15
MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUK W. iæ‡ej AvbQvi * Abstract People’s Theatre Movement and Bijon Bhattacharya became almost synonymous in the beginning of the 40’s. He tops the contemporary prominent playwrights who composed dramas from Marxist perspective. No where can be found the misery and different factors Bengali live in the backdrop of the Famine better than Bijon Bhattacharya’s work. His first play was Agun (Fire 1943), through which IPTA started its journey. In the continuation of People’s Theatre Movement, the most powerful and revolutionary drama of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records the struggling lives of common people from the beginning of the 2 nd World War to the famine of the fifties; therefore becoming 'a document of social degeneration’. Nabanna totally reflecting the goals and ideals of People’s Theatre Association, became the representative piece of the genre and made Bijon Bhattacharya the first high priest of that movement. In fact, the seed that was sown with Nabanna transforms into a mighty tree with the publication of Debigarjan. There is no space for individuals in People’s Theatre Movement, the main spirit is communal. And the dramas of Bijon Bhattacharya perfectly tune in with this spirit. In a nut shell, the innovative turn that was brought in the history of Bangla dramatics and our cultural heritage, solely owes to Bijon Bhattacharya. This essay explores the role of his plays in People’s Theatre Movement. evsjv bvU¨mvwn‡Z¨i BwZnv‡m me‡P‡q Av‡jvob m„wóKvix I Awe¯¦iYxq NUbv ÓMYbvU¨ Av‡›`vjbÖ| wek kZ‡Ki Pwjø‡ki `k‡Ki GB Av‡jvob m„wóKvix bvU¨Av‡›`vjb GKw`‡b M‡o I‡Vwb| fviZe‡l© hLb mvgšÍZvwš¿K mgvR-e¨e¯’v †f‡O abZvwš¿K mgvR-e¨e¯’vi †MvovcËb n‡Z _v‡K ZLb Rwg`vi †kªwYi Aejywßi m‡½ m‡½ Mªv‡g M‡Ã M‡o IVv †m×wLb bvU¨kvjv Zvi cyivZb †M×ie nviv‡Z _v‡K| GB cvjv e`‡ji nvIqvq evsjv bvU‡Ki Avw` I ga¨c‡e©i †c×ivwYK, HwZnvwmK, †ivgvÝ cªf„wZ welq Aej§^‡b iwPZ AmsL¨ bvU‡Ki Ócy‡Y¨i Rq, cv‡ci ¶qÖ-GB fve‡eva `k©‡Ki AvKv•¶v wbe„Ë Ki‡Z e¨_© n‡Z _v‡K| Ab¨w`‡K bvUK I bvU¨g‡Âi Ic‡i Pjw”P‡Îi me©MÔvmx cÔfve µgvMZ evo‡Z _vK‡j evsjvi gÂ-cwi‡ek A‡bKUv wSwg‡q c‡o| G iKg GKUv cwiw¯’wZ‡Z bvU¨v‡gv`x GK`j hyeK Pwjø‡ki `kK †_‡KB evsjv i½g‡Â bZzb GKUv fv‡evb¤v`bv wb‡q Av‡mb| GB fv‡evb¤v`bv µ‡g Av‡›`vj‡bi i¥c cwiMÔn K‡i, hv bvU¨mvwn‡Z¨i BwZnv‡m ÓMYbvU¨ Av‡›`vjbÖ wn‡m‡e cwiwPZ| G †¶‡Î g‡b ivLv `iKvi †h, ÓMZvbyMwZK †ckv`vwi i½g‡Âi AvIZvq †_‡KB Zvi ms¯‹v‡ii cÔ‡Póvq G‡`‡k MYbv‡U¨i D™¢e bq, Zvi D™¢e n‡q‡Q mgvRgvb‡mi GK ivR‰bwZK, HwZnvwmK I mvs¯‹…wZK Kvh©Kvi‡Y|Ö 1 GB Av‡›`vjb ïay Avgv‡`i bvU¨mvwn‡Z¨i IciB cÔfve we¯Ívi * mnKvix Aa¨vcK, evsjv fvlv I mvwnZ¨ wWwmwcøb, Lyjbv wek^we`¨vjq, Lyjbv|

MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

  • Upload
    others

  • View
    0

  • Download
    0

Embed Size (px)

Citation preview

Page 1: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUK

W. iæ‡ej AvbQvi*

Abstract

People’s Theatre Movement and Bijon Bhattacharya became almost synonymous in the

beginning of the 40’s. He tops the contemporary prominent playwrights who composed

dramas from Marxist perspective. No where can be found the misery and different factors

Bengali live in the backdrop of the Famine better than Bijon Bhattacharya’s work. His

first play was Agun (Fire 1943), through which IPTA started its journey. In the

continuation of People’s Theatre Movement, the most powerful and revolutionary drama

of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece

records the struggling lives of common people from the beginning of the 2nd World War

to the famine of the fifties; therefore becoming 'a document of social degeneration’.

Nabanna totally reflecting the goals and ideals of People’s Theatre Association, became

the representative piece of the genre and made Bijon Bhattacharya the first high priest of

that movement. In fact, the seed that was sown with Nabanna transforms into a mighty

tree with the publication of Debigarjan. There is no space for individuals in People’s

Theatre Movement, the main spirit is communal. And the dramas of Bijon Bhattacharya

perfectly tune in with this spirit. In a nut shell, the innovative turn that was brought in the

history of Bangla dramatics and our cultural heritage, solely owes to Bijon Bhattacharya.

This essay explores the role of his plays in People’s Theatre Movement.

evsjv bvU¨mvwn‡Z¨i BwZnv‡m me‡P‡q Av‡jvob m„wóKvix I Awe¯¦iYxq NUbv ÓMYbvU¨

Av‡›`vjbÖ| wek kZ‡Ki Pwjø‡ki `k‡Ki GB Av‡jvob m„wóKvix bvU¨Av‡›`vjb GKw`‡b

M‡o I‡Vwb| fviZe‡l© hLb mvgšÍZvwš¿K mgvR-e¨e¯’v †f‡O abZvwš¿K mgvR-e¨e¯’vi

†MvovcËb n‡Z _v‡K ZLb Rwg`vi †kªwYi Aejywßi m‡½ m‡½ Mªv‡g M‡Ã M‡o IVv

†m×wLb bvU¨kvjv Zvi cyivZb †M×ie nviv‡Z _v‡K| GB cvjv e`‡ji nvIqvq evsjv

bvU‡Ki Avw` I ga¨c‡e©i †c×ivwYK, HwZnvwmK, †ivgvÝ cªf„wZ welq Aej§^‡b iwPZ

AmsL¨ bvU‡Ki Ócy‡Y¨i Rq, cv‡ci ¶qÖ-GB fve‡eva `k©‡Ki AvKv•¶v wbe„Ë Ki‡Z

e¨_© n‡Z _v‡K| Ab¨w`‡K bvUK I bvU¨g‡Âi Ic‡i Pjw”P‡Îi me©MÔvmx cÔfve µgvMZ

evo‡Z _vK‡j evsjvi gÂ-cwi‡ek A‡bKUv wSwg‡q c‡o| G iKg GKUv cwiw¯’wZ‡Z

bvU¨v‡gv`x GK`j hyeK Pwjø‡ki `kK †_‡KB evsjv i½g‡Â bZzb GKUv fv‡evb¤v`bv

wb‡q Av‡mb| GB fv‡evb¤v`bv µ‡g Av‡›`vj‡bi i¥c cwiMÔn K‡i, hv bvU¨mvwn‡Z¨i

BwZnv‡m ÓMYbvU¨ Av‡›`vjbÖ wn‡m‡e cwiwPZ| G †¶‡Î g‡b ivLv `iKvi †h,

ÓMZvbyMwZK †ckv`vwi i½g‡Âi AvIZvq †_‡KB Zvi ms¯‹v‡ii cÔ‡Póvq G‡`‡k

MYbv‡U¨i D™¢e bq, Zvi D™¢e n‡q‡Q mgvRgvb‡mi GK ivR‰bwZK, HwZnvwmK I

mvs¯‹…wZK Kvh©Kvi‡Y|Ö1

GB Av‡›`vjb ïay Avgv‡`i bvU¨mvwn‡Z¨i IciB cÔfve we¯Ívi

*

mnKvix Aa¨vcK, evsjv fvlv I mvwnZ¨ wWwmwcøb, Lyjbv wek^we`¨vjq, Lyjbv|

Page 2: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

110 MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUK

K‡iwb, eis evsjvi Av_©-mvgvwRK I ivR‰bwZK Ae¯’v Ges mvs¯‹…wZK HwZn¨‡ev‡a G‡b

w`‡q‡Q MYm‡PZbZvi me©v½xb weKvk| gw›`iv ivq wj‡L‡Qb :

ÔMYbvU¨ Av‡›`vjbÖ kãwU GKwU we‡kl mg‡qi mwܶ‡Yi `wjj| gÂ-cwi‡e‡ki

MZvbyMwZKZv hLb we¯Í…Z n‡q c‡owQ‡jvÑ †mB gyg~l©y bvU¨A½‡b GKivk ZvRv

evZv‡mi myMÜ wb‡q G‡mwQ‡jv GB Av‡›`vjb| ÓMYbv‡U¨Öi A_© ïay RbZv ev M‡Yi

bvUK bq, †mB m‡½ GKwU wewkó mvs¯‹…wZK Z_v bvU¨Av‡›`vjbI e‡U|2

mgKvjxb GB bvU¨Av‡›`vjb ZvB fviZel©e¨vcx mvs¯‹…wZK Kg©x‡`i GKB cZvKv Z‡j

†eu‡a †djvi Kv‡R D‡jøL‡hvM¨ f~wgKv cvjb K‡iwQj| wØZxq wek¦hy‡×i AwfNvZ Avi

mvg¨ev`x gZv`‡k©i µgea©gvb Rq †hgb GB mvs¯‹…wZK Av‡›`vj‡b G‡b w`‡qwQj bZzb

DÏxcbvi exRgš¿, †Zgwb evsjv bvU‡K †`e-†`ex, beve-ev`kv I Rwg`vi †kªwYi

cwie‡Z© mgv‡Ri G‡Kev‡i wbPzZjvi gvby‡liI cÔwZôv w`‡qwQj| mgKvjxb G

bvU¨Av‡›`vj‡bi d‡j bvU‡Ki cÔ_vMZ GKbvqKZš¿ I‡V wM‡q mvaviY gvbyl Z_v

MYgvbylB bvq‡Ki f~wgKvq AeZxY© n‡q‡Q|

Pwjø‡ki `k‡Ki †Mvovq evsjvi ivR‰bwZK Rxe‡b Nb Nb cU cwieZ©b, wØZxq

wek¦hy‡×i AvMgbx Awfm§úvZ, d¨vwmR‡gi Lei`vwi, gš^šÍ‡ii AwfNvZ, c„w_exe¨vcx

g„Zy¨-¶zav, nvnvKvi-AvnvRvwi, †eu‡P _vKvi ZvwM‡` GKgy‡Vv †bvsiv Lvev‡ii Rb¨ gvbyl

