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M O N TA G EM A R C H 3
M O N TA G E
“what amounts to montage…is the indirect image of time, of duration.”
- Gilles Deleuze
B E R L I N D A D A
Hannah Höch 1889-1978
Hannah Höch, Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch in Germany
(1919)
Gropius, 1913
Dada Propaganda
Dada Persuasion
Anti-Dada
Dada World
Hannah Hoch, Da-dandy (1919)
Hannah Höch, The Beautiful
Girl (1920)
Raoul Hausmann, Mechanical Head (The Spirit of Our
Time) (1920)
Raoul Hausmann, Self-Portrait (ABCD)
(1924)
Kurt Schwitters, Mz601 (Merz 601)
(1923)
Merz = Kommerz
Kurt Schwitters, Small Sailors Home
(1926)
Mondrian, 1921
Kurt Schwitters, Merzbau (1933)
John Heartfield, The Hand Has Five
Fingers (1928)
C O N S T R U C T I V I S M
El Lissitzky, Beat the Whites with the Red Wedge (1919)
El Lissitzky, Proun 19D
(1920/21)
Proun = Project for the affirmation of the new
Malevich, 1915
El Lissitzky, Self-Portrait
(Constructor) (1924)
Vladimir Tatlin, Monument to the
Third International (1919-1920)
Alexander Rodchenko, Books (1924)
Alexander Rodchenko, War of the Future (1930)
Varvara Stepanova, The Results of the First Five-Year Plan (1932)
Dziga Vertov 1896-1954
Dziga Vertov, The Eleventh Year (1928)
Dziga Vertov, Man with a Movie Camera (1929)
“…revealing the process of revelation itself, the secrets of film-making. An investigation of the way we make sense of the visible world…
- Jeremy Hicks
