried out in conjunction with the Immigration and Naturalization Service, led to the innovative design of two new border-crossing stations. A conference was sponsored in the spring of 1976 for state and local publicly-employed architects.

Federal Graphics Improvement Program--The pro­gram has included nea.rly fifty agencies and departments thus far in efforts to upgrade their graphics with support from the Endowment. This year was marked by the completion of the "Labor Department Graphics Standards Manual," the ñrst such publication completed under the program, and by the Design Studio Seminar, at which 24 government a.rtists studied methods of improving their design skills.

Design Assemblies--Successful Design Assemblies held in 1973 and 1974 led to a Regional Federal Design Assembly in Denver in October 1975, during which Federal administrators from fifteen Western states met with professional designers in an effort to improve their awareness and understanding of good design.

Civil Service Employment Procedures--Since the publication in 1973 of "Excellence Attracts Excellence," a plan .for the recruitment, hiring, and training of design professionals, the Civil Service Commission has instituted new procedures for evaluating design applicants. Close work with the Endowment produced the first Portfolio Review sessions in 1976. Leading representative designers from around the country ate now convened periodically to review the portfolios of designers seeking Federal employment.

Continuing Federal Agency Efforts--The Endowment this year continued to publish "Federal Design Matters," a newsletter for designers and administrators which publicizes Federal design accomplishments and progress in the Federal Design Improvement Program.

Page 12: National Endowment for the Arts Annual Report 1976

Architecture + Environmental Arts 11

Consultants Jonathan Barnett Felix R. Drury Robert Harris Professor Architect/Planner Dean, School of Architecture The City College of New York New York, New York

Office of Felix Drury New York, New York

University of Oregon Eugene, Oregon

Denise Scott Brown O’Neil Ford George J. Hasslein Architect and Urban Planner Architect/President Dean Partner, Venturi and Rauch Philadelphia, Pennsylvania

Ford, Powell & Carson San Antonio, Texas

School of Architecture and Environmental Design California Polytechnic State University

Ralph Caplan Paul Friedberg San Luis Obispo, California Writer and Communications Designer Consultant New York, New York

Landscape Architect Paul Friedberg & Associates New York, New York

William Houseman Editor The Environment Monthly

Adele Chatñeld-Taylor Assistant to the Chairman

Mildred S. Friedman Editor, Design Quarterly

Bronx, New York

NYC Landmarks Preservation Commission Walker Art Center Lawrence O. Houstoun, Jr. New York, New York Minneapolis. Minnesota Administrator Assistant to Arca

Redevelopment Administration Crosman Jay Clark Mathematician/Consultant

Romaldo Giurgola Architect

Department of Housing and Urban Development Washington, D.C.

Saratoga, California New York, New York George C. Izenour

Sherrie S. Cutler Alan C. Green Professor Executive Vice President President Yale University Ecodesign, Inc. Educational Facilities Laboratories New Haven, Connecticut Cambridge, Massachusetts New York, New York

Frank S. Kelly Stuart O. Dawson Principal Sasaki Associates, Inc.

Lawrence Halprin Landscape Architect Roundhouse

Vice President Neuhaus-Taylor Dallas, Texas

Watertown, Massachusetts San Francisco, California Jerome W. Lindsey, Jr.

Norman R. De Haan Past-President of the American Society of Interior Designers

Hugh Hardy Senior Partner Hardy Holzman Pfeiffer Associates

Dean, School of Architecture Howard University Washington, D.C.

Chicago, Illinois New York, New York Weiming Lu

Niels Diffrient Sarah P. Harkness Assistant Director Partner/Architect Partner Urban Planning--Urban Design Henry Dreyfuss Associates The Architects Collaborative Dallas, Texas New York, New "York Cambridge, Massachusetts

Carter Manny Vice President, C. F. Murphy Associates Director, Graham Foundation Chieago, Illinois

Page 13: National Endowment for the Arts Annual Report 1976

12 Architecture + Environmental Arts

William Marlin Editor Architectural Record New York, New York

Gerald McCue Partner/Architect McCue, Boone, Tomsick San Francisco, California

Bradley G. Morison President Arts Development Associates, Inc. Minneapolis, Minnesota

Terry B. Morton Vice President/Editor Preservation Press National Trust for Historic Preservation Washington, D.C.

John R. Myer Principal and Director Arrowstreet, Inc. Cambridge, Massachusetts

George Nelson Designer, Architect George Nelson and Company New York, New York

Thomas E. Nelson Asst. Professor Washington State University Pullman, Washington

Eliot Noyes President Eliot Noyes & Associates New Canaan, Connecticut

Douglas Riehards Douglas Richards Associates Arts Management Consulting Phoenix, Arizona

Ann Satterthwaite PIanning Consultant Washington, D.C.

Alison Sky Vice President Site, Inc. New York, New York

John Spencer Chairman, Department of Architecture Hampton Institute Hampton, Virginia

Anderson Todd Director, School of Architecture Rice University Houston, Texas

Massimo Vignelli Vignelli Associates New York, New York

Walter F. Wagner, Jr. Editor Architectural Record New York, New York

W.P. Dinsmoor White Executive Director Piedmont Environmental Council Warrenton, Virginia

Arthur P. Ziegler, Jr. President Pittsburgh History and Landmarks Foundation Pittsburgh, Pennsylvania

Participants, Federal Graphic Evaluation Panel

Eli Cantor Chairman Emeritus The Composing Room, Inc. New York, New York

Jacqueline Casey Director, Design Services Office of Publications, MIT Cambridge, Massachusetts

Richard Coyne Editor and Publisher Communication Arts Palo Alto, California

Richard Cummings Advertising Sales Creative Director Sports lllustrated New York, New York

Lou Danziger Head of Graphic Design Program California Institute of the Arts Valencia, California

James Dean Curator of Art Air-Space Museum Smithsonian Institute Washington, D.C.

John DeRose Director Printing and Visual Arts Division Dept. of Housing and Urban Development Washington, D.C.

Louis Dorfsman Vice-President, Advertising and Design CBS/Broadcast Group New York, New York

Page 14: National Endowment for the Arts Annual Report 1976

Architecture + Environmental Arts

Alvin Eisenman Malcolm Grear John Massey Chairman of Graphics Department Yale University New Haven, Connecticut

Chairman of Graphic Design Rhode Island School of Design Providence, Rhode Island

Director Center for Advanced Research in Design Chicago, Illinois

W. E. Garrett Robert E. Issacs Peter Max Senior Assistant Editor Architect Artist, Illustrator National Geographic Magazine Fort Lauderdale, Florida New York, New York Washington, D.C.

Robert Ivers Robert McKendry Catherine George Associate Editor

Design Director Corning Design, Corning Glass Works

Manager, Customer Services U.S. Government Printing Office

State Department News Letter Corning, New York Washington, D.C. Washington, D.C.

Marjorie L. Katz R.T. McNamar Milton Glaser Graphics Designer Executive Director Illustrator New York, New York Federal Trade Commission Push Pin Studios, Inc. Washington, D.C. New York, New York Andrew Kner

Promotion Art Director Jeffrey Miller Vincent Gleason The New York Times Interior Designers Chief, Division of Publications New York, New York Alexandria, Virginia National Park Service Harper’s Ferry, West Virginia Stephen Kraft

Managing Designer Paul Miller Design Services Manager

Lou Glessmann Smithsonian Institution GAF Director, Typography and Design Washington, D.C. New York, New York Government Printing Office Washington, D.C. Don Kubly John Morning

Thomas Gormley Chairman, Department of Graphic Design

President Art Center College of Design Pasadena, California

Graphics Designer John Morning Design, Inc. New York, New York

Cooper Union New York, New York John Leslie

Director, Office of Information Robert Mulcahy Director of Graphics and Exhibits

David Granahan U.S. Department of Labor National Zoological Park Assistant Director, Office of Information Washington, D.C. Washington, D.C. Department of Agriculture Washington, D.C. Susan G. Lewin

Architect Editor John O’Neil Head, Department of Art

Dr. Walter Graves House BeautiÍul University of South Carolina Editor, Today’s Education New York, New York Columbia, South Carolina The Journal of the National Education Association Washington, D.C. Marilyn Marcus

Art Director Howard E. Paine Art Director

Harcourt, Brace, Jovanovich, Inc. New York, New York

National Geographic Magazine Washington, D.C.

Page 15: National Endowment for the Arts Annual Report 1976

14 Architecture ÷ Environmental Arts

Dr. Etzel Pearcy Geographer, Cartographer Long Beach, California

Werner Pfeiffer Associate Professor of Art Pratt Institute Brooklyn, New York

Carl Purcell Visual Media Officer Department of State Agency for International Development Washington, D.C.

William Ragan Director of Public Affairs Civil Service Commission Washington, D.C.

Paul Rand Graphics Designer Weston, Connecticut

Robert Riley Professor, Department of Landscape Design University of Illinois Urbana, Illinois

George T. Rockrise Landscape Architect San Francisco, California

Thomas S. Ruzicka Manager, Corporate Design American Telephone and Telegraph New York, New York

Gordon Salchow Head, Department of Graphic Design College of Design, Architecture and Art University of Cincinnati Cincinnati, Ohio

Dr. Henry F. Schulte Dean of Communication S.I. Newhouse School of Public Communication Syracuse University Syracuse, New York

Robert Scudellari Corporate Art Director Random House, Inc. New York, New York

Thomas Sgouros Chairman, Division of Design R.I. School of Design Providence, Rhode Island

RitaSue Siegel President Design Personnel RitaSue Siegel Agency, Inc. New York, New York

Mary Simms Graphics Designer New York, New York

Robert Sivard Design Consultant Washington, D.C.

Kent Slepicka Acting Director of Special Programs Division General Services Administration Washington, D.C.

Grant Smith Manager, Graphic Design Department Corporate Design Center Westinghouse Electric Corporation Pittsburgh, Pennsylvania

Peter Smith Editor/Writer Washington, D.C.

Edward Stone, Jr. Landscape Architect Fort Lauderdale, Florida

Andre Staffelback Designer Dallas, Texas

Harry Stone Vice-Chairman of the Board American Greetings Corporation Cleveland, Ohio

Mar~ia ThomaBusiness Manager, Publications

The Museum of Modern Art New York, New York

Bradbury Thompson Graphics Designer Riverside, Connecticut

Dietmar Winkler Director Institute of Design/Illinois Institute of Technology Chicago, Illinois

Dr. Robert WiperDirector Search Associates, Inc. Mt. Prospect, Illinois

Page 16: National Endowment for the Arts Annual Report 1976

Architecture + Environmental Arts 15

Gratas Public Education and Awareness-~$728,387 Program Treasury Private Program Treasury Private Alabama State Council on the Arts and Humanities Montgomery, Alabama $ 10,000 $ $

Inform, Inc. The Institute for Architecture

New York, New York 7,500

George H. Van Allen Allied Arts Foundation

Charlotte, North Carolina Seattle, Washington

8,850 8,000

and Urban Studies The International Architect-

New York, New York 10,000

Architectural Heritage Foundation, Ine. Boston, Massachusetts 15,000

ural Foundation, Inc. Lafayette Youth Museum

New York, New York 17,000

Atlanta Arts Association, Inc., Lafayette Alliance, Inc. James Barker

Atlanta, Georgia State College, Mississippi

7,500 10,000

Natural History Museum and Planetarium Association, Inc. Lafayette, Louisiana 10,000

Anne S. Blocker Center City Foundation, Inc. The Children’s Museum The Christian A. Herter

Quitman, Texas Philadelphia, Pennsylvania Jamaica Plain, Massachusetts

8,000 12,500 10,000

Barbara Laging Randolph R. Langenbach Jon Wing Lum Maine State Commission on

Lincoln, Nebraska Cambridge, Massachusetts New York, New York

8,000 10,000 9,800

Center, Inc. City of Huntsville City of Jersey City

Allston, Massachusetts Huntsville, Alabama Jersey City, New Jersey

5,000 4,500 6,530

the Arts and Humanities Roy B. Mann Massachusetts Audubon

Augusta, Maine Merrimacport, Massachusetts

6,000 8,000

City of New Orleans, Historic Society, Inc. Lincoln, Massachusetts 19,465 District Landmarks Commission New Orleans, Louisiana 10,000

Metropolitan A.M.E. Church National Center for Urban

Washington, D.C. 10,000

City of Oakland Oakland, California 10,000 EthnicAffairs Washington, D.C. 18,620 City of Pipestone Pipestone, Minnesota 500 National Trust for Historic City of Providence City of Upper Arlington

Providence, Rhode lsland Upper Arlington, Ohio

9,000 3,625

Preservation in the United States Washington, D.C. 6,000

Cleveland Area Arts Council Cleveland, Ohio 5,000 New York Landmarks Con-Committee for a National servancy, Inc. New York, New York 9,875 Museum of the Building North Carolina A. and T. Arts, Inc. Washington, D.C. 40,000 State University Greensboro, North Carolina 18~995 Community Design Center of Dallas, Inc. The Connecticut Trust for

Dallas, Texas 5,000 North Dakota State University OgdenCity Corporation Peter C. Papademetriou

Fargo, North Dakota Ogden, Utah Houston, Texas

8,740 5,910 5,000

Historic Preservation, Inc. Creative Arts Guild, Inc. Cultural Council Foundation Don’t Tear It Down Educational Futures, Inc. John Fondersmith

New Haven, Connecticut Dalton, Georgia New York, New York Washington, D.C. Philadelphia, Pennsylvania Washington, D.C.

20,000 3,750

16,500 15,000 19,850 8,000

Park-McCutlough House Association PhiladelphiaArchitects Charitable Trust Piedmont Environmental Council

Bennington, Vermont

Philadelphia, Pennsylvania

Warrenton, Virginia

6,000

10,000

20,000 Friends of the Cabildo Todd A. Gipstein

New Orleans, Louisiana Boston, Massachusetts

10,000 10,000

Smithsonian Institutíon Traveling Exhibition Service Washington, D.C. 15,000

Greater Jamaica Development Corporation Queens, New York 20,000

Society for Industrial Archeology Washington, D.C. 4,984

Melvyn Green El Segundo, California 8,000 State of Texas Austin, Texas 10,000 Jerryll Habegger President and Fellows of

Chicago, Illinois 4,710 Jack W. Stauffacher Robert Stipe

San Francisco, California Chapel Hill, North Carolina

8,000 9,975

Harvard College Cambridge, Massachusetts 10,000 Texas Historical Commission Austin, Texas 5,440 Historic Albany Foundation, The Trust for Public Land San Francisco, California 3,400 Inc. Albany, New York 6,000 The University of Kansas Lawrence, Kansas 2,968 Historic Landmarks Founda- University of Oregon Eugene, Oregon 15,000 tion of Indiana Illinois Arts Council

Indianapolis, Indiana 6,150 Albert Viator Vision, Inc.

Gloucester, Massachusetts Carnbridge, Massachusetts

8,000 10,000

Foundation Chicago, Illinois 10,000 Walker Art Center Minneapolis, Minnesota 15,000

Page 17: National Endowment for the Arts Annual Report 1976

16 Architecture + Environmental Arts

Program Treasury

10,000

20,000

8,750

6,000

10,000

10,000 20,000

10,000

10,000 6,000

10,000 20,000 10,000 14,000 6,000 4,700

80,000

19,700

20,000

10,000

I0,000

10,000

18,725

10,000

10,000

20,000

12,000 2,500

Private National Corporate Fund for Dance New York, New York New Playwrights’ Theatre of Washington, Inc. Washington, D.C. New River Valley Planning Commission Radford, Virginia Newark Community Center of the Arts, Inc. Newark, New Jersey Palace Cultural Arts Association Marion, Ohio People of Silver Plume, Inc. Silver Plume, Colorado Performing Arts Foundation of Kansas City Kansas City, MissouriRhode Island School of Design Providence, Rhode Island Southeast Alaska Regional ArtsCouncil Sitka, AlaskaSymbrinck Associates, Ine. Williamsport, Pennsylvania Theatre Workshop of Nantucket Nantucket, Massachusetts Town and Country Players, Inc. Morgantown, West Virginia Town of Crested Butte Crested Butte, Colorado Vail Institute Vail, Colorado Washington State Arts Commission Olympia, Washington West Virginia Arts and HumanitiesCouncil Charleston, West VirginiaThe Wilma Project Philadelphia, Pennsylvania

State Arts Agencies~Architeclure and Program (Pilot)--$45,000 Illinois ArtsCouncil Chicago, lllinoisVermont Council on the Arts Montpelier, Vermont

Professional Educafion and Development--$527,219 American Academy in Rome New York, New York American Federation of Arts New York, New York Alexander Bally Carnegie, Pennsylvania Ed Bedno Richmond, Virginia George Beggs New York, New York Melville C. Branch Los Angeles, California Paul S. Byard New York, New York Jean Paul Carlhian Boston, Massachusetts GilbertCass Cambridge, Massachusetts Charles A. Clement Tucson, Arizona Cultural Council Foundation, Charas, Inc. New York, New York Ezra D. Ehrenkrantz New York, New York Elinor Evans Houston, Texas Ronald Filson Santa Monica, California Robert Fraser Blacksburg, Virginia

Program Treasury Private

20,000

6,215

8,620

20,000

5,310 2,400

20,000 15,000

10,000 7,095

5,000

10,000 1,000 7,000

10,000

I0,000 6,600

35,000 10,000

40,000 10,000 10,000 9,200 8,610 8,000

10,000 10,000 10,000 10,000

10,000 10,000 10,000 7,000 9,550

Washington State Parks and Recreation Commission, Office of Archeology and Historic Preservation Western States Arts Foundation Worcester Heritage Society, Inc.

Cultural Facilities Research--$523,865

Olympia, Washington

Denver, Colorado

Worcester, Massachusetts

AIlied Arts of Durham, Inc. American Conservatory Theatre Arts Council of Greater New Haven, Inc. Borough of Staten IslandCenter Theatre Group/Mark Taper Forum The Children’s Museum of New Haven City of Bismarck City of Gainesville City of Lincoln City of Mili Valley City of Troy City of Turlock DeCordova Museum Educationai Facilities Laboratories, Inc. EIma Lewis School of FineArts Escondido Regional Arts Council Federated Arts of Richmond, Inc. Flagstaff Summer Festival, Inc. Foundation for San Fran­cisco’s Architectural Heritage Greater Birmingham Arts Alliance Institute for Art and Urban Resources Lexington-Fayette Urban County Govt.Little Italy Restoration Association, Inc. Montgomery County/City of Mt. Sterling Moorpark College

Durham, North Carolina

San Francisco, California

New Haven, Connecticut Staten lsland, New York

Los Angeles, California

New Haven, Connecticut Bismarck, North Dakota Gainesville, Georgia Lincoln, Nebraska Mili Valley, California Troy, Alabama Turlock, California Lincoln, Nebraska

New York, New York

Dorchester, Massachusetts

Escondido, California

Richmond, Virginia

Flagstaff, Arizona

San Francisco, California

Birmingham, Alabama

New York, New York

Lexington, Kentucky

New York, New York

Mt. Sterling, Kentucky Moorpark, California

Page 18: National Endowment for the Arts Annual Report 1976

Architecture + Environmental Arts 17

Program Treasury Private Program Treasury Private

Robert E. Freeman George Washington University Georgia College Naomi H. Golding Graduate School and the University Center of C.U.N.Y. Charles E. Gregerson Richard A. Gutierrez Charles P. Hagenah President and Fellows of Harvard College NormanL. Hoberman Institute for Art and Urban

New York, New York Washington, D.C. Milledgeville, Georgia New York, New York

New York, New York Chicago, Illinois Venice, California Lexington, Massachusetts

Cambridge, Massachusetts Greenwich, Connecticut

I0,000 10,000 6,342

10,000

15,000 10,000 10,000 10,000

10,000 10,000

Boston RedevelopmentAuthority Ivan Chermayeff City of Bristol City of Burlington Planning Commission City of Cincinnati City of Cleveland City of Danville City of Davenport City of Harrodsburg City of Houston City of Jersey City

Boston, Massachusetts New York, New York Bristol, Connecticut

Burlington, Vermont Cincinnati, Ohio Cleveland, Ohio Danville, Kentucky Davenport, Iowa Harrodsburg, Kentucky Houston, Texas Jersey City, New Jersey

20,000 8,225

20,000

20,000 10,000 10,000 10,000 20,000

5,805 10,000 20,000

Studies Institute for Environmental Action, Inc. Matthias E. Kayhoe Thomas J. Lando Eduardo Martinez Massachusetts Institute of

New York, New York

New York, New York Charlottesville, Virginia Columbus, Ohio Berkeley, California

10,000

23,000 5,000 4,000 9,700

City of Paterson City of Prichard City of SaratogaSprings City of Toledo City of Trenton City Planning Department Fund

Paterson, New Jersey Pric~ard, Alabama Saratoga Springs, New York Toledo, Ohio Trenton, New Jersey

New York, New York

18,400 5,000

10,000 19,800 16,750

20,000 Technology Heather E. McCartney Douglas D. Michels Charles W. Moore Robiu C. Moore Harry Moul Dolores M. Pacileo Peter J. Pearce Preservation Institute: Nan-

Cambridge, Massachusetts Kalamazoo, Michigan San Francisco, California Santa Monica, California Berkeley, California Santa Fe, New Mexico St. James, New York Studio City, California

10,000 5,000 5,000 9,700 9,640

10,000 2,000 7,500

Jane Clark Coalition of Optimum Growth/Arlington Committee County of Buckingham Eugenie C. Cowan Cultural Council Foundation Historic Gettysburg Adams County, Inc. Institute of Human Relations

New York, New York

Arlington, Virginia Buckingham, Virginia New York, New York Washington, D.C.

Gettysburg, Pennsylvania

3,640

1,500 500

5,000 54,662

8,000

tucket, Ine. Arthur I. Pulos Clair W. Reiniger Nancy W. Renfro David Richmond Roger Sherwood Leonard D. Singer Regents of the University of California University of Nebraska University of Pennsylvania University of Tennessee University of Vermont The Women’s Design Center, Inc.

Nantucket, Massachusetts Fayetteville, New York Cambridge, Massachusetts Berwyn, Pennsylvania New Orleans, Louisiana Los Angeles, California Chicago, Illinois

Berkeley, California Lincoln, Nebraska Philadelphia, Pennsylvania Knoxville, Tennessee Burlington, Vermont

New York, New York

11,400 10,000 10,000 10,000 8,200

10,000 10,000

13,907 16,000 20,000 6,330

15,000

5,640

of the American Jewish Committee Museum of Afro-American History, Inc. New Hampshire Charitable Funds and Afliliated Affairs Northwest District Association Pratt Institute Rock County PlanningDepartment Sacramento Housing and Redevelopment Agency Society for the Advancement of the Visual Environment State of Maryland Town of Colonie

New York, New York

Roxbury, Massachusetts

Concord, New Hampshire Portland, Oregon Brooklyn, New York

Janesville, Wisconsin

Sacramento, California

Syracuse, New York Annapolis, Maryland Colonie, New York

20,000

20,000

15,000 4,500

20,000

2,000

20,000

6,220 12,000 16,400

Preservafion of American Architectural Heñtage---$601,077 Ann Arbor Tomorrow Ann Arbor, Michigan Bethel German Cornmunal Colony, Inc. Bethel, Missouri

10,000

13,330

Town of Tangier The Trustees of the Estate and Property of the Diocesan Convention of New York Cathedral of St. John the

Tangier, Virginia 7,900

Divine New York, New York 10,000

Page 19: National Endowment for the Arts Annual Report 1976

18 Architecture + Environmental Arts

Village of Hudson Village of Zoar Washington Planning and Housing Assn., Inc. Wave Hill, Inc. Worcester Cooperative Council, Inc. York County Planning Commission Youth Education and Health in Soulard

National Theme---$$15,360 Arts Council of Tampa Boston Redevelopment Authority Center for Design PlanningCity of Albuquerque City of Andalusia City of Burlington City of Charleston City of Columbus City of Decatur City of Detroit City of Honolulu City of Louisville City of South Portland City of Spartanburg City of Tacoma District of Columbia East Los Angeles Community Union Rice Design and Research Center Town of Chester Town of Colebrook

Hudson, Ohio Zoar, Ohio

Washington, D.C. Bronx, New York

Worcester, Massachusetts

York, Pennsylvania

St. Louis, Missouri

Tampa, Florida

Boston, Massachusetts Washington, D.C. Albuquerque, New Mexico Andalusia, Alabama Burlington, Vermont Charleston, South Carolina Columbus, Ohio Decatur, Georgia Detroit, Michigan Honolulu, Hawaii Louisville, Kentucky South Portland, Maine Spartanburg, South Carolina Tacoma, Washington Washington, D.C.

Los Angeles, California

Houston, Texas Chester, New York Colebrook, New Hampshire

Excellence in Federal DesignB$446,722 Department of State American Institute of Archi­tects Fdn., Inc. AIA Research Corporation Nicholas Chaparos Colorado Foundation on the Arts and Humanities Corcoran Gallery of Art Lois Craig Mildred Friedman Shirley Green

Washington, D.C.

Washington, D.C. Washington, D.C. Washington, D.C.

Denver, Colorado Washington, D.C. Washington, D.C. Minneapolis, Minnesota Washington, D.C.

Program Treasury Private 20,000

8,730

19,940 20,000

25,000

9,000

3,775

11,790

10,000 42,960 30,060 29,000 50,000 50,000 25,000 12,500 25,000 13,000 47,000 12,500 5,000

32,500 50,000

38,610

25,000 500

5,000

40,995

123,500 20,000 13,640

12,000 2,520

124,650 9,375

18,500

President and Fellows of Harvard College, Graduate School of Design Illinois Institute of Technology Dennis Reeder Randall Schwartz Paula Silver Suzanne Slesin

General Programsm$182,640 Architectural League of New York City of Minneapolis Educational Facilities Laboratories, Inc. League of Cities---Conferenceof Mayors, Inc. Gary Robinette

Services to the Field--$48,000 American Institute of Archi~cts Foundation, Inc. Association of Collegiate Schools of Architecture, Inc. The Environmental Action Foundation, Inc.

Cambridge, Massachusetts Chicago, Illinois Alexandria, Virginia New York, New York Washington, D.C. Washington, D.C.

New York, New York Minneapolis, Minnesota

New York, New York

Washington, D.C. Reston, Virginia

Washington, D.C.

Washington, D.C.

Washington, D.C.

TRANSITION QUARTER GRANTS

Excellence in Federal Design--$160,625 Nicholas Chaparos Washington, D.C.Lois Craig Washington, D.C.Dennis Reeder Alexandria, Virginia

Public Education and Awarenes~$17,000 Institute for Architecture and Urban Studies New York, New York

Program Treasury Private

16,400 15,500 4,767

32,975 2,400 9,500

12,000 15,000

121,140

24,500 10,000

í4,500

13,500

20,000

63,100 87,275 10,250

17,000

Page 20: National Endowment for the Arts Annual Report 1976

Dance

Page 21: National Endowment for the Arts Annual Report 1976

Dance 21

3Jdging by some remarkable figures, the fastest Choreography Fellowships and Production Grants-- Grants are made to assist projects which film or videotape These provide funding for new work, and it is a sure new works, or which preserve films already produced.growing performing art in America is dance. A little over sign of the vitality of American dance that over three- Special consideration is also given to projects whicha decade ago, people who attended live dance perform-quarters of the applications received by the Dance explore and strive to improve methods of capturing danceances numbered about a million, and of those million Program in 1976 were in this area. Five types of choreog- on film and videotape, and which seek to merge theonly 32 percent saw dance performed outside the raphy fellowships and production grants are offered: artistry of both forms into a single product.boundaries of New York City. By 1971 the total audience

Choreography Fellowships provide choreographers Dance Touring Program--The Dance Touring Pro-had grown to 6.4 million. Today it is estimated at about who are associated with a specific company the oppor- grana was designed to bring professional dance into12 million people, or 16 percent of the adult population, tunity to create new works. The fellowships include funds communities where it mi_ght not otherwise be available.And while New York City remains the headquarters of up to $4,000 for the individual choreographer, plus The program began in 1968 asa $25,000 pilot program,of professional dance, 80 percent of our dance-goers today salaries for the required dancers during rehearsal, and assisting four dance companies to tour for a total of eightattend performances elsewhere in the United States.

The National Endowment for the Arts has striven money for videotaping the final product, weeks in two states. This year funding for the Dance Workshop Fellowships, in the amount of $1,500, are Touring Program exceeded $3,000,000--more than halfalways to promote the growth of dance. Today the growth

awarded to choreographers working in dance workshops the entire Dance P.rogram budget--and helped 92 com­of the art shows no sign of letting up, but the growth or civic, regional, or educational companies with limited panies to tour for a total of 432 weeks in 52 states andof Federal funding does. Therefore the Dance Program performing schedules; to choreographers at work in jurisdictions. .has found ir vital to get the greatest impact out of every Dance Touring funds ate available to state, local,available dollar. This means emphasizing quality over new or experimental areas; and to members of professional companies which offer choreographic opportunities to and private agencies--sponsors--which agree to engagequantity in the awarding of grants. Ir also means stepping their members, a touring professional dance company fora visit of atup the search for new sources of support for dance, and

least 21/2 days, during which time a variety of activitiesmaking new efforts to assist dance companies to become Fellowships for Choreographers in Residence are awarded to professional companies, which in turn provide can be held, including performances, open rehearsals,more efficient in their financial operations,

Funding support for the field falls into several visiting choreographers the chance either to create new master classes, lecture demonstrations, seminars, and

categories: works, restage existing ones, of work with the company children’s programs. Dance Touring is intended to bring each community not justa dance performance, but ah awareness and appreciation of dance itself.

"A Greek historian, writing about a lost civilization, said very simply, ’They had no poets, A separate program, called Large Company Touring, assists three large ballet companies with national touring.

so they died.’ The need for immortality is so great, and the arts ate the only thing we This year the program supported 341/2 weeks of touring by can count on." the American Ballet Theatre, the City Center Joffrey

Ballet, and the New York City Ballet.--Martha Graham, dancer This year the number of sponsors in the Dance

Touring Program increased. The developing problem, however, is money. Dance company fees and t.ransporta­over an extended period of time.

Production Grants are intended to assist established tion costs are rising; funds available to the Dance Touring Program are leveling off. Therefore a major concern ofprofessional companies to expand and diversify their the program has been to increase contributions from otherrepertoire. The Dance Program encourages companies

to raise the necessary matching funds from new donors sources: community arts councils, county and civic governments, and state arts agencies. The Dance Programor through substantial increases in support from previous

donors, as well as through use of the Endowment’s has also begun looking into incentives for sponsors who engage dance companies for visits of more than twoTreasury Fund method of support, weeks--something which would extend the contact betweenSpecial Choreography Fellowships are awarded to

experienced, professional choreographers for extraordi- the company and the host community, but also decrease touring costs and lessen wear and tear on the dancers.nary projects not covered under the first four categories,

Management and Administration--Grants under thisSpecial Choreography Fellowships are uncommon; only two were awarded in 1975, two in 1976. category assist danc~ companies to create new adminis-

Dance/ Film/ Video--The’ Dance Program recognizes trative structures and hire experienced management personnel. The Dance Program is considering an across-the importance of preserving dance on film and videotape,

Page 22: National Endowment for the Arts Annual Report 1976

22 Dance

the-board technical assistance program which would provide management consultants on a long-term basis to dance companies and offer guidance in the areas oí promotion, marketing, tour logistics, bookkeeping, cost analysis, and budget control. It is hoped that consultants from the business sector will participate in the proiect.

Resident Pro/essional Dance Companies--This grant arca is designed to encourage dance companies to make their homes in, and provide continuing services to, communities around the country. One grant in this area went to the San Francisco Ballet Association: $32,000 to help fund a series of suburban performances, hire a full-time musical director, computerize box office oper­ations and presenta special series of performances at discount rates.

General Programs--Special projects which do not fall under the other grant categories are covered here. Such projects, though, have to be in support of pro­fessional dance activity, and be of exceptional quality and demonstrated need. One such project in 1976 was the "Dance Umbrella," funded by a $56,000 grant to the Technical Assistance Group, Ltd., of New York City. Twelve small dance companies joined in an eight-week festival at the Roundabout Theatre--a cooperative effort on the part of the dance companies, the theatre, and the service organization to offer the publican annual festival of modern dance.

Services to the Field---Support is offered here for service organizations whose activities relate directly to performing dance companies.

Increased rehearsal time support remains a high priority of the Dance Panel and staff. The development of regional support for dance is being explored, and of course coope.rative efforts with other Endowment pro­grams--such as Public Media, Theatre, Music, and Artists-in-Schools will continue.

Page 23: National Endowment for the Arts Annual Report 1976

Dance 23

Advisory Panel Charles K. McWhorterJane Combs

Southwest Regional Representative for the ’ Attorney for American TelephoneManuel Alum Director Manuel Alum Dance Company National Association for Regional Ballet and Telegraph Company

Administrative Assistant Former member of the NationalNew York, New York Council on the Arts Hoblitzelle Theatre Arts Library New York, New York Humanities Research Center

Jack Anderson University of TexasCritic; Freelance Writer

Elvi MooreDance Magazine Austin, Texas Associate Professor of DanceNew York, New York

Chuck Davis University of Chicago Chicago, IllinoisJoy Austin Director

Chairman Chuck Davis Dance Company Bronx, New York Josephine SchwarzTennessee Arts Commission

Artistic AdvisorNashville, Tennessee Dayton BalletRoy Helms Dayton, OhioToby Armour Executive Director

Director Alaska State Council on the Arts Michael SmuinNew England Dinosaur Anchorage, Alaska Associate Artistic DirectorLexington, Massachusetts

Stuart Hodes San Francisco Ballet Association San Francisco, CaliforniaRobert Brickell Chairman

Executive Vice President and General Manager Dance Department Violette VerdyBallet West New York University Principal DancerSalt Lake City, Utah School of Fine Arts New York City BalletNew York, New York New York, New YorkMerrill Brockway

Producer/ Dance in America Robert Joffrey Suzanne WeilWNET 13 Vice Chairman ChairmanNew York, New York Artistic Director Coordinator of Performing ArtsThe Joffrey Ballet Walker Art CenterShelbe Freeman-Bullock New York, New York Minneapolis, MinnesotaDance Associate

New York State Council on the Arts Thomas Leabhart Barbara WeisbergerNew York, New York Artistic Director DirectorWisconsin Mime Theatre Pennsylvania BalletAdela Clara Deutsch The Valley Studio Philadelphia, Pennsy, lvaniaDirector Spring Green, Wisconsin

Theatre Flamenco of San Francisco Joanne WoodwardSan Francisco, California Bella Lewitzky ActressDirector Hollywood, CaliforniaBella Lewitzky Dance Company

Los Angeles, California

Page 24: National Endowment for the Arts Annual Report 1976

24 Dance

Grants Dance Touring (Small Companies)--$1,705,722 Alabama State Council on the Arts and Humanities Alaska State Council on the Arts Connecticut Commission on the Arts Fine Arts Council of Florida Georgia Council for the Arts Grand Opera House Hawaii State Foundation on Culture and the Arts Indiana Arts Commission Institute of Puerto Rican Culture Kentucky Arts Commission Maine State Commission on the Arts and Humanities Maryland Arts Council Massachusetts Council on the Arts and Humanities Middlesex County Arts Council Mississippi Arts Commission Missouri State Council on the Arts Nebraska Arts Council New Hampshire Commission on the Arts New York Foundation on the Arts North Carolina Arts Commission Oklahoma Arts and Humanities Council Commonwealth of Pennsylvania Rhode Island State Council on the Arts Senahan, Inc. South Carolina Arts Commission Tennessee Arts Commission Upper Midwest Regional Arts Council Vermont Council on the Arts Virginia Commission on the Arts and Humanities Virgin lslands Council on the Arts

Program Treasury Private

Western States Arts $ 11,125 Foundation

20,350 West Virginia Arts and Humanities Council

40,158 Larger Companies~$1,250,580 49,025 Ambassador International 33,482 14,700

Cultura:[ Foundation Arts Alaska, Inc. Auditorium Theatre Council

44,250 45,994

Ballet Guild of Cleveland, Inc. Ballet Theatre Foundation

21,333 5,917

(American Ballet Theatre) City Center of Music and Drama, Inc.

8,817 (New York City Ballet) Dallas Civic Ballet

3,667 Dance Concert Society

95,800 Detroit Symphony Orchestra Fine Arts Development Foundation

13,250 Foundation for American 12,809 Dance

Greater Denver Council on 79,561 the Arts and Humanities 20,165 Indiana University

24,998 lowa State University J.F. Kennedy Center

216,124 Lewis and Clark College Michigan State University

71,477 Milwaukee County War Memorial Music Center Presentations

21,165 National Academy of Arts Natural Heritage Trust

126,066 New Orleans Opera Guild Pacific Northwest Dance

10,967 Philadelphia AIIStar Forum 77,708 Series, Inc.

Ravinia Festival Association 23,919 Rochester Civic Music 14,292 Association

Arts Council of San Antonio 122,767 San Francisco Symphony

14,618 Association Saratoga Springs Performing

51,288 Arts Center Society for the Performing

4,253 Arts University of Cincinnati

Denver, Colorado

Charleston, West Virginia

Los Angeles, California Anchorage, Alaska Chicago, Illinois Cleveland, Ohio

New York, New York

New York, New York Dallas, Texas St. Louis, Missouri Detroit, Michigan

San Francisco, California

New York, New York

Denver, Colorado Bloomington, Indiana Ames, Iowa Washington, D.C. Portland, Oregon East Lansing, Michigan

Milwaukee, Wisconsin Los Angeles, California Champaign, Illinois Lewiston, New York New Orleans, Louisiana Seattle, Washington

Philadelphia, Penns~lvania Chicago, lllinois

Rochester, New York San Antonio, Texas

San Francisco, California

Saratoga Springs, New York

Houston, Texas Cincinnati, Ohio

Program Treasury Private

376,831

28,846

16,860 8,430

33,720 12,750

214,480

44,500 12,000 8,430 8,430

48,000

197,500

12,000 21,180 8,430

151,980 8,430 8,430

12,000 72,000 24,000 18,750 20,430 16,860

41,700 18,750

8,430 8,430

16,860

86,850

21,180 12,000

Montgomery, Alabama

Anchorage, Alaska

Hartford, Connecticut Tallahassee, Florida Atlanta, Georgia Wilmington, Delaware

Honolulu, Hawaii Indianapolis, Indiana

San Juan, Puerto Rico Frankfort, Kentucky

Augusta, Maine Baltimore, Maryland

Boston, Massachusetts

Middlesex, New Jersey Jackson, Mississippi

St. Louis, Missouri Omaha, Nebraska

Concord, New Hampshire

New York, New York

Raleigh, North Carolina

Oklahoma City, Oklahoma

Harrisburg, Pennsylvania

East Greenwich, Rhode lsland Washington, D.C.

Columbia, South Carolina Nashville, "Iennessee

Minneapolis, Minnesota Montpelier, Vermont

Richmond, Virginia

Christiansted, Virgin lslands

Page 25: National Endowment for the Arts Annual Report 1976

Dance 25

Program Treasury Private Program Treasury Private University of Iowa University of Minnesota Wichita Symphony Society Wolf Trap Foundation

Iowa City, Iowa Minneapolis, Minnesota Wichita, Kansas Vienna, Virginla

21,180 8,430 8,430

18,750

The Conchora Foundation for Contemporary Dance, Inc./ The Moving Company Dance AIliance of the

Pasadena, California 4,600

Northwest States Seattle, Washington 6,500 Resident Professional Dance Companies--$356,642 Dance Theatre Foundation, Atlanta Ballet, Inc. Ballet Folk of Moscow, Inc. Ballet West Boston Ballet Company, Inc. Capitol Ballet Guild, Inc. Chicago Ballet Chicago Contemporary Dance Theatre, Inc. Cincinnati Ballet Company Dance Associates Foundation, Inc. Hartford School of Ballet, Inc. Houston Ballet Foundation

Atlanta, Georgia Moscow, Idaho Salt Lake City, Utah Boston, Massachusetts Washington, D.C. Chicago, Illinois

Chicago, Illinois Cincinnati, Ohio

Los Angeles, California Hartford, Connecticut Houston, Texas

11,200 8,000

29,600 26,400

5,200

6,420 16,000

17,472 13,200 16,200

25,000 25,000

Inc./Alvin Ailey City Center Dance Theatre Dance Works, Inc. Detroit Community Music School/Harbinger Dance Company Directional Concepts Dance Theatre Foundation, Inc. Footloose Dance Company, Inc. Foundation for American Dance, Inc./City Center Ballet Foundation for the Vital

New York, New York New York, New York

Detroit, Michigan

New York, New York

Berkeley, California

New York, New York

10,000 7,500

4,250

15,000

4,825

6,874

Maryland Ballet Cornpany Joan Miller & Chamber

Baltimore, Maryland 6,440 Arts/Eleo Pomare Dance Company New York, New York 7,500

Arts/Dance Players Milwaukee Ballet Company, Inc. New York City Hispanic American Dance Company, Inc.

New York, New York

Milwaukee, Wisconsin

New York, New York

6,800

4,800

8,400

Mime Garrard Dance Company, Inc. Ile-lfe Black Humanitarian Center Cliff Keuter Dance Company, Inc.

New York, New York

Philadelphia, Pennsylvania

New York, New York

4,500

7,500

7,500 North Carolina School of the Arts/N.C. Dance Theatre Oakland Ballet Company and Guild Pennsylvania Ballet Association

Winston Salem, North Carolina

Oakland, California

Phitadelphia, Pennsylvania

16,000

2,400

21,600

Kinelikos Dance Foundation/ Dance Pearl Lang Dance Foundation, Inc. Loretto-Hilton Theatre, Inc. Los Angeles Ballet Company

Los Angeles, California

New York, New York St. Louis, Missouri Los Angeles, California

3,000

5,000 7,500 7,500

Pittsburgh Ballet Theatre, Inc. Pittsburgh, Pennsylvania 10,400 The Lost & Foundation for Portland Dance Theatre, Inc. San Francisco Ballet

Portland, Oregon 19,200 the Arts, Inc./Jennifer Muller and Friends New York, New York 4,000

Association San Francisco, California 32,000 MoMing Collection, Inc. Chicago, Illinois 5,000 Theatre Flamenco of San Gloria Newman Dance Francisco, Inc. San Francisco, California Úniversity of Utah/Utah Repertory Dance Theatre Salt Lake City, Utah

Management and Administrationm$220,499 Americana Dance Theatre, Inc. Sherman Oaks, California Atlanta Ballet, Inc. Atlanta, Georgia Ballet Folk of Moscow, Inc. Moscow, Idaho Ballet Folklorico de Albuquerque Albuquerque, New Mexico

9,710

19,200

5,700 10,000 3,800

7,630

Theatre New York City Hispanic American Dance Company, Inc./Ballet Hispanico Oakland Ballet Company & Guild Oregon Mime Theatre The Pantomime Circus Foundation, Inc. The Rudy Perez Dance Theatre, Inc.

Orange, California

New York, New York

Oakland, California Lake Oswego, Oregon

West Cornwall, Connecticut

New York, New York

5,000

5,000

3,000 5,000

5,000

3,800 Boston Ballet Company, Inc. Boston, Massachusetts 3,700

Page 26: National Endowment for the Arts Annual Report 1976

26 Dance

PerformingArts Foundation/ Program Treasury Private Program Treasury PrivateFred Benjamín New York, New York 1,500Allnations Dance Company New York, New York 4,500 Elizabeth Weil Bergman Ann Arbor, Michigan 1,500Philadelphia Dance Company Philadelphia, Pennsylvania 5,000 Robert Bowyer New York, New York 1,500Portland Dance Theatre Portland, Oregon 7,000 Beverly Brown New York, New YorkKathryn Posin Dance 1,500Pat Catterson New York, New York 1,500Foundation, Inc. New York, New York 7,000 Chiang Ch’ing New York, New York 1,500Ririe-Woodbury Dance James Clouser Houston, Texas 1,500Foundation Salt Lake City, Utah 5,820 Jose Coronado New York, New York 1,500Rod Rodgers Dance T. Daniel Wilmette, Illinois 1,500Company, Inc. New York, New York 7,500 Gemze de Lappe New York, New York 1,500Theatre Flamenco of San Jean Leon Destine New York, New York 1,500Francisco, Inc. San Francisco, California 3,000 Bill De Young New York, New YorkXoregos Performing Company San Francisco, California 1,5004,500 Katherine Dunham East St. Louis, lllinois 1,500Douglas Donn New York, New York 1,500Fellowships and Production Grants William Earl Seattle, Washington 1,500Category Am(Choreography Fellowships)--$351,576 Jo Emery Tacoma, Washington 1,500Gerald Arpino New York, New York 34,963 Alfonso Figueroa Roslindale, Massachusetts 1,500Ze’eva Cohen New York, New York 5,700 Elizabeth Garren Minneapolis, Minnesota 1,500P~_~I Curtis New York, New York 14,250 Diane Germaine New York, New York 1,500Lou~s Falco Ñew York, New York 10,970 Constance Hardinge Bristol, Tennessee 1,500Viola Farber New York, New York Dorothy Hershlowitz12,529 Watertown, Massachusetts 1,500Lotte Goslar New York, New York 14,150 Jeannde Herst Oakland, California 1,500Arthur Hall Philadelphia, Pennsylvanía 13,500 Georgiana Holmes New York, New York 1,500Erick Hawkins New York, New York 12,900 Elizabeth Ince Los Angeles, California 1,500Joyce Houlton Minneapolis, Minnesota 20,875 Roman Josinski Tulsa, Oklahoma 1,500Elizabeth Keen New York, New York 5,250 Penelope Johnson San Francisco, California 1,500Cliff Keuter New York, New York 12,850 Tance Johnson Mountain View, California 1,500Phyllis Lamhut New York, New York 9,600 Spider Kenelsky Manhattan Beach, California 1,500Pearl Lang New York, New York 14,100 Pauline Koner New York, New York 1,500Lar Lubovitc~ New York, New York Rael Lamb16,668 Boston, Massachusetts 1,500Meredith Monk New York, New York 9,020 Matti Lascoe Huntington Beach, California 1,500Jennifer Muller New York, New York 11,110 Joan Lombardi New York, New York 1,500Gloria Newman Orange, California 13,900 Jann McCauley Portlanad, Oregon 1,500Alvin T. Nikolais New York, New York 33,810 Richard Munro Louisville, Kentucky 1,500Steve Paxton New York, New York 9,794 Glenn Charles Musagetes San Francisco, California 1,500Robert Pendleton Norwich, Vermont Sachiye Nakano8,800 Rancho Palos Verdes, California 1,500Meinz Poll Akron, Ohio 13,100 Phoebe Neville New York, New York 1,500Kathryn Posin New York, New York 7,526 Richard Oliver Los Angeles, California 1,500Francisco Reynders Lake Oswego, Oregon Doro Orejudos5,300 Chicago, Illinois 1,500Paul Sanasardo New York, New York 17,020 Judy Padow New York, New York 1,500Kei Takei New York, New York 5,100 Judith Patton Portland, Oregon 1,500Joan Woodbury Salt Lake City, Utah Linda Peterson9,700 Albuquerque, New Mexico 1,500Shirley Wynne Santa Cruz, California 9,091 Tina Ramirez New York, New York 1,500Benjamin Reehl Buckfield, Maine 1,500Category B--(Workshops Feliowships)--$93,000 Annegret Reemer Somerville, Massachusetts 1,500Maria Alba New York, New York 1,500 Raymond Sawyer San Francisco, California 1,500

Juan Antonio New York, New York Marc Schulkind New York, New York1,500 1,500Frank Ashley New York, New York 1,500 Stuart Sebastian Takoma Park, Maryland 1,500Gladys Bailin Athens, Ohio 1,500 Mary-Averett Seelye Washington, D.C. 1,500Maria Benitez Santa Fe, New Mexico 1,500 Jim Self Chicago, Illinois 1,500

Page 27: National Endowment for the Arts Annual Report 1976

Dance 27

Program Treasury Private Program Treasury Private

Anthony Shay Verity Haynes Shorr Michael Uthoff Deborah Vaughan Carol Warner

Los Angeles, California Tucson, Arizona Hartford, Connecticut Oakland, California Whittier, California

1,500 1,500 1,500 1,500 1,500

Xoregos Performing Company/Pinska San Francisco, California

Category D--(Production Grants)--$519,607 Agnes de Mille Dance

3,000

Marc Wilde San Francisco, California 1,500 Theatre Company New York, New York 25,000 Leona Wood Los Angeles, California 1,500 Ballet Theatre Foundation/

American Ballet Theatre New York, New York 66,810 Category C--(Fellowships for Choreographers in Residence)--$166,277 Albuquerque Dance Theatre/Winter Albuquerque, New Mexico Atlanta Ballet/Ichinohe Atlanta, Georgia Ballet Foundation of Milwaukee Milwaukee, Wisconsin Contemporary Dance System, Inc./Sokolow New York, New York Cunningham Dance Foundation, lnc. New York, New York Dance Associates Foundation, Inc. Los Angeles, California Dance Visions, Inc./Ramos New York, New York Dances We Dance, Inc./Tharp New York, New York 5 by 2 Dance Company, Inc./Truitte New York, New York Foundation for American Dance/City Center Joffrey Ballet/Jooss New York, New York New England Dinosaur/ Brown Lexington, Massachusetts

9,900 2,592

6,990

7,000

28,960

20,230 4,860 4,030

2,015

6,130

4,950

Ballet West Boston Ballet Company, Inc. Dance Theatre Foundation Dance Theatre of Harlem, Inc. Houston Ballet Foundation Joseph Limon Dance Foundation Margalit Dance Theatre Company NYC Hispanic-American Dance Company, Inc. Oakland Ballet Company Pennsylvania Ballet Association School for Pennsylvania Ballet for the Pennsylvania Ballet Company Pittsburgh Ballet Theatre Pocket Mime Theatre San Francisco Ballet Company Dan Wagoner Dance Foundation, Inc.

Salt Lake City, Utah Boston, Massachusetts New York, New York New York, New York Houston, Texas

New York, New York

Los Angeles, California

New York, New York Oakland, California

Philadelphia, Pennsylvania

Philadelphia, Pennsylvania Pittsburgh, Pennsylvania Boston, Massachusetts San Francisco, California

New York, New York

19,900 35,000 74,840 35,000

16,160

11,690

6,637 9,320

36,750

50,000 15,000

5,500 40,000

12,000

30,000 30,000

NYC Hispanic-American Dance Company, lnc./McKayle N.C. School of the Arts

New York, New York 6,040 Category E--(Special Choreography Fellowships)--$17,500 Carolyn Brown New York, New York Saeko Ichinoke New York, New York

7,500 10,000

Foundation, lnc./Carvajal Ohio Chamber Ballet/Boris Portland Dance Theatre/ Redlich

Winston-Salem, North Carolina Akron, Ohio

Portlánd, Oregon

4,320 3,790

5,000

Dance Criticism--$8,000 Connecticut College New London, Connecticut 8,000

Don Redlich Dance Company/Holm Ririe-Woodbury Dance Company/Mangelson Shawl-Anderson Modern Dance Center, Inc./O’Donnell

New York, New York

Salt Lake City, Utah

Berkeley, California

3,000

4,150

4,750

Dance/Film/Video~$194,353 Doris Chase Connecticut College Cunningham Dance Foundation, Inc. Dance Associates

New York, New York New London, Connecticut

New York, New York

10,000 14,000

24,000

Sophie Maslow Dance CompanyUniversity of Utah Utah Repertory Dance Theatre/Lubovitch Viola Farber Dance Company

New York, New York Salt Lake City, Utah

Salt Lake City, Utah New York, New York

5,000 8,870

7,600 13,100

Foundation, Inc. Directional Concepts Dance Theatre Foundation, Inc. Hawaii State Foundation on Culture and the Arts

Los Angeles, California

New York, New York

Honolulu, Hawaii

675

9,000

1,930

Page 28: National Endowment for the Arts Annual Report 1976

28 Dance

Barbara B. Morgan The New York Public Library/Astor, Lenox & Tilden Foundation Anna Sokolow

Scarsdale, New York

New York, New York New York, New York

Pro.gram 43,088

79,860 11,800

Treasury Private La Mama Experimental Theatre Club, Inc. Mid Man Dance Foundation Music Center Presentations National Association of

New York, New York New York, New York Los Angeles, California

Program Treasury Private

6,700 12,100 8,550

Services to the Field--$207,880 Association of American Dance Companies New York, New York Association of American Dance Companies Los Angeles, California Composers & Choreographers

42,000

5,880

Regional Ballet New England Dinosaur, Inc. New York Shakespeare Festival Original Ballets Foundation, Inc. Original Ballet Foundation,

New York, New York Lexington, Massachusetts

New York, New York

New York, New York

24,000 5,770

30,000

15,850

Theatre, Inc. Cultural Council Foundation Dance Service Corporation Dance Notation Bureau, Inc. H. I. Enterprises, Inc. National Association for Regional Ballet, Inc. Performing Art Services, Inc. San Francisco Bay Area Dance Coalition, Inc. Technical Assistance

New York, New York New York, New York New York, New York New York, New York New York, New York

New York, New York New York, New York

San Francisco, California

7,500 25,000 7,000

14,000 12,000

42,000 18,500

7,000

lnc./Eliot Feld Ballet Portland Dance Theatre The Riverside Church St. Felix Street Corporation/ Academy of Music Senahan, Inc. Spring Hill Center T.A.G. Foundation, Inc. Theatre Development Fund, In�.

New York, New York Portland, Oregon New York, New York

Brooklyn, New York New York, New York Wayzalta, Minnesota New York, New York

New York, New York

48,000 24,900 9,771

21,500 25,500 17,450 56,000

15,000

Group, Ltd. Technical Assistance

New York, New York 22,000 TRANSITION QUARTER GRANTS

Group, Ltd. New York, New York 5,000 Dance Touring Program (Smaller Companies)--$654,584

General Programs--$520,956 Alaska State Council on

California Arts Commission Illinois Arts Council Louisiana State Arts Council

Sacramento, California Chicago, Illinois Baton Rouge, Louisiana

228,202 79,780 29,251

the Arts Alum Dance Foundation, Inc. Association of American Dance Companies Ballet Theatre Foundation,

Anchorage, Alaska New York, New York

New York, New York

12,000 32,000

2,680

Mid-America Arts Alliance flor Arkansas, Kansas, Nebraska, and Oklahoma) Western States Arts Founda­tion (for Arizona, Colorado,

Kansas City, Missouri 78,103

Inc. Ballet West Lois E. Bewley Connecticut College Cunningham Dance Foundation, Inc. Dance Associates Foundation, Inc./Bella Lewitsky Dance Company Dance Center of Columbia College Dance Solos, Inc. Dance Theatre Workshop, Inc. Dancers Studio Foundation Eugene O’Neill Memorial Theatre Center

New York, New York Salt Lake City, Utah New York, New York New London, Connecticut

New York, New York

Los Angeles, California

Chicago, Illinois Port Chester, New York New York, New York New York, New York

Providence, Rhode Island

21,000 25,000

6,000 2,500

23,000

1,070

6,000 6,500

30,990 6,125

25,000

Idaho, Montana, Nevada, New Mexico, Oregon, Utah, Washington, and Wyoming) Denver, Colorado

Fellowship and Production Grants--$524,215Category A--$255,070 María Alba New York, New York Trisha Brown New York, New YorkAdison Becker Chase Washington, Connecticut Paul J. Curtis New York, New YorkChita Equizabal Los Angeles, CaliforniaLotte Goslar New York, New York Bert Houle St. Louis, Missouri Loyce J. Houlton Minneapolis, MinnesotaRaymond Johnson New York, New York Pearl Lang New York, New York

239,248

13,280 17,690 18,565 24,250 2,695

29,690 4,400

15,785 8,360

16,380

Page 29: National Endowment for the Arts Annual Report 1976

Dance 29

May O’Donnell Rod Rodgers Anna Sokolow Dan Wagoner

New York, New York New York, New York New York, New York New York, New York

Program Treasury 28,465 17,010 35,500 23,000

Private Chicago Ballet/Bewley Chicago ChoreographersWorkshop/Wykell Concert Dance Company/ Topaz

Chicago, Illinois

Chicago, lllinois

Natick, Massachusetts

Program Treasury Private 5,835

1,990

1,110 Category B~$72,000 Takako Asakawa Frank I. Ashley Ellen R. Bromberg Ronnie Brosterman Carolyn R. Brown Jacqulyn Buglisi William Carter Chiang Ching Madeline Cantarella Culpo Lynda Davis Gay A. Delanghe Anne Dennis-Jankovie Matthew P. Diamond Charles E. Dickson Barbara Lloyd Dilley Becky S. Emshiviller Simone Forti Richard L. Gibson Martha A. Gray Rodney Grit~n Georgiana L. Holmes Rachel D. Lampert Gretchen MacLane Charles Moore

New York, New York New York, New York Salt Lake City, Utah Los Angeles, California New York, New York New York, New York New York, New York New York, New York Pittsfield, Massachusetts Valencia, California Ann Arbor, Michigan San Francisco, California New York, New York Chevy Chase, Maryland Boulder, Colorado Andover, Massachusetts New York, New York New York, New York Arlington, Massachusetts New York, New York New York, New York Brooklyn, New York Provincetown, Massachusetts Brooklyn, New York

1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800 1,800

Contemporary Dance Theatre/Bailin Cincinnati, Ohio 5 by 2 Dance Company/Posin New York, New York Jose Limon Dance Foundation/Koner New York, New York Milwaukee Ballet Company/ Mussman Milwaukee, Wisconsin New York City Hispanic-American Dance Company/ Coronado New York, New York North Carolina School of the Arts Foundation/Czarny Winston-Salem, North Carolina Ririe-Woodbury Dance Company Chase/Pendleton Salt Lake City, Utah Xoregas Performing Company/Lathrop San Francisco, California

Category D--$148,770 Boston Ballet Company Boston, Massachusetts Dance Theatre of Harlem, Inc. New York, New York Simone Forti New York, New York Anna Halprin Los Angeles, California Merle Marsicano New York, New York New York City Ballet (City Center of Music and Drama) New York, New York

3,320 4,000

5,485

3,600

2,300

2,440

8,460

5,000

15,940 43,950

3,000 10,000 5,000

70,880

Richard W. Munro Aileen Passloff

Louisville, Kentucky New York, New York

1,800 1,800 Dance/Film/Video---$70,000

Linda Peterson Pearl A. Reynolds Tomm C. Ruud Anthony B. Salatino

Albuquerque, New Mexico Brooklyn, New York San Francisco, California Syracuse, New York

1,800 1,800 1,800 1,800

New York Public Library/ Astor, Lenox, and Tilden Foundation Robert Withers

New York, New York New York, New York

60,000 10,000

Anthony V. Shay Elizabeth A. Shineflug Verity K. Shorr Clay Taliaferro Linda P. Tarnay Lynn E. Taylor (Rockville Center Long Island) Robert S. Weiss Lynne A. Wimmer Martha B. Wittman

Los Angeles, California Chicago, Illinois Tucson, Arizona Tallahassee, Florida New York, New York

Long Island, New York New York, New York Salt Lake City, Utah Bennington, Vermont

1,800 1,800 1,800 1,800 1,800

1,800 1,800 1,800 1,800

General Programs---$123,500 Brooklyn Academy of Music The National Shakespeare Company, Inc./The Cubículo Paul Taylor Dance Company Riverside Church TAG Foundation, Ltd.

