Mota Moniz Kruger Humanism

Embed Size (px)

Citation preview

  • 7/27/2019 Mota Moniz Kruger Humanism

    1/14

  • 7/27/2019 Mota Moniz Kruger Humanism

    2/14

    2012 Association of Collegiate Schools of Architecture. All rights reserved.

    Published by the ACSA Press and distributed by the

    Association of Collegiate Schools of Architecture

    1735 New York Ave., NW

    Washington, DC20006

    (202) 785-2324 www.acsa-arch.org

    http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/http://www.acsa-arch.org/
  • 7/27/2019 Mota Moniz Kruger Humanism

    3/14

    Contents

    A cademia I: P e d a g og i ca l A f fo rda n ce s o f t he D esign Studio

    3 Eros ive Cartographie s

    Karl Wallick, University of Wisco nsin-Milwaukee

    7 Ne ith er Ind ivid ua l, Nor G ro up:

    A Fi rs t Y e ar D e sig n S t u d io E x p er im e n t

    Sevgi TOrkkan, Istanbul Technical University

    Nizam Onur Sonmez, Istanbul Technical University

    Burr,;in KOrtOncO, Istanbul Technical University

    Cities I

    17 C h a n g in g P o v e r ty P o c k e ts i n M e t ro p o li ta n s

    Mos tafa Rabea Abdelbaset Khalifa,University of Camerino, Italy

    Maria Federica Ottone, University of Camerino, Italy

    23 T h e U n p la n n e d C i ty : P r e s er v in g P l a ce Th r o u g h U rb a n M a k in g

    James Fowler Eckler, Jr. , Marywood University

    28 C h i na ' s E m e r g in g Eco -C ities

    Zhongjie Lin, University of North Carolina at Cha rlotte

    32 H igh-Per fo rmance C i t ies o r Bu i ld ings

    Seu ng R a, O klahom a State University

    S usta ina b il it y I: To ward Carb on N eutral C it ies

    41 A c h i ev in g t h e ' 20 2 0- 2 03 0 T a r ge t s' o f N e t-Zero -Energy-Bui ldings

    w i th P ara m e tr ic 3 D /4 D -B IM D e s ig n T o o ls

    Thomas Spiegel halter, Florida International University

    48 A ir ing Renovations : Th e A t m o s p h er e o f P a u l R u d o lp h

    Kevin Moo re, Aubu rn University

    Justin M ille r, Auburn University

    55 A r c h it e c tu r e M u s t F o ll o w t h e S tra te g y o f M u s i c: S h a rin g

    Eduard Sancho Pou, Universitat Politecnica de Catalunya

    57 Loca l Exa m p l es , G l o ba l P e r s ec t iv e : F r o m T h e o ry t o P ra c t ic e

    in D e s ig n in g , M e a su ri ng a n d B en c h m ar ki ng C a rb o n-Neutral

    Arch itecture

    Thomas Spiegelhalter, Florida International University

    65 Tradit iona l Mate r ials Opt imize d fo r the 21s t Century

    Elizabeth Golden, Universit y o f W as hington

    Civ ic Engagement I: D i rect A cti vi sm

    75 F rom Freed o m o f Expression to E x p r es s i on o f F re e d o m :

    Respond in g t o S o cio - P o li ti c al C h a n g e in t h e C lassroom

    Magda Mostafa, American University in Cairo

    82 Th e A rc h it ec t C itize n : Th e N ature o f C ivi c E n g a g e m e n t

    in P o s twar R e c o n s tr u c ti o n P ro j ec t s i n Lebanon

    Mar wan Ghandour, Iowa State University

    85 T rans-ac ti vis m in D e sign : A Case S tudy

    Sally Harrison, Tem pl e University

    O pen I95 Ce c i T u e r a C e l a: A rchitectural P ra c ti c e i n t h e A g e o f

    U biquitous S oft ware

    Colin R ipley, Ryers on U niversity

    99 Fr a m in g t h e F a ct s: M o ving Be y on d a M ult icultural

    S u r ve y o f A r c h it e c tu r a l H i stor y

    Charles Davis, II, Univers ity of North Carolina

    at Cha rlotte

    P ra c ti ce I: A t the Con fluenc e o f R esearc h and D esign

    10 7 Deve lopin g a De s ig n T h eo r y: T h e A b e n d S ing le to n S tory

    David S achs, Kansas State University

    11 2 L ea rn in g A rc hite ctu ra l Res to r a ti o n T h r o ug h

    Cooperat ive W ork ing S t ra teg ies

    Mar iona G enis-V inyals, Universitat Po/itecnica de Catalunya

    Albert Casals Balague, Universitat Politecnica deCatalunya

    Jose Luis Gonzalez M oreno-Navarro, Universitat Politecnica

    de Catalunya

    Citie s I I

    121 A poca lypt ic D es ir e a n d O u r U r ba n I m ag inat ion

    Amy Murphy, University of Sout he rn California

    127 C it ie s f ro m t h e B o t t o m -Up: 22@ P lanning ,A S y s te m A t t ac h e d t o C h a n g e

    Philip S peranza, University of Oregon

    13 3 Urban M a p pi ng s a s a Visua l Rhetorica l Too l

    fo r D es ign Teach ing C hange

    Paulo Providencia, Universidade de Coimbra

    13 8 U rba n No m a d s

    Nicolin e L oe per, S axion University

    Matthias Ott, Saxion University

  • 7/27/2019 Mota Moniz Kruger Humanism

    4/14

    1i~lsJaJ\!Una~l'%8Mol'uOSJapUIf'1/1181P8N

    aoqoeJdpueuO!leonp3leJnpal!40JIf

    U!allue4:)JO!alO!4aflIf:ull!saaISaJalUIO!lqnd89l

    IiZOIOU~Jal

    to1i~!sJaJ\lun81nsu1uadad8)'SllaJ8ZlnOi\~~aq8z!13alwJaH

    UO!leonp3leJnloal!40JIfJO!

    lapoWaAqeUJall1fuesepl!ng-ull!saallu!lell!ISaAUIC9l

    fi~ISJaAIUn18JIZOIOU~JalaJUaJM8l'I~SMOiJO'1/11pJ8MP3

    pJeliltoegUMDJnOU!

    P!1full!saallu!P!AOJd:awoHlIoeglieI!llu!llu!JgLSl

    fi~ISJaAIUna~8~S8Mol'aSS8da~uln

    lillollepadull!saa0IU!sU0!lenleA3

    aoueWJO!JadaA!lelquenn!OUO!leJllalUIlenldaou0:Jau:aouewJopadpueWJO~!Od!4SuoqelaHa4111u!llue4:)

    8vl

    aW80aJ+ONto1i~!SJaAIUn'8J~SUaai\U!I~18>i

    aW80aJ+ONtofi~!SJaIlIUn'0~8I1aJJn8aawllf

    loedwileluaWuoJ!AU3aJnseaw01

    Sl001puesp041awpaouellu3JO!UO!leAqow

    a41pueull!saaalQeU!elSnsU!Sa!pnlSase:)Ivl

    8qO~IU81/11tofi~!SJaAIUn'J80)~0laJu8l

    8qO~IU81/11tofi~!SJaAIUn'~saM~J81/1j

    U0!lonJISu0:JO!law!wo!gSCl

    uo!~ez!llmS!"pue

    uOHenlefl3'S!S~leU"JOJSIOOIMaN:11~!I!qeu!e~sns

    ~ZJnqU!P3to1i~ISJaAIUn'UaJ8iJ81/1jxallf

    uoqonJISu0:JU!llu!uJea,!O

    IiJaA!laaJO!SlewJo~MaN:pl!nQwea18ll

    Joua~UI8J1a88pap8p!SJaAIUn'0~18AJ8)8U80r

    JouaWI8J1a88pap8pISJaAIUn'zaJ?ns81apU8)8jJ81/1j

    Ign-IIIull!saaleJnloal!40JIfU!

