Embed Size (px)
Citation preview
MUSIC
PLUMBAGO BOOKS
Beethoven’s Conversation BooksFind out what Beethoven and his friends discussed at the dining table
Gay GuerrillaJulius Eastman’s biography is released in paperback
Claude DebussyA celebration of the French composer
A Year of Anniversaries50th and 30th milestones for Boydell & Brewer and URP
2019
PENDRAGON PRESS
2 www.boydellandbrewer.com
CONTENTS
Cover image: Janet Boulton - Eye Music: Music for the Lute, Magdalen College Old Library, Oxford. 2017, Watercolour. 55 x 61 cm
Aldo Parisot, The Cellist HAWKSHAW 11
Americanization of Zen Chanting SLOTTOW 15
And the Shark, He Has Teeth AUFRICHT / BLOCH / SILBERMAN 10
Anneliese Landau’s Life in Music HIRSCH 7
Bach’s Famous Choir MAUL / HOWE 12
Beauty and Innovation in la machine chinoise MUELLER 7
Beethoven’s Cello MOSKOVITZ / TODD 11
Beethoven’s Conversation Books ALBRECHT 4
Beyond Fingal’s Cave PORTER 13
Brahms and His Poets LOGES 13
Brahms and the Shaping of Time MURPHY 14
British Musical Criticism and Intellectual Thought, 1850-1950 DIBBLE / HORTON 9
César Franck FLYNN 5
City Songs and American Life, 1900-1950 LASSER 10
Claude Debussy LESURE / ROLF 6
Coming to Terms with Our Musical Past GOEHRING 14
Composing History HECKERT 9
Critical Companion to Medieval Motets HARTT 3
Cyril Scott Companion SCOTT / FOREMAN / DE’ATH 9
Debussy’s Resonance DE MÉDICIS / HUEBNER 6
Dedicating Music, 1785-1850 GREEN 12
Drama in the Music of Franz Schubert DAVIES / SOBASKIE 5
Exploring Musical Narratology PAWLOWSKA 13
Gay Guerrilla PARKER / LEACH 8
George Rochberg, American Composer WLODARSKI 8
Giovanni Pacini MOORE / SYLVESTER 5
Gregory Haimovsky SILVERMAN 8
Hanns Eisler’s Art Songs HART 13
Heinrich Neuhaus RAZUMOVSKAYA 8
Howard Skempton CAVETT / HEAD 9
Italian Guitar Music of the Seventeenth Century EISENHARDT 4
Janáček Compendium SIMEONE 6
Karl Muck Scandal BURRAGE 7
Kitty Clive, or The Fair Songster JONCUS 11
Let Me Sing and I’m Happy MORRIS 10
Listen with the Ear of the Heart GUARINO 15
Listening to Bach and Handel SWAIN 4
Liszt’s Representation of Instrumental Sounds on the Piano HYUN 5
Literary Britten KENNEDY 13
Martinů’s Subliminal States SVATOS 6
Maurice Duruflé FRAZIER 6
Middle English Lyrics BOFFEY / WHITEHEAD 3
Mozart’s Salzburg Years (1756-1781) COWDERY / SPRAGUE 4
Music and Faith ARNOLD 12
Music and Music Theory of Paul Hindemith DESBRUSLAIS 14
Music Criticism in France, 1918-1939 KELLY / MOORE 12
Music for St Cecilia’s Day WHITE 4
Music in Elizabethan Court Politics BUTLER 3
Music in the West Country BANFIELD 9
Music of James MacMillan COOKE 8
Music of Joseph Joachim UHDE 5
Music, Indigeneity, Digital Media HILDER / STOBART / TAN 15
Music, Myth and Story in Medieval and Early Modern Culture BUTLER / BASSLER 3
Musical Salon Culture in the Long Nineteenth Century BUNZEL / LOGES 5
Musical Theater in Eighteenth-Century Parma BUTLER 11
Must Close Saturday WRIGHT 10
Nadia Boulanger and the Stravinskys FRANCIS 8
Paul Dukas WATSON 7
Piety and Polyphony in Sixteenth-Century Holland JAS 3
Road Not Taken SCHMIDT / SCHMIDT / GRAZIANO 7
Sara Levy’s World CYPESS / SINKOFF 4
Sir Henry Wood FRENCH 9
Sonatas of Henry Purcell SCHAB 14
Speaking the Piano TOMES 10
Stages of European Romanticism ZIOLKOWSKI 13
That Jealous Demon, My Wretched Health NOBLE 12
Tuning the Kingdom KAFUMBE 15
What Opera Means WINTLE / HOPKINS 11
Widor NEAR 6
Widor on Organ Performance Practice and Technique NEAR 10
Wilhelm Furtwängler ALLEN 7
With Mornefull Musique GRAPES 3
Worlds of Harpsichord and Organ GUSTAFSON 14
3www.boydellandbrewer.com
EArlY MUSIC
NEW
With Mornefull MusiqueFuneral Elegies in Early Modern EnglandK. DAWN GRAPES
This book looks at the musical culture of death in early modern England. It examines musical funeral elegies and the people related to commemorative tribute – the departed, the composer, potential patrons, and friends and family of the
deceased. The composition of these songs reached a peak at the end of the sixteenth and the beginning of the seventeenth centuries. Thomas Weelkes and Thomas Morley both composed musical elegies, as did William Byrd, Thomas Campion, John Coprario, and many others. Embedded within these songs were clear messages regarding the social expectations, patronage traditions and class hierarchy of late Elizabethan and early Jacobean England. En masse, they offer a glimpse into the complex relationship that existed between those who died, those who grieved and attitudes toward both death and life.K. DAWN GRAPES is Assistant Professor of Music History at Colorado State University.$99.00/£60.00(s) November 2018978 1 78327 351 58 b/w illus.; 290pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000
NEW
Middle English LyricsNew Readings of Short PoemsEdited by JULIA B OFFEY & CHRISTIANIA WHITEHEAD
This collection of essays explores a range of Middle English lyrics from the thirteenth to the early sixteenth century, both religious and secular in flavour. It directs attention to the intrinsic qualities of these short poems and at the
same time explores their capacity to illuminate important aspects of medieval cultural practice and production: forms of piety, contemporary conditions and events, the history of feelings and emotions, and the relationships of image, song, performance and speech to the written word. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London. CHRISTIANIA WHITEHEAD is Professor of Middle English Literature at the University of Warwick. For a full list of contributors, please visit www.boydellandbrewer.com
$99.00/£60.00(s) September 2018978 1 84384 497 68 b/w illus.; 328pp, 23.4 x 15.6, HB
NEW
A Critical Companion to Medieval MotetsEdited by JARED C. HART T
Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries, intrinsically involved in its early development. This volume – the first to be devoted exclusively to the topic – aims to provide a
comprehensive guide to them, from a number of different disciplines and perspectives. It addresses such crucial matters such as how the motet developed; the rich interplay of musical, poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy.JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music. For a full list of contributors, please visit www.boydellandbrewer.com
$99.00/£60.00(s) May 2018978 1 78327 307 210 b/w illus.; 420pp, 24 x 17, HBStudies in Medieval and Renaissance Music
NEW
Piety and Polyphony in Sixteenth-Century Holland The Choirbooks of St Peter’s Church, Leiden ERIC JAS
The musical culture of the Low Countries in the early modern period was a flourishing one, apparent beyond the big cathedrals and monasteries, and reaching down to smaller parish churches. Unfortunately, very few
manuscripts containing the music have survived from the period, and what we know rests to a considerable extent on six music books preserved from St Peter’s Church, Leiden. This volume presents a study of the books, putting them into a wider context, looking at their contents (including works by such composers as Josquin des Prez and Clemens non Papa), and showing how they were used. It also offers insights into the laity’s involvement with music and the church at the time.ERIC JAS is a lecturer in music at the university of Utrecht. $99.00/£60.00(s) November 2018978 1 78327 326 343 b/w illus.; 424pp, 23.4 x 15.6, HBStudies in Medieval and Renaissance Music
NEW IN PAPErBACK
Music in Elizabethan Court PoliticsKATHERINE BUTLER
No one who reads this fine study will again treat music as a background to the Elizabethan court. AMERICAN HISTORICAL REVIEW
[A] major undertaking of importance, a careful and
thorough study of numerous examples of secular music that is undergirded by a keen understanding of music’s role in the political life of a fascinating era. EARLY MUSIC
Tightly organized and impeccably researched, this engaging study triangulates the disciplines of musicology, literary history, and iconography to present the political roles music could play within Elizabeth’s court, and adds welcome nuance to the preexisting scholarly narratives of monarchial control over the arts. RENAISSANCE QUARTERLY
$25.95/£19.99(s) June 2019978 1 78327 403 1272pp, 23.4 x 15.6, HBStudies in Medieval and Renaissance Music
NEW
Music, Myth and Story in Medieval and Early Modern CultureEdited by KATHERINE BUTLER & SAMANTHA BASSLER
Myths and stories offer a window onto medieval and early modern musical culture. Far from merely offering material for musical settings, authoritative tales from classical mythology, ancient history and the Bible were treated as foundations for musical knowledge.