New York, New York

New York, New York Washington, D.C. Nexv York, New York New York, New York

22,000

14,000 17,500 10,000 60,000

Deborah A. Wolf Cambridge, Massachusetts 1,800

Category C--$48,375 Chicago Ballet/Joffrey Chicago, Illinois 4,835

Page 30: National Endowment for the Arts Annual Report 1976

Education

Page 31: National Endowment for the Arts Annual Report 1976

Education 31

Te Education Program is concerned primarily with Artists-in-Schools--This program places professional The Poetry Component grew out of the original broadening the experience of our children to include the artists in elementary and secondary schools to work and Poets-in-Schools program developed almost a decade ago arts. Through innovative classroom prog.rams and demonstrate their art forms. The program is administered by the Endowment’s Literature Program. Poets and community arts projects, children may be brought some- through grants to the state arts agencies, which select creative writers in the classroom bring students to litera-thing of great value: an esthetic awareness. The purpose the participating schools, choose the artists, and raise the ture by involving them in its creation. Here the Poetry of the Education Program is not some hypothetical matching funds which Endowment grants require. This Component shares a common purpose with other Artists-increase in the number of artists our schools produce, year more than 2,000 artists worked in 7,500 schools in-Schools programs: to enhance children’s powers of It is to bring our children an active awareness of the arts, throughout the fifty states and five jurisdictions, perception and to develop their ability to communicate and of the art within themselves. The Artists-in-Schools Program is divided into eight creatively with tools they otherwise might not have

developed. Another specific goal of the Poetry Component is to introduce children to modern fiction and poetry and

"So it is, ii when we are asked what kind of art would be ’for everybody,’ there can be only to the value of reading itself. The Visual Arts and Crafts Component brings

one answer: the best." professional craftsmen and visual artists/such as sculptors, --Endora Welty, writer painters, printmakers, and photographers into elementary

and secondary school settings. During their ’gesidencies, artists divide their time between their own Work and

components, each of which corresponds with a different activities with students and members of the ~ommunity. art form: Two pilot components, Music and Theatre, operated

The Architecture/Environmental Arts Component is on a limited basis in 1976 and were not open to general designed to heighten design awareness and to enable applications. students and teachers to explore the design process through Learning through the Arts--This program area special activities organized and carried out by a resident (formerly Alternative Education) is not open to general designer, application but is rather a limited laboratory program.

The Dance Component engages professional dance Because of limited funds, the intent of this program is companies and dance movement specialists to present to support a few demonstration projects which can dance as ah art forro, to explore movement asa means of influence the ñeld of arts-in-education and which can encouraging self-expression and self-awareness in children, serve as models for the use of artists in educational and to show teachers how dance may be employed as settings. The focus of the program is on the tole of the an educational tool. Performances ate part of the activity, artist and on ways in which the arts can be integrated but Artists-in-Schools is notan auditorium program, in the educational experience in schools and communities. Rather, ir is a classroom activity based on experience and The work of artists in LTA projects indicates new participation; students, teachers, and artists all take part. possibilities for motivation of learning, understanding of

The Film/Video Component places filmmakers and other cultures, the development of personal resources and video artists in schools for two purposes: to bring students stimulation of the process of thought and expression. and teachers an understanding of the tole visual com- LTA funds artists’ work with community, cultural munications play in their lives, and to teach students, and arts organizations. The program focuses on the needs through their involvement in a film or videotape proiect, of a variety of audiences including adults, students, the the skills to express themselves through the film/video handicapped, prisoners, and diverse cultural groups. medium. To allow film and video programs to continue Arts Administration--As the number of arts organi­after the completion of the artist’s residency, teachers and zations and institutions has increased, so has the need administrators are often given the necessary training to for professional arts administrators who can combine carry on by themselves, business sense and artistic awareness. In a limited funding

The Folk Arts Component brings practitioners of effort, the Education Program makes matching grants the various folk arts into elementary and secondary available to universities with graduate level arts adminis­schools to practice their art and convey their skills to tration programs to provide fellowships for needy students. students.

Page 32: National Endowment for the Arts Annual Report 1976

32 Education

Advisory Panel Dewey Balfa Coordinator, Acadiana School Project Basil~, Louisiana

Alvin Batiste

Bella Lewitzky Artistic Director/Choreographer Bella Lewitzky Dance Company Los Angeles, California

Don Redlich Choreographer, Danc¢r, Teacher Director, Don Redlich Dance Company New York, New York

Chairman Jazz Institute Southern University Baton Rouge, Louisiana

Dr. Thomas Bergin Dean Center for Continuing Education University of Notre Dame South Bend, Indiana

Nancy B. Llewellyn Chairman Office of Arkansas State Arts and Humanities Little Rock, Arkansas

Josephine Love Co-Director Your Heritage House Detroit, Michigan

Robert Richards Artists-in-Schools Coordinator Kansas Arts Commission Topeka, Kansas

Toshiko Takaezu Craftsperson Music Hall Building Clinton, New Jersey

John Culkin Director Center for Understanding Media New York, l~ew York

Ellen Lovell Executive Director Vermont Council on the Arts Montpelier, Vermont

DeLloyd Tibbs National Executive Secretary American Guild of Musical Artists New York, New York

Felix R. R. Drury Architect New Haven, Connecticut

Dr. Sidney P. Marland, ]’r. President College Entrance Examination Board

Edward ~. VilleIla Dancer New York City Ballet New York, New York

Aase Eriksen Director Educational Future, Inc. Philadelphia, Pennsylvania

Robert Kiley Dean, School of Fine Arts University of Montana Missoula, Montana

New York, New York

]ohn Monro Director of Freshman Studies Miles College Birmingham, Alabama

Clydia Nahwooksy Assistant to the Commissioner Bureau of Indian Affairs

Melinda Ward Film Coordinator Walker Art Center Minneapolis, Minnesota

Joseph Wheeler Executive Director Centrum Foundation Fort Worden State Park

MoIIy LaBerge Washington, D.C. Port Townsend, Washington

Director Community Program in Arts and Sciences

Dr. Ray Okimoto Teacher,

Seymour Yesner Curriculum Consultant

St. Paul, Minnesota

Ruth Asawa Lanier Sculptor President

AIS Coordinator Hawaii State Department of Education Honolulu, Hawaii

Jack Olds

English and Humanities Department Board of Education Minneapolis Public Schools Minneapolis, Minnesota

AIvarado School Arts Workshop San Francisco, California

Executive Director Iowa State Arts Council

Arne Zaslove Associate Director

Des Moines, Iowa Seattle, Repertory Theatre Seattle, Washington

Page 33: National Endowment for the Arts Annual Report 1976

Program Treasury Private

$ $ $ 12,000 5,000 11,000

12,000

40,000

75,700

98,960

18,300

62,800

100,000 37,500

68,500 25,000

49,400 34,000

65,000 36,300

9,100 118,000 49,000

61,000

10,000

61,400 18,300

40,700 68,900 61,900

15,000 70,900 46,590 64,600 77,200

Maine State Commission on the Arts and the Humanities Maryland Arts Council Massachusetts Council on the Arts and Humanities Michigan Council for the Arts Minneapolis State Arts Board Mississippi/M’ts Commission Missouri State Council on the Arts Montana Arts Council Nebraska Arts Council Nevada State Council on the Arts New Hampshire Commission on the Arts New Jersey State Council on the Arts New Mexico Arts Commission New York Foundation for the Arts, Inc. New York State Poets-in-the-Schools North Carolina Arts Council North Dakota Council on the Arts and Humanities Ohio Arts Council Oklahoma Arts and Humanities Council Oregon Arts Commission Commonwealth of Pennsyl­vania Council on the Arts Public Schools of the District of Columbia Rhode Island State Council on the Arts San Francisco Unified School District Senahan, Inc. South Carolina Arts Commission South Dakota State Fine Arts Council Tennéssee Arts Commission Texas Commission on the Arts and Humanities Utah State Division of Fine Arts Vermont Council on the Arts

Augusta, Maine Baltimore, Maryland

Boston, Massachusetts Detroit, Michigan Minneapolis, Minnesota Jackson, Mississippi

St. Louis, Missouri Missoula, Montana Omaha, Nebraska

Reno, Nevada

Concord, New Hampshire

Trenton, New Jersey Santa Fe, New Mexico

New York, New York

Chappaqua, New York Raleigh, North Carolina

Fargo, North Dakota Columbus, Ohio

Oklahoma City, Oklahoma Salem, Oregon

Harrisburg, Pennsylvania

Washington, D.C.

East Greenwich, Rhode Island

San Francisco, California New York, New York

Columbia, South Carolina

Sioux Falls, South Dakota Nashville, Tennessee

Austin, Texas

Salt Lake City, Utah Montpelier, Vermont

Education 33

Program Treasury Private

53,700 43,500

62,200 77,400 84,400 47,500

39,700 42,200 98,000

40,800

68,400

58,400 57,000

120,300

37,000 64,800

42,300 62,400

66,600 89,200

71,750

12,000

80,000

5,000 240,000

127,400

45,900 74,400

121,000

39,400 47,800

Arts and Humanities Nebraska Arts Council Public Schools of the District of Columbia South Carolina Arts Commission

Grants Artists-In-Schools 1975-76 School Year--$80,000 The Office of Arkansas State

Alabama State Council on the Arts and Humanities Alaska State Council on the Arts Alvarado School Art Workshop Arizona Commission on the Arts and Humanities The Office of Arkansas State Arts and Humanities California Arts Commission Center for City Building Educational Programs Center Theatre Group The Colorado Council on the Arts and Humanities COMPAS Connecticut Commission on the Arts Delaware State Arts Council D.C. Commission on the Arts and Humanities Fine Arts Council of Florida Frederic Burk Foundation Georgia Council for the Arts and Humanities Glendale Unified School District Hawaii State Foundation on Culture and the Arts Insular Arts Council of Guam Idaho State Commission on Arts and Humanities Illinois Arts Council lllinois Arts Commission institute of Puerto Rican Culture lowa SLate Arts Council Kansas Arts Commission Kentucky Arts Commission Louisiana State Arts Council

Little Rock, Arkansas Omaha, Nebraska

Washington, D.C.

Columbía, South Carolina

Artists-ln-Schools 1976-77 School Year--$3,888,000

Montgomery, Alabama

Anchorage, Alaska

San Francisco, California

Phoenix, Arizona

Little Rock, Arkansas Sacramento, California

Saugus, California Los Angeles, California

Denver, Colorado St. Paul, Minnesota

Hartford, Connecticut Wilmington, Delaware

Washington, D.C. Tallahassee, Florida San Francisco, California

Atlanta, Georgia

Glendale, California

Honolulu, Hawaii Agana, Guam

Boise, Idaho Chicago, Illinois Indianapolis, Indiana

San Juan, Puerto Rico Des Moines, Iowa Topeka, Kansas Frankfort, Kentucky Baton Rouge, Louisiana

Page 34: National Endowment for the Arts Annual Report 1976

34 Educafion

Vir~inia Commission on the Arts and Humanities Richmond, Virginia Virgin Islands Council on the Arts Christiansted, St. Croix Washington State Arts Commission Olympia, Washington West Virginia Arts and Humanities Council Charleston, West Virginia Wisconsin Arts Board Madison, Wisconsin Wyoming Council on the Arts Cheyenne, Wyoming

Architecture -F Environmental Ax~s Component--$61~830

Educational Futures, Inc. Philadelphia, Pennsylvania

Visual Ar~s and Crafls Component--$62,000 Maine State Commission on the Arts and the Humanities Augusta, MaineWestern States Arts Foundation Denver, Colorado

Altema¿ive Educalion Forms--$253,587 Arizona Commission on the Arts and the Humanities Centrum Foundation Children’s Arts Carnival Fine Arts Council of Florida George Washington University The Growing Mind Hawaii State Foundation on Culture and the Arts University of Hawaii at Hilo Bonnie Pitman-Gelles Settlement Music School Taos Art Association, Vermont Council on the Arts

Ar~s Administrafion--$86,840 Regents of University of California Harvard University Sangamon State University University of Utah University of Wisconsin Foundation Yale University

General Programs--$111,538 American Council for the Arts in Education

Phoenix, Arizona Port Townsend, Washington New York, New York Tallahassee, Florida Washington, D.C. Berkeley, California

Honolulu, Hawaii Hilo, Hawaii Washington, D.C. Philadelphia, Pennsylvania Taos, New Mexico Montpelier, Vermont

Los Angeles, California Cambridge, Massachusetts Springfield, Illinois Salt Lake City, Utah

Madison, Wisconsin New Haven, Connecticut

New York, New York

. Program Treasury Private

60,000

10,000

114,400

70,700 32,200 36,200

61,830

2,000

60,000

6,992 25,000 22,500 20,000 20,000 20,000

39,000 17,500 36,295

8,300 31,000 7,000

25,000 10,000 15,000 6,840

15,000 15,000

1,500 35,500

Associated Colleges of Mid-Hudson Area Clarksburg-Harrison Cultural Foundation, Inc. Community Arts Foundation/ Chicago Mural Group City Building Education Center Kingsbury Center Laboratory School Michigan State Council for the Arts Research Foundation of the City University of New York New York, New York

TRANSITION QUARTER GRANTS

Alternative Education Form~$305,000 Office of Arkansas State Arts and Humanities Asian Benevolent Corps Boys Harbor, Inc. Centrum Foundation Children’s Art Carnival Chinese Culture Foundation Durham Fund for Research and Development of Cultural Arts George Washington University Grand Rapids Public Schools Harlem School of the Arts The Learning Guild, Inc. Elma Lewis/The National Center of Afro-American Artists, lnc. Media Study State of Minnesota The Nashville Children’s Theatre, Inc. Natural Heritage Trust North Carolina Arts Council Palace of Arts and Science Foundation Performing Arts Society of Los Angeles R’Wanda Lewis Afro-American Dance Company Inc.

Little Rock, Arkansas Washington, D.C. New York, New York Port Townsend, Washington New York, New York San Francisco, California

East St. Louis, IllinoisWashington, D.C. Grand Rapids, Michigan New York, New York Boston, Massachusetts

Dorchester, Massachusetts Buffalo, New York St. Paul, Minnesota

Nashville, Tennessee Albany, New York Raleigh, North Carolina

San Francisco, California

Los Angeles, California

Los Angeles, California

Program Treasury Private

Poughkeepsie, New York

Clarksburg, West Virginia

Chicago, Illinois

Saugus, California

Washington, D.C.

Detroit, Michigan

1,500

1,300

10,000

24,888

24,850

2,000

10,000

29,100 15,000 15,000 10,000 22,500 12,500

20,000 20,000

5,000 20,000 20,000

20,000 10,400 15,000

20,000 5,000

10,000

18,000

10,000

7,500

Page 35: National Endowment for the Arts Annual Report 1976

Education 35

Program Treasury PrivateA.I.S.--$188,932 Architecture Component--$159,972 Education Futures, Inc. Philadelphia, Pennsylvania 159,972

Film Video Arts Component--$21,720 Katherine Kline New York, New York 21,720

Theatre Component--$7,240 Sister Katherine Martin, Notre Dame Notre Dame, Indiana 7,240

Page 36: National Endowment for the Arts Annual Report 1976

Expansion Arts

Page 37: National Endowment for the Arts Annual Report 1976

Expansion Arts 37

The arts do not belong only to artists. Nor are per- Arts Exposure Program--Matching grants under this which specialize in workshops and classes are assisted by

formances confined to theatres, or paintings to museums, category go to community-based arts organizations which this program. The intention here is to create learning

The arts are found wherever people pursue them, and bring performances, exhibitions, and festivals to people opportunities in the arts where otherwise they might never

lately more people of every background have begun to who are normally denied access to cultural events because have existed. A grant this year to the Learning Guild of

pursue them than ever before. In rural areas, suburban of geographic, economic~ or physical restraints. The Arts Boston, Massachusetts, illustrates this purpose. With Endowment support, the Learning Guild designed threesettings, in neighborhoods, in towns and cities, community- Exposure Program also assists organizations which pro-multi-media assembly programs for presentation in publicbased arts organizations have sprung up to help people mote cross-cultural exchange between, for example, the

meet the desire to create, young and the old. the affluent and the non-affluent, and schools. Each program includes a film on the history of The Endowment supports the community arts the races; arts projects which offer new alternatives in drug dance, theatre, a live performance of demonstration by

artists, and the participation of the children themselves.movement primarily through its Expansion Arts Program. prevention and rehabilitation of which involve prison Generally, the program gives matching assistance to inmates or ex-offenders; and community-based research In 1975 the Learning Guild initiated a program called

projects on regional of ethnic culture. Workshop for Workers, which offers classes in a wideprofessionally directed, community-based arts projects range of art subjects during lunch hours at factories andin which all the people of a community may participate, The Endowment and the Federal Bureau of Prisons and in which the people themselves have the opportunity are continuing to co-sponsor for the second year a pilot offices.

Artist-in-Residence Prison Arts Project. designed to test Special Summer Projects--The Endowment alsoto help determine artistic and administrative policies. The the rehabilitative potential of the arts in prison environ- assists professionally-directed community arts projects thatprofessional who runs such a project is often a product

of the same community; he or she knows its traditions ments. Phase II of the program proposes that the Bureau provide training or participation programs ~xclusively

and wo.-ks to advance its cultural expression, of Prisons and the Endowment jointly fund local sponsors during the summer. Neighborhood Arts Services--Matching funds ate

available to the wide variety of service organizations which provide technical assistance--such as equipment loans,"Government can play an essential role in the life of artistic organizations by providing publicity, sponsorship of activities, and technical advice-­

them the money to do what needs to be done. But the decisions as to what play should be to operating community arts groups. The program also is produced of what symphony played have remained the province of the arts organizations." developing a staff of arts specialists who can provide

consulting services to community-based arts organizations. --Charles Mcl4/horter, íormer member Many of the smaller community centers ate run, not by

National Council of the Arts trained administrators, but by the artists who founded them, and often the greatest need of these directors is sound advice in such areas as budgeting, fundraising, realto recruit artists and administer arts projects similar to

the pilot model in institutions in five locations: Lompoc, estate, and legal matters. California; Oxford, Wisconsin; El Paso, Texas (La Tuna); Another program intended to improve the stability of Alderson, West Virginia; and Tallahassee, Florida. Pre- the community arts movement began this year: Community

Arts Consortia, a pilot program to encourage three orviously, the Expansion Arts Program’s involvement with prison arts had been on a state level, and usually was more community-based arts organizations in the same city initiated by arts groups that expressed the desire to take or region to merge--pooling their administrative, develop-programs into prisons. Because of the favorable response mental, technical, and promotional resources, while at the to the program, the Federal Bureau of Prisons has picked same time maintaining their artistic autonomy. The prin­

ciple here is that three community-based arts organizationsup two�thirds of the funding for these projects for Fiscal working together can provide themselves with better ser-Year 1977.

Community Cultural Centers--Major community- vices than they could working separately. Under the Endowment plan, the organizations first negotiate thebased cultural centers ate eligible for matching assistance merger among themselves, and then apply to the Expan­under this category. These are established institutions, sion Arts program for matching funds to support the move.providing services in more than one art discipline, and

State Arts Agencies Expansion Arts--In order tocarrying out extensive programs which include workshop, explore and expand state arts agency programming inperformance, and exhibition opportunities for community

members, expansion arts, the Endowment also offers matching aid to Instruction and Training--Community arts proiects state arts agencies and regional arts groups for specific

Page 38: National Endowment for the Arts Annual Report 1976

38 Expansion Axts

community arts projects in such areas as advocacy, coordination, neighborhood arts services, and tour events.

Regional Tour Events--Aid is also available to spon­sors of regional arts events or festivals which are intended to bring community arts groups or individual artists together in locations which traditionally have lacked such exposure. The John Henry Folk Festival was one sucia project. Sponsored by the John Henry Memorial Founda­tion with Endowment support, the festival brought toget~er folk artists and craftsmen from all over Appalachia to celebrate and share their heritage in a summer gathering. The festival included muslo, arts and crafts, dance and theatre, x;isual arts, workshop activities, anda special program for children.

General Programs--This year Expansion Arts through a contract with Media Associates, began a new effort: the development of a Technical Assistance Program designed to provide the eommunity arts field with directories, manuals, primers, slide presentations, and other docu­mentary materials.

Page 39: National Endowment for the Arts Annual Report 1976

Expansion Arts 39

Advisory Panel Kenneth Billups Diego Navarrette Supervisor of Vocal Muslo Vice-Chairman St. Louis Public Schools Dean of Student Services St. Louis, Missouri and Personnel

Pima College Bernice Bing Tucson, Arizona Painter Community Artist Jerrold Rouby

Executive DirectorSan Francisco, California Wisconsin Arts Board

Katherine Dunham Madison, Wisconsin Dancer, Anthropologist

David SaltonstallDirector, Dynamie Museum Director, Cultural ProgramsEast St. Louis, Illinois Mellon Foundation New York, New YorkO’Neil Ford

Architect Brendan SextonFormer member oí the Labor EducatorNational Council on the Arts Brooklyn, New YorkSan Antonio, Texas

William Strickland, Jr.Thelma Hill ChairmanDancer DirectorNew York, New York Manchester Craftsman Guild Pittsburgh, PennsylvaniaRuth Humleker

Arts Administrator Isabelle WatkinsMinneapolis, Minnesota Chairman Georgia Council for the ArtsJames Jefferson Atlanta, GeorgiaInstructor

Native American Studies Jack WrightUniversity oí Utah Media ArtistSalt Lake City, Utah Director, Appalshop Whitesburg, KentuckyEllida Kirk

Arts Administrator Tacoma, Washington

Samella Lewis Artist, Art Historian Scripps College Claremont, California

Page 40: National Endowment for the Arts Annual Report 1976

40 Expansion Arts

Grants Special Summer Projects~$644,165 Aims of Madzawe, Inc. Alameda County Neighbor­hood Arts/Pickle Family Circus Alpha-Omega 1-7 Theatrical Dance Co., Inc. Archaesus Productions, Inc. Arts Council of Baton Rouge Arts Association of Alamance County Arts Council, Inc. Atlanta Ballet, Inc. Barter Foundation City of Benton Harbor, Michigan Boston Foundation, Inc. Buffalo Fine Arts Academy/ Albright Knox Art Gallery Camp Ella Fohs, Inc. Charles River School Chalfield College Collective Black Artists, Inc. Concerned Musicians of Houston Cornish School of Allied Arts Cortland Repertory Theatre, Inc. Council of the Arts for Children Cratin Choir School of Music and Education Creative Arts Community, Inc. Creede Repertory Theatre, Inc. Cresson Lake Playhouse De Young Museum Art School City of East ChicagoFamily Environment Center Ferrum College Fine Arts Council of Trumbull City, Inc. Friends of Living Arts Center Fun Encounter Theatre Goddard College Corporation Grand Valley State CollegesGreat Lakes Shakespeare Festival Great River Festival of Arts, Inc.

Long Island, New York

Oakland, California

New York, New York Washington, D.C. Baton Rouge, Louisiana

Graham, North Carolina Winston-Salem, North Carolina Atlanta, Georgia Abingdon, Virginia

Benton Harbor, Michigan Boston, Massachusetts

Buffalo, New York Bronx, New York Dover, Massachusetts St. Martin, Ohio Brooklyn, New York

Houston, Texas Seattle, Washington

Cortland, New York

New Orleans, Louisiana

Uniontown, Pennsylvania

Toledo, Ohio

Creede, Colorado Spangler, Pennsylvania

San Francisco, California Chicago, lllinois Los Angeles, California Ferrum, Virginia

Warren, Ohio Dayton, Ohio Daly City, California Plainfield, Vermont Allendale, !Qlichigan

Lakewood, Ohio

Lacrosse, Wisconsin

Program Treasury

12,500

10,000

10,500 7,500

14,170

7,750 10,000 7,500 7,500

4,570 10,000

3,000 7,500 5,000 4,500 5,000

10,000 10,000

4,500

8,500

7,500

7,500

7,500 7,500

5,000 7,500 5,000 5,000

6,500 5,000 7,500 7,500 7,500

7,500

10,000

Private Greater Fall River Re-Creation Committee Harvard University Huntington Theatre, Inc. Ibero American Action League, Inc. India, Inc. Iowa State Arts Council Jacksonville University Kentuckiana Metroversity, Inc. Kodiak Baranof Production, Inc. Learning Theatre Lomax-Hannon Industrial College of Greenville Looking Glass Theatre, Inc. Menaul School, Albuquerque University of Miami Mime School, Inc. Montana State University National Park Service Neighborhood Arts Center, lnc. Neighborhood Parent Club One Reel Vaudeville Operation Heritage, Inc. Park School of Baltimore Paul Robeson Players, Inc. City of Pawtucket Pennsylvania State University Performing Arts for Com­munity and Education, Inc. City of Phoenix Piedmont Citizens for Action, Inc. City of Pittsburgh Printmaking Workshop Research Foundation of the City University of New York Rhodes Tavern, Inc. Rita Jones Dance Co. R’Wanda Lewis Afro-American Dance Co. San Francisco Dancers Forum College of Santa FeSelf Help Graphics and Art, Inc. Sister of the Holy Names of Jesus and Mary South Dakota Arts Council

Fall River, Massachusetts Cambridge, Massachusetts Bay Village, Ohio

Rochester, New York San Luis Obispo, California Des Moines, lowa Jacksonville, Florida

Louisville, Kentucky

Kodiak, Alaska Patterson, New Jersey

Greenville, Alabama Providence, Rhode Island Atbuquerque, New Mexico Coral Gables, Florida Fayetteville, Arkansas Bozenan, Montana McLean, Virginia

Atlanta, Georgia Baltimore, Maryland Seattle, Washington Washington, D.C. Baltimore, Maryland Compton, California Pawtucket, Rhode Island University Park, Pennsylvania

Miami, Florida Phoenix, Arizona

Worcester, Massachusetts Pittsburgh, Pennsylvania New York, New York

New York, New York Washington, D.C. Philadelphia, Pennsylvania

Los Angeles, California San Francisco, California Santa Fe, New Mexico

Los Angeles, California

Albany, New York Sioux Falls, South Dakota

Program Treasury Private

5,000 8,500 4,000

5,380 4,500 7,500 5,000

5,000

3,000 5,000

5,000 6,575 3,375

12,000 4,645 9,120 7,500

12,500 15,000 7,500

10,000 8,500 7,500 2,500

10,000

7,500 3,500

12,500 10,000 10,000

7,500 7,500 4,250

10,000 4,500

12,500

1,700

7,500 5,000

Page 41: National Endowment for the Arts Annual Report 1976

Expansion Arts 41

Program Treasury Private Program Treasury Private

South Vermont Artists, Inc. South Street Theatre/ Theatre Research, Inc. Special School District No. 6 Store Front Gallery, Inc.

Manchester, Vermont

New York, New York South St. Paul, Minnesota Jamaica, New York

3,000

7,500 9,730 5,000

Rhode Island State Council on the Arts South Carolina Arts Commission Universal Christian Church

East Greenwich, Rhode Island

Columbia, South Carolina Baltimore, Maryland

12,500

7,500 4,000

Strawberry Banke, Inc. Portsmouth, New Hampshire 4,000 Universidad Boricua/Puerto Sun Foundation for Advance- Rican Research and Resources ment in the Environmental Center, Inc. Washington, D.C. 8,000 Sciences and Arts City of Tacoma

Washburn, Illinois Tacoma, Washington

5,000 7,500 lnstruction and Training--$2,388,126

Theatre for the New City Foundation, Inc. Traditional Indian Alliance

New York, New York Tucson, Arizona

5,000 5,000

African Heritage Dancers and Drummers, Inc. Afro-American Studio for

Washington, D.C. 10,000

University Settlement Society of New York Vermont Council on the Arts

New York, New York Montpelier, Vermont

5,000 10,000

Acting and Speech Afro-American Total Theatre Arts Association

New York, New York

New York, New York

22,500

25,000 Watts Community Symphony Orchestra White Mountain Center for Music and the Arts Wisconsin Arts Board University of Wisconsin at La Crosse

Los Angeles, California

Jefferson, New Hampshire Madison, Wisconsin

La Crosse, Wisconsin

5,000

7,500 16,400

6,000

Afro-Arts Culture Center Alameda County Neighbor­hood Arts Program Alice LIoyd College Alliance for Latin Arts, Inc. Amas Repertory Theatre, Inc. American Black Artists, Inc.

New York, New York

Oakland, California Pippa Passes, Kentucky New York, New York New York, New York Detroit, Michigan

12,500

12,500 12,500 15,000 10,000 15,000

Tour Even~s--$201,500 Active Trading Company Productions, Inc. Ashtabula Arts Center Brooklyn Arts and Culture Association Carnegie Institute Chinese Cuiture Center Costani Foundation De Cordova and Dana

New York, New York Ashtabula, Ohio

Brooklyn, New York Pittsburgh, Pennsylvania San Francisco, California Scotsdale, Arizona

4,000 7,500

11,000 I0,000 8,500

10,000

Amigos del Museo del Barrio, Inc. Appalachian Research and Defense Fund, Inc. Arena Players Atlanta Children’s Theatre Back Alley Theatre, Inc. Ballet Folk of Moscow, Inc. Basement Workshop Better Boys Foundation Beyond Baroque

New York, New York

Charleston, West Virginia Baltimore, Maryland Atlanta, Georgia Washington, D.C. Moscow, Idaho New York, New York Chicago, Illinois Venice, California

10,000

5,000 9,935

12,500 15,000

5,000 17,500 10,000 17,500

Museum and Park Galveston County Cultural Arts Council John Henry Memorial Foundation

Lincoln, Massachusetts

Galveston, Texas

Princeton, West Virginia

4,000

15,000

13,000

Bidwell Street United Presbyterian Church Birmingham Creative Dance Group Black Academy of Music

Pittsburgh, Pennsylvania

Birrningham, Alabama Seattle, Washington

10,000

5,000 17,500

Louisiana State Council on Black Arts Association and the Arts Madewood Arts Foundation

New Orleans, Louisiana New Orleans, Louisiana

10,000 7,500

Mt. View Neighborhood Center Anchorage, Alaska 12,500

Milwaukee Inner City Arts Council The New Wilderness

Milwaukee, Wisconsin 15,000 Black Arts Cultural Center, Inc. Black Light Explosion

Chapel Hill, North Carolina San Francisco, California

15,000 17,500

Foundation North Hunterdon Regional High School District Pima Community College

New York, New York

Annandale, New Jersey Tucson, Arizona

40,000

5,000 4,000

Bloomingdale House of Meiser Brookline Arts Center, Inc. Brown University

New York, New York Brookline, Massachusetts Providence, Rhode Island

5,000 7,500

25,000 City of Portsmouth Portsmouth, New Hampshire 5,000

Page 42: National Endowment for the Arts Annual Report 1976

42 Expansion Arts

Buffalo Black Dance ’ Workshop, Inc. Andrew Cacho, African Dancers Carnegie Institute/Selma Burke Carpetbag Theater Center for Chamber Music at Apple Hill Farm, Inc. Central Arca Citizens’ Committee Central Pennsylvania Village

Buffalo, New York

Washington, D.C.

Pittsburgh, Pennsylvania Knoxville, Tennessee

East Sullivan, New Hampshire

Seattle, Washington

Program Treasury

_7,500

10,000

7,500 12,500

7,500

20,000

Private Cultural Council Foundation/ La Semilla Cultural Council Foundation/The Printshop Culture in Black and White Cumberland Museum Dancers Workshop Company of California Dance Theatre of Harlem Dance Visions, Inc. Dashiki Project Theatre Dayton Contemporary Dance

New York, New York

New York, New York Mobile, Alabama Clintwood, Virginia

San Francisco, California New York, New York New York, New York New Orleans, Louisiana

Program Treasury Private

12,500

10,000 15,000 7,000

17,500 15,000 10,000 22,500

Crafts, Inc. The Changing Scene Charlie Parker Memorial Foundation City of Chicago/Model Cities/Chicago Committee on Urban Opportunity

Boalsburg, Pennsylvania Denver, Colorado

Kansas City, Missouri

Chicago, Illinois

10,000 5,000

10,000

7,500

Guild/Dayton Comprehensive Manpower Center Department of Parks and Recreation D.C. Black Repertory Training Center Dixwell Children’s Creative

Dayton, Ohio

Stillwater, Oklahoma

Washington, D.C.

3,500

7,565

30,000

Children’s Art Carnival Chinese for Affirmative Action Cityarts Workshop, Inc. Collective Black Artists, Inc. Communicative Arts Academy Community Association of Schools for the Arts Community Center for theArts of Syracuse and Onandaga County, Inc. Community Crafts Community Environments Community Film Workshop of Chicago Community Film Workshop Council, Inc. Concept East, Inc. The Cooper Union Council of Southern Mountains Council of Southern Mountains/Appalshop Crossroads Community Cultural C0uncil Foundation/ Clark Center for Perform­ing Arts

New York, New York San Francisco, California New York, New York New York, New York Compton, California

St. Louis, Missouri

Syracuse, New York Lewiston, Maine New York, New York

Chicago, Illinois

New York, New York Detroit, Michigan New York, New York

Clintwood, Virginia

Clintwood, Virginia San Francisco, California

New York, New York

17,500 17,500 15,000 7,500

20,000

22,500

12,500 7,500

15,000

20,000

20,000 20,000 10,000

10,000

20,000 12,500

15,000

Arts Center Downtown Community T.V. Center East Bay Community Arts Project, Inc. East-West Players Ebony Talent Creative Arts Foundation Educational Broadcasting Corporation The Emerson School, Inc. El Nuevo Teatro Pobre de America Floating Foundation of Photography Fondo del Sol/SACA Forum: Center for the Arts Forum: Center for the Arts/ Creathon Theatre Group Free City Puppets, Inc. The Free Library of Philadelphia Frog Hollow Craft Association Fun Encounter Theatre Glen Echo Park of the

New Haven, Connecticut

New York, New York

Berkeley, California Los Angeles, California

Chicago, Illinois

New York, New York New York, New York

New York, New York

New York, New York Washington, D.C. Denver, Colorado

Denver, Colorado San Francisco, California

Philadelphia, Pennsylvania

Middlebury, Vermont Daly City, California

17,500

7,500

12,500 22,000

20,000

17,500 10,000

15,000

10,000 7,500

17,500

17,500 7,500

7,500

10,500 13,500

Cultural Council Foundation Charas Cultural Council Foundation El Teatro Ambulante Cultural Council Foundation

New York, New York

New York, New York

7,500

7,500

National Park Service G.A.M.E., Inc. Grassroots Experience Company

McLean, Virginia New York, New York

San Francisco, California

7,500 12,500

10,000

Fourth Street "i" New York, New York 10,000

Page 43: National Endowment for the Arts Annual Report 1976

Expansion Arts 43

Program Treasury Private Program Treasury Private Haight Ashbury Arts New Castle County Depart-Workshop Huntsville Ballet

San Francisco, California Huntsville, Alabama

12,500 5,000

ment of Parks and Recreation New Dance Theatre, Inc.

New Castle, New Jersey Denver, Colorado

6,880 17,500

Idaho Migrant Council Inter-Religious Foundation for Community Organization Inc. J.C.C.E.O. Community Theatre Jenkintown Music School John Henry Memorial

Boise, Idaho

New York, New York

Birmingham, Alabama Jenkintown, Pennsylvania

5,500

17,500

15,000 3,500

New Hampshire Performing Arts Center New Heritage Repertory Theater New Place, Inc. NYC Hispanic American Dance Company The New York Foundation

Manchester, New Hampshire

New York, New York Tampa, Florida

New York, New York

7,500

15,000 15,000

19,500

Foundation, Inc. The Julian Company Theatre

Princeton, West Virginia San Francisco, California

I0,000 5,000

for the Arts, Inc. Off Center Theater

Newburgh, New Yorklqew York, New York

10,000 8,500

Kalihi-Palama Culture and Arts Society, Inc. Honolulu, Hawaii 10,000

Ohio Valley Summer Theatre, Inc. Athens, Ohio 7,500

Kenan Center, Inc. Kentuckiana Metroversity/

Lockport, New York 7,500 Olatunji Center of African Culture, Inc. New York, New York 25,000

lnner City Dance ProgramKentuckiana Metroversity/

Louisville, Kentucky 15,000 Operation Outreach Opportunity House

Cairo, Illinois Henderson, North Carolina

10,000 5,000

Youth Arts Center Kilpatrick-Cambridge

Louisville, Kentucky 17,500 Pacific West Cherokee Association, Inc. Sacramento, California 5,000

Theater Arts School Knoxville Urban Ministry,

West Hollywood, California 10,000 Park Heights Community Life Theatre, Inc. Baltimore, Maryland 12,500

Inc. Kuumba Learning Center, lnc. Kuumba Workshop The La Rocque Bey School

Knoxville, Tennessee Washington, D.C. Chicago, lllinois

15,000 27,500 15,000

Paul Lawrence Dunbar Afro-American Culture Arts Center, Inc. City of Pawtucket

Columbus, Ohio Pawtucket, Rhode lsland

12,500 1,500

of Dance Theatre, lnc. The Learning Guide, Inc./

New York, New York 5,000 Performing Arts Foundation of Long lsland Long Island, New York 10,000

Boston Center for the Arts Living Arts and Science Center Loft Film & Theatre Center City of Long Beach

Boston, Massachusetts

Lexington, Kentucky New York, New York Long Beach, California

12,000

20,000 15,000 5,370

Performing Art Workshop Philadelphia Jazz Foundation Pittsburgh Black Theatre Dance Ensemble Corp. Players Workshop of the

San Francisco, California Philadelphia, Pennsylvania

Pittsburgh, Pennsylvania

20,000 2,000

15,000

Mafundi lnstitute Manchester Craftsmen’s Guild Manna House Workshops, Inc. Mechicano Art Center Media Study Meri Mini Players Company Metropolitan Cultural Arts Mid-America AIi-lndian

Los Angeles, California Pittsburgh, Pennsylvania New York, New York Los Angeles, California Buffalo, New York New York, New York Minneapolis, Minnesota

10,000 15,000 I0,000 15,000 12,500 10,000 15,000

English Speaking Theatre, Inc. The Print Club Public Art Workshop Puerto Rican Cultural Puerto Rican Dance Theatre, Inc. Puerto Rican Traveling Theater

New York, New York Philadelphia, Pennsylvania Chicago, lllinois New York, New York

New York, New York

New York, New York

7,500 17,500 10,000 10,000

15,000

25,000 Center Mississippi Band of

Wichita, Kansas 15,000 Resident Arts and Humanities Consortium Cincinnati, Ohio 8,000

Choctaw Indians N.A.R.C.O. National Black Theatre

Philadelphia, Mississippi Atlantic City, New Jersey

12,500 10,000

University of Rhode lsland Rod Rodgers Dance Company R’Wanda Lewis Afro-

Kingston, Rhode Island New York, New York

7,500 12,312

Workshop, Inc. Neighborhood Music School Newark Community Center of the Arts

New York, New York New Haven, Connecticut

Newark, New Jersey

36,000 7,500

15,000

American Dance Company St. EImo’s Village Salt City Playhouse

Los Angeles, California Los Angeles, California Syracuse, New York

10,000 15,000 12,500

Page 44: National Endowment for the Arts Annual Report 1976

44 Expansion Arts

Santa Clara Pueblo School of the Garden State Ballet Settlement Music School Sign of the Times/Cultural Workshop and Gallery, Inc. Society of the Third St. Music School Ballet Southern Methodist University Southwest Craft Center Southwestern Indian Polytechnic Institute Storefront Museum Symbrick Associates, Inc. Taos Art Association Taos Indian Children’s

Espanola, New Mexico

Newark, New Jersey Philadelphia, Pennsylvania

Washington, D.C.

New York, New York

Dalias, Texas San Antonio, Texas

Albuquerque, New Mexico New York, New York Williamsport, Pennsylvania Taos, New Mexico

Program Treasury Private 14,000

8,500 7,500

10,000

10,000

14,000 12,615

10,000 10,000 10,500 8,000

Whitney Museum of American Art Wooster Community Art Center Young Filmmakers Community-Action-Newsreel Young Saints Scholarship Foundation Y.W.C.A. of Metropolitan Dallas Y.W.C.A. of the National Capital Atea, Inc. Y.W.C.A. of Philadelphia Your Heritage House, Inc. Xavier University of Louisiana

New York, New York

Danbury, Connecticut

New York, New York

Los Angeles, California

Dallas, Texas

Washington, D.C. Philadelphia, Pennsylvania Detroit, Michigan

New Orleans, Louisiana

Program Treasury Private

10,000

10,000

15,000

15,000

3,500

I0,000 7,500

20,750

9,026

Art Center Taos Student Repertory Company, Inc. Tri-State Ballet Cornpany Unified School District 259 United Indians of All Tribes Foundation/Red Earth Performing Arts Cornpany United Nautical Cadets, Inc. United Pr0jects, Inc. Universal Arts of America, Inc. Universidad de Campesinos Libres University Circle, Inc. Upsal Day School for Blind Children Urban Arts Corps, Inc. Utah Ballet Folklorico Company, Inc. Valley Christian Center/Black Theatre Troupe, Inc. Waianae Coast Culture and Arts Society, Inc. Washington Cornrnunity School of Music Washington Theatre Laboratory Weber State College West Coast Black Repertory Theater, Inc. West Coast Theatre

Taos, New Mexico

Taos, New Mexico Upper Darby, Pennsylvania Wichita, Kansas

Seattle, Washington Bronx, New York San Francisco, California

Washington, D.C.

Fresno, California Cleveland, Ohio

Philadelphia, Pennsylvania New York, New York

Salt Lake City, Utah

Phoenix, Arizona

Waianae, Hawaii

Washington, D.C.

Washington, D.C. Ogden, Utah

San Francisco, California

7,500

10,000 3,700 8,500

12,500 I0,000 15,000

10,000

10,000 8,385

9,138 15,000

10,000

9,950

10,000

12,500

7,500 10,000

15,000

Arls Exposure--$1,096,365 Anchorage Arts Council, Inc. Anchorage Arts Council, Inc./ Eagle Bend Prison Project The Arkansas Art Center The Arts Council, Inc. Arts for Racial Identity The Arts Management Corporation Association for Children’s Theatre City of Atlanta Balkan-Arts Center, Inc. Ballet Folklorico de Albuquerque Baltimore Neighborhood Commons Black Cultural Endowment, Inc. Black Emergency Cultural Coalition Bodacious Buggerilla Broadside T.V. CAFAM-3 Communications, Inc. Carnegie Institute/Three Rivers Arts Festival Casa Hispana de Bellas Artes Leonard Castellanos Cell Block Theatre Workshop Corporation

Anchorage, AIaska

Anchorage, Alaska Little Rock, Arkansas Winston-Salem, North Carolina New York, New York

Philadelphia, Pennsylvania

Evanston, Illinois Atlanta, Georgia New York, New York

Albuquerque, New Mexico

Baltirnore, Maryland

Baltirnore, Maryland

New York, New York Los Angeles, California Johnson City, Tennessee

Washington, D.C.

Pittsburgh, Pennsylvania San Francisco, California Lompoc, California

New York, New York

11,870

12,500 12,500 3,750

15,000

17,500

10,000 1,000

10,000

7,500

10,000

6,670

17,500 15,000 25,000

15,000

10,000 12,500 24,000

15,000 Cornpany, Inc. West Side Players

Los Angeles, California Louisville, Kentucky

15,000 22,500

Page 45: National Endowment for the Arts Annual Report 1976

Expansion Arts 45

Program Treasury Private Program Treasury Private Chinatown Building and Education Foundation/ Chinese Culture and

Lincoln Center for the Performing Arts, Inc. The Mariano Parra Spanish

New York, New York 12,500

Community Center Christina Community Center The Claremont Colleges Community Radio Workshop, Inc.

Philadelphia, Pennsylvania Wilmington, Delaware Claremont, California

Durham, North Carolina

15,000 7,500

15,000

15,000

Dance Company University of Massachusetts David Melby (Contract) Milwaukee Inner City Arts Council

New York, New York Amherst, Massachusetts Des Moines, Iowa

Milwaukee, Wisconsin

7,500 10,000 24,000

12,000 Community Renewal Society Community Theatre Arts

Chicago, Illinois 5,000 National Association of Negro Musicians Detroit, Michigan 6,000

Workshop Creative Growth, Inc. Cultural Council Foundation Cultural Council Foundation/Free Space Cultural Council Foundation/ Margaret Gate Institute Davis and Elkins College Department of Recreation Detroit Repertory Theatre/ Milkan Theatre District of Columbia Edward Southeast Community

Berkeley, California Oakland, California New York, New York

New York, New York

New York, New York Elkins, West Virginia Dubuque, Iowa

Detroit, Michigan Washington, D.C.

10,000 9,125

10,000

4,000

7,500 12,500 7,500

7,500 15,000

Navajo Community College Neighborhood Youth Association, Inc. The New Shakespeare Company New Stage Theatre New York Shakespeare Festival North Essex Drug Abuse Council North Hunterion High School The Old Creamery Theatre Company

Tsaile, Arizona

Los Angeles, California

San Francisco, California Jackson, Mississippi

New York, New York

Montclair, New Jersey Annandale, New Jersey

Garrison, Iowa

12,500

10,000

7,500 5,000

12,000

10,000 15,000

10,000 Arts and Cultural Center El Paso Community College Environmental Comrnunity Arts/Loafers HomebakersEnvironmental Community Arts Corporation/KITS Project Federal City College Foundation for the ~rital Arts Forum Project Free Street Theatre Genesis Theatre Germantown Theatre Guild Greater Hartford Arts

San Diego, California El Paso, Texas

New York, New York

New York, New York Washington, D.C. New York, New York Rahway, New Jersey Chicago, Illinois La Mesa, California Philadelphia, Pennsylvania

15,000 12,500

7,500

7,250 15,000 17,500 2,500

12,500 I1,000 7,500

Otrabanda Company Painted Bride Art Center People’s Performing Arts, Inc. The Performing Arts Guild, Inc. Philadelphia Museum of Art City of Pittsfield Planning Corporation for the Arts The Planning Gronp, Inc./ Brockman Gallery Pro-Arte Grateli, Inc. The Pnppet Workshop, Inc. The Redevelopment Authority

Yell0w Springs, Ohio Philadelphia, Pennsylvania New York, New York

Rutherfordton, North Carolina Philadelphia, Pennsylvania Pittsfield, Massachusetts

New York, New York

Los Angeles, California Miami, Florida Providence, Rhode Island

10,000 7,500

15,000

10,000 10,000 5,565

12,500

I0,000 15,000 7,500

Council Guadalupe Arts and Cultural Center Harlem Cultural Council Hospital Audiences, Inc. Intar Inner City Cultural Center/ Co-Real Artists Kuumba Learning C3enter! Ebony Impromptu Theatre Company La Causa Publications, Inc.

Hartford, Connecticut

San Antonio, Texas New York, New York New York, New York New York, New York

Los Angeles, California

Washington, D.C. Santa Barbara, California

5,000

4,500 18,000 7,500

10,000

12,500

12,000 12,500

of the City of Monessen Research Foundation of CUNY Saint Mark’s Community Center, Inc. San Antonio Ballet Company Scranton Theatre Iibre, Inc. Shalom, Inc. Smithsonian Institution Society for Slavic American Creative Arts South East Missouri Council on the Arts

Monessen, Pennsylvania

New York, New York

New Orleans, Louisiana San Antonio, Texas Scranton, Pennsylvania New York, New York Washington, D.C.

Chicago, Illinois

Cape Girardeau, Missouri

10,000

7,500

10,000 4,775 4,000 7,500

17,000

7,000

5,000

Page 46: National Endowment for the Arts Annual Report 1976

46 Expansion Arts

Southern Folk Cultural Revival Spanish-American Paintersand Sculptors, Inc. Spanish Education Develop-

Atlanta, Georgia

Bronx, New York

Program Treasury

10,000

5,000

Private Maryland Arts Council Nebraska Arts Council Oklahoma Arts and Humanities Council Rhode Island Council on

Baltimore, Maryland Omaha, Nebraska

Oklahoma City, Oklahoma

Program Treasury Private 5,975

10,000

15,000

ment Center Suitcase Theatre, Inc. Sun Valley Center for the Arts TAG, Ltd./The Lively Art Parade

Washington, D.C. Lansing, Michigan

Sun Valley, Idaho

Boston, Massachusetts

9,000 10,000

5,000

15,000

the Arts South Carolina Arts Commission South Dakota Arts Council Wisconsin Arts Board

East Greenwich, Rhode Island

Columbia, South Carolina Sioux Falls, South Dakota Madison, Wisconsin

. 21,500

58,348 3,000

15,500

Taos Art Association Taos, New Mexico Temple University Philadelphia, Pennsylvania Texas Tech University Lubbock, Téxas Theatre Flamenco of San Francisco San Francisco, California Theatre for the Forgotten New York, New York Theatre in a Trunk, Inc. New York, New York Theatre in Progress/Garden Theatre Festival Los Angeles, CaliforniaTheatre Project of Antioch C011ege Baltimore, Maryland Valley Community Theatre Pomona, California Virginia Wesleyan College Norfolk, VirginiaBetty Voelker Georgetown, Massachusetts Y.W.C.A./Urban Black Cultural Commission Harrisburg, Pennsylvania

Community Cultural Centers--$47,400 Collinwood Arts Council Cleveland, Ohio The George Washington

5,000 10,000 10,000

5,400 17,500 12,500

20,000

8,960 9,500 3,500

24,000

3,000

5,000

Neighborhood Arts Services-~$233,025 Brooklyn Arts and Culture Association, Inc. Brooklyn, New York Cultural Council Foundation New York, New York Dineh Cooperative, Inc./ Chinle/Navajo Nation Four Corners, Arizona Federation of Communities in Service/Neighborhood Arts Services Knoxville, Tennessee Harlem Cultural Council New York, New York Maryland National Capitol Parks and Planning Commission Riverdale, MarylandOff-Off Broadway Alliance New York, New York San Francisco Art Commission San Francisco, CaliforniaCity of Seattle Seattle, WashingtonSeattle Performing Arts Seattle, WashingtonStudio Watts/Los Angeles Los Angeles, California

20,000 12,500

7,500

21,475 12,000

12,500 7,000

20,000 10,000 10,050

50,000 50,000

University Goddard-Riverside Com­munity Center Henry Street Settlement

Washington, D.C.

New York, New York New York, New York

30,000

10,000 2,400

General Programs~$521,060 African American Historical and Cultural Society Association for the Study of

San Francisco, California 15,000

State Arts Agencies Expansion Arts (Pilot)m$242,078 Alabama (~ouncil on the Arts and Humanities Montgomery, Alabama Alabama State Council on the Arts/Winegrass Sacred Harp Montgomery, Alabama Arizona Commission/Una Noche Plateada Phoenix, Arizona Connecticut Commission on the Arts Hartford, Connecticut Fine Arts Council of Florida Tallahassee, Florida Hawaii State Foundation on Culture and the Arts Honolulu, Hawaii Louisiana Council for Music and Performing Arts, Inc. New Orleans, Louisiana

10,000

I0,000

10,000

26,425 35,000

15,000

6,330

Afro-American Life and History, Inc./Hurray for Black Women California State College Center for Community Change Cultural Council Foundation/ Clark Center for the Performing Arts, Inc. City of Detroit Federal Correctional Institution Highlander Research and Education Center

Lima, Ohio Rohnert Park, California

Washington, D.C.

New York, New York Detroit, Michigan

Lompoc, California

New Market, Tennessee

50,000 7,500

8,000

15,000 75,000

1,500

3,825

Page 47: National Endowment for the Arts Annual Report 1976

Expansion Arts 47

Program Treasury Private Program Treasury Private Institute for Services to Dixwell Children’s Creative Education, Inc./Black Indians of New Orleans Washington, D.C. 12,000

Arts Center El Nuevo Theatro Pobre de

New Haven, Connecticut 17,500

Institute of Contemporary Hispanic Art, Inc. Knott County Fiscal Court The Maryland Institute/ College of Art Media Associates, D.C. University of Miami

New York, New York Hindman, Kentucky

Baltimore, Maryland Washington, D.C. Coral Gables, Florida

10,000 10,000

2,500 160,000

6,450

American Exceptional Children’s Foundation Frederick Douglas Creative Arts Center, Inc. Grand Rapids Public Schools Invisible Theatre

Santruce, Puerto Rico

Los Angeles, California

New York, New York Grand Rapids, Michigan Tucson, Arizona

15,000

10,000

7,500 5,000 2,500

NAACP Multi-Purpose Center Newark, New Jersey 12,500

John Henry Memorial Foundation, Inc. Princeton, West Virgínia 16,500

National Center for Urban Loft Film and Theatre Ethnic Affairs National Puerto Rican

Washington, D.C. 16,385 Center, Inc. Manchester Craftsmen’s Guild

Bronxville, New York Pittsburgh, Pennsylvania

15,000 15,000

Forum/Forum Gallery New York, New York 12,000 The Nashville Children’s State of New Jersey Public Theatre, Inc. Nashville, Tennessee 10,000 Broadcasting Authority Trenton, New Jersey 5,000 National Black Theatre Nguzo Saba Films, Inc. Performing Arts Soeiety of Los Angeles Puerto Rican Research and

San Francisco, California

Los Angeles, California

10,000

8,400

Workshop, Inc. National Heritage Trust New Dance Theatre New York Shakespeare

New York, New York New York, New York Denver, Colorado

30,000 5,000

17,500

Resources Center/UniversidadBoricua Washington, D.C. 15,000

Festival New Heritage Repertory

New York, New York 12,000

Rainbow Sign Berkeley, California 12,500 Theatre, Inc. New York, New York 15,000 Soul City Foundation, Inc. Washington Cathedral

Mason, North Carolina Washington, D.C.

10,000 15,000

New Playwrights Theatre of Washington, Inc. Washington, D.C. 10,000

Women Make Movies Young Saints Scholarship Foundation, Inc.