    IillaleJISleo!llollepadesed!4SJaulJedIII

    Jawa)lipn+s8UOlaJJ88331)'wnJ~Sauu8zns

    Ja+ua)lipn~s8uolaJJ88331)'sn8UJa88pZ81/1j

    uO!SJaWWIleJnlln:)pueull!saaweJlloJd:peoJQIfaJnloal!IlOJIfLIl

    IIuadO

    1i+ISJaAIUn18uoif8uJaWI8PUOI.:J'Ja~18~laZaldss8wo~1

    1i~lsJaJ\lun18UO!~8uJa+ul8P1JOI.:J'8IPUIfOpaJtl1f

    e!wapeOIfleJnloal!4oJIf

    U!SaJnleJadwa10!JlaweJedpueleo!llolOdol

    1i~ISJaAIUnuJa+s8a~+JON'aJUaJM8lJasaai:j8PU8W\t

    IiJOIS!HleJnIOal!Il:JJIf

    llu!Z!leIUaWnJISUIJO!luawnllJIfulf:luapa:JaJduollu!puelS

    S~J\fa~~toaZalia)8!UJOtIl8)'Jallnwu!a~saf~u\tuoqe:Jnp3ull!saa};pe3U!lel!ll!aa41pue

    lloieulfa41uaaMlagsweJlle!a:suoqelSUeJ1aA!leJado

    8IUJOtIl8)uJa~~nosto1i+ISJaAIUn'u8wlnNs8wo~1JU3

    sl:JafoJd4:JJeasaHlenp!A!pUIIUawalddns01

    saS!:JJaX3ull!saaale:JS-lIn~aAqeJoQello:Jllu!sn

    :uO!I:JnJISuls!sa41alenpeJllJapunJO~lapowaA!leuJalllfulf

    aHOIJ8~)+88UIIOJ8)~~JONto1i~lsJaJ\!Un'8pn8SJU3

    liala~Ja88!UJOtIl8)to1i~ISJaAIUn'lassaManauI8

    a:Je!JaIUIJaSnueQJn

    S8SU8~J\ftoA+ISJaAIUn'zaJadOZ8ifU8S

    a:Juall!lIaIUIull!saa:J!llaWeJedISOd

    1i~ISJaAIUna+8~S8Mol'ZU8MI~Z

    1i~ISJaAIUnaw+s8Mol'ass8da~IJln

    1i~ISJaAIUna~8~S8Mol'aHU8~S

    ull!saallu!PI!ngalQeU!elSnsllu!puelsJapUnOIU!

    slapoWleUO!lelndw0:Jp!nl~-OWJa4111uqeJllaIUI

    ~uawa~e~u3JOSale:JS:1~OIO

    1i+ISJaA!UnIInllUOW8i:j'8JaAli:j8Jli8WO

    A+!SJaAIUnIInllUOW8i:j'OrO)UifJ81/1jlaZu\t

    1i+ISJaAIUnIInllUOW8i:j'OZ8Jp81/1jOJpu8alP004JOQllll!aNeJllnsnlda41

    :luawUOJ!AU3llU!A!la41!OS!s};leUIf};JOled!:J!ed

    8JqW10)to1i~!sJaJ\lun'JaZOJ>iOIJ?1/Ij

    8JqW10)1i~ISJaAIUn'ZIUOI/Ij0~U8)018JU08

    8JQWI0)toA~ISJaAIUn'8~01/ljuoslaN

    puo};agpueWlfl:)01

    !aqllfWOJ!ull!saallu!SnOHU!luawallellu3:J!A!:J

    :"sn!uasaA!leN"aliipuewS!leSJaA!Un'wS!UeWnH

    1~laoMaN

    'aJnpa~!~JJ\f'lIZUIUU81dto100~JS'8~dnZs808A8unJ\f

    sJaull!saauaz!!!:)seSluapnlSJOj

    SI!!IlSleUO!I"I!ISUI:};ep};JaA3a4101:J!UO:JIa41WOJ~

    sa:J!peJdu~!sa(]aflHeUJa~I":11~uawa~e~u3

  • 7/27/2019 Mota Moniz Kruger Humanism

    5/14

    IV

    Civ ic En gagement II I: Sus tainable Neighborhoods

    277 The Paradise Creek Eco Park: A Collaborative

    Model of Academic Civic Engagement

    Phoebe Crisman, University of Virginia

    283 The Race Is Really the Prize: Des igning Community

    Capacity in Ecodistricts

    Christine Mondor, Carnegie Mellon University

    Prac t ice I I: A t th e C o n flue nce of Aut hor ship and Collabara tion

    291 Collaps e t o Expand: Alessi's Tea and Coffee Piazza

    Shannon Starkey, University of Cal ifornia, Los Angeles

    296 Dbjects of Our A ffection

    Daniel le Etzler, Harvard University

    299 Rethinking Post-Vanguard Conceptual Practices

    Santiago Per ez, University of Arkansas

    Globalization I: Energetic Stra tegies &Analyt ic M o de ls

    309 ENERGY-(R)EVOLUTION

    Wendy F ok, University of Houston

    316 Geograph ie s of Energy

    Rania Ghosn, Univers it y o f Michigan

    321 Mapping Urbanism

    Kelly Hutzell, Carnegie Mellon University

    Open I I I

    331 A Certain Brand of H umanism: Lewis Mumford, Matthew Nowicki,

    and the Architectura l Pedagogy of North Carolina State College,

    194 8-1952

    Eric Bel lin, Universit y o f Pe nnsylvania

    338 Silver Residence Hall at NYU U ptown: A Bridge to Co-ed Hous ing

    Carla Yanni, Rutgers University

    Technology II : Te chnologica l Pedagogies

    345 How Can Students Learn to Integrate Form and Construction?

    Karel Vandenhen de , U niversi ty o f L euven

    349 Imperatives of Craft: Pedagogy for Emergent Technologies

    James Fowler Eckler, Jr., Marywood University

    Karl W allick , U ni versity of Wisconsin-Milwaukee

    355 Manual Operations in the Age of Digital Design:

    A Case of a Beginning Design Studio

    M yung Seok H yun, Georgia Institute of Technology

    Open IV

    363 Anisotropia: Morpho-generative Sound Analysis

    Christoph Klemmt, Orproject

    367 Cultura l Cognition and Smart Space Design Culture

    Alfredo Andia, Florida International University

    Branko Kolarevic, University of Calgary

    372 Forces o f Change: Past and Present

    Marci Uihlein, University of I llinois,

    Urbana-Champaign

    Prac tic e III: At the Co nf luence of Representat ion and Pol itics

    381 A Case of Mistaken Identity: Changes in the

    Perception of Female Archite ct s in Puer to Rico

    Norm a I sa F igueroa, University of Texas at Arlington

    387 Los t in Translation: Searching for the Detail in

    Contemporary Architectural Practice

    Patrick D oa n, Virginia Tech

    392 The Architect's Visua l Prac ti ce s a s a Source of Power

    Richard Klopp, Vanier College

    Sustainability III : Ne w Studio Des ign M ethodolog ies

    401 Architecture Beyond Borders: Provisional Lessons

    Learned from the Developing World

    Joseph Dahmen, University of Brit ish Columbia

    407 Change INo Change

    Ingrid Strong, Wentworth Institute of Technology

    Jenni fer Lee Michaliszyn, Wentworth Institute of Technology

    415 Heal thy Buildings for the Future: How Can We Ens ure

    that Designs or Adaptations Deliver Sus tainability Principles

    and Can Be Integrated into Studio Based Teaching?