Avi KzKz‡ii g‡a¨ jovB, cÔwZwôZ g~j¨‡ev‡ai Ae¶q, Kv‡jvevRvwi I †PvivKvievwii

bMœ e¨vwß, f~wgnxb K…l‡Ki `y`©kv, †eKvi mgm¨vi ZxeªZv BZ¨vw` A‡±vcv‡mi g‡Zv

evOvwj mgvR-Rxeb‡K Rwo‡q †i‡LwQj| GB wekªx-KvZi cwiw¯’wZ ivóª I mgvR-Rxe‡bi

g‡Zv Avgv‡`i mvwnZ¨-ms¯‹…wZ‡ZI Mfxi cªfve †d‡jwQj| ejv P‡j GB cwi‡ek

cwiw¯’wZB evsjvq MYbvU¨ Av‡›`vj‡bi m~ÎcvZ K‡iwQj| A_©vr evsjvi mvgvwRK I

ivR‰bwZK BwZnv‡mi Gme DÐvb-cZbgq NUbv-msNv‡Zi avivevwnKZv‡K wZj wZj

K‡i mwÂZ K‡i Z‡eB GB bvU¨Av‡›`vj‡bi DrcwË n‡q‡Q| Avï‡Zvl fÆvPvh© G cÔm‡½

wj‡L‡Qb :

GB Av‡›`vjb‡K AvKw¯¦K D‡ËRbvi d‡j m„ó GKwU ¯qsm§ú~Y©

MYAv‡›`vjb ewjqv g‡b Kiv nB‡j fyj Kiv nB‡e; GKUz Mfxifv‡e wPšÍv

Kwi‡j †`wL‡Z cvIqv hvB‡e †h, Bnvi cðv‡ZI RvwZi GKwU my`xN©

Zcm¨v Ajw¶‡Z kw³ mÂvi Kwiqv‡Q|3

Kv‡RB MYbvU¨ Av‡›`vj‡bi †cÔ¶vcU wePvi G cÔm‡½ we‡klfv‡e ¸iæZ¡c~Y©| wKš` evûj¨

f‡q †mB wekvj †cÔ¶vc‡Ui hrmvgvb¨ Dc¯’vcb KiwQ|

wek kZ‡Ki †Mvov †_‡K Jcwb‡ewkK †kvl‡Yi weiæ‡× †MvUv c„w_ex‡Z RbgZ

RvMÔZ n‡Z _v‡K| †m×åvZ…‡Z¡i mvg¨ev`x aviYv Ges RvZxq AvZ¤wba©vi‡Yi cÔkœÑGB `yB

cÔeYZvi we¯Ív‡i AvšÍR©vwZK we‡k¦ kw³-mv‡g¨i Z_vKw_Z P~ovšÍ e¨e ’vq Nv co‡j

msNwUZ nq cÖ_g wek¦hy× (1914-1918)| hy‡×i dj wn‡m‡e †`Lv †`q wek¦e¨vcx

A_©‰bwZK g›`v, ¶q-Riv, nZvkv, `vwi ª¨ cÔf„wZ| Avi GB wech©¯Í Ae¯’v‡ZB µ‡g

ˆ¯^iZš¿ ev d¨vwmRg gv_v Pvov w`‡q DV‡Z _v‡K| BZvwj‡Z gy‡mvwjbx4

, Rvg©vwb‡Z

Page 3: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

Jagannath University Journal of Arts 111

wnUjvi5

, Rvcv‡b cÔavbgš¿x †Zv‡Rv6

Ges †¯ú‡b †Rbv‡ij d«v¼7

MYZvwš¿K kw³¸‡jv‡K

nwU‡q Zuv‡`i ˆ¯^iZš¿ cÔwZôv K‡ib| GB ee©i kw³i wbg©g kvmb-†kvlY I Avµg‡Y

MYZš¿‡cÔgx gvbyl w`‡knviv n‡q c‡o| Kvjµ‡g GB ee©i †kvlY †_‡K gyw³i j‡¶¨

w`‡K w`‡K †`Lv †`q cÔwZev` I cÔwZ‡iv‡ai cÔqvm| †MvUv we‡k¦i ˆeÁvwbK, eyw×Rxex,

mvwnwZ¨K, ivRbxwZwe` I me †kªwYi cÔMwZkxj gvbyl mvgªvR¨ev` I d¨vwmev`we‡ivax

n‡q I‡Vb| d‡j :

1922 mv‡j M‡o I‡V‡Q ÓB›Uvib¨vkbvj cxm Ks‡MÔmÖ| 1923-G ÔKwgwU Ad

A¨vKkb G‡MBb÷ Iqvi-†WÃvi GÛ d¨vwmRgÖ| 1926 wLªóv‡ãi †deªæqvwi‡Z

M‡o I‡VwQj Jcwb‡ewkK †kvl‡Yi weiæ×ev`x GKwU m‡§¦jK jxM 1931 mv‡j

Avn~Z n‡jv ÓIqvi †iwR÷vi B›Uvib¨vkbvjÖ Ges 1933-Gi Ry‡b c¨vwi‡m

KwgDwb÷, †mvm¨vj †W‡gvµvU Ges Ab¨vb¨ cÔMwZev`x eyw×Rxex‡`i

c„ô‡cvlKZvq ÓBD‡ivcxqvb A¨vw›U-d¨vwm÷ IqvK©vm© Ks‡MÔmÖ-Gi m‡§¦jb AbywôZ

nq| †iuvgv †iuvjvi D‡`¨v‡M GiB mgKv‡j Avg÷vW©v‡gI AbywôZ n‡q‡Q Ód¨vwmRg

I hy×we‡ivax Ks‡MÔmÖ-Gi Awa‡ekb|8

mviv we‡k¦ hLb d¨vwmwe‡ivax I hy×we‡ivax g‡bvfve Ges Kg©ZrciZv Qwo‡q co‡Z

_v‡K, ZLb fviZe‡l©i mvwnZ¨-ms¯‹…wZ I mgvR ivRbxwZ‡ZI Gi cÔfve co‡Z _v‡K|

wek¦e¨vcx GB Kg©ZrciZvi cvkvcvwk fviZxq cÔMwZkxj ivR‰bwZK Kg©x I

eyw×RxexivI Av‡jvwoZ n‡Z _v‡Kb| d‡j 1920 mv‡ji 17 A‡±vei ZvmL‡›` fvi‡Zi

KwgDwb÷ cvwU© MwVZ nq|9

fvi‡Zi evB‡i cvwU© MwVZ n‡jI †`‡ki g‡a¨I GKB m‡½

†ek KwU KwgDwb÷ †Mvôx Qwo‡q wQwU‡q KvR KiwQj| †ev‡§, KjKvZv, gv`ªvR, DËi

cÔ‡`k I cvÃv‡e ZiæY KwgDwb÷‡`i Kv‡Q gvK©mev‡`i ZvwË¡K I e¨envwiK wk¶v

†cuׇQ †`IqvB cvwU©i †mB mg‡qi KvR wQj| Gici fviZe‡l© †UªW BDwbqb MwVZ nevi

ci †_‡K KwgDwb÷ cvwU© hLb µgvMZ msnZ n‡Z _v‡K, ZLb 1934 mv‡j weªwUk

miKvi mvgªvR¨ev` we‡ivwaZvi Kvi‡Y fvi‡Z KwgDwb÷ cvwU©‡K †e-AvBwb I wbwl×

†NvlYv K‡i| 10

KwgDwb÷ cvwU© wbwl× †NvwlZ n‡jI cvwU©i QÎcyó cÔMwZev`x wkíx,

mvwnwZ¨K, ivRbxwZwe` mvgªvR¨ev` I d¨vwmev‡`i weiæ‡× Av‡iv †ewk †mv”Pvi n‡Z

_v‡Kb| GBi¥c GKwU cwiw¯’wZ‡Z Ówek¦ †jLK msNÖ ˆZwi nq 1936 mv‡j 21 Ryb|

BD‡iv‡c we‡klZ jÛ‡b Aew¯’Z fviZxq QvÎiv GB mKj NUbvi Øviv cÔfvevwš^Z n‡q

1935 mv‡j ÓcÔMwZ †jLK msNÖ ¯’vcb K‡ib| Gi c‡ii eQi A_©vr 1936 mv‡j RvZxq

Ks‡MÔ‡mi j‡²× Awa‡ek‡b wnw›` mvwn‡Z¨i †kªô i¥cKvi gyÝx †cÔgPuv‡`i mfvcwZ‡Z¡

ÓwbwLj fviZ cÔMwZ †jLK msNÖ ˆZwi nq|11

GiB avivevwnKZvq 1943 mv‡ji 22 †g

†_‡K 25 †g †ev‡§ kn‡i ÓcÔMwZ †jLK ms‡NÖi AbywôZ m‡§¦j‡bi (PZz_© m‡§¦jb) †kl

w`‡b MYbvU¨ m‡§¦jb AbywôZ nq| evsjv‡`k †_‡K ÓcÔMwZ †jLK ms‡NÖi c‡¶

cÔwZwbwaZ¡ K‡ib gnwl© g‡bviÃb fÆvPvh© (1889Ñ1954), weòz †` (1909Ñ1982),

webq †Nvl (1917Ñ1989) k¤¢y wgÎ (1915Ñ1997), weRb fÆvPvh© (1915Ñ1978)

cÔgyL wewkó e¨w³| Gu‡`iB cÔ‡Póvq †mLvb †_‡K me©fviZxq msMVb wn‡m‡e cÔwZôv jvf

K‡i ÔIndian Peoples Theatre AssociationÕ (I.P.T.A.) ev ÔfviZxq MYbvU¨

Page 4: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

112 MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUK

msNÕ|12

mgKvjxb fviZe‡l© hy‡×i AwfNvZ †_‡K ïiæ K‡i A_©‰bwZK msKU,

mv§cÔ`vwqKZvi welPµ, d¨vwmwe‡ivax Av‡›`vj‡bi †Rvqvi, cÂv‡ki gš^šÍ‡ii Kivj

MÔvm, mg¯Í civaxbZvi weiæ‡× mwµq we‡`ªvn, fviZe¨vcx AvM÷ Av‡›`vj‡bi WvK,

mvg¨ev`x †PZbvi AšÍtcÔevnGme wg‡j †h DËvj †cÔ¶vcU ˆZwi K‡iwQj Zvi

mvgwMÔKZv‡K bvU‡K h_vh_fv‡e Dc¯’vwcZ Kivi ¶gZv ZrKvjxb †ckv`vwi i½g‡Âi

wQj bv| Gme cÔeYZv Zvr¶wYKfv‡e bvU‡K I Mv‡b Qwo‡q †`Iqvi `vwqZ¡ Kuv‡a wb‡q

GwM‡q G‡mwQj I.P.T.A. 1943 mv‡ji †g gv‡m fviZxq KwgDwb÷ cvwU©i m‡§¦jb

Dcj‡¶ ZrKvjxb ÓbvU¨fviZxÖ (eZ©gv‡b †MÔm wm‡bgv)-†Z weRb fÆvPv‡h©i ÓAv¸bÕ,

webq †Nv‡li Ój¨ve‡i‡UvwiÖ, g‡bviÃb fÆvPv‡h©i Ó†nvwgIc¨vw_Ö Awfb‡qi ga¨ w`‡q

I.P.T.A.-Gi c_ Pjv ïiæ nq|13

fviZe‡l©i wekªx-KvZi cwiw¯’wZi cvkvcvwk gvK©mxq

`k©b I weªwUk miKv‡ii Kjw¼Z ivRbxwZ Ges ZrKvjxb hyM-cwi‡e‡ki wbLyuZ I ev¯Íe

wPÎ Aej§^‡b †ek wKQy bvUK iPbv K‡i whwb evsjv bvU¨mvwn‡Z¨i BwZnv‡m GKUv

beavivi I we‡kl hyM-cÔwZôvZvi Avmb jvf K‡i‡Qb, wZwb n‡jb bU-bvU¨Kvi-

wb‡`©kK weRb fÆvPvh© (1915-1978)|

Pwjø‡ki `k‡Ki cÔvi‡§¢ MYbvU¨ Av‡›`vjb I weRb fÆvPvh© bvgwU mgv_©K n‡q

D‡VwQj| †m mg‡q gvK©‡mi `„wó wb‡q huviv bvUK iPbvq mv_©KZv jvf K‡iwQ‡jb

Zuv‡`i g‡a¨ Zuvi ¯’vb kx‡l©| gš^šÍ‡ii cUf~wgKvq mgKvjxb hyM-hš¿Yv I evOvwj Rxe‡bi