New York, New York

Los Angeles, California

12,500

15,000

New York City Hispanic American Dance CompanyNorth Lamar Violin Program

New York, New York Paris, Texas

22,500 1,325

Oakland Ensemble Theatre Oakland, California 12,500 TRANSrrlON QUARTER GRANTS Rod Rodgers Dance Company New York, New York 12,500

Instrucfion and Trainingm$513,415 St. Elmo’s Village Seattle Music Advisory

Los Angeles, California 15,000

Adept New American Folk Center Houston, Texas 10,000

Council United Projects, Inc.

Seattle, Washington San Francisco, California

15,000 17,500

Artists Collective, Inc. Hartford, Connecticut 12,500 Wooster Community Baton Rouge Links Basement Workshop, Inc. Black Theatre Troupe, Inc.

Baton, Rouge, Louisiana New York, New York Phoenix, Arizona

6,425 17,500 12,500

Art Center Xavier University of Louisiana

Danbury, Connecticut

New Orleans, Louisiana

10,000

9,665 Brown University/Rites and Reason Boys Harbor, Inc. Children’s Art Carnival Communicative Arts Academy, Inc.Community Film Workshop of Chicago Concept East, Inc. Dashiki Project Theatre

Providence, Rhode Island New York, New York New York, New York

Compton, California

Chicago, Illinois Detroit, Michigan New Orleans, Louisiana

25,000 10,000 17,500

20,000

20,000 20,000 22,500

Arls Exposur~$214,085 American Revolutionary Road Company Balkan Arts Center Bread and Roses Carpetbag Theatre Central Area Citizens Committee/Blaek Arts West

Johnson City, Tennessee New York, New York Mill Valley, California Knoxville, Tennessee

Seattle, Washington

12,500 15,000 7,500

12,500

20,000

Page 48: National Endowment for the Arts Annual Report 1976

48 Expansion Arts

Christena Community Center Program Treasury Private

Rhode Island State Council Program Treasury Private

of Old Swedes, Inc. Wilmington, Delaware 7,500 on the Arts East Greenwich, Rhode Island 21,500 Connecticut College Ameri- South Carolina Arts can Dance Festival Hew London, Connecticut 15,000 Commission Columbia, South Carolina 58,345 Foundation for the Vital Arts New York, New York 17,500 International Theatre Institute of the U.S., Inc. Ma Goose

New York, New York San Francisco, California

10,000 5,000

Millan Theatre Company Detroit, Michigan 10,000 State of Minnesota St. Paul, Minnesota 10,000 New York Street Theatre Caravan New York, New York 20,000 North Dakota State University Fargo, North Dakota 12,500 Puppet Workshop Providence, Rhode Island 10,000 Senior Adult Activities Center of Montgomery Norristown, P~nnsylvania 7,500 Taos Art Association Taos, New Mexico 8,000 Tucson Community Develop­ment and Design CenterWolf Trap Foundation for the

Tucson, Arizona 10,000

Performing Arts Vienna, Virginia 3,585

Community Cultural Centers--$272,500 Amigos del Museo del Barrio New York, New York 25,000 Dunham Fund for Research and Development of Cultural Arts East St. Louis, Illinois 50,000 El Centro Cultural Auctoc­tono de la Gente de San Jose San Jose, California 7,500 Forum: Center for the Arts Denver, Colorado 17,500 George Washington University Washington, D.C. 30,000 Harlem School of the Arts, Inc. New York, New York 30,000 Henry Street Settlement/Arts for Living Program New York, New York 15,000 lntersection San Francisco, California 12,500 The National Center of Afro-American Artists, Inc./Elma Lewis School of Fine Arts, Inc. Dorchester, Massachusetts 30,000 Newark Community Center Newark, New Jersey 15,000 Performing Arts Society of Los Angeles Los Angeles, California 40,000

State Arts Agencies~$101,345 Arizona Commission on the Arts and Humanities Phoenix, Arizona 7,500 Fine Arts Council of Florida Tallahassee, Florida 5,000 Nebraska Arts Council Omaha, Nebraska 9,000

Page 49: National Endowment for the Arts Annual Report 1976

Federal-StatePartnership

Page 50: National Endowment for the Arts Annual Report 1976

Federal-State Partnership 51

T assist in providing arts programming at the local to propose a plan outlining its annual programming. The into six categories. The National Service Organizations level, every state and special jurisdiction in the United plans were approved by the Chairman of the Endowment, category covers grants to national non-government orga-States has a state arts agency, operating as a part of the and matching grants of $205,000 were awarded to all the nizations which provide services to state and community state government and receiving state appropriations. Each state arts agencies with the exception of American Samoa, arts agencies. The Associated Councils of the Arts has serves its state or jurisdiction as the National Endowment which requested and received $124,700. long been the major grantee; The National Assembly of for the Arts serves the nation: generating and distributing Program Development--Grants under this category State Arts Agencies received its first Endowment grant funds, coordinating resources, and providing technical go to the state arts agencies to hire additional staff to this year. Internships are available through the state arts assistance to artists and cultural organizations. Grants carry out ongoing programs or to plan new ones. The agencies for practical on-the-iob training in arts adminis­from the state arts agencies support festivals, workshops, Endowment often will pay the salaries of new fiscal tration. This year five states received funds for Internships: residencies, community arts agencies, touring exhibits, ofñcers, program directors, technical advisors, and other Alaska, Alabama, Kentucky, North Carolina, and West crafts fairs, cultural institutions, fellowships to individual skille~d staff, for a period not exceeding two years. An Virginia. artists--the host of proiects which develop and strengthen exception: continuing salary support is available to state The Regional Coordinators program is another cate­our cultural resources and make them more widely avail- coordinators of Artists-in-Schools and Dance Touring gory under Services to the Field. There are presently able to the public. The Office of the Federal-State Partner- Programs, two Endowment programs administered largely seven coordinators working with state arts agencies, artists, ship is designed to aid the state arts agencies in their work. by the states themselves, and cultural organizations in these areas: Northeastern

States, Mid-Atlantic States, Southeastern States, the South Central States, North Central States, Rocky Mountain

"Municipalities across America, it would seem, are tairly seething with cultural activity these States, and the Pacific States. Regional coordinators are responsible for keeping state arts agencies informed ofdays. From macrame to pottery and from music to drama, city halls are stepping up their Endowment programming; for providing technical assis­

support of the arts. And despite spending cutbacks in other areas, ñnancially hard-pressed tance to organizations in their regions; and ~for being alert to opportunities for regional cooperation. In addition, theycity administrations are willing to support this minor renaissance." keep the Endowment informed about devel~pments nation­

--Robert J. McCartney, Wall Street Journal wide in the field. Three other programs round out Services to the Field.

Regional and National Meetings of state arts agency pro-Basic State Agency Grants--The National Foundation Regional Programs--Some problems in arts pro- fessionals are eligible for assistance, as are individual fact-

on the Arts and Humanities Act of 1965 provides that gramming are best handled, not at the community or gathering trips under the Staff Travel Program for state every year the Endowment make at least 20 percent of its state level, but through broader cooperation among the agencies. The Technical Assistance Program offers funds program funds available to the state arts agencies to carry arts agencies of an entire region. The Endowment funds for state, regional or community arts agencies to bring in out the purposes of the Endowment as articulated in several regional groups, among them the Western States consultants to advise them on speciñc problems, technical Section 5(c) of Public Law 89-209. Of that portion, 75 Arts Foundation, the Mid-Ameriia Arts Allian�e, the matters, or administrative functions. The Technical Assis­per cent must be rnade available in equal amounts to the Southern Federation of State Arts Agencies, and the Affili- tance Program is administered by the Associated Councils 55 states and jurisdictions. In Fiscal Year 1976, each state ated State Arts Agencies of the Upper Midwest, which last of the Arts in cooperation with the Endowment. was eligible for a Basic State Agency Grant of $205,000. year sponsored the Upper Midwest tour of the Michigan General Programs--Under this category the Federal-To receive the funds, each state arts a’gency was required Artrain. Over seven months the Artrain brought six rail- State Partnership office responds to pilot projects or other

road cars filled with art displays to communities in Iowa, proposals which do not fall under other funding programs. Minnesota, Wisconsin, and the Dakotas. This year, for example, a grant went to the Connecticut

Community Development--The Endowment also Public Arts Employment Program, financed with $250,000 offers assistance to the state arts agencies for programs to in Department of Commerce Title X funds. Hawaii was promote and develop arts agencies on the community awarded a grant for the Polynesian Voyaging Society to level. This year 26 states received grants for such pro- tour its replica of an ancient voyaging canoe through the grams, which included programs and staff support for Islands, using the canoe itself asa traveling classroom community arts agencies, statewide conferences and work- and museum. Another grant went to Oregon for a First shop programs, and challenge grants to local governments Editions Project designed to make limited edition prints to generate funds for community arts programs, available to a wider audience. In all, 30 grants were

Services to the Field-~Grants under this program fall awarded under General Programs this year.

Page 51: National Endowment for the Arts Annual Report 1976

$2 Federal-State Partnership

Advisory Panel Jessie L. Brown Director of Communication Center Old Dominion Professor of the Humanities Hampton Institute Hampton, Virginia

Carolyn Caine State Coordinator of Festival of Arts for the Young Salt Lake City, Utah

Dunbar Carpenter Chairman Former State Arts Agency Chairman Medford, Oregon

Ewel Comett Director West Virginia Drama Association Beekley, West Virginia

Aun E. Day Viee-Chairman Edueation Director Waterloo Recreation and Arts Center Waterloo, Iowa

L. James Edgy Chairman National Assembly of State Arts Ageneies Director Ohio Arts Couneil Columbus, Ohio

Bamet Fain Former Chairman Rhode Island State Council on the Arts Providence, Rhode Island

Terrell L. Glenn Chairman South Carolina Arts Commission Columbia, South Carolina

William Hull Director of Exhibitions Pennsylvania State University University Park, Permsylvania

Phillip Jessup Program Director Donner Foundation New York, New York

Hayward King Curator John Bowles Gallery San Francisco, California

Donald Mintz Dean School of Fine and Performing Arts Montclair State College Upper Montclair, New Jersey

David C. Sennema Director Community Arts Management Program Sangamon State University Springfield, Illinois

Louise T. Trigg Vice President Trigg Cattle Company Former Chairman New Mexico Arts Commission Santa Fe, New Mexico

Page 52: National Endowment for the Arts Annual Report 1976

Federal-State Partnership 53

Gratas Basic State Agency Grants~$11,194,700 Program Treasury Private

The New Mexico Arts 205,000 Commission

New York State Council Santa Fe, New Mexico

205,000 124,700

on the Arts North Carolina Arts Council North Dakota Council on the

New York, New York Raleigh, North Carolina

205,000 Arts and Humanities Ohio Arts Council

Fargo, North Dakota Columbus, Ohio

205,000 205,000

Oklahoma Arts and Humanities Oregon Arts Commission

Oklahoma City, Oklahoma Salern, Oregon

205,000 Commonwealth of Pennsyl­vania Council on the Arts Harrisburg, Pennsylvania

205,000 205,000 205,000 205,000 205,000 205,000

Institute of Puerto Rican Culture Rhode Island State Council on the Arts South Carolina Arts Commission South Dakota State Fine

San Juan, Puerto Rico

East Greenwich, Rhode Island

Columbia, South Carolina

205,000 Arts Council Tennessee Arts Commission

Sioux Falls, South Dakota Nashville, Tennessee

205,000 205,000 205,000 205,000

Texas Commission on the Arts and Humanities Utah State Division of Fine Arts Vermont Council on the Arts

Austin, Texas

Salt Lake City, Utah Montpelier, Vermont

205,000 205,000

Virginia Commission on the Arts and Humanities Virgin Islands Council on

Richmond, Virginia

205,000

205,000 205,000

the Arts Washington State Arts Commission West Virginia Arts and Humanities Council

Christiansted, Virgin Islands

Olympia, Washington

Charleston, West Virginia

205,000 205,000

Wisconsin Arts Board Madison, Wisconsin Wyoming Council on the Arts Cheyenne, Wyoming

205,000 205,000 Program Development--$812,255

Alabama State Council of the 205,000 Arts and Humanities 205,000 Alaska State Council on 205,000 the Arts

Arizona Commission on the 205,000 Arts and Humanities

The Office of Arkansas State 205,000 Arts and Humanities

The Colorado Council on the 205,000 Arts and Humanities

Delaware State Arts Council

Program Treasury Private

205,000

205,000 205,000

205,000 205,000

205,000 205,000

205,000

205,000

205,000

205,000

205,000 205,000

205,000

205,000 205,000

205,000

205,000

205,000

205,000 205,000 205,000

15,450

29,825

19,000

18,240

7,750 15,000

Alabama State Council on the Arts and Humanities Alaska State Council on the Arts American Samoa Arts Council Arizona Commission on the Arts and Humanities The Office of Arkansas State Arts and Humanities California Arts Commission The Colorado Council on the Arts and Humanities Connecticut Commission on the Arts Delaware State Arts Council D.C. Commission on the Arts Fine Arts Council of Florida Georgia Council for the Arts Insular Arts Council of Guam Hawaii State Foundation on Culture and the Arts Idaho State Commission on the Arts and Humanities lllinois Arts Council Indiana Arts Commission Iowa State Arts Council Kansas Cultural Arts Commission Kentucky Arts Commission Louisiana Council for Music and the Performing Arts, Inc. Maine State Commission on the Arts and Humanities Maryland Arts Council Massachusetts Council on the Arts and Humanities Michigan Council for the Arts Minnesota State Arts Board Mississippi Arts Commission Missouri State Council on the Arts Montana Arts Council Nebraska Arts Council Nevada State Council on the Arts New Hampshire Cornmission on the Arts New Jersey State Council on the Arts

Montgomery, Alabama

Anchorage, Alaska Pago Pago, American Samoa

Phoenix, Arizona

Little Rock, Arkansas Sacramento, California

Denver, Colorado

Hartford, Connecticut Wilmington, Delaware Washington, D.C. Tallahassee, Florida Atlanta, Georgia Agana, Guam

Honolulu, Hawaii

Boise, Idaho Chicago, lllinoisIndianapolis, Indiana Des Moines, Iowa

Topeka, Kansas Frankfort, Kentucky

Baton Rouge, Louisiana

Augusta, Maine Baltimore, Maryland

Boston, Massachusetts Detroit, Michigan Minneapolis, Minnesota Jackson, Mississippi

St. Louis, Missouri Missoula, Montana Omaha, Nebraska

Reno, Nevada

Concord, New Hampshire

Trenton, New Jersey

Page 53: National Endowment for the Arts Annual Report 1976

54 Federal-State Partnership

Fine Arts Council of Florida Georgia Council for the Arts Hawaii State Foundation on Culture and the Arts lllinois Arts Council Indiana Arts Commission

Program Treasury 21,500

1,000

14,500 31,700 10,700

Private Western States Arts Foundation West Virginia Arts and Humanities Council Wyoming Council on the Arts

Denver, Colorado

Program Treasury Private

29,160

32,760 16,810

Iowa State Arts Council Kansas Cultural Arts Commissi0n Kentucky Arts Commission Maine State Commission on the Arts and Humanities Massachusetts Arts and Humanities Foundation, Inc. Massachusetts Council on the Arts and Humanities Michigan Council for the Arts Minnesota State Arts Council Mississippi Arts Commission Missouri State Council on the Arts Montana Arts Council New Jersey State Council on the Arts The New Mexico Arts Commission New York State Council on the Arts North Carolina Arts Council North Dakota Council on the Arts and Humanities Oregon Arts Commission Commonwealth of Pennsyl­vania Council on the Arts Scuth Carolina Arts Commission South Dakota State Fine Arts Council Tennessee Arts Commission Texas Commission on the Arts and Humanities Utah State Division of Fine Arts Vermont Council on the Arts, Inc. Virginia C0mmission of the Arts and Humanities Virgin Islands Council on the Arts Washington State Arts Commission

17,550

18,630 28,590

13,500

22,250

22,700 20,000 37,000 13,000

40,000 11,700

20,000

15,265

25,015 17,500

9,000 27,875

20,000

9,420

10,350 20,000

13,690

19,100

18,000

31,225

8,500

39,000

Services to the Field State Arts Agency Internship--$50,000 Alabama State Council of the Arts and Humanities Alaska State Council on the Arts Kentucky Arts Commission North Carolina Arts Council West Virginia Arts and Humanities CounciI

Community Developmentm$652,180 Alabama State Council on the Arts and Humanities Alaska State Council on the Arts Arizona Commission on the Arts and Humanities The Colorado Council on the Arts and Humanities Connecticut Commission on the Arts Illinois Arts Council Indiana Arts Commission Iowa State Arts Council Kansas Cultural Arts Commission Maine State Commission on the Arts and Humanities Massachusetts Council on the Arts and Humanities Michigan Council for the Arts Nebraska Arts Council Nevada State Council on the Arts The New Mexico Arts Commission New York State Council on the Arts North Carolina Arts Council Ohio Arts Council ­Oklahoma Arts and Humanities Council Oregon Arts Commission

10,000

10,000 10,000 10,000

10,000

25,000

37,000

10,510

16,420

30,000 27,000 20,000 33,000

25,000

10,000

30,000 45,000 62,500

21,900

12,000

51,000 35,000 30,000

18,000 13,350

Page 54: National Endowment for the Arts Annual Report 1976

Federal-State Partnership $5

Program Treasury Private Program Treasury Private

Pennsylvania Council on the Arts 30,000

Ohio Arts Council Oregon Arts Commission

25,000 7,000

Mary Regan Rhode Island State Council

Raleigh, North Carolina 7,000 Rhode Island State Council on the Arts 250,000

on the Arts 7,500 South Carolina Arts Vermont Council on the Commission 58,113 Arts, Inc. 10,000 Vermont Council on the Arts 16,500 Washington State Arts Washington State Arts Commission 20,000 Commission 20,000 West Virginia Arts and West Virginia Arts and Humanities Council 25,000 Humanities Council 10,000

Wisconsin Arts Board 20,000 Regional and National Meetings---$28,460 Wyoming Council on the Arts 16,250 Alabama State Council on the Arts and Humanities 2,100 Regional Coordinators---$255,760 Maryland Arts Council Massachusetts Council on the

4,300 The Boston Foundation Kansas City Trust and

Boston, Massachusetts 1,547

Arts and Humanities Oregon Arts Commission Texas Commission of the

2,500 3,400

Foundation Oregon Arts Foundation Sangamon State University

Kansas City, Missouri Salero, Oregon Springfield, Illinois

51,225 55,010 47,607

Arts and Humanities West Virginia Arts and Humanities Council Wisconsin Arts Board

2,160

2,900 11,100

Washington Performing Arts Society Western States Arts Foundation

Washington, D.C.

Denver, Colorado

51,320

49,051

General Programs~$903,768 Regional ProgramaS1,639,565

Alaska State Council on Alaska State Council on the Arts The Office of Arkansas State

25,000 the Arts Mid-America Arts Alliance

Anchorage, Alaska Kansas City, Missouri

6,000 573,257

Arts and Humanities Colorado Council on the Arts and Humaníties Connecticut Commission

11,820

10,000

New Hampshire Charitable Fund Southern Growth Policies Board

Concord, New Hampshire Research Triangle Park, North Carolina

50,000

302,308 on the Arts Connecticut Foundation

13,000 Upper Midwest Regional Arts Council Minneapolis, Minnesota 208,000

for the Arts Hawaii State Foundation on

250,000 Western States Arts Foundation Denver, Colorado 500,000

Culture and the Arts Idaho State Commission on

20,000 Services to the Field--$103,900

Arts and Humanities 10,000 Associated Council of the Arts New York, New York 24,625 Illinois Arts Council 15,000 National Assembly of State Minnesota State Arts Council Missouri State Council

7,200 Arts Agencies The Pennsylvania State

Columbus, Ohio 50,000

on the Arts 25,000 University University Park, Pennsylvania 12,275 Montana Arts Council 36,100 Texas Commission of the Nebraska Arts Council 18,785 Arts and Humanities Austin, Texas 17,000 New Hampshire Cornmission on the Arts 25,000 5,000 North Dakota Council on the Arts and Humanities 9,000

Page 55: National Endowment for the Arts Annual Report 1976

56 Federal-State Partnership

TRANSIT[ON QUARTER GRANTS Basic S~ate Agency Grants~$11,201,170 Alabama State Council on the Arts and Humanities Alaska State Council on the Arts American Samoa Arts Council Arizona Commission on the Arts and Humanities The Office of Arkansas State Arts and Humanities California Arts Council The Colorado Council on the Arts and Humanities Connecticut Commission on the Arts Delaware State Arts Council D.C. Commission on the Arts and Humanities Fine Arts Council of Florida Georgia C0uncil for the Arts Insular Arts Council of Guam Hawaii State Foundation on Culture and the Arts Idaho State Commission on Arts and Humanities Illinois Arts Council Indiana Arts Commission Iowa State Arts Council Kansas Arts Commission Kentucky Arts Commission Louisiana State Arts Council Maine State Commission on the Arts and Humanities Maryland Arts Council Massachusetts Council on the Arts and Humanities Michigan Council for the Arts Minnesota State Arts Board Mississippi Arts Commission Missouri State Council on the Arts Montana Arts Council Nebraska Arts Council Nevada State Council on the Arts New Hampshire Commission on the Arts New Jersey State Couneil on the Arts

Program Treasury

205,000

205,000 131,170

205,000

205,000 205,000

205,000

205,000 205,000

205,000 205,000 205,000 205,000

205,000

205,000 205,000 205,000 205,000 205,000 205,000 205,000

205,000 205,000

205,000 205,000 205,000 205,000

205,000 205,000 205,000

205,000

205,000

205,000

Private The New Mexico Arts Commission Santa Fe, New Mexico New York State Council on the Arts New York, New York North Carolina Arts Council Raleigh, North Carolina North Dakota Council on the Arts and Humanities Fargo, North Dakota Ohio Arts Council Columbus, Ohio Oklahoma Arts and Humanities Council Oklahoma City, Oklahoma Oregon Arts Commission Salero, Oregon Commonwealth of Pennsyl­vania Council on the Arts Harrisburg, Pennsylvania Institute of Puerto Rican Culture San Juan, Puerto Rico Rhode Island State Council on the Arts East Greenwich, Rhode Island South Carolina Arts Commission Columbia, South Carolina South Dakota State Fine Arts Council Sioux Falls, South Dakota Tennessee Arts Commission Nashvitle, Tennessee Texas Commission on the Arts and Humanities Austin, Texas Utah State Division of Fine Arts Salt Lake City, Utah Vermont Council on the Arts Montpelier, VermontVirginia Commission of the Arts and Humanities Richmond, VirginiaVirgin Islands Council on the Arts St. Croix, Virgin Islands Washington State Arts Commission Olympia, WashingtonWisconsin Arts Board Madison, Wisconsin West Virginia Arts and Humanities Council Charleston, West VirginiaWyoming Council on the Arts Cheyenne, Wyoming

Program Development State Arts Agencies--$369,220 Arizona Commission on the Arts and Humanities Phoenix, Arizona California Arts Council Sacramento, CaliforniaThe Colorado Council on the Arts and I-Iumanities Denver, ColoradoGeorgia Council for the Arts Atlanta, GeorgiaIdaho State Commission on Arts and Humanities Boise, Idaho Indiana Arts Commission Indianapolis, IndianaIowa State Arts Council Des Moines, IowaMichigan Council for the Arts Detroit, Michigan

Program Treasury Private

205,000

205,000 205,000

205,000 205,000

205,000 205,000

205,000

205,000

205,000

205,000

205,000 205,000

205,000

205,000 205,000

205,000

205,000

205,000 205,000

205,000 205,000

8,000 11,500

8,300 11,300

16,000 4,080

10,000 35,500

Montgomery, Alabama

Anchorage, Alaska Pago Pago, American Samoa

Phoenix, Arizona

Little Rock, Arkansas Sacramento, California

Denver, Colorado

Hartford, Connecticut Wilmington, Delaware

Washington, D.C. Tallahassee, Florida Atlanta, Georgia Agana, Guam

Honolulu, Hawaii

Boise, Idaho Chicago, Illinois Indianapolis, Indiana Des Moines, Iowa Topeka, Kansas Frankfort, Kentucky Baton Rouge, Louisiana

Augusta, Maine Baltimore, Maryland

Boston, Massachusetts Detroit, Michigan Minneapolis, Minnesota Jackson, Mississippi

St. Louis, Missouri Missoula, Montana Omaha, Nebraska

Reno, Nevada

Concord, New Hampshire

Trenton, New Jersey

Page 56: National Endowment for the Arts Annual Report 1976

Federal-State Partnership 57

Program Treasury Private

Nebraska Arts Council l~lew Hampshire Commission on the Arts The New Mexico Arts Commission New York State Council on the Arts Ohio Arts Council Oklahoma Arts and Humanities Council Rhode Island State Counci! on the Arts South Carolina Arts Commission Tennessee Arts Commission

Omaha, N¢braska

Concord, l’,lew Hampshire

Santa Fe, New Mexico

New York, New York Columbus, Ohio

Oklahoma City, Oklahoma

East Greenwich, Rhod¢ Island

Columbia, South Carolina Nashville, Tennessee

33,650

20,000

16,650

45,430 15,370

26,000

20,000

20,000 12,900

Texas Commission on the Arts and Humanities Utah State Division of Fine Arts Vermont Council on the Arts Wisconsin Arts Board

Austin, Texas

Salt Lake City, Utah Montpelier, Vermont Madison, Wisconsin

6,140

14,500 15,900 18,000

Regional Programs--$630,000 Atñliated State Arts Agencies of the Upper MidwestThe Arts Exchange Southern Federation of State Arts Agencies

Minneapolis, Minnesota Hanover, New Hampshire Research Triangle Park, North Carolina

250,000 30,000

350,000

Community Development--$65,000 New Hampshire Commission on the Arts Concord, New Hampshire Vermont Council on the Arts Montpelier, Vermont Washington State Arts Commission Olympia, Washington

20,000 20,000

25,000

SERVICES TO TI-IE FIELD

National Service Organizations---$212,089 Associated Councils of the Arts National Assembly" of State Arts Agencies Sangamon State University

New York, New York

Washington, D.C. Springfield, Illinois

191,215

11,834 9,040

General Programs--$25,190 North Dakota Council on the Arts and Humanities Washington State Arts Commission

Fargo, North Dakota

Olympia, Washington

13,000

12,190

Page 57: National Endowment for the Arts Annual Report 1976

Literature

Page 58: National Endowment for the Arts Annual Report 1976

Literature 59

Tree groups of people are party to the process of Fellowships [or Creative Writers--The program Program to require that the small press give a minimum literature: writers, publishers, and readers. The Literature offers non-matching fellowships to poets and writers whose of 10 percent of the press run to the author asa partial Program provides s.upport to each group, recognizing at early published works have shown exceptional talent. A royalty payment. the same time that aid to one group is, ultimately, aid to fellowship provides time for writing, research, travel, or In funding small presses, the Literature Program all three, any other activity by which a writer may advance bis gives special attention to regional writing projects, with

an emphasis on publishing writers who ate available to give readings in their region.

"Crowds turn out at a poetry reading for even a poet that nobody has heard of or who has Readings and Residencies ]or Writers--This was a ncw effort, begun as a pilot program in fiscal 1976, anda very slender reputation. Auditoñums of colleges flll up as long as the poets speak. When a designed to bring fiction writers and poets into contact

poet of national or international reputationmsuch as Robert Lowell of Archibald MacLeishm with the public. The purpose of the program is to helpwriters, especially those just achieving recognition, to¯ °comes, you cannot buy youl’ way in. " establish new audiences and new sources of income; and

--James Dickey, novelist and poet to provide communities, especially those in areas beyond the large urban centers, with exposure to contemporary poets and writers.

career. In fiscal 1976, 165 fellowships were awarded, each Joe Paddock, a poet, spent nine months in the town in the amount of $6,000--up from $5,000 the previous of Olivia, Minnesota (pop. 3,000). He conducted writing year. workshops inside and outside the schools, wrote a weekly

Literary Magazines--Almost all of the new poets column for the town newspaper, and assembled an oral and writers who appear each year make their entrance in history of Olivia, entitled "The Things We Know Best." the nation’s nonproñt literary magazines, which provide The people of the town, with help from the Trojan Seed the only substantial market for new and experimental Co. located there, formed a public corporation to have the writing. The Endowment provided assistance this year to volume published. Paddock’s stay in Olivia proved the approximately 300 of these publications through a single value of a writer working within a community, getting to grant to the Coordinating Council of Literary Magazines. know and be known by the people there, and transmitting C.C.L.M., which was founded in 1966 with Endowment to them some new awareness of themselves and a renewed support, provided aid to nonprofit literary magazines in pride in their own ways. the form of matching assistance grants, payment of writers’ Services to the Field--A number of nonprofit organi­fees, support of writing contests, and sponsorship of zations provide services to writers, and are eligible for conferences. Literature Program matching support. One such organiza-

Small Presses--Opportunities for poets and for writers tion is Poets and Writers, Inc., which serves asa major of short stories, first novels, and experimental fiction ate clearinghouse of information for and about working very few in the world of commercial publishing. They writers. In 1976, Poets and Writers answered between grow fewer each year. But around the country, hundreds 10,000 and 12,000 inquiries; added a "Directory of of small presses have sprung up, almost all of them non- American Writers" to its "Directory of American Poets," profit, hand-to-mouth operations, in business only to get and continued publication of its bi-monthly newsletter, good writing into print. With names like Toothpaste Press, "Coda." they have tended in the past toward irregular production The Literature Program also administers Poetry-in­schedules and short lives. Lately, however, with the sup- the-Schools, a program that brings poets and creative port of the Endowment, many of them are living longer writers into classrooms. and producing more than they could before.

Endowment support led to the production of between 450 and 550 books this year. Of that number, about 60 percent came from writers who never before had been published in a collection. The editions ranged between 500 and 2,000 copies. It is the policy of the Literature

Page 59: National Endowment for the Arts Annual Report 1976

60 Literature

Advisory Panel John Coe Bernard Blas LopezExecutive Director Executive Director New Hampshire Commission on the Arts New Mexico Arts Commission, Concord, New Hampshire Professional Photographer

Santa Fe, New Mexico José Ramón de la Torre Deputy Director Glenna Luschei Institute of Puerto Rican Culture Editor San Juan, Puerto Rico Ca]e Solo Press

San Luis Obispo, CaliforniaLen Fulton Editor, Novelist Mary MacArthur Paradise, California Editor

Arlington, VirginiaErnest Gaines Novelist William P. Matthews San Francisco, California Editor, Poet, Critic

Iowa City, Iowa Albert Goldbarth Poet William Meredith Ithaca, New York Poet and Teacher

New London, ConnectieutWayne Knutson Dean, College of Fine Arts Speer MorganUniversity of South Dakota Fiction Writer, Critic and TeacherChairman, South Dakota Arts Council Columbia, MissouriVermillion, South Dakota

Reynolds PriceRobert Kotlowitz Novelist Novelist Durham, North CarolinaDirector of Programming Educational Broadcasting Corporation Frank Scioscia Channel 13 Director of Sales New York, New York Harper and Row

New York, New YorkMaxine Kumin Chairman Jack Shoemaker, Jr.Poet, Novelist Vice Chairman Warner, New Hampshire Poet, Small Press Editor

B. erkeley, California Jolm Leonard Roving Cultural Reporter James Welch The New York Times Poet, NovelistNew York, New York Missoula, Montana

Page 60: National Endowment for the Arts Annual Report 1976

Literature 61

Grants Program Treasury Private Independent Presses--$345,460 Program Treasury PrivateWriters in Developing College~$46,983

Alaska State Council on Alice Iames Po¢try the Arts Anchorage, Alaska 12,000 Cooperative Cambridge, Massachusetts 5,000 Alcorn State University Lorman, Mississippi 4,810 Arizona Commission on the

Pho¢ni×, Arizona 6,000Coppin State College Baltimore, Maryland 4,250 Arts and Humanities Washington, D.C. 1,200Hampshire College Amherst, Massachusetts 4,320 Jim B~all/Word Works, Inc.

Lakewood Community James Bertolino/Stone Marrow Press Cincinnati, Ohio 1,400College White Bear Lake, Minnesota 7,603

6,000New College of California Sausalito, California 4,000 Beyond Baroqu¢ Foundation Venice, California Wyoming Council on the Arts Cheyenne, Wyoming 10,000 Tom Bridw~ll/Salt

Works Press Dennis, Massachusetts 3,000

American Authors Films---$36,000 David Briscoe/Raindust Press Independence, Missouri 1,750 R. Irv Broughton/Mill P.T.V. Production, Inc. Sausalito, California 36,000 Mountain Press Seattle, Washington 4,000 Frederic Brunke/ShamanLiterary Magazine~$400,000 Drum Berkeley, California 2,500

Coordinating Council of David Bullen/CIoudLiterary Magazínes New York, New York 400,000 Marauder Press Oakland, California 3,000

Casa Hispana de BellaReadings and Residencies for Writers (Pilot)--$116,952 2,000Arts/Don Santina San Francisco, California American University Washington, D.C. 3,000 The Century City EducationalAssumption College Worcester, Massachusetts 13,000 Arts Project Los Angeles, California 2,500 Back Porch Radio, WORT Madison, Wisconsin 1,560 James Cody/Place of Frederic Burke Foundation Herons Press Austin, Texas 925 for Education Daly City, California 6,120 Cid Corman/Origin Press Boston, Massachusetts 5,000 Illinois Arts Council, John F. Crawford/WestFoundation Chicago, Illinois 2,700 End Press Monterey, Kentucky 2,000 Kalamazoo College Kalamazoo, Michigan 5,900 Mrs. M. E. Cutler/TundraUniversity of Massachusetts Boston, Massachusetts 810 Books of Northern New York Plattsburgh, New York 2,500 Milwaukee Repertory Theatre Miiwaukee, Wisconsin 900 Michael F. Cuddihy/Montana Arts Council Missoula, Montana 18,250 Ironwood Press Tucson, Arizona 2,100 The New Classroom Washington, D.C. 2,000 Betsy Davis/Rebis Press Oakland, California 2,000 Northeast Missouri State Michaei Dirham/Cottonwood University Kirksville, Missouri 1,880 Axts Foundation Norman, Oklahoma 1,500 Oberlin College Oberlin, Ohio 1,750 John Domini/Kite Books Cambridge, Massachusetts 1,000 Ohio University Athens, Ohio 720 Dryad Press San Francisco, California 3,000 Pacific Northwest Arts and Richard W. Edelman/Powdcr Crafts Association Seattle, Washington 1,500 House Press Somerville, Massachusetts 2,500 South Carolina ET~/ Gary Elder/Holmga’ngers Commission Columbia, South Carolina 17,144 Press Alano, California 2,500 Symbrink Associates, Inc. Williamsport, Pennsylvania 2,000 Ellensburg Community Art University of Verrnont Burlington, Vermont 500 Gallery, Inc. Ellensburg, Washington 1,000 University of Washington Seattle, Washington 3,500 Kenward Elmslie/Z. Press New York, New York 3,000 Western States Arts Curtis Faville/L. Magazines/ Foundation Denver, Colorado 15,000 L. Publications Kensington, California 3,000 Wisconsin Arts Board Madison, Wisconsin 11,468 Paul Foreman/Thorp University of Wisconsin/ Springs Press Berkeley, California 3,000 University Writers Stevens Point, Wisconsin 1,500 Four Seasons Foundation Bolinas, California 6,000 University of Wisconsin/ The Generalist Association New York, New York 3,000 English Department LaCrosse, Wisconsin 2,500 Barry Gifford/The Wyoming Council on the Arts Cheyenne, Wyoming 3,250 Workingman’s Press Berkeley, California 2,500

Page 61: National Endowment for the Arts Annual Report 1976

62 Literature

Program Treasury Private Program Treasury PrivateElain Gill/Crossing Press Trumansburg, New York 6,000 Mary L. MacArthur/Board of Trustees of the Gallimaufry San Francisco, California 4,000Glide Foundation San Francisco, California 4,000 Paul Mariah/Manroot Books San Francisco, California 5,000David Glotzer/Mulch Press Northampton, Massachusetts 6,000 John K. Martin/BlackRichard Grossinger/North Sparrow Press Santa Barbara, California 4,000Atlantic Books Berkeley, California 5,000 George Mattingly/BlueMartin Grossman/Blue Wind Press Berkeley, California 5,000Mountain Press Kalamazoo, Michigan 750 Jack Mayer/CentrumJoanna Guderson/Red Foundation Port Townsend, Washington 6,000Dust, Inc. New York, New York 2,000 John McBride/Red Hill Press Fairfax, California 4,000Brad Harvey/Ocotillo Press Iowa City, Iowa 1,000 Bruce R. McPherson/Robert Hawley/Oyez Berkeley, California 6,000 Treacle Press Philadelphia, Pennsylvania 2,500Heirs/Alfred Garcia, Inc. San Francisco, California 2,000 Sandra S. Michel/LenapeCharles Henley/Peaceweed Publishing Wilmington, Delaware 1,000Press Stillwater, Oklahoma 3,000 Stephanie Mines/Noe ValleyJohn G. Henry/Cedar Poets Workshop San Francisco, California 1,000Creek Press Stillwater, Oklahoma 4,000 James Mitchell/HoddypollRobert Hershon/Hanging Press San Francisco, California 750Loose Press Brooklyn, New York 5,000 Netzahaulcoyotl HistoricalGeorge Hitchcock/Kayak Society/Hipparchia Press Berkeley, California 2,000Books Santa Cruz, California 4,000 North Olympia LibraryChristopher Howell/Lynx System Port Angeles, Washington 4,000House Press Amherst, Massachusetts 4,000 Out of the Ashes Press/Illinois Arts Council Chicago, Illinois 2,900 Norman Solomon Portland, Oregon 2,000Intersection San Francisco, California 5,000 Maureen Owen/TelephoneIowa State Arts Council Des Moines, Iowa 8,000 Books Guilford, Connecticut 3,000Isthmus Poetry Foundation San Francisco, California 3,000 Peace and Pieces Foundation San Francisco, California 3,000John Jacob/Cat’s Pajamas Charles Plymell/CherryPress Oak Park, Illinois 2,000 Valley Editions Baltimore, Maryland 5,000Johnson County Library/ Larry Rafferty/Hit andShawnee Mission Shawnee Mission, Kansas 5,000 Run Press Eugene, Oregon 1,500Marc Kaminsky/Inwood Ishmael Reed/Reed, CannonPress New York, New York 2,500 and Johnson Berkeley, California 3,000Peter Kaplan/Pourboire Press Woods Hole, Massachusetts 2,500 Harry E. Reese/Turkey Press Berkeley, California 2,500George Koppelman/Steven John S. Reilly/Druid Books Ephraim, Wisconsin 3,000Woods Press New York, New York 2,500 Stephan Rodefer/DuendeDennis H. Koran/ Press San Francisco, California 3,000Panjandrum Press, Inc. San Francisco, California 5,000 David Rosenberg/CoachHenry Korn/Assembling House South Press New York, New York 4,000Press New York, New York 2,000 Hilary Russell, Jr./OutlandKen Kwint/Shore Review Milwaukee, Wisconsin 2,500 Press Lewisville, Pennsylvania 1,375Stuart R. Lavin/Four St. Andrews PresbyterianZoas Press Ware, Massachusetts 2,000 College Laurenburg, North Carolina 2,000Gary Lawless/Blackberry Brunswick, Maine 1,330 San Francisco Women’sWinston Leyland/Gay Centers, Inc. San Francisco, California 2,980Sunshine Press San Francisco, California 4,000 Teo Savory/Unicorn Founda-Litmus, Inc. Salt Lake City, Utah 3,000 tion for the Advancement of Ciarinda H. Lott/New Modern Poetry Greensboro, North Carolina 5,000Poets Series, Inc. Baltimore, Maryland 500 Virginia Scott/Sunbury Press Bronx, New York 3,500

Page 62: National Endowment for the Arts Annual Report 1976

Literature 63

Second Coming, Inc./Alan D. Winans Valerie Sheehan/Magic Circle Press Charles Shively John Oliver Simon! Aldebaran Review/Galactic Approximate Press A. M. Simmons!Sweet Pines Press Janey Tannenbaum/V¢Y’RD Press Ernest Tedlock/San Marcos Press Holbrook Teter/Zephyrus Image C. W. Truesdale/NewRivers Press Claire Van Vliet/Janus Press Steven A. Vincent/Monro’s Press Rosemarie Waldrop/Burning Deck Press Lewis Warsh/Angel Hair Books Washington Writers’ Publish­ing House, Inc. David Wilk/Truck Press Fran Winant/Violet Press Wisconsin Arts Board Geoffrey Young!Figures Bill Zavatsky/Sun Gary Zeitz/Larkspur Press Alan Ziegler/Release Press Ahmos Zu-Botton/Energy Black South Press

San Francisco, California

Weston, Connecticut Boston, Massachusetts

Berkeley, California

Yakima, Washington

Warwick, New York

Los Cerrillos, New Mexico

Heldsburg, California

New York, New York Burke, Vermont

San Francisco, California

Providence, Rhode Island

Worthington, Massachusetts

Washington, D.C. Carrboro, North Carolina New York, New York Madison, Wisconsin Berkeley, California New York, New York Monterey, Kentucky Brooklyn, New York

Washington, D.C.

Program Treasury

4,000

2,000 3,000

3,000

1,500

1,500

3,000

1,500

6,000 2,500

4,000

3,000

6,000

1,000 3,000

500 3,500 4,000 6,000 3,000 3,000

5,000

Private Henry Charlile John Carpenter Marisha Chamberlain David L. Curry James D. Dan Boer Ann Darr Michael Davidson Russell Edson Ted Enslin Constance (Urdang) Finkel Tess Gallagher Virginia L. Gilbert Gary Gildner Patricia Goedicke Patricia M. Hampl C.G. Hanzlicek Marie Harris Richard Harteis Robert Hedin Michael Hogan Anne Hussey Thomas Johnson David M. Kelly Robert Kelly Theodore Kooser Philip Levine Thomas Lux James Martin James McAfee Peter Michelson Gary L. Miranda James Masao Mitsui David McElroy Kenneth Hanson Carole Oles Alicia Ostriker Ron Overton

Program Treasury Private Iowa City, Iowa 6,000 Seattle, Washington 6,000 St. Paul, Minnesota 6,000 Springfield, Illinois 6,000 Santa Barbara, California 6,000 Chevy Chase, Maryland 6,000 La Jolla, California 6,000 Stamford, Connecticut 6,000 Temple, Maine 6,000 St. Louis, Missouri 6,000 Port Ange~es, Washington 6,000 Salt Lake C~ty, Utah 6,000 Des Moines, ~owa 6,000 Guanajuato, Mexico 6,000 St. Paul, Minnesota 6,000 Fresno, California 6,000 Center Barnstead, New Hampshire 6,000 Washington, D.C. 6,000 Sitka, Arkansas 6,000 Florence, Arizona 6,000 Cambrídge, Massachusetts 6,000 Ithaca, New York 6,000 Geneseo, New York 6,000 Annandale-on-Hudson, New York 6,000 Lincoln, Nebraska 6,000 Fresno, California 6,000 Bronxville, New York 6,000 Cambridge, Massachusetts 6,000 Columbia, Missouri 6,000 Boulder, Colorado 6,000 Cambridge, Massachusetts 6,000 Seattle, Washington 6,000 Anchorage, Alaska 6,000 Portland, Oregon 6,000 Newton, Massachusetts 6,000 Princeton, New Jersey 6,000 Lake Grove, New York 6,000

Crealive Writers’ Fellowships

Poetry--$468,000 Thomas D. Absher Diane Ackerman S. Keith Althaus John Beecher Beth Bently Stephen Berg Mei-Mei BerssenbruggeHarvey S. Bialy Frank Bidart Harold Bond

Plainfield, Vermont Ithaca, New York Provincetown, Massachusetts Burnsville, North Carolina Seattle, Washington Philadelphia, Pennsylvania El Rito, New Mexico Ile-Ife, Nigeria Cambridge, Massachusetts Melrose, Massachusetts

6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000

Jerold Ramsey William Ransom Shreela Ray Jerome Rothenberg Michael Ryan David St. John Reginald Saner Leslie Scalopino Dennis Schmitz James Scully Richard Shelton John Skoyles David Smith

Rochester, New York Port Townsend, Washington Rochester, New York Salamanca, New York Dallas, Texas Oberlin, Ohio Boulder, Colorado Berkeley, California Sacramento, California Mansfield Center, Connecticut Tucson, Arizona Providencetown, Massachusetts Nevada, Missouri

6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000

Page 63: National Endowment for the Arts Annual Report 1976

64 Literature

Program Treasury Private Program Treasury PrivateKim Stafford Florence, Oregon 6,000 Yong Ik Kim Pittsburgh, Pennsylvania 6,000Gerald Stern Eastoñ,~ennsylvania 6,000 Frederick Manfred Lurerne, Minnesota 6,000Floyd Stuart Northfield, Vermont 6,000 James McCartin Wayne, New Jersey 6,000Nancy Sullivan West Kingston, Rhode Island 6,000 Arthenia Millican Norfolk, Virginia 6,000Barbara Szerlip North Miami Beach, Florida 6,000 John Milton Vermillion, South Dakota 6,000John Taggart Shippensburg, Pennsylvania 6,000 Stephan Minot Simsbury, Connecticut 6,000Dennis Trudell Oregon, Wisconsin 6,000 Daniel O’Brian Jenera, Ohio 6,000Leslie Ullman Kansas City, Missouri 6,000 William O’Brian Cambridge, Massachusetts 6,000Arthur Vogelsang Philadelphia, Pennsylvania 6,000 Jonathan Penner Iowa City, Iowa 6,000Ellen Voigt Marshfield, Vermont 6,000 John Reeky Los Angeles, California 6,000Nancy Willard Poughkeepsie, New York 6,000 C.W. Smith Hobbs, New Mexico 6,000Eleanor Wilner Philadelphia, Pennsylvania 6,000 Pat Staten New York, New York 6,000William Witherup Monterey, California 6,000 Barry Targan Schuylerville, New York 6,000Charles David Wright Boise, Idaho 6,000 Harry Taylor Muncie, Indiana 6,000John Yau New York, New York 6,000 John Yount Durham, North Carolina 6,000Ray Young Bear Tama, Iowa 6,000Wayne Zade Columbia, Missouri 6,000 Dramam$156,000Christine Zawadiwsky Milwaukee, Wisconsin 6,000 Anna Marie Barlow New York, New York 6,000

Lennox Brown Queens, New York 6,000Ficlionm$270,000 George Codegan West Los Angeles, California 6,000Chester Aaron Morage, California 6,000 Raymond Coreil Ville Platte, Louisiana 6,000Alice Adams San Francisco, California 6,000 Charles Fuller Philadelphia, Pennsylvania 6,000Calvin Anderson Portland, Oregon 6,000 Lloyd Gold Upper Montclair, New Jersey 6,000Max Apple Houston, Texas 6,000 Charles Gregory New York, New York 6,000Linda Arking New York, New York 6,000 Susan Griffin Berkeley, California 6,000John Barry Estis Park, Colorado 6,000 James Harris New York, New York 6,000Audrey Borenstein New Platz, New York 6,000 William Hoffman New York, New York 6,000Malcolm Bosse New York, New York 6,000 Momoko Iko Chicago, Illinois 6,000J. Alan Broughton Burlington, Vermont 6,000 Tim Kelly Los Angeles, California 6,000Janet G. Burroway Tallahassee, Florida 6,000 Cleveland Kurtz Providence, Rhode Island 6,000Frederick Busch Poolville, New York 6,000 Lance Lee Pacific Palisades, California 6,000Jane Casey Charlottesville, Virginia 6,000 Cornel Lengyel Georgetown, California 6,000Mary E. Counselman Gadsden, Alabama 6,000 Jack Marlando Pasadena, California 6,000Max Crawford Missoula, Montana 6,000 Tiro Mason Minneapolis, Minnesota 6,000George Guomo Amherst, Massachusetts 6,000 Susan Miller Los Angeles, California 6,000Cecil Daukins Taos, New Mexico 6,000 Michael Moody New York, New York 6,000Rick Demarinis Missoula, Montana 6,000 Robert Mullen New Haven, Connecticut 6,000Stephan R. Dunn Anchorage, Alaska 6,000 Morna Murphy Los Angeles, California 6,000Andrew Fetler Amherst, Massachusetts 6,000 Ronnie Paris New York, New YorkGary Goss Centerport, New York 6,000 6,000 Allan Gurganus Richard Plattz East Haven, Connecticut 6,000Iowa City, Iowa 6,000 Harold Stuart Dorchester, Massachusetts 6,000Josephine Haxton Greenville, Mississippi 6,000 Sharon Vogel Brooklyn, New York 6,000Pati Hill Stonington, Connecticut 6,000 Edgar White New York, New York 6,000Richard F. Hill St. Petersburg, Florida 6,000William Hjortsberg Livingston, Montana 6,000 Other~$96,000William Hoffman Charlotte, Virginia 6,000James Houston Nelson Algren Hackensack, New Jersey 6,000Santa Cruz, California 6,000Edward Hower Helen Barolini Ossining, New York 6,000lthaca, New York 6,000Gay! Jones Richard Grossinger Plainfield, Vermont 6,000Providence, Rhode Island 6,000 W. Lewis Hyde Steve Katz SomerviIle, Massachusetts 6,000New York, New York 6,000 Elinor Langer Chicago, lllinois 6,000

Page 64: National Endowment for the Arts Annual Report 1976

Literature 6~

Grover Lewis Kanarraville, Utah Program Treasury

6,000 Private

Trask House Books, Inc. Portland, Oregon Program Treasury Private

2,500

Eugene Lyons Peter Marin Howard McCord James Mersmann Margaret Newlin Shaun O’Connell Michael Rossman Peter Schrag Edward Snow Richard Taylor

Austin, Texas Santa Barbara, California Northridge, California Birmingham, Alabama Secane, Pennsylvania Sudbury, Massachusetts Berkeley, California Oakland, California Berkeley, California Lexington, Kentucky

6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000 6,000

Services to the Fieldm$340,280 Associated Writing Programs, Washington College Chestertown, Maryland North Dakota Council on the Arts and Humanities Fargo, North Dakota Poets & Writers, Inc. New York, New York Western States Arts Foundation/West Coast Print Center, Inc. Berkeley, California

5,000

2,760 200,000

132,520

Services to the Field~$5,000 General Programsm$156,800

The Generalist Association, Inc./COSMEP, Inc. New York, New York 5,000

The Trustees of Columbia University Frederic Burk Foundation

New York, New York 68,100

General Programs--$190,277 Alice James Poetry Coopera­tive, Inc./Book Affair, Inc. Cambridge, Massachusetts Carnegie-Mellon Llniversity Pittsburgh, Pennsylvania Beyond Baroque Foundation Venice, California Four Seasons Foundation Bolinas, California Four Seasons Foundation/ Bolinas, California/Berkeley Serendipity Books Distribution California

1,000 16,000 4,500 3,600

20,000

for Education/San FranciscoPoetry Center Kansas Arts Commission

20,000

Daly City, California Topeka, Kansas

43,700 45,000

The Generalist Association, Inc./COSMEP, Inc. Library of Congress

New York, New York Washington, D.C.

2,800 16,625

Maine State Commission on the Arts Augusta, Maine 5,000 Painted Bride Quarterly, Inc./ Philadelphia Book Fair ProjectUniversity of Pittsburgh/ University of Pittsburgh Press

Philadelphia, Pennsylvania

Pittsburgh, Pennsylvania

250

10,000 Teachers and Writers Collaborative, Inc./Fiction Collective Vermont Council on the Arts

New York, New York Montpelier, Vermont

24,000 4,000

Western States Arts Founda-tion/West Coast Print Center

Denver, Colorado/Berkeley, California 59,502

Women’s Community, Inc./ Feminist Studio V~¿orkshop Los Angeles, California 3,000

TRANSITION QUARTER GRANTS

Readings and Residencies for Wñters---$47,920 Miles College Fairfield, Alabama Montana Arts Council Missoula, Montana South Carolina Educational Television Commission Columbia, South Carolina

4,880 20,660

19,880

Page 65: National Endowment for the Arts Annual Report 1976

Museums

Page 66: National Endowment for the Arts Annual Report 1976

Museums 67

In 1971 the Endowment launched a Museum Pilot Aid to Special Exhibitions--Matching grants are Renovation--In 1972 this funding program was

Program, which included two categories--Museum Pur- available for museums to organize temporary exhibitions begun asa response to the concern expressed by museum chase Plan and Wider Availability of Museums--previ- of aesthetic and cultural importance. The range of such directors over physical conditions: poor climate control, ously funded by the Visual Arts Program, ñve additional projects is always enormous; over the past few years, insufticient se, curity, and lack of storage space. Since then funding categories, anda budget of one million dollars, though, asa tribute to the nation’s Bicentennial, the a broad range of grants has been awarded; this year, for American museums needed the help. Response to the new Museum Program has given particular attention to exhibi- example, while $500,000 went to the Boston Museum of program was so gr~eat that the next year its activities were tions documenting various aspects of American culture. Fine Arts for climate control, security, and storage facili­greatly expanded; three new categories were developed One was American Folk Sculpture, 1776-1976, ah exhibi- ties, $790 went to the Nevada Historical Society to sup-and the budget raised to more than $4,000,000. Today tion of masterworks by self-taught American artists, port the installation of a tire detection system. By now there are twelve funding categories in the Museum organized by the Brooklyn Museum. Another was The the Museum Program has met the needs of most museums Program, the budget exceeds $10,000,000, and Endowment American Romantic Tradition, an examination of the for climate control; it expects that requests for security support is available--to a greater or lesser extent--to all roots of modern American painting organized by the systems will soon begin to decline, and that by the end of the major activities of museums: acquisition, preservation, Museum of Modern Art in New York. the decade only storage will remain a significant problem. and interpretation. In fiscal 1976, 989 applications were Catalogues--Funds under this program go toward the Museum Training--Universities and museums are received; 475 grants were awarded in amounts ranging cataloguing of previously uncatalogued museum collec- eligible for matching aid to assist programs in curatorial from $200 to $500,000. tions; for the duplication of ñles for security reasons; for training, museum administration, or museum education.

Museums themselves may receive funds for internship programs and programs designed to advance the training

"Our museums and the marketplace are presenting a variety and richness of visual expeñence of their staffs. ~ Fellowships/or Museurn Pro]essionals--These areunprecedented in cultural history anywhere. The permanent collections, not just in the two non-matching grants ranging no higher than $20,000,

principal centers of New York and Washington but, to a degree unique to this country, available to professional members of museum staffs so spread out acgoss the land, provide an almo$t inexhaustible feast." that they may take leaves of absence to conduct indepen­

dent study or research, to travel, write, engage in commu­--Carter Brown, Director, National Gallery of Art nity projects, of in other ways improve their professional

qualifications. Museum Purchase Plan--This program provides

preparing catalogue copy; and for publication. One grant funds for museums to purchase the work of living Ameri­went to the Founders Society of the Detroit Institute of can artists. In this way it helps museums to expand their Fine Arts to publish a catalogue of its puppet collection; collections, but it also helps working American artists to another went to the Santa Barbara Museum of Natural sell their work and bring it before the public. Through the History to catalogue its collection of Western American Museum Purchase Plan hundreds of museums have Indian rugs, blankets, and baskets, acquired thousands of works in che fields of painting,

Conservation--Efforts to help museums improve the design, photography, sculpture, printmaking, crafts, and scope and quality of their conservation programs fall into film. three categories. Training in Conservation offers assistance Utilization of Museurn Collections--Under this to new and existing training centers, to short-term work- category, museums may receive matching assistance toward shops for museum staff, and to master apprentice intern- the imaginative use of their permanent collections. Better ship programs. In 1971 there were about fifteen trained service to the community is the goal here; innovative conservators graduating every year; in 1977 there will be gallery installations and study-storage centers, for example, more than thirty. Regional Conservation Laboratories are can often bring the public into closer and more meaningful funded to provide services which museums cannot afford contact with the works of art they display. individually. There was one regional conservation center in Wider A vailability o/Museums--The funding cate­1971; in 1977 there will be nine. Assistance to Museums gories under this program are intended to increase the for Conservation Work on Collections offers matching public’s access to museum activities. Community Programs grants of up to $10,000 to assist museums in planning and offers funding aid to projects whieh bring the audience to implementing their own conservation programs, the museum, the museum to the audience (through mobile

Page 67: National Endowment for the Arts Annual Report 1976

68 Museums

units, for example), or that make information available in bilingual form. Programs which are designed for the handicapped, the disadvantaged, or the aged get special attention. Cooperative Programs encourages museums, state arts agencies, and other institutions to share their resources to make them more widely available to the public. This program has developed slowly since its inception, but this year several widely separate smaller museums began drawing on the non-working collection of some of our major institutions. The Metropolitan Museum of Art, f0r example, began lending to the Whatcom Museum in Bellingham, Washington; the Guggenheim Museum began lending the Wake Forest College in Winston-Salem, North Carolina. The most successful of such programs has been continuing for years between the Brockton Art Center and the Museum of Fine Arts in Boston. Museum Education, the third and last category under Wider Availability of Museums, assists museums in their efforts to improve the quality and educational value of the museum experience.