Looking beyond the well-known figure of Orpheus, this collection explores the myriad stories that shaped not only musical thought, but also its styles, techniques, and practices during this period. It shows that music itself performed and created knowledge in ways parallels to myth, and worked in tandem with old and new tales to construct social, political, and philosophical views.KATHERINE BUTLER is a researcher and tutor at the University of Oxford. SAMANTHA BASSLER is a musicologist of cultural studies, a teaching artist, and an adjunct professor in the New York metropolitan area.For a full list of contributors, please visit www.boydellandbrewer.com
$99.00/£60.00(s) March 2019978 1 78327 371 310 colour illus.; 5 b/w illus.; 280pp, 23.4 x 15.6, HBStudies in Medieval and Renaissance Music
4 www.boydellandbrewer.com
EArlY MUSIC / 18TH & 19TH CENTUrY MUSIC
NEW
Listening to Bach and HandelA Comparative CritiqueJOSEPH P. SWAIN
This book asks why these two German composers, born less than one month and 125 kilometers apart – cultural twins – could compose so differently from each other as well as their colleagues and yet both achieve universal acclaim the
greatest exponents of the Baroque. Finding even partial answers to this question naturally deepens readers’ knowledge and appreciation of their art, and thereby amplifies the experience of listening to it.JOSEPH P. SWAIN is Associate Professor of Music, Colgate University.$72.00/£55.00(s) October 2018978 1 57647 313 9591pp, 9 x 6, HBMonographs in Musicology Series
PENDRAGON PRESS
PrEVIOUSlY ANNOUNCED
Sara Levy’s WorldGender, Judaism, and the Bach Tradition in Enlightenment BerlinEdited by REBECCA CYPESS & NANCY SINKOFF
Sara Levy née Itzig (1761-1854), a Jewish salonnière and virtuosic harpsichordist, helped shape the cultural world of Berlin at the turn of the nineteenth century. She studied with Wilhelm Friedemann Bach and anticipated the “Bach
revival” later led by her great-nephew Felix Mendelssohn. Sara Levy’s World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin is the first exploration of this critical figure in the history of music, modern Jewish life, and Enlightenment culture from the perspectives of musicology, Jewish Studies, history, literary studies, gender studies, and philosophy.REBECCA CYPESS is Associate Professor of Music at Rutgers University. NANCY SINKOFF is Associate Professor of Jewish Studies and History and Director of the Center for European Studies at Rutgers University.For a full list of contributors, please visit www.boydellandbrewer.com
$99.00/£80.00(s) June 2018978 1 58046 921 012 b/w illus.; 302pp, 9 x 6, HBEastman Studies in Music
PrEVIOUSlY ANNOUNCED
Mozart’s Salzburg Years (1756-1781)Insights and ImagesWILLIAM COWDERY & CATHERINE SPRAGUE
Encompasses the composer’s early years of travel throughout Europe as a child prodigy, his so-called ‘years of servitude’ in Salzburg as court composer, his subsequent search for a suitable position, and his return to his native city.
Though there is no shortage of books about the life and work of Wolfgang Amadeus Mozart, this volume offers the reader new details and insights into the composer, accompanied by new and startling images never before seen in the Mozart literature.CATHERINE SPRAGUE is a pianist and independent researcher. WILLIAM COWDERY of Cornell University is an author of Mozart books and countless publications in musicology.$85.00/£60.00 October 2019978 1 57647 204 0600 colour illus.; 700pp, 10 x 7, HB
PENDRAGON PRESS
NEW IN PAPErBACK
Italian Guitar Music of the Seventeenth CenturyBattuto and PizzicatoLEX EISENHARDT
An important study for all performers concerned with the relevance of the five-course guitar as a solo instrument and its role in one of the largest printed repertories of secular song in the 17th century. The biggest virtue of Eisenhardt’s book is
its careful, thorough analysis of the complexities encountered when performing solo music for the five-course guitar [or guitar-accompanied song]. This book will prove especially useful, then, for the modern performer interested in the five-course guitar, upon whom ultimately falls the task of answering the many remaining riddles that arise from the instrument’s widely acknowledged imperfections. EARLY MUSIC
$34.95/£25.00(s) February 2019978 1 58046 957 910 b/w illus.; 266pp, 9 x 6, PBEastman Studies in Music
NEW
Music for St Cecilia’s DayFrom Purcell to HandelBRYAN WHITE
This book examines the social, cultural and religious significance of celebrations of St Cecilia’s Day in the British Isles and explores the music and poetry that originated from them. The annual feasts of the Musical Society are analysed in detail, as is the
role they played in the development of the ode. The book also considers how advances in musical culture in London were imitated in the provinces, and provides a detailed discussion of the variety of Cecilian celebrations held at provincial centres throughout the British Isles.BRYAN WHITE is Senior Lecturer in Music at the University of Leeds.$80.00/£45.00(s) February 2019978 1 78327 347 815 b/w illus.; 352pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000
PrEVIOUSlY ANNOUNCED
Beethoven’s Conversation BooksEdited and translated by THEOD ORE ALBRECHT
A complete new edition of Beethoven’s conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call “late Beethoven”, these often lively and compelling
conversations are now finally accessible in English for the scholar and Beethoven-lover. THEODORE ALBRECHT is Professor of Musicology at Kent State University, Ohio.
Volume 2: Nos. 9 to 16 (March 1820 to September 1820)$80.00/£45.00(s) February 2019978 1 78327 151 11 b/w illus.; 400pp, 23.4 x 15.6, HB
Volume 3: Nos. 17 to 31 (May 1822 to May 1823)$80.00/£45.00(s) June 2019978 1 78327 152 81 b/w illus.; 400pp, 23.4 x 15.6, HB
Volume 1: Nos. 1 to 8 (February 1818 to March 1820)
An extraordinary in-depth portrait of the composer’s last years... state-of-the-art scholarship in an enjoyably accessible manner. BB C MUSIC MAGAZINE
$80.00/£45.00(s) May 2018978 1 78327 150 41 b/w illus.; 424pp, 23.4 x 15.6, HB
5www.boydellandbrewer.com
19TH CENTUrY MUSIC
NEW
Musical Salon Culture in the Long Nineteenth CenturyEdited by ANJA BUNZEL & NATASHA LO GES
Drawing on a wide range of scholarly approaches, the book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different
media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers reconsiderations of familiar salons based in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon.ANJA BUNZEL gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture.$115.00/£65.00(s) April 2019978 1 78327 390 435 b/w illus.; 336pp, 23.4 x 15.6, HB
NEW
Giovanni Pacini My Artistic MemoirsGIOVANNI PACINI Translated by STEPHEN THOMSON MO ORE, Foreword by JANE SYLVESTER
The Artistic Memoirs of composer, pedagogue, and civil servant Giovanni Pacini paint a colorful picture of the Italian operatic world of the mid-nineteenth century and offer a first-hand perspective of the works and reception of Rossini, Bellini,
Donizetti, and lesser known contemporaries such as Saverio Mercadante. TOM MOORE is Head of the Sound & Image Department of the Green Library, Florida International University, Miami, Florida. $42.00/£30.00(s) April 2018978 1 57647 316 0180pp, 6 x 9, PBLives in Music
PENDRAGON PRESS
PrEVIOUSlY ANNOUNCED
The Music of Joseph JoachimKATHARINA UHDE
Katharina Uhde follows Joachim’s compositional path through a changing cultural milieu. Joachim’s compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann and Brahms, yet he was no mere
imitator. Joachim’s style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers and ‘psychological’ programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious and cultural identity and a mature compositional style. His music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies and emerging academic disciplines, including psychology.KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN.
$99.00/£60.00(s) October 2018978 1 78327 284 615 b/w illus.; 506pp, 23.4 x 15.6, HB
NEW
Drama in the Music of Franz SchubertEdited by JOE DAVIES & JAMES WILLIAM SOBASKIE
Provides a timely re-evaluation of Schubert’s operatic works, while demonstrating previously unsuspected locations of dramatic innovation in his vocal and instrumental music. The volume draws on a range of critical approaches
and techniques, including semiotics, topic theory, literary criticism, narratology, and Schenkerian analysis, to situate Schubertian drama within its musical and cultural-historical context. In so doing, the study broadens the boundaries of what might be considered ‘dramatic’ within the composer’s music and offers new perspectives for its analysis and interpretation. JOE DAVIES is College Lecturer in Music at Lady Margaret Hall, University of Oxford. JAMES WILLIAM SOBASKIE is Associate Professor of Music at Mississippi State University.For a full list of contributors, please visit www.boydellandbrewer.com
$99.00/£70.00(s) February 2019978 1 78327 365 2352pp, 24 x 17, HB
NEW
Liszt’s Representation of Instrumental Sounds on the PianoColors in Black and WhiteHYUN JO O KIM
Provides a comprehensive survey of Liszt’s reworking of instrumental colors and idiomatic gestures. It relates Liszt’s sonic reproductions to the widespread nineteenth-century interest in visual-art reproduction. Hyun Joo Kim illustrates Liszt’s diverse
approaches to the integrity of the music in a detailed, insightful, and vivid manner through close study of his arrangements of Beethoven’s symphonies and Rossini’s Guillaume Tell Overture, his two-piano arrangements of his own symphonic poems such as Mazeppa and Hunnenschlacht, and his Hungarian Rhapsodies.HYUN JOO KIM is an independent scholar in Seoul, South Korea. $99.00/£80.00(s) March 2019978 1 58046 946 33 b/w illus.; 286pp, 9 x 6, HBEastman Studies in Music
NEW
César FranckAn Annotated BibliographyTIMOTHY FLYNN
Composing in virtually all musical genres of the day, César Franck left an indelible mark on music history through his work as a composer and teacher. This book is an invaluable reference tool containing over 200 annotations of
primary and secondary sources regarding Franck’s life and music. TIMOTHY FLYNN is chair of Performing Arts at Olivet College, MI.