bvbv Abyl½ Zuvi bvU‡K †h gwngvq AvZ¤cÔKvk K‡iwQj, Zv Avi †Kv_vI †`Lv hvq bv|

weRb fÆvPvh© Zuvi mvwnZ¨-mvabvi Ab¨vb¨ w`‡Ki PP©v Ae¨vnZ †i‡LI 1943 †_‡K

1978 ch©šÍ my`xN© 35 eQ‡ii bvU¨Rxe‡b †gvU 26wU bvUK iPbv K‡i‡Qb| Zuvi iwPZ

bvUK¸‡jvi cÔK…wZ Abymv‡i wefvRb Ki‡j GiKg `uvovq: GKv¼ 9wU, c~Y©v½-13wU

(GKv¼ ÔgivPuv`Õ-Gi c~Y©v½ Ges GKv¼ ÔKj¼Õ-Gi c~Y©v½i¥c Ó†`exMR©bÖmn), iex›`ªM‡íi

bvU¨i¥c 2wU, MxwZbvU¨ 1wU Ges i¥cKbvU¨ 1wU| GB 26wU bvU‡Ki g‡a¨ Mªš’vKv‡i

cÔKvwkZ n‡q‡Q 10wU Ges Aewkó bvU‡Ki wKQy wewfbœ cÎ-cwÎKvq cÔKvwkZ n‡q‡Q,

Avi wKQy AcÔKvwkZ †_‡K †M‡Q|

Zuvi cÖ_g bvUK Av¸b (1943), hvi Awfb‡qi gva¨‡g ÓfviZxq MYbvU¨ ms‡NÖi

c_ Pjv ïiæ n‡qwQj| cuvPwU ¶z`ª ¶z`ª AvcvZ-wew”Qbœ `„k¨ m§wjZ GB GKv¼wU m§ú‡K©

weRb fÆvPvh© Zuvi bevbœ bvU‡Ki f~wgKvq wj‡L‡Qb, ÓZ`vbxšÍb mvgvwRK Ae¯’vi

cwi‡cÔw¶‡Z Av¸b wQj GKwU cix¶vg~jK ¶z`ª bvwUKvÖ| GLv‡b wZwb cy‡ivcywi mdj

n‡Z bv cvi‡jI gš^šÍ‡ii cUf~wgKvq fyLv, DØv¯`, K…lK I Abœnxb gvby‡li cvkvcvwk

ga¨we‡Ëi Rxeb-msMÔv‡gi BwZnvm‡KI ¯úó K‡i wPwÎZ K‡i‡Qb| G QvovI

Kv‡jvevRvwi, †PvivKvievwi, gnvRb‡`i PwiÎwUI GLv‡b D &NvwUZ n‡q‡Q ¯úó K‡i|

gš^šÍi-cxwoZ gvbyl‡K †h Kv‡jvevRvwi gnvRb †kªwY gvbyl Ávb bv K‡i BZi cÔvwY

we‡kl fveZ Zvi cÖgvY †g‡j wb‡Pi msjvc †_‡K:

wmwfK MvW© : _vK †Zv‡K Avi `vjvwj Ki‡Z n‡e bv| hv fvM&, fvM&|

PZz_© cyiæl : (AcgvwbZ n‡q) Avwg KzKzi bB|

wmwfK MvW© : gvbyl bvwK! 14

Page 5: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

Jagannath University Journal of Arts 113

Gici bvU‡Ki †klw`‡K †`Lv hvq †h, mvgvb¨ Pv‡ji Rb¨ jvB‡b `uvwo‡q †Vjv‡Vwj

Kivi Kvi‡Y PZy_© cyiælwU Ges AviI A‡b‡K gnvR‡bi †jv‡Ki nv‡Z gvi Lvq| gvi

LvIqvi ci ÓGLb euvP‡Z n‡e| euvP‡Z n‡j wg‡jwg‡k _vK‡Z n‡e, e¨vm|Ö15

ÑmvaviY

gvbyl¸‡jvi GB †h Dcjwä Zv AZ¨vPvixi weiæ‡× Drcxwo‡Zi msNe× nIqviB m‡PZb

cÖqvm|

mvaviY gvbyl¸‡jvi GB m‡PZb cÔqvm bvU¨Kv‡ii wØZxq bvUK Revbe›`x

(Mªš’vKv‡i 1962)-†Z G‡m †hb `„p cÔwZÁvi i¥c MÔnY K‡i‡Q| PviwU `„k¨ m§wjZ GB

GKv¼ bvUKwU 1944 mv‡ji 3 Rvbyqvwi ÓMYbvU¨ ms‡NÖi cÔ‡hvRbvq Ó÷vi w_‡qUv‡iÖ

AwfbxZ nevi ci †_‡K Awef³ evsjvi kni-e›`i, bMi, Ggb wK MÔvgv‡jI AmsL¨

evi AwfbxZ n‡q‡Q| weRb fÆvPv‡h©i me©vwaK AwfbxZ bvUK GwU| bvU¨Kv‡ii c~e©eZx©

bvUK Av¸b †¯‹Pag©x iPbv, wKš` Revbe›`xi Mívsk M‡o I‡V‡Q GKwU avivevwnK

Kvwnwb wb‡q| ZvB ÓRevbe›`x‡K ejv †h‡Z cv‡i bevbœ bvU‡Ki cÔvK&-LmovÕ|16

G‡Z

PviwU `„‡k¨ bvU¨Kvwnwb ewY©Z n‡q‡Q| cÔ_g `„‡k¨i cUf~wg wbibœ evsjvi †Kv‡bv GK

wbwe©‡kl MÔvg, †hLv‡b K…lK cwiev‡ii KZ©v civb gЇji cwiev‡ii ˆ`bw›`b Abkb-

Aa©vkb`yÖgy‡Vv Lvev‡ii Avkvq mcwiev‡ii KjKvZvq AvMgb| wØZxq `„k¨ KjKvZvi

dzUcvZ| †mLv‡b AviI A‡bK wQbœg~j cwiev‡ii cvkvcvwk civ‡bi msmvi| dzUcv‡Z

mf¨ I f`ª mgv‡Ri Ae‡njv ev N„Yvi †evSv gv_vq wb‡q AwZ K‡ó w`bvwZcvZ| Abvnvi

Acywó‡Z ay‡K ay‡K GKw`b †e›`vi wkïcyÎ gvwb‡Ki `ywbqv †_‡K we`vq †bIqv| Z…Zxq

`„‡k¨ †eu‡P _vKvi ZvwM‡` `yÖgy‡Vv Lvev‡ii Rb¨ cwZfw³cÔvYv K…lK igYxi dzUcv‡Z

G‡m A‡_©i wewbg‡q mZxZ¡ wemR©b| PZz_© `„‡k¨ civb gЇji Abvnv‡i Aa©vnv‡i KiæY

g„Zz¨eiY Ges g„Zy¨i c~e© gyn~‡Z© mevB‡K MÔv‡g wd‡i hvevi AvnŸvb ewY©Z n‡q‡Q| GB

bvU¨Kvwnwb‡Z K…l‡Ki bvbv `yie¯’v, Afve-Awf‡hvM, AbvU‡b K…lK igYxi mZxZ¡

wemR©b, ¶zavi R¡vjvq wkïi g„Zz¨ cÔf„wZ gg©vwšÍK NUbv Mfxi `i‡`i m‡½ wPwÎZ n‡jI

K…lK‡K bvqK Kivi g‡Zv †Kv‡bv †Póv wKsev †kªwY-msMÔv‡gi K_v G‡Z †bB| Z‡e

kn‡ii GK ai‡bi f`ª‡jvK †kªwY Ges Ck¦i m§ú‡K© Awf‡hvM Av‡Q| Riv-wK¬ó e„×

civb msmv‡ii Nvwb Uvb‡Z cv‡i bv, `ytL K‡ó `xN©k¦vm †Q‡o fMev‡bi bvg Wv‡K,

ZLb Zvi †Q‡j †e›`v Zv‡K hv e‡j Zvi ga¨ w`‡q Ck¦‡ii cÔwZ GK †Rviv‡jv †¶vf

cÔKvk †c‡q‡Q:

(†¶v‡fi my‡i) bv, Zzwg Avi I bvg wbwZ cviev bv gywL, GB e‡j †`jvg|

(m‡L‡`) H bvg †m w`b R¨vVvI KwiwQj| gv_vi Kv‡Q e‡mwQjvg Avwg| Avwg

Rvwb me| nvq ci‡gk¦i, nvq fMevb e‡j KZ †PvwLi Rj d¨vj‡j R¨vVv|

wKQy‡ZB wKQy n‡jv bv| †kl Kv‡j H bvgWvB h¨v‡bv k³ GÆv BuwUi W¨vjvi gZ

†`‡e em‡jv R¨vVvi Mjvi gwa¨| `g ch©šÍ wbwZ cv‡jø bv R¨vVv! g‡i †Mj| Zv

ZzwgI Avi wbI bv I bvg gywL|17

Avi †h f`ª‡jvK †kªwYi Ici GLv‡b Awf‡hvM Av‡Q, gvK©mxq ZË¡ g‡Z, †mB f`ª‡jvK

†kªwY Z_v ey‡R©vqv †kªwY gvby‡li m‡½ gvby‡li mg¯Í AvwZ¤K m§úK© wQbœ K‡i| wnmve-

wbKv‡ki eidR‡j Giv Wywe‡q w`‡q‡Q ag© Db¤v`bvi ¯^M©xq fv‡ev”Q¡vm| bM` UvKvi

Page 6: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

114 MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUK

euvab Qvov Avi wKQyB Giv evwK iv‡Lwb| gvK©m G‡½jm-Gi g‡Z, ‘The bourgeoisie

has left remaining no other nexus between man and man than naked self

interest, than callous ‘Cash Payment’.’18

Revbe›`x bvU‡Ki f`ª hyeKI

ey‡R©vqvwPZ Kvq`vq Avw_©K †jb‡`‡bi gva¨‡g †e›`vi ¯¿x‡K eva¨ K‡i‡Q m§¢ªg wewµ

Ki‡Z| bvU¨Kvwnwbi Gme NUbv ïiæ †_‡K †kl ch©šÍ GKUv gg©vwšÍK cwi‡ek iPbv

K‡i‡Q| civ‡bi g„Zz¨ †mB cwi‡ek‡K AviI KiæY K‡i Zzj‡jI bvU¨Kvi Zvi g‡a¨

bZzb K‡i euvPvi Avkvq †mvbvav‡bi `yt¯cœ †`Lv‡bvi †Póv K‡i‡Qb| gv‡Vi ivRv civb

gÐj g„Zz¨gy‡L cwZZ n‡qI †mB `yt¯cœgq †mvbv djv‡bvi Avnevb K‡i‡Q Gfv‡e:

N‡i wd‡i hv igRvbÑ †Zviv me N‡i wd‡i hv| AvgviÑ Avgvi †mB gi‡P cov

bv½j KÖLvbv Avevi k³ K‡i †P‡c ai‡M gvwUwZ| k³ K‡i †P‡c ai‡M gvwUwZ|

Lye k³ K‡i †P‡c aiwe| †mvbv, †e›`v, †mvbv dj‡e, †mvbv dj‡e| 19

GB gg©vwšÍK my‡ii bvUKLvwb I.P.T.A.-Gi cÔ‡hvRbvq AwfbxZ nevi m‡½ m‡½ bvU‡Ki

RM‡Z IPTA GKwU kw³ n‡q `uvovq| Z‡e ÓGi ÎæwU m§¢eZ GB †h, Zv‡Z wbtk¦vm

†djevi †Kv‡bv AeKvk †bBnvwm †bB, Mvb †bB, Uª¨vwRK wiwjd †Kv_vI †g‡j bv|Ö20

GLv‡b Av‡Q ïay mZ¨wbôv, NUbv Avi ewjô msjvc| Avi G Rb¨B bvUKwU mvd‡j¨i

m‡½ AmsL¨ evi AwfbxZ n‡q‡Q| cÔK…Zc‡¶ ÓRevbe›`x‡Z K…lK‡`i `yie¯’vi K_v

Mfxi `i‡`i m‡½ ejv n‡q‡QZvi Rb¨ `k©‡Ki g‡b Ab¨me cÔkœ Pvcv c‡o †M‡Q|

gvbweKZvB GLv‡b cÔavb †cÔiYv n‡q I‡V‡Q|Ö21

NUbv I msjv‡ci myôz cÔ‡qv‡M Revbe›`x

†mB mgqKvi `y ©kvMÔ¯Í gvby‡li gg©š`` wPÎ Zz‡j a‡i e¨vcK Rbmvavi‡Yi AšÍi

Mfxifv‡e ¯úk© K‡iwQj| Avi ZvB GwU me©vwaK Awfbq mvdj¨ jvf K‡i MYbvU¨

Av‡›`vjb‡K K‡iwQj †eMevb| ïay evsjvi MYbvU¨ Av‡›`vj‡bB bq, †m mg‡q Gi wnw›`

Abyev` AwšÍg-Awfjvl wewfbœ g‡Â AwfbxZ n‡q wnw›`fvwl `k©‡KiI AvKv•¶v wbe„Ë

Ki‡Z m¶g n‡qwQj|

MYbvU¨ Av‡›`vj‡bi avivq weRq fÆvPv‡h©i me‡P‡q kw³kvjx I Av‡jvob

m„wóKvix bvUK n‡jv bevb œ (1944)| ZrKvjxb bvU¨Av‡›`vj‡b bevbœ bvU‡Ki cÔfve-

cÔwZwµqv GZUvB Mfxi I my`~icÔmvix wQj †h, evsjv bvU¨mvwn‡Z¨i BwZnv‡m Óbev‡bœi

KvjÖ e‡j GKwU we‡kl mgq wPwþZ n‡q Av‡Q| bevb œ weRb fÆvPv‡h©i cÔ_g c~Y©v½

bvUK| GwU ÓcÔKvwkZ nIqvi mv‡_ mv‡_ cyiv‡bv hy‡Mi bvU¨ welqe¯` I bvU¨vw½‡K NUj

GK cÔej we‡ýviY|Ö22

gššÍi-AvwkªZ D‡Ïk¨g~jK G bvUKwU evsjv bvU¨mvwn‡Z¨ wb‡q

Gj Avw½K cÔKi‡Yi Awfbe‡Z¡i PgK| Z‡e GB AwfbeZ¡ nVvr K‡i Av‡mwb|

bvU¨Kv‡ii c~e©eZ©x bvUK Revbe›`x wQj Gi m„wói c`‡mvcvb| evsjv bvU¨mvwn‡Z¨i

BwZnv‡m behy‡Mi AvnŸvqK GB bevbœ bvUKwUi iPbv cÔm‡½ bvU¨Kvi wb‡RB e‡j‡Qb:

wØZxq wek¦hy‡×i cwi‡cÔw¶‡Z BwZg‡a¨B ywf©¶, gnvgvix, Avwawe‰`K yN©Ubv Ges

†`ke¨vcx ¯^vaxbZv Av‡›`vj‡bi MwZ-cÔK…wZ cwiewZ©Z n‡q P~ovšÍ GKUv cwiYwZi

w`‡K wbôzifv‡e AMÔmi n‡q‡Q| cÔ‡Z¨KwU mgm¨v Ggb weivU Avi e¨vcK AvKv‡i

†`Lv w`‡q‡Q †hb g‡b n‡”Q Ab_© hv wKQy NU‡Q Zvi Dci gvby‡li †hb †Kv‡bv

nvZ †bB| m‡PZb eyw×Rxex gbI ZLb mskq Avi weåvwšÍi †MvjKauvavq

Page 7: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

Jagannath University Journal of Arts 115

N~Y©vqgvb| PigZg GgbB †mB ytmg‡q ÓRevbe›`xÖi Bw½‡Zi m~Îavi knx`

gvZw½bx nvRivi †`k †gw`bxcyi †Rjvi cUf~wgKvq cÔavb mgvÏv‡ii bZzb

Revbe›`x‡Z ÓbevbœÖ bvUK wjL‡Z emjvg| gyg~l©y civb gЇji †Pv‡Li †mvbvav‡bi

yt¯^cœB cÔavb mgvÏv‡ii †Pv‡L cÔwZfvZ nq RevKzmygmsKvks i¥‡c| g„Zz¨‡K eiY

Kievi y ©gbxq msKí †NvlYvi ga¨ w`‡q †m K‡i g„Zy¨‡K A¯^xKvi|23

bevbœ-Gi Kvwnwb web¨ Í n‡q‡Q PviwU A‡¼, c‡b‡ivwU `„‡k¨| bvU¨Kvwnwb ïiæ n‡q‡Q

evsjvi †Kv‡bv GK cjøx Avwgbcy‡i GKwU `v½v-nv½vgvi `„‡k¨i ga¨ w`‡q, †h `v½v-

nv½vgv wQj weªwUk mvgªvR¨ev` DrLv‡Zi Av‡›`vjb| Gici AvKw¯¦K eb¨v-mvB‡K¬v‡b

Avwgbcyi cøvweZwQbœwfbœ| cªavb mgvÏvimn MÔv‡gi K…lK mgvR gš^šÍ‡ii wkKvi| GiB

gv‡S Kv‡jvevRvwi gnvR‡bi me©MÔvmx †kvlY| mnvq-m¤jnxb gvbyl¸‡jv euvPvi ZvwM‡`

cvwo Rgvq KjKvZvq| GLv‡b iv¯Ívq iv¯Ívq wf¶ve„wË, `yÖgy‡Vv Lvevi †RvMvo nq bv|

GKUz †bvsiv Lvev‡ii Rb¨ Wv÷we‡b KzKz‡ii m‡½ jovB‡qI civwRZ nq Zviv| awbK

†kªwYi wbôzi AvPiY mn¨ Ki‡Z bv †c‡i cÔav‡bi gw¯Í®‹ weK…wZ N‡U| mvwi mvwi g„Z †`n

†hLv‡b †mLv‡b| Gi gv‡SI euvPvi ¯^cœ wb‡q cybivq MÔv‡g †div Ges MuvZvi †L‡U Pvlvev`

ïiæ I bev‡bœi Drme| bevbœ-Gi Mívs‡ki GB ü`q-we`viK KiæY cwiYwZi K_v †f‡e

mybxj `Ë e‡j‡Qb, Ó`ywf©¶ I gnvgvixMÔ¯Í ev½jvi †h `„k¨ Bnvi g‡a¨ dzwUqv DwVqv‡Q

Zvnv †`wLqv AkÔæ m§iY Kiv KwVb|Ö24

weqvwjø‡ki AvM÷ Av‡›`vj‡b D”Q„•Lj

ivR‰bwZK cUf~wg, 43-44 mvj Ry‡o gš^šÍi I gnvgvix‡Z mvaviY gvbyl wbiæcvq

evsjvq avb †bB, Pvj †bB, Jlya †bB, mnvq-m§^j wKQyB †bB; ïay Av‡Q nvnvKvi I

AvnvRvwii AwMœ`v‡n QviLvi n‡q hvIqv evsjv| G mgq Rxe‡bi ewjô msMÔvg‡K i¥c

w`‡q hviv wb‡Ri K‡i wb‡Z †c‡i‡Q, †Kej ZvivB †eu‡P‡Q| hviv cv‡iwb Zviv euv‡Pwb|

Ggwb K‡i A‡b‡K g‡i‡Q| evsjv ZLb ˆZwi n‡q‡Q g„Zz¨i KvivMv‡i| Zey wbtkã GB

KvivMvi †_‡K Rxe‡bi SsKvi DV‡Z †`Lv hvq| GB SsKviB bevbœ bvU‡Ki

Kvwnwbewjô GK Rxeb-msMÔv‡gi Kvwnwb| bvU‡Ki GB msMÔvgx Rxeb‡ev‡ai g‡a¨

†Kv‡bv wg_¨v †bB, †Kv‡bv QjvKjv †bB| ZvB GB weivU msMÔvgkxj Rxeb-Kvwnwb n‡q

I‡V‡Q mgKvjxb ÓmvgvwRK Ae¶‡qi `wjjÖ|25

bevbœ cÔ_g AwfbxZ nq 1944 mv‡ji 24 A‡±vei kªxi½g bvU¨g‡Â MYbvU¨

ms‡Ni cÔ‡hvRbvq| Gi wb‡`©kbvq wQ‡jb weRb fÆvPvh© I k§¢y wgÎ| Awfbq K‡iwQ‡jb

weRb fÆvPvh©, k§¢y wgÎ, myax cÔavb, M½vc` emy, PviæcÔKvk †Nvl, mRj ivq‡P×ayix,

iwÃZ emy, AwRZ wgÎ, †Mvcvj nvj`vi, weg‡j›`y †Nvl, gwYKzšÍjv †mb, †kvfv †mb,

Z…wß fv`yox (c‡i Z…wß wgÎ), jwjZv wek¦vm, gwYKv fÆvPvh© cÔgyL †`ke‡iY¨ bvU¨-

e¨w³Z¡| ejv P‡j †m mg‡q MYbvU¨ Av‡›`vj‡bi KY©avi wQ‡jb GuivB| kªxi½‡g bevb œ-

Gi mdj Awfb‡qi ci bvUKwUi RbwcÔqZv e„w× †c‡Z _v‡K Ges wewfbœ g‡Â g¯’

n‡Z _v‡K| MYbvU¨ ms‡Ni cÔ‡hvRbvq bevbœ-Gi mdj Awfbq GKw`‡K me©-fviZxq

mvs¯‹…wZK Av‡›`vjb‡K †hgb †Rvi`vi K‡i †Zv‡j, †Zgwb evsjv bvU¨mvwn‡Z¨i

BwZnv‡m weRb fÆvPv‡h©i bvg wPi¯’vqx K‡i †`q| G cÔm‡½ †kvfv †m‡bi ¯^xKv‡ivw³wU

cÔwYavb‡hvM¨:

Page 8: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

116 MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUK

ÓbevbœÖ-Gi mvdj¨ †hb Avgv‡`i Av`‡k©i P¨v‡jb&R| ZvB ÓbevbœÖ n‡q Av‡Q

BwZnv‡m Agi| bvU¨cÔ‡qvM, welqe¯‡Z, `jMZ Awfb‡q| mgwóMZ Awfbq wQj

ÓbevbœÖ-Gi me‡P‡q eo we¯¦q| wkwkiKzgvi, wbg©‡j› y ev `vbxeveyi wUwK Lyu‡R

cvIqv hvqwb Avgv‡`i g‡a¨| wKš Avgiv mevB wg‡j n‡qwQjvg A‡bK †ewk

kw³gvb| GB Awfbq I bvU‡Ki cy‡iv K…wZZ¡ weRbeveyi|26

MYbvU¨ ms‡Ni D‡Ïk¨ ev Av`‡k©i c~Y© cÔwZdjb bevb œ bvU‡K N‡UwQj e‡jB MYbvU¨

Kg©xiv bev‡b œi Awfb‡qi ga¨ w`‡q †`‡ki gvby‡li cÔwZ mngg©x n‡q‡Qb, †`k‡cÔ‡g

DØy× n‡q †`‡ki Kj¨v‡Y wb‡R‡K K‡i‡Qb mgwc©Z| GB bvU‡Ki Awfb‡qi ga¨ w`‡q

ZvB ÓfviZxq MYbvU¨ msNÖ kniwfwËK wkíx‡`i msMwVZ K‡i `w¶Y Gwkqvi BwZnv‡m

cÔ_g ev‡ii g‡Zv Zuv‡`i MYgvby‡li KvZv‡i mvwgj Ki‡Z m¶g n‡qwQj| I.P.T.A.-

Gi D`¨gx Awf‡bÎx †kvfv †mbI e‡j‡Qb, ÓhZw`b ÓbevbœÖ-Gi Awfbq P‡j‡Q, ZviB

g‡a¨ cÔ_g Dcjwä K‡iwQ bvU‡Ki ga¨ w`‡q Kxfv‡e †`‡ki KvR Kiv hvq,

Rbmvavi‡Yi m‡½ KZLvwb Mfxi †hvMv‡hvM ¯’vcb Kiv hvq|Ö27

bevb œ-Gi Awfbq ïay

Avgv‡`i mvgvwRK-ivwóªK Rxe‡bB cÔfve we¯Ívi K‡iwb, eis ÓmgvR-m‡PZb GB bvU‡Ki

Ac~e© Awfbq evsjvi bvU¨RM‡ZI GK we`y¨r PgK mw„ó K‡iwQjÖ|28

bevbœ ïay

KjKvZvq bq, ea©gvb, †gw`bxcyi, h‡kvimn Awef³ evsjvq wewfbœ g‡Â mvd‡j¨i m‡½

AwfbxZ n‡q‡Q| MYbvU¨ Av‡›`vjb‡K bevb œ †hfv‡e cwiYwZ I cÔZ¨q `vb K‡i‡Q, Zv

Avi †Kv‡bv bvUK cv‡iwb| MYbvU¨ Av‡›`vj‡b cÔwZwbwaZ¡Kvix GB bvUKB †klch©šÍ

weRb fÆvPvh©‡KI G‡b w`‡q‡Q MYbvU¨ Av‡›`vj‡bi bvq‡Ki Acvi gwngv|

evsjv bvU‡K ivgbvivqY ZK©iZœ (1822-1886), `xbeÜz wgÎ (1830-1873) I

gvB‡Kj gaym~`b `Ë (1824-1873) Gi HwZn¨‡K ¯¦iY K‡iI bZzb hy‡Mi `k©bwfwËK

MYZvwš¿K Av‡›`vj‡bi gva¨‡g weRb fÆvPvh© cÔgvY K‡i‡Qb †h, †`e-†`ex, beve-ev`kv

I Rwg`vi‡`i Lvg‡Lqvwjcbvi BwZnvm †_‡K bvU¨welqe¯` c„_K I gnvb| my`k©b

bvqK-bvwqKvi cwie‡Z© mvaviY †Pnvivi gvbylhv‡`i Awfbq‡hvM¨ KÉ Av‡Q, Zv‡`i

w`‡qI †h AmvaviY bvU¨wµqv m§¢e †mwUI wZwb cÔgvY K‡i‡Qb| †`‡ki Ae‡nwjZ

RbMY huv‡`i PwiÎ GZw`b ch©šÍ AwaKvsk bvU‡K `„k¨všÍi wKsev weiwZi duvK c~i‡Y

mvnvh¨ KiZ, Zuv‡`i Avkv-AvKv•¶v, e¨_©Zv‡K g~Z© K‡i Zz‡j‡Qb weRb fÆvPvh©| Zuvi

bevb œ bvU‡Ki gva¨‡g evsjvi wbibœ K…lK, mvaviY D‡cw¶Z-Ae‡nwjZ wb§œ‡kªwYi

gvby‡li cvkvcvwk ÓwQbœg~j DØv¯` wb§œ-ga¨we‡Ëi Rxeb‡K wZwb g‡Â wb‡q G‡jb|Ö29

Avi

MYbvU¨ Av‡›`vj‡bi j¶¨I wQj wkí-mvwn‡Z¨ mgv‡Ri G‡Kev‡i wbPzZjvi gvby‡li

cÔwZôv †`Iqv| Kv‡RB MYbvU¨ Av‡›`vjb I bevbœ GKwU Av‡iKwUi cwic~iKwew”Qbœ

Kivi Dcvq †bB| G bvUKwU welqe¯`, fve I Awfb‡qi w`K †_‡K evsjv bvU‡K

hyMvšÍKvix w`K cwieZ©‡bi m~Pbv K‡i| G Rb¨ ÓMYbvU¨ msN, weRb fÆvPvh© Ges bevbœ

c~Y© gh©v`vq cÔwZôv jvf K‡i|Ö30

MYbvU¨ Av‡›`vj‡bi m‡½ mswkøó bvU¨Kvi-Awf‡bZvMY cÔZ¨¶-c‡iv¶fv‡e

fviZxq KwgDwb÷ cvwU©i m‡½ RwoZ wQ‡jb| weRb fÆvPvh©I gvK©mxq †PZbvq wek¦vmx

n‡q bvUK iPbv, cwiPvjbv I Awfbq K‡i‡Qb| ZvB K…lK-kªwgK-†gnbwZ gvby‡li

Page 9: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

Jagannath University Journal of Arts 117

Rxeb-msMÔvg I euvPvi jovB Zuvi bvU‡Ki gyL¨ welq n‡q I‡V‡Q| ÓwØZxq wek¦hy‡×i

mgq †_‡KB bvUK I bvU¨vwfb‡qi †h bexb Rxeb fvebv, D‡cw¶Z K…lK-kªwg‡Ki

Dcw¯’wZ, msMÔvgx Rxeb-†PZbv, ga¨weË wb§œ-ga¨weË gvby‡li cÔvavb¨ cÔKvk †c‡Z

_v‡K, MYbv‡U¨i Ab¨Zg cy‡ivav wn‡m‡e weRb fÆvPv‡h©i bvU¨K‡g© ZviB mvwe©K

c‡Uv‡Ëvjb N‡UwQj|Ö31

Avi GB KvRwU m§úbœ Ki‡Z †mZze܇bi f~wgKv cvjb K‡i‡Q

bevbœ bvUKLvwb| G‡Z evsjvi †gnbwZ-wbibœ K…lK Rxe‡bi PvjwPÎ †hfv‡e wPwÎZ

n‡q‡Q, Zv Avi †Kv_vI †`Lv hvq bv| Gi cÔvq 85 eQi c~‡e© iwPZ `xbeÜz wg‡Îi

bvU‡K †Kej Zvi AvswkK cÔqvm †`Lv hvq| Avï‡Zvl fÆvPvh© wj‡L‡Qb:

e¯Zt `xbeÜz wg‡Îi Óbxj`c©YÑGi ci †`‡ki wbibœ K…lK mgv‡Ri ¯^cœ-msMÔvg‡K

Aej§b Kwiqv Óbevbœ-Gi gZ bvUK Avi wØZxqwU iwPZ nq bvB|32

MYbvU¨ Av‡›`vj‡bi cwiYwZi Kv‡j bevb œ-Gi g mdjZv I RbwcÖqZv ïay evOvwj

gvb‡mB mvov RvMvqwb, eis cÔMwZev`x A‡bK AevOvwji g‡bI GwU Mfxifv‡e bvov

w`‡Z m¶g n‡qwQj| kªxi½‡g Gi Awfbq †`‡L gy» n‡q ZvB GKRb weªwUk cvBjU

weRb fÆvPvh©‡K Awfb›`b Rvwb‡q GKwU wPwV wj‡LwQ‡jb| cÔm½Z †mB wPwVi Ask

we‡kl GLv‡b D×…Z KiwQ:

Out of the agony of the grapes, comes the glory of the wine.

Out of the agony of the people, comes the glory of the nation.

Those words express better than any of mine that which I saw

last night. In your play I saw the agony and the potent spirit of

India more clearly and vividly than I have even seen it before.