    Faidon Nikiforiadis, Low Carbon Bui ld ing Design

    Sam antha Jayne Townsend, Low C arbon Bui ld ing Design

    Aca dem ia IV: Fin ding the World in Our C urricula

    421 Networking Learning Processes: A Virtual Campus

    to Support Housing Studies

    Lean dro Madrazo, Ramon Llull University

    Paul Riddy, Ram on L iu ll U niversity

    Marta Masdeu, Ramon L lu ll U niversity

    429 Design as Research: The Role of Argument in Design Projects

    That Rep resent Contributions to Architectural Knowledge

    John Gordon Hun t, University of Auckland

    435 Study on Transitio n o f Accredi tatio n S ys te m

    for Architectural Educatio n in Japan

    Tomoaki Tanaka, Meiji University

    Koichiro Aitani , Kyushu University

  • 7/27/2019 Mota Moniz Kruger Humanism

    6/14

    1i~!SJ8AIUnuo~aJuud'PJOHII)uOPU8J8

    saJnI:JnJIS};IUO-uo!ssaJdwo:Jllu!puodsaH-WJO~

    llldaa-aIQe!JeflJOIswals};sllupdSal:J!ued:Jeln:J!un~1I:J!41

    IiJ8ZI8)to1i+ISJaAIUn'J81J8d8J8A

    allue4:Ja:JejJns

    ~J8Znn~sto1i~ISJaIlIUn'SaZU81/1jWI~J\t

    +J8Znn+stoAlISJ8AIUn'S~JIJaIO810J8>i

    aJnI:Jal!4:JJIfU!swalS};SlepalewalQeallue4:J41!Mllu!ull!saapuellu!AJasQO:saJnl:Jal!Il:JJIfalellaJlllllf

    nOd0~JU8SpJ8np3

    (alddlf};P"lSase:J)slda:Ju0:Jalq!lluelulllu!ltaas'sa!llaleJIS1!0S

    q8UUiJUI)toA+ISJaA!Un'118~8PJ\t~au8sN

    aJnl:Jal!4:lJIfjO

    ssausno!:JsuO:J-pOOWMaNau:uO!leZ!leqOI9

    1i+ISJ8AIUnaldw81'sslaMJIJ\OU8AOrU8rpJS

    };eMPJ!41a41jOaml:Jal!4:JJIf

  • 7/27/2019 Mota Moniz Kruger Humanism

    7/14

    SI-8uola::lJ8g-sOJlpeld'uoqeJnp3'olnpoll~Jl'd'38N'dH:)

    'apn:l1n8JauunJaJot18::l1l3010uLpal8pansmdaljaJaljM'SparO]:

    s0261s,JalsnqJo::JalljllMUOlflsoddoUI'aAISSaJl3aJ18JIl3010Ulj::E

    S~JOMasaljlswaapalj'pueljJaljloaljluopU8'sanblulj::lalpues:::

    -ua18WJ8In::l8UJaAUIlSaJajUls,JalsnqJ0::JalsasleJdaljpU8lj.3-:

    aljluo'S~JOMaSOljltoluawssass8luaieAlqw8U8slaAliapi3uliJ~:~

    'Ma/ila(jteJnpapLfJ)'rIaLflfiqpaljSllqnd'SaplfJeljloqUldW8lj::lUC=.

    18lad8lj::laljlpue'SU8dUIsasnoljIn08raljl:S~JOMpaljSIUltfiljUa~

    S,JalsnqlO::JalpaMalAaJaljalaljM'9g61puegg61UIUanUMsa':

    -leJaljjOOMlSMOII0J.>/OOB)ea)..,spapLfJ)'rIaljlUIal::lIfJ8S,l3UII'':::::

    U8S,IfJaqllia18qapleJnpalllj::l18aljltopunOJi3aJotaljl01llji3nOJq

    a/d/JuudteJnpapLfJ)'rIs,laMo~llIMtossa::l::lnsfiJ8UlpJ0811xaalj1

    'snluai3ail/JeualjlJOIfJaq11iS8lj::lnsSJap8J8lj::lpa181

    aJunfill3ulwaasalaMSJOp8UI8WasoljMa18qapIi'sOg61a181aljl

    funs01761alelaljlWOltPlalja18qap181npallljJJ8aljlpap8AJad

    PetUI'UOlflsoddoSIlj1UOIlisoddofiJeulqeseWaljlSllsodl3UIIJIfS

    uawai38i3ua::lIAI::lJOsaAI10W18::l11aljlsa8JaljllafiquaAUpsaljJeoJd

    d8lempallljJJ8fi18JOdwalUOJUIUOlsuallual81aljlaS8::lMOljS

    al::lllJ8S,i3UIIJI1SUIpauolfuawsalfilSJ8M1Sodl3ull3JawaOMlalj1

    SnlN3!.l3f111VN3HlClNV'tjOlnOOlN31'OIClI11Wd'1H138W

    a::llp8JdpU8UOlf8::lnpa18mpalllj::l18UIluawai38i3ua::lIAI::li3uualSOt

    SpJ8MOlPuaJl8ljllMpa18uosallj::llljM'S0961aljlUIOlJOdto100lj::lS

    aljl18sa::luauadxa18JIi303epadUIUOlf81alljJnstosaJuanbasuo::l

    aljla18l311saAul'JaAOaJOW'111Mllpansmd3ulaqS8Mu31sap3uIsnolj

    UOSaldl::luudlSIUJapow18MlalultoluawsSasseaJ18Mlsodaljllj::llljM

    sule38punOJ3~J8qaljlpuessaJ3uo::JVNI::JljlO19%1aljlUIuOIl

    edlJlfledasanl3nlJOdaljluaaMlaquOll81al3ullj::l0IJalUIaljlaJOldxa

    111M11'aJlpeldpueuOlfe::lnpalempallljJJ8ljloqUIsuollsanbasaljl

    UIllJlldwlsJlpalelpaljlssnJslpoll3ullnqUjUO::l18sWleal::lIfJ8sllj1

    Lu31sap3uIsnoljUIluawa383ua JIAIJpaJuanlJ.ulSaJnllnJ18::l01touoqeAJaSaldaljlpU8SaldlJuud

    SII8SJaAIUntoUOllOWOJdaljluaaMlaqUOllell03aualjlPipMOHnel

    -lq8ljaljlOllj::l801ddelSluewnljalOWeJOtpalnqulUOJ"snlua3aAIl

    -8U"aljlJ.0luawsSaSS8aJaljllj::llljM0lluajXaaljlseM18ljM'lXalUOJ

    SlljlUI'a::luaH'fillienplAlpulpU8SaJnllnJleJoltoaJU81daJJ8aljl

    SPJ8MOlpadsaJl3uIMOJ38S8MaJaljlS8IlaMse'Saldl::luud18SJaAIUn

    touoqoWOJdaljlljloqljllMpaUJa::lUOJamllnJ8seMalaljlpouad

    SlljlUI'P8tul'S18afiIBMaljl3uunpapewSJOJJOljaljltojUawa3pa

    -IMOUlj::l8::lll8Wn8Jlaljlfiqpalal33ulseMljJeoJdd8lSluewnljjUal

    -8AlqW8U8ualjMaWlleljllMpa18uosalsnljlaJUaleAlqwes,3u11JIlS

    'sanssll3ulsnolj(tSOJ-MOI)L:paUJaJuoJfiltalljJ'pa18Aqowfil181JOSalOWS8M181n::l8UlaAau:

    =--

    jUawssaSS8aJaljl'sansslJqaljlsaeljllMpaUJaJuoJfil1J8wuda.~

    eseMWSIU81P8118d-oauSeaJaljMjeljl3uUelJapuosa033u!I.:::::

    z'AlelltoaJn:pall~::>lesnOWAuouea~luole~llnqaJuessleuatj

    uellellpueUJapoV'Juellelluoaso~llOUalaMSPltnB"fen~ooqlua::>alS,~llwSlappl)!to[::lIS]lalde~JZUllelnWIjSAlienslAlSOWa~l

    leljlspUalUOJalj'Slljlal81lsnIII01--

    -uawowl3UISOIS8MPuallSlljll3UllUMseMaljawqaljlfiq'3uliJC

    l3U1pJO::l::l8'laAaMOH'ul3lsap18mpalllj::lJ8UIswalsfisleuOllloc

    j.oasnaljlSP18MOlPuall8touoqeulwasslpaljl10J.filleUO!l-:-

    palnqujUOJ)o/npo0)a7J.o61761UIOSI8uoq8::lllqnds,Jalsn~

    al'ljooqs,laMoljlllM01lxaN'wslUewn/-lJOaa't!aLfJ

    U/

    sa/dIJ_::

    /e)npaJ'LfJ)'rIs,JaMoljWMtlopntjJ.o'61761UI'UOIl8::lllqndaL'!

    paJalSOJ.filulewS8MJan81alj1wslu8lp81led-oaul3U1aqJaljt~-

    'UOlleJnpalempalllj::lleljsqu8leMlsodUIaSOJeleljlsalfilsONC~_

    J.0auGS8luawaAowSlljlpalaplSUO::laH's3ulPllnqsnowfiuoue=-snoual3lpul'sa::lUaJaJ.alJ8In::l8UJaAl3ulssass8alto'pouadJ8M-

    aljlUI'pualllua31awaaljlfiqpaJal3l3ulseMluawalelss,l3[;

    1,,'ualMlaljdolSUlj::JliSJ.0ampallljJJealjlUeljljU8JIj.lu3lsa.__

    a3ualjaUOlSfi8PO[l]"l8ljlpanl318aljalaljM'>/OOB)ea)..,spat_=-

    aUIZ838WaljlUIpaljSllqnd'alJqJeU8alOJMl3UIIJIfSsawerLc:.E:::

    81QWIOJj.Oli:pSJc

    ~3~O~j)torc-

    8JQWIOJj.Oli:psJa

    ZINOWOlN":>01V

    8JQWIOJj.OIillS12-

    "lOWNO..

    ONOA38ON\fV\J\fIJ

    IltJ38l\fV\JOtJ-=JN81S308NISnOHNI1N3V\J38\f8N3JI/

    :Sn1N383/\ll\fN3HlON\fV\JSll\fStJ3/\INn'V\JSIN\flAJr

  • 7/27/2019 Mota Moniz Kruger Humanism

    8/14

    H U M A N IS M , U N IV E RS A LIS M A N D T H E N AT IV E G E N I U S

    Palladio's architecture together with their theoretical contributions to

    the discipl ine. This book suddenly became instrumental in challeng-

    ing both the academic (Beaux Arts) account on the architecture of

    the Renaissance and the most dogmatic modernist principles. In fact,

    already in 1947 Colin Rowe published in The Architectural Reviewhis

    seminal artic le "The Mathematics of the Ideal Vil la." In this art icle,Rowe, a pupil of Wittkower, famously demonstrated the resonances

    in the generative geometry of Palladio's Villa Malcontenta a nd L a Ro -

    tonda with Le Corbusier's Vil la Stein de Monzie at Garches and Villa

    Savoye.4 At the end of the 1940s, both Wittkower and Rowe w ere thus

    showing that the archi tectural principles of the Renaissance were

    worth for something more than mere images to be li teral ly copied as it

    had been hitherto approached in Beaux Arts architectural education,

    After the publication of Rowe's article and in the same year of Witt-

    k ow er 's b oo k, L e C orbusier publ ished his Le Modulor where, ac-

    cording to the book's subtitle, he sought "une mesure harmonique

    a I 'echelle humaine applicable universellement

    a l'Architecture et

    a la mecanique" (a harmonious measure to the human scale univer-

    sally applicable to architecture and mechanics,)

    Systems of proport ion thus became a trendy topic fa r the p os twar

    younger generation of architects, as c an b e stated by the opinion of

    notable members of this generation such as the Smithsons, whom

    declared in a l e tter to th e e di to r o f the RIBA Journal, published in

    February 1952, tha t the y w ere a w are th e mos t d iscu ss ed books of

    that moment were Le Corbusier's Le Modulor and Wittkower's Archi-

    tectural Principles, both concerned wi th systems of proportion.5 They

    argued, mo reover,

    "Dr. W ittkower is regarded by the youngerarchitects as the onlya rt-his-torian working i n England capableo f describing and a nalysingbuildingsin spatial and plastic terms, and not inte rmso f derivationsand dates."6

    Le Corbusier's Le Modulor was translated into English in 1954 and

    reviewed in 1957 by Sybil Moholy-Nagy, whom considered the Mod-

    ulor as a "magnificent folly." Le Corbusier, Moholy-Nag y remarks,

    dwells between violent contradictions: from revolting monstrosity and

    brutal dictatorship in his urban concepts, to deep humanism in his

    religious projects and love for nature. With the Modulor, she argues,

    "the service which Le Corbusier rendered l ies in the transforma tion

    of time-bound phenomena - industrial ization, urbanization, building

    technology - into timeless art." And she goes on to conclude that "[iJ

    n a century of al l-pervading uti li tarianism the fol ly and depth of inap-

    pi icable greatness is the contri bution of Le Corbusier. "7

    In the same year Sibyl Moholy-Nagy reviewed Le Modulor, her book

    Native Genius in Anonymous Architecture in North America was

    launched, In this book, Mo holy-Nagy delivers criticism on architec-

    tural approaches more interested in mechanical progress than in tru-

    ly humanist progress. In producing "architectural standards based on

    different values than those of pre-industr ial t imes," she argues new

    architectural standards were created, which "are concerned less and

    less wi th design and more and more wi th technology."8

    Moreover, she goes on criticiz i n g also those who, out of an inferior-

    complex, need to find architectural s ignif icance in remote conteE

    overlooking their native circumstance. She contends thus that

    "[tlhe romantic glow of the ancient and the far-away has dimmed "";:

    us the aChieve ments o f our own untutored and intuitive architectL~geniuses ."

    And goes on argu ing that

    "[ilt is this verya nonymity that gives special weight to their work : r . : -caus e it was preserved for no other reason that i ts adequacy beyc-the life of the builder. It fulfilled an ideal standard. "9

    Sibyl Moh oly-Nagy's i de al s ta nd ard, produced by the native gen,_

    seems, thus, to chal lenge Le Corbusier's aim t o "harmon iz e t he L

    of the world's product throu gh s tandardization" with the Modular. S ,_

    champions an alternative approach, praising the outcome of a natL''=:

    relation betwee n the architectura l a rt ifact a nd i ts circumstance.

    N E G O TIA T IN G A R C H IT E C TU R E W IT H N A TU R E

    The intertwined r ela tion betwe en the p ursu it o f a esthetic perfectic-

    and the acknowledgm ent of Nature as i ts mai n reference can a'-

    be found in Alberti 's De re aedificatoria.