$62.00/£50.00(s) January 2019978 1 57647 214 9300pp, 9 x 6, HBAnnotated Reference Tools in Music
PENDRAGON PRESS
6 www.boydellandbrewer.com
19TH CENTUrY MUSIC / 20TH CENTUrY MUSIC
NEW IN PAPErBACK
Maurice DurufléThe Man and His MusicJAMES E. FRAZIER
A mine of information…a veritable tale of our times. MUSICAL TIMES
Provides significant insight into Duruflé’s works and the relatively secretive life he and his wife led…Frazier’s research is excellent…An important contribution. CHOICE
One of the best musical biographies I have read for many years: sound in musical and, for the most part, in historical judgment…sympathetic without being sycophantic, and most gracefully written. Duruflé deserves no less. GRAMOPHONE
$39.95/£25.00(s) April 2019978 1 58046 960 9408pp, 9 x 6Eastman Studies in Music
NEW IN PAPErBACK
WidorA Life beyond the ToccataJOHN NEAR
A book to treasure. CHURCH MUSIC QUARTERLY
Invaluable…In Near’s genial, well-paced narrative, a portrait of a highly erudite and humorous man emerges – Widor’s intimate recollections of such luminaries as Rossini, Anton Rubinstein and Liszt
fizz with vitality…A rich source of contemporary material and…a lively picture of Parisian musical life from the 1860s to 1937. GRAMOPHONE
Excellent translation…A fruitful resource for scholars and Francophiles alike. CHOICE
A major achievement…A wealth of revealing information. TIMES LITERARY SUPPLEMENT
$49.95/£30.00(s) April 2019978 1 58046 959 3616pp, 9 x 6, PBEastman Studies in Music
NEW
The Janáček CompendiumNIGEL SIMEONE
Leos Janáček (1854-1928) occupied a pre-eminent position in Moravian (and wider Czech) culture, not only as a composer but also as a folksong collector, journalist, educator and nationalist. This compendium includes entries on all of
Janáček’s significant works, providing the latest information to emerge about some of the composer’s most famous pieces, and reflects his wider activities. An extensive bibliography, in Czech, English and German, supports the entries, which are extensively cross-referenced to enable fruitful exploration of particular topics.NIGEL SIMEONE is a widely respected writer and lecturer on music. He is a regular music presenter and broadcaster for BBC radio. $99.00/£60.00(s) April 2019978 1 78327 337 920 b/w illus.; 272pp, 23.4 x 15.6, HB
PrEVIOUSlY ANNOUNCED
Martinů’s Subliminal StatesA Study of the Composer’s Writings and Reception, with a Translation of His “American Diaries”THOMAS D. SVATOS
Bohuslav Martinů (1890-1959) was one of the most productive and frequently performed composers of the mid-twentieth century, renowned for such works as his opera Julietta; the Double Concerto for Two String Orchestras, Piano, and
Timpani; and Symphony no. 6 (“Fantaisies symphoniques”). History books, however, rarely give a sense of what he stood for as a musician. Martinů’s Subliminal States fills this gap by discussing the political, cultural, and musical challenges that he faced. The book also offers a first translation of his American Diaries, in which he set down his philosophy of music in direct and convincing terms.THOMAS D. SVATOS is Assistant Professor in the Department of Interdisciplinary Studies, University College, Zayed University-Abu Dhabi.$110.00/£90.00(s) October 2018978 1 58046 557 120 b/w illus.; 290pp, 9 x 6, HBEastman Studies in Music
NEW
Debussy’s ResonanceEdited by FRANÇOIS DE MÉDICIS & STEVEN HUEBNER
The music of Claude Debussy has always been widely beloved by listeners and performers alike. Debussy’s Resonance offers twenty new studies by some of the most active and respected English- and French-language scholars of
French music. The book treats a large swath of the composer’s music, from previously unexplored mélodies of his early years to late pieces such as the ballet Jeux and the Douze Études, and takes into consideration the numerous contexts that helped shape the works and the different ways that musicologists and critics have explained them. FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal. STEVEN HUEBNER is Professor of Music at McGill University. For a full list of contributors, please visit www.boydellandbrewer.com
$125.00/£95.00(s) December 2018978 1 58046 525 029 b/w illus.; 616pp, 9 x 6, HBEastman Studies in Music
NEW
Claude DebussyA Critical BiographyFRANCOIS LESURE Translated by MARIE ROLF François Lesure’s “critical biography” of Claude Debussy (Fayard, 2003) is widely recognized by scholars as the most comprehensive and reliable account of that composer’s life and career. Lesure’s book presents a wealth of new information while debunking a number of myths that had developed over the years since the composer’s death in 1918.The present English translation, by noted Debussy authority Marie Rolf, reflects recent scholarship and augments Lesure’s seminal work with thousands of new notes, providing more precise information on crucial and sometimes contentious points. MARIE ROLF is senior associate dean of graduate studies and professor of music theory at the Eastman School of Music and a member of the editorial board for the complete works of Claude Debussy.$99.00/£80.00(s) June 2019978 1 58046 903 6478pp, 9 x 6, HBEastman Studies in Music
EASTMA
N S
TU
DI E
S I
N MU S I C • E A S T M
AN
ST
UD
IES IN MUSIC •
150th BOOK
7www.boydellandbrewer.com
20TH CENTUrY MUSIC
NEW
The Karl Muck ScandalClassical Music and Xenophobia in World War I AmericaMELISSA DAWN BURRAGE At the height of World War I, America turned against its ethnic German population in a mood of rampant anti-German intolerance. Melissa Burrage’s book recounts, for the first time in full and accurate detail, a campaign directed by prominent New Yorkers against Karl Muck, celebrated German conductor of the Boston Symphony Orchestra, leading to his arrest, internment, and deportation. Attacks on Muck illuminate bigger national themes in American history, including: Total War; State power; irresponsible journalism; vigilante justice; sexual surveillance; attitudes toward immigration; anti-Semitism; the development of America’s musical institutions. MELISSA BURRAGE, a writing consultant at Harvard University Extension School, holds a Master’s Degree in History from Harvard University and a PhD in American Studies from University of East Anglia. $34.95/£25.00(s) June 2019978 1 58046 950 010 b/w illus.; 368pp, 9 x 6, HBEastman Studies in Music
PrEVIOUSlY ANNOUNCED
Wilhelm FurtwänglerArt and the Politics of the UnpoliticalRO GER ALLEN
Wilhelm Furtwängler (1886-1954) is a renowned interpreter of the canon of Austro-German musical masterworks. Yet more than sixty years after his death he remains a controversial figure, especially the complexities and equivocacy
of his high-profile position within the Third Reich. This book builds an intellectual biography of Furtwängler, probing this ambiguity, through a critical examination of his extensive series of essays, addresses and symphonies. It traces the development of his thought from its foundations in late nineteenth-century traditions of Bildung, through the turbulent years of the Weimar Republic and the cultural and moral dilemmas of the Nazi period, to the postwar years of Bundesrepublik reconstruction, in which the beleaguered idealist found himself adrift in an alien cultural environment overshadowed by the unfolding narrative of the Nazi holocaust.ROGER ALLEN is a Fellow of St Peter’s College, Oxford and author of Richard Wagner’s Beethoven (1870): A New Translation (Boydell Press, 2014)$39.95/£30.00(s) September 2018978 1 78327 283 910 b/w illus.; 318pp, 23.4 x 15.6, HB
NEW
Anneliese Landau’s Life in MusicNazi Germany to Émigré CaliforniaLILY E. HIRSCH
Musicologist Anneliese Landau worked in early German radio, the Nazi-era Jewish Culture League, and the Jewish Centers Association in Los Angeles. In these roles, she came to know many significant historical figures: among
them, the composer Arnold Schoenberg, conductor Bruno Walter, and rabbi-philosopher Leo Baeck. Hirsch’s biography of Landau offers fresh perspective on the Nazi period as well on musical life in southern California. It is also a unique story of survival: an account of one woman’s confrontation with other people’s expectations of her, as a woman and a Jew. LILY E. HIRSCH is the author of A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League.$99.00/£80.00(s) February 2019978 1 58046 951 77 b/w illus.; 248pp, 9 x 6, HBEastman Studies in Music
NEW
The Road Not TakenA Documented Biography of Randall Thompson, 1899-1984ELIZABETH K. SCHMIDT & CARL B. SCHMIDT Edited by JOHN GRAZIANO