General Programs--Museum projects which do not íall under other funding categories are eligible for grants under this one.

Visiting Specialists and Technical Assistance--The Museum Program provides matching funds to help pay the lees of consultants necessary during the planning or implementation of special projects. This year, pilot grants were also available to state arts agencies for consultants to serve their areas.

Services to the Field--Non-profit organizations which provide services to the museum field--such as research, publications, and workshops--are eligible for matching Endowment aid. This year, for example, a grant was made to the American Law Institute in Philadelphia to conduct a legal and factual study of the ethical and conflict-of­interest problems that arise in museum administration.

Page 68: National Endowment for the Arts Annual Report 1976

Museums 69

Advisory Panel William Agee Martin Friedman Louise Tester

Director Executive DirectorDirector Walker Art Center Arizona Commission on the ArtsThe Museum of Fine Arts, Houston Minneapolis, Minnesota and HumanitiesHouston, Texas

Phoenix, Arizona Craig BIack George Hamilton

Thomas VaughanVice-Chairman Director Director Sterling and Francine Clark Art Institute Director Carnegie Museum of Natural History Williamstown, Massachusetts Oregon Historical Society

Portland, OregonPittsburgh, Pennsylvania Edward Hudson, Jr. Attorney at Law E. Leland WebberHarold BIatt

DirectorAttorney at Law Fort Worth, Texas Field Museum of Natural HistorySt. Louis, Missouri

Ruth Kohler Chicago, Illinois

Joel Bloom Chairman, Wisconsin Arts Board Vice-President, Director Director, John M. Kohler Art Center Franklin Institute Sheboygan, Wisconsin Science Museum and Planetarium Philadelphia, Pennsylvania Thomas N. Maytham

Director John BuIlard The Denver Art Museum Director Denver, Colorado New Orleans Museum of Art New Orleans, Louisiana Thomas Messer

Director James Demetrion Solomon R. Guggenheim Museum Director New York, New York Des Moines Art Center Des Moines, Iowa Richard Oldenburg

Director Anne d’Harnoncourt The Museum of Modern Art Curator New York, New York Philadelphia Museum of Art Philadelphia, Pennsylvania Russel! Peithman

Director David Driskell The Charlotte Nature Museum Professor, Departnaent of Art Charlotte, North Carolina University of Maryland College Park, Maryland Alan Shestack

Director James Elliott YaIe University Art Gallery Director New Haven, Connecticut Wadsworth Atheneum Hartford, Connecticut

Page 69: National Endowment for the Arts Annual Report 1976

70 Museums

Grants Wider Availability of Museums--$1,589,888 Academy of Natural Sciences of Philadelphia Allentown Art Museum American Crafts Council/ Museum of Contemporary Crafts American Federation of Arts The American Museum of Natural History Arizona Commission on the Arts and Humanities Baltimore Museum of Art, Inc. Bishop College/S.W. Research Center and Museum The Bronx Museum of the Arts Brooklyn Institute of Arts and Sciences/Brooklyn Museum Brown University/Haffenref­fer Museum of Anthropology The Buffalo Fine Arts Academy/Albright-Knox Art Gallery Children’s Museum of Indianapolis, Inc. The Columbia Art Association/Columbia Museum of Art Connecticut Commission on the Arts Cornell University/Herbert F. Johnson Museum of Art Corning-Painted Post Historical Society, Inc. Dayton Art Institute The Fine Arts Museum Foundation/The de Young Museum Art School Fort Worth Art Association Founders Society, Detroit Institute of Arts The Franklin Institute Frederick Douglass Institute of Negro Arts and History/ Museum of African Art Trustees of the Fuller Memorial/Brockton Art Center Gallery Association of New York State, Inc.

Philadelphia, Pennsylvania Allentown, Pennsylvania

New York, New York New York, New York

New York, New York

Phoenix, Arizona

Baltimore, Maryland

Dallas, Texas

Bronx, New York

Brooklyn, New York

Providence, Rhode Island

Buffalo, New York

Indianapolis, Indiana

Columbia, South Carolina

Hartford, Connecticut

Ithica, New York

Corning, New York Dayton, Ohio

San Francisco, California Fort Worth, Texas

Detroit, Michigan Philadelphia, Pennsylvania

Washington, D.C.

Brockton, Massachusetts

Hamilton, New York

Program Treasury

8,000 6,000

10,000 43,615

23,660

22,260

15,830

10,000

27,300

75,000

10,500

31,080

23,460

5,000

24,950

4,910

2,370 10,000

24,610 11,690

75,000 18,500

28,330

6,580

35,310

Private Hernard Lester Cook Foun­dation Educational Trust/U.S. Department of Interior The Historical Society of York County The Hudson River Museum of Yonkers Ile-Ife Museum of Afro-American Culture Impression Five Indiana Arts Commission Indianapolis Museum of Art The John and Mable Ringling Museum of Art Foundation University of Kansas University of Kansas/ Museum of Art Kansas Arts Commission Louisa May Alcott Memorial Association Maryland Arts Council Metropolitan Museum of Art Mid-America Arts Alliance Mississippi Arts Association Monterey Peninsula Museum of Art Association Museum of Modern Art Museums Collaborative, Inc. Nevada Historical Society The Research Foundation of SUNY at Binghamton/Max Reinhardt Archive The New York Botanical Garden Northeast Wyoming Mobile History Laboratory Oakland Museum Association Oklahoma Art Center Palace of Arts and Sciences Foundation/The Exploratorium Philadelphia Museum of Art Pho~nix Fine Arts Association University of Puerto Rico Queens Botanical Garden Society, Inc. St. Louis Art Museum San Antonio Museum Association

Washington, D.C.

York, Pennsylvania

Yonkers, New York

Philadelphia, Pennsylvania East Lansing, Michigan Indianapolis, Indiana Indianapolis, Indiana

Sarasota, Florida Lawrence, Kansas

Lawrence, Kansas Topeka, Kansas

Concord, Massachusetts Baltimore, Maryland New York, New York Kansas City, Missouri Jackson, Mississippi

Monterey, California New York, New York New York, New York Reno, Nevada

Albany, New York

New York, New York

Newcastle, Wyoming Oakland, California Oklahoma City, Oklahoma

San Francisco, California Philadelphia, Pennsylvania Phoenix, Arizona Rio Pedros, Puerto Rico

Flushing, New York St. Louis, Missouri

San Antonio, Texas

Program Treasury Private

30,000

3,500

14,800

10,000 9,750

50,000 34,420

34,000 6,070

8,200 8,590

720 25,160 49,000 14,330 10,000

26,000 50,000 48,563 14,000

20,000

14,000

8,000 2,180 7,800

35,000 19,000 20,000 15,000

15,000 15,340

9,110

Page 70: National Endowment for the Arts Annual Report 1976

Museums 71

Program Treasury Private Program Treasury Private Scottish Rite Masonic Museum/Library, Inc. Lexington, Massachusetts 17,500

Davenport Municipal Art Gallery Davenport, Iowa 10,000

The Solomon R. Guggenheim E.B. Crocker Art Gallery Sacramento, California 15,000 Foundation/The Solomon R. Guggenheim Museum South Street Seaport Museum

New York, New York New York, New York

29,820 18,350

Fort Lauderdale Museum of the Arts, Inc. Fort Worth Art Association

Fort Lauderdale, Florida Fort Worth, Texas

5,000 10,000

Southwestern Art Associa- Indian Pueblo Cultural tion/Philbrook Art Center Tulsa, Oklahoma 12,000 Center, Inc. Albuquerque, New Mexico 20,000 Spertus College of Judaica Chicago, Illinois 10,000 John and Mable Ringling Stamford Museum and Museum of Art Sarasota, Florida 20,000 Nature Center, Inc. Stamford, Connecticut 2,570 University of Kansas Lawr6nce, Kansas 10,000 Staten Island Institution of Metropolitan Museum and Arts and Sciences Staten Island, New York 15,000 Art Center, Inc. Miami, Florida 5,000 State of Hawaii Honolulu, Hawaii 5,000 Milwaukee Art Center Milwaukee, Wisconsin 20,000 State University of New York Tampa Bay Art Center, Inc. University Circle, Inc./

Purchase, New York Tampa Bay, Florida

5,000 5,450

Minneapolis Society of Fine Arts The Montclair Art Museum

Minneapolis, Minnesota Montclair, New Jersey

20,000 10,000

Circle Center for Community The Museum of Fine Arts Houston, Texas 20,000 Programs University of Texas Art Museum University of Utah/Museum of Art University of Utah/Utah Museum of Natural History Wadsworth Atheneum

Cleveland, Ohio

Austin, Texas

Salt Lake City, Utah

Salt Lake City, Utah Hartford, Connecticut

30,000

4,700

13,200

27,000 13,730

The Museum of Modern Art Navajo Heritage Center/ Navajo Tribal Museum Ohio State University Oklahoma Art Center Pennsylvania Academy of Fine Arts Philadelphia Museum of Art

New York, New York

Window Rock, Arizona Columbus, Ohio Oklahoma City, Oklahoma

Philadelphia, Pennsylvania Philadelphia, Pennsylvania

20,000

5,000 20,000

5,000

20,000 15,000

Wake Forest University Walker Art Center, Inc.

Winston-Salem, North Carolina Minneapolis, Minnesota

31,320 33,000

Research Foundation of SUNY Albany, New York 10,000

Western Association of Art The San Antonio Museum Museums Oakland, California 5,860 Association San Antonio, Texas 20,000 Whatcom Museurn of History Trustees of the San and Art Whitney Museum of American Art

Bellingham, Washington

New York, New York

20,000

26,400

Francisco Museum of Art Schenectady Museum Association

San Francisco, California

Schenectady, New York

20,000

5,000 Wildcliff Natural Science Seattle Art Museum Seattle, Washington 10,000 Center New Rochelle, New York %500 Smith College Northampton, Massachusetts 5,000 Wildcliff Youth Museum The Henry F. Dupont Winterthur Museum, Inc.

New Rochelle, New York

Winterthur, Delaware

15,000

40,000

The Solomon R. Guggenheim Museum University of Iowa University of New Mexico

New York, New York Iowa City, Iowa Albuquerque, New Mexico

20,000 10,000 10,000

Museum Purchase Plan--S550,000 Akron Art Institute Akron, Ohio Art Today Memphis, Tennessee Atlanta Arts Alliance, Inc. Atlanta, Georgia The Buffalo Fine Arts Academy Buffalo, New York City of New Orleans New Orleans, Louisiana University of Colorado Boulder, Colorado Cornell University/Ithaca, New York Ithaca, New York

10,000 10,000 20,000

10,000 20,000 5,000

20,000

University of North Carolina University of North Carolina University of Rochester University of Utah Walker Art Center, Inc. Wichita Art Museum Whitney Museum of American Art Worcester Art Museum Yale University

Chapel Hill, North Carolina Greensboro, North Carolina Rochester, New York Salt Lake City, Utah Minneapolis, Minnesota Wichita, Kansas

New York, New York Worcester, Massachusetts New Haven, Connecticut

5,000 5,000 5,000

15,000 20,000 15,000

10,000 20,000 10,000

Page 71: National Endowment for the Arts Annual Report 1976

72 Museums

Aid to Special Exhibitions---$2,136,874 Program Treasury Private Program Treasury Private The Adirondacks Historical The Fine Arts Museums Association, Inc./Adirondack Museum The African-American

Blue Mountain Lake, New Jersey 5,000 Foundation/The Fine Arts Museums of San Francisco Fort Worth Art Association/

San Francisco, California 20,130

Institute New York, New York 35,000 Fort Worth Art Museum Fort Worth, Texas 36,042 American Federation of Arts New York, New York 85,964 Foundation of the American Amon Carter Museum of Western Art Fort Worth, Texas 30,000

Institute for Conservation The Franklin Institute

Washington, D.C. Philadelphia, Pennsylvania

6,420 44,970 45,000

and/or Service The Asia Society, Inc./Asia House Gallery Ballet Theatre Foundation, Inc. Bingham Sketches, Inc. The Bronx Museum of

Seattle, Washington

New York, New York

New York, New York St. Louis, Missouri

10,000

35,000

12,000 46,770

Frederick Douglass Institute of Negro Arts and History/ Museum of African Art President and Fellows of Harvard College/Fogg Art Museum The Heard Museum

Washington, D.C.

Cambridge, Massachusetts Phoenix, Arizona

23,500

30,000 7,500

the Arts Brooklyn Institute of Arts

Bronx, New York 10,000 Hudson River Museum of Yonkers, Inc. Yonkers, New York 29,175

and Sciences Brown University The Buffalo Fine Arts

Brooklyn, New York Providence, Rhode Island

40,000 9,950

Huntington, Galleries, Inc. Hyde Collection Trust Institute of Contemporary Art

Huntington, West Virginia Glens Falls, New York Boston, Massachusetts

25,000 6,550 7,280

Academy/Albright-Knox Art Gallery Children’s Museum China Institute in America, lnc./China House Gallery The College of JewishStudies/Maurice Spertus

Buffalo, New York Boston, Massachusetts

New York, New York

38,620 17,000

23,000

Institute of Contemporary Hispanic Art, Inc. lnternational Center of Photography lnternational Exhibitions Foundation International Museum of

New York, New York

New York, New York

Washington, D.C.

1,500

20,000

12,200

Museum of Iudaica The Columbia Art Association/Columbian Museum of Art The Columbus Gallery of Fine Arts The Contemporary Arts Museum Corcoran Gallery of Art Cornell University/Herbert F. Johnson Museum of Art Corpus Christi Art Foundation/Art Museum of Southern Texas De Cordova and Dana

Chicago, Illinois

Columbia, South Carolina

Columbus, Ohio

Houston, Texas Washington, D.C.

Ithica, New York

Corpus Christi, Texas

2,700

8,000

9,200

20,000 58,000

18,000

50,500

Photography at George Eastman House Japan Society, Inc./Japan House Gallery The J. B. Speed Art Museum Larry Aldrich Museum Foun­dation, Inc./AIdrich Museum of Contemporary Art Long Beach California State College Foundation Louisiana Arts and Sciences Center Louisiana County for Music and Performing Arts, Inc. Miami-Dade Community

Rochester, New York

New York, New York Louisville, Kentucky

Ridgefield, Connecticut

Long Beach, California

Baton Rouge, Louisiana

New Orleans, Louisiana

20,000

53,000 7,212

10,000

10,862

15,000

14,480

Museum and Park/De Cordova Museum Detroit Historicai Society Dulin Gallery of Art Edmundson Art Foundation, Inc./Des Moines Art Center

Lincoln, Massachusetts Detroit, Michigan Knoxville, Tennessee

Des Moines, Iowa

14,000 10,000

612

8,055

College Minneapolis Institute of Arts Minnesota Museum of Art Moore College of Art Museum of Contemporary Art The Museum of Fine Arts The Museum of Modern Art National Academy of Design

Miami, Florida Minneapolis, Minnesota St. Paul, Minnesota Philadelphia, Pennsylvania Chicago, Illinois Houston, Texas New York, New York New York, New York

5,732 15,000 29,298 10,000 44,674 66,892

150,000 15,000

50,000 50,000

Page 72: National Endowment for the Arts Annual Report 1976

Museums 73

The New Muse/Community Museum of Brooklyn New York University Oakland Museum Association Oakland University Trustees of the Phillips Academy/Addison Gallery of American Art Phoenix Art Museum The Pilg~im Society Portland Center for the Visual Arts The Trustees of Princeton University/The Art Museum The St. Louis Art Museum San Antonio Museum

Brooklyn, New York New York, New York Oakland, California Rochester, Michigan

Andover, Massachusetts Phoenix, Arizona Plymouth, Massachusetts

Portland, Oregon

Princeton, New Jersey St. Louis, Missouri

Program Treasury

10,250 20,000 10,000 17,500

3,588 15,000 40,000

8,395

9,646 26,600

Private Regents of the University of Michigan/Museum of Art University of Minneapolis/ University Gallery University of Rochester/ Memorial Art Gallery University of Southern Cali­fornia/University Galleries University of Utah Urban American Indian Center Wadsworth Atheneum Walker Art Center Yale University/Yale University Art Gallery

Ann Arbor, Michigan

Minneapolis, Minnesota

Rochester, New York

Los Angeles, California Salt Lake City, Utah

Minneapolis, Minnesota Hartford, Connecticut Minneapolis, Minnesota

New Haven, Connecticut

Program Treasury

15,000

8,308

10,000

6,783 5,000

10,000 43,860

100,000

Private

16,667

Association Santa Barbara Museurn of Art Seattle Art Museum Sheboygan Arts Foundation, Inc./Kohler Arts Center Sheldon ]ackson College Smithsonian Institution/Cooper-Hewitt Museum of Decorative Arts and Design lhe Solomon R. Guggenheim Foundation/The Solomon R. Guggenheim Museum Southeastern Center for ~ontemporary Art :;pringiield Library and Museum Association Research Foundation of State Llniversity of New York -~torm King Art Center, Inc. l’he Textile Museum Fucson Art Center/Tucson Museum of Art Llniversity of California/ Museum of Cultural History ~egents of University of ~alifornia/Frederick S.¢¢right Galleries .Jniversity of California/The ~,rt Galleries 3niversity of Maryland~rt Gallery 3niversity of Massachusetts :oundation, Inc.

San Antonio, Texas Santa Barbara, California Seattle, Washington

Sheboygan, Wisconsin Sitka, Aiaska

Washington, D.C.

New York, New York

Winston-Salem, North Carolina

Springfield, Massachusetts

Fredonia, New York Mountainville, New York Washington, D.C.

Tucson, Arizona

Los Angeles, California

Los Angeles, California

Santa Barbara, California

College Park, Maryland

Boston, Massachusetts

32,000 8,250 6,000

8,810 9,850

25,000

8,250

18,040

6,500 20,000 22,270

8,620

59,000

40,000

12,164

25,000

10,735

50,000 50,000

Ufilization of Museum Collecfions~$1,497,655 The American Museum of Natural History New York, New York Boston Medical Library Boston, Massachusetts The President and Trustees of Bowdoin College/ Museum of Art Brunswick, Maine Brooklyn Institute of Arts and Sciences/The Brooklyn Museum Brooklyn, New YorkRegents of University of California/University Art Museum Berkeley, CaliforniaCharles W. Bowers Memorial Museum Santa Ana, California Children’s Museum of Indianapolis, Indiana Indianapolis, Indiana The Cincinnati Mus¢um Association/Cincinnati Art Museum Cincinnati, Ohio The Cleveland Museum of Art Cleveland, Ohio Corcoran Gallery of Art Washington, D.C.Corning Museum of Glass Corning, New YorkCorning-Painted Post Historical Society, Inc. Corning, New York Dayton Art Institute Dayton, OhioEastman Memorial Founda­tion/Lauren Rogers Library and Museum of Art Laurel, MississippiEugene O’Neill Memorial Theater Foundation, Inc. Waterford, Connecticut Field Museum of Natural History Chicago, Illinois

20,000 25,050

2,930

27,403

2,910

6,370

15,000

9,300

16,500 20,620

2,500 46,320

1,450

8,580

368,885

50,000 50,000

Page 73: National Endowment for the Arts Annual Report 1976

74 Museums

The Fine Arts Museums Foundation/The Fine Arts Museums of San Francisco University of Florida/ Florida State Museum Founders Society Detroit Institute of Arts Greenville College President and Fellows of Harvard College/Peabody Museum of Archeology and Ethnology Honolulu Academy of Arts International Museum of

San Francisco, California

Gainesville, Florida

Detroit, Michigan Greenville, Illinois

Cambridge, Massachusetts Honolulu, Hawaii

Program. Treasury

14,350

40,600

30,000 5,000

19,960 29,880

Private Seattle Art Museum The Solomon R. Guggenheim Foundation/The Solomon R. Guggenheim Museum Southern Colorado State College The Textile Museum The Toledo Museum of Art Walker Art Center, Inc. University of Washington/ Thomas Burke Memorial/ Washington State Museum Worcester Art Museum

Seattle, Washington

New York, New York

Pueblo, Colorado Washington, D.C. Toledo, Ohio Minneapolis, Minnesota

Seattle, Washington Worcester, Massachusetts

Program Treasury Private 2,460

100,000

9,819 24,560 22,900 12,000

29,710 30,000

Photography at George Eastman House Maryhill Museum of Fine Arts The Regents of the University of Michigan/Kelsey Museum of Archeology Minneapolis Society of Fine Arts/Minneapolis Institute of Arts Mint Museum of Art, Inc. Missouri Botanical Garden University of Missouri/ Museum of Art and Archeology Museum of,American China Trade, Inc. Museum of Fine Arts Museum of Modern Art New York Botanical Garden New York University Owensboro Area Museum, Inc. Philadelphia Museum of Art Trustees of P~illips Academy/ Addison Gallery of American Art The Trustees of Princeton University/The Art Museum Randolph-Macon Woman’s College Robinson Museum San Francisco Maritime Museum Trustees of the San Francisco

Rochester, New York

Maryhill, Washington

Ann Arbor, Michigan

Minneapolis, Minnesota Charlotte, North Carolina St. Louis, Missouri

Columbia, Missonri

Milton, Massachusetts Boston, Massachusetts New York, New York Bronx, New York New York, New York

Owensboro, Kentucky Philadelphia, Pennsylvania

Andover, Massachusetts

Princeton, New Jersey

Lynchburg, Virginiaa Pierre, South Dakota

San Francisco, California

15,710

4,720

20,000

I0,000 10,000 50,000

30,000

10,000 80,000 15,040 20,000 10,000

8,050 100,000

7,500

3,850

12,510 15,000

10,270

Catalogues--S813,763 The American Museum of Natural History Arizona Historical Society/ Arizona Historical Society Museum The Art Institute of Chicago The President and Trustees of Bowdoin College Museum of Art Brooklyn Institute of Arts and Sciences/The Brooklyn Museum Brown University/Haffenref­fer Museum of Anthropology The Buffalo Fine Arts Academy/Albright Knox Art Gallery The Cincinnati Museum Association/Cincinnati ArtMuseum The Columbus Gallery of Fine Arts The Corning Museum of Glass E.B. Crocker Art Gallery The Denver Art Museum Eastman Memorial Founda­tion/Lauren Rogers Library and Museum of Art Essex Institute The Fine Arts Museums Foundation/Fine Arts Museums of San Francisco

New York, New York

Tucson, Arizona Chicago, Illinois

Brunswick, Maine

Brooklyn, New York

Providence, Rhode Island

Buffalo, New York

Cincinnati, Ohio

Columbus, Ohio

Corning, New York Sacramento, California Denver, Colorado

Laurel, Mississippi Salero, Massachusetts

San Francisco, California

10,000

10,000 31,970

15,000

25,000

4,700

20,000

23,450

12,000

9,000 13,660 36,000

2,780 9,000

43,010 Museum of Art San Francisco, California 10,000

Page 74: National Endowment for the Arts Annual Report 1976

Museums 75

Program Treasury Private Program Treasury Private Frederick Douglass Institute The Solomon R. Guggenheim of Negro Arts and History/ Museum of African Art Washington, D.C. 22,370

Foundation/The Solomon R. Guggenheim Museum New York, New York 12,500

The President and Fellows Stuhr Museum of Praírie of Harvard College/Peabody Museum of Archaeology and Ethnology Hechscher Museum Indianapolis Museum of Art International Museum of

Cambridge, Massachusetts Huntington, New York Indianapolis, Indiana

10,000 8,860

11,080

Pioneer/Stuhr Museum The Textile Museum The Toledo Museum of Art Walker Art Center, Inc. Washington and Lee University

Grand Island, Nebraska Washington, D.C. Toledo, Ohio Minneapolis, Minnesota

Lexington, Virginia

8,000 18,070 30,930 27,500

4,040 Photography at George Eastman House University of Kansas/ Museum of Anthropology University of Kansas/ Museum of Art

Rochester, New York

Lawrence, Kansas

Lawrence, Kansas

13,200

5,260

15,000

Worcester Art Museum Yale University/Yale Univer­sity Art Gallery Yale University/Yale Center for British Art and British Studies

Worcester, Massachusetts

New Haven, Connecticut

New Haven, Connecticut

7,570

20,900

28,480 Lane County Pioneer Museum Maryland Historical Society

Eugene, Oregon Baltimore, Maryland

4,190 10,000 Visifing Specialists~$131,213

Massachusetts Institute of Arizona Commission on the Technology/The Hayden Gallery Metropolitan Museum of Art

Cambridge, Massachusetts New York, New York

9,829 27,850

Arts and Humanities Atlanta Historical Society Baltimore Museum of

Phoenix, Arizona Atlanta, Georgia

13,300 3,500

Minneapolis Society of Fine Art, Inc. Baltimore, Maryland 10,160 Arts/Minneapolis Institute of Arts The Montclair Art Museum

Minneapolis, Minnesota Montclair, New Jersey

23,820 22,130

Children’s Museum of Indianapolis, lnc. Dayton Art lnstitute

Indianapolis, Indiana Dayton, Ohio

1,970 15,000

The Museum of Modern Art New York, New York 37,504 The Fine Arts Museums Nebraska Art Association/ Foundation/The Fine Arts Sheldon Memorial Art Museums of San Francisco San Francisco, California 8,207 Gallery Lincoln, Nebraska 6,710 Fine Arts Museums Founda-New Orleans Museum of Art New Orleans, Louisiana 9,780 tion/M. H. de Young Museum San Francisco, California 9,070 The New York Historical Society New York, New York 22,390

Fort Worth Art Assn./Fort Worth Arts Museum Forti~orth, Texas 7,675

The Newark Museurn Hudson River Museum at Association Newark, New Jersey 20,000 Yonkers New York, New York 25,500 North Carolina Museum Milwaukee Art Center Milwaukee, Wis~onsin 9,020 of Art Raleigh, North Carolina 15,390 Museum Association! Oakland Museum Old Salero, Inc. University of Oregon/N.W. Sculpture Advocates, Inc. Pennsylvania Academy of the Fine Arts Philadelphia Museum of Art Randolph-Macon V~oman’s

Oakla.nd, California Winston-Salem, North Carolina

Eugene, Oregon

Philadelphia, Pennsylvania Philadelphia, Pennsylvania

15,000 7,000

4,460

24,900 18,000

LACMA Museum of Fine Arts The Trustees of Reservations Southern Colorado State College Suffolk Museum and Carriage House/The Museums atStony Brook

Los Angeles, California Boston, Massachnsetts Milton, Massachusetts

Pueblo, Colorado

Stony Brook, New York

2,470 10,000 4,005

5,120

1,980 College Lynchburg, Virginia 8,360 Wadsworth Atheneum Hartford, Connecticut 4,235 Rhode Island School of Design/Museum of Art Trustees of San Francisco Museum of Art

Providence, Rhode Island

San Francisco, California

9,770

7,350

Fellowships for Museum Professionals---$137,741 Bates, Michael L. Hawath, New Jersey Belloli, Joseph A. Fort Worth, Texas

2,560 4,484

Page 75: National Endowment for the Arts Annual Report 1976

76 Museums

Program Treasury Private Program Treasury Private Biers, Jane C. Cate, Phillip Dennis Darling, Sharon S. Dee, Elaine E. Egan, Heather C. Gallander, Cathleen S. Hail, Barbara A. Hanks, David A. Hutchison, R. Bruce

Columbia, Missouri Piscataway, New Jersey Evanston, Illinois Maplewood, New Jersey Philadelphia, Pennsylvania Corpus Christi, Texas Providence, Rhode Island Philadelphia, Pennsylvania San Francisco, California

4,644 2,510 1,750 6,540 7,390 4,253 3,427 9,650

11,255

The San Diego Zoological Society Smith College/Smith College Museum of Art The Solomon R. Guggenheim Foundation/The Solomon R. Guggenheim Museum Toledo Museum of Art University of Vermont!

San Diego, California

Northampton, Massachusetts

New York, New York Toledo, Ohio

9,000

9,850

8,000 26,550

Johnson, Charlotte B. Johnson, Robert Flynn Jones, Fernande Koob, Katherine R.

Buffalo, New York Baltimore, Maryland Los Angeles, California North Andover, Massachusetts

2,101 2,329 1,289 1,100

Robert Hull Fleming Museum Burlington, Vermont Wilmington Society of Fine Arts/Delaware Art Museum Wilmington, Delaware

5,000

6,340

Lamp, Frederick J. Lovette, Kendra Mackie, Louise W. Nagar, Sarla D. Noveck, Madeline I. Palmai, Clarissa K. Pressly, Nancy L. Robbins, Warren M. Sayre, Elenor A. Second, Bernard M. Shoumatoff, Nicholas A. Welu, James A. Wolfe, Claire Cameron Young, Martie W.

Washington, D.C. St. Louis, Missouri Washington, D.C. Columbia, Missouri New York, New York Bethesda, Maryland New Haven, Connecticut Washington, D.C. Boston, Massachusetts Mescalero, New Mexico Cross River, New York Worcester, Massachusetts Denver, Colorado Ithaca, New York

6,680 2,900 2,717 4,500 3,165 3,500 3,000

14,000 17,895

3,500 1,432 2,010 2,470 4,690

Conservafionm$344,125 Conservation of Collections-~$85,670 The American Museum of Natural History New York, New York Trustees of Amherst College/ Folger Shakespeare Library Washington, D.C.Art Institute of Chicago Chicago, Illinois Art Museum of Palm Beaches, Inc./Norton Gallery of Art West Palm Beach, FloridaMuseum Board of the City of Birmingham Birmingham, Alabama Boston Public Library Boston, Massachusetts Brown University Providence, Rhode Island Brooks Memorial Art Gallery Memphis, TennesseeThe Buffalo Fine Arts

10,000

3,600 6,690

2,080

3,370 2,500 2,580 1,250

Museum Trainingm$320,880 The Art Institute of Chicago The Children’s Museum

Chicago, Illinois Boston, Massachusetts

3,870 9,100

Academy/Albright Knox ArtGaIlery The Regents of the University

Buffalo, New York 3,000

The Corning Museum of of California/University Glass University of Delaware The Fine Arts Museums Foundation/de Young Museum of Art School

Corning, New York Newark, Delaware

San Francisco, California

13,250 7,610

25,000

Library Charles W. Bowers Memorial Museum Chicago Historical Society Cleveland Museum of Art

Los Angeles, California

Santa Anna, California Chicago, Illinois Cleveland, Ohio

10,000

1,350 9,500 9,750

President and Fellows of Colorado Springs Fine Harvard College/Fogg Art Museum University of Illinois/ Krannert Art Museum Indianapolis Museum of Art Metropolitan Museum of ArtThe Regents of the University

Cambridge, Massachusetts

Urbana, Illinois Indianapolis, Indiana New York, New York

10,500

18,040 9,510

30,000

Art Center The Columbus Gallery of Fine Arts Trustees of the Corcoran Gallery of Art Corning Museum of GlassDarwin R. Barker Library

Colorado Springs, Colorado

Columbus, Ohio

Washington, D.C. Corning, New York

10,000

10,000

10,000 5,750

of Michigan NYC/Institute of Fine Arts Portland Art Association/ Portland Art Museum

Ann Arbor, Michigan New York, New York

Portland, Oregon

65,700 40,000

23,560

Association of Fredonia The Denver Art Museum, Inc. Essex Institute Founders Society, Detroit

Fredonia, New York Denver, Colorado Salero, Massachusetts

2,210 5,000 3,000

Institute of Arts Detroit, Michigan 5,510

Page 76: National Endowment for the Arts Annual Report 1976

Museums 77

Program Trea~ury Private Program Treasury Private Hyde Collection Trust Jacques Marchais Center of Tibetan Art University of Kansas Museum of Art Loyola University of Chi­

cago/MartinMaine State MuseumD’Arcy Gallery

Glens Falls, New York

Staten Island, New York

Lawrence, Kansas

Chicago, Iilinois

5,000

5,000

5,000

4,750

Training in ConservalionB$261,483 University of Delaware Winterthur, DelawarePresident and Fellows of Harvard CoIlege/Fogg Art Museum Cambridge, MassachusettsNew York State Historical Association Cooperstown, New York

33,333

75,000

153,150 Commission Maryhill Museum of Fine Arts Maryland Historical Society Michigan Council for the Arts The Montclair Museum Museum of Arts and Sciences The Museum of Modern Art National Trust for Historic Preservation The New Hampshire Historical Society New Orleans Museum of Art New York University/GreyArt Gallery Pennsylvania Academy of the Fine Arts Richmond Art Center University of Rochester/ Memorial Art Gallery St. Bonaventure University/ Friedsam Memorial Library The San Antonio Museum

Augusta, Maine

Goldendale, Washington Baltimore, Maryland Detroit, Michigan Montclair, New Jersey Daytona Beach, Florida New York, New York

Washington, D.C.

Concord, New Hampshire New Orleans, Louisiana

New York, New York

Philadelphia, Pennsylvania Richmond, California

Rochester, New York

St. Bonaventure, New York

42,240

6,960 3,550

I0,000 10,000 17,500 5,600

8,300

930 10,410

2,450

9,975 3,035

10,000

1,500

Regional Conservafion Centers---$166,360 Balboa Art Conservation Center San Diego, CaliforniaBernice P. Bishop Museum Honolulu, HawaiiColorado Seminary/Univer­sity of Denver Denver, ColoradoNorth Carolina Museum of Art Foundation, Inc. Raleigh, North CarolinaSterling and Francine Clark Art Institute Williamstown, Massachusetts Walker Art Center, Inc. Minneapolis, Minnesota

Renovafion (Climate Control, Securi~y, Storage)---$2,775,808 Installafion Allentown Art Museum Allentown, PennsylvaniaThe Asheville Art Museum Association, Inc. Asheville, North Carolina Atlanta Arts AIliance, Inc./ The High Museum of Art Atlanta, GeorgiaBaltimore Museum of Art Baltimore, Maryland Cleveland Museum of Art Cleveland, Ohio University of Chicago/The

34,460 78,930

6,160

3,000

31,120 12,690

2,500

4,110

36,223

25,250

36,223 461,475 25,250

Association Smith College/Smith College

San Antonio, Texas 10,000 Oriental Institute The Columbia Art

Chicago, Illinois 3,470

Museum of Art The Solomon R. Guggenheim Foundation/The Solomon R. Guggenheim Museurn University of Southern Cali­fornia/University CJalleriesSyracuse University Vassar College Walker Art Center, Inc. Western Kentucky University The Western Reserve Historical Society Wilmington Society of the

Northampton, Massachusetts

New York, New York

Los Angeles, California New York, New York Poughkeepsie, New York Minneapolis, Minnesota Bowling Green, Kentucky

Cleveland, Ohio

1,500

4,250

1,076 4,000 4,250

11,650 2,000

1,400

Association/ColumbiaMuseum of Art Trustees of Dartmouth College Field Museum of Natural History The Fine Arts Museums Foundation/The Fine Arts Museum of San Francisco/ M.H. de Young Memorial Museum The Franklin Institute President and Fellows of

Columbia, South Carolina

Hanover, New Hampshire

Chicago, Illinois

San Francisco, California Philadelphia, Pennsylvania

1,750

370

94,150

159,030 26,730

50,000

Fine Arts/Delaware Art Harvard College/Fogg Art Museum Wilmington, Delaware 5,200 Museum

President and Fellows of Cambridge, Massachusetts 150,000

Harvard College/Peabody Museum Cambridge, Massachusetts 14,070

Page 77: National Endowment for the Arts Annual Report 1976

78 Museums

Jefferson Davis Shrine, Beauvior Shrine Biloxi, Mississippi

Program

5,750

Treasury Private Eugene O’Neill Memorial Theater Center Waterford, Connecticut

Program Treasury Private

3,000 Loch Haven Art Center, Inc. Massachusetts Institute of Technology/Hayden Gallery Metropolitan Museum of Art Metropolitan Museum of Art Center, Inc. Museum of Fine Arts Nevada Historical Society New York University Oakland Museum Parkersburg Art Center, Inc. Pennsylvania Academy of Fine Arts Rhode Island School of

Orlando, Florida

Cambridge, Massachusetts New York, New York

Miami, Florida Boston, Massachusetts Reno, Nevada New York, New York Oakland, California Parkersburg, West Virginia

Philadelphia, Pennsylvania

7,750

8,610 125,000

71,630

790 24,301 74,360 5,410

332,222

164,533 164,533

International Museum of Photography at George Eastman House The Jewish Museum Milwaukee Public Museum Museum of Contemporary Art The Newark Museum Association Old Museum Village of Smith’s Cove University of Oregon Devel­opment Fund/University of Oregon Museum of Art The Phillips Collection

Rochester, New York New York, New York Milwaukeee, Wisconsin Chicago, Illinois

Newark, New Jersey

Monroe, New York

Eugene, Oregon Washington, D.C.

12,500 8,000 1,500

920

7,040

6,670

11,250 5,000

Design Rhode Island School of

Providence, Rhode Island 114,378 St. Mary’s College of California Moraga, California 2,370

Design/Museum of Art St. Louis Art Museum Smithsonian Institution/ Cooper-Hewitt Museum of Decorative Arts and Design

Providence, Rhode Island St. Louis, Missouri

Washington, D.C.

163,070 177,600

50,000 50,000

The San Antonio Museum Association The Valentine Museum The Washington County Museum of Fine Arts

San Antonio, Texas Richmond, Virginia

Hagerstown, Maryland

9,550 13,080

2,500 Society for the Preservation of New England Antiquities Southeastern Center for

Boston, Massachusetts 150 Services to the Field--$150,220 American Association for

Contemporary Art Southwestern Art Associa­

Winston-Salem, North Carolina 19,010 State and Local History American Crafts Council

Nashville, Tennessee New York, New York

46,110 22,550

tion/Philbrook Art C~enter The Textile Museum

Tulsa, Oklahoma Washington, D.C.

45,870 700

The American Museum of Natural History New York, New York 8,000

Vassar College/Vassar College Art Gallery University of Vermont

Poughkeepsie, New York Burlington, Vermont

4,020 75,520

American Law Institute Santa Barbara Museum of Art/Association of Art

Philadelphia, Pennsylvania 34,910

Museum Directors Santa Barbara, California 6,500 Survey The Textile Museum of D.C. Washington, D.C. 7,160 Admiral Nimitz Foundation/ Admiral Nimitz Center Fredericksburg, Texas 470

Washington State University Washington University

Pullman, Washington St. Louis, Missouri

9,990 15,000

American Crafts Council/Museum of Contemporary General ProgramaS337,600 Crafts New York, New York 1,050 Alabama State Council on the Arizona Commission on the Arts and Humanities Montgomery, Alabama 17,500 Arts and Humanities/Yuma Fine Arts Association Phoenix, Arizona 1,800

Alaska State Council on the Arts Anchorage, Alaska 17,500

Proprietors of the Boston Atheneum/Library of the

Arizona Commission on the Arts and Humanities Phoenix, Arizona 16,760

Boston Atheneum Boston, Massachusetts 9,250 Office of Arkansas State Children’s Museum Boston, Massachusetts 24,820 Arts and Humanities Little Rock, Arkansas 17,230 Duke University/Duke University Art Museum Durham, North Carolina 8,900

The Children’s Museum Delaware State Arts Council Fine Arts Council of Florida

Boston, Massachusetts Wilmington, Delaware Tallahassee, Florida

20,000 10,000 17,500

Page 78: National Endowment for the Arts Annual Report 1976

Museums 79

Fine Arts Mnseums Founda-Program Treasury Private

The Asia Society, Inc./ Program Treasury Private

tion/California Palace of Legion of Honor Idaho Commission on the

San Francisco, California 8,270 Asia House Gallery Atlanta Arts Alliance, Inc./The High Museum of Art

New York, New York

Atlanta, Georgia

10,000

7,400 Arts and Humanities Massachusetts Council on the

Boise, Idaho 5,770 Atlanta Historical Society, Inc. Atlanta, Georgia 30,000

Arts and Humanities Michigan Council on the Arts Mid-America Arts Alliance New York State Department of Education North Carolina Arts Council Ohio Arts Council Ohio Foundation on the

Boston, Massachusetts Detroit, Michigan Kansas City, Missouri

Albany, New York Raleigh, North Carolina Columbus, Ohio

5,860 17,500 17,500

500 14,330 17,500

Baltimore Museum of Art, Inc. Carnegie Institute/Museum of Art Center for Inter-American Relations The Cherokee National Historical Society, Inc.!

Baltimore, Maryland

Pittsburgh, Pennsylvania

New York, New York

10,000

15,000

18,830

Arts, Inc. Oklahoma Arts and

Columbus, Ohio 30,000 Cherokee National Museum Chicago Historical Society

Talequah, Oklahoma Chicago, Illinois

2,000 10,900

Humanities Council Santa Barbara Museum of Art Southern Growth Policies

Oklahoma City, Oklahoma Santa Barbara, California

17,500 18,080

The University of Chicago! The David and Alfred Smart Gallery Chicago, Illinois 11,500

Board

Tennessee Arts Commission Texas Commission on the

Research Triangle Park, North Carolina Nashville, Tennessee

17,300 17,000

China Institute in America, lnc./China House Gallery The Cincinnati Modern Art Society/The Contemporary

New York, New York 15,000

Arts and Humanities Utah State Division of

Austin, Texas 17,500 Arts Center CUNY Graduate School and

Cincinnati, Ohio 15,000

Fine Arts Salt Lake City, Utah 17,500 University Center The Regents of the

New York, New York 28,000

TRANSITION QUAIITER GRANTS

Wider Availability of Museums~$200,480

University of Colorado The University of Connecticut The Corcoran Gallery of Art

Boulder, Colorado Storrs, Connecticut Washington, D.C.

8,150 9,580

20,000 Children’s Museum The Corning Museum of

Boston, Massachusetts 27,910 Cornell University/Herbert F. Johnson Museum of Art Ithaca, New York 16,000

Glass The Franklin Institute Illinois Arts Council Old Sturbridge, Inc. Whitney Museum of

Corning, New York Philadelphia, Pennsylvania Chicago, IIlinois Sturbridge, Massachusetts

25,000 37,500 50,200 29,870

E.B. Crocker Art Gallery Cummer Gallery of Art Dallas Museum of Fine Arts De Cordova and Dana Museum and Park

Sacramento, California Jacksonville, Florida Dallas, Texas

Lincoln, Massachusetts

6,000 6,000

37,600

10,860 American Art New York, New York 30,000 The Denver Art Museum, Inc. Denver, Colorado 8,140

Everson Museum of Art of Aid to Special Exhibitions--$1,503,000 University of Alabama/ University Art Gallery University, Alabama Allentown Art Muset~rn AIlentown, Pennsylvania The American Federation of Arts New York, New York

5,490 20,000

41,740

Syracuse and Onondaga County The Franklin Institute Greenwich Arts Council Historical Society of Delaware Indianapolis Museum of Art

Syracuse, New York Philadelphia, Pennsylvania Greenwich, Connecticut Wilmington, Delaware Indianapolis, Indiana

10,000 20,000 2,000 8,000

14,920 And/or Service Art Institute of Chicago Art Museum of the Palm

Seattle, Washington Chicago, Illinois

6,460 93,330

lnstitute for Art and Urban Resources, Inc. International Center of

New York, New York 20,000

Beaches West Palm Beach, Florida 22,500 Photography New York, New York 37,200

Page 79: National Endowment for the Arts Annual Report 1976

80 Museums

International Exhibitions Foundation The John and Mable Ringling Museum of Art Foundation Johns Hopkins University La Jolla Museum of Contemporary Art Long Beach California State College Foundation

Washington, D.C.

Sarasota, Florida Baltimore, Maryland

La Jolla, California

Long Beach, California

Program

41,250

19,000 24,730

10,800

10,280

Treasury Private The Solomon R. Guggenheim Foundation/The Solomon R.Guggenheim Museum Sterling and Francine Clark Art Institute Vassar College Walker Art Center, Inc. Washington UniversiW

New York, New York

Williamstown, Massachusetts Poughkeepsie, New York Minneapolis, Minnesota St. Louis, Missouri

Program

70,000

13,400 8,350

24,000 6,520

Treasury Private

City of Los Angeles/Los Angeles Municipal Art Gallery The Los Angeles Institute of Contemporary Art University of Maryland Regents of the University of Michigan/Kelsey Museum of Archaeology

Los Angeles, California

Los Angeles, California College Park, Maryland

Ann Arbor, Michigan

28,390

5,730 25,000

3,520

Ufilizafion of Museum Collecfions--$40,000 Baltimore Museum of Art Baltimore, Maryland

Conservafio~$17,$00 Contemporary Arts Museum Houston, Texas

Renovalionm$685,963 University of Delaware Delaware, Maryland

17,500

40,001

242,941 Minneapolis Society of New York Institute of Fine Arts/Minneapolis Fine Arts New York, New York 167,00( Institute of Arts Minneapolis, Minnesota 45,600 Museum of Fine Arts Boston, Massachusetts 335,466 335,46¢ Moore Institute of Art, Science, and Industry/Moore Generalm$700 College of Art The Museurn of Fine Arts

Philadelphia, Pennsylvania Houston, Texas

7,000 23,310

Museum of New Mexico Santa Fe, New Mexico 700

The Museum of Modern Art New York, New York 92,760 Museum of New Mexico Santa Fe, New Mexico 22,530 The University of Nevada The New Gallery

Reno, Nevada Cleveland, Ohio

6,000 10,000

New Orleans Museum of Art New York University/Grey

New Orleans, Louisiana 37,460

Art Gallery New York, New York 5,000 Oregon Historical Society Portland, Oregon 16,490 Philadelphia Museum of Art Philadelphia, Pennsylvania I00,000 Trustees of the Phillips Academy/Addison Galtery of American Art Andover, Massachusetts 3,580 Princeton University Princeton, New Jersey 17,000 University of Rochester Rochester, New York 15,500 Rutgers, The State University New Brunswick, New Jersey 10,000 The San Antonio Museum Association San Francisco Museum of Art Santa Barbara Museum

San Antonio, Texas San Francisco, Californía

9,780 20,000

of Art Seattle Art Museum Smith College

Santa Barbara, California Seattle, Washington Northampton, Massachusetts

16,426 76,000 5,000

Smithsonian lnstitution/Na­tional C611ection of Fine Art Washington, D.C. 75,000

Page 80: National Endowment for the Arts Annual Report 1976

Music

Page 81: National Endowment for the Arts Annual Report 1976

Music 83

The Music program is among the largest and most Fellowships for Composers and Librettists--Initiated Funding in the Jazz area falls into four categories.

wide-ranging at the Endowment. Its grants go toward the as a Bicentennial program three years ago, the fellowship Under Composers/Arrangers, fellowships ate awarded to support of excellence in ali areas of musical creation and program is designed to encourage American composers jazz composers and arrangers for the creation of new performance; toward the nurturing of talented artists and librettists to create new works, and to assist excep- works, the completion of works in progress, or for pro-and informed audiences; toward the stability and growth tionally talented individuals in their professional develop- fessional development. Performers fellowships encourage of our musical institutions; and toward the preservation ment. The breadth of new creations has been enormous, jazz singers and instrumentalists to advance their careers and flowering of our musical heritage. A few from fiscal 1976: as they see fit. Travel/Study grants enable young musicians

to study or tour for a short peñod with professional jazz musicians or ensembles. Matching grants are available to

"The revolution in the so-called regional opera has been.., dramatic. Boston, Houston, organizations for jazz presentations, educational programs,

Dallas, Santa Fe, San Diego, Seattle, to mention only a few, all have their individuaÍ short-term residencies by jazz specialists, and regional or national festivals or tours. Under this category in 1976,

production style and adventure in repertory. Their musical excellence is on a par with most composer and pianist Toshiko Akiyoshi of North Holly-opera houses in the world, and, most importantly, they offer chances for our young singers wood, California, was awarded $3,000 to support the

composition of a work fora big band. A $3~000 grantto grow on home soil." went to the Settlement Music School in Philadelphia to --Beverly Sills, opera singer support concerts and workshops by professional jazz artists

in prisons. Arranger and saxophonist Albert-"Bud" Johnson received a $4,000 grant in support of his project

Stanley Silverman of Lee, Massachusetts, and Richard to transcribe and edita volume of clas.sic jazz scores. Foreman of New York, New York, were awarded grants The Jazz Oral History Project, through which theto collaborate on an opera based on immigration to the Endowment funds the Division of Performing Arts of the United States during the early twentieth century. Smithsonian Institution, gathers the recollections of leaders

Mary McCarty of Lubbock, Texas, was awarded a in the development of jazz. Thus far, interviews with 24 grant to write an electronic work entitled "Voyages: distinguished jazz musicians have been recorded, among Columbus, Apollo 11," to be performed as part of a them Buck Clayton, Mary Lou Williams, Horace Hender­total theatre piece involving dance and projected slides or son, Barney Bigard, Zutty Singleton, and Charles "Cootie" movies. When complete, the work would fuse two historic Williams. events in ah abstract collage of image, movement, and Funding in the Folk/Ethnic a.rea falls into three music, categories. Individuals of exceptional talent are eligible

Roger Nixon of San Mateo, California, was funded for fellowships to enable them to study with master to compose a work for symphonic band for the celebration traditional musicians. Under the Organizations-Presenta­of the Bicentennial of the United States and the City of tions category, non-profit organizations ate eligible for San Francisco. matching grants to sponsor folk/ethnic musical presenta-

Ken Noda of Dobbs Ferry, New York, was awarded tions, including community celebrations and regional or a grant to compose an opera in three acts entitled The national tours; presentations by local musicians in schools,Rivalry, based on the personal and political life of Andrew libraries and community centers; residence programs forJackson. Noda was 13 years old when he received the traditional musicians at colleges, universities, and other fellowship, appropriate locations; and workshops where community

Independent Schools o! Music--Under this program leaders can learn about effective programming. This year, matching grants ate available to professional independent, for example, $6,000 grant went to Ferrum College in privately supported schools of music for scholarships, Ferrum, Virginia, to support the presentation of local developmental activities, and short-term residencies of traditional musicians in forty public schools. The East master teachers. Bay Music Center in Richmond, California, received

"Jazz/Folk/Ethnic Music Program--This is a broad $5,000 to support performances and workshops. program, designed to preserve and encourage indigenous The third funding category in the Folk/Ethnic area American musical art forms, is Organizations-Documentation, which provides matching

Page 82: National Endowment for the Arts Annual Report 1976

grants for projects designed to document, preserve and disseminate living musical traditions. One such project was a documentary film of the Indian music of the north­ern mountain villages of New Mexico. Filmmaker Kenneth Marthey of San Juan Pueblo, New Mexico, received a $15,000 grant to produce the film.

Opera Program--Professional opera companies are eligible for matching assistance to promote administrative development, artistic improvement, public service efforts, touring, and educational projects. The program gives special priority to projects which further the work of Ameñcan artists. Here area few of the companies which received support in fiscal 1976:

Opera Association of New Mexico, in Santa Fe--A grant to support apprentice training programs for singers and technicians during the 1977 summer season;

Honolulu Symphony Society--A grant to engage ah administrative coordinator and technical director for the Hawaii Opera Theatre, and to strengthen its development program;

Baltimore Opera Company--A grant to support administrative expenses, an Opera Education for Yonth program, production expenses, and state-wide touring by the Eastern Opera Theatre.

Since the inception of the Endowment’s Opera Pro­gram in 1972, the number of professional opera companies supported by the Endowment has grown from 27 to 45. Today many of them carry on touring and outreach pro­gratas to bdng fully-staged opera to places where it has never been available before. Forty-three states are affected by Opera Program assistance,

The program also includes a grant to the National Opera Institute, an independent non-profit organization which provides assistance to a.rtists and organizations in the ñeld. Its funds go to aid young performers with individual grants; to train individuals in ailied operatic professions; to assist companies in the producton of new or rarely performed operas; and to support inter-company. cooperative projects,

Orchestra Program--The intent of the Orchestra Program corresponds with that of the Opera Program, and once again a wide variety of performing institutions and projects received support. Among them this year:

New Orleans Philharmonic Symphony Orchestra--A grant to support a regional concert series; the presentation of young American soloists; the commissioning of an American composer to work on educational concerts; the

continued engagement of development staff, an adminis­trative apprentice, anda iibrarian; additional rehearsal time; anda coIlaborative program with two ballet groups.

Utah Symphony Orchestra, in Salt Lake City--Funds to support a regional development program involving full orchestra concerts, symphony-ballet, and symphony-opera performances for adults and children at various locations in the region.

Minnesota Orchestral Association, in Minneapolis-­A grant to support the "Spectrum Series," programs of contemporary music; a series of pops concerts; "Symphony for the Cities" program of outdoor summer concerts; and an audience development program.

Birmingham Symphony Association--A grant to support the Youth Concert Programs, the summer pops series, and concerts at various locations in the state.

Grants also were awarded to national organizations engaged in audience and artist development programs; to contemporary music performing ensembles; to professional choral groups; to national service organizations which serve the field of muslo; and to organizations for innovative projects which cannot be accommodated within the other funding categories. Again, a few examples of grants under these categories in 1976:

The New York Phiiharmonic received a gran.t to help support the costs of a Celebration of Contemporary Music at the Juilliard School in New York City. The celebration consisted of concerts, open rehearsals, and panel discus­sions.

The Los Angeles Philharmonic received support for its Orchestral Training Program for Minority Students, an effort in which gifted instrumentalists from various minority communities study orchestral techniques with orchestra members. Asa result of the program, now in its third year, some students have received university scholarships and others have obtained positions in com­munity orchestras.

Under an arrangement whereby funds were trans­ferred to the Endowment f.rom the U.S. Department of Labor, grants went to composer Morton Gould and librettist Carolyn Leigh tp create "Something To Do," atheatrical documentary on the American worker, employ­ing soloists, ah orchestra, and a choral group. Additional funds were transferred from the Labor Department to the Endowment to fund the premiere performance, which was held at the Kennedy Center in Washington, D.C., on Labor Day, 1976.

Page 83: National Endowment for the Arts Annual Report 1976

Music 85

Advisory Panel Planning Section

Jacob Avshalomov Co-Chairman Composer Conductor

Elliott Galkin Prcsident, Music Critics’ Association Music Critic, Baltimore Sun Chairman, Music Departmcnt Gouchcr College of Johns Hopkins University Timonium, Maryland

Leonard Nelson Attorney Former Chairman Mainc Statc Commission on the Arts and the Humanities Port!and, Maine

Portland Junior Symphony Portland, Oregon

Judith Raskin Co-Chairman

Leonard Garment Attorney Brooklyn Heights, New York

Lida Rogers Executive Director Mississippi Arts Commission Jackson, Mississippi

Chairman, Opera Soprano New York, New York

Bess Lomax Hawes Chairman, Folk Ethnic Deputy Director for Presentations Festival of American Folklife

Seymour Rosen Managing Director Pittsburgh Symphony

David Baker Smithsonian Institution Pittsburgh, Pennsylvania

Chairman, Jazz Chairman Department of Jazz Studies Associate Director Black Music Center Indiana University Bloomington, Indiana

Washington, D.C.

Natalie Hinderas Pianist Professor of Muslo Temple University Philadelphia, Pennsylvania

Roger Ruggeri Composer Principal Bass Milwaukee Symphony Orchestra Shorewood, Wisconsin

Albert Webster

Jess Casey Dean Sc~ool oí Music Winthrop College Rock Hill, South Carolina

Margaret Hillis Chairman, Choral Director Chicago Symphony Orchestra Chorus Wilmette, Illinois

Chairman, Orchestra Managing Director New York Pñilharmonic New York, New York

Lucien Wulsin

Richard Clark President Affiliate Artists, Inc. New York, New York

Ezra Laderman Chairman, Composer/Librettist Composer Member, Advisory Board, ASCAP Composer-in-Residence

Chairman Baldwin Piano Company Cincinnati, Ohio

Choral Section

Rafael Druian Violinist Professor of Music University of California at San Diego La Jolla, California

Claude Frank Pianist Professor of Music Adjunct Yale University New York, New York

State University of New York at Binghamton Teaneck, New Jersey

Goddard Lieberson Former Senior Vice President CBS, Inc. New York, New York

Elaine Brown Director Singing City Philadelphia, Pennsylvania

Th0mas Dunn Music Director, Handel and Haydn Society Editor-in-Chief E.C. Schirmer Co. Boston, Massachusetts

Page 84: National Endowment for the Arts Annual Report 1976

86 Music

Robert Fountain Professor of Music Director of Choral Organizations Director of Graduate Program of Master of Music and Choral Conducting University of Wisconsin at Madison Madison, Wisconsin

Morris Hayes Vice-President American Choral Directors Association Eau Claire, Wisconsin

Margaret I-Iillis Chairman Director Chicago Symphony Orchestra Chorus Wilmette, Illinois

Martin Josman Executive Director National Choral Council-Director National Chorale New York, New York

Joseph Liebling Director Oakland Symphony Chorus Oakland, California

Robert Page Chairman, Music Department Carnegie-Mellon University Pittsburgh, Pennsylvania

Norman Scribner Music Director Choral Arts Society of Washington Washington, D.C.