    In his treatise, Albert i contends that the elements relevant for L--

    derstanding a build in g a re regio (the surroundings of the bui lding. .

    area (th e b ui ld in g s ite), partitio (partition), paries (wall), teet/.;-

    (roo f), a nd apertio (opening).l0 In the definition o f th es e e le menc;:

    Albert i conspicuou sly uses references from Na ture. For e x ampl=

    when Albert i describes the proper way to design a building's par:-

    tion, he compares i t to animals' bod ie s. H e argu es "just as wr : -

    animals members relate to members, so too in b ui ld in gs p ar t oug-

    to relate to part;" And he goes on conten di ng tha t

    [Iln fashioning the members, the moderation shown by nature oug-

    to be followed; and here,a s elsew here, we should not somuch prais:'sobriety as condemn unruly passion for building; each part should ~appropriate, and suit its purposell

    Alberti goes even further, declaring that one should bui ld accordir;~

    to the laws of Nature, avoiding challe ng in g h er, He argues that

    [Nlothing should be attempted that l ies beyond human capacity, n _anything undertaken th at might immediately come into conflict wiL :"Nature. For sogreat is Nature's strength that, although on occasic-some hugeo bstacle mayobstruct her, or some barrier divert her,s l;~

    will always overcome and destroy any oppo sition or impediment; ar:.any s tubbornness, as it were, d isplayed against her, will eventually tEoverthrown and destroyed by herco ntinual and persistent onslaught::

    Next to stressing the lessons provided by Nature, Alberti draws als:

    o ur a t te nt io n to th e n ee d to tak e in to consideration the native gE-

    nius, i.e. to learn from the past. He thus states that

    [Ilt wi ll be helpful to derive ideas and draw compariso n s bystudyill~completed buildings nearby, and to base our own proposals on the'

    151 - 2012 ACSA International Conferen ce

  • 7/27/2019 Mota Moniz Kruger Humanism

    9/14

    'saldlJUUdfeJnpapLfJJ'rfS,JaMO~nIMUO18S18Jdd8

    JlaljlpaJaAliapOljMasoljl'uoq8Jaua3Jal3unofiJeM-1Sods,V\JVI8J.o

    awosfiqpauoldweljJasoljlljllMa18UOSaJfil18nluaAaPlnoMSaldlJ

    -ulJd18Jnpalllj::lJ8s,qJaqlV'sOg61-PlwaljlUI'P8J.ul'luawai38l3ua

    181::lOSpuessaUsnOI::lSUOJ18JIJ01SIlj'fill::lIJ.I::ladsallsljllMpaUlaJ

    -UOJljJ80Jdd8lempal!ljJJ8uesuoldw8ljJII'swalsfisleuoqJod

    -oJdJOJ.a::lmosS8am18NJ.oluaw3paiMOUljJ8aJawepuofiaqalllJp

    euoJeJ/ppaea1aos,qJaqlVSMolloJ.'pUalUOJaM'ljJ80Jddesllj1

    'fiJ8UIpJOaljltofiJ8UIpJ08J1Xaaljl0lUIl3uI~oolljllM

    pauJa::luo::lljJ80Jdd8U83ulnsJndUIuaa~ualjlaJUISawe::laq'Snljl

    S8Jlanl3ll.::Jzz,,"18quassafildwISaljli3ul~oolJallo'fiJ8UIPJ08JlxaSI18ljMJOJ.a::lUaJaAaJJ.ofi::luapUal(iLS,JaAaJoJ.JO)s,fiepolOlfiJ8J1UOJ"ljJeoJd

    -d8uelsal33ns01pOljlaw18Jlljd8Ji3oUljlaueljllM'P1J8V\Jli18aljl

    'aJuallaJxaJed1001Ie::lIl3010pOljlaWs,V\JVI8l3ulI3ulwlepaldwane

    snljls8Jlani3ll.::J'olJaljllljpa~oolJallouaaqp8ljljJlljM'ljJOMJ.oPlalJ.

    lU81JodWIU8sesaljlunwwo::lleJnJalj1J.oal8JSaljllnoq8llj3noJq

    alj'P8alSUI'sllodoJlaWaljlJ.ouoq8zIu8qmaljluosnJoJ.18uoqlP

    -8JlquawaAowuJapowWOJJ.paWljsslsaljl,seJlanl3ll.::JCaWaljl

    18mJV'wslueqJn),,18JnJ8walwn'owslueqJn"pallilslsaljl8

    ljllM(8WOldIO,spallljJJ\faljll3ululqqOJOJ.uoqeJllddV)OpallnbJIi

    ap8woldiOop01;i5uaNO8JedoSJn::lu08-V008SlljpaJallllap'seJ

    -lan311.::J8XIlOIA?PO'sowe~J.ojUapnlsJaljloU8'J8afiaW8S18ljlUI

    lz'uoqSlllePlaljsSaJl3u08VInEg61aljlUIpalUasaJdaqPlnoM

    lj::llljM'suolssaJdxapU8sanblulj::lal18UOlllp8JluofiaAJnS8dOlaAap

    01-olJOdJ.o100lj::lSSlJ\f-aul.::JaljlleJampal8fipeaJI81UaWow18ljl

    le-eJoA?la3eJno::luaPlnoMSOW8tjsOlJ88'Eg61UI'Ja181sJ8afi

    awosoz'awli3aJaljlfiqpalJoddnsS8MljJlljM'WSIl8WJ0J.lSII8uoqlp

    -8Jluopas8qljJ80Jdde18mpa1llj::lJeU8lsuI83e'"suoqualulMau"

    pa118::>aljljJlljM'aJnpa1lljJJ8uJapowlJaSS801lJoddns18luaw

    -nJlSUIU8S8MJelnJeuJaAaljl'luawowSlljll8'8JOA?1JOj.'a::lUaH

    61,,"SUOllualUIMaualjlljllM

    aJU8pJOJJ8UIaJOW'SpJOMJaljloUIJO'InJ.IJu8J.ssalpU818uolpunj.

    aJOWSIIIse'palpnlsfilJadoJdualjMsuossalleaJ3ljl!Msnfilddns

    111MasnoljJ8In::l8UJaAaljl"pawl81::laH'allsaljl18punoJ.aqPlnoJ

    "a38nl3u8118mpallljJJ8j8Uoq8U"8S83uIljlljJnsj.1fij.lJall01ampal

    -llj::lJeJ81nJeuJaAuofipnlSdaap8JOJ.pan3JepU8luawaAow(aSnOH

    asanl3nlJOd)"esan3nlJOd8S88"aljlJ.osaslwaJdaljlpal3uaI18lj::lalj

    'lxalSlljlul81'uoquan8JaplMla3pueL1761UIpaSIAaJaqPlnoM

    ljJlljM'(aSnOHasanl3nlJOdaljlj.owalqOJdaljll"esan3nlJOd8S88

    8pewalqoJd0"alOJMoSI88JOA?1'"OWSIIIllIW!Jd"J.oJ8afiaW8Saljl

    ul'uolllP8JlJ81nJeuJaAaljluoljJJ8aSaJInj.lljl3ISu!U8lj3noJljlaml

    -JallljJJ8lSIUJapowJ.ouOl18PlleA8OSI8lsa3l3nsfil18nluaAaPlnoM

    eJoA?l'UOI1IP8Jl::lIP8plpslJ\f-xn8agaljluoWSI::lllIJJSllj01lxaN

    Ll,,"asodmdleUltS,118selaAau'aA118aqPln04S

    11sn~lpU8uOll8antoSIS8q8SIAdoJa~l~AdOJesepaZIlelSAlJZUlaqtoasodmda~l~l!Mauopaq10uueJl!lnq-UOl1!pellJIlSll1etoSIS8qa~lto

    auoSIIIse-lSlxaSAeMlePlno~sAdo::>a~l'uoq8aJJtoaseqa~lseAdo::J

    a~l4l!Malqll8dwOJUI'UOllnIOAaaAileanlealeZU!MOIIO~U!pasnJOtaqPln04SIillAlpeJla~lle~law01swaas11'wa~lOlalqlssaJJeulSIl1e

    sl~ltoluawZpalMOU>jJ8Allnta~lle~lMOU>jI411no~1'l1eauoZAqeJO

    uOlle1lwia4111eSI~01aldlJulJda~lseansmd(pal!8~AlaleUnl10tpuellle

    paldwaneO~Mslsll1eanllawosalaMala~lpue)lOUPlno~slSll1eleala~l

    18ljlpan3JealjaJaljM(WSIIIllIWlJd)"OWSlllqIWlJd"

    pallqlxal8-100lj::lSleJnpalllj::lJealjllepauleJl3ulaqIlqsS8Ma

    allljM-g1761UIalOJM'sluapnls,sowetjJ.oauo'8JOII?10pU8UJa.