Chronicles the extraordinary career of Randall Thompson, composer, teacher and conductor. Based on extensive archival research, interviews, and a thorough knowledge of his compositions, it is the first full-length study of “The
Dean of American Choral Composers”, as he was known. Thompson’s life intersected with numerous composers and conductors including George Antheil, Leonard Bernstein, Ernest Bloch and Aaron Copland, among many others.ELIZABETH K. SCHMIDT is professor of history at Loyola University Maryland. CARL B. SCHMIDT is Professor Emeritus of Music History and Culture Towson University, Towson, MD. JOHN GRAZIANO is Professor Emeritus at the City College and Graduate Center, City University of New York.$92.00/£75.00(s) June 2018978 1 57647 308 520 colour illus.; 980pp, 9 x 6, HBAmerican Music and Musicians
PENDRAGON PRESS
NEW
Paul DukasComposer and CriticLAURA WATSON
As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siècle and early twentieth-century French music. Best known for L’Apprenti sorcier, he was internationally recognised as
an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formation and development of his own artistic voice. Investigating Dukas’s interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda.LAURA WATSON is Lecturer in Music at Maynooth University.$99.00/£60.00(s) April 2019978 1 78327 383 610 b/w illus.; 240pp, 23.4 x 15.6, HB
NEW
Beauty and Innovation in la machine chinoiseFalla, Debussy, Ravel, Roussel RICHARD E. MUELLER
During the first decade of the 20th century, Falla, Debussy, Ravel, and Roussel composed works laced with exotic coloration, a type of piece that Debussy termed la machine chinoise. Interest in Far Eastern forms of music among composers seeking
innovative forms of expression coincided with avant-garde tendencies in the treatment of tonality and form. Innovation within these works includes structural factors only indirectly involved with exotic coloration. This book strikes a balance between history and criticism by bringing together new forms of structural analysis with newly discovered exotic influences and broader frames of historical reference. RICHARD MUELLER is an independent scholar. $48.00/£30.00(s) June 2018978 1 57647 278 112 colour illus.; 220pp, 6 x 9, PBDimension and Diversity: Studies in 20th-Century Music
PENDRAGON PRESS
8 www.boydellandbrewer.com
20TH CENTUrY MUSIC
NEW
Gregory HaimovskyA Pianist’s Odyssey to FreedomMARISSA SILVERMAN
The extraordinary story of a Russian-Jewish concert pianist who resisted and triumphed over the USSR’s cultural prohibitions. In doing so, he succeeded in performing and recording contemporary Western music, especially works by
Olivier Messiaen that had been banned until then. Through Messiaen’s profound and complex works, Haimovsky found his path to spiritual and artistic freedom. Here is his story, told in part through his own words and those of people who worked closely with him in his daring efforts.MARISSA SILVERMAN is Associate Professor of Music at the John J. Cali School of Music, Montclair State University.$99.00/£60.00(s) June 2018978 1 58046 931 914 b/w illus.; 280pp, 9 x 6, HB
NEW
Heinrich NeuhausA Life beyond MusicMARIA RAZUMOVSKAYA
Heinrich Neuhaus (1888-1964) was one of the most charismatic and sought after pianist-pedagogues of his age. This first critical study explores his life and career and his friendships with the era’s greatest figures including the composer Karol
Szymanowski (his cousin) and the poet Boris Pasternak. It draws on previously unseen documents relating to his imprisonment for criticizing the Soviet regime. Revealing how these influences shaped Neuhaus’s distinct vision of a performer’s subjectivity (what he called “autopsychography”), it illuminates how creative artists escaped the limitations imposed by Socialist Realism.MARIA RAZUMOVSKAYA, a recital pianist and researcher, teaches at the Guildhall School of Music and Drama.$99.00/£80.00(s) August 2018978 1 58046 932 69 b/w illus.; 268pp, 9 x 6, HBEastman Studies in Music
NEW
George Rochberg, American ComposerPersonal Trauma and Artistic CreativityAMY LYNN WLODARSKI
George Rochberg, American Composer is the first comprehensive study of the musical and intellectual work of George Rochberg, widely acknowledged as one of the most prominent musical postmodernists. Drawn from unpublished materials
including diaries, letters, sketches, and personal papers, the book traces the impact of two specific personal traumas–Rochberg’s service as an infantryman in World War II and the premature death of his son–on his influential postwar ideas about humanism, musical quotation, and neotonality.AMY LYNN WLODARSKI is associate professor of music at Dickinson College. $99.00/£85.00(s) April 2019978 1 58046 947 04 b/w illus.; 310pp, 9 x 6, HBEastman Studies in Music
PrEVIOUSlY ANNOUNCED
Nadia Boulanger and the StravinskysA Selected CorrespondenceEdited by KIMBERLY A. FRANCIS
Nadia Boulanger and Igor Stravinsky began corresponding in 1929 when Stravinsky sought someone to supervise the musical education of his younger son, Soulima. Boulanger accepted the position and began what would prove to be a warm
and lasting dialogue with the Stravinsky family. For fifty years, Boulanger exchanged letters with Igor Stravinsky. An additional 140 letters exist written to Boulanger from Stravinsky’s immediate family. The selected letters published here are given in their entirety for the first time: in English translation, and with French originals on a companion website.
Reading it is an absorbing experience...sheds new light on an important relationship between two exceptional personalities. GRAMOPHONE
KIMBERLY A. FRANCIS is Associate Professor of Music at the University of Guelph, Canada.$90.00/£75.00(s) June 2018978 1 58046 596 015 b/w illus.; 348pp, 9 x 6, HBEastman Studies in Music
NEW IN PAPErBACK
Gay GuerrillaJulius Eastman and His MusicEdited by RENÉE LEVINE PACKER & MARY JANE LEACH
[Eastman’s work] effectively rewrote the history of post-war American New Music, restoring to its narrative a gay black voice creating a liberating, high-energy form of organic minimalism. THE GUARDIAN
It is eminently readable throughout. JOURNAL OF EXPERIMENTAL MUSIC STUDIES
A composer of visionary power, a singer with a cavernous bass voice, a collaborator with the diverse likes of Meredith Monk and Pierre Boulez, Eastman had long been a fixture of the New York Music scene....Part of the pleasure of Eastman’s rediscovery has been the belated, deserving reinsertion of a black, gay figure into music history. THE NEW YORK TIMES
$19.99/£16.99(s) October 2018978 1 58046 956 218 b/w illus.; 284pp, 9 x 6, PBEastman Studies in Music
NEW
The Music of James MacMillanPHILLIP A. CO OKE
The first scholarly study of MacMillan’s life, work and aesthetic. From his beginnings in rural Ayrshire and his early work with Sir Peter Maxwell Davies, through the international breakthrough success of The Confession of Isobel Gowdie
(1990), the continuing success of works such as the percussion concerto Veni, Veni, Emmaneul (1992) and his corpus of choral pieces, to his current position as one of the most prominent British composers of his generation, the book scrutinises MacMillan’s compositional influences over time. It also considers MacMillan’s strong Catholic faith; his left-wing ideals; and his on-going relationship with Scottish nationalism. With unprecedented access to interviews, compositional drafts and previously unpublished materials, this book offers an insight into what it means to be a composer and artist in the twenty-first century.PHILLIP A. COOKE is a Composer and Senior Lecturer in Music at the University of Aberdeen. He has previously co-edited The Music of Herbert Howells for Boydell Press.$70.00/£30.00(s) July 2019978 1 78327 370 610 b/w illus.; 272pp, 23.4 x 15.6, HB
9www.boydellandbrewer.com
BrITISH MUSIC / MUSIC IN BrITAIN
NEW
Howard SkemptonConversations and Reflections on MusicEdited by ESTHER CAVET T & MAT THEW HEAD
Howard Skempton (b. 1947) has contributed to British musical life for more than half a century, as composer, performer and commentator. His music is characterised by simplicity yet sophistication and is appreciated by both lay and specialist listeners.
Skempton studied in London with Cornelius Cardew in the late 1960s, co-founding the Scratch Orchestra, and has written over 600 pieces since then, informed by and informing compositional trends. His output includes pieces for solo piano, accordion, cello, and guitar, chamber ensemble, orchestra, and voice. His music is performed by leading artists and recorded by, amongst others, Sony and NMC.
