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8/17/2019 media-not convinced.odt
1/1
References-
Intertextual references-‘Vacuous’ and ‘self-referential jokes’, Jameson
Parsons-there are necessary structuresneeded in society to keep it together
Costume-‘he !lue !oy’, "ittle Joe !onan#a
Modernism-
!road mo$ement of %estern art, architecture anddesign &hich self-consciously rejected the past as amodel for the art of the present, and placed onemphasis on format 'ualities &ithin art&orks andprocesses( In)uenced *y ne& technologies, no longerhad to adhere to strict con$entions(
Discuss why some people are notconvinced by the idea of postmodern
media
Uncool=cool
Chart topping star yet +s pin up girl mise-en-scene
lo&, mello& performance e$en at.laston*ury
o uncool its cool, unexpected and outsideof ‘structures and rules’ that respected(/ot all con$inced
/o*le gun 0ghter shaping young rookieinto lethal killing machine *ut .erman and!lack1’uncool’
2ace real pro*lem of ‘social e$il’ of3merican $ie&s of sla$ery *ut some not
con$inced
ome see futuristic of 0ghting fore'uaity4&hat is right others see use of*ricolage of old references( ‘5is name &as6ing’ and ‘7jango 8nchained’ &ith ‘he!lue !oy’
ome see lo$e story of 7jango and 5ildi(
No particular point-that is the point(Jameson
paghetti %estern co&*oy 0lm-yet noco&*oys
&o main heroes-!lack and .erman
u*$erted meanings-9the medium is
the message: not &hat is said-;c"uhan
family yet, murderer, no mercy(
!he options for an active audience-what is thecorrect answer"
"ayers of reality seen in the "ego mo$ie, ‘real &orld’,‘"ego &orld’ *ut in the "ego mo$ie they *uild-cross-o$er&ith the real &orld( In the real &orld the "ego charactermo$es-not really reality( 1u*stitution, o$erlap of &hatis not expected into expected(
ome not con$inced, see a story not the preferredreading of the moral of fathers and sons4gro&ing up andloosing creati$ity
5yper-reality ele$ator scene, *right lights4slo&action4romance-reminds them they are &atching a 0lm
ome may see relationship *ut hyper-spectator ?Cohen@sees self-re)exi$e
D#an$o Unchained
Drive %lac& Mirror
'ana Del Rey
!he 'e$o Movie
Past structures of de0ning acharacter4genre are non-existent in apostmodern text
Com*ination of tradition > immediate past-
Jencks
Aeject the idea of a negati$e future( %ant toignore the possi*ilities of the ‘doomed’(
he a*ility to re-create the dead usingtechnology and science
he controlled use of an indi$idual, &hatthey think4&hat they spend their time