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ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

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Page 1: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

ME 392Chapter 8

Modal Analysis& Some Other Stuff

April 2, 2012week 12

Joseph Vignola

Page 2: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Assignments

I would like to offer to everyone the extra help you might need to catch up.

Assignment 5 was due March 28Lab 3 is due April 6

Lab 4 is due April 20 (this Friday)Assignment 6 was due April 27

Page 3: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Use Templates

Please make and use templates in Word for the assignments and lab reports

You can make a template out of lab 1

Page 4: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Assignments

I have gotten several write-ups that don’t include plots or results

I sent out an example for assignment 5

Please make sure you include Matlab plots and results

Please find the slopes and the linear limit of the shaker

Page 5: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Calendar for the Rest of the Semester

We are running out of timeMonday Tuesday Wednesday Thursday Friday

11 12 13 14 15 Odyssey Day

18 19 20 21 Easter break

22 Easter break

25 Easter breakJV in Florida

26JV in Florida

27JV in Florida

28 29

Monday Tuesday Wednesday Thursday Friday

2 3 Finals week 4 Finals week 5 Finals week 6 Finals week

April

May

Joseph Vignola
Page 6: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Calendar for the Rest of the Semester

We are running out of timeMonday Tuesday Wednesday Thursday Friday

11 12 13 14 15 Odyssey Day

18 19 20 21 Easter break

22 Easter break

25 Easter breakJV in Florida

26JV in Florida

27JV in Florida

28 29

Monday Tuesday Wednesday Thursday Friday

2 3 Finals week 4 Finals week 5 Finals week 6 Finals week

April

May

Please keep the lab clear particularly for Odyssey Day

Joseph Vignola
Page 7: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Calendar for the Rest of the Semester

We are running out of timeMonday Tuesday Wednesday Thursday Friday

11 12 13 14 15 Odyssey Day

18 19 20 21 Easter break

22 Easter break

25 Easter breakJV in Florida

26JV in Florida

27JV in Florida

28 29

Monday Tuesday Wednesday Thursday Friday

2 3 Finals week 4 Finals week 5 Finals week 6 Finals week

April

May

Please keep the lab clear particularly for Odyssey DayThen we have Easter break

Joseph Vignola
Page 8: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Calendar for the Rest of the Semester

We are running out of timeMonday Tuesday Wednesday Thursday Friday

11 12 13 14 15 Odyssey Day

18 19 20 21 Easter break

22 Easter break

25 Easter breakJV in Florida

26JV in Florida

27JV in Florida

28 29

Monday Tuesday Wednesday Thursday Friday

2 3 Finals week 4 Finals week 5 Finals week 6 Finals week

April

May

Please keep the lab clear particularly for Odyssey DayThen we have Easter break Then I am out of town for a few days

Joseph Vignola
Page 9: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Calendar for the Rest of the Semester

We are running out of timeMonday Tuesday Wednesday Thursday Friday

11 12 13 reading day 14 15 Odyssey Day

18 19 20 21 Easter break

22 Easter break

25 Easter breakJV in Florida

26JV in Florida

27JV in Florida

28 29

Monday Tuesday Wednesday Thursday Friday

2 Senior Design Day 3 Finals week 4 Finals week 5 Finals week 6 Finals week

April

May

Please keep the lab clear particularly for Odyssey DayThen we have Easter break Then I am out of town for a few daysSenior Design DayThen finals week

Joseph Vignola
Page 10: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Calendar for the Rest of the Semester

We are running out of timeMonday Tuesday Wednesday Thursday Friday

11 today 12 13 14 15

18 19 20 21 Easter break

22 Easter break

25 Easter breakJV in Florida

26JV in Florida

27JV in Florida

28 29

Monday Tuesday Wednesday Thursday Friday

2 3 Finals week 4 Finals week 5 Finals week 6 Finals week

April

May

hard due dateYou must have turned in by these dates so that I have time to grade them

Assignment 2 Friday, April 15

Assignment 3 Friday, April 15

Assignment 4 Friday, April 15

Assignment 5 Friday, April 15

Lab report 2 Monday, April 18

Lab report 3 Monday, April 18

Joseph Vignola
Page 11: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Citations

Please use proper citations

Joseph Vignola
Page 12: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Citations

Please use proper citations

[1] J. F. Vignola, et al., Shaping of a system's frequency response using an array of subordinate oscillators, J. Acoust. Soc. Am., vol. 126, pp. 129-139, 2009.