ESTHER CAVETT is Senior Research Fellow at King’s College, London. MATTHEW HEAD is Professor of Music at King’s College, London.For a full list of contributors, please visit www.boydellandbrewer.com
$80.00/£45.00(s) May 2019978 1 78327 321 826 b/w illus.; 304pp, 23.4 x 15.6, HB
PrEVIOUSlY ANNOUNCED
Music in the West CountrySocial and Cultural History across an English RegionSTEPHEN BANFIELD
Ranging over seven hundred years, from the minstrels, waits, and cathedral choristers of the fourteenth century to the Bristol Sound of the late twentieth, this book explores the soundscape of the west country, from its gateway
cities of Bristol and Salisbury in the east to the Isles of Scilly in the west, and examines music-making in tiny villages as well as Bath, Exeter, Plymouth, and Bournemouth. What emerges is both a study of typical musical practices which would apply to any English region, and a portrait of the region’s unique features, among them the growth of festival culture, the mythologising of folk music, the late survival of parish psalmody and nonconformist carolling, and the continuance of a professional resort orchestra, the Bournemouth Symphony Orchestra.STEPHEN BANFIELD is Emeritus Professor of Music at the University of Bristol.$50.00/£30.00(s) February 2018978 1 78327 273 014 b/w illus.; 476pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000
PrEVIOUSlY ANNOUNCED
The Cyril Scott CompanionUnity in DiversityEdited by DESMOND SCOT T, LEWIS FOREMAN & LESLIE DE’ATH
Cyril Scott (1879-1970) was an English composer, writer and poet. He wrote over 400 works including four symphonies, three operas and concerti for piano, violin, cello, oboe and harpsichord. A pioneer of British piano music, his music was
admired by Debussy, Strauss, Stravinsky and Percy Grainger. Scott was also the author of forty-one books on subjects ranging from music, alternative medicine and humour to occultism, theosophy and Christianity. In addition, he wrote poems and plays. This Companion explores the life and work of this remarkably creative man.LEWIS FOREMAN edited with Susan Foreman Felix Aprahamian (Boydell Press, 2015). DESMOND SCOTT is the son of Cyril Scott. He has contributed to The New Percy Grainger Companion (Boydell Press, 2010). LESLIE DE’ATH is Professor, Faculty of Music, Wilfrid Laurier University, Waterloo, Canada. For a full list of contributors, please visit www.boydellandbrewer.com
$48.00/£45.00(s) October 2018978 1 78327 286 034 colour illus.; 27 b/w illus.; 681pp, 23.4 x 15.6, HB
NEW
Composing HistoryNational Identities and the English Masque Revival, 1860-1920DEB ORAH HECKERT
During the Victorian and Edwardian periods conceptions of national identity became increasingly dependent on the image of “Merrie England”, located in the English Renaissance and in the folk traditions of the countryside. Genres such as
the masque, that were integrally connected to these ideological constructions, became important ways in which national identity was represented. This in turn had profound ramifications for the ideologies of the English Musical Renaissance and its construction of a national musical idiom at the turn of the twentieth century.DEBORAH HECKERT is a Lecturer at Stony Brook University and has taught at the University of Virginia, Utah State University, and Brooklyn College-CUNY.
$99.00/£60.00(s) September 2018978 1 78327 207 518 b/w illus.; 250pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000
NEW
Sir Henry WoodChampion of J.S. BachHANNAH FRENCH
This book uncovers Wood’s pivotal role in the English Bach revival. Wood’s performances of works such as the St Matthew Passion and B Minor Mass caused a stir; the Brandenburg Concertos and Orchestral Suites became staple fixtures
in the musical calendar; and his orchestral arrangements of Bach’s solo works and cantata arias were key to the popularisation of the composer in England. Illuminating a significant new aspect of the musical life of England before WWII, the book also demonstrates that Wood’s advocacy continues to influence perceptions of Bach even today.HANNAH FRENCH is an academic, broadcaster, and Baroque flautist based in London. She broadcasts regularly on Radio 3 and has appeared as a TV presenter and commentator for the BBC Proms.$90.00/£50.00(s) June 2019978 1 78327 385 020 b/w illus.; 272pp, 23.4 x 15.6, HB
NEW
British Musical Criticism and Intellectual Thought, 1850-1950Edited by JEREMY DIBBLE & JULIAN HORTON
British music between 1850 and 1950 reflected changes and developments in society, education, philosophy, aesthetics, politics and the upheaval of wars, often signifying a distinctively British national history. All of these changes informed
the published work of contemporary music critics. The book focusses on major figures such as Grove, Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams, Dyson, Lambert and Keller, and less influential but nevertheless significant critics. The book will be of interest to scholars and students of nineteenth- and early twentieth century British music and music in Britain as well as music enthusiasts of popular music criticism.JEREMY DIBBLE is Professor of Music at Durham University. JULIAN HORTON is Professor of Music at Durham University.For a full list of contributors, please visit www.boydellandbrewer.com
$99.00/£65.00(s) June 2018978 1 78327 287 719 b/w illus.; 390pp, 23.4 x 15.6, HBMusic in Britain, 1600-2000
10 www.boydellandbrewer.com
PErFOrMANCE / POPUlAr MUSIC & THEATrE
NEW
City Songs and American Life, 1900-1950MICHAEL LASSER
Nothing defines the songs of the Great American Songbook more richly than their urban sensibility. It was as if the songwriters looked out over the rest of the country to describe America’s heart to the rest of America. City Songs and American Life,
1900-1950 is Michael Lasser’s take on the music he has lived with for more than half a century. The book describes the ways in which songs portrayed Broadway and Harlem followed by a chronological look at how the urban sensibility appeared in the songs of the early decades, followed by the Twenties, the Great Depression, and World War II.
MICHAEL LASSER, a former teacher and theater critic, is host of the syndicated public-radio show Fascinatin’ Rhythm (winner of the Peabody Award) and the author of two previous books.$34.95/£25.00(s) April 2019978 1 58046 952 430 b/w illus.; 350pp, 9 x 6, HB
NEW
Let Me Sing and I’m HappyThe Memoir and Handbook of a Singing ActressJOAN MORRIS
“For forty years I’ve been privileged to sing the greatest songs from our American musical theater history – Kern, Berlin, Gershwin, Porter, and Rodgers and Hart. I was fortunate to find a musical partner, William Bolcom, who felt the same
way, who helped me illuminate and bring to life the history and drama in each song. Our approach gained us entry into the serious-music concert world. It helped us, in Schiller’s words, to ‘... unite that which fashion had sternly parted.’”This book is the history of an actress who sings popular songs. It is also a handbook detailing an approach to bringing the song to life. JOAN MORRIS is a mezzo-soprano, who specialises in music hall, Broadway, and ragtime. Since 1973, she has been performing in a duo with her husband, the Pulitzer Prize winning composer, William Bolcom.$42.00/£25.00(s) January 2019978 1 57647 314 6145pp, 6 x 9, PBLives in Music
PENDRAGON PRESS
PrEVIOUSlY ANNOUNCED
Must Close SaturdayThe Decline and Fall of the British Musical FlopADRIAN WRIGHT
The first book to deal exclusively with British musical flops, Must Close Saturday presents a rolling panorama of the good, the bad and the ugly, reassessing their place in theatrical history. Wright reveals a consistent striving at
invention, with subjects including the electric chair, the Holocaust, the Virgin Mary, social inequality and Trade Unionism, sexual problems and murder, as well as biographical treatments of Hollywood stars, French painters, tragic novelists, royalty, and the Rector of Stiffkey. Discursive and provoking, Must Close Saturday at last prises open the neglected history of the British musical flop up to 2016.
Hugely entertaining... THE SPECTATOR
ADRIAN WRIGHT is the author of West End Broadway: The Golden Age of the American Musical in London (Boydell & Brewer, 2012). $34.95/£25.00(s) December 2017978 1 78327 235 840 b/w illus.; 371pp, 23.4 x 15.6, HB
NEW
And the Shark, He Has TeethA Theater Producer’s NotesERNST JOSEF AUFRICHT Translated by BENJAMIN BLO CH Introduction by MARC SILBERMAN
This is the first English translation of the memoirs of the great German-Jewish theater producer Ernst Josef Aufricht. The title alludes to Brecht and Weill’s blockbuster Threepenny Opera, the premiere of which was produced by Aufricht in
Berlin in 1928. The book is most notable for its insider’s account of the Berlin theater scene of the late 1920s and early 30s. Its sweep, from Aufricht’s school years to his long years of exile in France and America, gives a picture of a complex individual with a talent for survival and a winningly understated sense of humor.BENJAMIN BLOCH is a clinical psychologist who studied German and English Literature at Oberlin College. MARC SILBERMAN is Emeritus Professor of German at the University of Wisconsin.$29.95/£19.99(s) September 2018978 1 64014 017 214 b/w illus.; 208pp, 9 x 6, HBStudies in German Literature Linguistics and Culture
NEW
Speaking the PianoReflections on Learning and TeachingSUSAN TOMES
In this wide-ranging book, Susan Tomes reflects on how her own experience as a learner, in different genres from classical to jazz, has influenced her approach to teaching. She tells us how her performing career has given her insight into what young performers need to
know, and how discussions with students have fed into her own practice. She describes the brilliant and intriguing teachers whose masterclasses opened her ears to the many ways in which music can be brought alive and communicated.
Susan Tomes’s insights as a performer and teacher are fully matched by her literary eloquence: at the piano or on the page, her style is marked by undemonstrative, perceptive and elegant turns of phrase, in every sense... any music lovers would find fascination and entertainment here: there are gems on every page. BB C MUSIC MAGAZINE
SUSAN TOMES is a multi-award-winning pianist and author of four acclaimed books about performance including Beyond the Notes (Boydell Press, 2004) and Sleeping in Temples (Boydell Press, 2014). $25.95/£19.99(s) June 2018978 1 78327 325 6277pp, 21.6 x 13.8, HB
NEW
Widor on Organ Performance Practice and TechniqueJOHN NEAR
In his Preface to the complete organ works of J. S. Bach, Charles-Marie Widor (1844-1937) – a leading figure of the French Romantic organ school-conveyed what he considered the essential maxims of organ performance practice
and technique. These principles extend to his and his followers’ organ compositions. John Near translates for the first time all the statements from Widor’s Bach Preface that reflect his distinctive and influential approach to performance style and artistic awareness. The volume also includes correlative source material and further writings by Widor on the organ.JOHN R. NEAR is Professor Emeritus of Music, Principia College. His publications include Widor: A Life beyond the Toccata, available from University of Rochester Press.$85.00/£65.00(s) April 2019978 1 58046 944 9194pp, 9 x 6, HBEastman Studies in Music
11www.boydellandbrewer.com
OPErA / PErFOrMANCE & MUSIC HISTOrY
NEW
Aldo Parisot, The CellistThe Importance of the CircleSUSAN HAWKSHAW
The book presents the story of renowned cellist Aldo Parisot, who started his career as a soloist in his native country of Brazil and then emigrated to the U.S. and established himself as a major soloist worldwide. As János Starker has said, he
was “a top-notch performer” and “the best cello teacher of his time.” Parisot also expanded the cello repertoire by commissioning contemporary composers and has revived older music for the instrument.SUSAN HAWKSHAW is on the faculty at Albertus Magnus College and at the University of New Haven, both in New Haven, CT.