    'suoqlladaJJllaWIWJaAllapOlUOU8::l8J.Op8alSUIapnlln8Ulapow

    eaJldsul01slseqP8Jlsq8U8sepasnaqPlnoljSsa::JuaJaJ.aJSlJ

    xn8ag18::lISS8IJaljlaJaljM'lj::l80Jdd8le::lll3ol3epadMau8l3ulpuew

    -apaJaMOlJOdto100lj::lSaljlj.osluapnlsawos'sowe~fiqpaJldsU

    'aJU8lSwn::lJIJJIj.IJadss,3ulPllnqaljlljllMa::lU8pJOJ::l8UIaWO

    -lnoU8Jallilap01JapJoUIeuawoualjdleJnllnJpU8181JOS'18mleu

    s,allsaljlljllMluawal38l3uas,palllj::lJealjl3uIsSaJlSuouaaljoSl

    S8MSOW8tj'JaAOaJOlN91,,"uoq8JnpaJIWap8::leSlJ\f-xn8agPlioSSI

    pa18ualleJallau'snldoJ83uIlonbfillSOW'asJnoJslplSlJnds,wslleu

    -Oq8J013UlpJOJ::l83ullj::leal",SOW8tjsOlJ88leljl'aldw8xaJOt'sanE

    -J881s08saAl1iaJpu8xaiV'18Jlxop8Jed18ljMawospawaap'JaAaMO

    'S8MUOll81j.uOJSIlj1gl'asan3nlJOdOjUla181sU8JlfillenjUallaPinoN

    aljlj::llljM',,3ululeJlS,palllj::lJ8U8JOJ.lUudanlg"s,snldoJ8Jall8/

    fiqpaJldsulfilj.allj::l'lj::l80Jdd8uJapow8ljllMuoqlP8JlSlJIi-xn8aE

    aljlal81J.uo::l01lljl3nosWOljM'SOW8~SOlJ88S8MaJnl3Ij.l3ulpealaLL

    'uoq8JnpaleJnpalllj::lJeUIwi3lp8JedJ.oa3ueljJe3uualSOJ.SPJ~

    -oll3uli3JawaS8Ma18qap8'alloqepassnJslpS~JOMaljll3ulljSllqr.:

    aJaMJaMO~nIMJ.lopn~pU8'aMo~Ull08'JalsnqJ08alawqalj1:;

    '183nlJOdul'uoq8JnpalempallljJJeoSI8pap811JaduOlsualSIL

    'samllnJlex:

    pU8sa::luaJaJ.aJlesJalllunuaaMlaquOlsual8passaJlSfii38N-fiIOljO

    pU8l3UIIJqSljloqal8qapSlljlJOJ.suoqnqujUO::lJlaljlUI'JelnJeu~~

    aljlJ.OSanlJIAaljll3ulssaSS8aJpU8saJuaJaj.aJJIWap8J8l3uIS!a.:

    uoaAlJplUaJm::lUO::lfill3ulwaasaljl3uq81pawalOJlU8::l1J.lu3!s

    fi81dPlnoMamleNaJaljMal8qap18Jnpalllj::lJesOg61aljlUIsa:::.-

    -Jaj.aJluaulwaaweJaq0lP8118dpU811Jaqili'aAoqepaSsnJSlp~-

    AMVNIOMO3HlNIAMVNIOMOVM1X33HlMO:l!.lNIH::JH,,=--

    'aJnleNljllMSISo!qwfisUI3U1PllnqJ.OJOA8apUaS,pal!lj::lJe=JOJ.saJuaJaJ.aJS8amllnJ18IJa18WpU8sluawalaWnql3uqslxaaJd'O_3uIJaplsUOJJ.OaJU8lJodWIaljlpueaJU8lSWnJJIJljJ8aJ.OfilIJI}!~-

    aljlal3palMOUljJeSaldlJulJd18mpalllj::lJeSIH'ljJeoJdd8IeJnpall[;--

    18sJaAIun8l3ull3uaI18lj::luo3uluoseaJJ8alJ8'snljl'sJaAliapq..e:-

    Vl'AJlUnOJa~lU!aSO~lWOltpa~slnllul1slP

    aqPlno~sA11::Ja41UISZU!PllnqaleAlJdA~MsuosealAuewa41toauo

    S!'ua~l'SI~l'aAlp!llSalSlA11::Ja~lseala~M'uadoalOWS!llul~lAlaAa

    ala~~uadde~lOUsaopSI~laplsAllunoJa~lul'llnsaJAlop8tsilese

    llulAal~J8s,auolUaAaJd01'uoOSpU8'AeMtoSl~lllJ'punOJllJ!lqnd

    'slannZ-lluldd!lP'slleMAl1edS8~JnsSUOlpIl1sala18ala~llluIPI!nq

    u8qmullSI~lSIA~M'AllunOJa~lUIueJAa~lseAllJa41U!AlaaJtsepalepowwo::J::JeaqlOUU8::JSZUI~lpU8uawtolaqwnuall181'd

    'aplsfiJlUnO::laljluI18lj-fillJaljlOlljJeoJddealjl3uIljsln3uqslpfil181Jads'Pllnq01

    auoaJaljMa::luelSWnJJI::lJIJ.I::ladsaljl01uoquan8ueljllMpa~__

    aq'JaAaMOlj'PlnOljSamllnJ181Ja18WleJolaljlJ.ouoqeJaplsuo:;S,__

    l'>jlOMUMOJnOAlnoqealeln::Jads

    01alqeaq111MnOAspatappueSWawlla~lllulAlasqoAq10:::1'aldwexa

    "IN3VII39V9N331/\13

  • 7/27/2019 Mota Moniz Kruger Humanism

    10/14

    H U M A N IS M , U N IV E R S A LIS M A N D T H E N A T IV E G E N I U S

    C H A LL EN G IN G A N U N I V ER SA LI S T A P P R O A C H

    After the groundbreaking meeting held at Doorn, The Netherlands,

    in January 1954, some of this generation's most active members

    launched a"statement on habitat" also known as"The Doorn Man i-

    'esto," In this manifesto, they challenged ClAM's interwar urbanand architectural principles, chiefly expressed in their criticism on

    the universalism of the Athens Charter.

    The notes of the first meeting in Doorn, reported that the Smithsons

    condemned past ClAM's excessive dualism between house and city.

    They argued that now it was time for accomplishing its interrela-

    tion.23 This resonated with Alberti's famous dictum "a house is like

    a small city and the city is like a big house", which had been al-

    ready suggested by Plato in his "Leges."

    In the Smithson's original manuscript for the" Doorn Manifesto",

    the first point argued that "[ilt is useless to consider the houseexcept as a part of a community owing to the inter-action of these

    [sicJ on each other."24They shunned the universality of the codifi-

    cation proposed by the Athens Charter's four functions by declar-

    ing that "we should not waste our time codifying the elements of

    the house untill [sicJ the other relationship has been established."

    Thus, they went on arguing "[hJabitat is concerned with the par-

    ticular house in the particular type of community."