...If my wishes could come true it would be good if you could

produce your play in London. Every British men and women

should see it.33

bevbœ-Gi welqe¯` ch©v‡jvPbv Ki‡j †`Lv hvq †h, wØZxq wek¦hy‡×i cÔ_g w`‡K

d¨vwmev‡`i Kv‡Q weªwUk evwnbxi civRq, MvÜxRxi †bZ…‡Z¡ RvZxq Ks‡MÔ‡mi giYcY

(Do or die) msMÔv‡g Amvdj¨, †gw`bxcy‡i mvB‡K¬vb I fqven eb¨v, cÂv‡ki gš^šÍi,

Kv‡jvevRvwi I †PvivKvievwii m‡½ weªwUk miKv‡ii AšÍtm§úK© BZ¨vw` bvbvwea NUbvi

m§ú~Y© wPÎ G‡Z ¯úó bv _vK‡jI A‡bK NUbviB Avfvm Av‡Q| weªwUk miKvi iwPZ

bvU¨-wbqš¿Y AvB‡bi QvocÎ wb‡Z n‡qwQj e‡j me mgm¨v ¯úó K‡i ejv m§¢e nqwb|34

Zey G‡`‡ki gvbyl bevb œ-Gi gg©evYx eyS‡Z we› ygvÎ wej§^ K‡ibwb| GB wekvj we¯Í…Z

NUbvivwR GKm‡½ bvUKxq e„‡Ë MÔw_Z Ki‡Z wM‡q bvU¨Kvi‡K wQbœ Ki‡Z n‡qwQj

cÖPwjZ bvU¨vw½K I bvU¨-wel‡qi RUvRvj| ZvB bvUK wn‡m‡e bevb œ-Gi MVb wel‡q †m

mg‡q Gi wei¥c mgv‡jvPbv K‡i A‡b‡K G‡K ÓAmsjMœ bvUKÖ e‡jwQ‡jb| Avm‡j ÓGB

AvcvZ AmsjMœZvi AšÍiv‡j engvb e¨vcK cwi‡ekxq HK¨B Óbev‡bœÖi MVb-ag©Õ|35

†Kbbv bvUKwU iPbvi †cÔ¶vcUwU wQj Pig DËvj| 42-Gi AvM÷ gv‡m MvÜxRx hLb

weªwUk DrLv‡Zi giY cY ÓK‡i‡½ B‡q g‡i‡½Ö gš¿ †`b ZLb e½‡`k, wenvi, DËi-

cÔ‡`‡k ¯^Ztý~Z© MYwe‡¶vf †`Lv †`q| evsjv‡`‡k †gw`bxcy‡ii RbmvaviY mymsNe×

n‡q _vbv I Ab¨vb¨ miKvwi Awdm AvµgY Kivi †Póv K‡i| H mgq 72 eQi eqmx

Page 10: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

118 MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUK

gvZw½bx nvRiv †kvfv hvÎvq †bZ…Z¡ †`b| cywjk ¸wj †Qv‡o| e›`y‡Ki GKwU ¸wj Zuvi

evû‡Z AvNvZ nv‡b| wbf©xK gvZw½bx Zey _v‡gb bv| Av‡iKwU ¸wj Zuvi Kcvj †f`

K‡i hvq| wZwb g„Zz¨i †Kv‡j X‡j c‡ob| H Ae¯’v‡ZI Dcwb‡ek we‡ivax Av‡›`vj‡bi

cÔZxK wn‡m‡e Zuvi nv‡Z ¯^vaxbZvi cZvKv AuvK‡o aiv wQj|36

GB DËvj MYmsMÔv‡gi

wPÎwU weRb fÆvPvh© ÓbevbœÖ bvU‡Ki cÔ_g `„‡k¨ †K×k‡j wPwÎZ K‡i‡Qb| bvU‡Ki

Avwgbcyi Avm‡j †gw`bxcyi, cÂvbbx n‡jb gvZw½bx nvRiv Avi euv‡ki MuvU dvUvi kã

n‡jv e›`y‡Ki ¸‡jvi kã| weªwUk mvgªvR¨ev`x ˆmb¨evwnbxi AZ¨vPv‡i hLb Avwgbcy‡ii

K…lK-mgvR AwZô, cÔwZKv‡ii Av‡›`vj‡b hLb cÔav‡bi `yB cyÎ wbnZ, MÔv‡gi bvix‡`i

m§£g wb‡q hLb UvbvUvwb, ZLb mevB fxZ n‡jI gvZw½bx nvRiv m`„k e„×v cÂvbbx

Av‡›`vj‡b †bZ…Z¡ w`‡Z GwM‡q Av‡mb| cywj‡ki ¸‡jv ZuviI Kcvj †f` K‡i| Zey

wZwb Av‡›`vj‡b GwM‡q hvevi AvnŸvb Rvbv‡Z _v‡Kb| bvU¨Kv‡i fvlvq:

cÂvbbx: Avwgbcy‡ii Kj¼, Avwgbcy‡ii Kj¼ †Zviv me, ZvB †cQy nUwQm&| †c‡Qvmwb,

GwM‡q hv| GwM‡q hv †Zviv me, GwM‡q hv|37

Gici Avwgbcy‡i nVvr fqven eb¨v-mvB‡K¬vb, Ni-evwo, dmj mewKQy DRvo, `ywf©¶-

gnvgvwi‡Z K…lK mgvR w`‡knviv, GiB gv‡S nviæ`‡Ëi g‡Zv ¯^v_©v‡š^lx gnvR‡bi Kv‡Q

me©¯^ nvwi‡q Zviv KjKvZvq Av‡m| GLv‡b wf¶v K‡iI `y‡Uv †L‡Z cvq bv| Ae‡k‡l

euvPvi ZvwM‡` y‡Uv †bvsiv Lvev‡ii Rb¨ Wv÷we‡b KzKz‡ii m‡½ jovB‡q bv‡g, wKš`

KzKz‡ii Kvgo †L‡q GLv‡bI civRq N‡U| A_P GB mg‡q mgv‡Ri eoeveyiv KZ kZ

f`ª‡ekx ¯v_©v‡š^lx †jvK‡K wbgš¿Y K‡i LvB‡q‡Q| ¶zav-Z…òvi R¡vjvq g„ZcÔvq

gvbyl¸‡jvi AvZ©bv` Zv‡`i Kv‡b †cuׇQ bv| GB AgvbweK, wbôzi AvPiY †`‡L cÔavb

mgvÏvi †¶v‡f-`yt‡L-N„Yvq DuPzZjvi gvbyl¸‡jvi cÔwZ Mjv dvwU‡q wPrKvi Ki‡Z _v‡K:

Avi KZ †PuPve evey `y‡Uv fv‡Zi R‡b¨! †Zvgiv wK me ewai n‡q †MQ eveywKQy Kv‡b

†kvb bv? AšÍi wK me †Zvgv‡`i cvlvY n‡q †M‡Q evey!38

Gici fvZ bq, mvgvb¨ fv‡Zi d¨v‡bi Avkvq eoevey‡`i evwoi †Wª‡bi Kv‡Q KzKzi Avi

gvbyl cvkvcvwk e‡m A‡c¶v K‡i| GKB D‡Ï‡k¨ cvkvcvwk e‡m _vKv wfbœ Rv‡Zi `yÖwU

cÖvwYi g‡a¨ ZLb †hb Avi cv_©K¨ _v‡K bv| Pvwiw`‡K eyfy¶zi nvnvKvi-AvnvRvwi Ges

†c‡Ui R¡vjvq DØv¯` gvbyl¸‡jv ZLb wbR©xe, AmviÓg„Zz¨i A‡c¶vq mgq MYbviI mva¨

Zv‡`i †bB|Õ39

GB i¥p mvgvwRK Ae¶‡qi Kvwnwb cÔPwjZ bvU¨vw½‡K wPwÎZ Kiv hvq

bv| G Rb¨ bevbœ-Gi Avw½K-cÔKiYI wfbœ| Gi bvU¨vw½K wePvi Ki‡Z n‡j bZzb

Kvbyb `iKviMZvbyMwZK Kvby‡b Gi wePvi P‡j bv|

bevbœ-Gi c‡i weRb fÆvPvh© iPbv K‡ib GKv¼ givPuv` (1946), Kj¼

(1946), Ges c~Y©v½ Ae‡iva (1947) bvUKwU| wKš` G bvUK wZbwU MYbvU¨ ms‡Ni

cÔ‡hvRbvq AwfbxZ nqwb| givPuv`-G bvU¨Kvi ceb evD‡ji Mv‡bi ga¨ w`‡q mgv‡Ri

G‡Kev‡i wb§œ‡kªwYi gvby‡li Rxeb-msMÔvg‡KB wPwÎZ K‡i‡Qb| Ae‡iva bvUKwU

KwgDwbR‡gi Av`‡k© KviLvbvi gvwjK-kªwgK msNl©‡K †K›`ª K‡i iwPZ, Zey KviLvbvi

Page 11: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

Jagannath University Journal of Arts 119

gvwj‡Ki cyuwRev`x ¯^i¥c m§ú‡K© bvU¨Kv‡ii AbwfÁZvi Kvi‡Y MYbvU¨ msN G

bvUKwU‡K MÔnY Ki‡Z cv‡iwb| ZvB MYbv‡U¨i Av`k© †_‡K wePy¨Z bv n‡jI Gme

bvUK MYbvU¨ Av‡›`vj‡b bevbœ-Gi g‡Zv f~wgKv cvjb Ki‡Z cv‡iwb|

MYbvU¨ Av‡›`vj‡bi avivq weRb fÆvPv‡h©i cieZ©x D‡jøL‡hvM¨ ms‡hvRb n‡”Q Rxqb

Kb¨v (1948) MxwZbvU¨wU| G‡Z †e‡` mgv‡Ri bvbv ms¯‹vi, HwZn¨-jvwjZ cÖ_v-

c×wZ, RvwZMZ wek¦vm cÔf„wZi m‡½ †`kwefv‡Mi Avk¼vq wn› y-gymwjg `v½v-we‡Ø‡li

wPÎI cÔwZdwjZ n‡q‡Q| mc©-wekvi` †e‡` mgv‡Ri m‡½ wQj bvU¨Kv‡ii Avevj¨

cwiPq| wZwb evj¨Kv‡j XvKv-gywÝMÃ GjvKvi mvcy‡o‡`i mvc aiv, mv‡ci †Ljv,

mvc‡K bvPv‡bv mewKQy Lye KvQ †_‡K †`‡L‡Qb Zv‡`i Rxe‡bi myL-`ytL g‡g© g‡g©

Dcjwä K‡i‡Qb|40

G Qvov evsjvi AvDj-evDj m§cÔ`v‡qi m‡½ wQj Zuvi Avevj¨

mL¨| Mvb I my‡ii cÔwZ wQj Zuvi AvRb¤ Uvb| ZvB ÓKvwnbxi †jvK AvL¨vbawg©Zv I ivM

m½x‡Zi m‡½ †jvKMxwZi gh©v`vgq †gjeÜb ÓRxqbKb¨vÖq GKwU mRxe ¯úk©gqZv mÂvi

K‡i‡QÖ|41

wZbwU `„‡k¨i G MxwZbvU¨wU‡Z †`Lv hvq †h, †e‡`-m`©vi cÔex‡ii Kb¨v

Djycx‡K mc©-`skb K‡i, Zv‡K euvPv‡bvi R‡b¨ bvbv ISv-¸Yx‡bi Avbv‡Mvbv, wKQy‡ZB

wKQy nq bv| Ae‡k‡l mg¯Í ISv-¸Yx‡bi Zš¿-gš¿ GK‡Î Pvjvb Ki‡j mc© nvwRi nq|

wKš` mc© †kvbvq wbivkvi evYx:

†kl K_vUv e‡j hvB

evB`¨vi Kb¨vi euvPb bvB|

Avnv gnv‡`kUv NygvB‡Q

Kj&‡RUv †gvi RyovB‡Q|42

Zey Djycx‡K euvPv‡bvi Rb¨ ¸Yx‡bi `j ev‡Y ev‡Y mc©‡K Aw¯’i K‡i †Zv‡j| †klch©šÍ

welgy³ K‡i Djycxi gnvRvMiY NUvq ÓfviZ gvZvi g‡ZvÖ| Avm‡j GB cÔqvm m‡c©i

weiæ‡× bq, G ZrKvjxb ÓK¨vjvm miKv‡iiÖ weiæ‡× GK we‡kl cÔwZev`| RxqbKb¨vi

GB i¥cK Avkª‡qi K_v myax cÔavbI e‡j‡Qb:

RxqbKb¨vi welqe¯` G‡Kev‡iB KwgDwb÷ cvwU©i ivRbxwZwfwËK| mc© `swkZv

Djycx‡K fviZe‡l©i cÔZxK ejv hvq†h civaxbZvi we‡l g„ZcÔvq| bvbvb

¸Yxb‡`i mgv‡ek Kiv n‡q‡Q Zv‡K euvPvevi Rb¨| GB ¸Yxb¸‡jv n‡”Q

ivR‰bwZK `jhviv cÔ‡Z¨‡K ej‡Q Zviv fviZe‡l©i g½j Pvq| wKš wel Zzj‡Z

cvi‡Q bv, KviY wel †Zvjvi gš¿ hv aššÍix‡`i ÓmvZLvbv nv‡Z cuvPLvbv n‡q‡QÖ

e‡j Zvi †Rvi K‡g‡Q|43

Avm‡j ¸Yxb‡`i gš¿ ÓmvZLvbv nv‡Z cuvPLvbv nIqvÖi ga¨ w`‡q fvi‡Zi Rbmvavi‡Yi

Ks‡MÔm, gymwjg jxM, KwgDwb÷ cÔf„wZ As‡k wef³ nIqv‡K †evSv‡bv n‡q‡Q| Avi

mKj ¸Yx‡bi GK‡Î gš¿ Pvjvb †`Iqvi ga¨ w`‡q fvi‡Zi mKj `j‡K mvgªvR¨ev`

DrLv‡Zi Rb¨ GKm‡½ msMÔvg Pvjv‡bvi AvnŸvb Rvbv‡bv n‡q‡Q| Kv‡RB MYbvU¨

Av‡›`vj‡bi D‡Ï‡k¨i m‡½ Gi m§ú„³Zv my¯úó| ZvQvov GB †jvKd‡g©i bvU‡Ki

ga¨w`‡q evsjv bvU‡K AwfbeZ¡ AvbvqbI bvU¨Kv‡ii Kg K…wZ‡Z¡i bq| G cÔm‡½ †kvfv

†m‡bi gšÍe¨ cÔwYavb‡hvM¨:

Page 12: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

120 MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUK

bevbœ-Gi mvd‡j¨i ci Avgv‡`i I †`kevmxi weivU cÔZ¨vkv _v‡K ÓbevbœÖ-Gi

bvU¨Kv‡ii Kv‡Q| ZvB w`‡bi ci w`b A‡c¶v KiwQjvg Av‡iKwU we‡ ªv‡ni Mvb

ïb‡Z| Gj ÓRxqbKb¨vÖ| cov nj| GI GK Awfbe m„wó|44

GB avivevwnKZvq weRb fÆvPv‡h©i Av‡iKwU ¸iæZ¡c~Y© ms‡hvRb n‡jv Ó†`exMR ©bÕ

(1969)| GLv‡b wbh©vwZZ-wbcxwoZ muvIZvj Avw`evmx‡`i Rxeb-cÔYvjx Ges G‡`i

Ici †RvZ`vi, gnvRb, f~¯^vgx‡`i †kvlY-wbh©vZ‡bi wPÎ †hgb Av‡Q, †Zgwb me©nviv

gvby‡li cÔwZ‡iva-cÔwZKv‡ii wPÎI Av‡Q| cÔK…Zc‡¶ bevbœ (1944) bvU‡K †h exR Dß

n‡qwQj Zv †`exMR©b bvU‡K cwiYZ bvU¨kixi cwiMÔn K‡i‡Q| wZb A‡¼ GMv‡ivwU

`„‡k¨i bvU¨Kvwnwb mymsnZ| Kvwnwb‡Z †`Lv hvq †h, evsjvi cÔZ¨šÍ A‡j Avw`evmx

evDwi muvIZvj Pvlx‡`i evm| Rwg`vwi-cÔ_vi we‡jvc mva‡bi ci ga¨¯^Z¡‡fvMx cÔfÃb

†ebvwg‡Z Pvlx‡`i Rwg wb‡R‡`i Znkxjfy³ K‡i †bq| cÂv‡qZx kvmbe¨e¯’v evbPvj

K‡i Aeva wbôziZvq mvgšÍZvwš¿K kvmb Pvjy K‡i †m| K…wlFY Avi KR©vav‡bi my`

†hvMv‡Z wM‡q me©¯^všÍ nq `wi`ª fyuBPvlxi `j| Zv‡`iB Rwgi av‡b †Mvjv fwZ© nq

cÔfÇbi, Avi ZvivB _v‡K wbibœ-Dcevmx| GB AvwacZ¨ cÔfÇbi wbi¼zk B”Qvi|

hLb †m e‡j, ÓAvwg ivRv, AvgviB bxwZÑBUvB ivRbxwZÕ45

ZLb Zv‡K wPb‡Z Avi

Amyweav nq bv| wKš` GK mgq mÂvwiqv Avi gsjvi †bZ…‡Z¡ †RvUe× fyuBPvlxiv

cÂv‡qZx kvmb Pvjy Kivi aŸwb †Zv‡j| gsjvi g‡b †PZbv Rv‡M- Ó†K ivRv, Kvi

ivR¨Õ?46

ZvB K…wlFY Avi KR©vav‡bi my` cÔfÃb‡K wWwO‡q mivmwi miKvwi KvQvwi‡Z

Rgv w`‡Z Pvq Pvlxiv| ag©‡Mvjvi gRyZavb Afv‡ei w`‡b Pvlx‡`i g‡a¨ weZiY K‡i

†`Iqvi `vweI Rvbvq| cÔfÃb Zv‡Z ivwR bv n‡j Pvlx‡`i m‡½ Zvi jovB euv‡a| †mB

cÔPÐ MYwe‡¶v‡fi mvg‡b Z…YL‡Ði g‡Zv †f‡m †M‡Q ga¨¯^Z¡‡fvMx cÔfÃb| mvgšÍZvwš¿K

†kvlY-e¨e¯’vi wemR©‡bi Zv‡j Zv‡j ZLb AvKv‡k evZv‡m aŸwbZ n‡q‡Q †`exMR©b|

ZvB G bvUKwU n‡q I‡V‡Q Ó†RvUe× cÔwZ‡iva cÔwZÁvi bvUKÖ|47

MYbvU¨ Av‡›`vj‡b †jvKv‡qZ gvby‡li mgvR-ms¯‹…wZ Ges †gnbwZ gvby‡li

cÖwZev`-cÔwZ‡iva I wecøe we‡kl ¸iæZ¡c~Y©| MYbvU¨ msN mgKvjxb bvU¨-Av‡›`vj‡b GB

RvZxq bvUK‡KB MÔnY K‡iwQj we‡kl AvMÔ‡n| weRb fÆvPvh© GB bvUKwUi gva¨‡g

MYbvU¨ Av‡›`vjb‡K †hgb †Rvi`vi K‡i‡Qb †Zgwb evsjvi wbibœ K…lK-mgv‡Ri gyw³i

c_wUI †`wL‡q‡Qb| P›`b Luv G cÔm‡½ wj‡L‡Qb:

Avgv‡`i †`‡ki AmsMwVZ K…lK-mgvR msNe× kw³ wb‡q wecø‡e mvwgj n‡j

GKw`b ¯^‡cœi †fvi Avm‡eB| Kgy¨wb÷ weRbeveyI GB ¯^cœ c‡_i AwfhvÎx

wQ‡jb| Zuvi GB ¯^cœ wKš †ivgvw›UK Kíbvwejvm bq, G ¯^‡cœi g‡a¨ wg‡k Av‡Q

Nvg, AkÔæ Avi i‡³i †bvbZv ¯^v`| †Kvb c‡_ K…lK gyw³ m§¢e, bvU¨Kvi AZ¨šÍ

`¶Zvi m‡½ †mB w`K-wPþwU Av‡jvP¨ bvU‡K Zz‡j a‡i‡Qb|48

Gme QvovI weRb fÆvPvh© mgv‡Ri Ae‡nwjZ-wbh©vwZZ, †kvwlZ-ewÂZ bvbv †kªwYi

gvby‡li Rxeb-msMÔvg Aej§^‡b Rb‡bZv (1951), †MvÎvšÍi (1959), Qvqvc_

(1962), Pzjøx (1974), nuvmLvwji nuvm (1977) cÔf„wZ bvUK iPbv K‡i‡Qb| MYbvU¨

Av‡›`vj‡bi bvU‡K e¨w³‡Kw›`ªK Rxeb-fvebvi ’vb †bB; mgwói fvebvB GLvbKvi g~j

Page 13: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

Jagannath University Journal of Arts 121

myi| Avi weRb fÆvPv‡h©i Gme bvU‡KI †mB myiB evievi SsK…Z n‡q I‡V| A_P Gme

bvUK wZwb iPbv K‡i‡Qb MYbvU¨ msN †_‡K wew”Qbœ nIqvi ci| gZv`k©MZ Kvi‡Y

msN †_‡K wew”Qbœ n‡jI MYbvU¨ Av‡›`vj‡bi GB myi-SsKv‡ii evB‡i wZwb †Kv‡bvw`bB

†h‡Z cv‡ibwb| G cÔm‡½ cweÎ miKvi e‡j‡Qb:

huviv bvUK w`‡q fviZxq MYbvU¨ m•N‡K D¾xweZ K‡iwQ‡jb Zuv‡`i g‡a¨ weRb

fÆvPvh© bvbv Kvi‡Y MYbvU¨ aviv †_‡K wew”Qbœ n‡jI Zuvi bvU‡K MYbv‡U¨i g~j

j¶¨ AwaKvskZ eRvq wQj|49

Zuvi G RvZxq bvU‡Ki g‡a¨ Rb‡bZvÕq Lv`¨ msK‡Ui cUf~wgKvq ¯^vaxbZvi Ae¨ewnZ

cieZ©xKv‡j evsjv‡`‡ki GKwU MÔv‡gi Z_vKw_Z Rb‡bZvi cÔZviK f~wgKvwU‡K e¨½

we ª¥‡ci gva¨‡g D‡b¤vwPZ Kiv n‡q‡Q| bvU¨Kvi MYbv‡U¨i Av`‡k© ZrKvjxb ¯^v_©v‡š^lx

Kv‡jvevRvwi‡`i m‡½ miKv‡ii †hvMm~ÎwU‡KI wPwÎZ K‡i‡Qb| Pig Afv‡ei w`‡b

hLb wbibœ MÔvgevmx mvay Luvi †Pviv Pvjv‡bi Pvj fwZ© jix AvUK K‡i ZLb Kv‡jvevRvwi

mvay Luvi m‡½ Rb‡bZv b‡i›`ªbv‡_i AšÍtm§úK©wU D‡b¤vwPZ nq Gfv‡e:

mvay Luv : †`L GÆv K_v ewj| Ah_v nv½vgv K‡i H Pvj hw` †Zvgiv AvUK

ivL †Zv NUbv Lvivc n‡q hv‡e| (Rb‡bZv b‡i› ªbv‡_i Kv‡Q Gi mgvavb †P‡q)

K…cvbv_ : Revbx‡Z ej‡eb bv, Avgiv Pvj cve wKbv ZvB ejyb|

b‡i› ªbv_ : AvwgB ejwQ, AvwgB ejwQ| (mvay Luvi m‡½ ZvovZvwo Kv‡b Kv‡b

NUbv †kv‡bb) H Pvj wgwjUvix wiKzBwRkb K‡i‡Q; myZivs H Pv‡ji Ici

Avgv‡`i Kv‡iv †Kvb nvZ †bB|50

†`k wefv‡Mi mgq gvby‡li Lv`¨ mgm¨vi cvkvcvwk ev¯` mgm¨vI cÔKU n‡q I‡VwQj|

bvU¨Kv‡ii †MvÎvšÍi bvUKwU †mB mg‡qi KjKvZv kn‡ii DØv¯` mgm¨v‡K †K›`ª K‡i

iwPZ| wQbœg~j MÔv‡gi ¯‹zj wk¶K n‡ib gv÷v‡ii Kvwnwb G‡Z ¯’vb †c‡jI Zv wbQK Zvi

ev¯` mgm¨v‡K †K›`ª K‡i bq| eis ¯‹zj wk¶K †_‡K wKfv‡e wZwb ew Íevmx kªwg‡K

†MvÎvšÍwiZ n‡jb ZviB KiæY BwZnvm G bvUKwU| gw›`iv iv‡qi g‡Z, ÓwÎk¼z ga¨weË

†kªYx wKfv‡e ew¯Íevmx me©nviv kªwg‡Ki m‡MvÎ n‡q I‡V‡Q †mB †MvÎvšÍ‡ii BwZnvmÖ51

-G

bvUKwU| Kv‡RB bvU¨Kvi GLv‡bI mgwói wPšÍv †_‡K wew”Qbœ nbwb|

m‡e©vcwi G K_v ejv hvq †h, MYbvU¨ Av‡›`vjb evsjv bvU¨mvwn‡Z¨i BwZnv‡m

Ges Avgv‡`i mvs¯‹…wZK HwZn¨‡ev‡a †h Awfbe‡Z¡i Av‡jvob m„wó K‡i cÔwmw× jvf

K‡i‡Q, Zvi cÔvYcyiæl wQ‡jb weRb fÆvPvh©| Avi Zuvi iwPZ bvUKmg~n wQj MYbvU¨

Av‡›`vjb cwiPvjbvi nvwZqvi ¯^i¥c| Zuvi bvU‡Ki Awfbq †hgb MYbvU¨ Av‡›`vj‡bi

D‡Ïk¨-j¶¨ ev¯ÍevwqZ Ki‡Z cÔavb f~wgKv cvjb K‡i‡Q, †Zgwb evsjv bvU¨mvwn‡Z¨i

BwZnv‡mI G‡b w`‡q‡Q bZzb bvU¨vw½‡K ev¯ÍeZv‡K cÔwZwôZ Kivi †cÔiYv| evsjv

bvU¨mvwn‡Z¨i BwZnv‡m MYbvU¨ Av‡›`vjb Ges weRb fÆvPv‡h©i bvUK ZvB mg-gh©v`vq

cÔwZôv jvf K‡i‡Q|

Z_¨m~Î

1. `k©b †P×ayix, MYbvU¨ Av‡›`vjb, wØZxq cÔKvk, (KjKvZv: Abyózc cÔKvkbx, 1994), c„. 1