$48.00/£30.00(s) June 2018978 1 57647 309 27 colour illus.; 130pp, 9 x 6, HBLives in Music
PENDRAGON PRESS
PrEVIOUSlY ANNOUNCED
Beethoven’s CelloFive Revolutionary Sonatas and Their World MARC D. MOSKOVITZ & R . LARRY TODD
In 1796 the young Beethoven presented his first two cello sonatas at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by
fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas – the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer’s late style. In Beethoven’s Cello, the authors examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural context. MARC D. MOSKOVITZ is principal cellist of the ProMusica Chamber Orchestra. R. LARRY TODD is Arts and Sciences Professor at Duke University. $39.95/£29.95(s) October 2017978 1 78327 237 222 b/w illus.; 274pp, 23.4 x 15.6, HB
NEW
Kitty Clive, or The Fair SongsterBERTA JONCUS
Kitty Clive (1711-1785) was a top London stage star. Singing powered her ascent and, for twenty years, was foundational to her success as she came to dominate spoken as well as musical comedy. Her protean powers transfixed audiences, whether
in low-style productions or in works by masters like Purcell, Shakespeare, and Dryden. Celebrities such as Handel and Henry Fielding wrote vehicles for her. In the 1740s, critical opinion turned against Clive and the financial power she wielded. She quit serious song and took to caricaturing herself on stage. Clive’s career reveals to us gorgeous song otherwise lost. For music historians, theatre scholars, and anyone curious about performance history and star production in eighteenth-century Britain, her story is not to be missed.BERTA JONCUS is Senior Lecturer in Music at Goldsmiths, University of London.$99.00/£55.00(s) May 2019978 1 78327 346 132 b/w illus.; 512pp, 23.4 x 15.6, HB
NEW
Musical Theater in Eighteenth-Century Parma Entertainment, Sovereignty, Reform MARGARET R . BUTLER
French and Italian varieties of opera have informed one another from the genre’s first decades onward. Yet we still have only a hazy view of what those intersections meant to a given opera’s creators and audiences. Margaret Butler’s Musical
Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform examines performance, spectatorship, and politics at the Bourbon-controlled Italian city of Parma in the mid-eighteenth century. The book elucidates the complicated circumstances in which entertainments were created that spoke not only to Parma’s multicultural audiences but also to an increasingly cosmopolitan Europe. MARGARET R. BUTLER is Associate Professor of Musicology at the University of Florida.$99.00/£80.00(s) January 2019978 1 58046 901 235 b/w illus.; 186pp, 9 x 6, HBEastman Studies in Music
NEW
What Opera MeansCategories and Case-studiesCHRISTOPHER WINTLE Edited by KATE HOPKINS
This book mounts a searching enquiry into the elusive character of opera. The author argues that art-works are grasped primarily through their Platonic ideas, or ‘categories’, several of which he addresses in turn. Each category is
elaborated through case-studies that root individual operas in time, place and circumstance, with a concentration on Wagner, Verdi, Strauss and Britten. The studies also focus on psychology and performance. It is suitable for college courses and the general reader alike.
A wide-ranging analysis of the meaning of opera...Wintle demonstrates considerable knowledge on Verdi, Wagner, Strauss, Weill, Britten and George Benjamin, [while] Wintle’s own expertise in other fields – particularly psychology – adds depth and complexity. BB C MUSIC MAGAZINE
CHRISTOPHER WINTLE is Emeritus Senior Lecturer in Music at King’s College London. KATE HOPKINS (Editor) is Content Producer for Opera at the Royal Opera House. Hardback: $80.00/£45.00(s), 978 0 99319 834 2Paperback: $19.99/£15.99(s), 978 0 99319 835 9March 2018, 3 b/w illus.; 288pp, 24.2 x 16Defining Opera
PLUMBAGO PRESS
E-BOOKS
In order to give librarians and researchers a real choice, many of the books in this catalogue will be
available as eBooks. Librarians should contact their
usual suppliers for further details of availability and price.
A small selection of eBooks are available to buy directly from us at
www.boydellandbrewer.com
12 www.boydellandbrewer.com
MUSIC HISTOrY
NEW
Bach’s Famous ChoirThe Saint Thomas School in Leipzig, 1212-1804MICHAEL MAUL Translated by RICHARD HOWE
In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant composers of their times. But what attracted these artists – from Seth Calvisius to J.S. Bach to
Johann Adam Hiller – to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school – a profile that often became a bone of contention between school and city hall? Drawing on many new, recently discovered sources, Michael Maul illuminates the phenomenon of the St Thomas School. He shows how cantors, local luminaries and municipal politicians overcame the School’s detractors to make it a remarkable success with a world-famous choir.MICHAEL MAUL is Senior Scholar at the Bach-Archiv Leipzig and lecturer in musicology at the universities of Leipzig/Halle. He is also the artistic director of the annual Leipzig Bach Festival.$95.00/£55.00(s) November 2018978 1 78327 169 668 b/w illus.; 456pp, 23.4 x 15.6, HB
NEW
Music and FaithConversations in a Post-Secular AgeJONATHAN ARNOLD
This book explores examples of how the Christian story is still expressed in music and how it is received by those who experience that art form, whether in church or not. Through conversations with a variety of writers, artists, scientists, historians, atheists,
church laity and clergy, the term post-secular emerges as an accurate description of the relationship between faith, religion, spirituality, agnosticism and atheism in the west today. Music and Faith is centred on those who, by-and-large, are not professional musicians, philosophers or theologians, but who find that music and faith are bound up with each other and with their own lives. JONATHAN ARNOLD is Dean of Divinity and Fellow of Magdalen College, Oxford.$39.95/£30.00(s) May 2019978 1 78327 260 012 b/w illus.; 272pp, 23.4 x 15.6, HB
NEW
Dedicating Music, 1785-1850EMILY H. GREEN The use of title page dedications in the late eighteenth- and early nineteenth-century marketplace for printed music reflects a changing financial and aesthetic landscape in which patronage was waning and independent artistry surging. Title-page dedications designated written music as a noncommodifiable gift while presenting composers with opportunities for self-promotion. They also contributed to a new kind of branding by communicating composers’ friendships and artistic allegiances. Dedicating Music considers dedications issued in print between 1785 and 1850 in sets of overlapping corpuses: offerings to peers, patrons, and friends, and dedications issued by publishers.EMILY H. GREEN is Assistant Professor of Music at George Mason University.$99.00/£80.00(s) May 2019978 1 58046 949 417 b/w illus.; 254pp, 9 x 6, HBEastman Studies in Music
PrEVIOUSlY ANNOUNCED
Music Criticism in France, 1918-1939Authority, Advocacy, LegacyEdited by BARBARA L. KELLY & CHRISTOPHER MO ORE
Examines the aesthetic battles that animated and informed French musical criticism during the interwar period (1918-1939). It brings together scholars from different areas of musicology and related humanities disciplines; it also draws on
different Anglophone and Francophone intellectual traditions. As well as considering the reception of individual works, the contributors examine key individuals, composer-critic pairings, the composer as critic and technician, the role of influential journals, and music criticism as a pedagogical tool for concert-going and radio audiences. BARBARA L. KELLY is Director of Research and Professor of Musicology at the Royal Northern College of Music, Manchester. CHRISTOPHER MOORE is Associate Professor of Musicology at the University of Ottawa. For a full list of contributors, please visit www.boydellandbrewer.com
$99.00/£65.00(s) June 2018978 1 78327 251 85 b/w illus.; 358pp, 23.4 x 15.6, HB
PrEVIOUSlY ANNOUNCED
That Jealous Demon, My Wretched HealthDisease, Death and ComposersJONATHAN NOBLE
The health – and especially deaths – of composers excite controversy, as issues regarding Tchaikovsky, Elgar, Beethoven, Mozart and, recently, Britten reveal. This book charts the disturbed physical and mental health of 70 great
composers. It attempts to unpick the evidence forensically and to define the cause of death based on the legal paradigm of a balance of probabilities. The author reviews where the composer was when the final illness or death overtook him and considers how many of them would have fared with modern treatment. Chapters are organised thematically, by illness; and numerous misconceptions, such as madness fuelling creativity, are challenged.
