Slide 2 Modulation Know: How to modulate in music Understand:
How scales relate to modulation Be able to: Compose using 3 types
of modulation Slide 3 Perform Whole lotta love (below) Listen to:
Whole lotta love (Image below) BDBDEEE E E E EE E E EE E E EE E E
EE E E EE E E Slide 4 EEEEEEEE T one T one S emi T one T one T one
T one S emi T one IiiiiiIVVviVIIVIII Tonic SupertonicMediant Sub
dominant Dominant Sub-mediant Relative minor Leading toneOctave
Decode: The key of E major Why? Look at Whole lotta love.
EF#G#ABC#D#E Slide 5 Whoa! Were half way there Listen to this song
- whats the difference between the two times you hear those words?
Thats modulation! Now some up modulation in a sentence. Listen to:
Living on a prayer (Image below) Question: How many times does
Beyonce modulate? Slide 6 TASK: Roman numeral Whole lotta love.
BDBDEEE E E E EE E E EE E E EE E E EE E E EE E E
EF#G#ABC#D#EEF#G#ABC#D#EEF#G#ABC#D#EEF#G#ABC#D#E T one T one S emi
T one T one T one T one S emi T one IiiiiiIVVviVIIVIII Tonic
SupertonicMediant Sub dominant Dominant Sub-mediant Relative minor
Leading toneOctave Numerals B = D = E = Slide 7 GCSE coursework and
listening exam For your listening exam and your coursework AQA
expect you to be able to aurally detect 3 types of modulation:
1.Modulate to the Dominant When a piece of music changes to the key
of the 5 th chord. 2.Modulate to the Sub-Dominant - When a piece of
music changes to the key of the 4 th chord. 3.Modulate to the
Relative minor - When a piece of music changes to the key of the 6
th chord. Slide 8 TASK: Modulate to the Dominant. (In E whats the
dominant?) BBBBBBBB T one T one S emi T one T one T one T one S emi
T one IiiiiiIVVviVIIVIII Tonic SupertonicMediant Sub dominant
Dominant Sub-mediant Relative minor Leading toneOctave TASK: Play 2
bars of Whole lotta love in E then 2 bars modulated to B TIP: Use
the Roman numerals from the previous task Numerals V = VIIb = I =
BC#D#EF#G#A#B F# A B Slide 9 TASK: Modulate to the Dominant. (In E
whats the dominant?)
BC#D#EF#G#A#BBC#D#EF#G#A#BBC#D#EF#G#A#BBC#D#EF#G#A#B T one T one S
emi T one T one T one T one S emi T one IiiiiiIVVviVIIVIII Tonic
SupertonicMediant Sub dominant Dominant Sub-mediant Relative minor
Leading toneOctave TASK: Play 2 bars of Whole lotta love in E then
2 bars modulated to B TIP: Use the Roman numerals from the previous
task Numerals V = F# VIIb = A I = B Slide 10 TASK: Modulate to the
Sub dominant. (In E whats the dominant?)
ABC#DEF#G#AABC#DEF#G#AABC#DEF#G#AABC#DEF#G#A T one T one S emi T
one T one T one T one S emi T one IiiiiiIVVviVIIVIII Tonic
SupertonicMediant Sub dominant Dominant Sub-mediant Relative minor
Leading toneOctave TASK: Play 2 bars of Whole lotta love in E then
2 bars modulated to A TIP: Use the Roman numerals from the previous
task Numerals V = E VIIb = G I = A Slide 11 TASK: Modulate to the
Relative Minor. (In E whats the dominant?) C # D#FF#G#A#CC # T one
T one S emi T one T one T one T one S emi T one IiiiiiIVVviVIIVIII
Tonic SupertonicMediant Sub dominant Dominant Sub-mediant Relative
minor Leading toneOctave TASK: Play 2 bars of Whole lotta love in E
then 2 bars modulated to C# TIP: Use the Roman numerals from the
previous task Numerals V = G# VIIb = B I = C# Slide 12 This song is
a perfect example of modulation, It starts in the Key of F and then
moves to Bb. QUESTION: How is Bb relevant to the key of F?
QUESTION: Johnny moves from Bb to Eb- how are they related?
QUESTION: Johnny then goes back to Bb- relation? ANALYSE: Walk the
line Johnny Cash Slide 13 Slide 14 TASK 1: Compose your own 4 note
riff (single line melody) FFFFFFFF T one T one S emi T one T one T
one T one S emi T one IiiiiiIVVviVIIVIII Tonic SupertonicMediant
Sub dominant Dominant Sub-mediant Relative minor Leading toneOctave
TASK 2: Modulate to the dominant TASK 3: Modulate to the relative
minor FGABbCDEF Slide 15 Added vocals!! Modulate twice nice and
smoothly Modulate once without conviction Play 4 chords or riff Can
play in time with group COMPOSITION: SELF ASSESSMENT