2. gw›`iv ivq, MYbvU¨ Ges bebvU¨: GKwU weZ©K, (KjKvZv: evgv cy¯ÍKvjq, 2004), c„. 4

Page 14: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

122 MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUK

3. Avï‡Zvl fÆvPvh©, evsjv bvU¨mvwn‡Z¨i BwZnvm, wØZxq LÐ, wØZxq ms., (KjKvZv: G. gyLvR©x

GÛ †Kvs cÔv.wj., 1368 e½vã), c„. 444

4. ‘Mussolini was a convinced internationalist and revolutionary, violently opposed to

parliamentary activities and to the socialist acceptance of parliamentary procedure’.

‘When Mussolini, after the elections of May 1921, became the leader of a

partiamentary group he attempted to steer a more moderate course. Together with

the National liberals of Salandra the Fascists formed the ‘National Right’, and

Mussolini in his first parliamentary speech spoke out strongly against Socialists

and Democrats’.

`ªóe¨: Carsten, F.L., The Rise of Fascism, (London: Methuen and Co., 1967), p. 21, 59.

5. ‘In the 1930, it was Hilter and National Socialist Germany who were admired and

imitated by Fascist circles all over Europe, and not Mussolini’s Italy’.

ªóe¨: Ibid, p. 81

6. `k©b †P×ayix, c~‡e©v³, c„. 8-9

7. myaxb cÖavb, bevbœ: cÖ‡hvRbv I cÖfve, (KjKvZv: cy¯ÍK wecwY, 1989), c„. 8

8. gw›`iv ivq, weRb fÆvPv‡h©i bvU¨Kg© I mgKvjxb †cÖw¶Z, (KjKvZv: cy ÍK wecwY, 1992), c„. 4

9. Awbj wek¦vm, KwgDwb÷ cvwU© I Zvi gZv`k©, cÂg ms., (KjKvZv: b¨vkbvj eyK G‡RwÝ,

2004), c„. 59

10. m‡ivR gy‡Lvcva¨vq, fvi‡Zi KwgDwb÷ cvwU© I Avgiv, wØZxq LÐ, wØZxq gy ªY, (KjKvZv:

b¨vkbvj eyK G‡RwÝ, 1991), c„. 1; AbxK gvngy`, AvaywbK evsjv-Kv‡e¨ mvg¨ev`x †PZbv,

(XvKv: evsjv GKv‡Wwg, 1995), c„. 48

11. myax cÔavb, c~‡e©v³, c„. 4

12. `k©b †P×ayix, c~‡e©v³, c„. 17; MYbv‡U¨i bevbœ: cybg~©j¨vqb, (KjKvZv: evgv cy¯ÍKvjq, 1997), c„.

19; gw›`iv ivq, MYbvU¨ Ges bebvU¨: GKwU weZ©K, c„. 10; iæ‡ej AvbQvi, weRb fÆvPv‡h©i bvUK:

mgKvjxb Rxeb I mgvR, (ivRkvnx: aªæe mvwnZ¨ cÔKvkb, 2007), c„. 47

13. mRj ivq‡P×ayix, MYbvU¨ K_v, (KjKvZv: MYgb cÔKvkb, 1990), c„. 32-33

14. weRb fÆvPvh©, Av¸b (5g „k¨), eûi¥cx, msL¨v-33, A‡±vei-1969, c„. EbPwjøk

15. Z‡`e, c„. Pwjøk

16. gw›`iv ivq, weRb fÆvPv‡h©i bvU¨Kg© I mgKvjxb †cÖw¶Z, c„. 19

17. weRb fÆvPvh©, Revbe›`x (1g „k¨), eûi¥cx, msL¨v-34, Ryb-1970, c„. Dwbk

18. Karl Marx, Friedrich Engels, The Communist Manifesto, Reprinted,

(London: Penguin Books, 1979), P. 82

19. weRb fÆvPvh©, Revbe›`x (4_© „k¨), c~‡e©v³, c„. GKwÎk

20. mRj ivq‡P×ayix, c~‡e ©v³, c„. 36

21. A‡kvKKzgvi wgkª, MYbvU¨ Av‡›`vjb I bevbœ, cwigvwR©Z e½xq mvwnZ¨ msm` ms., (KjKvZv:

e½xq mvwnZ¨ msm`, 2001), c„. 33

22. Z‡`e

23. weRb fÆvPvh©, bevbœ (4_© ms. 1962-Gi f~wgKv), cÂg cÖgv ms., (KjKvZv: cÖgv cÖKvkbx,

1996), c„. 28-29

24. mybxj `Ë, bvU¨ Av‡›`vj‡bi 30 eQi, wØZxq cÖKvk, (KjKvZv: RvZxq mvwnZ¨ cwil`, 1987),

c„. 19

25. Zvcm fÆvPvh©, weRb fÆvPvh©: MYbvU¨ Av‡›`vjb I bevbœ Ges, (KjKvZv: RvZxq mvwnZ¨ cwil`,

2001), c„. 47

26. †kvfv †mb, ¯§i‡Y we¯§i‡Y: bevbœ †_‡K jvj yM©, wØZxq ms., (KjKvZv: Gg.wm. miKvi A¨vÛ mÝ

cÔv.wj., 1996), c„. 20

Page 15: MYbvU¨ Av‡›`vjb I weRb fÆvPv‡h©i bvUKjnu.ac.bd/journal/assets/pdf/6_2_16.pdf · of Bijon Bhattacharya is definitely Nabanna (New Harvest 1944). This unique piece records

Jagannath University Journal of Arts 123

27. Z‡`e, c„. 21

28. cÔ‡`¨vZ †mb¸ß, evsjv bvUK bvU¨ZË¡ I i½g cÖm½, cÖ_g LÐ, wØZxq cwigvwR©Z ms.,

(KjKvZv: eY©vjx cÔKvkbx, 1997), c„. 226

29. Z‡`e

30. `k©b †P×ayix, MYbv‡U¨i bevbœ: cybg~©j¨vqb, c„. 4

31. H, evsjv w_‡qUv‡ii BwZnvm, (KjKvZv: cy¯ÍK wecwY, 1995), c„. 311

32. Avï‡Zvl fÆvPvh©, c~‡e©v³, c„. 454

33. DׄZ, weRb fÆvPvh©, ÕMYbvU¨ Av‡›`vj‡b †mKvj I GKvjÒ, wkevw`Z¨ `vk¸ß (msKwjZ),

wjLb-fvlY-K‡_vcK_b: wewkó weRb, (KjKvZv: gbPvlv, 2005), c„. 18

34. myax cÔavb, c~‡e©v³, c„. 1-2

35. gw›`iv ivq, c~‡e©v³, c„. 24

36. fviZ‡Kvl, cÔ_g LÐ, (AvM÷ Av‡›`vjb cÔm½), (KjKvZv: e½xq mvwnZ¨ cwil`, 1371 e½vã),

c„. 213; evsjv-wcwWqv, Aóg LÐ, (gvZw½bx nvRiv cÔm½), (XvKv: evsjv‡`k GwkqvwUK

†mvmvBwU, 2003), c„. 114; k¨vgvcÔmv` emy, msMÖvgx RvZxqZvev`x: †gw`bxcyi I gvbf~g,

(KjKvZv: †`ÖR cvewjwks, 2003), c„. 52

37. weRb fÆvPvh©, bevbœ (1g A¼, 1g „k¨), c~‡e©v³, c„. 38-39

38. Z‡`e, (2q A¼, 3q „k¨), c„. 84

39. nx‡i› ªbv_ gy‡Lvcva¨vq, Zix n‡Z Zxi, wØZxq cÔKvk, (KjKvZv: gbxlv, 1986), c„. 361

40. weRb fÆvPvh©, ÕRbmvavi‡Yi AvwgÒ, wkevw`Z¨ `vk¸ß msKwjZ c~‡e©v³ MÔš’, c„. 51

41. gw›`iv ivq, c~‡e©v³, c„. 26

42. weRb fÆvPvh©, RxqbKb¨v, (3q „k¨), eûi¥cx, msL¨v-33, A‡±vei-1969, c„. Qvcvbœ

43. myax cÔavb, c~‡e©v³, c„. 128

44. †kvfv †mb, c~‡e©v³, c„. 23

45. weRb fÆvPvh©, †`exMR©b (2q A¼, 2q „k¨), cÔ_g cÔgv ms., (KjKvZv: cÔgv cÔKvkbx, 2001),

c„. 75

46. Z‡`e, (3q A¼, 2q „k¨), c„. 101

47. Zvcm fÆvPvh©, c~‡e©v³, c„. 66

48. P›`b Luv, †`exMR©b: cybg~©j¨vqb, (KjKvZv: †Nvl GÛ †Kvs, 2005), c„. 38

49. cweÎ miKvi, bvU¨g bvU¨iƒc, wØZxq ms., (KjKvZv: cÔgv cÔKvkbx, 1397 e½vã), c„. 229

50. weRb fÆvPvh©, Rb‡bZv, MÜe©, weRb fÆvPvh© I evsjvi w_‡qUvi Av‡›`vjb msL¨v, Avwk¦b-1384

e½vã, c„. 195

51. gw›`iv ivq, c~‡e©v³, c„. 36

[we.`ª.: AšÍ¨UxKv 14, 15, 17, 19 Ges 42-G c„ôv b§i K_vq †jLv n‡q‡Q| KviY eûiƒcx cwÎKvi

e¨eüZ G msL¨vq g~j bvUK As‡k c„ôv b§i K_vq gyw`ªZ Ges cÔeÜ As‡k c„ôv b¤i MvwYwZK msL¨vq

gyw`ªZ| D`vniY ¯^i¥c: cÔ_g ce©: bvUKÑ GK n‡Z GKkZ, wØZxq ce©: cÔeÜÑ 1 n‡Z 100| Kv‡RB

„wóKUz n‡jI Z_¨weåvwšÍ Gov‡Z DwjøwLZ AšÍ¨UxKvmg~‡ni c„ôv b§i K_vq (†hfv‡e †jLv n‡q‡Q) wj‡L

gy ªY KivB DwPZ|]