Though the matter is serious, Jonathan Noble manages to bring to it lightness of touch and even humour. BB C MUSIC MAGAZINE
A timely antidote to all those lurid biographies (and not just of composers) that speculate on their subject’s sex lives and addictions. THE TIMES
JONATHAN NOBLE is a Fellow of the Royal College of Surgeons. He looked after Test cricketers, Manchester United, and dancers and musicians in the North of England. $34.95/£25.00(s) June 2018978 1 78327 258 726 b/w illus.; 526pp, 23.4 x 15.6, HB
read notes from our world and subscribe at boydellandbrewer.com/blog
read an article by Jonathan Noble on
“Composers and their Accidental Deaths” at
https://boybrew.co/2k5YgWE
13www.boydellandbrewer.com
MUSIC & lITErATUrE
NEW
Exploring Musical NarratologyThe Romeo and Juliet Myth in MusicMALGORZATA PAWLOWSKA
Discusses the problem of narrativity in works of music based on the example of the myth of Romeo and Juliet, presented here in a broad cultural context. The book reflects the author’s interest in two subject matters: on the one hand, the ways in which
the Romeo and Juliet myth features in the history of music and, on the other hand, the question whether the category of narrative can be useful in researching music. The study also tackles the theme of the semantics of love and hate in music.MALGORZATA PAWLOWSKA, PhD, is a Lecturer in Music Theory at the Academy of Music in Krakow.$42.00/£30.00(s) January 2019978 1 57647 310 8340pp, 10 x 7, PBInterplay Series
PENDRAGON PRESS
NEW
Hanns Eisler’s Art SongsArguing with BeautyHEIDI HART
Best known for his collaborations with Bertolt Brecht, composer Hanns Eisler also set nineteenth-century German poetry to music that both absorbs and disturbs the Lieder tradition. This book traces Eisler’s art songs through twentieth-
century political crises from World War I to Nazi-era exile and from Eisler’s postwar deportation from the U.S. to the ideological pressures he faced in the early German Democratic Republic. His art songs are presented not as an escape from the “dark times” Brecht lamented but rather as a way to intervene in nationalist appropriation of aesthetic material. HEIDI HART holds a PhD in German Studies from Duke University. She is an instructor in the College of Humanities and Social Sciences at Utah State University.$99.00/£80.00(s) June 2018978 1 64014 000 4252pp, 9 x 6, HBStudies in German Literature Linguistics and Culture
NEW
Stages of European RomanticismCultural Synchronicity across the Arts, 1798-1848THEOD ORE ZIOLKOWSKI
Romanticism was a truly European phenomenon, extending roughly from the French Revolution to the 1848 revolutions and embracing not only literature and drama but also music and visual arts. Because of Romanticism’s vast scope,
most treatments have restricted themselves to single countries or to specific forms, notably literature, art, or music. This book takes a wider view by considering in each of six chapters representative examples of works – from across Europe and across a range of the arts – that were created in a single year. This approach by “stages” makes it possible to determine characteristics of five stages of Romanticism and to note the conspicuous differences between them. THEODORE ZIOLKOWSKI is Professor Emeritus of German and Comparative Literature, Princeton University.$95.00/£75.00(s) October 2018978 1 64014 042 46 b/w illus.; 264pp, 9 x 6, HB
PrEVIOUSlY ANNOUNCED
Brahms and His PoetsA HandbookNATASHA LO GES
Johannes Brahms’s much-loved solo songs continue to be enjoyed in recordings and on recital stages all over the world. This book provides a wealth of information on the poets whose words he set, many of whom are still unfamiliar.
The poets are revealed to be part of a deeply collegial cultural community of which Brahms was an active part. Covering Brahms’s 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music. It is designed to be an essential reference tool for students and scholars of Johannes Brahms, as well as performers and lovers of his songs.NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music.$90.00/£50.00(s) November 2017978 1 78327 236 540 b/w illus.; 496pp, 23.4 x 15.6, HB
NEW
Beyond Fingal’s CaveOssian in the Musical ImaginationJAMES PORTER The first study in English of musical works stimulated by James Macpherson’s Poems of Ossian, published in the 1760s and purported to be the work of an ancient Scottish bard. It examines the effect of the poems on composers, especially as the Romantic Era in literature and the arts began to take shape. The poems were a central element in the development of Romanticism, and over 300 musical works based on the poems survive: Beethoven, Schubert, Mendelssohn, Brahms and Massenet are but the best-known figures to have found the poems a source of compositional inspiration.JAMES PORTER is Professor Emeritus, UCLA, and Honorary Professor, University of Aberdeen.$125.00/£95.00(s) March 2019978 1 58046 945 6478pp, 9 x 6, HBEastman Studies in Music
PrEVIOUSlY ANNOUNCED
Literary BrittenWords and Music in Benjamin Britten’s Vocal WorksEdited by KATE KENNEDY
Britten is the most literary British composer of the twentieth century. The chapters in this volume examine all aspects of Britten’s text setting, from his engagement with a wide variety of poetry to his relationship with his
librettists. By approaching Britten’s operas and songs through their literature, this book offers fresh insights into his vocal works.KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford, where she is an associate of both Music and English Faculties. She is a frequent broadcaster for the BBC and specialises in interdisciplinary biography and has published widely on twentieth century music and literature.
This is a comprehensive book of essays, illustrations and musical examples... It teems with perspectives, engrossing facts and excerpts from scores and will certainly make an informative read for Brittenites of all persuasions – from the amateur enthusiast through to the seasoned academic. BRITISH MUSIC SO CIET Y NEWSLET TER
For a full list of contributors, please visit www.boydellandbrewer.com
$99.00/£60.00(s) May 2018978 1 78327 285 322 b/w illus.; 425pp, 23.4 x 15.6, HBAldeburgh Studies in Music
14 www.boydellandbrewer.com
MUSIC THEOrY
PrEVIOUSlY ANNOUNCED
Worlds of Harpsichord and OrganLiber Amicorum David FullerBRUCE GUSTAFSON
With a foreword by William Christie, reflecting on a half-century of musical friendship with David Fuller, essays by an international roster of musicologists present new research about the music, theory, and organology of the
harpsichord and the organ. Chronologically, the subjects range from the seventeenth to twentieth centuries, all the articles being written by colleagues and former students of the honoree. A closing section presents a survey of the career and writings of David Fuller with tributes from distinguished colleagues.BRUCE L. GUSTAFSON is Emeritus Charles A. Dana Professor of Music, Franklin & Marshall College.$70.00/£55.00(s) October 2018978 1 57647 237 8300pp, 6 x 9, HBFestschrift
PENDRAGON PRESS
PrEVIOUSlY ANNOUNCED
The Sonatas of Henry PurcellRhetoric and ReversalALON SCHAB
Henry Purcell’s trio sonatas are among the composer’s most highly admired instrumental works. Although Purcell declared that he wrote them as “a just imitation” of Italian sonatas, they are full of complex compositional devices that
are hardly found in any of his suspected Italian models but are characteristic of English compositional traditions. Schab’s pathbreaking Sonatas of Henry Purcell: Rhetoric and Reversal explores the underlying structures of the sonatas, emphasizing the effective rhetoric of the music and the composer’s use of symmetry and reversal on several levels. ALON SCHAB is a lecturer at the University of Haifa. $99.00/£80.00(s) June 2018978 1 58046 920 310 b/w illus.; 280pp, 9 x 6, HBEastman Studies in Music
PrEVIOUSlY ANNOUNCED
The Music and Music Theory of Paul HindemithSIMON DESBRUSLAIS
This book provides a critical engagement with Hindemith’s Unterweisung, particularly concerning its relationship to existing acoustic music theories. Equally central to the book is the relationship of Hindemith’s Unterweisung to
his compositional practice. Hindemith’s fascination with the challenges of music theory falls into a middle period in his oeuvre, enabling profitable comparisons with his compositional practice both before and after his theory-making. The book also comprises a detailed discussion of Hindemith’s theoretical and compositional legacy. Beginning with an overview of existing polemics, it draws together unpublished materials from the Yale Hindemith Institute with reminiscences from former students to construct an Unterweisung reception history. The book shows that, while many areas of Hindemith’s theory have been overtaken by recent interests in music theory that relate to cognition and geometry, his influence has been deeply felt.SIMON DESBRUSLAIS is Lecturer in Music and Director of Performance at the University of Hull and an internationally acclaimed trumpet soloist.$99.00/£60.00(s) February 2018978 1 78327 210 517 b/w illus.; 358pp, 23.4 x 15.6, HB
NEW
Coming to Terms with Our Musical PastAn Essay on Mozart and Modernist AestheticsEDMUND J. GOEHRING
For over a generation now, many leading performers, critics, and scholars of Mozart’s music have taken a rejection of transcendence as axiomatic. Edmund Goehring’s Coming to Terms with Our Musical Past offers an alternative vision of
Mozart’s works and of Western art music generally: such works as Mozart’s radiate an idealism that has human sociability both as its source and its object. This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture.EDMUND J. GOEHRING is Professor of Music History at the University of Western Ontario.$99.00/£80.00(s) June 2018978 1 58046 930 2222pp, 6 x 9, HBEastman Studies in Music
PrEVIOUSlY ANNOUNCED
Brahms and the Shaping of TimeEdited by SCOT T MURPHY
Leading music scholars explore the numerous ways in which Brahms manipulates such basic elements as rhythm and phrase structure in pieces ranging from the Third Piano Sonata and the Double Concerto to a number of his most
important and beloved songs. Together, the essays in this volume combine fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time.SCOTT MURPHY is professor of music theory at the University of Kansas.For a full list of contributors, please visit www.boydellandbrewer.com
$110.00/£90.00(s) June 2018978 1 58046 597 7308pp, 9 x 6, HBEastman Studies in Music
Follow our Music Twitter feed @boydellmusic
15www.boydellandbrewer.com
ETHNOMUSICOlOGY
Information This catalogue lists all new Boydell & Brewer Music Studies titles scheduled for publication through to June 2019, as well as a selection of backlist titles. Further information on all titles, including lists of contents and contributors, can be found on our website www.boydellandbrewer.com.Prices and details were correct at time of catalogue production but are subject to change without notice.