Robert Shaw Muslo Director Atlanta Symphony Orchestra Atlanta, Georgia

Roger Wagner Director Los Angeles Master Chorus Los Angeles, California

Evelyn White Professor of Choral Music and Theory School of Music Howard University Washington, D.C.

Composer/Librettist Section

Samuel Baron Flutist Bach Aria Group Faculty State University of New York at Stony Brook Great Neck, New York

Bethany Beardslee Soprano Faculty Harvard University Belle Mead, New Jersey

Kenward Elmslie Poet Librettist New York, New York

Donald Erb Composer Visiting Faculty University of Indiana Bloomington, Indiana

Richard Felciano Composer Co-Director of Electronic Music Studio Professor of Music University of California Berkeley, California

Vivian Fine Composer Professor of Music Bennington College North Bennington, Vermont

Ezra Laderman Chairman Composer Member, Advisory Board ASCAP Composer-in-Residence State University of New York at Binghamton Teaneck, New Jersey

Norman Lloyd Composer Music Educator Greenwich, Connecticut

Pauline Oliveros Composer Faculty University of California at San Diego Leucadia, California

Matthew Raimondi Violinist Composers String Quartet New York, New York

Robert Suderburg Composer Director North Carolina School for the Arts Winston-Salem, North Carolina

Leon Thompson Director of Educational Activities New York Philharmonic Teaneck, New Jersey

Robert Ward Composer Winston-Salem, North Carolina

Page 85: National Endowment for the Arts Annual Report 1976

Music 87

Jazz/Folk/Ethnic Section Norman O’Connor Paulist Fathers

Mike Seeger Musician, Singer

David Baker Oak Ridge, New Jersey Garrett Park, Maryland

Chairman, Jazz Chairman Department of Jazz Studies Associate Director Black Music Center

Jimmy Owens Jazz Artist New York, New York

Chris Strachwitz President Arhoolie Records Berkeley, California

Indiana University Bloomington, Indiana

Coleridge-Taylor Perkinson Composer Pianist

Clark Terry Jazz artist

Pepe Barron Executive Director El Congresso Nacional de Asuntos Colegiales Washington, D.C.

Bess Lomax Hawes

Associate Conductor New World Symphony Los Angeles, California

Bernice Reagon Director of Music

Bayside, New York

Martin Williams Director Jazz Program Smithsonian Institution

Chairman, Folk/Ethnic Deputy Director for Presentations Festival of American Folklife

D.C. Black Repertory Theatre Folklore Specialist African Diaspora Program

Washington, D.C.

Opera Section Smithsonian Institution Smithsonian Institution Washington, D.C. Washington, D.C. Joy Blackett

Mezzo-Soprano William Ivey Larry Ridley Bronx, New York Director Country Music Foundation Nashville, Tennessce

John Lewis

Chairman Music Department Livingston College of Rutgers University Englishtown, New Jersey

James de Blasis General Director Cincinnati Opera Association Cincinnati, Ohio

Composer Artist-in-Residcnce

Ralph Rinzler Director Sarah Caldwell

Davis Center Festival of American Folklife Artistic Director City College of New York New York, New York

Smithsonian Institution Washington, D.C.

Opera Company of Boston Boston, Massachusetts

Richard Long Director Center for African and African-American Studies Atlanta University Atlanta, Georgia

Don Roberts Head Music Librarian Northwestern University Evanston, Illinois

Edward Corn Director of Planning and Public Affairs Metropolitan Opera New York, New York

Rene Lopez Ethnomusicologist Researcher

George Russell Jazz composer Cambridge, Massachusetts

Phyllis Curtin Soprano Hamden, Connecticut

New York, New York

Page 86: National Endowment for the Arts Annual Report 1976

88 Music

Jean Dalrymple Director New York City Center Drama and Light Opera New York, New York

J. William Fisher Chairman Gramma Fisher Foundation Marshaltown, Iowa

Carlisle Floyd Composer Professor of Music Florida State University Tallahassee, Florida

Carol Fox General Manager Lyric Opera of Chieago Chicago, Illinois

David Gockley General Director Houston Grand Opera Association Houston, Texas

Christopher Keene Music Director Syracuse Symphony New York, New York

George London General Director Opera Society of Washington Executive Director National Opera Institute Washington, D.C.

Judith Raskin Chairman Soprano New York, New York

Glynn Ross General Director Seattle Opera Association Seattle, Washington

Orchestra Section

Philip S. Boone Governor-Chairman Partnership for the Arts in California, Inc. San Francisco, California

Joan Briccetti General Manager Richmond Symphony Richmond, Virginia

Dennis Russell Davies Music Director St. Paul Chamber Orchestra St. Paul, Minnesota

Nat Greenberg General Manager Columbus Symphony Columbus, Ohio

Philip Hart Writer Santa Fe, New Mexico

John F. Mauceri Conductor New Haven, Connecticut

Eve Queler Muslo Director Opera Orchestra of New York New York, New York

Albert Webster Chairman Managing Director New York Philharmonic New York, New York

Page 87: National Endowment for the Arts Annual Report 1976

Music 89

Gratas Audience Development--$452,$00 Program Treasury Private Program Treasury Privat~

Seattle, Washington I00,000 50,000 90,000Center for Chamber Music Nelson, New Hampshire 7,500 Syracuse, New York 60,000 60,000at Apple Hill Farm Utah Symphony Salt Lake City, Utah I00,000 50,000 50,000Eastern Music Festival, Inc. Greensboro, North Carolina 16,000

Festival Foundation, Inc./ 35,000 Budgets between $100,000 and $750,000--$1,744,450Spoleto Festival New York, New York

Grand Teton Music Festival Teton Village, Wyoming 20,000 Akron, Ohio 11,000 11,000 Monadnock Music Jaffrey, New Hampshire 7,500 Albany, New York 20,000 Music in the Mountains, Inc. Brunsville, North Carolina 6,500 AIbuquerque, New Mexico 20,000 Robin Hood Dell American Symphony Concerts, Inc. Philadelphia, Pennsylvania 25,000 25,000 Orchestra New York, New York 50,000 50,000

Arkansas Symphony 10,000Santa Fe Chamber Music Festival Santa Fe, New Mexico 10,000 Birmingham, Alabama 35,000 Washington Performing Brooklyn, New York 17,000 Arts Society Washington, D.C. 20,000 California Chamber Los Angeles, California 10,000 West Virginia Arts and Cedar Rapids, Iowa 12,500 Humanities Council Charleston, West Virginia 30,000 Charlotte, North Carolina 25,000 Young Audiences, Inc. New York, New York 125,000 125,000 Chattanooga, Tennessee 14,000

Chautauqua Symphony Orchestra Programm$8,645,979 Orchestra Chautauqua, New York 10,000 Budgets in excess of $750,000---$6,852,629 Colorado Philharmonic Evergreen, Colorado 10,000

Colorado Springs, Colorado 9,100Atlanta, Georgia 100,000 50,000 50,000 Baltimore, Maryland 100,000 50,000 50,000 Corpus Christi, Texas 16,000

Dayton, Ohio 15,000Boston, Massachusetts 100,000 50,000 50,000 Des Moines, Iowa 10,000Buffalo, New York 260,526 260,526

Chicago, Illinois 100,000 50,000 50,000 Duluth, Minnesota 4,500 Erie, PennsylvaniaCincinnati, Ohio 150,000 150,000 20,000

Cleveland, Ohio 100,000 50,000 50,000 Evansville, Indiana 10,000 Flint, Michigan 12,700Dallas, Texas 100,000 50,000 90,000

Florida Gulf CoastDenver, Colorado 100,000 50,000 50,000 St. Petersburg, Florida 25,000 Detroit, Michigan 100,000 50,000 50,000 Florida Symphony Orlando, Florida 35,000 Honolulu, Hawaii 15,000 15,000 Ft. Lauderdale, Florida 15,000 Houston, Texas 190,000 190,076 Ft. Wayne, Indiana 12,000 Indianapolis, Indiana 100,000 50,000 50,000 Ft. Worth, Texas 10,000 10,000 Kansas City, Missouri 1 I0,000 110,000 Fresno, California 35,000 Los Angeles, California 100,000 50,000 50,000 Grand Rapids, Michigan 15,000 Milwaukee, Wisconsin 100,000 50,000 50,000 Hartford, Connecticut 30,000 30,000

Minnesota Orchestral/ Hudson Valley, New York 10,000 Association Minneapolis, Minnesota 100,000 90,000 90,000 Island Orchestra Society, Inc. Huntington, New York 5,000 National Symphony Washington, D.C. 200,000 75,000 75,000 Jackson, Mississippi 40,000

Jacksonville, Florida 30,000 New Jersey Symphony Newark New Jersey 110,000 1 I0,000 Kalamazoo, Michigan 5,150

New Orleans, Louisiana I00,000 50,000 50,000 Kn0xville, Tennessee 10,000 New York, New York 100,000 50,000 50,000 Los Angeles Chamber Los Angeles, California 10,000 Philadelphia, Pennsylvania 100,000 50,000 50,000 Louisville, Kentucky 42,000 Pittsburgh, Pennsylvania 100,000 50,000 50,000 Memphis, Tennessee 25,000 Rochester, New York 100,000 50,000 50,000 Monterey County Symphony St. Louis, Missouri 100,000 50,000 50,000 Association, Inc. Carmel, California 9,500 San Antonio, Texas 100,000 25,000 25,000 Nashville, Tennessee 20,000 San Diego, California 75,000 76,500 New Haven, Connecticut 30,000 30,000 San Francisco, California 50,000 100,000 100,000 Norfoik, Virginia 15,000

Page 88: National Endowment for the Arts Annual Report 1976

90 Muslo

North Carolina Symphony Society Northeastern Pennsylvania Philharmonic

Oregon Symphony

Portland Symphony Puerto Rico Symphony Rhode Island Philharmonic

Symphony of the New World

Chapel Hill, North Carolina

Avoca, Pennsylvania Oakland, California Oklahoma City, Oklahoma Omaha, Nebraska Porttand, Oregon Pasadena, California Portland, Maine San Juan, Puerto Rico Providence, Rhode Island Richmond, Virginia Sacramento, California St. Paul, Minnesota San Jose, California Santa Barbara, California Savanna, Georgia Shreveport, Louisiana Spokane, Washington Springfield, Massachusetts New York, New York

Program

50,000

15,000 25,000

10,000 30,000 10,000 30,000 40,000 15,000 25,000 20,000 35,000 15,000 10,000 10,000 20,000 35,000

50,000

Treasury

25,000

15,000 10,000

40,000

15,000 7,500

Privo.te Dallas Civic Opera CompanyFort Worth Civic Opera Association Goldovsky Opera Institute Houston Grand Opera

25,000 Association Houston Grand Opera/Texas Opera Theatre Kansas City Lyric Theatre Kentucky Opera Association Lyric Opera of Chicagu

15,000 Massachusetts Arts and 10,000 Humanities Foundation, Inc./

Opera New England 40,000 Memphis Opera Theatre

Metropolitan Opera Association Michigan Opera Theatre Milwaukee Florentine Opera Company

15,000 Mississippi Inter-Collegiate 7,500 Opera Guild, Inc./

Dallas, Texas

Fort Worth, Texas Brookline, Massachusetts

Houston, Texas

Houston, Texas Kansas City, Missouri Louisville, Kentucky Chicago, Illinois

Boston, Massachusetts Memphis, Tennessee

New York, New York Detroit, Michigan

Milwaukee, Wisconsin

Program 25,000

9,975 50,000

75,000

50,000 47,000

9,700 135,000

90,000 20,000

20,000

17,500

Treasury 55,000

25,000

50,000

600,000

Private 55,000

25,000

50,000

600,000

Toledo, Ohio Tucson, Arizona Tulsa, Oklahoma

Vermont Symphony Middlebury, Vermont Wichita, Kansas Winston-Salem, North Carolina Youngstown, Ohio

Budget~ below $100,000--$48,900

13,000 12,500 30,000 10,000 17,500

35,000 10,000

35,000 10,000

Opera South National Opera Institute Nevada Opera Guild New Jersey State Opera Omaha Opera Company Opera Association of New Mexico Opera Company of Boston Opera Company of

Jackson, Mississippi Washington, D.C. Reno, Nevada Newark, New Jersey Omaha, Nebraska

Santa Fe, New Mexico Boston, Massachusetts

15,000

7,500 25,000 20,000

95,000 50,000

300,000

25,000

300,000

25,000

North Carolina School of the Arts Foundation, Inc. Opera Orchestra of New York Orchestra Society of Philadelphia

Winston-Salem, North Carolina New York, New York

Philadelphia, Pennsylvania

20,000

8,900

10,000

Philadelphia Opera Festival Association

10,000 Opera Festival Association/Lake George Opera Festival Opera Guild of Greater

Philadelphia, Pennsylvania Giens Falls, New York

Glen Falls, New York

10,000 2,025

35,000

2,025

35,000

Opera Program--$4,$14,246 Miami Opera Society of

Miami, Florida 7,500 50,000 50,000

Associate Artists Opera Company of New England Augusta Opera Association Baltimore Opera Company Central City Opera House Association Chautauqua Institution Cincinnati Summer Opera City Center of Music and Drama Connecticut Opera Association. Inc.

Boston, Massachusetts Augusta, Georgia Baltimore, Maryland

Central City, Colorado Chautauqua, New York Cincinnati, Ohio

New York, New York

Hartford, Connecticut

4,500 76,000

25,000 31,000 57,000

10,000

10,000

150,000

Washington, D.C. St. Paul Opera Association10,000 San Diego Opera, Inc.

San Francisco Opera Association Seattle Opera Association Spring Opera of San Francisco Symphony Society of San Antonio/Opera150,000 Western Opera Theatre

Washington, D.C. St. Paul, Minnesota San Diego, California

San Francisco, California Seattle, Washington

San Francisco, California

San Antonio, Texas San Francisco, California

50,000

57,500

125,000

37,500

61,700

150,000 25,000

45,000 27,710

75,350 25,000

150,000 25,000

45,000 27,710

Page 89: National Endowment for the Arts Annual Report 1976

Music 91

Career Development--$1,301,140 Program Treasury Private Program Treasury Private Training--$882,640 Composers’ Conference and Boston Symphony Orchestra, Inc./Berkshire Music Center Cincinnati Symphony Orchestra The Cleveland Institute of

Boston, Massachusetts

Cincinnati, Ohio

100,000

5,000

Chamber Music Center, Inc. Connecticut College/Connec­ticut College American Dance Festival Contrasts in Contemporary

Johnson, Vermont

New London, Connecticut

15,000

18,000

Music Manhattan School of Music The Mannes College of Music Marlboro School of Music, Inc.

Cleveland, Ohio New York, New York New York, New York

Marlboro, Vermont

64,000

40,000

40,000

30,000

74,900

30,000

Music, Inc. Detroit Symphony Orchestra, Inc. Electric Stereopticon Group for Contemporary

New York, New York

Detroit, Michigan DeKalb, Illinois

9,000

3,000 5,000

University of Maryland Music Associates of

College Park, Maryland 8,000 Music, Inc. League of Composers’

New York, New York 5,000

Aspen, Inc. New England Conservatory

Aspen, Colorado 50,000 50,000 50,000 International Society for Contemporary Music/U.S.

of Music The New School of Music New York Community Trust Peabody Institute of the City

Boston, Massachusetts Philadelphia, Pennsylvania New York, New York 30,000

12,500 30,000

45,000 34,240

Section, Inc. Lenox Arts Center, Inc. Nevada State Council on the Arts

New York, New York Lenox, Massachusetts

Reno, Nevada

40,000 20,000

5,000 of Baltimore Research Foundation of State

Baltimore, Maryland 9,000 Performers’ Committee for 20th-Century Music New York, New York 10,000

University of New York San Francisco Conservatory

Buffalo, New York 15,000 Philadelphia Composers’ Forum, Inc. Philadelphia, Pennsylvania 53,000

of Music Southern California Symphony/Hollywood Bowl Association Wolf Trap Foundation for the Performing Arts

San Francisco, California

Hollywood, California

Vienna, Virginia

20,000

25,000

40,000 80,000 Philharmonic Symphony Society of New York Reich Music Foundation Southern California Chamber Music Society Speculum Musicae, Inc. Theatre Chamber Players,

New York, New York New York, New York

Los Angeles, California New York, New York

25,000 5,000

6,000 5,000

25,000 25,000

Generalm$418,500 Inc. Washington, D.C. 18,000 Affiliated Artists, Inc. Walter W. Naumburg Foundation, Inc.

New York, New York

New York, New York 8,500

205,000 205,000 Composer/Librettist Category I--$353,050 Aitken, Hugh Paranaus, New Jersey 4,350

Contemporary Music--$816,900 Performance--S416,500

Albert, Thomas R. Albright, William Amato, Bruno

Winchester, Virginia Ann Arbor, Michigan BIoornington, Indiana

1,700 3,000 1,000

American Music Center New York, New York 10,000 Ames, Roger W. Washington, D.C. 2,500 Artist Development, Inc. Binghampton, New York 10,000 Anderson, Garland Richnaond, Indiana 2,600 Audium, Inc. San Francisco, California 7,500 Appleton, Jon H. Norwich, Vermont 2,000 Avant-Garde Music Festival, Ashley, Robert Oakland, California 4,000 Inc./Contemporary Music Averitt, William E. Winchester, Virginia 1,000 Ensemble New York, New York 78,000 Bacon, Ernst L. Orinda, California 4,500 Bennington Composers’ Conference and Charnber Musíc Center, Inc. Collage, Inc. Composers and Choreogra­phers Theatre, Inc.

Middlebury, Vermont Brookline, Massachusetts

New York, New York

8,000 5,000

6,000

Baker, Larry Barton, David K. Basart, Robert D. Brant, Henry Brehm, Alvin Busby, Gerald

Cleveland Heights, Ohio Cincinnati, Ohio Berkeley, California New York, New York New York, New York New York, New York

1,I00 1,000 4,100 8,000 4,350 1,000

Page 90: National Endowment for the Arts Annual Report 1976

92 Music

Program Treasury Private Program Treasury PrivateCalabro, Louis Bennington, Vermont 1,950 Martirio. Donald Newton, Massachusetts 2,300Carter, Elliot Waccubus, New York 10,000 Mayer, William R. New York, New York 1,750Chadade, Joel Albany, New York 3,550 McCarthy, Mary H. Lubbock, Texas 1,750Ciani, Suzanne E. New York, New York 2,300 McClean, Barton K. South Bend, Indiana 2,100Clark, Robert K. Kent, Connecticut 1,000 McKinley, William T. Manchester, Massachusetts 2,250Cope, David Oxford, Ohio 1,000 Menotti, Gian Carlo New York, New York 4,500Cory, Eleanor T. New York, New York 1,900 Mills, Charles B. New York, New York 1,350Cumming, Richard Providence, Rhode Island 2,300 Moryle, Richard H. Brookfield, Connecticut 3,200Dashow, James Glencoe, Illinois 1,500 Neikrug, Mare E. New York, New York 1,250Davidovsky, Mario New York, New York 4,500 Nixon, Roger San Mateo, California 3,900Dydo, John Stephen New York, New York 2,000 Noda, Ken Dobbs-Ferry, New York 1,000Edwards, Leo D. New York, New York 1,000 O’Brian, Eugene J. Painesville, Ohio 3,600Erickson, Robert La Jolla, California 4,500 O’Donnell, Rich L. St. Louis, Missouri 1,000Fox, Frederick A. Castro Valley, California 4,450 Parris, Robert Chevy Chase, MarylandFranchetti, Arnold Lyme, Connecticut 2,300 2,600

Pasatieri, Thomas J. New York, New York 3,850Franco, Clave J. Venice, California 1,900 Peel, John M. Princeton, New Jersey 1,950Frank, Andrew D. Davis, California 1,000 Perera, Ronald C. Northampton, Massachusetts 2,600Gaburo, Kenneth L. La Jolla, California 2,300 Persichetti, Vincent Philadelphia, Pennsylvania 10,000Gottlieb, Jack S. New York, New York 2,300 Peterson, Wayne T. Mili Valley, California 1,950Grayson, Richard M. North Hollywood, California 4,150 Phillips, Burrile Branchport, CaliforniaGriffin, Elinor Warren Los Angeles, California 1,100 8,000Phillips, Liz New York, New York 1,850Gutsche, R. Eugene (Gene Pozdro, John W. Lawrence, Kansas 800Gutche) White Bear Lake, Minnesota 2,200 Ramsier, Paul New York, New York 2,300Hannay, Roger D. Chapel Hill, North Carolina 4,500 Ran, Shulamit Chicago, IllinoisHarris, Roy Pacific Palisades, California 4,500 2,300Reich, Steve New York, New YorkHazen, Craig San Francisco, California 1,650 1,950Rhodes, Phillip Northñeld, MinnesotaHeiden, Bernard Bloomington, Indiana 2,3501,750 Riley, Terry Camptonville, California 4,400Hellerman, William D. New York, New York 2,300 Rollin, Robert Naperville, IllinoisHervig, Richard B. Iowa City, Iowa 1,4001,100 Rudhyan, Dane San Marcus, California 2,300Heussenstamm, George La Crescenta, California 3,850 Russell, George New York, New YorkHiller, Lejasen Buffalo, New York 1,5002,300 Saylor, Bruce New York, New York 1,500Hoffman, Richard Oberlin, Ohio 2,300 Schwartz, Elliott S. Brunswick, MaineHovhaness, Alan Seattle, Washington 1,2502,300 Semegen, Daría W.Huggler, John S. Wellesley, Washington 2,300 New York, New York 2,000Shakarian, Roupen Seattle, WashingtonJohnson, Toro New York, New York 1,000 1,000Shields, AliceJulian, Joseph R. Solana Beach, California 1,000 New York, New York 4,500Shifrin, SeymourKechley, David Seattle, Washington 1,000 South Natick, Massachusetts 6,450Silverman, StanleyKelly, Robert Lee, Massachusetts 8,000Urbana, Illinois 2,200

Knight, M0rris Muncie, Indiana Sims, Ezra Cambridge, Massachusetts 1,7001,700 Smith, William R. (RussellKogan, Robert 12. Brooklyn, New York 3,700 Smith) Munich, West Germany (Louisiana)Kohn, Karl Claremont, California 4,5004,500 Solomon, Larry J.Kresky, Jetfrey J. Rutherford, New Jersey 1,200 Tucson, Arizona 1,000 Lambro, Phillip Century City, California Sprathan, Lewis Amherst, Massachusetts 2,0002,300 Steinohrt, William J.Lawergren, Bo New York, New York Dayton, Ohio 1,5004,500 Stock, David F. Pittsburgh, PennsylvaniaLesemann, Frederick Whittier, California 2,000 2,300Sur, Donald Y.Levi, Paul Alan New York, New York 1,950 Cambridge, Massachusetts 4,500Susa, ConradLewis, Robert H. Baltimore, Maryland 6,650 San Francisco, California 3,850

Swanson, Howard W.Lloyd, 12aroline Westport, Connecticut New York, New York 3,8502,000 Swift, RichardLockwood, Larry P. New York, New York 1,000 Davis, California 2,300Teilelbaum, Richard L. New York, New York 4,500Lombardo, Robert M. Chicago, Illinois 2,300 Tenny, James Saugus, California 2,300

Page 91: National Endowment for the Arts Annual Report 1976

Music 93

Program Treasury Private Program Treasury Private

Thomas, Carter D. Thomas, Virgil Thorne, Francis Travis, Roy Van Nostrand, Burr B. Weigl, Valerie Weingarden, Louis S. Wilson, Olly W. Witken, Beatrice Wuorinen, Charles Wyner, Yehudi Yarden, Elie Young, La Monte Yttrehus, Rolv B. Zwilich, Ellen Taaffe

North Haledon, New Jersey New York, New York New York, New York Pacific Palisades, California New Haven, Connecticut New York, New York New York, New York Berkeley, California New York, New York New York, New York New Haven, Connecticut Annandale-on-Hudson, New York New York, New York Oshkosh, Wisconsin Riverdale, New York

2,850 4,500 1,950 2,300 1,900 2,100 2,300 3,250 1,900 2,300 4,500 2,000 2,300 2,300 2,300

Braud, Bert A. Braxton, Anthony D. Brooks, Arthur R. Brown, Marion, Jr. Campbell, Alan D. Capers, Valerie G. Carter, Warrick L. Challis, William H. Chambers, Joseph A. Clark, John T. Cooke, Brian L. Davis, Anthony C. Dixon, Patricia Evans, Gil Figg, David Fischer, John

Metairie, Louisiana Woodstock, New York Bennington, Vermont Atlanta, Georgia New York, New York Bronx, New York Park Forest, Illinois Massapequa, New York New York, New York New York, New York Berkeley, California New Haven, Connecticut Bronx, New York New York, New York Roan0ke, Virginia New York, New York

1,000 4,000 2,500 1,500 2,500 4,000 2,500 4,000 4,000 4,000 2,000 2,500 2,500 4,000 1,000 2,500

Category 11--$36,250 Artist, Virginia A. Ashbery, John L. Boerlage, Frans Brant, Patricia Butler, Henry W. Cooper, Jamie Lee Corsaro, Frank Foreman, Richard Olon-Scrymgeour, 1ohn H. (John Olon) Phillips, Alberta Spacks, Barry

Washington, D.C. New York, New York Los Angeles, California New York, New York New York, New York Richmond, Indiana New York, New York New York, New York

New York, New York Branchport, New York Wellesley, Massachusetts

2,500 4,350 3,600 3,600 1,900 2,000 1,500 3,500

6,200 3,500 3,600

Fisher, Jerrold Fritz, William F. Gleeson, Patrick Greenbaum, Joel M. Gregg, John R. Griffin, James R. Grisman, David J. Haerle, Dan J. Hampton, Locksley W. Harris, Billie Hooper, Lester J. Israels, Charles J. Jeffrey, William J. Johnson, Kellogg

New York, New York Lumberton, North Carolina San Francisco, California New York, New York New York, New York New York, New York Mili Valley, California Tempe, Arizona Brooklyn, New York Venice, California Glenview, Illinois New York, New York Los Angeles, California Baltirnore, Maryland

1,500 1,500 4,000 4,000 4,000 4,000 4,000 4,000 4,000 2,000 2,500 3,500 1,500 3,000

Category III--$11,100 Barkin, Elain R. Beall, John O. Green, John W. Hollingsworth, Stanley Johnson, Roy Hamlirt Oriego-Salas, Juan Reale, Paul V. Rouse, Christopher Zador, Eugene

,lazz/Folk/Ethnic--$1,059,864

Jazz Category I--$218,700 Adler, Gene H. Akiyashi, Toshiko Amberger, Christopher F. Babasin, Harry Beadell, Robert M. Botas, Thomas G.

North Hollywood, California San Marcos, Texas Beverly Hills, California El Marcero, California College Park, Maryland Bloomington, Indiana Canoga Park, California New York, New York Los Angeles, California

New York, New York North Hollywood, California San Francisco, California Pacoima, California Lincoln, Nebraska Arlington, Massachusetts

1,000 1,000 2,200 1,000 1,000 1,350 1,350 1,000 1,200

1,000 3,000 1,500 2,500 4,000 4,000

Kirk, Roland T. Knight, Erie W. Knopf, Paul Kynaston, Trent P. Kyner, Sylvester Kwas, Tone La Barbera, John P. Lake, Oliver Lewis, George E. Lewis, Webster Marentic, James J. Marsalis, Ellis L., Jr. McGlohon, Looris R. Mertz, Paul Milne, James A. Miranda, Roberto Muffett, Charles M. O’Brian, John D. Penn, William A. Peterson, Marvin C.

East Orange, New Jersey New York, New York New York, New York Kalarnazoo, Michigan New York, New York Woodbury, New York Bluff Point, New York St. Louis, Missouri Chicago, Illinois Bost0n, Massachusetts Minneapolis, Minnesota New Orleans, Louisiana Charlotte, North Carolina Los Angeles, California Sherman, Texas Carson, California Richmond, California Spring Green, Wisconsin Rochester, New York New York, New York

4,000 4,000 4,000 3,500 4,000 4,000 2,000 2,500 2,000 2,500 4,000 4,000 1,000 4,000 2,500

700 4,000 2,000 4,000 4,000

Page 92: National Endowment for the Arts Annual Report 1976

94 Musie

Program Treasury Private Program Treasury PrivatePowell, Morgan E. Urbana, Illinois 4,000 Lackritz, Steve N. New York, New York 3,000Reece, Alphonso W. New York, New York 2,500 Lawrence, Azar M. West Paterson, New Jersey 1,500Rizzo, Phillip E. Akron, Ohio 2,500 Lee, Jeanne New York, New York 4,000Roberts, Howard A. New York, New York 4,000 McNeely, James H. Flushing, New York 2,000Scott, Shirley Philadelphia, Pennsyllvania 2,500 Motian, Stephen P. New York, New York 3,000Slessinger, Lois New York, New York 2,500 New York Jazz Repertory Co. New York, New York 24,800Smith, Valerian E. Baton Rouge, Louisiana 4,000 Olatunji, Michael New York, New York 4,000Spera, Dominic G. Eau Claire, Wisconsin 2,500 Payne, Cecil M. Brooklyn, New York 4,000Spotts, Roger H. Los Angeles, California 3,000 Polun, Janet A. New York, New York 2,000Stratton, Donald P. Bangor, Maine 3,500 Purpura, Peter Brooklyn, New York 1,000Stttbblefield, John New York, New York 3,000 Redman, Dewey Brooklyn, New York 4,000Swallow, Stephen W. Guilford, Connecticut 2,000 Reiter, Richard L. Adelphi, Maryland 1,000Taylor, Cecil B. New York, New York 4,000 Romero, Jonathan P. Berkeley, California 1,000Turek, Ralph B. Annandale, Virginia 2,000 Saxton, William E. New York, New York 2,000Vick, Harold E. New York, New York 2,000 Swanson, Earlita New York, New York 2,000Wilkins, Ernest B. Milford, Connecticut 4,000 Tomasello, Randal S. Wauwatosa, Wisconsin 1,000Zindars, Earl O. San Francisco, California 4,000 Tyler, Charles Y. New York, New York 1,500Tyson, Cynthia M. Wilmington, North CarolinaJazz Category 11--$148,100 300 Walker, Brian L. Aurora, California 1,000Abrams, Richard L. Chicago, Illinois 2,500 Warren, Peter West Saugerties, New York 2,000Adams, George R. New York, New York 3,000 Young Audiences of

Alexander, Roland E. Brooklyn, New York 2,000 Wisconsin, Inc. Rice Lake, Wisconsin 2,500Alias, Sarah New York, New York 2,000 Young, Roland P. Oakland, California 1,000Anderson, Ernestine Seattle, Washington 4,000Barron, Kenneth Brooklyn, New York 4,000 Jazz Category III--$26,330Berger, Karl H. Woodstock, New York 2,000 Benjamin, James New York, New YorkBley, Paul Cherry Valley, New York 1,000

4,000 Brown, Lauren Mt. Vernon, New York 1,000Carvin, Michael W. New York, New York 4,000 Bulkley, Robert E. Rochester, New York 1,000Contos, Paul D. Santa Cruz, California 1,000 Carbone, Joseph West Islip, New York 875Dancy, Meiville New York, New York 2,000 Chancey, Vincent New York, New York 1,000De Vore, Darrell G. San Francisco, Calífornia 2,000 CIark, Kim A. East Elmhurst, New YorkFields, Reginald J. Detroit, Michigan 1,0002,000 Frazier, Marsha A. Philadelphia, Pennsylvania 500Fisher, Kenneth B. Pittsburgh, Pennsylvania 1,500 Frohman, Mitchell Coral Gables, Florida 1,000Galper, Harold New York, New York 2,000 Johnson, Roger L. Brooklyn, New York 1,000Gant, Frank Fort Lee, New Jersey 4,000 Kaul, Marian S. Columbia, Maryland 1,000Gee, Matthew, Jr. Brooklyn, New York 2,000 Luther, Ted L. Anchorage, Alaska 730Ghee, Eugene I. Brooklyn, New York 2,000 Martin, John H. Newark, New Jersey 700Goodwin, Ethel P. Milwaukee, Wisconsin 4,000 Merchant, Charles K. Huntsville, Texas 950Harper, Billy New York, New York 4,000 Minchello, Mark J. Bayonne, New JerseyHarper, Walter E. Pittsburgh, Pennsylvania 7502,000 Minervini, Denis P. Stone Ridge, New York 650Harris, Willie Washington, D.C. 4,000 Nelson, Alva C. Huntsville, Texas 975Harte, Roy Los Angeles, California 2,000 Nunley, Kenneth W. Portland, Oregon 1,000Horenstein, Stephen H. North Bennington, Vermont 2,000 Pagel, Margaret A. Baton Rouge, Louisiana 1,000Hudgins, Reginald L. Philadelphia, Pennsylvania 2,000 Palminteri, Vincent J. West Islip, New York 875Jackson, Ali Muhammed New York, New York 2,000 Persch, James E. Duluth, Minnesota 800Johnson, Albert Hempstead, New York 4,000 Preusser, Richard T. Boiceville, New York 800Jones, Jonathan E., Jr. New York, New York 1,500 Rogers, Kenneth G. Brooklyn, New York 800Jones, Olaive B. Boston, Massachusetts 2,000 Smith, George L. Bronx, New YorkJordan, Edward L., Sr. New Orleans, Louisiana 1,0002,000 Smith, M. Andrew Lansdale, Pennsylvania 900Krystall. Martin M. Malibu, California 2,000 Solomon, Joyce E. New York, New York 600

Page 93: National Endowment for the Arts Annual Report 1976

Music 95

Stefanelli, Anthony E. Thibodeaux, Ruddley J. Uhrlaub, Jeff S. Vadala, Christopher J. Zaffiro, John S.

Erie, Pennsylvania New Orleans, Louisiana Denver, Colorado Newport News, Virginia Milwaukee, Wisconsin

Program 1,000

625 950 850

1,000

Treasury Private Kansas State Kuumbwa Jazz Society Lurleen B. Wallace State Jr. CollegeMercer County Cultural and

Emporia, K~nsas Santa Cruz, California

Andalusia, Alabama

Program Treasury Private 10,000 5,000

615

Sazz Category IVD$348,115 Heritage Commission Milwaukee County War

Trenton, New Jersey 2,000

Aquinas College Avalon-Carver Community Center Barley School of Music Battle Creek Symphony Orchestra Association, Inc. Bellarmine College Bennington Summers, Inc. Black Academy of Music Bowling Green State University Brooklyn Community School District No. 16 Brown University Cabrillo Music Festival Central Missouri State

Grand Rapids, Michigan

Los Angeles, California Fairport, New York

Battle Creek, Michigan Louisville, Kentucky Bennington, Vermont Seattle, Washington

Bowling Green, Ohio

Brooklyn, New York Providence, Rhode Island Aptos, California

3,000

4,000 2,500

1,500 2,000

12,500 4,000

1,000

3,000 5,000 3,000

Memorial Center, Inc. Mobile ]azz Festival, Inc.Monmouth County Public Library Morehouse CollegeMusic Advisory Council Nalanda Foundation National Band Camp, Inc. National Child Day Care Association National Jazz Ensemble Natural Heritage Trust/ Artpark New Muse Cultural Center, Inc. New York Jazz Repertory

Milwaukee, Wisconsin Mobile, Alabama

Freehold, New Jersey Atlanta, Georgia Seattle, Washington Boulder, Colorado South Bend, Indiana

Washington, D.C. New York, New York

Lewiston, New York

Brooklyn, New York

4,000 3,000

5,000 3,000 3,500 5,000

15,000

1,000 15,000

4,000

4,000

University City of ]ackson Collective Black Artists, Inc. Community Renewal Team of Greater Harfford, Inc. Corpus Christi Arts Council Cornish School of Allied Arts Creative Concerts, Inc. Crossroads Arts Council Trustees of Dartmouth

Warrensburg, Missouri Jackson, Mississippi New York, New York

Hartford, Connecticut Corpus Christi, Texas Seattle, Washington Woodbury, Connecticut Rutland, Vermont

2,500 900

20,000

8,600 3,500 4,000 2,000 1,500

Corporation New York Musicians Organization, Inc. Charlie Parker Memorial Foundation William Paterson College of New Jersey Pennsylvania State University Poudre School District R1 Ramapo College of

New York, New York

New York, New York

Kansas City, Missouri

Wayne, New Jersey Middletown, Pennsylvania Ft. Collins, Colorado

25,000

7,500

7,500

1,500 2,500 1,500

College Drake University Essex County College Greater Hartford Arts

Hanover, New Hampshire Des Moines, Iowa Newark, New Jersey

4,500 2,250

10,000

New Jersey Rutgers University Seminole Community College Settlement Music School

Mahwah, New JerseyNewark, New Jersey Sanford, Florida Philadelphia, Pennsylvania

3,000 17,500 2,500 3,000

Council, Inc. Hall Hollow Hills Commu-

Hartford, Connecticut 5,000 Smithsonian Institute Southern Illinois University

Washington, D.C. Carbondale, Illinois

9,500 5,000

nity Public Library Housatonic Community College Illinois Wesleyan University International Art of Jazz, Inc. International Music Camp Jackson State University Jazz Composers’ Orchestra Association, Inc. Jazz Heritage Society Jazzmobile, Inc.

Dix Hills, New Jersey

Bridgeport, Connecticut Bloomington, Indiana Stony Brook, New York Botteneau, North Dakota Jackson, Mississippi

New York, New York Hollis, New York New York, New York

1,000

2,500 1,500

12,000 2,000 4,500

4,000 4,000

20,000

Theatre-in-Progress Total Community Action Turner House, Inc. Regents of Uníversity of California at Los Angeles University of Cincinnati University of Hartford University of Notre Dame Urban Gateways Wesleyan University YM-YWHA of Metropolitan New Jersey

Los Angeles, California New Orleans, Louisiana Kansas City, Kansas

Los Angeles, California Cincinnati, Ohio West Hartford, Connecticut Notre Dame, Indiana Chicago, Illinois Míddletown, Connecticut

West Orange, New Jersey

3,000 2,000 1,250

1,500 4,000 5,000 1,000 2,000 2,500

2,000

Page 94: National Endowment for the Arts Annual Report 1976

96 Music

Folk/E¿hnic Category Im$124,950 Program Treasury Private Program Treasury Private Mississippi Band of Choctaw

Frustees of Amherst College Amherst, Massachusetts 3,000 Indians Philadelphia, Mississippi 3,000Amigos del Museo del Seattle Folklore $ociety, Inc. Portland, Oregon 8,000Barrio, Inc. New York, New York 10,000 Folk/E~hnic Category HitoS6,000Associated Students and Faculty of San Diego State La Pointe, Eamonn Chicago, Illinois 1,000University San Diego, California 3,500 Ochs, William T. New York, New York 1,00~Berea College Berea, Kentucky 1,700 Sky, Patrick Charlestown, Rhode Island 1,000The Boston Foundation Boston, Massachusetts 7,500 Smith, Charles W. Sioux Falls, South Dakota 1,000California State University/ Vanaver, William S. New Paltz, New York 1,000 Fresno Foundation Fresno, California 2,000 Wood, James Hopkins, Michigan 1,000City of Atlanta Atlanta, Georgia 10,000 County of New Castle Wilmington, Delaware 3,000 Folk/E~hnic, Pilot Category~46,790 El Congreso Nacional de Bronner, Simon J. Cooperstown, New York 1,000Asuntos Colegiales Washington, D.C. 4,000 Curtiss, Louis F. San Diego, California 3,000East Bay Music Center Richmond, California 5,000 Gonzalez, Andrew Bronx, New York 1,500Ferrum Junior College Ferrum, Virginia 6,000 Jockson, William D. Boston, Massachusetts 9,410 Folklore Village Farm, Inc. Dodgeville, Wisconsin 1,000 Kalanzi, Benny New York, New York 2,500 Kerrville Music Foundation, Marthey, Kenneth C. San Juan Pueblo, New Mexico 15,000Inc. Kerrville, Texas 5,000 Mazzolini, Thomas C. San Francisco, California 1,500Middletown Folk Festival, Inc. Middletown, New Jersey 1,500 Morley, Linda Henniker, New Hampshire 800 Monroe County Rural Negrete, Jesus Chicago, Illinois 2,000Heritage Alliance, Inc. Union, West Virginia 4,500 Oquendo, Manuel Bethpage, New York 1,500National’Center for Urban Scholten, James W. Athens, Ohio 1,000Ethnic Affairs Washington, D.C. 7,500 Spitzer, Nicholas P. Austin, Texas 3,580National Folk Festival West, Hedy Stony Brook, New York 4,000Association, Inc. Washington, D.C. 10,000

Jazz/Folk/Ethnie, General ProgramaS12,000New England College Henniker, New Hampshire 3,500 Palace of Arts and Sciences Henry Street Settlement New York, New York 10,000Foundation San Francisco, California 2,000 Simms, .Daniel M. Catonsville, Maryland 500 Seattle Folklore Society, Inc. Portland, Oregon 10,000 Washington Guitar Society Washington, D.C. 500 Southern Folk Cultural Williams, Thomas L. North Oakland, California 1,000Revival Project, Inc. Atlanta, Georgia 8,750 Theatre of Latin America, Jazz, Otherm$71,379 Inc. New York, New York 4,000 Detroit Bicentennial Town of Mesilla Mesilla, New Mexico 1,000 Commission, Inc. Detroit, Michigan 25,000United Tribes of North Smithsonian Institution Washington, D.C. 46,379Dakota DevelopmentCorporation Bismarck, North Dakota 5,500 Services to ~he Fieldm$269,450Young Audiences of Western Afro-American Music Oppor-New York, lnc. Buffalo, New York 5,000 tunities Association~ lnco Minneapolis, Minnesota 16,000

American SymphonyFolk/E~hnic Category II--$57,500 Orchestra League Vienna, Virginia 125,000Amigos del Museo del Jazzmobile, Inc., for Consor-Barrio, Inc. New York, New York 5,000 tium of Jazz Organizations New York, New York 15,000David Kemp Sioux Falls, South Dakota 1,500 MCA Educational Activities,Library of Congress Washington, D.C. 25,000 Inc. Rockville, Maryland 41,950Mississippi Authority for National Guild of CommunityEducational TV Jackson, Mississippi 15,000 Music Schools New York, New York 35,000

OPERA America, Inc. Washington, D.C. 36,500

Page 95: National Endowment for the Arts Annual Report 1976

Music 97

Program Treasury Private Program Treasury Private General Programs~$144,000 California Institute of the Arts The Cooper Union for the Advancement of Science and Art Dance Theatre of Harlem, Inc. Detroit Symphony Orchestra Fine Arts Council of Florida Morton Gould and

Valencia, California

New York, New York

New York, New York Detroit, Michigan Tallahassee, Florida

5,000

5,000

20,000 69,000 10,000

St. Paul, Chamber

Phoenix, Arizona Pittsburgh, Pennsylvania Rochester, New York St. Louis, Missouri St. Paul, Minnesota San Antonio, Texas San Diego, California San Francisco, California Seattle, Washington Syracuse, New York Salt Lake City, Utah

50,000 150,000 150,000 150,000 75,000

125,000 75,000

150,000 150,000 60,000

150,000

Carolyn Leigh Virginia Commission for the Arts andHumanities

New York, New York

Richmond, Virginia

25,000

10,000

Orchestra Program--$1,324,050

Budgets between $100,000 and $750,000

Choral--$45,000 Gregg Smith Singers, Inc. New York, New York 15,000

Akron, Ohio Albany, New York Albuquerque, New Mexico

11,000 20,000 20,000

Musica Sacra of New York, Inc. New York, New York 15,000

American New York, New York Little Rock, Arkansas

50,000 10,000

Southern California Choral Music Association Los Angeles, California 15,000

Birmingham, Alabama Brooklyn, New York

35,000 17,000

TRANSITION QUARTER GRANTS

Orchestra Program--$4,618,946

California Chamber Cedar Rapids Symphony Orchestra Association, Inc.

Los Angeles, California

Cedar Rapids, Iowa Charlotte, North Carolina

I0,000

12,500 25,000

Budgets in excess of $750,000 Atlanta, Georgia Baltimore, Maryland Boston, Massachusetts Buffalo, New York Chicago, IIlinois Cincinnati, Ohio Cleveland, Ohio Dallas, Texas Denver, Colorado Detroit, Michigan Honolulu, Hawaii Indianapolis, Indiana Kansas City, Missouri Los Angeles, California Milwaukee, Wisconsin Minneapolis, Minnesota National, Washington, D.C. Newark, New Jersey New Orleans, Louisiana New York, New York Raleigh, North Carolina Oakland, California Portland, OregonPhiladelphia, Pennsylvania

150,000 150,000 150,000 150,000 150,000 150,000 150,000 150,000 150,000 150,000 115 000 150 000 110 000 150 000 150 000 150 000 275 000 110 000 150 300 150,000 50,000 25,000 40,000

150,000

29,473

Colorado Philharmonic

29,473

Duluth-Superior Symphony Society

Florida Gulf Coast

Hudson Valley Island Orchestra Society

Chattanooga, Tennessee Evergreen, Colorado Colorado Springs, Colorado Columbus, Ohio Corpus Christi, Texas Dayton, Ohio Des Moines, Iowa Duluth, Minnesota

Duluth, Minnesota Erie, Pennsylvania Evansville, Indiana Flint, Michigan St. Petersburgh, Florida Orlando, Florida Ft. Lauderdale, Florida Ft. Wayne, Indiana Ft. Worth, Texas Fresno, California Grand Rapids, Michigan Hartford, Connecticut Poughkeepsie, New York Huntington, New York Jackson, Mississippi Jacksonville, Florida

14,000 10,000 9,100

50,000 16,000 15,000 10,000 4,500

1,700 20,000 10,000 10,000 25,000 35,000 15,000 12,000 10,000 35,000 15,000 30,000 10,000 5,000

40,000 30,000

Page 96: National Endowment for the Arts Annual Report 1976

98 Music

Program Treasury Private Program Treasury Private Kalamazoo, Michigan 6,750" Central City Opera House

Los Angeles Chamber

Monterey County Muslo of Long Island

North Carolina School of the Arts Foundation, Inc. Northeastern Pennsylvania Philharmonic

Omaha Symphony Association Opera Orchestra of New York

Knoxville, Tennessee Los Angeles, California Louisville, Kentucky Memphis, Tennessee Carmel, California North Massapequa, New York Nashville, Tennessee New Haven, Connecticut Norfolk, Virginia

Piedmont, North Carolina

Avoca, Pennsylvania Oklahoma City, Oklahoma Omaha, Nebraska New York, New York

10,000 10,000 42,000 25,000 9,500

50,000 20,000 30,000 15,000

15,000

15,000 25,000 10,000 10,000

Association Chautauqua Institution Cincinnati Opera Association City Center of Music and Drama, Inc./NYC Opera Civic Opera of the Palm Beaches Connecticut Opera Associa­tion, Inc. Dallas Civic Opera Company, Inc. Fort Worth Opera Association Goldovsky Opera Institute, Inc. Hartford Theatre Association Hawaii Opera Theater of

Denver, Colorado Chautauqua, New York Cincinnati, Ohio

New York, New York

West Palm Beach, Florida

Hartford, Connecticut

Dallas, Texas Ft. Worth, Texas

Brookline, Massachusetts Bel Air, Maryland

50,000 31,000 57,000

150,000

10,000

75,000 10,000

50,000 15,000

5,000 5,000

Orchestra ProgramaS8,900 Budget beiow $100,000 Orchestra Society of Philadelphia

Pasadena, California Portland Oregon San Juan, Puerto Rico Providence, Rhode Island Richmond, Virginia Sacramento, California San Jose, California Santa Barbara, California Savannah, Georgia Shreveport, Texas Spokane, Washington Springfield, Illinois Toledo, Ohio Tucson, Arizona Tulsa, Oklahoma Middleberry, Vermont Wichita, Kansas Winston-Salem, North Carolina Youngstown, Ohio

Philadelphia, Pennsylvania

10,000 30,000 40,000 20,000 35,000 20,000 15,000 10,000 10,000 20,000 35,000 15,000 35,000 10,000 13,000 12,500 30,000 10,000 17,500

8,900

Honolulu Symphony Society Houston Grand Opera Associ-ation/Texas Opera Theatre Kansas City Lyric Theatre Kentucky Opera Association, Inc. Lyric Opera of Chicago! Opera School of Chicago Memphis Opera Theatre Metropolitan Opera Association Michigan Opera Theatre Milwaukee Florentine Opera Company, Inc. Minnesota Opera Company Mississippi Opera Associa­tion, Inc. National Opera Institute Nevada Opera Guild New Jersey State OperaNew Orleans Opera Association Omaha Opera Company, Inc. Opera Association of

Honolulu, Hawaii

Houston, Texas Kansas City, Missouri

Louisville, Kentucky

Chicago, Illinois Memphis, Tennessee

New York, New York Detroit, Michigan

Milwaukee, Wisconsin Minneapolis, Minnesota

Jackson,Mississippi Washington, D.C. Reno, Nevada Newark New Jersey

New Orleans, Louisiana Omaha, Nebraska

25,000

150,000 47,000

10,000

185,000 20,000

600,000 20,000

17,500 57,500

10,000 300,000

7,500 25,000

35,000 20,000

Opera Programm$3,191,000 New Mexico Opera Company of

Santa Fe, New Mexico 95,000

Associated Artists Opera Company of New England Augusta Opera Association,

Boston, Massachusetts 10,000 Boston, Inc. Opera Festival Association, Inc./Lake George Opera

Boston, Massachusetts 75,000

Inc. Baltimore Opera Company,

Augusta, Georgia 4,500 Festival Opera Guild of Greater

Glen Falls, New York 35,000

Inc. Baltimore, Maryland 76,000 Miami Opera New England, Inc.

Miami, Florida Boston, Massachusetts

57,500 48,000

Page 97: National Endowment for the Arts Annual Report 1976

Music 99

Program Treasury Private Program Treasury Private Opera Society of Washing­ron, D.C., Inc. Pittsburgh Opera, Inc.

Washington, D.C. Pittsburgh, Pennsylvania

100,000 25,000

Contrasts in Contemporary Music, Inc. Group for Contemporary

New York, New York 5,000

Portland Opera Association San Diego Opera Association

Portland, Oregon San Diego, California

30,000 57,500

Music, Inc. Northern Illinois University

New York, New York Dekalb, Illinois

5,000 5,000

San Francisco Opera Association San Francisco, California 150,000

Southern California Chamber Music Society Los Angeles, California 6,000

Seattle Opera Association Spring Opera of Sar~

Seattle, Washington 125,000 Services to the Field--$77,000

Francisco San Francisco, California 37,500 American Music Center New York, New York 22,000 Symphony Society of San Association of Independent Antonio San Antonio, Texas 35,000 Conservation of Music l~ew York, New York 20,000 Tri-Cities Opera Cornpany, Inc. Binghamton, New York 17,500

Opera America, Inc. New York, New York 35,000

Western Opera Theatre, Inc. San Francisco, California 75,000 75,000 75,000 Jazz/Folk/Ethnic--$70,685

Choral Program--$25,000 Smithsonian Institution YIVO Institute for

Washington, D.C. 68,540

American Choral Directors Jewish Research New York, New York 2,145 Association Norman, Oklahoma 25,000

General Programs--$45,500 Audience Development--$40,000 The Grand Teton Music Festival Teton Village, Wyoming 20,000

Inter-American Music and Arts Festival Foundation Opera Today, Inc.

Washington, D.C. ~qew York, New York

45,000 500

Pan American Development Foundation, Inc./Inter-American Music Festival Washington, D.C. 20,000

Career Development--$200,919

Training--$185,918 Julliard School New York, New York 459 55,459 Philadelphia Music Academy Philadelphia, Pennsylvania 30,000 60,000 Wisconsin College C~onserva­tory, Inc. Milwaukee, Wisconsin 20,000 20,000

General--S67,658 Affiliate Artists, Inc. New York, New York 4,600 4,600 Research Foundation of State University of New York Buffalo, New York 15,000 University of Rochester Rochester, New York 14,958 Walter W. Naumburg Foundation, Inc. New York, New York 8,500 Young Concert Artists, Inc. New York, New York 35,000

Contemporary Music--$55,520 American Music Center (Contract) New York, New York 20,000 Artists Development, Inc. Binghamton, New York 14,520

Page 98: National Endowment for the Arts Annual Report 1976

Public Media

Page 99: National Endowment for the Arts Annual Report 1976

Public Media 101

Te Public Media Program acknowledges film, radio, media artists. This year 41 organizations, housed in Filmmakers in Residence at Public Television and television as art forms in themselves andas vehicles museums, schools, universities, and independent centers, Stations--Sponsored jointly by the Endowment and the for the transmission of other art forms--such as music, were funded. Corporation for Public Broadcasting. the program provides dance, literature, crafts, architecture--to major audiences Programming in the Arts--Grants under this category opportunities for experienced filmmakers to work with in all parts of the country. Its funding activities are encourage quality programming on film. television, and public television stations in the production of broadcast designed to assist film and videomakers and radio pro- radio. Major projects involve arts programming for public programming. This year the program was opened to artists ducers, to encourage the creation of new works, to help television. This year public television viewers were working in any format, not only 8mm, but 16mm, and ñnd audiences for these works, and to preserve them for introduced to "Dance in America," and to "Visions," videotape. the future, a series of original dramatic works by writers new to the Filmmakers in Residence at Cable Television Stations

Public Media became a full-fledged program in Fiscal medium. Program--Through the Alternate Media Center, young Year 1972, but the Endowment’s concern with films, The State Film Project, a sub-category of Pro- filmmakers interested in local programming are encouraged television, and radio precedes that by several years. In gramming in the Arts, is administered through the state to work with established cable television stations. 1967, Endowment support was in large measure respon- arts councils and provides grants for films on local and General Programs--This category makes limited sible for creation of the American Film Institute. That regional culture. A Florida filmmaker dramatized a short provision for applications which do not fall under other support continues today, story by a regional author; an Alaskan produced a film funding programs.

One grant was awarded to the Foundation for Inde­pendent Vídeo and Fitmmakers to place the work of

"The development, production, and actual broadcasting of the work of writers new to individual filmmakers on cable television. Another went to Lincoln Center for the Performing Arts to assisttelevision, so that they and audiences can see the results, ate importan[. New playwñghts experiments to increase the technical quality of live

need audiences. And audiences, whether they think about ir or no[, need new playwrights." performance telecasts. Pilot Programs--Two pilot programs we.re in oper­--Barbara Schultz, producer, Visions

, ation this year. Short Film Showcasing encouraged the production and widespread exhibition of short ñlms. Post-

Regional Development--This program was initiated on Eskimo music and dance. The Endowment also Graduate Fellowships gave post-graduate film students encourages arts programming through the "American the chance to gain production experience at local publicto support the exhibition of film and vídeo art outside the

major metropolitan film centers of New York and San Film Series for Television," which brings to public tele- broadcasting stations. Francisco. Its budget has grown from $140,000 in 1971 vision significant contemporary ñlms of major works from American Film Institute (AFI)~A grant of to over $500,000. Many regional centers now sponsor the past. Metropolitan Pittsburgh Educational Television, $1,290,000 went to AFI this year to support its work in exhibitions, provide information services, and make for instance, mounted a ten-part series on American preserving the heritage and advancing the art of film and available production and post production facilities. Some screenwriters, among them Francis Ford Coppola and television in America. On-going activities assisted by the

Stanley Kubrick. Public Media Program include the Center for Advancedcenters maintain study collections of film, videotapes, stills, and printed materials; conduct visiting artist programs; Media Studies--This program furthers the creation Film Study, the Di~ectors Workshop for Women, the sponsor workshops; and exhibit the work of regional and study of film and video as art forms through short- Oral History Program, Education Coordination and Out-

term residencies, seminars, workshops, and conferences, reach Services, Public Information Services, and Adminis-Under the Film and Videomakers in Residence category, tration. educational institutions are eligible for matching grants This year a special grant of $38,250 went to AFI to sponsor short-term stays by independent artists and for a survey and study of those individuals, organizations, critics. This year a prominent ñlmmaker/anthropologist and special facilities actively involved in film or television spent a full semester at Temple University, teaching education. classes in the Anthropology and Communications depart- AFI received two major contracts to carry out ments, giving lectures to the public, and involving students programs on the Endowment’s behalf. Film Archival pro-in the editing of his latest film. Under the Seminar grams at AFI, the Library of Congress, the Museum of Workshop Program, educational institutions and non- Modern Art, and the George Eastman House, were profit organizations receive aid to sponsor seminars and funded in the amount of $522,509. conferences for the study of specific issues in film and Under the other AFI contract, a total of $383,430 video, was distributed to 40 independent ñlmmakers.