    The methodological apparatus they suggested as an alternative

    to the Athens Charter was the scales of association, inspired by

    Patrick Geddes' "Valley Section," where they identified four "eco-

    logical fields" or human associations: isolated buildings, villages,

    towns, and cities, The "Statement on Habitat" later disseminated

    by the ClAM members present at Doorn, stressed that "[tJo compre-

    hend these human associations we must consider every community

    as a particular total complex."25

    The Doorn manifesto embodies, thus, a shift from the abstract and

    universalizing character of the Athens Charter towards the ecologi-

    cal and humanist approach triggered by the acknowledgment of

    natural relationships between the individual and the community.

    As stated above, Alberti was concerned with learning the lesson

    delivered by Nature, recognizing the cultural significance of the

    particular circumstance at a given building site, and praising the

    interlocking relation between building and city, With the Doorn'

    manifesto, some members of the mid-1950s ClAM younger genera-

    tion echoed Alberti's more organic principles, which would eventu-

    ally become programmatic in the folowing years.

    In fact, the organizers of the 10th ClAM congress, who became

    known as Team 10, decided to use the scales of association as an

    essential methodological tool to debate and eventually formulate

    the Charter of Habitat. Hence, for the 10th ClAM congress, all

    ClAM groups were asked to present projects related with one of the

    scales of association.

    Figure l.ClAM-Porto - A New Agricultural Community. Project presented

    at ClAM 10 - Dubrovnik, 1956. Extract of Panel 2 - General Plan. SourcE:

    Centro de Documenta~ao da Faculdade de Arquitectura da Universidadedo Porto.

    The scale of association that arguably del ivered the most interes:-

    ing case studies was the village, for it provided a scale where tt-:::

    issue of relationships between the individual and its communi::;could be best perceived and assessed, The contribution to the co~-

    gress of the group ClAM-Porto, a project for a Rural Communi:::

    (Figure 1), utterly illustrates this.

    C IV IC E N G AG E M EN T IN A R C HIT E CT U RA L E D U CA T IO N A N D P R A C T I C E

    The project presented by the Portuguese ClAM group at the 10:-

    ClAM congress, held at Dubrovnik in the summer of 1956, delri-

    ered a proposal for a new agricultural community. Designed by :" -

    nesto Viana de Lima, Fernando Tavora and Octavio Lixa FiIgueira~

    it was the first outcome of an ongoing survey on Portuguese region.

    1 53 - 2012 ACSA International Conference

  • 7/27/2019 Mota Moniz Kruger Humanism

    11/14

    'fillunWWOJaljlj.oalnpnJlSaljlJOj.uOllnqu1UOJJlaljlPU818llqelj18JnJ

    aljlJ.oSWJoj.J.ofipnlSaljluopasnJoj.S8M-v'NI:)ljlO1aljlUIpaJaAllap

    paroJdaljlpaul3lsapOljMwealaljlUIJ018l0q8110::le-Or08J\t0PI8UJ\i

    fiqpalUasaJd\i00:)aljl'aldw8xaJOj.'L%lul'uolleJnpalempallljJ

    -J8aljlUIp8dwil8aJ3ljllM'lj::leoJdde18JnpallljJJelSIUJapowaljlto

    'uollezI18nlda::luo::laJ8JalsoJ.fil18nluaAaPlnoMfiaAJnsSlljlljllMspallljJ

    -Je3unofiasan3nlJOd18quanlJ.ullSOWaljlj.oawosJ.oluawai38l3uaaljl

    '(1961-S%1)

    ampallljJJ\;fleuol3atjasanl3nlJOduofiaAJns18ulwasaljla18dl::lIlU8

    PlnoM'aAoqepauolluaw'suolssaJdxapU8sanbluljJal18UOlllP8Jluo

    fiaJ\msS,8JOJ\?10pu8Ula.::lpue'\i00:),seJ!anl3ll.::1eXllOIA?POljloq

    'Sg61UI'lj::l80Jdd818JIljd8J80uljlaU8paMolloJ.18ljllUaWUOJIJ\ua

    WnqaljluosfiaJ\JnsUIpal3e3uaaJaMdnoJl3aljlJ.osJaqwawaljlj.o

    lSOW'~IUAOJqnoUIpafoldaljlj.ouOllejUasaJdaljlJauepueaJoj.ag

    'aJnllnJ18ual8waJ\118ufiqpaplAoJdsuollnlosaljlJ.oSSaUI8JnleUaljl

    uoluaw3paIMou~::leU8ljllM'Snljl'sa18UOSaJljJeoJdd8s,dnoJ3alj1

    6Z'"nalllWSll~llMwnlJqlllnbaUI

    atllle!JOSpueAllweteWOlt'Slueldsepalelaua8Alsnoaueluods'alaM

    sasno~lemllualJuemoselnq-SWSlueZlO8u!AIItole~loSleSI~JI~M

    -UOlslJaJdleJlue~JawInmneaqSI~l~llMpue'spo~lawUlapow

    IntlapUOMmoAqlemjeUaWO:laqsalllJlnopuesawo~moAe[V'Jl

    :ljJ80Jdd8s,dnoJl3aljlpazllaljlufis18ljllU8WJaHlaq\iJalllMlj::luaJ.::Ialjl

    WOJj.UOll8lonbefiqpauliJapunseMSaldl::luudS,paroJdaljlJ.ouoqeu

    -Iwlalapaljl'ljIUAOJqnO18palUasaJdparOJdaljlJ.OlauedljllnOtaljlul

    '0110dopapep!SJafllUnep

    elnpal!nbJifapapepln:le.:lepo~:)eluawn:looapollua:):aJmos'pal!~JJif

    a~ltoal0tja~l-17lauedtopellx3'9961'>jIUAOlqnO-01V'J'dI:)lepaluasaldpafoJd'Allunwwo:)lemllnJIlZifMaN'd-0110d-V'J'dI:)"Ealn8!.:l

    ,,"181IqeljSlljJ.OluawdolaAappU8uoqeaJJaljluo(UOlunWWOJ)

    a18Joq8110Jpueal8dl::lllJ8d01filnpaljlpU8lljl3ualjlS8lj'SJaUU8I

    u8qJnpuespallljJJ8aljllSnrlOUpue'U8WfiJaAa"'uoqduJsaps,pa

    -roldaljlJ.oljd8Ji38J8dleulj.aljlUIalOJMfialj1'"aAallaqaM"'luaw

    -dolaAapamlnj.SlluopU8paroJdaljlJ.ouoqlulJ.apaljlUIa18dl::lllJ8d

    01llj3ualjlljllMfillUnWWOJaljltosJaqwawaljlpasJopuaoSlefialj1

    ,,"paAIIAiasualul'ssala~lauou'lnqsnOWAuoueAlqeqoldaWOJlnOue

    ZUlJaAilapsn~l'wa~laAJasOllnqpaAlasaq01lOU'uawMOllatSI~to

    swalqolda~l0Hlaswl~saleJlpapWO~M'alqwn~'aldw!s'uewlelnleu

    a~llnq'uol~setUMOSl~sasodwile~lJOjePIPa~lla8uolouslIJ"

    'panl3J8fialj

    ,,'pallljJJealj1"'(Sami3I.::1)fillunwwoJaljlj.oswalqOJdaljll3ulAIOS

    spJeMOlluawa3e3uaJIA!JJ.oUOISSIW83uIJeJqwa'a3U8ljJPlnoljs

    palllj::l18aljlJ.oaloJaljl18ljl3UInl3J8uoluaMfialj1'JaAOal0lt\j'saldl:l

    -uudJqslu8wnljuopapun0J.salllunWWO::lJ.oUOl18aJJaljlJOj.saJua

    -laJ.aJJlseqaljl3ulpIAOJdUIsnlua3aJ\q8ualjlj.oaJU8lJodwialj

    i3ulzlul30::laJ18ldwan8al8Jaqilap8lnoq83uuqsluawa18lsasalj1

    '0110dopapep!SlaAIUnepempal!nbl

    apapeplnJe.:lepo~:)eluawnJooapollua:):aJmos'sluawamas

    8uljSlX3OM1-;;::lauedtopeJ1x3'9

  • 7/27/2019 Mota Moniz Kruger Humanism

    12/14

    H U M A N I S M , U N I V E R S A L IS M A ND T HE N AT IV E G E N I U S

    The impact on architectural education, however, was not only trig-

    gered by the lessons learned from rural communities. The method-

    ological apparatus provided by the development of surveys on rural

    vernacular was also used to promote the student's consciousness

    on the living conditions of some urban communit ies. Octavio Lixa

    Filgueiras, after his appointment as professor at Porto's architecture

    school, became deeply engaged in involving his colleagues and,

    chiefly, his students in the development of urban surveys (Figure 4).