Joseph Vignola
Page 13: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Citations

Please use proper citations

I don’t care what format you use, just pick one and be consistent

[1] J. F. Vignola, et al., Shaping of a system's frequency response using an array of subordinate oscillators, J. Acoust. Soc. Am., vol. 126, pp. 129-139, 2009.

Joseph Vignola
Page 14: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Citations

Please use proper citations

I don’t care what format you use, just pick one and be consistent

It is NOT ok to copy text from a source and follow it with a citation

Joseph Vignola
Page 15: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Citations

Please use proper citations

I don’t care what format you use, just pick one and be consistent

It is NOT ok to copy text from a source and follow it with a citation

Never use anyone else’s text without quotes

Joseph Vignola
Page 16: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Citations

Please use proper citations

I don’t care what format you use, just pick one and be consistent

It is NOT ok to copy text from a source and follow it with a citation

Never use anyone else’s text without quotes

And, oh, by the way, don’t quote

Joseph Vignola
Page 17: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Citations

Please use proper citations

All figure taken from outside must have a citation

Joseph Vignola
Page 18: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Citations

Please use proper citations

Taken from Vignola [1] 2009

All figure taken from outside must have a citation

[1] J. F. Vignola, et al., Shaping of a system's frequency response using an array of subordinate oscillators, J. Acoust. Soc. Am., vol. 126, pp. 129-139, 2009.

Joseph Vignola
Page 19: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Citations

Please use proper citations

Taken from Vignola [1] 2009

All figure taken from outside must have a citation

[1] J. F. Vignola, et al., Shaping of a system's frequency response using an array of subordinate oscillators, J. Acoust. Soc. Am., vol. 126, pp. 129-139, 2009.

… and the figure must have a taken from label

Joseph Vignola
Page 20: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Plagiarism

Please write your lab reports on your own

Joseph Vignola
Page 21: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Plagiarism

Please write your lab reports on your own

I will help you and you can also ask the TAs for help

Joseph Vignola
Page 22: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Plagiarism

Please write your lab reports on your own

I will help you and you can also ask the TAs for help

Don’t paraphrase someone else’s work

Joseph Vignola
Page 23: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Plagiarism

Please write your lab reports on your own

I will help you and you can also ask the TAs for help

Don’t paraphrase someone else’s work……not from someone in this class or anyone who took the class sometime in the past or anyone.

Joseph Vignola
Page 24: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Plagiarism

Please write your lab reports on your own

I will help you and you can also ask the TAs for help

Don’t paraphrase someone else’s work……not from someone in this class or anyone who took the class sometime in the past or anyone. The University of Wisconsin has an excellent web page that discuss plagiarism in detail

http://students.wisc.edu/saja/misconduct/UWS14.html

Joseph Vignola
Page 25: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Plagiarism

Please write your lab reports on your own

I will help you and you can also ask the TAs for help

Don’t paraphrase someone else’s work……not from someone in this class or anyone who took the class sometime in the past or anyone. The University of Wisconsin has an excellent web page that discuss plagiarism in detail

http://students.wisc.edu/saja/misconduct/UWS14.html

What constitutes plagiarism does not change from instructor to instructor

Joseph Vignola
Page 26: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Block Diagrams

Please don’t include the LabView block diagram in your lab reports

Page 27: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Block Diagrams

Please don’t include the LabView block diagram in your lab reports

Taken from Vignola 1991

Page 28: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Block Diagrams

Please don’t include the LabView block diagram in your lab reports

yes

Taken from Vignola 1991

Page 29: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Block Diagrams

Please don’t include the LabView block diagram in your lab reports

yes

Taken from Vignola 1991

Taken from Vignola 2011

Page 30: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Block Diagrams

Please don’t include the LabView block diagram in your lab reports

yes

noTaken from Vignola 1991

Taken from Vignola 2011

Page 31: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Matlab Code

Matlab code NEVER belongs in the body of a lab report

Put it in the appendix if you think it is really necessary

L = .7;x = L*[0:.005:1];h = .003;[f,t] = freqtime(.0004,1024); n=1:15;k = pi*n'/L;An = (-4*h./((pi*n).^2)); a = 1/7;Bn = (2*h./((pi*n).^2))*(1/(a*(1-a))).*sin(a*n*pi);c = 100;omega = n*pi*c/L;

Don’t include

Page 32: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Equations

Please use the equation editor in MS Word for all equations

It is easy to use but if you don’t know how to use it please let me help you learn it