Editorial InformationEditorial inquiries should be addressed by email to University of Rochester Press Editorial Director, Sonia Kane, at [email protected]; or to Boydell & Brewer Editorial Director of Modern History and Music, Michael Middeke, at [email protected]. If contacting by post, please make sure to include your email address.
Review CopiesIf you are interested in review copies please contact for North and South America: [email protected]; for Europe & International: [email protected]
Course Adoption Titles are available for adoption consideration by university teachers. Detailed information about our Course Adoption policy can be found at: https://boydellandbrewer.com/course-adoption
eBooks Entries listed with an eISBN are now available as eBooks via library platform aggregators. A selection of our eBooks is also available through JSTOR and University Publishing Online.
Social MediaWe like to share our latest news and to interact with our customers.
www.facebook.com/boydellandbrewerwww.twitter.com/boydellbrewer
www.pinterest.com/boydellbrewerwww.instagram.com/boydellandbrewer
PrEVIOUSlY ANNOUNCED
The Americanization of Zen ChantingSTEPHEN SLOT TOW
The indigenous ritual chanting of Zen Buddhist practice form a part of virtually every Zen ceremony and formal event, both monastic and lay. And, like the other aspects of Zen teaching and practice, the chanting has undergone a
widely varied range of adaptations as part of its migration to and continuing development in the North American context. This book seeks to explore some of the tensions that have arisen as a result and how they play out in different aspects of chanting. STEPHEN SLOTTOW is Associate Professor of Music at the University of North Texas.$65.00/£45.00(s) January 2019978 1 57647 250 7300pp, 9 x 6, PB
PENDRAGON PRESS
PrEVIOUSlY ANNOUNCED
Music, Indigeneity, Digital MediaEdited by THOMAS R . HILDER , HENRY STOBART & SHZR EE TAN
While communication technologies have long been tools for imperial expansion, digital media have more recently become a creative and political resource for working towards Indigenous sovereignty. This book explores how digital
technologies have become embedded in and transformed Indigenous musical performance. Bringing together the work of scholars and musicians across five continents, the volume addresses issues of music production, transnationalism, representation, transmission, and virtuality. Offering new perspectives on Indigenous music and digital culture, Music, Indigeneity, Digital Media is essential reading in the fields of ethnomusicology, Indigeneity, and media studies.THOMAS R. HILDER is postdoctoral fellow in musicology at the University of Bergen. HENRY STOBART is reader in music at Royal Holloway, University of London. SHZR EE TAN is senior lecturer at Royal Holloway, University of London.For a full list of contributors, please visit www.boydellandbrewer.com
$110.00/£90.00(s) February 2017978 1 58046 573 111 b/w illus.; 236pp, 9 x 6, HBEastman/Rochester Studies Ethnomusicology
PrEVIOUSlY ANNOUNCED
Listen with the Ear of the HeartMusic and Monastery Life at Weston PrioryMARIA S. GUARINO
Benedictine monks gather for communal prayer upwards of five times per day, every day. Their prayers, called the Divine Office, are almost entirely sung. Benedictines are famous for Gregorian Chant, but the original folk-inspired music of the
monks of Weston Priory in Vermont is among the most familiar in post-Vatican II American Catholicism. Using the ethnomusicological methods of fieldwork and taking inspiration from the monks’ own way of encountering the world, this book offers a contemplative engagement with music, prayer, and everyday life.MARIA S. GUARINO received her PhD in critical and comparative studies in music from the University of Virginia. She specializes in ethnography, religious life, Benedictine monasticism, and contemplative practices.Support for this publication was provided by the Howard Hanson Institute for American Music of the Eastman School of Music at the University of Rochester.$95.00/£70.00(s) May 2018978 1 58046 910 418 b/w illus.; 214pp, 9 x 6, HBEastman/Rochester Studies Ethnomusicology
PrEVIOUSlY ANNOUNCED
Tuning the KingdomKawuugulu Musical Performance, Politics, and Storytelling in BugandaDAMASCUS KAFUMBE
Draws on ethnographic research, musical and textual analyses, and an integrated narrative of oral and written accounts to examine how the Kawuugulu Clan Royal Musical Ensemble of the Kingdom of Buganda enforces principles of politics
among the Baganda (Ganda) people of south-central Uganda through stories passed down by oral tradition. The book’s focus is the ensemble’s ability to shape kinship, clanship, andkingship through the use of stories that serve as records of and frameworks for enacting principles of these three domains.DAMASCUS KAFUMBE is Assistant Professor of Music at Middlebury College.$34.95/£25.00(s) May 2018978 1 58046 904 325 colour illus.; 180pp, 9 x 6, HBEastman/Rochester Studies Ethnomusicology
www.boydellandbrewer.com
2019 marks the 50th anniversary of Boydell & Brewer and 30 years of University of rochester Press
UK AND INTERNATIONALPO Box 9, Woodbridge, Suffolk IP12 3DF, UKTel: +44(0)1394 610600 Fax: +44(0)1394 [email protected]
NORTH AND SOUTH AMERICA668 Mount Hope Ave, Rochester, NY 14620-2731 USA
Tel: 585-275-0419 Fax: [email protected] Order online at www.boydellandbrewer.com
Press review requests: [email protected] or, in North America, [email protected]
All UK and international orders should be addressed to:Boydell & Brewer Sales, John Wiley & Sons Ltd, European Distribution Centre, New Era Estate, Oldlands Way, Bognor Regis PO22 9NQ
Tel. 01243 843 291 • Fax 01243 843 303Email [email protected] should be made payable to John Wiley & Sons Ltd.
P&P rates:UK £3.70, European delivery, up to 15 items: Surface mail (2–3 weeks) £5.35, Airmail (1–2 weeks) £12.75 Middle East, Africa & Japan, up to 15 items: Surface mail (4–6 weeks) £7.75, Airmail (2–3 weeks) £14.95For orders of more than 15 items please contact Wiley’s Customer Service Department for a quotation on shipping costs.
978 1 84383 591 2$90/£50 | HB
978 1 84383 819 7$25.95/£19.99 | PB
978 1 84383 726 8$34.95/£25 | HB
978 1 78327 107 8 $34.95/£25 | HB
978 1 78327 193 1$25.95/£19.99 | PB
978 1 58046 379 9$49.95/£25 | HB
978 1 58046 185 6$90/£60 | HB
978 1 58046 253 2$80/£65 | HB
978 1 58046 333 1$25.95/£19.99 | PB
978 1 58046 285 3$90/£75 | HB
978 1 84383 091 7$24.95/£14.99 | PB
978 1 58046 523 6£19.99/$29.95 | PB
978 1 78327 150 4$80/£45 | HB
978 1 58046 411 6$25.95/£19.99 | HB
978 1 84383 602 5£17.99/$24.95 | PB
www.boydellandbrewer.com
2019 marks the 50th anniversary of Boydell & Brewer and 30 years of University of rochester Press
UK AND INTERNATIONALPO Box 9, Woodbridge, Suffolk IP12 3DF, UKTel: +44(0)1394 610600 Fax: +44(0)1394 [email protected]
NORTH AND SOUTH AMERICA668 Mount Hope Ave, Rochester, NY 14620-2731 USA
Tel: 585-275-0419 Fax: [email protected] Order online at www.boydellandbrewer.com
Press review requests: [email protected] or, in North America, [email protected]
All UK and international orders should be addressed to:Boydell & Brewer Sales, John Wiley & Sons Ltd, European Distribution Centre, New Era Estate, Oldlands Way, Bognor Regis PO22 9NQ
Tel. 01243 843 291 • Fax 01243 843 303Email [email protected]
All North and South America Orders should be addressed to:Casemate Academic, 1950 Lawrence RoadHavertown, PA 19083
Tel: 610-853-9131Email: [email protected]
978 1 84383 591 2$90/£50 | HB
978 1 84383 819 7$25.95/£19.99 | PB
978 1 84383 726 8$34.95/£25 | HB
978 1 78327 107 8 $34.95/£25 | HB
978 1 78327 193 1$25.95/£19.99 | PB
978 1 58046 379 9$49.95/£25 | HB
978 1 58046 185 6$90/£60 | HB
978 1 58046 253 2$80/£65 | HB
978 1 58046 333 1$25.95/£19.99 | PB
978 1 58046 285 3$90/£75 | HB
978 1 84383 091 7$24.95/£14.99 | PB
978 1 58046 523 6£19.99/$29.95 | PB
978 1 78327 150 4$80/£45 | HB
978 1 58046 411 6$25.95/£19.99 | HB
978 1 84383 602 5£17.99/$24.95 | PB