    Figure 4. F. Guedes, J. Godinho, G. Largo - Barredo: Study o f Quarter

    1, 1st level. Analysis developed for the course "Arquitectura Analftica"

    (Analytic Architecture) 1964/65, Teacher: Octavio L. Filgueiras. Source:Centro de Documenta

  • 7/27/2019 Mota Moniz Kruger Humanism

    13/14

    '01:(OL61~:)leV'J)1ou'sog6ezlUeqJn,:6961a1961

    alW3OllOd00sajJit-SelagaoJOlJadnseloJs3eose:)!ilQilepad

    selJU\ilJadX3'soueqJnSOllJgnbuI"'sellanilll.:JeXIlOIAI;POU

    '81-91:(S961AlenuerJLLeJnpaunbJ\j

    ,:OllOd00Y8"S"3eNe:)lilQilepade1JU\ilJadX3ewn"'sejJodounNas"'nalllwuosJaAealqlllnbguaalel:)os

    laalelllwqalAaun,p'sajUeldsapawwoJsansslluawalqll'Sal81nl

    suoslewsauual:)uesoujUaJntalawwoJslew-SlueAIAsawslueilJosap!ssnealia:)lsaInb-sanblue:)gwsallaqapapnmJexaana:)

    JaAe+a'saulapowsuaAowxnalZlpoldsouled'sallamleulluaAapal

    salllAsoulasuoqe+!qe~sou+uasslnd:~JUal.:JUIleUIZ!lOalHul6Z

    'aJmosawesSllll

    WOltliealeuOljdlJJsapparolds,ojJod-V'J'dIJtoSUOljelOnbilUIMOllOt

    a~l'aAI~JleejjIUAOlqnO)

    "alllJilelapuOlldlnsao'leilnjJod'OjJOddno18"'OllOdV'J'dIJ8Z'LSI-8v1:(nOZ)ZSou'soJuawnuow,:'eueluowsuell

    IB10lsedewn'eP!AeosoplJuaAwaNsoueljaJleZOaNwaN"

    'eloV'JuoslaNpueelsoJsaAI'dalpuexalitaaspauillsapseMparold

    sl~l~:)I~Mlsuleilepunolil>jJeqa~luouOlleW10tU!aJOW10.:JLG

    'aJnllnJle!laleWpuesilulliaMpJelnJeUlaAUIsaJualaHiP

    leuolilalpueleJoltouoqelaAala~lAq'uolssaldxalempall~:)le

    leuoqeuetoa:)ualslxaa~luoSWIBIJs,aW!ilala~lpaZUalle~J

    Alpailalle11se'Spall~JJeasanilnllodtoUOlleJauailJaZunoAa~+iluowessaJ:)nssnopuawalle'aW!lle~+le'pe~AaAJnsa~l'(1961

    'sopallnbl'dopleuolJeNo+eJlpulS:eoqslll'palSI"SIOAZ'w3npod

    W]JelndodeJnpaunbJ\j'sopa+lnbl'dsopleUOIJeNo+e:)lpuISaas

    '(ale:)lpuASspall~Jl'dl8uoqeN)'dNS-SOpal!nbl'dsopleuolJeN

    o+eJlpUISa~+~llMuOllel:)osseU!+uawulaAoila~lAqpauolsslWWO:)

    seMAaAlnssl~l'1961UIpa~sllqndalaMSllnSaJa~lpueSS61

    U!palle+salnpall~Jl'dleuolila~asanilnlloduoAaAmsa~l9Z

    'leulZlJos!se~dwa(v%1'U1000

    'ZuqaaV'JU1000a~llepa+uasaJd)"lellqeHuo+uawa1e+s"'Mit'dSZ'(vS61'U1000'ZU!laaV'JUJooOa~llepalUaSald)

    "olsatlueV'JU1000a~!"'UOS~llwSUOS!I'dpueUOS~+IWSlaladvZ

    '(vS61'UlOOO'iluljaaV'J

    01weala~l+epalUaSald)"ZuqaaV'JlSll.:JWOltsaloN""M''d'dSZ

    sellanZII.:JeXll

    OIAI;POleossadoAlnbl'd'1'(SS61'OjJOdopsajJ'dselagape10:)s3

    'YO'O'J)"Iem~ewalwn:ows!ueqln"'sellanZII.:JeX!lOIAI;POZZ

    'eoqslllePla~'ilullaaw'dInSS61

    a~+toaalllwwoJilulzlueilJOa~+toUeWl!e~Ja~lseMsowe~sOlleJ1Z

    '(010Z'leuol1eulajUlowowoJoO:A1IJoJlxaV'J'Al!Ulap0V'JueqJn

    a~lUIZUIA!la~llepalUaSald)'"AUUJapowueqJnaLlJUI3U1t117"

    aJuaJa)uoJOWOWOJOOfeuo'WUJaWILlJrraLlJ)Os3U1paaJOJdU!

    ,:IeilnllodUIuilisaoZUlsnoHpueAmuapi'lelnJeulaA'aldoada~l

    WOltilululeal"'eloV'JuoslaN'laslelnJeulaAa~lpueAllulapow

    uaaMlaquoqeleaJa~+uoluno:):)es,eloAl;luouOllewlotulaJOW10.:JOC

    T1

    '(S661'nel8lello+lp3:eoqsll)sOJlanillJlzlnl'pa'eJOII?lopueUJaj

    UI,:asnoHasaniln+JOda~ltowalqOJdall!"'eloAl;lopueula.:J6

    'alAls

    "asnoHasanZnjJod"etouOljoua~+pauoldwe~JpuesuenpueS+le

    uopunolil~Jeqleuoqe:)npauepe~dl~sloleplpa~lAqpa~slJa~:)

    alaMsaldl:)UlldleJnpall~JleaSO~Mpall~:)leue'OUllIne~'OZ1'(VOOZ

    'bJelPla'Jnl.:J131:elqwloJ)2:0pleuoal'o+ouleV'Jell~'pa'ssaJdx]0pJeuoa7UI,:zznpoldeanDeleAeanssodO!:lNanDo!:lplpa~e

    elqwos~1!il1X3\inDeled"'sapual/ljlanueV'J'pnde'8'd'SV61

    '9AlenJqa.:Jpalepldlnsnuew~"OWSIAqIWlJd"'eJOAl;lopueula.:J

    'Lv'(2:861'd'd8S3epelnpa+lnbl'dapoSJnJopsag:)IP3:OjJOd)"'og6eJJass,o'elsoJsaAI'dalpuexal'd'==

    IIIN3W39V9N3~IJ\I~

  • 7/27/2019 Mota Moniz Kruger Humanism

    14/14