Page 33: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Equations

Please use the equation editor in MS Word for all equations

It is easy to use but if you don’t know how to use it please let me help you learn it

yes

Page 34: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Equations

Please use the equation editor in MS Word for all equations

It is easy to use but if you don’t know how to use it please let me help you learn it

yes

no Bn = (2*h./((pi*n).^2))*(1/(a*(1-a))).*sin(a*n*pi);

Page 35: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Single Degree of Freedom Oscillator

m

k b

x(t)

Last week we looked at the single degree of freedom

Page 36: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Single Degree of Freedom Oscillator

And can predict its behavior in either time

m

k b

x(t)

Last week we looked at the single degree of freedom

Page 37: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Single Degree of Freedom Oscillator

And can predict its behavior in either time or frequency domain

m

k b

x(t)

Last week we looked at the single degree of freedom

Page 38: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Multi Degree of Freedom Oscillators

…what I didn’t tell you last week was that real structures have more that one resonance

Every one of these resonance has a particular frequency

And a specific shape that describes the way it deforms.

Page 39: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Multi Degree of Freedom Oscillators

…what I didn’t tell you last week was that real structures have more that one resonance

m1

k1 b1

F(t)

x1(t)

Every one of these resonance has a particular frequency

And a specific shape that describes the way it deforms.

We can model a structure as a collection masses – springs and dampers

m2

k2 b2

m3

k3 b3

x2(t)

x3(t)

Page 40: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Two Degree of Freedom Oscillator

As an example consider two mass constrained to only move side to side

Taken from Judge, ME 392 Notes

Page 41: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Two Degree of Freedom Oscillator

As an example consider two mass constrained to only move side to side

Taken from Judge, ME 392 Notes

One mode has the two masses moving together

Page 42: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Two Degree of Freedom Oscillator

As an example consider two mass constrained to only move side to side

Taken from Judge, ME 392 Notes

One mode has the two masses moving together

The other mode has the masses moving in opposition

Page 43: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

A mode can only be excited at one frequency

Page 44: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The mode shapes are simple sine functions

A mode can only be excited at one frequency

For the guitar string the mode frequencies are integer multiplies of the lowest (the fundamental)

Page 45: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

Page 46: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go

Page 47: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 48: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 49: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 50: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 51: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 52: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 53: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 54: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 55: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 56: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 57: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 58: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 59: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 60: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 61: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 62: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 63: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 64: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 65: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 66: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 67: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 68: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 69: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 70: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 71: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 72: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 73: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 74: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 75: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 76: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 77: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 78: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 79: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 80: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 81: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 82: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 83: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 84: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 85: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 86: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 87: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 88: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 89: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 90: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 91: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 92: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 93: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 94: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 95: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 96: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 97: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 98: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 99: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 100: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 101: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 102: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 103: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 104: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 105: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 106: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 107: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Clamped String

Strings like those on musical instruments respond are discreet frequencies

The response to any excitation can only be composed of those modes

So if I pull the string at sum location, say the middle and let it go…

You can predict the displacement field by adding up a modes

Page 108: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

We used a cantilever for as a single degree of freedom oscillator in lab 3

A simple beam has an infinite number of resonances (this is the same as saying an infinite number of modes)

Page 109: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

We used a cantilever for as a single degree of freedom oscillator in lab 3

A simple beam has an infinite number of resonances (this is the same as saying an infinite number of modes) A mode frequencies are

where

See Blevins, Formulas for Natural Frequencies and Mode shapes

Page 110: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

We used a cantilever for as a single degree of freedom oscillator in lab 3

A simple beam has an infinite number of resonances (this is the same as saying an infinite number of modes) A mode frequencies are

whereA mode shapes are

See Blevins, Formulas for Natural Frequencies and Mode shapes

Page 111: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

We used a cantilever for as a single degree of freedom oscillator in lab 3

A simple beam has an infinite number of resonances (this is the same as saying an infinite number of modes) A mode frequencies are

whereRatio of frequencies

Page 112: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

We used a cantilever for as a single degree of freedom oscillator in lab 3

A simple beam has an infinite number of resonances (this is the same as saying an infinite number of modes)

You will put three accelerometers along the length of the beam and drive it with a hammer that has a force sensor on it

Page 113: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

We used a cantilever for as a single degree of freedom oscillator in lab 3

A simple beam has an infinite number of resonances (this is the same as saying an infinite number of modes)

You will put three accelerometers along the length of the beam and drive it with a hammer that has a force sensor on it or an electronic pulse from the shaker with at Gaussian pulse that is provided on the class webpage

Page 114: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Making a Pulse

We used a cantilever for as a single degree of freedom oscillator in lab 3

I you use the hammer to strike the you need to look at the time history to be sure you have a clean single strike