Page 100: National Endowment for the Arts Annual Report 1976

102 Public Media

Advisory Panel Erik Barnouw Author, Educator Fellow at the Woodrow Wilson Center, Smithsonian Institution Washington, D.C.

Stephen Benedict Executive Director Project in the Arts Council on Foundations New York, New York

Henry Breitrose Program Head, Film and Broadcasting Department Stanford University Stanford, California

Charlotte Carver Executive Director South Dakota State Fine Arts Council Sioux Falls, South Dakota

Camille Cook Director, Film Center Art Institute of Chicago Chicago, Illinois

Nash Cox Exeeutive Director Kentucky Art Commission Frankfort, Kentucky

Robert Cunniff Producer New York, New York

Sally Dixon Film Consultant Pittsburgh, Pennsylvania

Virginia Dunean Producer, Director San Francisco, California

Lonne Elder III Screenwriter, Author Sherman Oaks, California

Ed Emshwiller Video Artist, Filmmaker Emshwiller Films, Inc. Wantagh, New York

Carl Forman Screenwriter, Director, Producer Beverly Hills, California

Rick George Exeeutive Director South Carolina Arts Commission Columbia, South Carolina

Charles Hobson Director Department of Mass Communications Clark College Atlanta, Georgia

Richard Jencks Former Vice President CBS Television Washington, D.C.

Riehard Leacock Filmmaker Head, Film Section, Massachusetts Institute of Technology Cambridge, Massachusetts

Allan Miller President Music Project for Television, Ine. New York, New York

Kathleen Nolan Actress President, Screen Aetors Guild Hollywood, California

Gerald O’Grady Director, Center for Media Study, Inc. State University of New York at Buffalo Buffalo, New York

Gordon Parks Author, Photographer, Composer, Screenwriter, Motion Picture Director New York, New York

Arthur Penn Television, Theatre and Motion Picture Director New York, New York

Donn Pennebaker Fiimmaker New York, New York

Paul Roth Chairman of the Board, National Association of Theatre Owners, Inc. President, Roth Theatre Circuit Silver Spring, Maryland

George Schaefer Producer, Director President, Compags Productiom Los Angeles, California

Robert Sitton Director, Northwest Film Study Center Portland, Oregon

William Storke Vice President, Special Programs NBC-TV New York, New York

Daniel Taradash Screenwriter Former President of the Academy of Motion Picture Arts and Seiences Beverly Hills, California

Page 101: National Endowment for the Arts Annual Report 1976

Public Media 103

Stan Vanderbeek Video Artist, Filmmaker Director, Mid-Atlantic Regional Media Center Baltimore, Maryland

John Whitney, Sr. Independent Filmmaker Pacific Palisades, California

Stanford Wolff Executive Secretary American Federation of Television and Radio Artists New York, New York

Colin Young Director The National Film School Beaconsfield, Bucks, England

Page 102: National Endowment for the Arts Annual Report 1976

104 Public Media

Grants Programming in the Arts~$4,952,790 Single Producfion Projects--$528,780 Bay Area Educational T.V. Association/KQED Channel 9 San Francisco, California Bel Canto Chorus of

Program Treasury

1,890

Private Non-Recurring T.V. Specials---$300,000 The Music Projec( for Television, Inc. New York, New York

Program Treasury Private

150,000 150,000

Milwaukee, Inc. Block, Mitchel Cable Arts Foundation Center for New Art

Wauwautosa, Wisconsin Los Angeles, California New York, New York

7,850 I0,000 50,000

Major Long-Term Señes on Specific Art Forros--S3,340,000 Community Television of Southern California/KCET Los Angeles, CaliforniaEducational Broadcasting

1,000,000 1,000,000

Activities, Inc. Creative Dimensions, Inc. The Daniel Nagrin Theatre and Film Dance

New York, New York Berkeley, California

10,000 8,000

Corporation Lincoln Center for the Performing Arts

New York, New York

New York, New York

700,000

200,000

40,000 400,000

Foundation, Inc. New York, New York 1,500 Bicentennial State Film Projects~$601,495 de Guzman, Michael Dhaemers, Margaret Doob, Nicholas Downtown Community T.V. Center Educational Broadcasting

Greenvale, New York Oakland, California New York, New York

New York, New York

7,500 3,000 9,980

11,500

Alaska State Council on the Arts The Office of Arkansas State Arts and Humanities California Arts Council Connecticut Commission on

Anchorage, Alaska

Little Rock, Arkansas Sacramento, California

25,000

24,940 25,000

Corporation Gwin, William Harris, Hilary Henry Strcet Settlement University of Houston Indiana University Intermedia Foundation Ithaca Video Project Jordan, Larry Kauffman, Kenneth Lane, Bruce Elliott Lewitt, Bruce and Elliott Metzgar, Eric Muggo, Robert New Hampshire Network Northeastern Illinois

New York, New York New York, New York New York, New York New York, New York Houston, Texas Bloomington, Indiana Garnerville, New York Ithaca, New York San Anselmo, California Venice, California Austin, Texas New York, New York Santa Monica, California Silver Spring, Maryland Durham, New Hampshire

157,505 10,000 10,000 10,000 5,000 9,930 3,000 7,710

10,000 10,000 9,980

10,000 10,000 10,000 20,000

the Arts D.C. Commission on the Arts and Humanities Fine Arts Council of Florida Louisiana Council for Music and Performing Arts Maine State Commission on the Arts and Humanities Michigan Council for the Arts Mississippi Art Commission Montana Arts Council New Hampshire Commission on the Arts Arts Council of Greater New Haven, Inc. New Mexico Arts

Hartford, Connecticut

Washington, D.C. Tallahassee, Florida

New Orleans, Louisiana

Augusta, Maine Detroit, Michigan Jackson, Mississippi Missoula, Montana

Concord, New Hampshire

New Haven, Connecticut

14,955

12,310 25,000

6,920

61,470 10,000 12,500 12,000

14,240

25,000

University Oregon Educational and

Chicago, Illinois 10,000 Commission New York State Council on

Santa Fe, New Mexico 46,810

Public Broadcasting Service Painted Bride Art Center Public Broadcasting ServiceSan Diego State University Foundation Sculpture in the Environment, Inc. Taragan, Ralph Timreck, Theodore Western Association of Art Museums Wilchusky, Le Ann Yale University Media

Portland, Oregon Philadelphia, Pennsylvania Washington, D.C.

San Diego, California

New York, New York Brooklyn, New York New York, New York

Oakland, California Pittsburgh, Pennsylvania

15,000 9,090

15,000

10,000

10,000 9,500

10,000

10,000 6,025

the Arts Oklahoma Arts and Humanities Council Oregon Arts Commission Pennsylvania Council on the Arts South Dakota Arts Council Tennessee Arts Commission Texas Commission on the Arts and Humanities State of Utah Division of Fine Arts Vermont Council on the

New York, New York

Oklahoma City, Oklahoma Salero, Oregon

Harrisburg, Pennsylvania Sioux Falls, South Dakota Nashville, Tennessee

Austin, Texas

Salt Lake City, Utah

74,260

21,900 23,510

26,730 25,000 25,000

25,000

17,000

Design Studio New Haven, Connecticut 9,820 Arts, Inc. Montpelier, Vermont 24,950

Page 103: National Endowment for the Arts Annual Report 1976

Public Media 105

Virginia Commission on the Arts and Humanities

Radio Projects--$182,515

Richmond, Virginia

Program Treasury

22,000

Private Media Study, Inc. Millenium Film Workshop The Moving Image, Inc. Trustees of the Museum of

Buffalo, New York New York, New York New York, New York

Program Treasury Private25,000 14,006 10,000

Carnegie Hall Corporation University of Cincinnati Colonial Singers and Players Community Television, Inc. Feminist Radio Network The Heyden Foundation Metropolitan Museum of Art

New York, New York Cincinnati, Ohio Washington, D.C. Jacksonville, Florida Washington, D.C. Ardsley, New York New York, New York

15,000 5,000

10,000 15,000 5,000

10,000 10,340

Fine Arts The Museum of Modern Art Pittsburgh Film Makers Association Portland Art Association/ Northwest Film Study Center Trustees of the San Francisco

Boston, Massachusetts New York, New York

Pittsburgh, Pennsylvania

Portland, Oregon

I0,000 20,000

17,760

25,000

Music Mountain, Inc. Falls Village, ConnecticutNational Public Radio Washington, D.C.The New Classroom Washington, D.C. Pacífica Foundation Houston, TexasSeattle Symphony Association Washington, D.C. South Carolina Educational Radio Network Columbia, South Carolina The Washington Ear Silver Spring, MarylandWGBH Educational Foundation Boston, Massachusetts WUHY-FM/WHYY, Inc. Philadelphia, Pennsylvanía

Regional Development~$500,210

10,000 52,855 9,900 3,505

10,000

8,500 2,470

9,765 5,180

Museum of Art Sinking Creek Film Celebration South Carolina Arts Commission Theater Vanguard University Art Gallery! University of Nebraska University Film Study Center, Vermont Center for Cultural Studies Walker Art Center William Marsh Rice

San Francisco, California

Greenville, Tennessee

Columbia, South Carolina Los Angeles, California

Lincoln, Nebraska Cambridge, Massachusetts

Stowe, Vermont Minneapolis, Minnesota

8,000

7,910

28,415 8,000

8,000 8,500

6,000 25,000

Academy Foundation University of Alaska And/or Service Anthology Film ArchivesThe Art Institute of Chicago University of Calif~rnia Regents of the University of California/Pacific Film

Beverly Hills, California Fairbanks, Alaska Seattle, Washington New York, New York Chicago, Illinois Berkeley, California

9,800 1,000 7,000

22,700 10,000 10,000

University Houston, Texas Wisconsin Institute for Intermediate Studies, Inc. Madison, Wisconsin Young Filmmakers Foundation New York, New York

Endowment/Corporalion for Public Broadcasling Joint Program--$199,660

15,000

3,500

15,000

Archives Carnegie Institute University of Colorado Film and T.V. Study Center Filmgroup at the N.A.M.E.Gallery Film in the Cities, Inc. Fondo del Sol/Osiris Productions Hawaii Film Board Indianal~olis Museurn of Art Inter-Media Art Center, lnc. J. B. Speed Art Museum Kent State UniversityLong Beach Museurn of Art Los Angeles International Film Exposition Madison Art Center University of Maryland

Berkeley, California Pittsburgh, Pennsylvania Boulder, Colorado Los Angeles, California

Chicago, IIlinois St. Paul, Minnesota

Washington, D.C. Honolulu, Hawaii Indianapolis, Indiana Huntington, New York Louisville, Kentucky Kent, Ohio Long Beach, California

Los Angeles, California Madison, Wisconsin Baltimore, Maryland

25,000 18,000 18,000 15,000

5,000 15,000

5,000 8,000

10,000 15,000 18,125 6,000

10,000

3,000 3,500

10,000

Educational Television Association of Metropolitan Cleveland Global Village Video and Resource Center, Inc. International Film Seminars Massachusetts Instltute of Technology Oregon State Board of Higher Education UNC-TV WETA-TV WNED-TV WNET-TV Channel 13, Educational Broadcasting Corporation WVIA-TV

Cleveland, Ohio

New York, New York New York, New York

Cambridge, Massachusetts

Eugene, Oregon Chapel Hill, North Carolina Washington, D.C. Buffalo, New York

New York, New York Pittston, Pennsylvania

23,600

30,000 22,525

18,535

20,000 17,000 17,000 17,000

17,000 17,000

Page 104: National Endowment for the Arts Annual Report 1976

106 Public Media

American Film Series for T.V.m$222,500 Metropolitan Pittsburgh Educational T.V./WQED Pittsburgh, Pennsylvania

Short Film Showcasingm$6,331 Goldsholl, Millie Northfield, Illinois

The American Film Institute---$1,328,250 The American Film Institute, D.C. and L.A.

Film Preservation~$597,809 The American Film Institute, D.C. and L.A. for AFI/ Library of Congress/George Eastman House/Museum of Modern Art

Fellowship Programs---$551,930

Independent Film Maker/AFI--$386,430

Program Treasury Private

222,500

6,331

1,328,250

597,809

386,430

110,000 11,100 11,100 11,100

11,100

11,100

5,000

15,000

4,300

3,118 5,000 2,000

13,780 10,000

9,800

5,000

Frederick Burk Foundation for Education at San Francisco State University Gray Film Atelier Innervision Media Systems of Central New York, Inc. International Film Seminars Kent ~chool MIT, Department of Architecture New York University North Carolina State University Pittsburgh Film Makers, Inc. Private Arts Foundation of Washington, D.C. Th~ Research Foundation of the State University of SUNY Research Center of the City University of New York Temple UniversityUniversity Film Study Center Videospirit, Inc. White Ox Films, Inc. William Marsh Rice University Yale University

General ProgramaS762,471 Academy Foundation Action for Children’s T.V. Alphons, Schilling The American Federation of Arts The Art Institute of Chícago Atlanta Arts Alliance, Inc. Bartlett, Scott Breer, Robert Broughton, James Buffalo Fine Arts Academy Center for Southern Folklore City Center Cinematheque Cohen, Maxi Community T.V. of Southern California, KCET/28Corporation for Public Broadcasting Educational Broadcasting Corporation/WNET, Channel 13

San Francisco, California Hoosick Falls, New York

Fayetteville, New YorkNew York, New York Kent, Connecticut

Cambridge, Massachusetts New York, New York

Raleigh, North Carolina Pittsburgh, Pennsylvania

Washington, D.C.

Buffalo/Albany, New York

New York, New York Philadelphia, Pennsylvania Cambridge, Massachusetts Albany, New York Rochester, New York

Houston, Texas New Haven, Connecticut

Beverly Hills, California Newtonville, Massachusetts New York, New York

New York, New York Chicago, Illinois Atlanta, Georgia San Francisco, California Palisades, New York Mili Valley, California Buffalo, New York Memphis, Tennessee New York, New York New York, New York

Los Angeles, California

Washington, D.C.

New York, New York

Prograrn Treasury Private

4,860 10,000

8,500 5,000 5,000

4,975 5,000

1,500 4,270

4,815

14,999

2,500 5,000

15,000 6,460 1,900

12,000 4,999

33,000 20,000 10,000

48,830 10,000 4,300

350 7,500

10,000 7,500 8,905 9,993 9,~900

5,000

25,000

11,530

Washington, D.C./Los Angeles, California

Washington, D.C./Los Angeles, California

The American Film Institute, D.C. and L.A.

CATV Internships--$165,500 Alternate Media Center/ New York University Boston University University of California New York University William Marsh Rice University University of Southern California

Media Studie~$189,776 Academy Foundation Board of Regents of University of Wisconsin System Capital Area Media Educators Organization Center for Understanding Media, Inc. Columbia College Electronic Arts lntermix, Inc. University of Evansville Festival of Women’s Films The Film and T.V. Study Center Foundation for Independent Video and Filmmakers. Inc.

Washington, D.C./Los Angeles, California

New York, New York Boston, Massachusetts Los Angeles, California New York, New York

Houston, Texas

Los Angeles, California

Beverly Hills, California

Milwaukee, Wisconsin

Washington, D.C.

New York, New York Chicago, Illinois New York, New York Evansville, Indiana New York, New York

Los Angeles, California

New York, New York

Page 105: National Endowment for the Arts Annual Report 1976

Public Media 107

Educational Film Library Program Treasury Private

Purchase College Foundation/ Program Treasury Private

Association, Inc. Elain Summers/Experimental Intermedia Foundation Electronic Arts Intermix, Inc. Experimental T.V. Center r2tra, William

New York, New York

New York, New York New York, New York Binghampton, New York New York, New York

8,560

3,500 36,180 12,000 9,630

State University of New York Regents of University of California Regents of University of California Research Foundation of the

Purchase, New York

Los Angeles, California

Berkeley, California

3,000

3,000

7,500

Film Art Fund, Inc./Anthology Film Archives Film Culture Non-Profit Corporation The Film Society of Lincoln

New York, New York

New York, New York

20,000

8,500

City University of New York/ Picker Film Institute Rosenberg, Jeanne Schlaifer, Gail Southern California School

New York, New York Topanga Canyon, California Washington, D.C.

3,000 10,000 5,000

Center Fieck, Glen Foundation for Independent Video and Film, Inc. Foundation for Repertory Theatre of Rhode Island Global Village Video

New York, New York Santa Monica, California

New York, New York

Providence, Rhode Island

20,000 10,000

9,950

5,573

of Theology University of Southern California Trustees of the San Francisco Mus-~um of Art Vasulka, Woody WGBH Educational

Clairmont, California

Los Angeles, California

San Francisco, California Buffalo, New York

9,815

20,000

5,300 10,000

Resource Center, Inc. Greenville County Museum Commission Gutman, James Harvard University/Institute

. of Politics Hock, Louis University of Illinois Isebcl Steward Gardner

New York, New York

Greenville, South Carolina Cambridge, M assachusetts

Cambridge, Massachusetts Tucson, Arizona Chicago, Iilinois

I0,000

12,340 9,900

i,630 5,100

10,000

Foundation Boston, MassachusettsWhitney Museum of American Art New York, New York Women’s Interart Center, Inc. New York, New York Woodcock, Mark New York, New York Zimmet, Suzanne New York, New York

TRANSITION QUARTER GRANTS

15,000

25,000 13,440 9,450 5,000

Museum Jacoby, Roger Kinetic Video, Inc. Kub-~lka, Peter

Boston, Massachusetts Pittsburgh, Pennsylvania New York, New York New York, New York

15,000 10,000 5,000

10,000

Frogramming in the Arts--$215,000 Minnesota Public Radio, Inc. St. Paul, Minnesota National Public Radio Washington, D.C.

200,000 15,000

Larish, Naftali Leyda, Jay Lincoln Center for the Performing Arts Long Beach Museum of Art Massachusetts Institute of Technology Museum of Modern Art Myers, Richard New York Hot Jazz Society New York Institute of

New York, New York New York, New York

New York, New York Long .Beach, California

Cambridge, Massachusetts New York, New York Kent, Orno New York. New York

4,500 2,500

50,000 6,240

10,000 24,555 10,000 5,000

The American Film Inslitute--$1,100,000 The American Film Institute Washington, D.C./Los Angeles,

California

Film Preservaflonm$529,336 The American Film Institute, D.C. and Los Angeles, for A.F.I., Library of Congress, George Eastman House, Washington, D.C./Los Angeles, Museum of Modern Art California

1,100,000

529,336 Technology New York University Noren, Andrew Palace of Arts and Sciences

Old Westbury, New York New York, New York New York, New York

15,000 3,000 5,000

Fellowship Programm$392,664 The American Film Institute Washington, D.C./Los Angeles,

California 392,664 Foundation Ferry, Hart

San Francisco, California New York, New York

5,000 7,500 General Progra~$7,480

PTV Productions, Inc. New York, New York 15,000 Foundation for American Dance New York, New York 7,480

Page 106: National Endowment for the Arts Annual Report 1976

Special Projects

Page 107: National Endowment for the Arts Annual Report 1976

Special Projects 109

The Special Projects Program was developed to give Arts Centers and Festivals--This is a pilot program the auspices of the Council on the Aging, to local arts the Endowment sufticient flexibility in funding multi- begun in 1976 to assist arts centers and festivals--organi- programs for senior citizens. discipline projects and those which do not fit the guide- zations, in other words, which present professional artists Community Residencies--Another 1976 pilot pro­lines of other programs. Special Projects consolidates or arts groups to the public--to explore the problems grato, this one encourages whole communities to sponsor elements of a number of other Endowment programs in and possibilities of improved marketing, including such artists-in-residence. One grant went to the Arizona an effort to explore new ground--to find new audiences, concerns as audience development, fund-raising, and new Commission on the Arts and Humanities to support a new sponsors, and new opportunities in the arts. formats and locations for public presentations. One grant program of performing artist residencies in five Arizona

, communities. The emphasis lay in preparing the commu­nities to become sponsors in their own right--awakening

"We did not try to superimpose our ideas about art on the community. This is a no.nonsense them to the ways in which artists’ services can be made available to the whole community, and teaching them nowworking-man’s town and it would never put up with that kind o~ attitude. Instead, we to initiate and administer residency projects on their own

have tried to involve the community in an exploration of art." in the future. lnterrelated Programs and Special Services--In 1976---Darrell Bohlsen, Director, Sangre de Cristo Arts and

Conference Center, Pueblo, Colorado this category served to accommodate multi-arts projects and service projects which did not come under other Endowment programs. A few examples:

this year went to the Grand Oper~ House of Wilmington, The AFL-CIO Studies Center in Silver Spring, Delaware, in support of a research program to identify Maryland, received a grant to support its program of marginal and non-attendants of performing arts events, visual and performing arts activities, which include and ultimately to find ways of reaching them. The ongoing exhibits, performances and a.rtists-in-residence. The Center Mississippi River Festival of Edwardsville, lllinois, received makes these available to its students, membei’s of the a grant for the development and implementation of an neighboring community, and Washington atea labor audience development program. The program has representatives. involved newspaper, radio and television advertising, meet- The Corporation of Yaddo in Saratoga Springs, New ings with local groups, and the production of a film about York, received a grant to support short-term residencies the Festival. by write.rs, composers, and visual artists. Yaddo is an

City Spirit--This program was begun in 1974 to artists’ colony which provides writers and other artists an encourage and stimulate many different citizen interests-- undisturbed environment in which to work. The Endow-within and outside the arts--to create a wide community ment supports two other artists’ colonies: Millay, in forum for discussing the arts and for planning cultural Austerlitz, New York, and MacDowell, in Peterborough, opportunities throughout the community. New Hampshire.

In Louisville, Kentucky, the City Spirit Programat The Theatre Development Fund (TDF) in New York first was housed within the city’s Community Development City received Endowment support for its National Cabinet. Cooperation with four Louisville neighborhoods Development Services program, through which it provides led to the formation of a permanent Office of Urban assistance to communities interested in installing the highly Culture to continue support to community arts programs successful ticket voucher system which TDF developed. and to serve as an ombudsman for neighborhood arts Folk Arts--Aid to our traditional art forros became a within the city government, formal funding category in 1975, and is administered by

In the San Fernando Valley, local participation and a separate office within the Special Projects Program. support from the City of Los Angeles led to a series of Folk Arts grants fall into two broad categories: those town meetings for the arts, hosted by city councilmen which support live presentations of the folk arts, including from the Valley. At those meetings, broad support festivals, exhibitions, and residencies; and those which developed for the planning of an arts park on some of the support folk a.rts through the media, including television only open space remaining in the Valley. and radio programming, sound recordings, film and

In New Orleans, a Task Force on the Arts and the video tape. Elderly stimulated an increase in funds available, through

Page 108: National Endowment for the Arts Annual Report 1976

110 Special Projects

Advisory Panel "Fhomas Bacchetti Member of the Board Association of College, University and Community Arts Administrators Director of Public Events Stanford University Stanford, California

James Backas Executive Director Maryland Arts Council Baltimore, Maryland

Simon Michael Bessie Chairman Senior Vice President Harper & Row Publishers New York, New York

Merrill Brockway Series Producer Dance in America WNET-TV Former Executive Producer Camera Three WCBS-TV New York, New York

Marlow Burt Executive Director St. Paul-Ramsey Council of Arts and Sciences St. Paul, Minnesota

A1vin E. Gershen Chairman New Jersey State Council on the Arts Trenton, New Jersey

Donald Grody Executive Secretary Actor’s Equity Association New York, New York

George Irwin Member of the Board Associated Councils of the Arts Quincy, Illinois

Kathryn Kirschbaum Mayor City of Davenport, Iowa Board Member Quad Cities Arts Council Davenport, Iowa

Bonnie Pitman Gelles First Vice-Chairman American Association of Museums Committee on Museum Education Washington, D.C.

Donald Quayle Senior Vice President of Broadcasting Corporation for Public Broadcasting Washington, D.C.

Jacinto Quirarte Dean of Fine Arts University of Texas at San Antonio San Antonio, Texas

David Rockefeller, Jr. Chairman, American Council on the Arts in Education Panel Consultant The Real Paper Boston, Massachusetts

Curtís Schwartz Vice President JMH Associates, Inc. Former Director Oklahoma Arts and Humanities Council Oklahoma City, Oklahoma

Mary Semans Trustee, Duke University Trustee, Mary Duke Biddle Foundation Trustee, North Carolina Museum of Art Durham, North Carolina

Barre Toelken Professor of English and Folklore University of Oregon Editor Journai oí American Folklore Eugene, Oregon

Mildred Walter Member Board of Directors Denver Center for the Performing Arts Denver, Colorado

Dr. Roger Abrahams Professor, Department of English University of Texas Austin, Texas

Dr. Henry GIassie Professor, National Humanities Institute, Yale University New Haven, Connecticut

Dr. Kenneth Goldstein Professor, Department of Folklore Memoria! University of Newfoundland St. Johns, Newfoundland, Canada

Dr. Bess Lomax Hawes Deputy Director of Presentations Festival of American Folklife Smithsonian Institution Washington, D.C.

David E. Nelson Executive Director Montana Arts Council Missoula, Montana

Page 109: National Endowment for the Arts Annual Report 1976

Specia~ Projects

National Endowment [or the Arts Arts and Handicapped Advisory Task Force

Sheldon Freund Executive Director

Sam Stone Director of Development

to the Louis Braille Foundation for Blind Musicians, Ine. North Carolina School of the Arts White House Conference on Handicapped Individuals 112 East 19th Street P.O. Box 4657

New York, New York Winston-Salem, North Carolina Vivienne Anderson Assistant Commissioner for Susan Gans Toro Sullivan General Education and Curricular Services Director of Education c/o Scotti Brothers The University of the State of New York Wadsworth Atheneum Museum 9229 Sunset Boulevard The State Education Department Albany, New York

600 Main Street Hartford, Connecticut

Suite 616 Los Angeles, Californüi

Robert Alexander Ronald Mace, AIA Phyllis Wyeth Director, Living State 6th and M Street, S.W.

President Barrier Free Environments, Ine.

701 Smithbridge Road Wilmington, Delaware

Washington, D.C. P.O. Box 3446 814 Wachovia Building

John Bell Fayetteville, North Carolina ¯ Artist Workshop 1516 North B Street Larry Molloy Fort Smith, Arkansas Director

Arts Information Service Henry Betts Educational Facilities Laboratories Executive Vice President and Medical Director 850 Third Avenue Rehabilitation Institute of Chicago New York, New York 345 East Superior Street Chicago, Illinois Wendy Ross

Director Linda Bove Children’s Experimental Workshop c/o Phillip Cronlund Maria Katzenbach School for the Deaf

Glen Echo Park National Park Service

320 Sullivan Way West Trenton, New Jersey

Glen Echo, Maryland

Harold Russell, Chairman Bernard Bragg President’s Committee on Employment O’Neil Theatre Center of the Handicapped 305 Great Neek Road 1111 20th Street, N.W., Room 636 Waterford, Connecticut Washington, D.C.

Claire Isaacs Harold Snider Director Coordinator Junior Arts Center Programs for the Handicapped 4814 Hollywood Boulevard Los Angeles, California

Smithsonian Museum of Air and Space 7th and Independence Avenue, S.W. Washington, D.C.

Page 110: National Endowment for the Arts Annual Report 1976

112 Special Projects

Grants City Spirit--$1,482,265 Allied Arts of Durham, Inc. Arts Assembly of Jacksonville, Inc. The Arts Council, Inc. The Arts Council of Albemarle-Stanley County Chamber of Commerce The Arts Council of Greater New Haven, Inc. The Arts Council of the Morris Area Arts Council of the Ohio River Valley Arts Council of San Antonio, Inc. Arts Council of Tampa Arts and Sciences Council-­Charlotte/Mecklenburg, Inc. Borough of New Hope The Center for Evolving Education Central Oklahoma Multi-Media Association, Inc. City of Albuquerque City of Aurora City of Bloomington City of CambridgeCity of Fort Collins City of Fort Wayne City of Iowa City City of Jersey City City of La Habra City of Lewiston City of Louisville City of Minneapolis/Min­neapolis Arts Commission City of Nacogdoches City of New Rochelle City of Palo Alto City of Pawtucket City of Roanoke City of San Luis ObispoCity of Tuscaloosa

Durham, North Carolina

Jacksonville, Florida Winston-Salem, North Carolina

Albemarle, North Carolina

New Haven, Connecticut

Madison, New Jersey

Cincinnati, Ohio

San Antonio, Texas Tampa, Florida

Charlotte, North Carolina New Hope, Pennsylvania

Philadelphia, Pennsylvania

Oklahoma City, Oklahoma Albuquerque, New Mexico Aurora, Illinois Bloomington, Indiana Cambridge, Massachusetts Fort Collins, Colorado Fort Wayne, Indiana Iowa City, Iowa Jersey City, New Jersey La Habra, California Lewiston, Maine Louisville, Kentucky

Minneapolis, Minnesota Nacogdoches, Texas New Rochelle, New York Palo Alto, California Pawtucket, Rhode Island Roanoke, Virginia San Luis Obispo, California Tuscaloosa, Alabama

Program Treasury 15,000

10,000 15,000

8,000

25,000

8,000

15,900

25,000 25,000

15,000 25,000

25,000

24,000 22,831 25,000

7,500 25,000 13,555 23,5 I0 10,983 22,290 18,760 15,870 25,000

25,000 20,000 20,000 19,800 22,500 12,500 14,700 12,883

Private Friends of Music for Youth Jazzmobile Michicano Art Center Montgomery County/City of Mt. Sterling Museum without Walls New Hampshire Commission on the Arts Old North Church Pasadena Community Services Commission, Inc. The Patch, Inc. Pima County Parks and Recreation Provincetown Drop-in-Center, Inc. Pueblo Area Council of Governments Quincy Society of Fine Arts Rhode Island State Council on the Arts Salt Lake City Corporation San Fernando Valley Arts Council San Mateo County Arts Council South Shore Community Center Southern Highland Handicraft Guild, Inc. Springfield Library and Museum Association Springfield City Corporation Tallahassee Arts Council United Neighborhood Houses of New York, Inc. University of Hawaii University of Maine The Valley Arts Council, Inc. Washburn Norlands Foundation, Inc. Woolf, Burton I.

Burlington, Vermont New York, New York Los Angeles, California

Mt. Sterling, Kentucky Santa Cruz, California

Concord, New Hampshire Boston, Massachusetts

Pasadena, California Atlanta, Georgia

Tucson, Arizona

Provincetown, Massachusetts

Pueblo, Colorado Quincy, Illinois

East Greenwich, Rhode Island Salt Lake City, Utah

Northridge, California

San Mateo, California

Chicago, Illinois

Asheville, North Carolina

Springfield, Massachusetts Springfield, Utah Tallahassee, Florida

New York, New York Honolulu, Hawaii Augusta, Maine Ansonia, Connecticut

Livermore Falls, Maine Washington, D.C.

Program Treasury Private 15,000 25,000 19,390

18,040 25,000

74,350 5,774

15,000 17,520

24,849

10,000

14,000 9,850

25,000 25,000

24,960

22,950

25,000

24,560

25,000 7,063

25,000

18,052 24,927 11,713 10,550

7,000 225,665

Community Development Arts Centers and Festivals--$496,407 Foundation Community Environments Corpus Christi Arts Council Council of the Arts for Children

Tupelo, Mississippi New York, New York Corpus Christi, Texas

New Orleans, Louisiana

24,470 25,000 13,800

24,200

Butler University/Clowes Memorial Hall The Regents of the University of California at Los AngelesFlagstaff Summer Festival,

Butler, Pennsylvania

Los Angeles, California

25,000

25,000

Cultural Council Foundation New York, New York 25,000 lnc. Flagstaff, Arizona 10,000

Page 111: National Endowment for the Arts Annual Report 1976

Special Projects 113

Grand Opera House, Inc. Henry Street Settlement Lincoln Center for the Performing Arts Mississippi River Festival, Inc. New Hampshire Performing Arts Center, Inc. Oklahoma Art Center Pennsylvania State University Performing Arts for Commu­nity and Education, Inc. Private Arts Foundation of

Wilmington, Delaware New York, New York

New York, New York Edwardsville, Illinois

Manchester, New Hampshire Oklahoma City, Oklahoma University Park, Pennsylvania

Miami, Florida

Program Treasury 25,000 19,055

40,000 40,000 25,000

17,000 20,000 22,372

25,000

Private

40,000

Memorial Union Building Association, Inc. Memphis Arts Council, Inc. Minnesota State Arts Board Mississippi State University National Choral Council, Inc. North Carolina Department of Cultural Resources University of Pittsburgh/ Theatre Arts Division Rutgers State University South Carolina Arts

Madison, Wisconsin Memphis, Tennessee Minneapolis, Minnesota State College, Mississippi New York, New York

Raleigh, North Carolina

Pittsburgh, PennsylvaniaNew Brunswick, New Jersey

Program Treasury Private

23,940 24,000 39,325 10,000 20,000

20,000

2,150 3,750

Washington, D.C. Ravinia Festival Association Stanford University/Board of Trustees of Leeland Sun Valley Center for the Arts and Humanities Theatre Vanguard Walker Art Center Walnut Street Theatre Corporation White Mountains Art and

Washington, D.C. Chicago, Illinois

Stanford, California

Sun Valley, Idaho Los Angeles, California Minneapolis, Minnesota

Philadelphia, Pennsylvania

5,000 25,000

24,980

12,000 21,000 25,000

25,000

Commission Sun Valley Center for the Arts and Humanities, Inc. Theatre Jacksonville, Inc. United Projects, Inc. Western States Arts Foundation Woodstock Fine Arts Association Worcester Crafts Center

Columbia, South Carolina

Sun Valley, Idaho Jacksonville, Florida San Francisco, California

Denver, Colorado

Woodstock, Illinois Worcester, Massachusetts

27,745

3,350 17,000 25,000

40,110

2,100 9,390

Music Festival, Inc. Jefferson, New Hampshire 25,000 Interrelated Programs and Special Services~$1,768,454

Residencies--$555,097 Alaska State Council on the Arts Arizona Commission on the Arts and Humanities Arts Council of Greater New Orleans Bismarck-Mandan Council/ St. Paul Chamber Orchestra Branigan, Robert City of Jacksonville City of Tucson/Department of Human Development

Anchorage, Alaska

Phoenix, Arizona

New Orleans, Louisiana

Bismarck, North Dakota New York, New York Jacksonville, Florida

Tucson, Arizona .

55,000

24,500

25,000

10,000 7,406 5,000

30,000

AFL-CIO Labor Studies Center America the Beautiful Fund Arts Development Services, Inc. Arts Ticket Service Association of College, University and Community Arts Administration Associated Councils of the Arts Beim, Elizabeth Brevard Arts Council Camden Bicentennial Ad-

Silver Spring, Maryland Chicago, Illinois

Buffalo, New York Boston, Massachusetts

Madison, Wisconsin

New York, New York Washington, D.C. Cocoa Beach, Florida

39,500 65,000

14,800 25,000

5,550

13,000 2,300 6,399

Cultural Resources (2ouncil Civic Center Eckerd College Florida International University Fort Worth Art Association Greater Birmingharn Arts Alliance, Inc. Hawaii State Foundation on Culture and the Arts Marywood College

Syracuse, New York St. Petersburg, Florida

Miami, Florida Fort Worth, Texas

Birmingham, Alabama

Honolulu, Hawaii Scranton, Pennsylvania

18,175 11,400

5,000 19,256

25,000

35,000 16.500

visory Commission/Whitman International Poetry Center Centrum Foundation Commonwealth of Pennsyl­vania Council on the Arts Cultural Council Foundation Denver Art Museum Electronic Arts Intermix, Inc. Gallery Association of New York State, Inc. Greater Philadelphia

Camden, New Jersey Port Townsend, Washington

Harrisburg, Pennsylvania New York, New York Denver, Colorado New York, New York

Hamilton, New York

50,000 30,000

17,305 35,000 5,000 2,000

10,000

Cultural Alliance Philadelphia, Pennsylvania 75,000

Page 112: National Endowment for the Arts Annual Report 1976

114 Special Proj~ts

Prograra Treasury Private Program Treasury PrivateGreater St. Louis Missouri Folk Arts~$1,003,259Arts and Education CMuncil St. Louis, Missouri 5,500 Appalachian CommunityGovernment of D.C./Office Development Corporation Appalachia, Virginia 18,000of Bicentennial Program Washington, D.C. 17,500 Office of Arkansas State ArtsHaleakala, Inc./The Kitchen New York, New York 21,500 and Humanities Little Rock, Arkansas 10,000Hospital Audiences, Inc. New York, New York 25,000 Arkansas Department ofImagination Workshop/New Parks and Tourism/OzarkYork State Psychiatric Folk Center Mt. View, Arkansas 50,000Institute New York, New York 21,450 Balkan Arts Center, Inc. New York, New York 27,370Labor Agency for Community Belleville Area College Belleville, Illinois 4,000Service, Inc. Baltimore, Maryland 15,435 Broadside T.V., Inc. Johnson City, Tennessee 35,000The MacDowell Colony Peterborough, New Hampshire 65,000 60,000 60,000 Bowling Green StateMarchand, Robert Washington, D.C. 10,245 University Bowling Green, Ohio 27,025Massachusetts Council on the California State University Fresno, California 16,300Arts and Humanities Boston, Massachusetts 20,000 Regents of the University ofMichigan Artrain, Inc. Detroit, Michigan 73,155 California/UCLA B~rkeley, California 15,000The Millay Colony for the Center for South Folklore Memphis, Tennessee 64,980Arts, Inc. Austerlitz, New York 10,000 The Children’s Museum Boston, Massachusetts 7,125Mimi Garrard Dance City of Bowling Green Bowling Green, Ohio 2,000Company, Inc. New York, New York 25,430 City of Durham/DepartmentMinnesota Public Radio St. Paul, Minnesota 39,485 of Public Recreation Durham, North Carolina 20,000Minnesota State Arts Board Minneapolis, Minnesota 20,000 City of Jackson Jackson, Michigan 1,950Music Hall Center for the City University of NewPerforming Arts Detroit, Michigan 50,000 50,000 York/Center for PuertoNational Council on the Rican Studíes New York, New York 15,000Aging Washington, D.C. 25,000 The College of Idaho Caldwell, Idaho 1,080National Public Radio Washington, D.C. 29,250 Community T.V. of SouthOklahoma City Common- California Los Angeles, California 30,230wealth Oklahoma City, Oklahoma 15,000 Connecticut CommissionOpportunity Resources for on the Arts Hartford, Connecticut 21,935the Arts New York, New York 40,000 Country Music Foundation,Performing Arts Council of Inc. Nashville, Tennessee 5,000the Music Center . Los Angeles, California 19,000 Dover Public Library Dover, New Hampshire 3,740Sears-Roebuck Foundation Chicago, Illinois 55,425 Eastern Illinois University Charleston, Illinois 15,350Seattle Arts Commission Seattle, Washington 57,500 30,000 30,000 East Los Angeles Commu-Southwest Ohio Regional nity Union East Los Angeles, California 9,105Transit Authority Cincinnati, Ohio 25,000 Ferrum College Ferrum, Virginia 3,550Speilman, A.B. Boston, Massachusetts 92,890 Folklore Society of GreaterStover, Carl F. Washington, D.C. 207,605 Washington Washington, D.C. 3,455Theatre Arts Corporation Santa Fe, New Mexico 12,975 Frostburg State College Frostburg, Maryland 3,612Theatre Development Georgia Council for the Arts Atlanta, Georgia 8,750Fund, Inc. New York, New York 20,000 Georgia Folklore Society Atlanta, Georgia 20,785Volunteer Lawyers for Highlander Research andthe Arts New York, New York 25,000 Education Center New Market, Tennessee 14,600Washington Center for Holy Family Church Chimayo, New Mexico 9,840Metropolitan Studies Washington, D.C. 50,000 lllinois Arts Foundation Chicago, Illinois 6,100Wesleyan University Middletown, Connecticut 3,255 Kamiakin Research Institute Toppenish, Washington 12,400University of Wisconsin Lane County Pioneer Museum Eugene, Oregon 6,065System/Board of Regents Madison, Wisconsin 20,000 Makah CommunicationsThe Corporation of Yaddo Saratoga Springs, New York 25,000 Enterprise Neah Bay, Washington 10,000

Page 113: National Endowment for the Arts Annual Report 1976

Special Projects

Program Treasury Private Program Treasury Private Maryland Arts Council Michigan State University Minnesota State Arts Board

Baltimore, Maryland East Lansing, MichiganMinneapolis, Minnesota

20,000 19,098 24,460

United Indians of Al1 Tribes Foundation United Society of Shakers

Seattle, Washington Poland Spring, Maine

25,000 4,000

University of Minnesota Missouri Friends of the

Duluth, Minnesota 3,000 Utah State Division of Fine Arts Salt Lake City, Utah 10,000

Folk Arts Montana Arts Council

New Haven, Missouri Missoula, Montana

4,500 7,000

Valley Center California Union School District Valley Center, California 6,706

National Public Radio Washington, D.C. 18,000 Vermont Council on the Arts Montpelier, Vermont 8,000 Native American Center for Warren Wilson College Swannanoa, North Carolina 4,920 the Living Arts, Inc. Niagara Falls, New York 16,900 Western Kentucky University! Natural Heritage Trust/ Art Park Lewiston, New York 16,000

Center for Intercultural and Folk Studies Bowling Green, Kentucky 2,380

Nebraska Game and Parks Wichita Festivals, Inc. Witchita, Kansas 10,000 Commission/State Historical Parks Division Lincoln, Nebraska 5,000 Work Experience Internship Program--$84,535 University of Nebraska Lincoln, Nebraska 6,000 Alabama State Council on the University of North Carolina at Chapel Hill Northwest Economic Development, Inc.

Chapel Hill, North Carolina

Crookston, Minnesota

5,700

3,000

Arts and Humanities American Symphony Orchestra League Office of Arkansas State

Montgomery, Alabama

Vienna, Virginia

2,025

1,950

Ohio Foundation on the Arts Oklahomans for Indian Opportunity Piscataway-Colony

Columbus, Ohio

Norman, Oklahoma

10,000

10,000

Arts and Humanities Arts Council of Rochester, Inc. Arts Council of Baton

Little Rock, Arkansas

New York, New York

2,130

2,100

Indians, Inc. Pittsburgh Community Broadcasting Corporation Rhode Island School of Design

Oxon Hill, Maryland

Pittsburgh, Pennsylvania

Providence, Rhode Island

3,000

3,180

1,260

Rouge, Inc. Ballet Hysell, Inc. Boston Symphony Orchestra Regents of the University of California

Baton Rouge, Louisiana New Orleans, Louisiana Boston, Massachusetts

Santa Cruz, California

2,100 2,075 2,052

2,295 Sacréd Harp PublishingCompany, Inc. Seattle Folklore Society, Inc. Smithsonian Institution

Breman, Georgia Seattle, Washington Washington, D.C.

2,000 27,710

128,790

University of California Case Western Reserve University Chinese Culture Foundation

Los Angeles, California

Cleveland, Ohio

2,250

1,966

South Carolina Arts Commission Columbia, South Carolina 20,000

of San Francisco The Regents of the University

San Francisco, California 2,310

South Dakota Office of Cultural Preservation Pierre, South Dakota 1,620

of Colorado Trustees of Columbia Univer-

Boulder, Colorado 2,200

Southern Folk Cultt~re Revival Project Spokane Washington School District No. 81 State University of Iowa Suffolk Museum and Carriage House Sun Foundation Tennessee Arts Conamission Tennessee Folklore Society

Nashville, Tennessee

Spokane, Washington Iowa City, Iowa

Stony Brook, New York Washburn, lllinois Nashville, Tennessee Murfreesboro, Tennessee

10,450

17,500 6,096

5,000 8,050

17,110 1,812

sity in the City of New York Drexel Universit. Harvard University University of Hawaii Kansas Arts Commission Kentucky Arts Commission Michigan State University The Negro Ensemble Company The New Globe Theatre, Inc.

New York, New York Philadelphia, Pennsylvania Cambridge, Massachusetts Honolulu, Hawaii Topeka, Kansas Frankfort, Kentucky East Lansing, Michigan

New York, New York Yonkers, New York

2,026 i,903 4,153 2,548 2,147 2,050 2,035

2,020 2,017

Union Company Bicentennial Committee Lewisburg, Pennsylvania 10,670

New Hampshire Commission on the Arts Concord, New Hampshire 2,052 New Mexico Arts Commission Santa Fe, New Mexico 2,220

Page 114: National Endowment for the Arts Annual Report 1976

116 Special Projects

New York State Historícal Association New York, New York 1,985

Folk Arts--$150,300 City of Bowling Green Bowling Green, Ohio 400

The North Carolina Art Chinese Culture Foundation Society Omaha Opera Company Oregon Arts Commission Oregon Volunteer Lawyers for the Arts, Inc. Trustees of Princeton University San Francisco Dance

Raleigh, North Carolina Omaha, Nebraska Salem, Oregon

Portland, Oregon

Princeton, New Jersey

2,047 2,029 2,265

2,350

1,982

of San Francisco Documentary Education Resources Eastern Band of Cherokee Indians John Edwards Memorial Foundation Jonesboro Civic Trust for

San Francisco, California

Somerville, Massachusetts

Cherokee, North Carolina

Los Angeles, California

20,000

17,500

5,000

3,670

Spectrum South Dakota Memorial Art Center Foundation University of Southern California Urban Institute University of Virginia Visual Studies Workshop Wellesley College West Virginia Arts and Humanities Council William H. Donner Foundation

San Francisco, California

Brookings, South Dakota

Los Angeles, California Washington, D.C.Charlottesville, Virginia Rochester, New York Wellesley, Massachusetts

Charleston, West Virginia

New York, New York

2,309

2,160

2,318 2,320 1,935 2,030 2,300

2,050

1,946

Restoration and Preservation, Inc. Kansas Arts Commission National Folk Festival Association New Mexico Arts Commission New York Center for Ethnic Affairs Oklahoma Indian Affairs Commission St. Stephans Church Virginia Western Community College

Jonesboro, Tennessee Topeka, Kansas

Washington, D.C. Santa Fe, New Mexico

New York, New York

Oklahoma City, Oklahoma Toledo, Ohio

Roanoke, Virginia

2,000 3,300

8,200 25,000

4,165

32,115 14,000

14,950 Wolf Trap Farm Park for the Performing Arts Vienna, Virginia 1,885 Work Experience Internship Program---$3$,090

Adirondack Playhouse, Inc. Clinton, New York 2,168 TRANSITION QUARTER GILA3qTS

A~t Centers and Fes~ivals---$7$,000 Brooklyn Academy of

AFL-CIO Labor Studies Center, Inc. Basement Workshop, Inc. Brandeis University

Silver Spring, Maryland New York, I~Iew York Waltham, Massachusetts

2,080 2,104 2,080

Music, Inc. New York, New York 25,000 Brevard Music Center, Inc. Brevard, North Carolina 2,198 Connecticut College New London, Connecticut 25,000 Delaware Valley Mental Dartmouth College/Hopkins Health Foundation, Inc. Doylestown, Pennsylvania 2,136 Center Hanover, New Hampshire 25,000 George Washington University Washington, D.C. 2,080

Iowa State Arts Council Des Moines, Iowa 2,258 Residencies---$23,000 University of Michigan Ann Arbor, Michigan 2,300 The American University Kansas Arts Commission

Washington, D.C. Topeka, Kansas

10,000 13,000

University of Missouri New York University The Participation Project

Columbia, Missouri New York, New York

2,280 2,156

Interrelated Programs and Special Service~$260,967 Center for the Study ofPublic Policy Cambridge, Massachusetts University of Illinois Urbana, Illinois Indiana University Bloomington, Indiana Johns Hopkins University Baltimore, Maryland New York University New York, New York

32,191 57,796 30,000 49,552 66,428

Foundation, Inc. The University of Tennessee University Film Study Center, Inc. The University of California Valparaiso University Association, Inc.

New York, New York Knoxville, Tennessee

Cambridge, Massachusetts Los Angeles, California

Valparaiso, Indiana

2,152 2,200

2,188 2,456

2,254 Museums Collaborative New York, New York 25,000

Page 115: National Endowment for the Arts Annual Report 1976

Theatre

Page 116: National Endowment for the Arts Annual Report 1976

Theatre 119

Although theatre in the United States is as old as the Pro/essional Theatre Companies--Under this pro- Theatre ]or Youth--Professional companies which nation itself, only in the past twenty-five years has non- gram, performing institutions are eligible for matching offer presentations for children and young people through profit professional theatre begun to grow. Today it thrives, grants to help them meet the economic problems of iunior high school age are eligible for matching support Over 200 permanent, professional theatre groups perform increasing both artistic quality and services to the public, under this category. Theatre for Youth funds go to in towns and cities throughout the nation; their existence Grants go to resident professional theatres and other production support, staff training, development of new means more work for artists and more theatre for the permanent professional theatre institutions to support material, and touring programs. public than ever before, artistic development (including playwright-in-residence Services to the Field--National organizations which

The Theatre Program is geared to support non-profit programs), administrative development, and community provide services to the field, or to specific sectors of it, may professional theatre, and by that support to encourage service programs designed to reach new audiences in r_e_cg_!v_e m~tching grants for their work. As with most the creative activity of the artists and craftsmen it sustains, schools, inner city areas, and outlying communities, assistance programs under the Theatre Program, support The program assists both large and small professional Another purpose of this program is to encourage the under Services to the Field tends to be continuous from theatres; aid goes to established institutions of high and creation and performance of new works. Forty-five one year to the next. Projects to be funded need not be consistant quality as well as to a range of smaller groups non-profit professional theatre companies received grants; new; but specific projects are usually preferred over in one stage or another of their development, of their mainstage productions this year, one third were general support assistance.

¯ State Arts Agencies--Theatre ProjectsT--The Endow­ment also makes funds available to state arts agencies,

°’What has been accomplished in the last decade with the assistance of the Endowment has individually or in regional groupings, to assist in projectsdesigned to put to broader use the theatre resources inbeen quite phenomenal. A theatre which for aH practical purposes did not exist except in their areas. Touring is one such project. Just os more

New York has been created nationally.~’ theatre companies ore developing new drama, many are developing new audiences through touring and other--Peter Donnelly, Managing Director of the Seattle Repertory Theatre outreach programs. Their activities bring the experience of live professional theatre to communities which other-

new plays--a total of 124 out of 378. The large proportion wise could not afford the expense. In Illinois this year, of new works reflects a trend. A decade ayo virtually all the 0rganic Theatre and the Goodman Theatre Company new plays originated on the commercial stage and then staged 39 performances around the state, and 16,000 filtered down to other levels of the theatre. Today the people saw them. Other theatre groups toured Kentucky, situation is reversed: most new work is being done by Nebraska, Missouri, Arkansas, Oklahoma, and Kansas. non-profit theatre institutions. Many successful plays of recent Broadway seasons were first produced by theatre groups in Los Angeles, New Haven, Dallas, Washington, D.C. and other far-flung locations.

Pro]essional Theatre Companies with Short Seasons-­This program is similar to the Professional Theatre Com­panies program but designed for theatre groups with seasons of less than five months, including non-commercial summer theatres and on-going festivals.

Developrnental Theatre--New Plays, New Play­wrights, New Forms--Matching grants under this program yo to assist non-profit professional groups which tend to pursue new directions in the theatre. These groups include theatres which p~rform the works of new playwrights and presenta series or season of new or avant-garde works; groups which specialize in developmental work with playwrights; and groups which operate as a total theatre unit in which original works evolve out of a collaborative process.

Page 117: National Endowment for the Arts Annual Report 1976

120 Theatre

Advisory Panel Marcia Alcorn Chairman Connecticut Commission on the Arts Hartford, Connecticut

Arthur Ballet Executive Director Office of Advanced Drama Research University of Minnesota Minneapolis, Minnesota

Theodore Bikel President Actor’s Equity Association New York, New York

Arvin Brown Artistic Director Long Wharf Theatre New Haven, Connecticut

Richard Christiansen Drama Critic Chicago Daily News Chicago, Illinois

Gordon Davidson Artistic Director Center Theatre Group--Mark Taper Forum Los Angeles, California

David Frank Managing Director Loretto-Hilton Repertory Theatre St. Louis, Missouñ

Jon Jory Artistic Director Actor’s Theatre of Louisville Louisville, Kentucky

Peter De C. Hero Executive Director Oregon Arts Commission Salem, Oregon

Woodie King Director New Federal Theatre New York, New York

James McKenzie Executive Producer American Conservatory Theatre San Francisco, California

Lynne Meadow Artistic/Executive Director Manhattan Theatre Club New York, New York

Lloyd Richards Co-Chairman Director, National Playwrights’ Conference O’Neill Theatre Center Professor of Acting Hunter College New York, New York

Alan Schneider Director New York, New York

William F. Storke Vice-President Special Programs NBC Television Network New York, New York

Megan Terry Playwright Omaha, Nebraska

Douglas Turner Ward Artistic Director/Producer Negro Ensemble Company New York, New York

Lanford Wilson Playwright New York, New York

Page 118: National Endowment for the Arts Annual Report 1976

Theatre 121

Grants State Arts Agencies~$87,930 Program Treasury Private Program Treasury Private

The Loretto-Hilton Theatre,Alaska State Council on 44,000Inc. St. Louis, Missourithe Arts Anchorage, Alaska 9,000 Milwaukee RepertoryIllinois Arts Council Chicago, Illinois 47,630 Theatre, Inc. Milwaukee, Wisconsin 60,000 Mid-America Arts Alliance Kansas City, Missouri 11,300 The Negro EnsembleNebraska Arts Council Omaha, Nebraska 10,000 Company, Inc. New York, New York 250,000 Utah State Division of New Jersey ShakespeareFine Arts Salt Lake City, Utah 10,000 Festival of Morris

County, Inc. Madison, New Jersey 5,000Professionai Theatre Companies~$4,402,350 New York ShakespeareA Contemporary Theatre, Inc. Seattle, Washington 42,350 Festival/Lincoln Center New York, New York 150,000 150,000 Actors Theatre of Oakland University Louisville, Inc. Louisville, Kentucky 82,500 Meadowbrook Theatre Rochester, Michigan 10,000 AIley Theatre, Inc. Houston, Texas 75,000 Old Globe Theatre San Diego, California 30,0.00 American Conservatory Performing Arts FoundationTheatre Foundation, Inc. San Francisco, California 150,000 150,000 of Long Island Huntington Station, New York 5,000 The American Place The Philadelphia Drama Theatre, Inc. New York, New York 30,000 Guild, Inc. - Philadelphia, Pennsylvanía 51,250 American Shakespeare The Play House/ClevelandTheatre Stratford, Connecticut 50,000 Play House Cleveland, Ohio 60,000 Arizona Civic Theatre Trustees of Princeton Univer-Tucson, Arizona 10,000 Art Institute of Chicago/ sity/McCarter Theatre Princeton, New Jersey 40,000 Goodman Theatre Chicago, Illinois 35,000 Players Repertory Theatre ofThe Asolo Stage Theatre, Inc. Sarasota, Florida 30,250 Greater Miami, Inc. Miami, Florida 7,500 Center Stage Associates, Inc. Baltimore, Maryland 60,000 Seattle Repertory Theatre Seattle, Washington 80,000 60,000 60,000 Center Theatre Group of South Coast RepertoryLos Angeles Los Angeles, California 150,000 150,000 Theatre, Inc. Costa Mesa, California 15,000 Chelsea Theatre Center, Inc. Brooklyn, New York 131,000 30,000 30,000 Springfield Theatre Arts The Cincinnati Play House Association, Inc./Stage West Springfield, Massachusetts 30,000 in the Park, Inc. Cincinnati, Ohio 60,000 Studio Theatre School/ Circle in the Square, Inc. New York, New York 50,000 Studio Arena Theatre Buffalo, New York 30,000 Circle Repertory Theatre U.S. Theatre Corp./ Company, Inc. New York, New York 20,000 Syracuse Stage Syracuse, New York 30,000 Connecticut Players Theatre Inc./Phoenix Theatre New York, New York 50,000 Foundation, Inc./Long The Trustees of Amherst Wharf Theatre New Haven, Connecticut 251,000 College/Folger Theatre Dallas Theatre Center Dallas, Texas 50,000 Corporation Washington, D.C. 20,000 D.C. Black Repertory Virginia Museum of Fine Company Washington, D.C. 140,000 Arts/Virginia Museum of Foundation for Repertory Theatre Richmond, Virginia 7,500 Theatre of Rhode Island/ Washington Drama Society/ Trinity Square Repertory Arena Stage Washington, D.C. 300,000 100,000 100,000 Company Providence, Rhode Island 132,000 Yale University/Yale Free Street Theatre Chicago, Illinois 30,000 Repertory Theatre New Haven, Connecticut 70,000 40,000 40,000 Guthrie Theatre Foundation Minneapolis, Minnesota 150,000 150,000

Professional Theatre Companies with Short Seasons--$89,000Hartford Stage Cornpany Hartford, Connecticut 88,000 Indiana Repertory T’heatre, The Free Public Theatre Inc. Indianapolis, Indiana 30,000 Foundation Los Angeles, California 15,000 La Mama Experimental The Goodspeed Opera House East Haddam, Connecticut 8,750

Great Lakes ShakespeareTheatre Club, Inc. New York, New York 150,000 Association, Inc. Lakewood, Ohio 18,000

Page 119: National Endowment for the Arts Annual Report 1976

122 Theatre

Program Treasury Private Program Treasury Private Lake Cook Theatre Festival/Academy Festival Theatre Lake Forest, Illinois 12,500

The Berkeley Stage Company The Boston Repertory

Berkeley, California 5,000

Souhegan Theatre Conncil/ T~eatre, Inc. Boston, Massachusetts 17,500 American Stage Festival Milford, New Hampshire 3,500 Broom Street Theatre, Ldt. Madison, Wisconsin 3,500 Theatre at Monmouth, Maine Monmouth, Maine 3,750 A Bunch of Experimental Williamstown Theatre Theatres of New York/ Foundation Williamstown, Massachusetts 27,500 Cutting Edge New York, New York 10,000

Theatre for Youth--$275,500 A Contemporary Theatre, Inc. American Puppet Arts Council, Inc./Bill Baird Puppet Theatre The Asolo State Theatre, Inc. Center Theatre Group of Los Angeles/Improvisational Theatre Project

Seattle, Washington

New York, New York Sarasota, Florida

Los Angeles, California

10,000

10,000 10,000

27,500

The Byrd Hoffman Foundation, Inc. Cambridge Ensemble Caravan Theatre, Inc. The Changing Scene The Chicago Project Community Arts Foundation Dream Theatre Contemporary Arts Foundation/Warehouse

New York, New York Cambridge, Massachusetts Cambridge, Massachusetts Denver, Colorado New York, New York

Chicago, Illinois

30,000 8,000 1,500 5,000 1,500

1,500

The Children’s Theatre Association, Inc. Honolulu Theatre for Youth Lookíng Glas~ Theatre Marionette Theatre Arts Council, Inc.