Taken from www.pcb.com

We can strike a structure and record a force time history

Page 115: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Making a Pulse

If you use the Gaussian pulse from the class webpage you can program the time width of the pulse

You will notice that as you make the time width wider the frequency band will get narrower

Page 116: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Making a Pulse

My code that makes Gaussian pulses is on the class webpage

There is one for both Matlab and LabView

Page 117: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

One thing we’ve learned is that if I force a structure at a specific frequency, it will respond at that frequency… … at least in the linear world

m

k b

p(t)

x(t)So if the driving force is

The steady state displacement response will be something like

Non-linearities will make it something like

Page 118: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

One thing we’ve learned is that if I force a structure at a specific frequency, it will respond at that frequency… … at least in the linear world

m

k b

p(t)

x(t)So if the driving force is

The steady state displacement response will be something like

Non-linearities will make it something like

But we’re not going to worry about this

Page 119: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out…and amplitude of the output is big at resonance.

m

k b

p(t)

x(t)

Page 120: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out…and amplitude of the output is big at resonance.

m

k b

p(t)

x(t)

So let’s imagine that Gaussian impulse again

Page 121: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out…and amplitude of the output is big at resonance.

m

k b

p(t)

x(t)

So let’s imagine that Gaussian impulse again

Page 122: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out…and amplitude of the output is big at resonance.

m

k b

p(t)

x(t)

So let’s imagine that Gaussian impulse again

Earlier in the semester we talked about Fourier’s theorem

Any function of time can be expressed as a sum of sinusoids

Page 123: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out…and amplitude of the output is big at resonance.

m

k b

p(t)

x(t)

So let’s imagine that Gaussian impulse again

Earlier in the semester we talked about Fourier’s theorem

Any function of time can be expressed as a sum of sinusoids

Page 124: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out……than the output is made from the same frequencies as the input

m

k b

p(t)

x(t)

So let’s imagine that Gaussian impulse again

Page 125: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out……than the output is made from the same frequencies as the input

m

k b

p(t)

x(t)

So let’s imagine that Gaussian impulse again

Where

Page 126: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out……than the output is made from the same frequencies as the input

m

k b

p(t)

x(t)

So let’s imagine that Gaussian impulse again

Where

And Bn are system frequency response coefficients

Page 127: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out……than the output is made from the same frequencies as the input

m

k b

p(t)

x(t)

So let’s imagine that Gaussian impulse again

The frequencies in the pulse are pulse are determined by the time width of the pulse

Page 128: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

If the frequency in is the frequency out……than the output is made from the same frequencies as the input

m

k b

p(t)

x(t)

So let’s imagine that Gaussian impulse again

The bandwidth of the response is inversely proportional to the width of the pulse

Page 129: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

Think about a system that has more that one resonance

Page 130: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

Think about a system that has more that one resonance

m1

k1 b1

F(t)

x1(t)

m2

k2 b2

m3

k3 b3

x2(t)

x3(t)

This one has three resonance frequencies

If you drive it at one frequency it will respond at that frequency only

Page 131: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

Think about a system that has more that one resonance

m1

k1 b1

F(t)

x1(t)

m2

k2 b2

m3

k3 b3

x2(t)

x3(t)

This one has three resonance frequencies

If you drive it at one frequency …it will respond at that frequency only

If you excite it with many frequencies, a broad band excitation…it will respond at any of the mode frequencies in the excitation band

Page 132: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

Think about a system that has more that one resonance

m1

k1 b1

F(t)

x1(t)

m2

k2 b2

m3

k3 b3

x2(t)

x3(t)

This one has three resonance frequencies

If the pulse is 0.005 s wide the band width will be 31Hz

Page 133: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

So the system’s modal frequencies are 10, 28 & 99Hz

m1

k1 b1

F(t)

x1(t)

m2

k2 b2

m3

k3 b3

x2(t)

x3(t)

We should expect to see the first and second modes But not the third

If the pulse is 0.005 s wide the band width will be 31Hz

Page 134: ME 392 Chapter 8 Modal Analysis & Some Other Stuff April 2, 2012 week 12 Joseph Vignola

Cantilever

• You will record the from from the hammer as well has three accelerometers responses

• Form three transfer functions in frequency domain

• Extract the magnitude and phase at the first three peaks for the transfer functions

• Normalize the magnitude and phase of the peaks to the magnitude and phase of the first

• For each of the three frequencies plot the normalized responses as a function of accelerometer position.