Baltimore, Maryland Honolulu, Hawaii Providence Rhode Island

Pittsburgh, Pennsylvania

5,500 11,000 7,500

10,000

Theatre CSC Repertory, Ltd. Cultural Council Foundation/ Drifting Traftic Cultural Council Foundation/ Playwrights’ Horizons

Oklahoma City, Oklahoma New York, New York

New York, New York

New York, New York

1,500 5,000

1,000

8,500 Metro Theatre Circus St. Louis, Missouri 5,000 Dell-Arte Blue Lake, California 10,000 The Minneapolis Society of Fine Arts/Children’s Theatre Company The Paper Bag Players, Inc.

Minneapolis, Minnesota New York, New York

35,000 60,000

El Centro CampesinoCultural/El Teatro Campesino The Empty Space Association Ensemble Studio Theatre

San Juan Bautista, California Seattle, Washington New York, New York

7,500 2,500 7,500

Performing Arts Repertory Equity Library Theatre New York, New York 2,500 Theatre Foundation, Inc. New York, New York 20,000 Federation of Communities in I’he Puppet Theatre of War Dragons and Children Southeastern Academy of Theatre and Music, Inc./Academy Children’s Theatre Washington Drama Society,Inc./Living Stage

Brooklyn, New York

Atlanta, Georgia

Washington, D.C.

1,500

7,500

55,000

S.~rvice!The Play Group Foundation for the Open Eye Free Southern Theatre Gene Frankel Theatre Workshop, Inc. The H. B. Playwrights Foundation, Inc. Henry Street Settlement/New

Knoxville, Tennessee New York, New York New Orleans, Louisiana

New York, New York

New York, New York

5,000 12,500 40,000

10,000

2,000

Developmental Theatr~New Plays, New Playwñghts, New Forros--S767,900 Afro-American Studio for Acting and Speech, Inc. New York, New York Afro-American Total Theatre Arts, Foundation, Inc. New York, New York AMAS Repertory Theatre, Inc. New York, New York

15,000

2,000

1,500

Federal Theatre The House Monkey, Inc. Hunter College--CUNY/ Hunter Playwrights’ Project Iowa Theatre Laboratory It’s All Right To Be Woman Theatre, Inc. Judson Memorial Church/

New York, New York New York, New York

New York, New York Baltimore, Maryland

New York, New York

20,000 10,000

1,500 5,500

2,500

American Contemporary Theatre American Theatre Company The Black Alley Theatre

Buffalo, New York New York, New York Washington, D.C.

2,500 1,500 1,500

Judson Poets’ Theatre Julian Company Theatre Kelly’s Seed and Feed Theatre, Inc.

New York, New York San Francsico, California

Atlanta, Georgia

15,000 1,500

1,000

Page 120: National Endowment for the Arts Annual Report 1976

Theatre 123

Kuku Kyku Theatre Laboratory La Mama Experimental Theatre Club, Inc. Lenox Arts Center, Inc. Mabou Mines Development Foundation Magic Theatre, Inc. Magic Theatre Foundation Manhattan Theatre Club, Inc. Masterworks Theatre, Inc. Moving Men Theatre Company of Berkeley National Shakespeare Company, Inc./Cubiculo Experimental Arts Center The New Dramatists Committee, Inc. New York Shakespeare Festival/The Workshop Theatre at the Other Stages New York Theatre Strategy, Inc. Odyssey Theatre Foundation Ontological Hysteric Theatre, Inc. Organic Theatre Cornpany, Inc. The Other Theatre Performance Community, Inc./Dinglefest Theatre Company The Proposition Workshop, Inc. Provisional Theatre Foundation Puerto Rican Traveling Theatre Company, Inc. Rabbit-Hole, Inc./TheManhattan Project The Ridiculous Theatrical Company, Inc. The Riverside Church/ Theatre of the Riverside Church St. Clement’s St. Felix Street Corporation St. Peter’s Lutheran Church The Shaliko Company, Inc.

New York, New York

New York, New York Lenox, Massachusetts

New York, New York San Francisco, California Omaha, Nebraska New York, New York New York, New York

Berkeley, California

New York, New York

New York, New York

New York, New York

New York, New York Los Angeles, California

New York, New York

Chicago, Illinois New York, New York

Chicago, lllinois

Cambridge, Massachusetts

Los Angeles, California

New York, New York’

New York, New York

New York, New York

New York, New York New York, New York New York, New York New York, New York New York, New York

Program Treasury Private

1,000

25,000 17,500

10,000 30,000 5,500

15,000 2,500

1,000

5,000

15,000

15,000

7,500 1,500

15,000

7,500 25,000

1,500

2,500

27,500

20,000

40,000

14,000

5,000 15,000 2,500 2,500 2,500

Program Treasury Private

5,000

44,000

6,500 2,000

20,000 25,000

5,500 7,500 1,500 4,000

25,000

9,900

50,000

10,000

15,000

12,000 15,000

27,500

145,000 11,000

140,000

10,000

5,500

Frank Silvera Writers Workshop Southeastern Academy of Theatre and Music, Inc./Academy Theatre Theatre Arts Corporation Theatre by the Sea, Inc. Theatre for the New City Foundation, Inc. Theatre Genesis, Inc. Theatre of Latin America, Inc. Theatre X, Inc. The Wilma Project Women’s lnterart Center, Inc. Wooster Group, Inc./The Performance Group Workshop for the Players, Art Foundation, Inc.

Professional Theatre Trainingm$50,000 The Working Theatre New York, New York

Services to the Field--$385,500

New York, New York

Atlanta, Georgia

Santa Fe, New Mexico Portsmouth, New Hampshire

New York, New York New York, New York

New York, New York Milwaukee, Wisconsin Philadelphia, Pennsylvania New York, New York

New York, New York

New York, New York

American Theatre Association/American College Theatre Festival American Theatre Association/University Resident Theatre Association A Bunch of Experimental Theatres of New York, Inc. Cultural Council Foundation Foundation for the Extension and Development of the American Professional Theatre International Theatre Institute of the U.S., Inc. Off-Off Broadway Alliance Theatre Communications Group University of North Carolina at Chapel Hill/Institute of Outdoor Drama

General Programs---$288,000 American Shakespeare Theatre

Washington, D.C.

Washington, D.C.

New York, New York New York, New York

New York, New York

New York, New York New York, New York

New York, New York

Chapel Hill, North Carolina

Stratford, Connecticut

Page 121: National Endowment for the Arts Annual Report 1976

124 Theatre

Program Treasury Private Program Treasury Private Astor, Lenox and Tilden Foundation/New York Library of the Performing Arts New York, New York 60,000

Group I Acting Company, Inc./The Acting Company Guthrie Theatre Foundation Hartford Stage Company

New York, New York Minneapolis, Minnesota Hartford, Connecticut

141,000 150,000 93,700

University of Maryland, Indiana Repertory Theatre, Baltimore County/ Inc. Indianapolis, Indiana 32,375 Experimental Theatre Festival Baltimore, Maryland 15,000 La Mama Experimental Regents of the University of Theatre Club, Inc. New York, New York 150,000 Minnesota/Office for Advanced Drama Research Minneapolis, Minnesota 82,500

The Loretto-Hilton Theatre, Inc. St. Louis, Missouri 46,850

Theatre Development Fund New York, New York 125,000 Milwaukee Repertory Theatre, Inc. Milwaukee, Wisconsin 62,375

TRANSlTION QUARTER GRANTS New York Shakespeare

Professional Theatre Companie~$3,114,500 Festival New York Shakespeare

New york, New York 150,000

Actors Theatre of Louisville, Inc. Alley Theatre, Inc. American Conservatory Theatre Foundation, Inc. The American Place Theatre, Inc. American Shakespeare Theatre Trustees of Amherst College/

Louisville, Kentucky Houston, Texas

San Francisco, California

New York, New York

Stratford, Connecticut

87,500 86,500

150,000

39,500

139,500

Festival/Lincoln Center Oakland University/Meadow Brook Theatre Old Globe Theatre Oregon Shakespeare Festival Organic Theatre Company, Inc. Performing Arts Foundation of Long Island The Playhouse/Cleveland

New York, New York

Rochestcr, Minnesota San Diego, California Portland, Oregon

Chicago, Illinois

Huntington, New York

150,000

14,750 32,375 10,000

18,000

6,500

Folger Theatre Group Arizona Civic Theatrc Art Institute of Chicago/

Washington, D.C. Tucson, Arizona

24,750 12,400

Playhouse Seattle Repertory Th~atreOffice of Research & Project

Cleveland, Ohio Seattle, Washington

62,850 144,750

Goodman Theatre Barter Theatre Pomegranate Players and Theatre, Inc./Berkeley Repertory Company California Actors Theatre Center Stage Associates, Inc. Center Theatre Group of Los Ang~les Chelsea Theatre Center, Inc. The Cincinnati Playhous~ in the Park, Inc. Circle in the Square, Inc. Circle Repertory Theatre Company, Inc. Cricket Theatre CSC Repertory, Ltd.Curators of the University of Missouri/Missouri Repertory Theater Dallas Theatre Center Eugene O’Neill Memorial Theatre Foundation, Inc.

Chicago, Illinois Arlington, Virginia

Berkeley, California Los Gatos, California Baltimore, Maryland

Los Angeles, California Brooklyn, New York

Cincinnati, Ohio New York, New York

New York, New York Minneapolis, Minnesota New York, New York

Kansas City, Missouri Dallas, Texas

Waterford, Connecticut

57,000 5,000

5,000 5,000

66,650

150,000 132,500

62,850 62,000

22,375 5,000 9,750

17,375 52,400

137,000

Administration South Coast Repertory, Inc. Southeastern Academy of Theatre & Music, Inc./ Academy Theatre Springfield Theatre Arts Association, Inc./Stage West Studio Theatre School/Studio Arena Theatre S.U. Theatre Corporation/ Syracuse Stage University of Tennessee/ Clarence Brown Theatre Theatre Inc./Phoenix Theatre Trinity Persona Company/ Trinity Square Repertory Company Virginia Museum of Fine Arts/Virginia Museum Theatre Yale University/Yale Repertory Theatre

Princeton, New Jersey Costa Mesa, California

Atlanta, Georgia

Springfield, Massachusetts

Buffalo, New York

Syracuse, New York

Knoxville, Tennessee New York, New York

Providence, Rhode Island

Richmond, Virginia

New Haven, Connecticut

49,500 17,500

44,000

31,425

30,000

30,000

40,000 22,500

132,000

7,500

114,500

Page 122: National Endowment for the Arts Annual Report 1976

Theatre 125

Program Treasury Private Theatre for Youlhm$27,$00 Center Theatre Group/ Improvisational Theatre Los Angeles, California 27,500

General Progr~$7$,000 American Conservatory Theatre San Francisco, California 15,000 Center Theatre Group/Mark Taper Forum G uthrie Theatre

Los Angeles, Calif. Minneapolis, Minnesota

15,000 15,000

N.Y. Shakespeare Festival/ Lincoln Center New York, New York 15,000 N.Y. Shakespeare Festival/ Public Theatre New York, New York 15,000

Page 123: National Endowment for the Arts Annual Report 1976

Visual Arts

Page 124: National Endowment for the Arts Annual Report 1976

Visual Arts 1~7

The Visual Arts Program is now in its tenth year. Fellowships ]or Artists, Cra]tsmen, Photographers, shared. In the Bicentennial year, one of the program’s many grants was awarded to Southern Illinois University,Printmakers, and Art Critics--All grants to individuals-­A decade ago the program offered two categories of in support of a series of blacksmithing workshopsassistance: grants for works of art in public places, and with the exception of those to ~ritics for project work-­entitled "Blacksmiths as Artists and Craftsmen in thefellowships to painters and sculptors. Fellowships to are without conditions. Fellowships are to enable artists United States, 1776-1976."photographers werc added in 1971; to critics in 1972; to to set asidc time and/or purchase materials and generally

Artists, Critics, Photographers and Cra]tsmen incraftsmen in 1973; to printmakers and video artists in to advance their careers as they see fit. The fellowship

Residence--Museums, universities, community centers and1974. By now, Visual Arts programs include aid for short- review process relies on the probity and sound judgment

art schools invite nationally known artists, critics, photog-term residencies, for workshops/alternative spaces, for of expert panelists who base their recommendations on raphers and craftsmen for short-term residencies to meetphotography and crafts exhibitions, for performing arts the quality of work submitted by applicants. Their efforts and work with them, present exhibitions of their work andgroups to engage visual artists, for craftsmen to train ncw each year are consistent with the Endowment’s enabling exchange ideas and information.craftsmen--in all, an expansion over the course of ten Act to support "artists of exceptional talent," of any age

Cra]ts and Photography Exhibition Aid---Crafts andof esthetic persuasion. Individual fellowships in all Visualyears from two funding programs to sixteen. One measure Photography are currently two of the fastest growingArts categories this year totaled 285.of the program’s cu.rrent activity is its share of grant areas in the Visual Arts program. Matching grants toapplications: of the nearly 20,000 requests received at Works o] A rt in Public Places~One of the oldest organizations sponsoring photography exhibitions beganVisual Arts programs, it is intended to give the publicthe Endowment this year, over 8,000 carne under the in 1973; a similar program for crafts exhibitions began inheading of Visual Arts. access to the best contemporary art in public situations 1975. One purpose of these programs is to bring exhibitions to the public m a variety of situations, such as museu.ms,

"The cultural bubble of the 1960s has never really burst; contrary to rumor and recession, university galleries, community centers and prisons. Catalogues often serve as valuable doeumentation.

the arts ate flouñshing in Ameñca. It is a cuñous, perverse flowering, in which creativity In the case of photography they are often as compelling and nihilista are often equated, but what both ñne and performing arts lack in easy compre- visually as the exhibitions they accompany. The program

gives special consideration to projects which producehensibility is made up in intellectual |erment, productive energy and velT real achievement." catalogues of lasting value.

Services to the Field--Grants under this program--The New York Times editorial cover a wide range of services and include support

outside the museum context. By now over 200 works of for projects which provide information for artists through slide registries, manuals and artists directories. Assistanceart in a range of media, including sculpture, photography, is also available for research on hazardous materials andcrafts, and mural painting have been commissioned and for projects which promote the interests and rights ofpurchased with Endowment aid in 37 states for such artists in the areas of insurance, taxation, employment andsettings as airports, plazas, highways, and building walls,

Workshops/Alternative Spaces Program--These resale. All these subjects are taken with increasing artist-generated, short-term institutions for making and seriousness by the visual arts community. It should be

noted that in many instances these services are beingshowing new work ate providing an essential system of conducted by artists themselves.support to artists. Grantees include a variety of organiza-

Master CraÍtsmen Apprenticeship Program--Undertions: printmaking, video and photography workshops, this category master craftsmen receive funds to engage anstudio spaces, exhibition, performance and project spaces, apprentice, to whom they can impart their skills and whoThese workshops and alternative spaces ate now estab­

lishing an effective network around the country, making will assist them at their work fora period of, generaily, positive connections between local and national scenes, nine months. Individual craftsmen are eligible for non-

matching funds for one apprentice; crafts organizationsand encouraging productive dialogue among artists, ate eligible to apply for up to 5 apprentices. MatchingCra]ts Workshop Program--A separate workshop

program for craftsmen was begun in 1975. Crafts work- funds are required. Visual Arts in the PerIorming Arts--Matching grantsshops are defined as places with facilities where groups

under this program are available to performing artsof craftsmen who have related interests in aesthetic groups to engage outstanding visual artists to design sets,and technical mattvrs come together for the purpose of

working in a situation in which ideas and information are costumes and posters.

Page 125: National Endowment for the Arts Annual Report 1976

128 Visual Arts

Advisory Panel Artists’ Fellowships Robert Ellis Artist Albuquerque, New Mexico

Dorothea Rockburne Artist New York, New York

Robert Irwin Artist Venice, California

John Neff Curator Detroit Institute of Arts Detroit, Michigan

Philip Pearlstein Artist New York, New York

Gudmund Vigtel Director High Museum of Art Atlanta, Georgia

Artists’ Fellowships Video Subpanel

Frek Barzyk Producer/Director WGBH-TV Boston, Massachusetts

Jack Boulton Director Contemporary Arts Center Cincinnati, Ohio

Ed Emshwiller Artist Wantaugh, New York

David Ross Curator, Video Arts Long Beach Museum of Art Long Beach, California

Artists’ Fellowships Conceptual/Per[ormance Subpanel

Eleanor Antin Artist Solana Beach, California

Joseph Kosuth Artist New York, New York

Jane Livingston Chief Curator Corcoran Gallery of Art Washington, D.C.

Kynaston McShine Curator Museum of Modern Art New York, New York

Printmakers’ Fellowships

Vincent Longo Artist New York, New York

Robert Johnson Curator-in-Charge The Achenbach Foundation for Graphic Arts Fine Arts Museums of San Francisco San Francisco, California

William Lieberman Director, Drawings Museum of Modern Art New York, New York

Cra/tsmen’ s Fellowships

David Hanks Curator American Decorative Arts Philadelphia Museum of Art Philadelphia, Pennsylvania

Ruth Kohler Director John M. Kohler Arts Center Sheboygan, Wisconsin

Harrison McIntosh Ceramist Claremont, California

Wilhelmina Godfrey Weaver Buffalo, New York

Robert Hart General Manager Bureau of Indian Affairs Department of the Interior Washington, D.C.

Art Critics’ Fellowships

Max Kozloff Executive Editor Art]orum New York, New York

Robert Morris Artist New York, New York

Cecile McCann Editor and Publisher Artweek Oakland, California

Page 126: National Endowment for the Arts Annual Report 1976

Visual Arts 129

"hotographers’ Fellowships

l’homas Garver 2urator of Exhibitions M. H. deYoung Museum -~an Francisco, California

lonathan Green Photographer, Associate Professor of Photography, MIT; and Associate Editor, Aperture, lnc. Millerton, New York

Kenneth Josephson Photographer and Professor of Photography School of the Art Institute of Chicago Chicago, Illinois

Anne Noggle Photographer and Curator of Photography Fine Arts Museum Santa Fe, New Mexico

John Szarkowski Director Department of Photography Museum of lV~odern Art New York, New York

Works of Art in Public Places

Jane Cone Art Critic and former Curator of Painting and Sculpture Baltimore Museum of Art Baltimore, Maryland

Jane Livingston Chief Curator Corcoran Gallery of Art Washington, D.C.

Irving Sandler Art critic and President,Committee for the "qisual Arts New York, New York

Martin Friedman Director Walker Art Center Minneapolis, Minnesota

Henry Geldzahler Curator, 20th Century Art Metropolitan Museum of Art New York, New York

Richard Koshalek Director Fort Worth Art Museum Fort Worth, Texas

Maurice Tuchman Curator of Modern Art Los Angeles County Museum of Art Los Angeles, California

Visual Arts in the Per~orming Arts

John Ludwig Artistic Administrator San Francisco Opera San Francisco, California

Robert Natkin Artist West Redding, Connecticut

Marion Javits Art Consultant New York, New York

Peter Pastreich General Manager St. Louis Symphony Orchestra St. Louis, Missouri

Photography Exhibition Aid, Photography Surveys and Photography Publication~

Alan Fern Chief, Division of Prints and Photographs Library of Congress Washington, D.C.

Jonathan Green Associate Professor of Photography, MIT Associate Editor, Aperture, lnc. Millerton, New York

Nathan Lyons Photographer and Director, Visual Studies Workshop Rochester, New York

Beaumont Newhall Art Historian and Visiting Professor University of New Mexico Albuquerque, New Mexico

Crafls Exhibition Aid and Crafts Workshops

Ronald Hickman Craftsman and Director, Phoenix Art Museum Phoenix, Arizona

Eudora Moore Director California Design, Inc. Los Angeles, California

Merribell ParsonsCurator of Decorative Arts Minneapolis Institute of the Arts Minneapolis, Minnesota

Susan Mellon Metalsmith Uncas Point, Connecticut

tVorkshops

Alanna Heiss President Institute for Art and Urban Resources New York, New York

James Melchert Axtist Oakland, California

Page 127: National Endowment for the Arts Annual Report 1976

130 Visual Arts

Jane Livingston Chief Curator Corcoran Gallery of Ait Washington, D.C.

Mary Beebe Director Portland Center for the Visual Arts Portland, Oregon

Master CraÍtsmen Apprenticeships

Mary Jane Leland Weaver Los Angeles, California

Warren McKenzie Potter Steelwater, Minnesota

Ronald Pearson Metalsmith Deer Isle, Maine

Services to the FieM

Mary Beebe Director Portland Center for the Visual Arts Portland, Oregon

Rudolph Baranik Artist New York, New York

Ruben Gorewitz Accountant New York, New York

Services to the Field--Cra[ts Subpanel

Pita Adrosko Assistant Curator of Textiles Smithsonian Institution Washington, D.C.

Kent Ipsen Associaté Professor, Glassworking Virginia Commonwealth University Richmond, Virginia

Francis Merritt Director Haystack Mountain School of Crafts Deer Isle, Maine

Ronald Pearson Metalsmith Deer Isle, Maine

Susan Peterson Head, Ceramics Department University of California Los Angeles, California

Page 128: National Endowment for the Arts Annual Report 1976

Visual Arts 131

Grants Program Treasury PrivateProgram Treasury PrivateWorks of Art in Public Places~$756,810

Fort Worth Art Association Fort Worth, Texas 9,290Specially Commissioned Work--$504,250 Grand Forks Chamber of Alaska State Council on the Arts City of Adrian City of Hartford City of Hayward City of Jackson City of LubbockCity of Massillon City of Monterey City of Ponca City City of Sioux City City of Tulsa City Walls, Inc. Governmental Research Institute Muhlenberg College Rockford Arts Council State of Iowa

Purchased WorkD$120,500 Akron-Summit Company Public Library Contemporary Arts Center City of Corning Dia Art Foundation Evanston Art Center Montgomery County Department of Recreation Seattle Arts Commission

Anchorage, Alaska Adrian, Michigan Harfford, Connecticut Hayward, California Jackson, Mississippi Lubbock, Texas Massillon, Ohio Monterey, California Ponca City, Oklahoma Sioux City, Iowa Tulsa, Oklahoma New York, New York

Cleveland, Ohio Allentown, Pennsylvania Rockford, Illinois Des Moines, Iowa

Akron, Ohio Cincinnati, Ohio Corning, New York New York, New York Evanston, Illinois

Bethesda, Maryland Seattle, Washington

20,000 20,000 50,000 50,000 50,000 25,000 21,500 25,000 20,000 25,000 20,000 45,000

50,000 31,750 21,000 30,000

10,000 15,000 10,000 20,000 13,000

10,000 20,000

Commerce Grand Forks, North Dakota Greenwich Arts Council Greenwich, Connecticut Hammarskjold Plaza Sculpture Garden New York, New York Intermedia Foundation Garnerville, New York Lebanon Valley College Annville, Pennsylvania Midmarch Associates New York, New York Oklahoma State Board of Public Affairs Oklahoma City, Oklahoma Philadelphia Museum of Art Philadelphia, Pennsylvania Phillips Collection Washington, D.C. Vermont Council on the Arts, Inc. Montpelier, Vermont Wright State University Dayton, Ohio

Visual Ar~s in the Performing Arts--$58,150 American Conservatory Theatre Foundation San Francisco, California American Place Theatre New York, New York Connecticut College New London, Connecticut Cunningham Dance Foundation New York, New York Ensemble Players Guild Honolulu, Hawaii Foundation for American Dance New York, New York Foundation for Repertory Theatre of Rhode Island Providence, Rhode Island Group Motion Multi Media Dance Theatre Philadelphia, Pennsylvania

4,000 2,500

9,870 6,000 4,300 3,000

15,000 3,000 8,000

5,000 4,000

1,500 5,000 5,500

1,250 1,000

5,000

1,500

1,500 Service League of Hennepin County Medical Center Wayne State University

Minneapolis, Minnesota Detroit, Michigan

12,500 10,000

Louis Falco Dance Company Magic Theatre Medicine Show Theatre

New York, New York San Francisco, California

1,000 5,000

Other--$132,060 Antioch College, Green County Arts Commission of Greater Toledo Babson College Brockman Gallery Production California State University Cityarts Workshop, Inc. City of Memphis Community Arts Foundation Community Consolidated School District 181 Creative Artists Program Service Double Helix Corporation

Yellow Springs, Ohio

Toledo, Ohio Babson Park, Massachusetts Los Angeles, California Fullerton, California New York, New York Memphis, Tennessee Chicago, Illinois

Hinsdale, IIlinois

New York, New York St. Louis, Missouri

4,000

2,500 1,950 5,000 4,000 5,000 5,000

15,000

10,000

2,650 3,000

Ensemble Michigan Opera Theatre University of Missouri MoMing Collection New Hampshire Performing Arts Center New York City HispanicAmerican Dance Company Oakland Ballet Company and Guild, Inc. Oregon Symphony Society Pennsylvania Ballet Association Raymond Johnson Dance Company St. Louis Spirit of ’76

New York, New York Detroit, Michigan Columbia, Missouri Chicago, Illinois

Manchester, New Hampshire

New York, New York

Oakland, California Portland, Oregon

Philadelphia, Pennsylvania

New York, New York St. Louis, Missouri

2,000 6,500 2,500

500

2,000

1,500

1,500 500

5,000

1,500 900

Page 129: National Endowment for the Arts Annual Report 1976

13~ Visual Arts

St. Paul Chamber Orchestra Society St. Paul, MinnesotaSouth Carolina Arts Commission Columbia, South CarolinaTheatre f0r the New City Foundation New York, New YorkTrisha Br0wn Company New York, New YorkYM-YMHA of Metropolitan New Jersey West Orange, New Jersey

Artists, Critics, Photographers and Craftsmen in Residence~~$185,886 Alabama Craftsmen’s Council Brundidge, AlabamaAldrich Museum of Contemporary Art, Inc. New York, New YorkApeiron, Inc. Millerton, New York Arizona Commission on the Arts and Humanities Phoenix, Arizona Artemisia Fund, Inc. Chicago, IllinoisThe Baltimore Museum of Art Baltimore, MarylandBeaver College Glenside, PennsylvaniaBennington Summers, Inc. Bennington, VermontCalifornia State University Northridge, CaliforniaUniversity of California Riverside, California Columbia University New York, New York Columbus Gallery of

Program Treasury Private

500

500

1,500 1,500

1,500

1,300

1,400 1,500

7,200 1,500

650 1,500 2,000 1,000 3,000 1,500

Program Treasury PrivateUniversity of Kansas Kutztown State College Louisiana State University Meade Public Library Regents of University of Michigan Mills College University of Minnesota Monumenta/Newport, Inc.University of Nebraska University of Nebraska University of NevadaNew York Universíty University of North Dakota North East Missouri State University University of Notre DameThe Octagon/Ames Society for the Arts 112 Workshop, Inc. Peters Valley Craftsmen Philadelphia Colldge of Art Portland Center for the Visual Arts Portland School of Art Purdue University Research Foundation of

Lawrence, Kansas Kutztown, PennsylvaniaBaton Rouge, Louisiana Sheboygan, Wisconsin

Ann Arbor, Michigan Oakland, California Minneapolis, Minnesota Newport, Rhode Island Omaha, Nebraska Lincoln, Nebraska Las Vegas, Nevada New York, New York Grand Forks, North Dakota

Kirksville, Missouri Notre Dame, Michigan

Ames, Iowa New York, New York Layton, New Jersey Philadelphia, Pennsylvania

Portland, Oregon Portland, Maine West Lafayette, Indiana

1,500 1,500 1,500

500

1,225 1,400 1,500 1,500 1,500 1,161 1,500 8,000 1,500

1,300 805

1,500 1,200 1,180 1,500

1,500 1,500 1,500

Fine Arts Trustees of the Corcoran Gallery of Art Corpus Christi Art Foundation Cultural Council Foundation Dartmouth College Dia Art F0undation, Inc. Drew University

Columbus, Ohio

Washington, D.C.

Corpus Christi, Texas New York, New York Hanover, New Hampshire New York, New York Madison, New Jersey

1,500

1,500

1,250 1,500 1,500 3,000 1,475

SUNY Research Foundation of SUNY/State University College Roanoke-Chowan Technology Institute Rutgers University San Francisco Museum of Art School of the Art Institute

Albany, New York

Oswego, New York

Ahoskie, North Carolina New Brunswick, New Jersey San Francisco, California

3,000

1,500

1,500 1,500 3,000

Fine Arts Work Center Fort Wright College Goddard College Graduate Center CUNY Hartwick College Haystack Mountain School of Crafts Student Cooperative Association, Inc. of the Indiana University of Pennsylvania Intermedia Foundation, Inc. International Center of Photography

Provincetown, Massachusetts Spokane, Washington Plainville, Vermont New York, New York Oneonta, New York

Deer Isle, Maine

Indiana, Pennsylvania Gainesville, New York

New York, New York

1,500 500

1,500 1,000 2,135

1,500

1,500 1,500

1,500

of Chicago Skowhegan School of Painting and Sculpture, Inc. Smithsonian Institution South Dakota State University University of South Dakota J.B. Speed Art Museum Summer School of Painting at Saugatuck Sun Valley Center for the Arts and Humanities Union of Independent Colleges of Art

Chicago, Illinois

Showhegan, Maine Washington, D.C. Brookings, South Dakota Vermillion, South Dakota Louisville, Kentucky

Saugatuck, Michigan

Sun Valley, Idaho

Kansas City, Missourí

1,500

6,000 3,000 1,000 1,850 3,000

3,000

1,960

27,000

Page 130: National Endowment for the Arts Annual Report 1976

Visual Arts 133

Virginia Commonwealth University Walker Art Center Washington State University Washington University Gallery of Art Washington University School of Fine Arts West Bronx Art League Western Carolina University

Richmond, VirginiaMinneapolis, Minnesota Pullman, Washington

St. Louis, Missouri

St. Louis, Missouri Bronx, New York Cullowhee, North Carolina

Program Treasury

1,500 6,000 1,500

1,500

1,500 1,500 2,900

Private Museum of Fine Arts Museum of Modern Art State of New Mexico Philadelphia Museum of Art Reed College J.B. Speed Art Museum Visual Studies Workshop Wilmington Society of the Fine Arts Women’s Interart Center

Houston, Texas New York, New York Santa Fe, New Mexico Philadelphia, Pennsylvania Portland, Oregon Louisville, Kentucky Rochester, New York

Wilmington, Delaware New York, New York

Program Treasury Private 7,500

10,000 3,000

18,000 1,450 2,500

10,000

7,500 4,000

White Mountains Center for the Arts Whitney Museum of American Art Wilmington Society of Fine Arts Board of Regents of the University of Wisconsin System Wright State University

Exhibifion Aid--$289,945

Photography--$160,O00 American Federation of Arts Apeiron Workshops

Jefferson, New Hampshire

New York, New York

Wilmington, Delaware

Milwaukee, Wisconsin Dayton, Ohio

New York, New York Millerton, New York

3,000

15,000

1,500

1,500 6,495

5,000 3,000

Crafts---$129,945 American Crafts Council Amigos del Museo del Barrio, In¢. University of Arizona Brockton Art Center Clemson Architectural Foundation Craft Center Creative Arts League of Sacramento Dartmouth College Denver Art Museum Founders Society/Detroit Institute of Arts

New York, New York

New York, New York Tuscon, Arizona Worcester, Massachusetts

Clemson, South Carolina Worcester, Massachusetts

Sacramento, California Hanover, New Hampshire Denver, Colorado

Detroit, Michigan

10,000

5,000 5,000 3,000

1,500 6,090

3,000 3,000 5,000

5,000 Arizona Commission on the Arts and Humanities Asia Society California State University University of California Columbia College University of Colorado Trustees of the Corcoran Gallery of Art Edinboro State College Floating Foundation of Photography Friends of Photography

Phoenix, Arizona New York, New York Long Beach, California Santa Barbara, California Chicago, lllinois Boulder, Colorado

Washington, D.C. Edinboro, Pennsylvania

New York~ New York Carmel, California

2,025 8,000 4,700 4,850 5,000 5,000

6,500 4,475

5,000 4,000

Frog Hollow Craft Association Indian Arts and Crafts Board Kansas City Art Institute Laguna Beach Museum of Art Los Angeles Institute of Contemporary Art Michigan State University Museum of Contemporary Art Neville Public Museum University of Oregon Phoenix Art Museum Richmond Art Center

Middlebury, Vermont Washington, D.C. Kansas City, Missouri Laguna, California

Los Angeles, California East Lansing, Michigan Chicago, Illinois Green Bay, Wisconsin Eugene, Oregon Phoenix, Arizona Richmond, California

3,000 10,000 5,000 5,000

4,000 3,855

10,000 3,000 5,000 5,000 3,000

Greater Knox Council on the Arts Institute of Contemporary Art Institute for Art and Urban Resources University of Kansas Los Angeles Center forPhotographic Studies University of Louisville Mid-American Arts Alliance Minority Photographers, Inc. MoMing Collection

Knoxville, Tennessee Boston, Massachusetts

New York, New York Lawrence, Kansas

Los Angeles, California Louisville, Kentucky Kansas City, Missouri New York, New York Chicago, Illinois

1,000 7,000

5,000 4,000

7,000 4,000 6,500 3,000 1,000

Board of Trustees/Southern Illinois University Carbondale, Illinois University of Southern Mississippi Hattiesburg, Mississippi Star of the Republic Museum Washington, Texas Tucson Art Center, Inc. Tucson, Arizona Woman’s Community, Inc. Los Angeles, California

Photography, Publications--$32,000 Aperture, Inc. Millerton, New York Colorado University Press Boulder, Colorado

10,000

3,500 5,000 3,000 5,000

12,000 10,000

Page 131: National Endowment for the Arts Annual Report 1976

134 Visual Arts

Program Treasury Private Prograrn Treasury Privatelnternational Cent~r of Goode, Joe Los Angeles, CaliforniaPhotography New York, New York 10,000 5,000 Grosvenor, Robert New York, New York 5,000

Photography, Surveyb$83,000 Gummer, Donald New York, New York 5,000 Aperture, Inc. Millerton, New York 8,000 Hermann, Joel Hobart, Indiana 5,000 Appalachian Community Jones, Howard St. Louis, Missouri 5,000 Development Whitesburg, Kentucky 10,000 Kirschenbaum, Bernard New York, New York 5,000 Kentucky Arts Commission Louisville, Kentucky 12,000 Landry, Richard New York, New York 5,000 Mason County Senior Center Shelton, Washington 15,000 Leicester, Andrew Minneapolis, Minnesota 5,000Minneapolis Society of Arts Minneapolis, Minnesota Lorber, Stephen New York, New York 5,00010,000Peters Valley Craftsmen Layton, New Jersey 8,000 Marioni, Thomas R. Berkeley, California 5,000 Photo/200 New York, New York 20,000 Mattox, Charles Albuquerque, New Mexico 5,000

McCarthy, Paul Eaglerock, California 5,000Fellowships---$1,278,500 McMillin, Thomas Los Angeles, California 5,000 Menard, Andrew New York, New York 5,000Visual Arfists---$571,000 Moses, Edward Venice, California 5,000Barry, Robert T. Teaneck, New Jersey 10,000 Nick, George Georgetown, Massachusetts 5,000Campus, Peter New York, New York 10,000 Noe, Jerry Chapel Hill, North Carolina 5,000Dugmore, Edward New York, New York I0,000 Ohlson, Douglas New York, New York 5,000Gillette, Frank New York, New York 10,000 Rose, Herman New York, New York 5,000Hendricks, Geoffrey New York, New York 10,000 Ruppersberg, Allen Los Angeles, California 5,000Judd, Donald Marfa, Texas 10,000 Schapiro, Miríam New York, New York 5,000Kos, Paul San Francisco, California 10,000 Sibbison, Robert Dayton, Ohio 5,000LeVa, Barry New York, New York 10,000 Sihronen, Olí New York, New York 5,000Loew, Michael New York, New York 10,000 Smith, Alexis Venice, California 5,000Ramsden, Mel Robert New York, New York 10,000 Sonnier, Keith New York, New York 5,000Voulkos, Peter Berkeley, California 10,000 Stuart, Signe Brookings, South Dakota 5,000Watts, Robert M. Bangor, Pennsylvania 10,000 Swain, Robert New York, New York 5,000Tivey, Harold New York, New York 5,000Acconci, Viro New York, New York 5,000 Viola, William Westbury, New York 5,000Adams, Pat Bennington, Vermont 5,000 White, John Venice, California 5,000Adler, Billy Los Angeles, California 5,000 Weisenfeld, Paul New York, New YorkAndrejevic, Mileta 5,000New York, New York 5,000 Wines, James New York, New YorkAycock, Alice 5,000New York, New York 5,000 Wudl, Tom Venice, California 5,000Bechtte, Robert Berkeley, California 5,000 Yarde, Richard Brooklyn, New YorkBishop, James 5,000New York, New York 5,000 Zimmerman, Elyn Venice, California 5,000Boice, Bruce New York, New York 5,000Boutis, Thomas New York, New York 5,000 Abbott, Jon L. Venice, California 2,000Burden, Chris Venice, California 5,000 Adams, Mac New York, New YorkCajori, Marion 2,000New York, New York 5,000 Aronson, Mark New York, New York 2,000

Celmins, Vija San Francisco, California 2,000Charlesworth, Sarah C. New York, New York 5,000 Ashley, Mary

Venice, California 5,000 Balog, MichaelChicago, Judy New York, New York 2,000Santa, Monica, California 5,000 Bartlett, Jennifer L. New York, New York 2,000Colescott, Robert Oakland, California 5,000 Berthot, Jake New York, New York 2,000Denby, Jillian New York, New York 5,000 Bieser, NatalieDowney, Juan Venice, California 2,000New York, New York 5,000 Bigelow, Kathryn New York, New York 2,000Foust, Stephan Detroit, Michigan 5,000 Binion, McArthurFox, Terry New York, New York 2,000San Francisco, California 5,000 Birmelin, Robert Leonia, New JerseyFreilicher, Jane New York, New York 5,000 Blake, John C. 2,000East Greenwich, Rhode IslandGanzer, James Venice, California 2,0005,000 Bloom, Suzanne Northampton, MassachusettsGirouard, Tina New York, New York 2,0005,000 Blum, Andrea Chicago, Illinois 2,000

Page 132: National Endowment for the Arts Annual Report 1976

Visual Arts 135

Program Treasury PrivateProgram Treasury Private

Pryor, Gerald New York, New York 2,0002,000Brewster, Michael Venice, California 2,000Reiss, Roland Venice, California2,000Brodsky, Eugene New York, New York 2,0002,000 Rezac, Richard Portland, OregonBrown, Joan San Francisco, California Richards, Bruce Los Angeles, California 2,000Byrne, James Minneapolis, Minnesota 2,000

Ross, Charles New York, New York 2,000 Calabro, Richard Wakefield, Rhode Island 2,000 2,000Rychlak, Bonnie Northampton, MassachusettsCanole Rochester, New York 2,000

Samore, Samuel E. San Francisco, California 2,000 Chao, Bruce Columbus, Ohio 2,000

Schiff, Jeffrey Northampton, Massachusetts 2,000 Dallas, Susan Nathbrook, Illinois 2,000

Segalove, Ilene Los Angeles, California 2,000Daniel, Paul Baltimore, Maryland 2,000

Serra, Rudy San Francisco, California 2,000Darling, Lowell Hollywood, California 2,000

Shearer, Hartley New York, New York 2,000Old Lyme, Connecticut 2,000Dunhan, Carroll Simonds, Charles New York, New York 2,000New Haven, Connecticut 2,000Feintuch, Robert 2,000Sobel, June Oceanside, New York2,000Fisher, Curtís W. Chicago, Illinois 2,000Stone, Donald Todd New York, New York

Freelander, David New York, New York 2,000 Tsai, Wen-Ying New York, New York 2,000

Fugate-Wilcox, Terry New York, New York 2,000 Weil, Susan New York, New York 2,000

Gigliatti, Davidson New York, New York 2,000 Wilke, Arlene I-Iannah New York, New York 2,000

Goodridge, Lawrence Florence, Kentucky 2,000 Will, Dennis Philad.elphia, Pennsylvania 2,000

Gordon, John Venice, California 2,000 Zeidman, Dorothy Norman, Oklahoma 2,000

Gourevitch, Jacqueline Middletown, Connecticut 2,000 Griffin, Eileen San Diego, California 2,000 l~rintmakers--$24,000 Haslanger, Martha Cambridge, Massachusetts 2,000 Alper, Natalie Brookline, Massachusetts 3,000 Heyward, Julia Dunedin, Florida 2,000 Gibbar, Jennifer Garden Grove, California 3,000 Highstein, Jene New York, New York 2,000 Hacklin, Allan Valencia, California 3,000

2,000Hill, Charles Santa Monica, California Hardy, Patricia North Berwick, Maine. 3,000 Hogan, Patrick Venice, California 2,000 Hill, Clinton New York, New York 3,000 Horowitz, Beth New York, New York 2,000 Hofmann, George Worcester, New York 3,000

2,000Janowich, Ronald New York, New York Miller, Brenda New York, New York 3,000 Janowich, Joel Watertown, Massachusetts 2,000 Otro, Gug Baltimore, Maryland 3,000 Johnston, Ynez Los Angeles, California 2,000

Santa Ana, California 2,000 Photographers~$307,500Karwelis, Donald Kendrick, Mel New York, New York 2,000 Baltz, Lewis Sausalito, California 7,500 Kepets, Hugh New York, New York 2,000 Belcher, Raymond Redondo Beach, California 7,500 Klein, Rodger Venice, California 2,000 Brooks, Ellen Manhattan Beach, California 7,500

Koutroulis, Aris New York, New York 2,000 Burchard, Jerry San Francisco, California 7,500 Krugman, Michael Morristown, New Jersey 2,000 Jamaica Plain, Massachusetts 7,500Burke, William M. Kubota, Shegiko New York, New York 2,000 Callaban, Harry Providence, Rhode Island 7,500 Leavitt, William Los Angeles, California 2,000 Christianberry, William Washington, D.C. 7,500 Levine, Marilyn Salt Lake City, Utah 2,000 Connor, Linda San Francisco, California 7,500 Levinson, Mon New York, New York 2,000 Craig, John Pensacola, Florida 7,500 Lew, Jeffrey New York, New York 2,000 Dantzic, Jerry Brooklyn, New York 7,500 Lockpez, Inverna New York, New York 2,000 Divola, John Venice, California 7,500

Pasadena, California 2,000 Buffalo, New York 7,500Lodato, Peter Drisch, RussellMcCafferty, Jay San Pedro, California 2,000 Eggleston, William Memphis, Tennessee 7,500

2,000 7,500Monteith, Kenneth Jamaica Plains, Massachusetts Estabrook, Reed Cedar Falls, Iowa2,000 7,500Myers, Rita New York, New York Gagliani, Oliver South San Francisco, California

Nonas, Richard New York, New York 2,000 Gibson, Ralph New York, New York 7,500 Norwell, Patsy New York, New York 2,000 Hume, Richard Boulder, Colorado 7,500

Ann Arbor, Michigan 2,000 7,500Orentlicher, John Jachna, Joseph Oak Lawn, Illinois Pavlicovic, James New York, New York 2,000 John, Laurence Pacific Palisades, California 7,500 Pettibone, Shirley Los Angeles, California 2,000

Page 133: National Endowment for the Arts Annual Report 1976

136 Visual Arts

Program Treasury Private Program Treasury PrivateKohl, Paul San Francisco, California 7,500 Kingsbury, Anne Milwaukee, Wisconsin 5,000Laughlin, Clarence New Orleans, Louisiana 7,500 Klotz, Suzanne Phoenix, ArizonaLazorik, Wayne Albuquerque, New Mexico 7,500 Kusana, Tetsuo 5,000

Logan, Utah 5,000Lehmann, Minnette San Francisco, California 7,500 Laky, Gyongy Berkeley, California 5,000Lennard, Erica Sausalito, California 7,500 Langley, Lorena Elton, Louisiana 5,000Levin, Robert Brooklyn, New York 7,500 La Verdiere, Bruno Hadley, New York 5,000Levitt, Helen New York, New York 7,500 Lechtzen. Stanley Philadelphia, Pennsylvania’ 5,000Mandel, Mike/Sultan, Le Land, Malcolm Potrero, California 5,000Lawrence Santa Cruz/Larkspur, California 7,500 Lewis, Marcia San Jose, California 5,000McWilliams, John Atlanta, Georgia 7,500 Lipofsky, Marvin Berkeley, CaliforniaMertin, Roger 5,000Rochester, New York 7,500 Makins, James New York, New York 5,000Michals, Duane New York, New York 7,500 Massaro, Karen Mazomanie, Wisconsin 5,000Nixon, Nicholas Cambridge, Massachusetts 7,500 Mayers, Laurence San Francisco, California 5,000Papageorge, Tod Cambridge, Massachusetts 7,500 McNaughton, John Evansville, Indiana 5,000Perlmutter, Abigail Coral Gables, Florida 7,500 Mondt, Carol Los Angeles, California 5,000Siskind, Aaron Providence, Rhode Island 7,500 Myers, Joel Bloomington, Illinois 5,000Skoff, Gail Berkeley, California 7,500 Owens, Winifred Alexandria, Virginia 5,000Smith, Michael New Orleans, Louisiana 7,500 Paley, Albert Rochester, New YorkSorce, Wayne Chicago, Illinois 5,0007,500 Pearson, J. Albuquerque, New Mexico 5,000Thurston, Jacqueline Menlo Park, California 7,500 Rambin, Merrill Okolona, Arkansas 5,000Van Derzer, James New York, New York 7,500 Reifel, Stanley Santa Barbara, California 5,000Woolsten, William Genesee, Idaho 7,500 Reitz, Donald Spring Green, Wisconsin 5,000Zulpo-Dane, William Pt. Ríchmond, California 7,500 Replinger, Dorothy Urbana, Illinois 5,000

Rose, Thomas Minneapolis, MinnesotaCraftsmenD$300,000 5,000Schuitte, Lee Durham, North Carolina 5,000Bagnal, Joel Boston, Massachusetts 5,000 Schwartz, Dina Brooklyn, New York 5,000Baldwin, Douglas Baltimore, Maryland 5,000 Soldner, Paul Aspen, Colorado 5,000Bellas, Gerald Wausau, Wísconsin 5,000 Stalman, Sven Huntington, West Virginia 5,000Bramson, Phyllis Glenview, Illinois 5,000 Starding, Nettie Gracemont, Oklahoma 5,000Burns, Mark Philadelphia, Pennsylvania 5,000 Stewart, Lizbeth Philadelphia, Pennsylvania 5,000Cacicedo, Jean Centennial, Wyoming 5,000 Stewart, William Hamlin, New York 5,000Carpenter, Arthur Bolinas, California 5,000 Uravitch, Andrea Arlington, Virginia 5,000Chambers, Park, Jr. Chicago, Illinois 5,000 Winokur, Paul Horshan, Pennsylvania 5,000Coleman, Brian Watsonville, California 5,000 Wyman, Richard Layton, New JerseyCompton, Ben 5,000New York, New York 5,000 Zakin, Mikhail Closter, New JerseyCowgiII, Molly Richmond, Virginia 5,000 5,000

DeVore, Richard Bloomhold Hills, Michigan 5,000 Art cntics--$76,000 Edson, Katharine New York, New York 5,000 Cloihier, Peter Los Angeles, California 5,000Elder, Lyn San Francisco, California 5,000 Clow, Gerry Leverett, Massachusetts 5,000Friedman, Alan Terre Haute, Indiana 5,000 Cohen, Harriet Pelham, Massachusetts 5,000Glad, Deanna Santa Monica, California 5,000 Coleman, Allan D. Staten Island, New York 5,000Helzer, Richard Bozeman, Montana 5,000 Cortright, Barbara Chandler, Arizona 1,000Hindes, Charles Iowa City, Iowa 5,000 de Ak, Edit New York, New York 5,000Holmes, Davis Milwaukee, Wisconsin 5,000 Downey, Roger B. Seattle, Washington 1,000Hu, Mary Omsted Falls, Ohio 5,000 Featherstone, David B. Eugene, OregonHughes, Dorothy 1,000Winnetka, Illinois 5,000 Goossen, Eugene C. Buskirk, New York 5,000Huí, Ka-Kwong Jamesburg, New Jersey 5,000 Hopkins, Jan (Butterfield) San Francisco, California 5,000Karnes, Karen Stony Point, New York 5,000 Kurtz, Bruce D. Oneonta, New York 5,000Kaufman, Glen Athens, Georgia 5,000 Kutner, Janet Dallas, Texas 1,000Keene, David Arlington, Texas 5,000 Lewis, Jo Ann Bethesda, Maryland 1,000

Page 134: National Endowment for the Arts Annual Report 1976

Visual Arts 137

Lippard, Lucy R. Meisel, Alan Michelson, Annette Myers, John B. Naversen, Kenneth L. Polak, Clark P. Ratcliff, Cart¢r G. Rosler, Martha Sekula, Allan G. Sterle, Kim M. Tannous, David

New York, New York Berkeley, California New York, New York Brewster, New York Long Beach, California Los Angeles, California New York, i~lew York Leucadia, California Del Mar, California Seattle, Washington Annandal¢, Virginia

Program Treasury 5,000 5,000 5,000 5,000 1,000 1,000 1,000 1,000 5,000 1,000 1,000

Private Museum of Conceptual Art N.A.M.E. Gallery l’,lational Heritage Trust/ ARTPARK New Organization for the Visual Arts 112 Workshop, Inc. Open Ring Galleries Philadelphia College of Art Portland Center for the Visual Arts Printmaking Workshop

San Francisco, California Chicago, Illinois

Lewiston, New York

Cleveland, Ohio New York, New York Sacramento, California Philadelphia, Pennsylvania

Portland, Oregon New York, New York

Program Treasury Private 10,000 14,000

10,000

7,500 15,000 4,215 8,000

15,000 5,000

Workshops---$547,920

Visual Ai-ts---$447,215 and/or Service Apeiron Workshop Artemisia Fund, Inc. Artists in Residence, Inc. Art Research Center Ashford Hollow Foundation for the V.A. Bird and the Dirt

Seattle, Washington Millerton. New York Chicago, Illinois New York, New York Kansas City, Missouri

Buffalo, New York Washington, D.C.

15,000 12,500 8,000

10,000 8,000

8,000 2,500

Private Arts Foundation of D.C. Public Eye/Ant Farm Rockland Center for the Arts, Inc. Roswell Museum of Art Sun Valley Center for the Arts and Humanities Video RepetoireVisual Studies Workshop WGBH Educational

Washington, D.C. San Francisco, California

New York, New York Roswell, New Mexico

Sun Valley, Idaho New York, New York Rochester, New York

10,000 5,000

2,500 10,000

10,000 3,500

12,500

Boston Visual Artists Foundation Boston, Massachusetts 15,000 Union, Inc. Cats’ Paw Palace of Performing Arts, Inc. Change, Inc. Committee for the Visual Arts Common Ground of the Arts

Boston, Massachusetts

Berkeley, California New York, New York New York, New York Detroit, Michigan

13,500

5,000 10,000 31,000 10,000

Women/Artists/Filmmakers Women’s Community, Inc. Women’s Interart Center Wright State University

Crafts~$100,705

New York, New York Los Angeles, California New York, New York Dayton, Ohio

10,000 8,000 5,000

14,000

Cultural Council Foundation/ L.E.S. Printshop Eighty Langton St. Electronic Arts Intermix F. Douglass Museum of African Art

New York, New York San Francisco, California New York, New York

Washington, D.C.

2,000 10,000 11,500

15,000

Arizona Commission on the Arts and Humanities Arkansas Arts Center Chinese Cultural Foundation of San Francisco Craft Alliance Education

Phoenix, Arizona Little Rock, Arkansas

San Francisco, California

2,500 1,325

2,500

Floating Museum/ Physics Consciousness Research Group Fondo del Sol Friends of Photography Haleakala, Inc. Institute for Art and Urban Resources Long Beach Museum of Art Los Angeles Institute of Contemporary Art

San Francisco, California Washington, D.C. Carmel, California New York, New York

New York, New York Long Beach, California

Los Angeles, California

3,500 4,000 5,000

13,000

15,000 9,000

14,000

Center Craft Center Haystack Mountain School of Crafts Indian Arts and Crafts Board University of Kansas Laguna Beach School of Art Los Alamos Arts Council Naples Mili School of Arts and Crafts Pacific Northwest Arts

St. Louis, Missouri Worcester, Massachusetts

Deer Isle, Maine Washington, D.C. Lawrence, Kansas Laguna Beach, California Los Alamos, New Mexico

Naples, New York

3,000 2,830

10,000 5,000 3,500 3,500

520

3,400

Minneapolis Institute Society of Fine Arts MIT/Center for Advanced Visual Studies

Minneapolis, Minnesota

Cambridge, Massachusetts

7,500

10,000

Council/Seattle Art MuseumPottery Northwest, Inc. Rhode Island School of Design

Seattle, Washington Seattle, Washington Providence, Rhode Island

5,000 3,000

10,000

Page 135: National Endowment for the Arts Annual Report 1976

138 Visual Arts

St. Paul’s College Lawrenceville, VirginiaSalt Lake City Center Salt Lake City, Utah Sheboygan Arts Foundation, Inc. Sheboygan, Wisconsin University of Southern California Los Angeles, California Board of Trustees/Southern Illinois Univ¢rsity Carbondale, Illinois Temple University Philadelphia, Pennsylvania Textile Workshops, Inc. Santa Fe, New Mexico

Master Craflsmen Apprenticeships----$66,000 Berstein, William Burnsville, North Carolina Carpenter, Edward Portland, Oregon Castle, Wendell Scottsville, New York Cohen, Michael Amherst, Massachusetts Greenland, Melvin New York, New York Guernmonprez, Trude San Francisco, California Hindman Settlement School Hindman, Kentucky Helfman, Muriel St. Louis, Missouri Howell, Douglass Locust Valley, New York Kapos, June McLean, Virginia Koblick, Freda San Francisco, California Lou, Nils St. Paul, Minnesota Meyer, Jon Corning, New York Mikolas, Karel Slatington, Pennsylvania Minsky, Richard New York, New York Maloof, Sam Alta Lonce, California O’Connor, John Bergen, New YorkPaley, Albert Rochester, New York Peiser, Jane Penlad, North Carolina Van Vilet, Claire West Burke, Vermont Wood, Beatrice Ojai, California Wyman, William Scituate, Massachusetts

Services to the Field--$250,000 Alameda County Neighbor­hood Arts Program Oakland, California Aldrich Museum of Contero­porary Art, Inc./Soho Center for Visual Artists New York, New York American Crafts Council New York, New York Marilyn Anderson Rochester, New York and/or Service Seattle, Washington Aperture, Inc. Millerton, New York Artists Equity Fund Washington, D.C. Artists Technical Research Institute, Inc. New York, New York Art Resource Association East Calais, Vermont Arts Development Services Buffalo, New York

Program Treasury Private850 Ashford Hollow Foundation/

1,280 Artists Committee Gail Barazani

10,000 Boston Visual Artists Union, Inc.

10,000 California Watercolor Society University of California

,0,000 Center for Visual Arts 9,000 Center for Exploratory and3,500 Perceptual Arts

Chicago New Art Association Cityarts Workshop

3,000 Committee for the Visual 3,000 Arts, Inc. 3,000 Community of Women Artists 3,000 CUNY Graduate School 3,000 Shirley Dailey 3,000 De Anza College 3,000 Otto Dingeldein 3,000 Dulin Gallery of Art 3,000 Fairtree Fine Crafts Institute 3,000 Kenneth Ferguson 3,000 Founders Society of the 3,000 Detroit Institute of Art 3,000 Foundation for the Community 3,000 of Artists 3,000 University of Southern Florida 3,000 Friends of Photography 3,000 Friends of Puerto Rico 3,000 Georgia Council for the Arts 3,000 John Glick 3,000 Gary Griffin 3,000 Mrs. Tatyana Grosman/ 3,000 Universal Ltd. Art Editions

Thomas Gutman Charles Hance Independent Curators Institute for Art and Urban1,500 Resources Institute for Contemporary Hispanic Art4,000 Janus Foundation9,000 Ray Johnson3,000 Kennebec Valley Art5,000 Associates4,000 Kentucky Guild of Artists6,000 and Craftsmen Kent Kirby2,000 Richard Kostelanetz2,500 Stanley Lechtzin5,000

Program Treasury Private

Buffalo, New York 3,000 Chicago, Illinois 1,500

Boston, Massachusetts 2,000 Woodland Hills, California 2,000 La Jolla, California 2,000 Oakland, California 2,000

Buffalo, New York 2,000Chicago, Illinois 5,000 New York, New York 3,000

New York, New York 13,500 St. Louis, Missouri 2,000 New York, New York 3,000 Columbia, Missouri 3,000Cupertino, California 1,000 Cape Girardeau, Missouri 3,000 Knoxville, Tennessee 1,500 Santa Barbara, California 2,500Shawnee Mission, Kansas 3,000

Detroit, Michigan 5,000

New York, New York 3,000Tampa, Florida 2,000 Carmel, California 2,000 New York, New York 2,000Atlanta, Georgia 3,500 Farmington Hills, Michigan 3,000 Rochester, New York 3,000

West Islip, New York 5,000 Manchester, Connecticut 3,000 Deer Isle, Maine 3,000Washington, D.C. 2,000

New York, New York 5,000

New York, New York 1,000 Thousand Oaks, California 1,000Locust Valley, New York 5,000

Halowell, Maine 1,000

Borea, Kentucky 3,000Alma, Michigan 2,000 New York, New York 2,000 Philadelphia, Pennsylvania 3,000

Page 136: National Endowment for the Arts Annual Report 1976

Visual Arts 139

City of Los Angeles, Depart­ment of Parks and Recreation Los Angeles Institute of Contemporary Art Marietta College Edward Meneeley Michigan Council for the Arts National Association of

Los Angeles, California

Los Angeles, California Marietta, Ohio London, England Detroit, Michigan

Program Treasury

2,000

4,000 5,500 3,000 1,500

Private Memphis Academy of Arts Michigan State University Nolanda Foundation Research Foundation of the State University of New York Walker Art Center Western Illinois University Wright State University

Memphis, Tennessee East Lansing, Michigan Boulder, Colorado

Albany, New York Minneapolis, Minnesota Macomb, Illinois Dayton, Ohio

Program Treasury Private 1,500 1,500

706

3,000 2,000 1,500 1,500

Handcraftsmen New York State Craftsmen Frederick Olsen Pennsylvania State University/ Hershey Medical Center

Hunt Valley, Maryland New York, New York Mountain Center, California

Hershey, Pennsylvania

8,750 3,000 3,000

6,000

Crafts Special Projects~$19,270 American Crafts Council New York, New York Converse College Spartanburg, South Carolina Northern Illinois University DeKalb, Illinois

16,270 1,500 1,500

Eugene and Hiroko Pyanowski Portland Center for the

West Lafayette, Indiana 3,000 General Programs~$6,000

Visual Arts Portland, Oregon 2,000 Whitney Museum of Walter Robinson New York, New York 3,000 American Art New York, New York 3,000 Shelburne Spinners School Burlington, Vermont 3,300 Carl Stover Washington, D.C. 3,000 Helen Shlien Wayland, Massachusetts 1,000 Society for Photographic Education New York, New York 5,000 Society of North American Goldsmiths Boston, Massachusetts 1,750 Southwest Crafts Center San Antonio, Texas 3,100 Twin Cities Metropolitan Arts AIliance Minneapolis, Minnesota 5,000 Vermont Council on the Arts Montpelier, Vermont 4,000 Visual Studies Workshop Joseph Wilfer

Rochester, New York Oregon, Wisconsin

5,000 2,000

Wisconsin Institute for Inter-Media Studies Madison, Wisconsin 1,500 Woodstock Community Vídeo Women in the Arts Foundation

Woodstock, New York New York, New York

2,000 1,000

Women’s Interart Center New York, New York 14,100

General Programs---$40,500 Carl F. Stover/U.~g. Bicentennial Exposition on Science and Technology Washington, D.C. 40,500

TRANSITION QUARTER GRANTS

Artists in Residence--$19,206 Arizona Commission on the Arts and Humanities Phoenix, Arizona 2,000 Columbia College Chicago, Illinois 1,500 Trustees of the Corcoran Gallery Cultural Council F:oundation

Washington, D.C. New York, New York

1,000 1,500

University of Delaware Newark, Delaware 1,500

Page 137: National Endowment for the Arts Annual Report 1976

The Treasury Fund When the National Endowment for the Arts was

created, Congress included a unique provision in íts enabling legislation. This provision allows the Endowment to work in partnership with private and other non-federal sources of funding for the arts. Designed to encourage and stimulate increased private funding for the arts, the Treasury Fund allows non-federal contributors to join the Endowment in the grant-making process, generally for projects supported by the Endowment under the estab­lished program guidelines.

The Endowment encourages use of the Treasury Fund method as an especially effective way of combining Federal and private support, and as an encouragement to all potential donors, particularly those representing new or substantially increased sources of funds.

The Endowment may accept gifts in the forro of money and other property. Bequests may be made to the Endowment as well. Gifts to the Endowment ate generally deductible for Federal income, estate, and gift-tax purposes.

Gifts may be made to the Endowment for the support of a nonprofit, tax-exempt, cultural organization which has been notified that the Endowment intends to award it a grant under its regular program guidelines--organiza­tions such as a museum, a symphony orchestra, a dance, opera, or theatre company--or for ah Endowment pro-grato, such as fellowships, touring, conferences, or workshops.

When a restricted gift is received it frees ah equal amount from the Treasury Fund, which is then made available to the grantee in accordance with the amount and conditions of the grant, as recommended by the National Council on the Arts and approved by the Chairman.

The Endowment also accepts unrestricted gifts to be used for projects recommended to the Chairman by the National Council on the Arts.

Page 138: National Endowment for the Arts Annual Report 1976

Contributors, Fiscal Year 1976 Abalene Pest Control Serviee, Inc. Mr. and Mrs. Guido Accorsi The Arthur F. Adams Foundation, Inc. Miss Gladys A. Adams Mrs. Michael L. Adley Akron Community Trusts The Alamo National Bank Mrs. Alexander Albert Alcoa Foundation Mr. Gregory G. Alexander Alfred Distributing Company Allied Chemical Corporation Mr. Karl W. Allred Mrs. Charles Almy Alpha Lambda Chapter of Psi Iota Xi Sorority The Alumni Association of the Cleveland Institute oí Muslo The Alvord Foundation St. Ambrose Music Club The American Foundation American Express Foundation American Federation of Musicians American Natural Resources Company Mr. and Mrs. James B. Ames Mrs. John Amos Mr. and Mrs. Edward C. Anderson Mr. and Mrs. Richard W. Anderson Dr. Vivienne Anderson Mr. Wendell W. Anderson, Jr. Andrews-Edwards Music Company Mrs. William B. Ansted, Jr. Mr. Albert Appel Dr. John W. Appel Arizona Mining Æssociation Mr. and Mrs. Edward G. Armstrong Mr. Isaac Arnold Mr. and Mrs. Milton H. Aronson The Arts and Education Council of Greater St. Louis The Atlanta Music Festival Association, Inc. Dr. and Mrs. J. Howland Auchincloss Mrs. A. Everett Austin, Jr. Dr. and Mrs. Robert Austrian Mrs. True M. Avery Col. and Mrs. Robert Avon Mr. and Mrs. M. M. Axler Mr. Frederick Ayer II Mrs. Joseph W. Bach

Mr. and Mrs. Merle E. Baer The Baker and Taylor Companies Dr. Russell Baker Dr. and Mrs. Arzell L. Ball The Baltimore Life Insurance Company Bank of America Foundation Mr. Arthur C. Banks, Jr. Mr. and Mrs. John W. Barclay Mr. Wallace Barnes Mrs. Richard Chapin Barr Mr. and Mrs. Allen G. Barry The Theodore H. Barth Foundation Dr. and Mrs. Kevin D. Barron Mr. and Mrs. Michael D. Bartholomew Dr. and Mrs. Arnold Baskin Mr. and Mrs. Calvin R. Batchelor Miss Harriet Bath The Howard Bayne Fund Mr. and Mrs. Morrison H. Beach Mrs. Martha Beatty Becton, Dickinson and Company Mrs. Lyman A. Beeman Mrs. Herman Beerman The Suevia and Rudolph B. Behrend Foundation, Inc. Miss Elizabeth Ayer Bell Mr. and Mrs. Thomas L. Bell, Jr. Miss Jeannette Bellow Mr. and Mrs. Raymond Benenson Mr. and Mrs. Alfred L. Benjamin Mr. and Mrs. Robert R. Benway, Jr. Mrs. Carl F. Benner Mr. and Mrs. Spencer M. Berger Dr. and Mrs. Daniel Berkenblit Mrs. Barney Berkowitz Mr. and Mrs. Morris Berman Mr. Murray Bernthal Dr. and Mrs. John Betlejeski Mr. and Mrs. Thomas W. Biesinger Dr. Melvin D. Billings Mrs. Arthur S. Binley, Jr. Mr. Howard S. Bissell Mr. and Mrs. Roland M. Bixler Mr. and Mrs. Harry Blaisdell Mr. and Mrs. John A. Boehm Mr. and Mrs. William Boochever Mr. Frederic Brandi Mrs. Marguerite Bray

The Treasury Fund 141

Mrs. Charlotte B. Brechemin Mrs. Lois M. Brigden Mr. and Mrs. Henry Brightwell The Bristol-Myers Fund Broadcast Music, Inc. Mr. Michael Brodie Dr. and Mrs. William Bronk Mr. James C. Brooks, Jr. Mr. and Mrs. Arnold H. Brown Mrs. H. Lutcher Brown Mrs. Williard W. Brown Mr. and Mrs. Paul Brunner Dr. Hans Bruns Mr. Thomas S. Brush Miss Barbara J. Bryson Mr. John N. Buch Mrs. Raymond W. Buckley Buffalo Evening News The Buffalo Foundation Buffalo Philharmonic Orchestra Women’s Committee Dr. and Mrs. Daniel Burdick Mr. and Mrs. Joseph M. Burns Mr. William H. T. Bush Mr. Noah L. Butkin The Bydale Foundation Mrs. Henry G. Byng C & B Foundation The Honorable John M. Cabot Mr. and Mrs. Robert M. Cackener Mrs. Charles Cadwallader The Morris and Gwendolyn Cafritz Foundation California Association for A.C.T. Mr. and Mrs. Jeremiah Camarota, Jr. Cameron Iron Works, Inc. Dr. Ronald A. Cameron The Campbell Foundation, Inc. Mr. Charlton G. Campbell Mr. & Mrs. Murray Campbell Dr. Robert J. Campbell Mr. and Mrs. Beekman C. Cannon Dr. and Mrs. Albert J. Caplan Mr. Max N. Carol Mrs. Russell M. L. Carson Miss Fay Carter Mrs. H. G. Cartwright Mr. Louis M. Carusone Mary Flagler Cary Charitable Trust

Page 139: National Endowment for the Arts Annual Report 1976

142 The Treasury Fund

Mr. and Mrs. Eugene Casey Miss Eleanor N. Caulkins Mrs. Kenneth Cecil Celanese Corporation Centennial Foundation Mr. Henry Chanin Dr. and Mrs. Charles W. Charny Mr. Anthony P. Checchia Mrs. John Norris Childs, Sr. Mrs. Rose M. Childs Mr. and Mrs. Joseph Gerard Chisholm Dr. and Mrs. Maynard Christian Chrysler Corporation Fund Cincinnati Institute of Fine Arts Citizen Publishing Company City and County of San Francisco City of New Orleans Mr. William H. Claflin Miss Elaine Clark Mr. and Mrs. J. Wesley Clark Mr. Landon T. Clay C. Comstock Clayton Foundation Mrs. Stuart H. Clement The Cleveland Foundation Mr. and Mrs. Sam S. Clevenson Mr. Paul Clifford Miss Mary P. Clist Coca-Cola Bottling Company of Chicago Mrs. Judy A. Cole Miss Cecelia Colson Mrs. Palmer K. Colson The Columbian Mr. and Mrs. Robert J. Congel Mr. and Mrs. George W. Conklin Connecticut Bank and Trust Company Mr. and Mrs. Harold D. Conover Miss Elizabeth Cook Mrs. Charles N. Cooper Mr. Herman Copen Allan Copping Trust The Corbett Foundation Mr. and Mrs. James D. Corbett Mr. Forest E. Cornwell Corpus Christi Independent School District Mr. and Mrs. James Correy Mr. Charles W. Cossey Mrs. Gardner Cox

Mrs. Oscar Cox Mr. and Mrs. W. Carroll Coyne Malcolm Cravens Foundation Mrs. William H. Crocker Mr. and Mrs. Arthur U. Crosby Mrs. Mildred M. Crowley Mr. and Mrs. Raymond W. Cummings Mr. and Mrs. Thomas C. Curtan Mr. and Mrs. Lewis P. Curtís Mr. and Mrs. Michael F. Cusack Dr. and Mrs. David J. Dalton Leo A. Daly Co. Dr. and Mrs. Sidney Dana Mrs. Barbara Daniel Mr. C. D. Daniel Mr. and Mrs. A. F. Dapport Mrs. Beatrice B. Davis Mr. and Mrs. Edward Davis Mr. Kenneth N. Dayton Mr. and Mrs. Jerrold W. Dean Mr. and Mrs. Homer Dearlove Mrs. Edwin J. Decosta Mr. and Mrs. Donald DeRoeck Detroit Grand Opera Association, Inc. Dr. Francis X. Dever Mr. and Mrs. Gerry Dietz Mr. and Mrs. John G. Dinkeloo The Henry L. and Grace Doherty Charitable Mr. and Mrs. Thomas E. Dolan Mr. and Mrs. George B. Dowley Mr. William R. Driver, Jr. Mrs. Laurence E. Duane, Jr. Dr. and Mrs. Arthur H. Dube Duke Electric Company The Caleb C. and Julia W. Dula Educational and Charitable Foundation Mr. and Mrs. Thomas M. Duthie East Syracuse Chevrolet Sales Co., Inc. Mrs. Vern E. Easterling Eddy Reñning Company Mr. and Mrs. Robert L. Edwards Dr. and Mrs. Melvin Eggers Mrs. Alfred Einstein Empire Pacific Industries, Inc. Mr. James D. English Mr. and Mrs. Philip English Mr. Fred H. Ennis

Mr. and Mrs. Andrew Epifanio Equitable Life Assurance Society of the United States Exxon Corporation Exxon, U.S.A. Foundation Mr. and Mrs. Peter Faber Mrs. Harris Fahnestock Hon. John H. Farnham Farmers and Traders Life Insurance Company Miss Nancy M. Farr Mr. and Mrs. Leon Fassler Mr. and Mrs. John V. Fatica Mrs. Paul Feldenheimer Mrs. Howard A. Felding Mrs. ~amuel Fessenden Mr. and Mrs. Tracey Ferguson Miss Maria L. Fernandez Mr. Jesse R. Fillman Film Funds Trust Funds Miss Naomi Fine Fine Arts Commission First National Bank of Arizona First National Bank of Toledo, Ohio First Pennsylvania Corporation Mrs. William F. Fischer, Jr. Miss Shirley C. Fisk Mr. and Mrs. Melvin Fitting Dr. and Mrs. Thomas V. Flanagan Miss Janet M. Fletcher Mrs. Harrison F. Flippin Miss Sandra L. Folz Ford Motor Company Dr. and Mrs. Henry L Foster Mr. Fred D. Fowler Mr. Betram A. Frank Mrs. J. K. Frankel Franklin Mortgage and Investment Company Mr. and Mrs. Charles H. Frazier Mr. Robert C. French Mr. Sidney M. Friedberg J.F. Friedel Paper Box Company Mr. and Mrs. A. J. Friedman Mr. Steven B. Friedman Paul and Maxine Frohring Foundation, Inc. Fromm Music Foundation at Harvard Frost National Bank Mr. Randolph J. Fuller

Page 140: National Endowment for the Arts Annual Report 1976

The Treasury Fund 143

Mr. and Mrs. Phara Gagge Mr. Simeo J. Gallo Dr. and Mrs. Eric Gardner Gates Foundation Dr. and Mrs. James Gavin Gaylord Brothers General Surgical Supply Company General Telephone and Electronics Foundation Miss Evelyn Georges Mr. and Mrs. Andrew Gerardi

Mr. Irving Grossman Mr. Adrian Gruhn Dr. and Mrs. Sven M. Gundersen Haas and Goldmans Mr. and Mrs. Alvin N. Haas Miss Carol E. Hackett Dr. and Mrs. Harold Haft Mr. and Mrs. A. O. Hahn Miss Irene Hain Mr. and Mrs. John L. Hall

Mr. and Mrs. John L. Hoffman Mr. and Mrs. Robert Hoffman Mr. and Mrs. C. Beecher Hogan Mr. Robert L. Holdeman Mr. Melvin C. Holm Mr. and Mrs. Donald R. Holmes Dr. and Mrs. Ernest G. Holzmann Miss Dorothy M. Hooker Mr. and Mrs. A. M. Horak Miss Helene W. Horn

Gerber Legendary Blades Mr. Henry E. Gerstley Mr. and Mrs. Gordon P. Getty Mrs. John T. Gibson Mr. and Mrs. Donald E. Giegling Mr. Lester R. Gigerich Mrs. Christina E. Ginsburg Miss Sandra Gjelde Glens Falls National Bank Mr. and Mrs. G. W. Goetz Mr. and Mrs. John J. Goetz The Jerrold R. and Shirley Golding Foundation The Richard and Rhoda GoIdman Fund Mr. Smith E. Goldsmith Mrs. Barton Goldstein Colonel and Mrs. Julius Goldstein Mr. and Mrs. David Goldwasser Mr. Lewis Golub Dr. Harold A. Goodman

Halle’s Mr. and Mrs. Ralph W. Halsey, Jr. Mrs. Emily P. Hamell Mrs. Dorothea W. Hamilton Miss Mary Buffum Hamlin George and Mary Josephine Hamman Foundation Mr. and Mrs. Charles E. Hancock Mr. and Mrs. John Hancock Hon. and Mrs. Stewart F. Hancock, Jr. Mr. Charles S. Hanson Mrs. Eugene M. Haring Mrs. Bernard Harpp Mr. James Edward Harrigan Mr. Stu Harris Miss Nancy Hart Mr. and Mrs. Russ Hart Miss Elizabeth K. Harvey Miss Elizabeth R. Harvey Mr. William F. Hasselbach II

Mrs. Flora Hosmer H.J. Howe, Inc. Mr. and Mrs. James Hubbard Mr. and Mrs. James E. Hughes Miss Lisa C. Hughes The George and Pamela Humphrey Fund Samuel P. Hunt Foundation Mrs. Ellsworth Huntington John Huntington Art and Polytechnic Trust Mrs. John W. Huntington Mr. and Mrs. Eaton P. Hutchinson Mrs. Lawrence Hutchinson IBM Dr. Irving Imber The Indianapolis Foundation Indiana State Symphony Society, Inc. Women’s Committee Industrial Fabricating Corporafion Mrs. R. Jay Ingraham

Mrs. James L. Goodwin Mrs. Robert O. Gorson Gould Incorporated Dr. and Mrs. R. ~. Governale O. R. Grace Charitable Trust Gramma Fisher Foundation Mrs. Isabella Grandin Mr. and Mrs. Robert E. Gregg Mr. and Mrs. John P. Green Mr. Crawford H. Greenewalt Mr. and Mrs. James R. Greenfield Morris Greenspun Foundation Mr. and Mrs. Holland C. Gregg Mrs. Mary Owen Greenwood Miss Helena Grirnm Dr. and Mrs. Alexander Grinstein Dr. and Mrs. George W. Gross Mr. Albert J. Grossman

Mr. James G. Haws Mr. and Mrs. Bruce P. Hayden Sidney L. Hechinger Foundation Hecht-Levi Foundation, Inc. The Heckscher Foundation for Children Mr. and Mrs. James A. Heeter Heidelberg Inn Mr. and Mrs. John M. Hemenway Mr. and Mrs. Gordon Hemmett, Sr. Mr. J. C. Hemphill Mrs. Marian Clement Hepburn Miss Jessica Herbert Miss Jane S. Hergenhan Dr. and Mrs. Emerson W. Hibbard Mr. J. C. Higdon Mrs. J. H. Ward Hinkson Mr. George C. Hixon Mr. and Mrs. Hans Hoenck

Mr. James D. Ireland Miss Kate Ireland Mr. Horace Irvine Miss Joyce Irwin Dr. and Mrs. Nils O. Isachsen Mr. and Mrs. Merrill R. Jackson Dr. and Mrs. Nicholas Biel Jacobson Miss Joy Jennings Mrs. Janet S. Jeppson Mr. and Mrs. Kenneth E. Jewett Dr. and Mrs. Leo Jivoff Mr. and Mrs. Robert E. Johanson Johnson & Johnson Miss Barbara Jones Judson College Dr. and Mrs. Eric Jungermann Junior Guild for the Honolulu Symphony Mr. and Mrs. Norman Kahn

Page 141: National Endowment for the Arts Annual Report 1976

144 The Treasury Fund

Mr. and Mrs. Edmund J. Kahn Mr. Henry A. Kates Mr. and Mrs. Donald F. Keefe Mr. John J. Keeley Miss Vera Keim Russell Kelce Memorial Foundation Kelley Steel Erectors, Inc. Miss Lottie Kelner Mr. Gilbert Kenna Mr. and Mrs. Lyle E. Kennedy Mr. J. W. Kercher Mr. and Mrs. George H. Kimball Dr. and Mrs. Robert B. King Mr. David Kinghorn Mr. Michael C. Kirk Mr. Louis J. Kocurek Mrs. Harold E. Kohn Mrs. Siegfried Kra Mrs. Alvin A. Kraft C. L. C. Kramer Foundation Mr. and Mrs. James Kreston Dr. and Mrs. Gerald Krosnick Dr. and Mrs. Morris Krosnick Mrs. George A. Kubler Miss EIlen L. Kurtz Lado, Inc. Lafayette School PTA Rev. Dr. Benjamín J. Lake Lake George Opera Guild Miss Nanette H. Lamb Mr. Austin Lamont Landau Foundation Mrs. S. N. Landis Mr. and Mrs. Nathaniel T. Langlois Mr. and Mrs. G. H. Lange Lan-Nor Grene Foundation, Inc. Mr. and Mrs. Byron Lapham The Laub Foundation Dr. and Mrs. William E. Lattanzi Learbury Clothes, Inc. Lederman Piano Company Mr. and Mrs. John G. Lenz The Edgar M. Leventritt Foundation, Inc. Mr. Elwood E. Leonard Mrs. Mary-Louise D. Leonard Dr. Alec C. Levin Mrs. Frederick J. Leviseur

The June Rockwell Levy Foundation Mr. Leonard C. Lewin Lillian Kaiser Lewis Foundation Dr. Revis C. Lewis Libbey-Owens-Ford Company Lieser School, P.T.A. Lilly Endowment Lincoln 1st Federal Savings & Loan Association Mrs. Stephen V. Lines Albert A. List Foundation, Inc. Mrs. Arthur Littleton Mr. John E. Littleton Mrs. Peggy Hebard Lloyd Senator and Mrs. Tarky Lombardi, Jr. Mrs. Barbara V. Long Mr. Meredith Long Mrs. Walker Long Mr. and Mrs. George DeForest Lord Mr. and Mrs. Carleton F. Loucks Mr. and Mrs. Frederick H. Lovejoy Mrs. Samuel C. Lovejoy Mr. Eugene F. Loveland Mr. and Mrs. John Lowell The Louis R. Lurie Foundation Mr. and Mrs. J. Russell Lynes Mr. Robert P. Lyons III Miss Maud Louise Lytle The MacDowell Boston Beneñt The MacDowell Colony Fellows Judge and Mrs. Herbert S. MacDonald Mr. and Mrs. Ray W. MacDonald Mrs. Sam Maddux, Jr. Miss Elizabeth Madeira Mr. Thomas E. Maher Mr. and Mrs. Frederick J. Mancheski Mr. and Mrs. William Manice, Jr. Mrs. George L. Manley James S. Marcus Foundation The Frank C. Marino Foundation. Inc. Miss Beatrice Landeck Marks Mr. Lee R. Marks Mr. and Mrs. William Marqueson Mr. Arnold R. Marshall Miss Mary Marshall Mrs. Guy Martín Mrs. Wayne S. Martin Mr. William M. Martindale

Mr. and Mrs. F. D. Martzloff Mr. and Mrs. George H. Mason Mr. John Joseph Matonis The May Company Mr. and Mrs. Walter W. May Mr. and Mrs. Ellis C. Maxcy Mrs. Moselle T. Meals Mrs. Thomas E. Meath Dr. and Mrs. J. Wister Meigs Mr. and Mrs. Edwin R. Meiss Melanol Foundation, Inc. Miss Alma Lee Melcher Mr. and Mrs. Adrian C. Melissinos Mrs. Loudon Mellen Mr. and Mrs. Don Mello Merchantile-Safe Deposit & Trust Company Merriewood School Parents Club The Charles E. Merrill Trust Mr. James I. Merrill The Joseph Myerhoff Fund, Inc. Mr. and Mrs. Henry T. Meyermann Midstate Offset Printing Corporation Mid-West Forge Corporation Mr. A. Frederick Mignone Mr. and Mrs. E. Kirkbride Miller, Jr. Mr. Henry S. Miller, Jr. Milwaukee Public Schools Mr. and Mrs. Paul S. Mirabito The Missoula Kiwanis Club The Missoulian Mister Guy, Ine. Mobil Foundation, Inc. William Moennig & Son, Inc. Mohave Band Boosters and P.T.A. Montana Power Company Monumental Corporation Mr. and Mrs. Arthur F. Moody Mrs. Hugh Montgomery Mrs. Ellen H. Moore Mr. and Mrs. Nicholas F. Morano Morgan Guaranty Trust Company of New York Charitable Trust Mr. and Mrs. Robert H. Morgan Mr. John H. Morison Mrs. Nelson Swift Morris Dr. and Mrs. James F. Morrissey William Inglis Morse Trust

Page 142: National Endowment for the Arts Annual Report 1976

The Treasury Fund

Mr. and Mrs. William (3. Morton Mrs. Irving Moskovitz Mr. and Mrs. H. Myers Mr. and Mrs. Robert S. Mucklestone Mr. and Mrs. John S. Mulligan Mr. and Mrs. Charles L. Munigle Miss Elizabeth E. Murphy John P. Murphy Foundation Mr. and Mrs. Joseph H. Murphy Mrs. Russell Murray Mr. and Mrs. George Muse Mutual Life Insurance Company of New York Mr. and Mrs. Alan J. McBean, Jr. Dr. and Mrs. R. L. McClelland Col. Stephen C. McCormick Mr. W. O. McCoy Mrs. H. C. McFadden Mr. James McKillop Mr. and Mrs. John P. McGarry, Jr. Dr. and Mrs. D. R. McIntyre Miss Dorothy McKee Mr. and Mrs. Wm. McNamer Miss Billie McReynolds Mrs. Louis Nahurn Mrs. Richard P. Nash National Youth Foundation, Inc. Dr. and Mrs. George W. Naumburg, Jr. Mr. Samuel I. Newhouse

Omark Industries, Inc. Mr. and Mrs. Robert C. Osborn Dr. and Mrs. Charles Osgood Mr. and Mrs. William B. Osgood Our Lady of Snows Parents Club Pacific Gas And Electric The David and Lucile Packard Foundation Ruth Page Foundation Dr. Lincoln D. Paine Mrs. Richard C. Paine Mrs. Joseph C. Palamountain Mr. and Mrs. Henry Panasci, Jr. Mrs. Haven Parker The Martin Paskus Foundation, Inc. Panwy Foundation Joseph Patelson Music House Peco Foundation Mrs. Willard D. Pendleton Mr. and Mrs. John G. A. Pennink James C. Penny Foundation, Inc. The Penrod Society Mr. Edward A. Pereles Performing Arts Council/Music Center of Los Angeles County Mr. and Mrs. Henry Ten Eyck Perry Mrs. Donald A. Petrie Mr. Anthony Pezzula Phoenix Chapter, The Links, Inc.

Mr. and Mrs. Joseph Pollock Mr. Edwin Polokoff Poncho Mr. and Mrs. Roland Pond Mr. and Mrs. Samuel Poor Mr. and Mrs. James F. Preston, Jr. Mr. William M. Preston T. Rowe Price Associates, Inc. Mrs. Peter Prichett Mr. George Proctor The OIive Higgins Prouty Foundation Prudential Insurance Company of America Mr. and Mrs. James F. Quinn Mr. and Mrs. Leon Rabin Mr. and Mrs. L. M. Rachofsky Dr. and Mrs. Sherwin S. Radin Radio Station KZOK/OK10 Mr. and Mrs. John R. Ralph Mrs. Judith S. Randal Mr. and Mrs. Alfred M. Rankin Mr. and Mrs. Joseph Rappaport A.C. Rathesky Foundation M.rs. Conyers Read Dr. and Mrs. Robert Reid Mrs. Ray J. Reigeluth The Very Rey. William J. Reilly Reliance Insurance Companies Foundation Mr. Harry Remis

Mr. and Mrs. Donald C. Newton The New York Community Trust Nichols Foundation, Inc. Mrs. Ethel Dietz Ni¢hols

Pepsico Foundation, Inc. Mr. A. Dean Perry Mrs. A. Dean Perry Mr. and Mrs. Edwa.rd T. Peterson

Mr. Dean Rhodus Mr. and Mrs. Harry F. Rice Sid W. Richardson Foundation Mr. Fredeñck W. Richmond

Mr. and Mrs. Raymond Nilsson Noble Foundation Mr. and Mrs. Joseph E. Nolan Mr. Michael J. Noonan Mr. and Mrs. Lester Norcross

Pew Memorial Trust The Philadelphia National Bank Mr. Robert A. Philipson Phoenix Clearing House Association Mrs. T. F. Pick

Miss Aretta N. Ricks Mr. and M.rs. Robert Riester Mr. and Mrs. Morris L. Rinehart Mr. Samuel H. Ritterman Mrs. Eugene L. Roberts, Jr.

Mr. and Mrs. David Northrup Northwest Area Foundation

Mr. and Mrs. George W. Pierson Mr. and Mrs. Richard Pietrafesa

Miss Jean E. Roberts Mr. James D. Robertson

Mr. and Mrs. Luther Noss Mrs. James D. Pinkerton Dr. Patrick Robertson Mr. Kalman Novak O’Brien & Gere Engineers, Inc. Ogden Symphony (3uild Mr. (3unnar Okeson Miss Jane Ohnstad

Dr. and Mrs. R. K. Pinschmidt, Jr. Miss Leah F. Pinson Mrs. Homer Piper Mr. and Mrs. Lachlan Pitcairn Mr. Michael Pitcairn

Dr. and Mrs. Donald W. Robinson Mrs. Walter H. Robinson Robson House, Inc. Rochester Clearing House Association Mr. Arthur Rock

Mr. and Mrs. George Oliva, Jr. Omaha Community Playhouse

Dr. and Mrs. Hai W. Pittman Dr. and Mrs. Irving M. Polayes

The Martha Baird Rockefeller Fund for Music, Inc. Mr. David Rockeffeler

Page 143: National Endowment for the Arts Annual Report 1976

146 The Treasury Fund

Rockweil International Corporation The Rodgers & Hammerstein Foundation Mr. and Mrs. Stephen Rogers Mrs. E. Ruth Rodin Mr. and Mrs. Ronald Rohmer Mr. E. J. Rollins Mrs. Henry A. Rosenberg, Sr. Mr. Lessing J. Rosenwald Mrs. Lessing J. Rosenwald Mr. and Mrs. Arthur M. Ross Mr. and Mrs. George Rost Philip and Samuel Roth Charitable Foundation M.rs. Otto Rothsc~ild Mr. and Mrs. Randolph S. Rothschild Dr. James C. Rouman Mrs. Lester Roxin Mr. and Mrs. Aaron M. Rubin Mr. and Mrs. Melvin R. Rudolph Mr. Stephen J. Ruffi Mr. and Mrs. Robert E. Ruggles Mrs. A. Lloyd Russell Mr. Charles Russell Miss Patricia M. Russell SCM Corporation Saint Paul-Ramsey Arts & Science Council Mr. and Mrs. Gerhard Salinger Mr. and Mrs. William R. Salisbury Miss Gaii Salmonson Salomon Brothers Foundation Mr. Richard Samuelson Mrs. Ashton Sanbom Mrs. Bert J. Sanditz The San Francisco Foundation The San Francisco Sympñony Foundation San Jose Unified School District Saratoga Springs, City School District Mr. and Mrs. Artñur Sarnoff Dr. and Mrs. Bernard Saturen Mr. and Mrs. John Sayre Miss Norma F. Scarborough Mr. J. R. Scñaff~r John K. Schemmer (Fidueiary Trust) Mr. and Mrs. C. Newton Sc~enck Mr. Robert S. Scher Mr. and Mrs. Raymond A. Schirmer Mr. and Mrs. Bernard Schiro Dr. and Mrs. R. H. Schmidt

M.r. and Mrs. Ralph S. Schmitt Mrs. Roslyn Sc~naper Mr. and Mrs. Leo Sc~ultz Mr. H. Schumacher Dr. and Mrs. H. John Schutze Sears, Roebuck and Company The Sears-Roebuck Foundation Seattle Opera Guild Seattle Repertory Organization Seattle Symphony Women’s Association Mr. Robert B. Semple Dr. and Mrs. Stepphen M. Serlin Drs. John and Elizabeth Serrage Mr. George C. Seybolt Shapiro Brothers Charitable Foundation, Inc. Ida and Joseph Shapiro Foundation Mr. and Mrs. R. C. Shaw Emma A. Sheafer Trust Shell Companies Foundation, Inc. Mr. Brooks Shepard, Jr. Mr. Samuel G. Shepñerd Miss Davina E. Sherman Mr. and M.rs. Paul W. Sherman Mrs. Frances P. Sherwood Shimberg & Gerber Insurance The Shubert Foundation, Inc. Dr. Carl Swan Shultz Mr. and Mrs. Eugene A. Shurtleff Mrs. Robert A. Sidur Mr. and Mrs. Herbert A. Silverman Mr. and Mrs. L. Silverstein Simpson Foundation Miss Edith Eleanor Simpson Mrs. Harry H. Singleton Skaggs Companies, Inc. Dr. and Mrs. Isadore Slovin Colonel and Mrs. C. Haskell Small Mr. and Mrs. Robert N. Small Mr. and Mrs. Gordon Smitñ The Kelvin Smith Trust Mr. and Mrs. Lloyd Smitñ Miss Pauline S. Smith Mr. Robert B. Snapp, Jr. Mrs. William B. Snow Mr. and Mrs. Richard Snyder The Sogg Foundation, Inc. Sosland Foundation

Mrs. Ben F. Souders Southñeld Arts Councii Soutñfield Parks & Recreation P. David and Susan Spears Squibb Corporation St. Michael School Standard Oil Company Miss Mary C. St~rk The Starr Foundation The Steele-Reese Foundation Mrs. L. Storey Stemmons Stern Brothers & Company Mrs. Carl Stern Mr. and Mrs. Joñn B. Stevens Mr. and Mrs. Joseph E. Stevens, Jr. Mrs. Charles R. Stewart Mr. and Mrs. Arthur V. Stiffey Miss Helen Stiffey Mr. and Mrs. Howard F. Stirn Mr. Franz T. Stone Stonewall Foundation Miss Carol D. Strader Miss Sandra L. Straub Dr. Bella Strauss Dr. and Mrs. Raymond H. Stokes Mrs. Claudia Stoop Mr. and Mrs. Charles E. St.rube Mrs. Robert D. Stuart, Jr. Mr. Jack Sukin Dr. and Mrs. David C. H. Sun Sun Life Assurance Company Rabbi and Mrs. Brooks Susman Mrs. Leonard L. Sutter Mr. and Mrs. James A. Sutton Mr. Murray R. Sweet Mr. and Mrs. James A. Sykes Mr. and Mrs. Robert L. Sykes Mr. and Mrs. Raymond H. Synnestvedt Mr. Joseph Tauber The Taylor Chair Company Mr. John A. Taylor Mr. and Mrs. Wm. Teare Teledyne Charitable Trust Foundation Dr. Jay Tepperman Texas Industñes Foundation Mr. Lucius E. Thayer Mr and Mrs. Michael R. Thiessen

Page 144: National Endowment for the Arts Annual Report 1976

The Treasury Fund 147

Mr. and Mrs. Samuel M. Thomas Mr. H. Wayne Judge Dr. and Mrs. Harry T. Wood, Jr. The Thompson Construction Corporation Dr. and Mrs. D. H. Thompson Mr. and Mrs. Wi.rt L. Thompson, Jr. The Thornhill School Parent Faculty Club Mr. and Mrs. Donald L. Tiffany Mr. and Mrs. Melvin W. Title

Mr. Michael Weill Dr. and Mrs. Harold C. Weinstein Mr. and Mrs. Max Weinstein Mrs. Jessie Weisman Mr. and Mrs. Ben H. Wells Miss Janet West

Mrs. Fred G. Wooster, Jr. Miss Julia L. Wooster Mr. and Mrs. Frank R. Wranovics Mrs. Wesley Wright Mrs. Paul Wurzburger Wyomissing Foundation, Inc.

The Tobin Foundation The Western New York Savings Bank Mr. and Mrs. Michael Yaffee Mrs. Edgar Tobin Mr. and Mrs. Maurice B. Tobin

Westwood Pharmaceuticals, Inc. Miss Susan Wettlaufer

Mr. and Mrs. Wm. Yeo Mr. Alan J. Zell

Mr. Robert L. B. Tobin Mr. and Mrs. Raynham Townshend, Jr. Transamerica Corporation Mr. and Mrs. Frank Trerise

Weyerhaeuser Company Foundation Wheelabrator-Frye, Inc. WHEN-TV/Meredith Syracuse Television Corp. Mr. and Mrs. Ronald Whillock

Crown Zeilerbach Foundation Zellerbach Family Fund Dr. and Mrs. Dewey K. Ziegler Dr. and Mrs. Leon W. Zimmerman

Mr. and Mrs. Christopher Tunnard Mrs. Edward Turner

Mr. and Mrs. James P. White Mr. and Mrs. John B. White

Dr. and Mrs. Robert H. Zimmer Mr. Sidney S. Zlotnick

Mrs. Emerson Tuttle Mr. and Mrs. John W. White Mr. and Mrs. Farbes S. Tuttle Mrs. Thomas Raeburn White United Services Automobile Association Mr. Warren White Mrs. Abbot Payson Usher Mr. and Mrs. Parke W. Wicks Utah Symphony Guild United Arts Council of Puget Sound United States Trust Company of New York Vallecito School PTA

Miss Isabel Wilder Mr. Henry Lee Willet Mr. and Mrs. David D. Williams Dr. and Mrs. James T. Williams

Mr. Raymond G. Van Diest Vaughan Foundation

Mr. and Mrs. L. Neil Williams Mr. and Mrs. Lewis C. Wiiliams

Vega Industries Mr. and Mrs. I. A. Victor

Mr. and Mrs. Charles B. Wilson Mrs. David K. Wilson

Dr. and Mrs. Paul J. Vignos Mr. and Mrs. Robert W. Wilson Foundation Miss Joan Vincent Mr. and Mrs. Keith Wilson Miss Nancy Vogelsang Mrs. Donald G. Wing Mr. Robert J. von Dohlen Miss Hanna C. Winkler Mr. and Mrs. Mija Vonic Miss Inge Winkler Mrs. Otto G. Voss Dr. and Mrs. Francis A. Wingate Mr. Theodore N. Voss Mr. and Mrs. Alexander Winnick W-P Instruments, Inc. Mrs. Harrison L. Winter Mr. and Mrs. Leonard W. Wagman Mr. Robert E. Wise Mr. and Mrs. Eugene Waith Mr. John Ellis Knowles Wisner Mrs. Patricia Walker Mr. and Mrs. Walter L. Wolf Mr. John N. Walsh III Mr. and Mrs. Brian H. Woife Mr. and Mrs. Harold G. Warner The Women’s Committee of The Cleveland Institute Mrs. Harriet Washer of Music Mrs. Simon Wasserman Mrs. lsaiah Wolfson The John Jay and Eliza Jane Watson Foundation The Paul L. and Phyllis Wattis Foundation

Women’s Association for the Honolulu Symphony Society Women’s Committee of Kansas City Lyric

Mr. and Mrs. Stuart D. Watson Women’s Committee, Rochester Music Association Mr. Alec Waugh Women’s Guild of the Syracuse Symphony Orchestra

Page 145: National Endowment for the Arts Annual Report 1976

History of Authorizat-ionsand Appropriations ~o~~~ ~,,,

Arts Humanities Administrative

Authorization Appropriation Authorization Appropriation

Fiscal 1966 Program Funds Treasury Fund*

$ 5,000,000 2,250,000

$ 2,500,000 34,308

$ 5,000,000 5,000,000

$ 2,500,000 $ 727,000

Total $ 7,250,000 $ 2,534,308 $ 10,000,000 $ 2,500,000

Fiscal 1967 Program Funds State Arts Agencies (bloc)

$ 5,000,000 2,750,000

$ 4,000,000 2,000,000

$ 5,000,000 $ 2,000,000 $ 1,019,500

(Subtota!--Program Funds) Treasury Fund

(7,750,000) 2,250,000

(6,000,000) 1,965,692 5,000,000 106,278

Total $ 10,000,000 $ 7,965,692 $ 10,000,000 $ 2,106,278

Fiscal 1968 Program Funds State Arts Agencies (bloc) (Subtotal--Program Funds)

$ 5,000,000 2,750,000

(7,750,000)

$ 4,500,000 2,000,000

(6,500,000)

$ 5,000,000 $ 3,500,000 $ 1,200,000

Treasury Fund 2,250,000 674,291 5,000,000 325,257 Total $ 10,000,000 $ 7,174,291 $ 10,000,000 $ 3,825,257

Fiscal 1969 Program Funds State Arts Agencies (bloc)

$ 6,000,000 2,000,000

$ 3,700,000 1,700,000

$ 8,000,000 $ 3,700,000 $ 1,400,000

(Subtotal--Program Funds) Treasury Fund

(8,000,000) 3,375,000

(5,400,000) 2,356,875 3,375,000 1,262,473

Total $ 11,375,000 $ 7,756,875 $ 11,375,000 $ 4,962,473

Fiscal 1970 Program Funds State Arts Agencies (bloc)

$ 6,500,000 2,500,000

$ 4,250,000 2,000,000

$ 9,000,000 $ 6,050,000 $ 1,610,000

(Subtotal--Prograrn Funds) Treasury Fund

(9,000,000) 3,375,000

(6,250,000) 2,000,000 3,375,000 2,000,000

Total $ 12,375,00(~ $ 8,250,000 $ 12,375,000 $ 8,050,000

Fiscal 1971 ProgramFunds State Arts Agencies (bloc)

$ 12,875,000 4,125,000

$ 8,465,000 4,125,000

$ 17,000,000 $ 11,0~0,000 $ 2,660,000

(Subtotal--Program Funds) Treasury Fund

( 17,000,000) 3,000,000

( 12,590,000 ) 2,500,000 3,000,000 2,500,000

Total $ 20,000,000 $ 15,090,000 $ 20,000.000 $ 13,560.00~

Page 146: National Endowment for the Arts Annual Report 1976

Fiscal 1972 Program Funds State Arts Agencies (bloc) (Subtotal--Program Funds) Treasury Fund Total

Fiscal 1973 Program Funds State Arts Agencies (bloc) (Subtotal--Program Funds) Treasury Fund Total

Fiscal 1974 Program Funds State Arts Agencies (bloc) (Subtotal--Program Funds) Treasury Fund Total

Fiscal 1975 Program Funds Treasury Fund Total

Fiscal 1976 Program Funds Treasury Fund Total

Transition Quarter JULY 1, 1976- SEPTEMBER 30, 1976 ProgramFunds Treasury Fund Total

Fiscal 1977 Program Funds Treasury Fund Challenge Grant Program Photo/Film Project Total

Grand Total

Arts

Authorization

$ 21,000,000 5,500,000

(26,500,000) 3,500,000

$ 30,000,000

$ 28,625,000 6,875,000

(35,500,000) 4,500,000

$ 40,000,000

$ 54,000,000 11,000,000

(65,000,000) 7,500,000

$ 72,500,000

$ 90,000,000** 10,000,000

$100,000,000

$113,500,000’* 12,500,000

$126,000,000

$ 93,500,000"* 10,000,000 12,000,000 4,000,000

$119,500,000

$559,000,000

Appropriation

$ 20,750,000 5,500,000

(26,250,000) 3,500,000

$ 29,750,000

$ 27,825,000 6,875,000

(34,700,000) 3,500,000

$ 38,200,000

$ 46,025,000 8,250,000

(54,275,000) 6,500,000

$ 60,775,000

$ 67,250,000** 7,500,000

$ 74,750,000

$ 74,500,000"* 7,500,000

$ 82,000,000

$ 33,437,000** 500,000

$ 33,937,000

$ 77,500,000"* 7,500,000

$ 85,000,000

$453,183,166

Humanities

Authorization

$ 26,500,000

3,500,000 $ 30,000,000

$ 35,500,000

4,500,000 $ 40,000,000

$ 65,000,000

7,500,000 $ 72,500,000

$90,000,000 10,000,000

$100,000,000

$113,500,000 12,500,000

$126,000,000

$ 93,500,000"** 10,000,000 12,000,000

$115,500,000

$557,750,000

Administrative

Appropriation

$ 24,500,000 $ 3,460,000

3,500,000 $ 28,000,000

$ 34,500,000 $ 5,314,000

3,500,000 $ 38,000,000

$ 44,500,000 $ 6,500,000

6,500,000 $ 51,000,000

$ 67,250,000 $ 10,783,000 6,500,000

$ 73,750,000

$ 72,000,000 $ 10,910,000 7,500,000

$ 79,500,000

$ 20,750,000 $ 2,727,000 500,000

$ 21,250,000

$ 77,500,000"** $ 11,000,000 7,000,000

$ 84,500,000 $ 11,000,000

$411,004,008 $ 59,310,500

* Federal funds appropriated by Congress to match non-federal donations to the Endowments. ** Not less than 20% of Program Funds ate required to go to State Arts Agencies and Regional Arts Groups.

*** Not less than 20% of Program Funds are required to go to State Humanities Councils. Program Information and Budget

Page 147: National Endowment for the Arts Annual Report 1976

Financial Summary Fiscal Transition Fiscal Transifion

Summary of Funds Available Year 1976 Qnarter Funds Obligated Year 1976 Quarter Appropriation, Regular Architectnre $ 3,618,853 $ 177,699

Program Funds $74,500,0001 $33,437,0001 Dance 5,612,687 1,372,299Appropriation, Treasury Education 4,543,970 493,995

Funds (to match Expansion Arts 5,373,972 1,101,464non-federal gifts) .............. 7,500,000 500,000 Federal-State Partnership

Program 15,640,694 12,502,669Total, Federal Appropriations $82,000,000 $33,937,000 Literature .............................. 2,130,857 545,034Non-federal Gifts, Treasury Museums 11,4ó0,099 2,632,640

Fund (to release Federal Music 17,249,296 9,724,ó80appropriation) $ 7,520,0002 $ 510,000 Public Media 9,312,374 2,244,530

Transferred from Other Special Proiects 5,390,214 598,557Agencies 1,496,103 3 41,949 Theatre 6,346,890 3,217,029

Transferred to Other Visual Arts 3,588,955 44,490Agencies (175,645) (44,500) Program Development and

Recovery of Prior Year Evaluation 2,357,960 1,044,516Obligations 588,461 229,041 Miscellaneous 19,881 8,753

Unobligated Balance, Prior Year 4,218,5024 2,970,719~ Total Funds Obligated ......... $92,646,702 $35,708,355

Total Funds Available .......... $95,617,421 $37,644,209° ~ Includes $12,956 in de-obligations which were madeagainst’Fiscal Year 1976 grants.

1 Not less than 20% for support of State Arts Ageneiesand Regional Groups. Fiscal Transition

2 Includes $6,456,363 received in Fiscal 1976, and Funds Obligated by Goal Year 1976 Quarter $1,063,637 received in Fiscal 1975. Goal I $42,867,951 $15,705,303

3 Includes $1,183,263 in projects supported with financial Goal II ................................ 24,485,273 13,852,896assistance from the Department of Commerce Job Goal III 22,912,034 5,096,477Opportunities Program, Title X of the Public Works and Program Development andEconomic Development Act as amended. Evaluation 2,357,960 1,044,5164 Includes $1,217,949 represented by equity in assets not Miscellaneous 23,484 9,163available for obligation, $869,281 in program funds and$2,131,272 in Treasury Funds (Federal and non- Total Funds Obligated byfederal). Goal $92,646,702 $35,708,355 ~

~ Includes $1,217,949 represented by equity in assets notavailable for obligation, $869,281 in program funds and 1 Includes $12,956 in de-obligations which were made$883,489 in Treasury Funds (Federal and non-federal), against Fiscal Year 1976 grants.

o Excludes $3,051 in transfer funds which were returned, and $12,956 in de-obligations which were made againstFiscal Year 1976 grants.

Page 148: National Endowment for the Arts Annual Report 1976

September 1976 Program Arcas Office of the Chairman Architecture + Environmental Arts Margo Koines C~airman Nancy Hanks

Selena Hoyle Marjorielaine Menke Melody Wayland

Deputy Chairman Michael Straight Beth Alexiou Cynthia Moreno-Lacalle

Staff Assistant Fred Lazarus Janet Anderson Ann Sturderant Phil Robins Ted Shepherd David Walter

Executive Assistant to the Chairman John Clark

Lanng Tamura

Congressional Liaison Anne Murphy Vikki Bubas Larry Ch~rnikoff Margaret Duda

Assistant to the Chairman/Press Florence Lowe

Katherine Christie Patricia Fisher Judy Landis

General Counsel for the Arts Robert Wade

Susan Liberman Marigrace Soinski Olive Ward

Office of Program Development and Coordination Director Lawrence L. Reger

Pat Sanders Eleanor Snyder

Director Assistant Director Assistant Director

Federal Design

Dance Director

Educafion Director

Expansion Al’ts Director Assistant Director

Bill N. Lacy Robert McNulty Roy Knight Helen Brooks Tom Cain Chñs Chamberlain Birch Coffey Liana Corrinne Paul Hildebrand Ruth Kelliher Nancy (Robbie) Langham Nancy Moore AIece Morgan John Politte Susan Wagner Merrill Ware

Jerry Perlmutter Joan Campbell Joan Shantz

Suzanne Weil Barbara Briscoe La, rry Greene James Patterson Lina Scott Stephanie Singer Heidi Swan

John Kerr Jean Chen Tom Kanahele Linda Lane Morrie Warshawski

Vantile Whitfield Gordan Braithwaite Lizzie Green Allen Hile

Henrietta Sanford Terita Savoy Jennifer Waltz

Office of Federal-State Partnership Director Henry Putsch Assistant Director Donald Dillon

Marilyn Biggs Lee Dennison Edward Dickey Jeanne Green Jean Handsberry Joanne Pearlstein

Literature Director Leonard Randolph

Sheila Millar Patricia Stuflte Knox Turner

Museum Director John Spencer Assistant Director David Ryan

Linda Bell William Bodine Lena Luck Robin Murphy John Ruddy Elizabeth Weil Robert Wilson

Music Directol Walter Anderson

Nancy Clarke Tom Cramer Robert Gordon Marjory Hanson Marga.ret Higgins Susan Hoagland Kathy Keffer Rose Morgan Bob Rayel

Page 149: National Endowment for the Arts Annual Report 1976

152 Staff

Public Media Director

Office of Special Projecis Director Assistant Director

Folk Arts Program Director

Coordinator for Special Constituencies

Theatre Director

Visual Arts Director Assistant Director

Crafts Coordinator

Works of Art in Public Places Coordinator

Donald Druker Perrin Hurst Laura Jevnikar Kathy Kline Nancy Raine Gertrude Saleh Tonya Thomas

Stephanie Sills Mañon Dockery Karen Sulzberger Beth Weaver

Bess Lomax Hawes Ginger Farrer

Lani Lattin

Rut’h Mayleas Alice Bone Jackie Pearlstein David Visser

Brian O’Doherty Renato Danese David Bancroft Mary Fahey Kathy Gauss Julia Moore Jackson Stacy Paleologos Dana Rust Jack Seeley

Elena Canavier Patdck Fisher

Ira Licht Maria Goodwin

Office of Assistant Chairman Assistant Chairman David Searles

Laura Chassy Robin Huggins

Special Assistant Edward Woife

Administrative O,fficer Robert Sims Barbara Callander Melva Hill Sue Shanks

Staff Development Officer Kathleen Bannon Program Aides Kathy Brown

Robert Cohen Mary Collins Deborah Parr Kathy Perry Ann Taylor

Correspondence Supervisor Rene Hill Annette Davis Cladest (Jean) Jones Mary Martin Effie Morton Barbara Perdue Vera Powell Almeta Pratt Susan Steelman

Interior Design Specialist Bert Kubli

Budget Acting Director Jim Ireland

Toni Adelinis Larry Baden Joyce Chisley Ilona Croft Deece Grabara Ernestine Moore William Sanchez Phyllis (FiFi) Sheridan

Evaluafion Director

Audit Liaison

Granls Grants Officer Assistant Grants Officer Grants Project Officer

Applications Staff

Grants Staff

Reports/Reviews Staff

Planning Director

Chuck Kirk Candice Parrish Kathryn Plowitz

Jeannie Kartis Joan Walker

James Thomas Carolyn M. (Sue) Johnson Bill Potter Patrick McKenney Robin Petty Mary Terhorst

Anthony Tighe Robert Costin Rex D’Costa

Donna McLaughlin Douglas Boyd Kay Guy Robert Jack Judith Light Vincent Martín Cecelia Mitchell Ralph Pezzullo

Aida Schoenfeld Carol Brosnan Paul Carlson Hortorance Fletcher Tom Kalaris Lawrence Stephens

Ana Steele Anne Clark Ed Cox Anne Hartzell Pam Doong Walsh

Page 150: National Endowment for the Arts Annual Report 1976

Sta~ 153

Program Information Director Marcia Hovey

Toby Kinnahan

Public Information Ann Guthrie Bernadine Davis Linda Dean

Films Coordinator Tim Radford

Publications Staff George Clack Louise Remmey Stephen Sinclair

Design Staff David Hausmann Tom Bellucci Jeanne Krohn

Printing/Mailing List Robert Hartmann

Libra,ry Chris Morrison Cliff Whitham

Research Director Harold Horowitz

Rena Hall Judith Jones David Waterman

Secretary to the National Council on the A~ts Luna Diamond

Page 151: National Endowment for the Arts Annual Report 1976